Goodman Theatre's Fannie Extended Through November 21, 2021 Due to Popular Demand

ChiIL Live Shows on our radar

FIVE PERFORMANCES JUST ADDED FOR FANNIE (THE MUSIC AND LIFE OF FANNIE LOU HAMER), OPENING TONIGHT AND STARRING E. FAYE BUTLER IN THE TITLE ROLE 

 ***THIS EXTENSION BY POPULAR DEMAND IS ANNOUNCED ON THE HEELS OF DIRECTOR HENRY GODINEZ’S SMASH HIT AMERICAN MARIACHI, WHICH CLOSED YESTERDAY AFTER A WEEKEND OF SOLD-OUT PERFORMANCES***

Yesterday, the Goodman closed one production (American Mariachi by Jose Cruz González, which “went clean”/sold-out its final weekend) and tonight opens and extends another (Fannie, The Music and Life of Fannie Lou Hamer)—both directed by Resident Artistic Associate Henry Godinez—and tomorrow, begins rehearsals for the 44th annual A Christmas Carol, directed by Jessica Thebus. I'll be out for the opening night of Fannie tonight and can't wait to catch the incomparable E. Faye Butler on stage once again. It's always a treat to hear her sing, and I'm eager to see her take on the character of the legendary Fannie Lou Hamer. Check back soon for my full review. 

Five performances have been added to the schedule of the powerful and electric Fannie (The Music and Life of Fannie Lou Hamer) by Cheryl L. West, now through November 21—new performance dates appear below. This immersive call-to-action is West’s original play from which she adapted the abridged version—Fannie Lou Hamer, Speak On It!, which toured Chicago parks in September/October 2020. Fannie (The Music and Life of Fannie Lou Hamer) appears through November 21 (opening night is tonight at 7pm); tickets (starting at $15) are now on sale at GoodmanTheatre.org/Fannie or by calling 312.443.3800. This Goodman co-commission with Seattle Repertory Theatre previously appeared as part of the 2019 New Stages Festival.  The Goodman is grateful for the support of PNC, Arts in Community Sponsor; Abbott Fund, Corporate Sponsor Partner; and Allstate, Youth Arts Sponsor.

Health and safety note: Proof of full vaccination with an FDA-authorized vaccine is required for all guests 12+ and a recent negative test must be presented for children under 12. Patrons must wear face coverings at all times while inside Goodman Theatre. Visit GoodmanTheatre.org/Protocols for more information.

NEWLY ADDED PERFORMANCES

Thursday, November 18 (7:30pm)

Friday, November 19 (8pm)

Saturday, November 20 (2pm & 8pm)

Sunday, November 21 (2pm)

The “utterly unstoppable” (Chicago Tribune) E. Faye Butler expands her performance as American civil rights freedom fighter Fannie Lou Hamer, hailed in theaters across the country as “magnetic” (Washington Post), “powerhouse” (Sarasota Herald-Tribune), “moving and memorable” (Oregon’s Times-Standard). Three musicians—Deonté Brantley, Morgan E. and Felton Offard (during performances between October 25-31) and Michael Ross (during performances between November 3-21)—join Butler on stage to breathe new life into more than 10 iconic spirituals, including “We Shall Not Be Moved,” “I’m on My Way to Freedom” and “I Ain’t Gonna Let Nobody Turn Me ‘Round.”

Fannie Lou Hamer, who would become known for her political activism and continuous efforts for civil rights, was 44 years old before she discovered that she had the right to vote. It took her three attempts to pass Mississippi’s voter registration test, which was designed to disenfranchise people of color and those with few educational opportunities. Ms. Hamer spent the rest of her life as a fierce advocate of civil and voting rights, surviving extreme violence to help found the Mississippi Freedom Democratic Party and the National Women’s Political Caucus.

For tickets and more information check out Goodman Theatre's Page here.

ABOUT FANNIE

Fannie (The Music and Life of Fannie Lou Hamer)

By Cheryl L. West

Directed by Henry Godinez

Originally co-commissioned and developed by Goodman Theatre and Seattle Repertory Theatre, with additional development by Oregon Shakespeare Festival.

Cast

Fannie Lou Hamer…………..E. Faye Butler

Fannie Lou Hamer Understudy….Melody A. Betts

Musicians

Drumset/Percussion/Vocals….Deonté Brantley

Piano/Organ/Auxiliary Keyboards/Vocals…..Morgan E.

Acoustic/Guitar/Electric Guitar/Harmonica/Vocals Alternate…..Buddy Fambro

Acoustic/Guitar/Electric Guitar/Harmonica/Vocals (during performances between October 15-31)…..Felton Offard

Acoustic Guitar/Electric Guitar/Harmonica/Vocals (during performances between November 3-21)…..Michael Ross

Piano/Organ/Auxiliary Keyboards/Vocals Alternate…..Dominique Johnson

Drumset/Percussion/Vocals Alternate…..Linard Stroud

The creative team includes Colette Pollard (Set Design), Michael Alan Stein (Costume Design), Jason Lynch (Lighting Design), Victoria Deiorio (Sound Design), Rasean Davonte Johnson (Projection Design) and Mr. Bernard (Wig Design). Music Direction and Arrangements are by Felton Offard, dramaturgy is by Christine Sumption and casting is by Lauren Port, CSA. Kaitlin Kitzmiller is the Production Stage Manager.

ACCESSIBILITY AT GOODMAN THEATRE

Touch Tour* and Audio-Described Performance: Saturday, November 7 | 12:30pm Touch Tour and 2pm performance – The action/text is audibly enhanced for patrons via headset.

*Touch tours for the 2012/2022 season will not have access to the stage due to current health and safety protocols, but will feature alternate pre-show sensory introductions.

ASL-Interpreted Performance: Saturday, November 13 at 2pm – Professional ASL interpreter signs the action/text as played.

Open-Captioned Performance: Sunday, November 14 at 2pm – An LED sign presents dialogue in sync with the performance.

Visit Goodman theatre.org/Access for more information about Goodman Theatre’s accessibility efforts. 

ABOUT THE GOODMAN

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement.

Led by Artistic Director Robert Falls and Executive Director Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” It’s longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home to these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

As a cultural and community organization invested in quality, diversity and community, Goodman Theatre is committed to using the art of theater for a better Chicago. Goodman Theatre’s Action Plan for Inclusion, Diversity, Equity, Anti-Racism and Access (IDEAA) was born out of the belief that progress means action, which includes building on the decades-long commitment to using art, assets and resources to contribute to a more just, equitable and anti-racist society.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Rebecca Gilman, Dael Orlandersmith, Henry Godinez, Steve Scott, Kimberly Senior, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. Jeff Hesse is Chairman of Goodman Theatre’s Board of Trustees, Fran Del Boca is Women’s Board President and Megan McCarthy Hayes is President of the Scenemakers Board for young professionals.

