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Thursday, February 7, 2019

CASTING ANNOUNCED FOR GOODMAN PRODUCTIONS OPENING IN MARCH: PULITZER PRIZE-WINNING SWEAT AND THE WORLD PREMIERE OF LOTTERY DAY BY IKE HOLTER

ChiIL Live Shows on our radar

CASTING ANNOUNCED FOR TWO UPCOMING GOODMAN PRODUCTIONS: LYNN NOTTAGE’S 
PULITZER PRIZE-WINNING 
SWEAT, 
DIRECTED BY RON OJ PARSON (MARCH 9 – APRIL 14) AND THE WORLD PREMIERE OF 
LOTTERY DAY BY IKE HOLTER, 
DIRECTED BY LILI-ANNE BROWN 
(MARCH 29 – APRIL 28)


Goodman Theatre proudly announces the casts for its Chicago premiere of the Pulitzer Prize-winning drama Sweat by Lynn Nottage, directed by Ron OJ Parson, as well as its world premiere of Lottery Day—Ike Holter’s final work in his seven-play “The Rightlynd Saga,” directed by Lili-Anne Brown. Tickets are now available for both productions at GoodmanTheatre.org, by telephone 312.443.3800 or at the box office (170 N. Dearborn). The Goodman is grateful for the support of its sponsors: for Sweat, American Airlines and JPMorgan Chase & Co. are Major Corporate Sponsors; ComEd is the Official Lighting Sponsor; Conagra Brands Foundation is the Production Sponsor; and ITW is the Corporate Sponsor Partner. For Lottery Day, Laurents/Hatcher Foundation is the Institutional Partner.

Sweat
By Lynn Nottage
Directed by Ron OJ Parson

Cynthia……...Tyla Abercrumbie
Oscar………..Steve Casillas
Jason………..Mike Cherry
Evan…………Ronald Conner
Jessie………..Chaon Cross
Tracey……….Kirsten Fitzgerald
Stan………….Keith Kupferer
Chris…………Edgar Sanchez
Brucie………..André Teamer

Sweat marks the fourth Nottage play to be produced at the Goodman, following Crumbs from the Table of Joy (2006), Ruined (a 2008 world-premiere Goodman commission that earned the 2009 Pulitzer Prize for Drama) and By the Way, Meet Vera Stark (2013). A group of friends in a Rust Belt town has spent their lives sharing secrets and laughs on the factory floor. But when layoffs begin to chip away at their trust, they’re pitted against each other in a heart-wrenching fight in this collision of race, class and friendship at a pivotal moment in America. The creative team includes Kevin Depinet (Set Design), Mara Blumenfeld (Costume Design), Keith Parham (Lighting Design) and Richard Woodbury (Sound Design). Alden Vasquez is the Production Stage Manager.


Lottery Day
By Ike Holter
Directed by Lili-Anne Brown

Tori……………...Aurora Adachi-Winter
Mallory………....J. Nicole Brooks
Zora…………….Sydney Charles
Cassandra….....McKenzie Chinn
Robinson……....Robert Cornelius
Avery…………...James Vincent Meredith
Ezekiel………....Tommy Rivera-Vega
Nunley………....Tony Santiago
Vivien…………..Michele Vazquez
Ricky…………...Pat Whalen

“Thrilling Chicago writer” (Chicago Tribune) Holter concludes his acclaimed seven-play cycle, "The Rightlynd Saga,” by assembling his vibrant characters for a raucous theatrical bash. Long the matriarch of a quickly gentrifying neighborhood, Mallory invites the lonely residents, hardcore activists and starving artists of her block to what she hopes will go down as a legendary barbeque—thanks to a special surprise. But her mysterious plan to revitalize her community may be the very thing that tears it apart. Centering on a fictitious Chicago ward, Holter’s seven-play cycle also includes plays Red Rex (on stage through March 16 at Steep Theatre), Rightlynd, Exit Strategy, Sender, Prowess and The Wolf at the End of the Block. The creative team includes Arnel Sancianco (Set Design), Samantha C. Jones (Costume Design), Jason Lynch (Lighting Design) and Andre Pluess (Sound Design). Nikki Blue is the Production Stage Manager.

ABOUT THE PLAYWRIGHTS AND DIRECTORS

Lynn Nottage (Playwright, Sweat) is the first woman in history to win two Pulitzer Prizes for Drama. Her plays have been produced widely in the United States and throughout the world. Sweat (Pulitzer Prize, Obie Award, Susan Smith Blackburn Prize, Tony Award nomination, Drama Desk Award nomination) moved to Broadway after a sold-out run at The Public Theater. It premiered and was commissioned by Oregon Shakespeare Festival American Revolutions History Cycle/Arena Stage. Her other plays include By The Way, Meet Vera Stark (Lilly Award, Drama Desk Nomination), Ruined (Pulitzer Prize, OBIE, Lucille Lortel, New York Drama Critics’ Circle, Audelco, Drama Desk and Outer Critics Circle Awards), Intimate Apparel (American Theatre Critics and New York Drama Critics’ Circle Awards for Best Play), Fabulation, or The Re-Education of Undine (OBIE Award), Crumbs from the Table of Joy, Las Meninas, Mud, River, Ston, Por’knockers and POOF! In addition, she is working with composer Ricky Ian Gordon on adapting her play Intimate Apparel into an opera (commissioned by The Metropolitan Opera/Lincoln Center Theater). She is also developing This is Reading, a performance installation based on two years of interviews, which opened at the Franklin Street, Reading Railroad Station in Reading, PA in July 2017. She is the co-founder of the production company Market Road Films, whose most recent projects include The Notorious Mr. Bout directed by Tony Gerber and Maxim Pozdorovkin (premiere at Sundance Film Festival 2014), First to Fall directed by Rachel Beth Anderson (premiere at International Documentary Film Festival Amsterdam, 2013) and Remote Control (premiere at Busan International Film Festival 2013, New Currents Award). She has also developed original projects for HBO, Sidney Kimmel Entertainment, Showtime, This is That and Harpo. She is writer/producer on the Netflix series She's Gotta Have It directed by Spike Lee. Nottage is the recipient of a MacArthur "Genius Grant" Fellowship, Steinberg Distinguished Playwright Award, PEN/Laura Pels Master Playwright Award, Arts and Letters Award in Literature from the American Academy of Arts and Letters, Columbia University Provost Grant, Doris Duke Artist Award, The Joyce Foundation Commission Project & Grant, Madge Evans and Sidney Kingsley Award, Nelson A. Rockefeller Award for Creativity, The Dramatists Guild Hull-Warriner Award, the inaugural Horton Foote Prize, Helen Hayes Award, the Lee Reynolds Award and the Jewish World Watch iWitness Award. She is a graduate of Brown University and the Yale School of Drama.

Ron OJ Parson (Director, Sweat) returns to Goodman Theatre, where he previously directed Let Me Live. As an actor, he last appeared at the Goodman in Romance. He is a resident artist at Court Theatre, and former co-founder and artistic director of The Onyx Theatre Ensemble. Recent directing credits include Skeleton Crew and Detroit 67 at Northlight Theatre; Fences at Kansas City Repertory Theatre; Five Guys Named Moe, Gem of the Ocean, Seven Guitars, The Mountaintop and Waiting For Godot at Court Theatre; East Texas Hot Links at Writers Theatre (where he is an associate artist); Paradise Blue, A Raisin in the Sun and Sunset Baby at TimeLine Theatre Company (where he is an associate artist), Apt. 3 A at Windy City Playhouse and The Who & The What at Victory Gardens Theater. Additional Chicago credits include Steppenwolf Theatre Company, Black Ensemble Theater, ETA Creative Arts, Congo Square Theatre Company, Teatro Vista (where he is an associate artist), Chicago Dramatists, UrbanTheater Company, Chicago Theatre Company, American Blues Theater and City Lit Theater. Regional and New York credits include Virginia Stage Company, Paul Robeson Theatre, Portland Stage, Studio Theatre, Studio Arena Theatre, Roundabout Theatre Company, Morris A. Mechanic Theatre, Baltimore Center Stage, Actors Theatre of Louisville, Milwaukee Repertory Theater, The St. Louis Black Repertory, Pittsburgh Public Theater, Pittsburgh Playwrights Theatre Company, Geva Theatre Center, Signature Theatre (New York), Alliance Theatre, South Coast Repertory and Pasadena Playhouse. In Canada, he directed the world premiere of Palmer Park at the Stratford Festival. Parson is a member of AEA, SAG-AFTRA and SDC. Parson hails from Buffalo, New York and is a graduate of the University of Michigan’s professional theater program. RonojParson.com

Ike Holter (Playwright, Lottery Day) is a 2017 winner of the Windham-Campbell Prize, one of the highest awards for playwriting in the world. Holter is a resident playwright at Victory Gardens Theater, and has been commissioned by The Kennedy Center, The Eugene O'Neill Theater Center, South Coast Repertory and The Playwrights’ Center. His work has been produced at the Steppenwolf Garage, The Philadelphia Theater Company, off-Broadway at Barrow Street Theatre and Cherry Lane Theatre, The Lily Tomlin Center in Los Angeles, True Colors in Atlanta, Forward Theater in Wisconsin, Water Tower Theater in Dallas, 3oaks in Michigan and Jackalope Theatre Company, Teatro Vista, A Red Orchid and The Inconvenience in Chicago. He is the artistic director of The Roustabouts and is a regular performer at Salonathon in Chicago.