Davenport’s celebrates 23rd Anniversary With Broadway Star Karen Mason's Vaccinatin' Rhythm November 4 - 7

ChiIL Live Shows on our radar

Ms. Mason Returns to Wicker Park to Celebrate the 23rd Anniversary of her First Davenport’s Appearance with Vaccinatin' Rhythm

Photos by Gene Reed

*Please note: All patrons must be vaccinated. For entry, patrons must provide proof of vaccination, such as a Vaccination Card, and a valid photo ID. Masks will be required upon entry and when not seated.

Davenport’s Piano Bar & Cabaret, 1383 North Milwaukee Ave., celebrates its 23rd Anniversary as Chicago’s premier location for enjoying music in an intimate setting with the return of Broadway actress and multi-award-winning cabaret performer Karen Mason with Vaccinatin' Rhythm, Thursday, Nov. 4 - 6 at 8 p.m. and Sunday, Nov. 7 at 7 p.m. This is a ticketed event held in the Cabaret. Tickets are $40 per person with a two-drink minimum on the night of the performance. For information, tickets and more, please visit DavenportsPianoBar.com. 

Time to celebrate! She’s back! In her first cabaret show in Chicago in 2021, Karen Mason brings a night of unforgettable music, stories, laughter, joy and perhaps a few surprises…..because you never know what will happen with this vaccinated gal! Mason’s all-new show will feature her favorite songs and arrangements, including “You’ve Got a Friend,” “Lulu’s Back in Town,” “On Broadway,” “Broadway Baby” and including songs written by the songwriters she has known throughout her career, such as Kander & Ebb, Amanda McBroom, Marilyn & Alan Bergman, Sheldon Harnick and her husband Paul Rolnick, as well as new music chosen specifically for this celebratory night. 

“Anniversaries are about spending time with your favorite people at your favorite place. And there’s no place that I would rather be than with you and this music at Davenport’s,” said Mason. “It has been 23 years since Davenport’s opened and I was there. I am thrilled to be back, again, to celebrate more than two decades of music and memory making!”

Photos by Gene Reed

ABOUT KAREN MASON 

Karen Mason has starred on Broadway, Off-Broadway, television and recording: and “has few peers when it comes to ripping the roof off with her amazing voice that knows no bounds!” (TheatreScene.net). 

Ms. Mason was recently seen opposite Ewan McGregor in Netflix’s “Halston” and as “Madame Giry” in the North American premiere of  Andrew Llyod Webber’s sequel to The Phantom of the Opera, Love Never Dies. Previously on Broadway, she garnered rave reviews starring as “The Queen of Hearts” in Wonderland and originated the role of “Tanya” in ABBA’s Mamma Mia!, for which she was awarded a 2002 Drama Desk nomination as Best Actress. Her other leading roles include “Norma Desmond” in Sunset Boulevard, which she performed to critical acclaim and standing ovations on Broadway and in Los Angeles for three years; “Velma von Tussel” in the final Broadway company of Hairspray, “Monotony” singer and “Mazeppa” in Jerome  Robbins’ Broadway; “Rosalie” in Carnival (another Drama Desk nomination); plus featured roles in Broadway’s Torch Song Trilogy and Play Me A Country Song.

Ms Mason won the Outer Critics Circle Award for her performance in And The World Goes ‘Round and starred Off-Broadway in her own show Karen Mason Sings Broadway, Beatles And Brian.

In regional theater, she starred in the first National Tour of A Christmas Story, as “Miss Shields,” in the world premiere of the stage production of White Christmas, (playing the Rosemary Clooney role at St. Louis Muni Opera), Side By Side By Sondheim (Coconut Grove Playhouse in Florida), Gypsy (Sundance Theatre in California), the world premiere of  One Tough Cookie (Apple Tree Theatre in Chicago), Heartbeats (Goodspeed Opera House in NY) and Company (Huntington Theatre in Boston). Most recently in New York, she starred in the one-woman musical about Dorothy Parker, You Might As Well Live.

As a performer, Ms. Mason has headlined Carnegie Hall, The Kennedy Center, Lincoln Center, Feinstein’s at The Regency, Rainbow & Stars, the Algonquin, Arci’ Place, The Supper Club and The Ballroom in NYC; The Cinegrill and the UCLA/ASCAP Concert Series in Los Angeles; The Plush Room in San Francisco and Davenport’s in Chicago.

She has shared concert stages with Michael Feinstein, Jerry Herman, Chita Rivera, Luciano Pavarotti, Rosemary Clooney, Liza Minnelli and John Kander & Fred Ebb, among others. She has given concerts in the United Kingdom, Sweden, Brazil, Scotland, Tokyo and Osaka. Her starring symphonic performances include The Long Beach Symphony Orchestra with Maestro Michael Berkowitz, The Philly Pops with Peter Nero, The New York Pops with Skitch Henderson, The Oklahoma Philharmonic with Joel Levine, the premier performance of The Chicagoland Pops, The Indianapolis Philharmonic and the St. Louis Symphony with John McDaniel.

Ms. Mason has a new cd called “Let the Music Play” debuting late in 2021. Her recording career includes the single, “It’s About Time,” written by Paul Rolnick and Shelly Markham;  her 2009 MAC AWARD-winning “Right Here/ Right Now,” 2005’s “The Sweetest of Nights,” the MAC Award-winning ‘When The Sun Comes Out,” as well as three other CD’s: “Christmas! Christmas! Christmas!,” recorded live at the West Bank Café; “Better Days,” featuring songs by her longtime composer/arranger, Brian Lasser (including the 1998 Emmy Award-winning song “Hold Me“) and “Not So Simply Broadway.” She has been featured on the soundtrack of the original cast CD of Wonderland;  Jeffrey (Varese Sarabande), the studio cast recording of Wonderful Town (JAY Records), the original cast album of And The World Goes ‘Round (RCA Victor), The Child In Me, Vol. 1(Harbinger Records) and Lost in Boston ll (Varese Sarabande).

Her television appearances include the dramas “Ed” and “Law & Order: SVU” and her film credits include “Sleeping Dogs Lie” and “A Chorus Line.”

DAVENPORT’S PIANO BAR & CABARET HEALTH & SAFETY PROCEDURES

Davenport’s prioritizes the health and safety of its patrons, staff and performers. Following current local, state and government protocols, Davenport’s asks that all patrons be vaccinated. For entry, patrons must provide proof of vaccination, such as a Vaccination Card, and a valid photo ID. Masks will be required upon entry and when not seated.

ABOUT DAVENPORT’S PIANO BAR & CABARET

Davenport's Piano Bar and Cabaret is Chicago's premier location for enjoying music in an intimate setting. With two performance spaces, visitors may enjoy performances by national and local talent. The cabaret room has performances most nights showcasing a variety of types of music. The piano bar provides music from an accomplished roster of musicians and a talented serving staff that can both make a drink and sing you a Broadway-caliber song.

ChiIL Live Shows On Our Radar: Fall 2021 Theatre Favorites in Chicago

ChiIL Live Shows on our radar

Mask up and see some shows! Photo credit: Milan Pejnovich 

Pictured: Milan Pejnovich, Bonnie Kenaz-Mara (ChiIL Mama), Catherine Hellmann, Deb Frels

The ghost lights have been on 24/7 as stages across the US went dark for over 18 months, while covid ravaged our country. It's not over yet, but with vax cards in hand and masks on faces, we are finally able to gather in person again. Treat yourself! There are many stellar shows on stage in Chicago this fall and we've never been happier to gather with friends and family for a change of scene and some epic story telling. Here are just a few of our favorites. 

Photo credit: B Kenaz-Mara

CHICAGO MAGIC LOUNGE

5050 N. Clark St., Chicago, IL 60640

312-366-4500

https://www.chicagomagiclounge.com/

Music & Magic

Mondays at 7:00pm

Tickets: General Admission $20

Photo credit: B Kenaz-Mara

The Showcase

Tuesdays at 7:00pm

Tickets: Standard: $35; Front Row: $40

Luis Carreon and Paige Thompson, August 10-August 31.

 

Photo credit: B Kenaz-Mara

The Signature Show

Thursdays-Sundays at 7:00pm, Fridays and Sundays at 10pm 

Tickets: $50-$55 (Standard); $65-$75 (Premium, includes 654 Club admission)

Featuring Special Guest Nick Diffatte

654 Club features Luis Carreon 

Special Guest Nick Diffatte is quickly becoming one of the most talked about and in-demand young comic magicians working today. His unique brand of entertainment seamlessly blends dry humor, quick wit, and incredible skill. His performances are presented with perfect comedic timing and a deadpan delivery that has kept audiences laughing uncontrollably all over the country for over 14 years. Most recently, Nick has been seen in a residency at the Planet Hollywood Casino in Las Vegas, The World Famous Magic Castle in Hollywood, luxury cruise lines and “The Late Late Show with James Corden” on CBS.

 

CHICAGO SHAKESPEARE THEATER

800 E. Grand Ave., Chicago, IL 60611

312-595-5600

www.chicagoshakes.com

As You Like It

By William Shakespeare

Adapted & directed by Daryl Cloran

Conceived by Daryl Cloran and the Bard on the Beach Shakespeare Festival

In the Courtyard Theater

Regular Run: October 16 – November 21, 2021 

 

Photo credit: B Kenaz-Mara

Set in the ‘60s, the exuberant celebration of love features nearly 20 musical numbers from The Beatles songbook, performed live onstage, including “She Loves You,” “I Want to Hold Your Hand,” “Let It Be,” and “Here Comes the Sun.” The company includes Melanie Brezill (Celia) Adam Wesley Brown (Forest Lord/Hymen), Tony Carter (Oliver), Austin Eckert (Charles the Wrestler/Amiens), Lachrisa Grandberry (Audrey), Kevin Gudahl (Duke Senior/Duke Frederick), Heidi Kettenring (Phoebe), Kayvon Khoshkam (Touchstone), Kieran McCabe (Forest Lord), Steven Pringle (Adam/Sir Oliver Martext), Liam Quealy (Orlando), Lakeisha Renee (Rosalind), and Nancy Voigts (Corin).

 

Remember This: The Lesson of Jan Karski

By Clark Young and Derek Goldman

Directed by Derek Goldman

Starring David Strathairn

In The Yard at Chicago Shakespeare

Press Opening: November 4, 2021 at 7:45pm

Regular Run: November 5 – November 14, 2021

 

Academy Award-nominated actor David Strathairn takes the stage in a tour-de-force solo performance, Remember This: The Lesson of Jan Karski. Best known for acclaimed performances in Good Night, and Good Luck, Nomadland, and Lincoln, Strathairn takes on the role of real-life World War II hero Jan Karski. After surviving the devastation of Poland by Nazi Germany, Karski swears allegiance to the Polish Underground and risks his life to carry the first eyewitness reports of the Holocaust to the White House, where his warnings are met with inaction and disbelief. Strathairn captures the remarkable life of the self-described “insignificant, little man” who spoke truth in the halls of power in a timely story of moral courage.

 

Q Brothers Christmas Carol

Written by Q Brothers Collective (GQ, JQ, Jax, Pos)

Directed by GQ and JQ

Developed with Rick Boynton

In The Yard at Chicago Shakespeare

Preview Performances: December 8 – December 9, 2021

Press Opening: December 10, 2021 at 7pm

Regular Run: December 11 – December 23, 2021

 

The Theater’s raucous and irreverent holiday tradition returns in a special limited engagement in The Yard at Chicago Shakespeare. Created and performed by Chicago hip hop sensations the Q Brothers Collective (GQ, JQ, Jax, and Pos) and developed with Creative Producer Rick Boynton, this wildly entertaining 80-minute reinterpretation of the Charles Dickens classic mashes up hip hop with contemporary musical styles ranging from reggae and dancehall music, to dubstep and epic rock ballads—all underscored with beats spun live at the turntables by DJ Supernova

COURT THEATRE

5535 S. Ellis Avenue, Chicago, IL 60637

(773) 753-4472

www.courtheatre.org

 

Photo credit: B Kenaz-Mara

The Tragedy of Othello, The Moor of Venice

by William Shakespeare

Directed by Charles Newell and Gabrielle Randle-Bent

Featuring Kelvin Roston, Jr as Othello

Regular Run: October 17 - November 21, 2021

In addition to live performances, a digital version will be available to stream on-demand.

 

Photo credit: B Kenaz-Mara

Othello—the noble general, husband, scholar, and traveler—fights for his life, right to love, and position in society. When Othello’s closest confidant objects to his actions, their brotherhood is shattered, provoking a series of tragic events for Othello and everyone around him.