Lili-Anne Brown (Director, Lottery Day) is a native Chicagoan who works as a director, actor and educator, both locally and regionally. She is the former artistic director of Bailiwick Chicago, where she directed Dessa Rose (Jeff Award), Passing Strange (BTA Award and Jeff nomination for Best Director of a Musical), See What I Wanna See (Steppenwolf Theatre Garage Rep) and the world premiere of Princess Mary Demands Your Attention by Aaron Holland. Other directing credits include The Wolf at the End of the Block (16th Street Theatre), Marie Christine (Boho Theatre), Peter and the Starcatcher (Metropolis Performing Arts), The Wiz (Kokandy Productions),  Xanadu (American Theatre Company), Jabari Dreams of Freedom by Nambi E. Kelley (Chicago Children’s Theatre), American Idiot (Northwestern University); the national tour of Jesus Snatched My Edges; and Little Shop of Horrors, Hairspray, Unnecessary Farce, Cabaret, Sweet Charity, The 25th Annual Putnam County Spelling Bee and Buddy: The Buddy Holly Story at Timber Lake Playhouse. She is a member of SDC, SAG-AFTRA and a graduate of Northwestern University.

ABOUT GOODMAN THEATRE

AMERICA’S “BEST REGIONAL THEATRE” (Time magazine), Goodman Theatre is a premier not-for-profit organization distinguished by the excellence and scope of its artistic programming and civic engagement. Led by Artistic Director Robert Falls and Executive Director Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics (celebrated revivals include Falls’ productions of Death of a Salesman and The Iceman Cometh). Goodman Theatre artists and productions have earned two Pulitzer Prizes, 22 Tony Awards, over 160 Jeff Awards and many more accolades. In addition, the Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle;” and its annual holiday tradition A Christmas Carol, which marks its 41st production this season, has created a new generation of theatergoers. The Goodman also frequently serves as a production partner with local off-Loop theaters and national and international companies by providing financial support or physical space for a variety of artistic endeavors.

Committed to three core values of Quality, Diversity and Community, the Goodman proactively makes inclusion the fabric of the institution and develops education and community engagement programs that support arts as education. This practice uses the process of artistic creation to inspire and empower youth, lifelong learners and audiences to find and/or enhance their voices, stories and abilities. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of such programming, most offered free of charge, and has vastly expanded the theater’s ability to touch the lives of Chicagoland citizens (with 85% of youth participants coming from underserved communities) since its 2016 opening.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. David W. Fox, Jr. is Chair of Goodman Theatre’s Board of Trustees, Denise Stefan Ginascol is Women’s Board President and Megan McCarthy Hayes is President of the Scenemakers Board for young professionals.


Wednesday, February 6, 2019

OPENING: Hell in a Handbag Productions Announces Casting for POSEIDON! An Upside Down Musical

ChiIL Live Shows on our radar
POSEIDON! An Upside Down Musical




Book & Lyrics by David Cerda
Music by David Cerda & Scott Lamberty
Directed by Derek Van Barham
Music Direction by Andrew Milliken
Choreography by Breon Arzell

March 15 – April 28, 2019 at The Edge Theater


Hell in a Handbag Productions is pleased to announce casting for its revival of the musical that started it all: POSEIDON! An Upside Down Musical, a musical parody and loving homage to the classic 1972 film, The Poseidon Adventure, the grandmother of all disaster films. I'll be out for the press opening March 22nd, so check back soon for my full review.



PHOTO CREDIT: The cast of Hell in a Handbag Productions’ revival of POSEIDON! An Upside Down Musical includes (top, l to r) Ryan Armstrong, Katherine Bellantone, Brittney Brown, Tommy Bullington, Sydney Genco and Caitlin Jackson (center, l to r), Josh Kemper, Elizabeth Lesinski, David Lipschutz, Stevie Love, Nicky Mendelson, Michael S. Miller and Courtney Dane Mize (bottom, l to r), Elissa Newcorn, Marc Prince, Shane Roberie, Scott Sawa, Patrick Stengle and Maiko Terazawa.


POSEIDON! will feature Handbag ensemble members Sydney Genco* (Ensemble), Caitlin Jackson* (Toni/Doctor), Elizabeth Lesinski* (Linda Rogo), David Lipschutz* (Reverend Scott), Stevie Love* (Nonnie Parry) and Michael S. Miller* (Manny Rosen) with Ryan Armstrong (Robin Shelby), Katherine Bellantone (Susan Shelby), Brittney Brown (Ensemble), Tommy Bullington (Belle Rosen), Josh Kemper (Ensemble), Nicky Mendelson (Acres), Courtney Dane Mize (Ensemble), Elissa Newcorn (Lara, Nurse), Marc Prince (Captain Harrison, Ensemble), Shane Roberie (Mike Rogo), Scott Sawa (James Martin), Patrick Stengle (Ensemble) and Maiko Terazawa (Ensemble).