Co-directors Charles Newell and Gabrielle Randle-Bent helm this theatrical examination of humanity and tragedy in Shakespeare’s fraught and famous work. Through scenic design that place audiences in the middle of the action, this telling grapples with how complex notions of race, gender, and complicity at the heart of the play’s murderous events speak to a world on the brink of change.

 

DRURY LANE THEATRE

Drury Lane Theatre

100 Drury Lane

Oakbrook Terrace, IL 60181

(630) 530-8300

http://drurylanetheatre.com

 

Photo credit: B Kenaz-Mara

Forever Plaid

Written and Originally Directed and Choreographed by Stuart Ross 

Musical Continuity Supervision and Arrangements by James Raitt

Originally Produced by Gene Wolsk

Directed and Choreographed by Paul Stancato

With Music Direction by Valerie Maze

Preview Performances: September 17 – September 22, 2021

Press Opening: Thursday, September 23 at 8:00 p.m.

Regular Run: September 24 – November 7, 2021

 

Photo credit: B Kenaz-Mara

On the way to their first big gig, tragedy strikes Forever Plaid, a “guy group” specializing in barbershop quartet harmonies and pitch-perfect melodies. Forever Plaid begins when the guys are given the chance to perform from the afterlife. This smash hit musical is a nostalgic homage to the music of the ‘50s and includes hits such as “Three Coins in the Fountain” and “Love is a Many-Splendored Thing.”

The cast of Forever Plaid features Brian Eng (Sparky), Michael Ferraro (Frankie), Yando Lopez (Jinx) and A.D. Weaver (Smudge).

MERCURY THEATER

3745 N Southport Ave, Chicago, IL 60613

(773) 325-1700

www.mercurytheaterchicago.com

 

Sister Act                                                                                                 

Book by Bill and Cheri Steinkellne, and Douglas Carter Beane

Directed by Reneisha Jenkins

Music Direction by Diana Lawrence

Choreography by Christopher Chase Carter

Featuring Chicago Legends Alexis J. Roston (Deloris) and Hollis Resnik (Mother Superior)

Preview Performances: November 5 – November 10, 2021

Press Opening: November 11, 2021 at 7:30pm

Regular Run: November 12, 2021 – January 9, 2022

This feel-good musical comedy is based on the hit 1992 film that has audiences jumping to their feet!  Featuring original music by Tony and Oscar winner, Alan Menken (Newsies, Beauty and the Beast, Little Shop of Horrors), this uplifting musical was nominated for five Tony Awards, including Best Musical.  When disco diva, Deloris Van Cartier, witnesses a murder, she is put in protective custody in the one place the cops are sure she won't be a found: a convent! Disguised as a nun, she finds herself at odds with both the rigid lifestyle and uptight Mother Superior. Using her unique disco moves and singing talent to inspire the choir, Deloris breathes new life into the church and community but, in doing so, blows her cover.  Sister Act is reason to rejoice!

 

 

NORTHLIGHT THEATRE

9501 Skokie Blvd in Skokie, IL 60077

(847) 673-6300

http://www.northlight.org/

 

Songs for Nobodies

By Joanna Murray-Smith

Directed by Rob Lindley

Music Direction by Andra Velis Simon

Featuring Bethany Thomas

Preview Performances: September 23 – September 30, 2021

Press Opening: October 1, 2021at 8pm

Regular Run: October 2 – October 31, 2021

 

This tour-de-force performance celebrates the iconic work of Judy Garland, Patsy Cline, Billie Holiday, Edith Piaf and Maria Callas. Share in the unexpected encounters between these legendary divas and the ordinary women whose lives were changed by their brush with fame. Featuring such favorites as “Come Rain or Come Shine,” “Crazy,” and “Ain’t Nobody’s Business If I Do,” Songs for Nobodies illuminates the power of song to share a story, heal a heartbreak, and inspire a dream.

 

The World Premiere of

Mr. Dickens’ Hat

A Play with Music

By Michael Hollinger

Directed by David Catlin

Music Direction by Chuck Larkin

Preview Performances: November 26 – December 2, 2021

Press Opening: December 3, 2021 at 8pm

Regular Run: December 4, 2021 – January 2, 2022

 

In a cozy Victorian shop sits the hat of Charles Dickens, who once used it to carry water to the victims of a train wreck (that’s true!). When a pair of bumbling thieves plots to steal it (that’s imaginary!), young Kit sets out to foil their plan, save the hat, and free her father from debtors’ prison. Filled with a host of colorful characters, constables, and carolers, this warm winter’s tale with original music brings to life the universal lesson: “Beneath our hats, we are all the same.”

 

THE SECOND CITY

Mainstage

1616 N. Wells Street, Chicago

312-337-3992

www.secondcity.com

The Second City presents its 109th Mainstage revue

Happy to Be Here*

Press Opening: September 30, 2021 at 7pm

You’re gonna want to sit down for this news. We’re warming up the bentwood chairs and ready to invite you back inside our theater! Join humans on stage making humans in the audience laugh as we toast being together again. Our Mainstage performances are a celebration of our resilience, our relationships, and our mutual need to get back into the habit of making eye contact. We’ve been pushed apart both physically and politically for way too long…now it’s time to enjoy some good, clean (or at the very least...ultra-hygienic) togetherness.

ChiIL out in Chi, IL, mask up, and see some shows! As always, check back with ChiILLiveShows.com (adult) and ChiILMama.com (family friendly) early and often for original reviews, arts and entertainment news, photo filled recaps, giveaways, and more. See you out there!

OPENING: “I’M NOT A COMEDIAN… I’M LENNY BRUCE” RETURNS TO CHICAGO'S VENUS CABARET THEATER NOVEMBER 5, 2021

ChiIL Live Shows on our radar

CRITICALLY ACCLAIMED “I’M NOT A COMEDIAN… I’M LENNY BRUCE” RETURNS TO CHICAGO NOVEMBER 5, 2021  AT THE VENUS CABARET THEATER 

  

I had the great pleasure of catching this show in 2019. I thought I knew the comedy of Lenny Bruce, but prior to this show I hadn't realized how controversial he was at the time, and just how much he pushed the boundaries and shook up the complacency of his middle American audiences. He was a warrior for social justice, all about challenging outdated puritanical mores, and undoubtedly a comedic genius. Ronnie Marmo as Lenny Bruce is a joy to see in action, and “I’m Not A Comedian… I’m Lenny Bruce” is a must see. In our current era of cancel culture and social upheaval, the comedy,  ideals, and actions of Lenny Bruce are still shockingly relevant. If you caught this show pre-pandemic, the new production will include content from Bruce’s repertoire previously unseen in Chicago, so come or come again. 

Written by and Starring Ronnie Marmo as Lenny Bruce and Directed by Joe Mantegna. Previews Begin Nov 3.

Theatre 68 and the Venus Cabaret Theater (3745 N. Southport Ave.) are thrilled to announce the return of the critically-acclaimed production, “I’m Not A Comedian… I’m Lenny Bruce,” to Chicago beginning Friday, Nov. 5, 2021. Carefully restaged for the intimate venue, directed by multi award-winning actor and director Joe Mantegna, and produced in partnership with Lenny Bruce’s daughter Kitty Bruce, “I’m Not A Comedian… I’m Lenny Bruce” was written by and stars Ronnie Marmo. For tickets and more information, please visit LennyBruceOnStage.com. The performance schedule can be viewed below. 

The production will include content from Bruce’s repertoire previously unseen in Chicago.

“I believe Lenny’s is the voice this country needs right now,” said playwright and star Ronnie Marmo. “In the 1960s, he exposed many of the ‘untouchable’ subjects that are in the news again now: religion, racism, immigration, xenophobia, gender inequality, sexual identity, the criminal justice system, capital punishment, bail reform, government aid, police brutality, corrupt capitalism, the opiate epidemic, marijuana legalization, censorship, I could go on and on. So here we are, over 50 years later, all of the issues Lenny was fighting for are still so relevant and even radical. In certain ways, we’ve progressed since Lenny was with us, and in many, we have regressed.”

The story of the life and early passing of one of the most legendary comedians of all time, “I’m Not A Comedian… I’m Lenny Bruce” opened to rave reviews in Chicago in October 2019 and was enjoying an open run at the Royal George Theatre through March 15, 2020. Chris Jones with the Chicago Tribune raved “even the most devoted Bruce fan will leave impressed with Marmo,” and Hedy Weiss of WTTW called the play “brilliant” and “furiously funny.” Celebrated Chicago actress Bonnie Hunt said, “Ronnie Marmo delights as he channels Lenny Bruce. A thoughtful authenticity in performance, direction and script.”

An undisputed comic legend, Lenny Bruce was one of the greatest artists of the 20th century.  His life and work have had an impact on poetry, politics, music, film and of course, comedy. Bruce’s tempestuous personal and professional life was marked by great passion and great pain. His unwavering commitment to free speech led to numerous obscenity charges and arrests. No stranger to Chicago, Bruce was arrested for obscenity for his performance at The Gate of Horn in December 1962. Bruce fought for freedom of speech all the way to the Supreme Court. He died of an accidental overdose in 1966, while out on appeal. Bruce has not yet been surpassed at his particular brand of art and if he were around today, he would be in as much trouble as when he was alive. “I’m Not a Comedian… I’m Lenny Bruce” runs approximately 90 minutes, explores mature themes and includes strong language and nudity.

Award-winning actor and comedian Billy Crystal said, “beautifully directed by Joe Mantegna with a strong performance by Ronnie Marmo, this funny, fierce and tragic work vividly brings to life the comedian we so miss today.” Famed stand-up comedian and actor Richard Lewis concurred saying, “’I’m Not A Comedian... I'm Lenny Bruce’ is superlative in all departments…it's the tour de force by actor Ronnie Marmo that for me is historic. Lenny's life pours out of him.” Patti LuPone raves “Ronnie Marmo is a force of volcanic proportions. I was riveted.” Bruce’s own daughter Kitty called the show, “The best portrayal of my father I have ever seen. Brilliant.”

The performance schedule for “I’m Not A Comedian… I’m Lenny Bruce” is as follows: Thursdays at 8 p.m.; Fridays at 8 p.m. and Saturdays at 3 p.m. and 8 p.m.   There will be two preview performances November 3 and 4 at 8 p.m.  The schedule is subject to change; visit the website for the most current information.

Tickets ($69-$79 for VIP seating) are on sale now and can be purchased at www.LennyBruceOnStage.com or by calling the Mercury Theater Box Office at mercurytheaterchicago.com. Group tickets are available via Group Theater Tix at www.grouptheatertix.com or by calling 312-423-6612.

A portion of the show’s proceeds will go to the Lenny Bruce Memorial Foundation, a 501(c)(3). The foundation provides funds for those who don’t have insurance or the ability to get treatment for drug and alcohol addiction on their own. For more information please visit, https://lennybruce.org/. All contributions are tax deductible.

About Ronnie Marmo

Ronnie Marmo (Playwright and Actor) has starred in more than 60 feature films and television shows, most recently guest starring on “Criminal Minds” and “Lethal Weapon.” He also starred in “Ammore E Malavita (Love and Bullets),” an Italian musical film which won the David di Donatello for best picture (the Italian equivalent to an Academy Award). Other credits include “Back In The Day” (on Netflix now), “Deuces Wild”, “Crocodile Dundee in LA,” “West Of Brooklyn,” “Pizza With Bullets,” “Truck 20’s Location,” “Death Of A Tree,” “Irish Eyes (aka Vendetta),” and “Limbo Lounge.” He has guest starred in several hit television shows including “JAG” and “The Young and The Restless.” He was nominated for Best Supporting Actor by the Indie Soap Awards for his role as Crotch in the series, “Adults Only.” Marmo enjoyed a three-year run on ABC’s “General Hospital” as Ronnie Dimestico. On stage, he has starred in more than 40 plays. Marmo recently completed the audiobook in which he portrays Lenny Bruce in Lenny’s autobiography, “How to Talk Dirty and Influence People.” He continues to serve as the Artistic Director of Theatre 68 (68 Cent Crew Theatre Company) in Los Angeles and New York City.

About Joe Mantegna

Joe Mantegna (Director) was awarded the Tony and Joseph Jefferson Award for his acclaimed performance as Richard Roma in David Mamet's Pulitzer Prize-winning play “Glengarry Glen Ross.” Some of Mantegna’s film and television highlights include: “House of Games,” “Searching for Bobby Fisher,” “Godfather III,” his Emmy and Golden Globe-nominated role of Dean Martin in “The Ratpack,” his Emmy-nominated role of Pipi Delana in “The Last Don” and the voice of Fat Tony on “The Simpsons.” For two seasons Mantegna starred with Mary Steenburgen and Amber Tamblyn in the critically acclaimed CBS drama “Joan of Arcadia,” which won the 2004 People Choice Award for best new drama and picked up three Emmy nominations. In 2008 Mantegna reprised his Emmy-nominated role of Lou Manahan opposite Debra Messing in the USA Network series “The Starter Wife.” Mantegna has also lent his voice to the Disney/Pixar film “CARS 2” and continues his 23-year run as Fat Tony on “The Simpsons.” In April of 2011 Mantegna received a Star on the Hollywood Walk of Fame. Currently Mantegna stars as FBI Special Agent David Rossi in season thirteen of the hit CBS Drama “Criminal Minds” and continues his hosting and producing duties for six seasons on “Gun Stories” for the Outdoor Channel. His newest collaboration is “Hollywood Weapons: Fact or Fiction?” Mantegna resides in Los Angeles with his wife of 40 years, Arlene and their two daughters, Mia and Gia.