Handbag’s very first show will return March 15 – April 28, 2019 at a venue befitting of an ocean liner: The Edge Theater, 5451 N. Broadway in Chicago. POSEIDON features a book and lyrics by Handbag Artistic Director David Cerda*, music by David Cerda* with Scott Lamberty, direction by Derek Van Barham, music direction by Andrew Milliken, and choreography by Breon Arzell. Tickets are currently available at brownpapertickets.com or by calling (800) 838-3006. 

The original 2002 Chicago production of POSEIDON! was a critical and popular smash and extended for a five-month sold-out run in Chicago, and was accepted into The New York International Fringe Festival, where it was the most attended show of 2003, winning an award of excellence for Best Ensemble. The show was remounted in 2009 at The Chopin Theatre and enjoyed another extended run.

It’s New Year’s Eve and a group of hardcore fans have gathered for their annual viewing of the greatest film ever – The Poseidon Adventure, the story of the capsize of the SS Poseidon on New Year’s Eve, and the handful of misfit passengers that decide to climb to the top of the ship – which is now the bottom. As the story progresses the viewers become one with the film. POSEIDON! An Upside-Down Musical is part parody, part homage – and a look at how movies can leave their mark on you.

The production team includes: Christopher Rhoton (scenic design), Beth Laske Miller (costume design), Cat Wilson* (lighting design), Danny Rockett (sound design), Adrian Hadlock* (props design), Sydney Genco* (make-up design), Keith Ryan (wig design), Madison Smith (assistant director) and Andrew Donnelly (stage manager).

*Denotes Handbag ensemble member.


Location: The Edge Theater, 5451 N. Broadway, Chicago

Dates: Previews: Friday, March 15 at 7:30 pm, Saturday, March 16 at 7:30 pm, Sunday, March 17 at 3 pm and Thursday, March 21 at 7:30 pm

Opening/Press performance: Friday, March 22 at 7:30 pm

Regular run: Saturday, March 23 – Sunday, April 28, 2019

Curtain Times: Thursday, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm.

Industry Night: Monday, April 22 at 7:30 pm

Tickets: Previews $22. Regular run $38 in advance, $45 at the door. Group rates $32 for 10 or more. $32 senior and student rates. Tickets are currently available at brownpapertickets.com or by calling (800) 838-3006.

 

About the Artists     
David Cerda (Book, Lyrics, Music) is the Artistic Director and co-founder of Hell in a Handbag Productions. Cerda has written or collaborated on Caged Dames, TROGG- A Rock and Roll Musical, Sexy Baby, Lady X: The Musical, Christmas Dearest, Rudolph the Red-Hosed Reindeer, SCARRIE – The Musical, Snowgirls – The Musical, and many others. He has also worked as a songwriter with Amazon Studios, and as an actor around Chicago. In 2016, Cerda was in inducted into the Chicago GLBT Hall of Fame and in 2017 he received a Lifetime Achievement Jeff Award for his contributions to the Chicago theater community and philanthropic efforts.

Scott Lamberty (Music) has collaborated with David Cerda on several Handbag musicals including Rudolph the Red-Hosed Reindeer, SCARRIE – The Musical, Sexy Baby and Lady X: The Musical. Scott has also worked extensively with Corn Productions on the Tiff and Mom shows, The Bad Seed The Musical, Jesus Camp – The Musical and Snowgirls- The Musical, among many others.

Derek Van Barham (Director) is the Producing Artistic Director of Kokandy Productions and a member of the Red Tape Theatre ensemble. He previously served as Associate Artistic Director of Pride Films & Plays. For PFP, he directed Perfect Arrangement, Angry Fags (Steppenwolf Garage), Songs from an Unmade Bed (Jeff nomination) and (co-directing) PRISCILLA, Queen of the Desert. Other directing credits include The View Upstairs (Circle Theatre), Three Days of Rain (Boho), Miracle! by Dan Savage, Skooby Don't (Hell in a Handbag) and HOT PINK (New American Folk Theatre). Choreography credits include The CiviliTy of Albert Cashier and BITE (PFP), all Black Button Eyes productions, and Salonathon. He was named one of Windy City Times 30 Under 30, recognizing Chicago's LGBTQ+ community.   

Andrew Milliken (Music Director) has been a music director/pianist in the Chicago area since 2016. Poseidon will be his second production with Hell in a Handbag, following 2017's Bewildered. Other favorite credits include Pippin (Mercury Theater), Avenue Q (Metropolis Theater), Vinegar Tom (Northwestern University) and Carousel (Timber Lake Playhouse). 