Now Streaming: 3 Mini Steppenwolf Works Via Pulitzer Prize-winning Ensemble Member Tracy Letts

Tracy Letts Plays Like You’ve Never Seen Them Before

As a bridge to live performances, Steppenwolf produces three new virtual works 

by Pulitzer Prize-winning ensemble member Tracy Letts 

Now Streaming Through October 24, 2021 

Pictured L to R: Rainn Wilson in "Night Safari", Tracy Letts in "The Stretch" and the puppet character Ted in "The Old Country" (voiced by William Petersen).

In the lead-up to ensemble member Tracy Letts’ extraordinary BUG this November in the Downstairs Theater, Steppenwolf Theatre Company is proud to bring audiences a sampler of the playwright’s singular voice in their homes with a trio of new virtual plays by Letts. The three gripping pieces, each produced for the first-time in a digital format, create the opening landscape of the 2021/22 Comeback Season and mark a bridge to the return of live performances and the highly anticipated opening of the new Arts and Education Center this fall. Steppenwolf’s virtual stage—which has streamed in all 50 states and over 20 countries since its inception last fall—is a celebration of the profound connection that theatre, in whatever form it finds itself, offers us all.

Ensemble member Tracy Letts shares, “These plays share at least one thread: a world off-kilter. But since I wrote these pieces, the actual world has undergone some hair-raising transformations, which have cast mysterious new light on these plays. They feel very much like stories for 2021.”

Ticket Info

Single tickets are now available and grant access to all three virtual plays for $20 at steppenwolf.org/TracyLettsvirtual or by calling Audience Services at 312-335-1650. Students, teachers, artists & essential workers get access for $10. The three plays stream from September 29 through October 24, 2021. 

Access to the virtual works is FREE with a Steppenwolf 2021/22 Classic Membership. To purchase a Membership or for more information, visit steppenwolf.org/memberships or call 312-335-1650.

About the Plays

NIGHT SAFARI 

A monologue filmed in a studio location 

Written by ensemble member Tracy Letts 

Directed by Patrick Zakem 

Featuring Rainn Wilson 

Run time: 14 minutes

The nocturnal habits of the Panamanian Night Monkey, the life cycle of the Paradoxical Frog, and the mating rituals of middle-aged male homo sapiens. This wry monologue poses the question: are we so distant from the whims of our biology? Enjoy your tour, and please remember—do not feed the animals.

THE OLD COUNTRY 

A filmed vignette, inhabited by puppets 

Written by ensemble member Tracy Letts 

Directed by Patrick Zakem 

Puppet and production design by Grace Needlman 

Featuring ensemble members William Petersen and Karen Rodriguez with Mike Nussbaum 

Run time: 10 minutes 

Two men in a diner drain the last drops of their coffees and think about ordering dessert. In the denouement of their (physical, intellectual, and sexual) lives, they wax nostalgic and try to communicate across a wide divide. 

THE STRETCH 

A monologue filmed in a studio location 

Written by ensemble member Tracy Letts 

Directed by ensemble member Anna D. Shapiro 

Featuring ensemble member Tracy Letts 

Run time: 8 minutes 

And they’re off, for the 108th running of the El Dorado Stakes! But this race is long-distance… and maybe not what it first seems…

This past spring Steppenwolf announced plans to also produce two additional original virtual works by ensemble members Tina Landau and Tarell Alvin McCraney following Tracy Letts’s trio of virtual plays as part of the 2021/22 Comeback Season. Due to scheduling conflicts and production limitations, in consultation with the artists involved, Steppenwolf has decided to not produce Landau and McCraney’s virtual pieces at this time, and will explore future incarnations of the works. Letts’s trio of plays, which are already in production and nearly complete, offer audiences highly original works. From on-location filming with Rainn Wilson to handmade 3D puppets brought to life, and entirely new teams of film and video creatives employed in the creation of each work, Steppenwolf looks forward to sharing these three pieces in the lead-up to live performances of BUG this November. Learn more about the 2021/22 Comeback Season at steppenwolf.org.

Sponsor Info

Night Safari is generously supported in part by Northern Trust. United Airlines is the Official and Exclusive Airline of Steppenwolf. 

Steppenwolf is also grateful for the significant season support from Paul M. Angell Family Foundation, Doris Duke Charitable Foundation, Illinois Arts Council Agency, Ralla Klepak Foundation for Education in the Performing Arts and The Shubert Foundation.

Steppenwolf Theatre Company is a Chicago theater that is home to America’s ensemble. The company began performing in the mid-1970s in the basement of a Highland Park, IL church—today Steppenwolf is the nation’s premier ensemble theater with 49 members who are among the top actors, playwrights and directors in the field. Deeply rooted in its ensemble ethos, the company is committed to equity, diversity, inclusion and making the Steppenwolf experience accessible to all. Productions that premiered at Steppenwolf including August: Osage County and Pass Over—and accolades that include the National Medal of Arts and 12 Tony® Awards— have made the theatre legendary. Artistic programming includes a main stage season; a Steppenwolf for Young Adults season; LookOut, a multi-genre performance series; and the Steppenwolf NOW virtual stage. 2021 marks the opening of the company 50,000 sq. ft. Arts and Education Center—featuring a 400-seat Round Theater, dedicated education floor and new spaces for engagement. The nationally recognized work of Steppenwolf Education engages more than 30,000 participants annually in Chicagoland communities. While firmly grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Anna D. Shapiro is the Artistic Director and E. Brooke Flanagan is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees.

Steppenwolf's mission

Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world.

Save The Dates: THE WORLD PREMIERE of WHEN HARRY MET REHAB at Greenhouse Theater Center

ChiIL Live Shows on our radar 

THE WORLD PREMIERE

of

WHEN HARRY MET REHAB

Starring

Dan Butler, Frasier’s “Bulldog”

by Spike Manton and Harry Teinowitz

Directed by Jackson Gay

 

Don Clark, Chicago based Film and Theatre Producer and Co-Owner of the Chicago Magic Lounge, presents the World Premiere of WHEN HARRY MET REHAB – a comedy that takes sobriety seriously, based loosely on the real-life experiences of Chicago sports radio personality, Harry Teinowtiz. Dan Butler will star as Harry. Butler is best known for his role as “Bulldog” for seven seasons on the legendary television comedy Frasier, as well as “Art” on Roseanne. WHEN HARRY MET REHAB previews November 24 and opens December 5 at Greenhouse Theater Center, 2257 N. Lincoln Avenue, for a limited engagement. Co-authored by former ESPN personality and playwright Spike Manton (Leaving Iowa), WHEN HARRY MET REHAB chronicles in a humorous yet poignant way how an alcoholic on the edge of clueless annihilation ended up in the hands of a magician whose greatest trick was making his denial and excuses disappear.

In addition to his much-loved role on Frasier, highlights from Butler’s long and illustrious stage career include Broadway productions of Travesties, Biloxi Blues, Twentieth Century as well as the world premiere of Terrence McNally’s Lisbon Traviata with Nathan Lane and John Slattery.  

Butler is surrounded by a powerhouse Chicago cast that includes Ora Jones (Steppenwolf, Chicago Shakespeare Theater, Goodman Theatre, as well as Broadway productions of Les Liaisons Dangereuses and Matilda), Elizabeth Laidlaw (Chicago Shakespeare Theater, Goodman Theatre, Court Theatre, Steppenwolf), Keith Gallagher (Steppenwolf, Lookingglass, Northlight), Chiké Johnson (Steppenwolf, Goodman Theatre, Broadway production of Wit), and newcomer Richard Gomez (Columbia College, Chicago).

WHEN HARRY MET REHAB is an evening in the theater that will leave a mark that is flat-out funny, moving, and unforgettable. It is a story of redemption, perseverance, and hope. It is estimated that over 22 million Americans are in recovery. This show is for them, their families, and their friends.

WHEN HARRY MET REHAB will run at the Greenhouse Theater Center, 2257 N. Lincoln Avenue in Chicago previewing November 24 and opening December 5 for a limited engagement through January 30. The performance schedule is as follows: Wednesday through Saturday evenings at 8:00 pm, Sunday evenings at 7:00 pm, with additional matinee performances on Saturday and Sunday at 3:00 pm. Tickets range from $42 to $85 plus processing fees. For tickets and more information, visit www.whenharrymetrehab.com or call the Greenhouse Theatre Center Box Office at 773-404-7336.

Cast

Dan Butler – Harry

Ora Jones – Barb

Elizabeth Laidlaw – Andrea

Keith Gallagher – Isaiah

Chiké Johnson – Vince

Richard Gomez – George

 

Creative Team

(Co-writer) Spike Manton

(Co-writer) Harry Teinowitz

(Direction) Jackson Gay

(Dramaturg/Creative Consultant) Jack Viertel

(Scenic Designer) Regina Garcia

(Costume Designer) Caitlin McLeod

(Lighting Designer) Simean Carpenter

(Sound Designers) Ray Nardelli & Chris Laporte

(Projection Designer) Chris Commendatore

(Casting Director/ Consulting Producer) Laura Stanczyk

(Associate Director) Maggie Spanuello

(Stage Manager) Shannon Golden-Starr

(General Manager) Pemberley Productions

 

(Director) Jackson Gay

Jackson Gay is a director and co-Producing Artistic Director of New Neighborhood https://www.newneighborhood.net. Upcoming work includes the new musical SCKBSTD (book by Mike Rafael with music by Bruce Hornsby); God’s Ear (Juilliard); New Neighborhood’s Endless Loop of Gratitude (REP); Goldie, Max & Milk by Karen Hartman (59e59), and Partnership (Mint Theater). Directing work includes Lucy Thurber’s Transfers for Audible, MCC and New York Stage & Film; Endless Loop of Gratitude with New Neighborhood (New Ohio’s Ice Factory); The Seagull (Juilliard); Kleptocracy by Kenneth Lin (Arena Stage); Lover Beloved with Suzanne Vega and Duncan Sheik (Alley Theater); These Paper Bullets! By Rolin Jones with music by Billie Joe Armstrong (New Neighborhood, Atlantic, Geffen, Yale Rep – Critics Pick Time Out NY, Best Production and Adaptation LA Sage Awards, Time Out Los Angeles, Connecticut Critics Circle Award Best Production and Best Director). Jackson has taught directing and acting at Williams, Yale, New School, Sarah Lawrence, and Columbia. Jackson is the 2021 Guild Hall Artist-in-Residence in East Hampton, NY. Jackson and New Neighborhood recently joined forces with Rattlestick Playwrights Theater and The Commissary to produce Why Would I Dare: The Trial of Crystal Mason. In collaboration with Dan Butler and DMNDR, New Neighborhood produced the first 24-hour reading of Filibustered and Unfiltered: America Reads the Mueller Report which inspired more than a dozen other events across the country. Featured everywhere from the Los Angeles Times (“a live-theater summer sensation!”) to Breitbart News (“the single most boring and pointless way to waste your time!”), the tidal wave of public readings reached its apex when it was name-checked in Congress during Robert Mueller’s nationally televised public testimony. BFA Acting University of the Arts.  MFA Directing Yale School of Drama.

(Producer) Don Clark

Donald Cameron Clark, Jr., Esq. is a renaissance man who believes in the power of storytelling, whether to a jury, in a theater, or to his grandchildren. Clark began his professional career as a trial attorney at some of Chicago’s most venerable law firms. His memoir, Summary Judgment, was recently published. Clark is Executive Producer of the award-winning feature film “Guest Artist,” written by and starring Jeff Daniels. He produces plays on Broadway and in regional theaters. Clark co-owns the Chicago Magic Lounge—a nightlife venue that is top rated on TripAdvisor and one of “Chicago’s Best” according to Chicago Magazine. He is also a member of Chicago’s Cultural Treasures grant program.

 

 

Chicago Fall 2021Theatre Favorites and What's Open in Person in Our Waning Pandemic World

Save the Dates

ChiIL Live Shows On Our Radar:

Ready to venture back out in public and catch a show? If plays are your jam, The League of Chicago Theatres is your connection for discount tickets and the latest word on what's open, and what combination of mask/face shield/vax/negative test is required at each venue to keep audiences safe.

Love all kinds of arts and entertainment? Check out ChiILLiveShows.com (adult) and ChiILMama.com (family friendly) early and often for the best in Chi, IL's live theatre, music, food and entertainment scene. We'll give you the heads up on what's coming up each month along with original reviews, ticket giveaways, travel features, and more. We've added an asterisk and bold type for the shows below that we're reviewing.