Breon Arzell (Choreographer) is most commonly known as an actor, however his breakout, and award-winning, premiere as a Chicago choreographer came with Oracle Productions’ The Hairy Ape. This Detroit native received his first training while at Miami University. In Chicago, he has worked as a dancer, choreographer and instructor at Joel Hall Dancers & Center, Porchlight M.T., Vagabond School and The Goodman Theatre (for their Musical Theater Program). Developing his own style of dance (hip-hop, jazz, modern, lyrical, contemporary and body percussion) and storytelling, movement credits include: The Total Bent (Haven Theatre), Rightlynd, The House That Will Not Stand (Victory Gardens Theater); Night Runner, Wig Out (DePaul University); Julius  Caesar (Writers Theatre), Marie Christine (BoHo Theatre), The Wiz  (Kokandy Productions), Scottsboro Boys (Porchlight Music Theatre), and more. His talents have allowed him to work all across the U.S., Canada, England, Italy, Germany, Denmark, Singapore and Malaysia.

About Hell in a Handbag Productions
Hell in a Handbag is dedicated to the preservation, exploration, and celebration of works ingrained in the realm of popular culture via theatrical productions through parody, music and homage. Handbag is a 501(c)(3) Not for Profit.

LEGENDS AND LESSONS ABOUND IN BLACK ENSEMBLE THEATER'S 43RD SEASON OF EXCELLENCE

BLACK ENSEMBLE THEATER ANNOUNCES
43RD SEASON OF EXCELLENCE: 
LEGENDS AND LESSONS 


Season to include tributes to Mahalia Jackson, Lena Horne,
Funk greats from James Brown to The Parliaments, Stevie Wonder
and the return of The Other Cinderella

Black Ensemble Theater’s Founder and CEO Jackie Taylor announces the 43rd Season of Excellence: Legends and Lessons. The 2019 Season includes tributes to the renowned Gospel great Mahalia Jackson, legendary singer and actress Lena Horne, funk legends from James Brown to The Parliaments, and the legendary Motown artist, American icon and musical genius Stevie Wonder. The season culminates with the return of audience favorite The Other Cinderella. All performances will be held at the Black Ensemble Theater Cultural Center, 4450 N. Clark Street in Chicago. 

Jackie Taylor comments, “It's hard to believe that we are now in our 43rd Season here at the Black Ensemble Theater. As you know, we have a style all our own, and it will be in full swing for 2019. This is the Season of Legends and Lessons and it begins with renowned Gospel Great Mahalia Jackson, followed by the story and music of legendary Lena Horne. In You Can't Fake the Funk audiences will experience several legends from James Brown to the Parliaments, bringing you the kind of music that will not allow you to stay in your seats. In this Season of Legends, who is more eminent than Stevie Wonder? Our final musical of the Season is legendary because audiences continue to ask for it since we first produced it in 1976—and that's the magical The Other Cinderella. The 2019 season—The Season of Legends and Lessons—will go down in history as one of our best!”

The Black Ensemble Theater’s 2019 Season includes:



Mahalia Jackson: Moving Through The Light
Written and Directed by Jackie Taylor

March 2-April 14, 2019, Previews: March 2, 3, 8 and 9, Press Opening: Sunday, March 10 at 3 p.m.

Mahalia Jackson was considered the greatest gospel singer in the world. Her deep rich voice made her an international star. We learn through this riveting tribute to her life that she not only sang the Gospel, she lived the Gospel. This musical tribute will feature many of her classics including “Precious Lord,” “How Great Thou Art,” “Move on up a Little Higher,” and “I Believe,” to name a few.

Lena: In Tribute to Lena Horne
Written by Kylah Williams and Rueben Echoles
Directed by Kylah Williams

May 11 – June 30, 2019, Previews: May 11, 12, 17 and 18, Press Opening: Sunday, May 19 at 3 p.m.

With a career that spanned roughly 70 years – Lena Horne is a legend with many life lessons from which we can learn. Join us for a true Black Ensemble style exploration of the people, the music and the experiences that reflect the life of this extraordinary performer, civil rights pioneer and phenomenal woman known as Lena Horne.

You Can’t Fake the Funk (From James Brown to Parliament)
Written and Directed by Daryl D. Brooks

July 20 – September 8, 2019, Previews: July 20, 21, 26 and 27, 2019,Press Opening: Sunday, July 28 at 3 p.m.

Hop on the “Mothership” as we journey back when Afro’s were big, bellbottoms were tight, and the music was out of sight. You Can’t Fake the Funk (From James Brown to Parliament guides us through a musical genre that is sure to have you groovin in your seats...Ya’ Digg!!

Songs in the Key of Stevie
Written and Directed by Rueben Echoles

October 5 – November 17, 2019, Previews: October 5, 6, 11 and 12, 2019, Press Opening: Sunday, October 13 at 3 p.m.

Prodigy, genius and phenomenon are just a few of the words used to describe the amazing Stevie Wonder! This show is a musical journey that pays tribute to Stevie’s incredible body of work and sheds a little light on the life and times of this phenomenal artist!


The Other Cinderella
Written and Directed by Jackie Taylor

December 14, 2019 – January 26, 2020, Previews: December 14, 25, 20 and 21, 2019, Press Opening: Sunday, December 22 at 3 p.m.

The Other Cinderella is a Black Ensemble classic that has been enjoyed by people of all colors, kinds and ages. In this African American rendition of this African fairy tale, Cinderella is from the projects, The Stepmamma works at the Post Office, there is a King, Queen and Prince, there are the Brothers are From The Hood, and The Fairygodmama is from Jamaica. The Other Cinderella is a musical classic that audiences have returned to see time and time again. The music is divine, the dancing is wild and the story is uplifting, positive and infectious.

In addition to Black Ensemble Theater’s regular season, a number of special events will be presented during the year, including:

The Annual Black Ensemble New Year’s Eve Show
December 31, 2019

Like all Black Ensemble events, the New Year’s Eve celebration will be an occasion filled with joy and excitement. Guests at the celebration will enjoy a performance by the stars of Black Ensemble Theater, along with great entertainment, fabulous food, dancing with the stars and champagne flowing all night long!  

Tickets
Tickets are available at www.blackensemble.org, (773) 769-4451 or at the Black Ensemble Theater Box Office, 4450 N. Clark Street in Chicago. Single tickets for regular season performances are priced at $55 on Thursdays, and Saturday matinees; and $65 on Fridays, Saturday evenings, and Sunday matinees. A 10% discount is available for students, seniors, and groups. Previews are priced at $45.

The Black Ensemble Theater will sell the Gold Card which allows the holder to see all 5 plays for $210 which represents a $30% discount on full price tickets.  The Gold Card is good for 1 ticket per production.  For more details or to purchase a Gold Card contact the box office at 773-769-4451. 

The Black Ensemble Theater  
Founded in 1976, by the phenomenal producer, playwright and actress Jackie Taylor, Black Ensemble Theater is the only African American theater located in the culturally, racially and ethnically diverse north side Uptown community. Through its Five Play Season of Excellence, The Black Ensemble Theater dazzles audiences locally, nationally and internationally with outstanding original musicals that are entertaining, educational and uplifting. The Black Ensemble Theater has produced more than 100 productions and employed over 5,000 artists. 

The mission of the Black Ensemble Theater Company is to eradicate racism and its devastating effects upon society through the theater arts.  For more information on the Black Ensemble Theater Company, visit www.BlackEnsembleTheater.org or call 773-769-4451. 

OPENING: Midwest Premiere of I Wanna F#!&ing Tear You Apart at Rivendell Theatre February 15 - March 23, 2019

ChiIL Live Shows on our radar
 Rivendell Theatre Ensemble presents the Midwest Premiere of 

I Wanna F#!&ing Tear You Apart 
by Morgan Gould



featuring Teressa LaGamba, Robert Quintanillo and RTE Member Jessica Ervin 

February 15 - March 23, 2019

I'll be out for the press opening, February 27th, so check back soon for my full review. I adore Rivendell Theatre Ensemble (RTE), Chicago's only Equity theatre dedicated to producing artistically challenging and original plays created by and about women. Here at ChiIL Live Shows, we can't wait to see Rivendell's take on this Midwest premiere. 

Rivendell Theatre Ensemble (RTE), Chicago’s only Equity theatre dedicated to producing new work with women at the core, presents the Midwest premiere of I Wanna F#!&ing Tear You Apart by Morgan Gould and directed by Jessica Fisch. I Wanna F#!&ing Tear You Apart runs February 15 – March 23, 2019 at Rivendell Theatre Ensemble, 5779 N. Ridge Avenue in Chicago.  

Samantha and Leo are a team—best friends and roommates, fat girl and gay guy against the world—until a new friend upends their cozy co-dependent diet of mutual self-loathing and Grey’s Anatomy marathons. An ode to the complications of friendship in its many fucked-up forms, with a special nod to a kind of love that sometimes looks a lot like rage.

Produced first at D.C.’s Studio Theatre, I Wanna F#!&ing Tear You Apart challenges assumptions around niceness, beauty, and mainstream acceptance as it upends traditional narratives about fat women—Gould herself identifies openly as such—by putting a fat woman at its center. “I’m not chubby or big-boned,” says Gould. “I’m fat. That’s who I am.”

Directed by Jessica Fisch, director of Rivendell’s highly-successful world premiere production of The Firebirds Take the Field, Gould’s play is a wild ride with unforgettable characters that asks probing questions about friendships, fatness, bigotry, ambition, and the cost of living in a world that finds you unacceptable in some way.

The cast of I Wanna F#!&ing Tear You Apart includes Teressa LaGamba (Sam), Robert Quintanilla (Leo), and RTE Member Jessica Ervin (Chloe).

The creative team includes RTE Member Regina García (Scenic Design), Anthony Churchill (Projections Design), Heather Gilbert (Lighting Design), Jeffrey Levin (Original Music and Sound Design), Alison Siple (Costume Design), and Jonathan Berg-Einhorn (Properties Design). The Stage Manager is Miranda Anderson.