“After more than a year of introspection, planning, and change while theatres have been closed, it is a thrill to have live theatre back—and to experience this great, collective art form in Chicago again,” comments League of Chicago Theatres Executive Director Deb Clapp.

A list of season openers follow. For a comprehensive list of Chicago productions, visit the League of Chicago Theatres website, ChicagoPlays.com. Available half-price tickets will be listed at HotTix.org.

Chicago theatres prioritize safely gathering. Patrons are encouraged to confirm current protocols at each theatre. Shows and protocols are subject to change.

 

Now Open

 

The Second City reopened its Chicago venue with two productions: Happy To Be Here on the Mainstage, and Safer, Shorter & Still So Funny at e.t.c. The Second City welcomes back audiences with 60-minute shows Thursdays through Sundays. secondcity.com

Teatro ZinZanni returned on July 8 with a cast of comedians, aerialists, acrobats, singers, dancers, and a gourmet meal inside the Spiegeltent on the 14th floor of the Cambria Hotel. zinzanni.com/Chicago

The Annoyance returned mid-July with a variety of comedy and improv shows at their Lakeview theatre including Dick Wolf: Special IMPROV Unit, Fire & Beer: The Annoyance House Ensemble, Hitch*Cocktails, and SuperHuman among others. theannoyance.com

*Dennis Watkins returns to perform live magic in The Magic Parlour at The Palmer House beginning August 6. themagicparlourchicago.com & 

Drunk Shakespeare returns to performing in the Loop at The Lion Theatre starting August 6. drunkshakespeare.com

*Paramount Theatre produces the regional premiere of the flashy, sexy story of Kinky Boots, August 18 – October 17. paramountaurora.com

*Theater Wit opens its venue with the return of Mr. Burns, a post electric play, an open run beginning August 27. theaterwit.org

City Lit Theater opens the world premiere adaptation of Thirteen Days running September 10 – October 24. citylit.org

*Marriott Theatre celebrates the songbook from the multi-Tony award-winning team of John Kander and Fred Ebb with The World Goes ‘Round opening on September 15. marriotttheatre.com

Chicago Opera Theater performs Carmen in concert at the Harris Theater for Music and Dance on September 16 and 18. chicagooperatheater.org

Metropolis Performing Arts Centre begins their season by transporting audiences to the 1960s with SHOUT: A Mod Musical September 16 – October 30. metropolisarts.com 

The Lyric Opera of Chicago opens its season September 17 with a new production of Macbeth, marking the inaugural production of Music Director Enrique Mazzola's tenure. lyricopera.org

Citadel Theatre in Lake Forest opens its Mainstage season on September 18 with Brighton Beach Memoirs. citadeltheatre.org

*Northlight Theatre opens with a tour-de-force performance by Bethany Thomas in Songs for Nobodies, celebrating the music of Judy Garland, Patsy Cline, Billie Holliday, Edith Piaf and Maria Callas from September 23 – October 31. northlight.org

The Factory Theater in Rogers Park presents Last Night in Karaoke Town, October 1 – November 6. thefactorytheater.com

Broadway In Chicago presents Rent at the CIBC Theatre from October 5 – 10 in the 25th Anniversary “Farewell Season of Love” tour. broadwayinchicago.com

*Mercury Theater Chicago returns to the stage with Sister Act the musical based on the 1992 film, November 5 – January 9. mercurytheaterchicago.com 

Harris Theater for Music and Dance returns October 5 with its Mix At Six series featuring Nathalie Joachim + Spektral Quartet in a celebration of Haitian female artists. harristheaterchicago.org

*Rick Bayless and Windy City Playhouse opens its run of the new immersive theater, food, and farce experience A Recipe for Disaster at Petterino’s in the Loop on October 6. windycityplayhouse.com

*Court Theatre produces The Tragedy of Othello, the Moor of Venice live from October 7 – November 21 on a set that places audience in the middle of the action, along with an at-home, on-demand streaming option. courttheatre.org

Beverly Theatre Guild begins its new season with Roald Dahl’s Matilda The Musical from October 8 –10. btgonline.org

*Black Button Eyes Productions opens Dr. Horrible’s Sing-Along Blog at The Edge Theater to benefit the charity Season of Concern on October 8. blackbuttoneyes.com

The Den Theatre presents four stand-up comedians to kick off its season this fall, beginning with Erik Griffin October 8 & 9. thedentheatre.com

First Folio Theatre returns to in-person performances with The Jigsaw Bride: A Frankenstein Story, an eerie and suspenseful tale, playing October 13 – November 14. firstfolio.org

 The Joffrey Ballet marks its return to the stage with Home: a Celebration, mixed repertory of original work and a beloved classic by co-founder Gerald Arpino from October 13 – 24. joffrey.org

The Auditorium Theatre welcomes back resident company Ensemble Español Spanish Dance Theater as part of their “Made in Chicago Dance Series” on October 16. auditoriumtheatre.org

*Raven Theatre begins its season with the world premiere of Joshua Allen’s The Last Pair of Earlies playing October 27 – December 12. raventheatre.com

*Broadway In Chicago presents the pre-Broadway premiere of Paradise Square at the Nederlander Theatre November 2 – December 5. broadwayinchicago.com

*Steppenwolf Theatre Company revives Tracy Letts’ mind-bending cult classic Bug November 11 – December 12. steppenwolf.org

More theatre reopenings will continue to be announced. For a comprehensive list of Chicago productions, visit the League of Chicago Theatres website, ChicagoPlays.com. Available half-price tickets will be listed at HotTix.org.

Chicago theatres prioritize safely gathering. Patrons are encouraged to confirm current protocols at each theatre. Shows and protocols are subject to change.

About Chicago theatre 

Chicago theatre is the leader in the U.S. with more than 250 theatres throughout Chicagoland, comprising a rich and varied community ranging from storefront, non-union theatres to the most renowned resident theatres in the country, including 5 which have been honored with Regional Tony Awards, and the largest touring Broadway organization in the nation. Chicago’s theatres serve 5 million audience members annually and have a combined budget of more than $250 million. Chicago produces and/or presents more world premieres annually than any other city in the nation. Each year Chicago theatres send new work to resident theatres across the country, to Broadway, and around the world.  

The League of Chicago Theatres’ Mission Statement

Theatre is essential to the life of a great city and to its citizens. The League of Chicago Theatres is an alliance of theatres, which leverages its collective strength to support, promote and advocate for Chicago’s theatre industry. Through our work, we ensure that theatre continues to thrive in our city.