Rivendell’s Town Hall Series:  

During the run of each production, Rivendell hosts Town Hall Discussions after select Saturday matinees. These are an essential touchstone for our organization to extend the conversation from the stage to the community. Panelists help field questions, present observations, and participate in supporting a thoughtful, in-depth dialogue for all involved. Audience participants need not be present for the Saturday matinee and are welcome to join the conversation following the performance. 

ARTIST BIOS

Morgan Gould (Playwright) is a fat-fat, not TV-fat, New York based writer/director who is a Resident Playwright at New Dramatists and current Lila Acheson Wallace Playwriting Fellow at Juilliard. Morgan’s play I Wanna F**king Tear You Apart, is a Beatrice Terry/Drama League Award Winner, and had its world premiere at Studio Theatre in Washington, DC in February 2017 (with Morgan directing). It was nominated for a Helen Hayes Award for Outstanding New Play, and DC Metro Arts said that Morgan’s work “shows every bit as much promise as Edward Albee’s early work, arguably more.” Morgan has directed productions at the Humana Festival, Marin Theatre Company, Ensemble Studio Theatre, P73, and more. Morgan is also the Artistic Director of Morgan Gould & Friends—her theater company with 9 actors, 3 designers, and a filmmaker, and their work has been seen at many NYC venues including HERE Arts Center, Ars Nova, The Ice Factory and more. Morgan is developing a half hour original series with Amazon Studios and Will Graham/Field Trip Productions. 

Jessica Fisch (Director) returns to Rivendell where she previously directed The Firebirds Take the Field and Fefu and Her Friends (Goodman Theatre/Rivendell Latinx Celebration). Recent credits include Cry It Out (Northlight Theatre), You Across From Me (Actors Theatre of Louisville, Humana Festival), Late Company (Cor Theatre), Straight White Men (Associate Director, Steppenwolf), Trudy, Carolyn, Martha and Regina Travel to Outer Space (Actors Theatre of Louisville, Humana Festival),  The Rosenkranz Mysteries: An Evening of Magic (The Royal George), Opulent Complex and That Thing That Time (Actors Theatre of Louisville, The Tens), Psychodramatic (A Red Orchid, Incubator Series), Traces (Feast Productions/ Jackalope Theatre). Selected New York credits: The Realm (The Wild  Project), strive/seek/find (Abingdon Theatre), the 2009 Playwrights Horizons Stories on 5 Stories Benefit, Personal History (Ensemble Studio Theatre), The Redheaded Man (Barrow Street Theatre/FringeNYC/FringeEncores), Dressed In Your Dreams (Public Theater/Emerging Writers Group), and an adaptation of the cult 1960’s gothic vampire soap opera Dark Shadows (Williamstown Theatre Festival). Jessica was a resident director at Ensemble Studio Theater, the Playwrights Horizons Directing Resident, and a member of the Lincoln Center Directors Lab.

Teressa LaGamba (Sam) is a Chicago based actor/musician from Pittsburgh, PA. She has performed feature roles in productions with Porchlight Music Theatre, Paramount Theatre, Boho Theatre, Marriott Theatre, Kokandy Productions, Emerald City Theatre, Broadway In Chicago, Griffin Theatre, Haven Theatre and more. Teressa received her BA in Acting and American Sign Language from Columbia College Chicago.

Robert Quintanilla (Leo) is making his Rivendell debut. He was most recently seen as Thomas Jefferson in Porchlight Music Theatre’s production of 1776 as part of their Revisits series and in Evil Dead with Black Button Eyes. This past season he was seen in The View Upstairs with Circle Theatre, Yank! A WWII Love Story with Pride Films and Plays, and Woman of the Year with Porchlight Music Theatre. Other select credits include On a Clear Day You Can See Forever with Porchlight Music Theatre, United Flight 232 with The House Theatre, The Fantasticks with Quest Theatre Ensemble, Jesus Christ Superstar with The Public Theatre San Antonio, The Merry Widow and HMS Pinafore with Music Theatre Works.

Jessica Ervin (Chloe) is an ensemble member at Rivendell. She received an Equity Jeff nomination for her portrayal of Ester in Dry Land and has also worked with Rivendell on Scientific Method (understudy), Alias Grace, The Firebirds Take the Field, WOMEN AT WAR, and the staged reading 381 Bleecker. Additionally, Jessica has worked with The Sound, Walkabout Theatre, Route 66, Erasing the Distance, The Public House, and Blue Goose Theatre Ensemble. Most recently, Jessica returned to Ball State University, her alma mater, to devise and perform an adaptation of Frankenstein as part of Indiana Humanities’ One State One Story initiative. She can be seen on film in Princess Cyd and the upcoming projects Teacher, Injustice, and Stalled.

Previews:  February 15-23, 2019

Friday, February 15 at 8:00pm

Saturday, February 16 at 8:00pm

Sunday, February 17 at 3:00pm

Thursday, February 21 at 8:00pm

Friday, February 22 at 8:00pm

Saturday, February 23 at 8:00pm 

Gala Opening: Sunday, February 24 at 6:00pm

Press Opening: Wednesday, February 27 at 7:00pm

Regular Run: February 28 – March 23, 2019

Schedule:      Thursdays-Saturdays at 8:00pm; Saturdays at 4:00pm

Additional performances on Sunday, February 17 at 3:00pm (preview); Sunday, March 10 at 3:00pm; Monday, March 11 at 8:00pm ; and Wednesday, March 20 at 8:00pm

Town Hall Discussions will follow Saturday 4:00pm matinees on March 9 and 16

Friday, March 1: Mama’s Night / Ladies’ Night: Following the performance, please join us in our rehearsal studio for wine, cheese and great conversation! 

Friday, March 8 : Performance to Benefit Planned Parenthood: $10 of every ticket sold will be donated to Planned Parenthood of Illinois. 

Friday, March 15: Open Captioned Performance; $15 tickets with the code ACCESS 

Location:  Rivendell Theatre Ensemble, 5779 N. Ridge Avenue in Chicago

Tickets: General Admission, Previews: $28, Regular Run: $38

Student, Senior, Active Military, Veteran, Preview: $18. Regular Run: $28

Pay What You Can: Five seats (10% of the house) are available for each performance. Reservations are made on a first come, first served basis.

Three-show pass: $59-$80 for 3-plays 

Box Office: (773) 334-7728 or www.RivendellTheatre.org

Parking and Transportation: Free parking is available in the Senn High School parking lot (located a block and a half from the theatre behind the school off Thorndale Avenue). There is limited paid and free street parking in the area. The theatre is easily accessible via the Clark (#22) or Broadway (#36) bus, and is a short walk from the Bryn Mawr Red Line El station.


About Rivendell Theatre Ensemble
Founded in 1994, Rivendell Theatre Ensemble advances the lives of women through theatre. Rivendell cultivates the talents of women artists—writers, actors, directors, designers and technicians—by seeking out innovative plays that explore unique female experiences and producing them in an intimate, salon environment.

Rivendell fills an important role in the Chicago region as the only Equity theatre dedicated to producing artistically challenging and original plays created by and about women. After years of being an itinerant company, Rivendell moved into its own theater space in 2011 in Edgewater. The company is focused on becoming an integral community partner and serving as a catalyst to engage audiences in a discussion of local social issues.

For more information about Rivendell Theater Ensemble, visit http://rivendelltheatre.org. Follow Rivendell on Facebook at Facebook.com/rivendelltheatre, on Twitter @RivendellThtr, and on Instagram at rivendelltheatre.

Rivendell Theatre Ensemble is supported by generous grants from: The Alphawood Foundation;

Paul M. Angell Family Foundation; The Arts Work Fund for Organizational Development; The Chicago Community Trust; The Chicago Foundation for Women; The Elizabeth F. Cheney Foundation;

The Gaylord and Dorothy Donnelley Foundation; The MacArthur Funds for Arts and Culture at The Richard H. Driehaus Foundation; The League of Chicago Theatres and ComEd; The Reva and David Logan Foundation; The Luria Family Foundation; The Elizabeth Morse Charitable Trust; The Alfred Pick Jr. Fund; Shubert Foundation; SIF Fund at The Chicago Community Trust; Cultural Outreach Program Grant from the City of Chicago Department of Cultural Affairs & Special Events; and the Illinois Arts Council Agency.

SAVE THE DATES: Hell in a Handbag Productions Announces 2019 Season

ChiIL Live Shows on our radar:
Season Subscriptions Now On-Sale!


 GoldenGirls (left to right) Ed Jones, David Cerda, Adrian Hadlock and Grant Drager in a publicity image for Hell in a Handbag Productions’ parody THE GOLDEN GIRLS: The Lost Episodes. Photo by Rick Aguilar Studios.

Save the dates for 7 deadly funny drag shows: 
Hell in a Handbag Productions' 2019 Season


POSEIDON! An Upside Down Musical
An Unauthorized Musical Parody
Book & Lyrics by Artistic Director David Cerda
Music by David Cerda and Scott Lamberty
Directed by Derek Van Barham
Music Direction by Andrew Milliken
Choreography by Breon Arzell

THE GOLDEN GIRLS: The Lost Episodes, Vol. 3
By Artistic Director David Cerda

THE DRAG SEED
Book & Lyrics by Artistic Director David Cerda
Music by David Cerda and Scott Lamberty
Directed by Cheryl Snodgrass

THE GOLDEN GIRLS: The Lost Episodes
Bea Afraid Too – The Halloween Edition
By Artistic Director David Cerda

THE FACTS OF LIFE: The Lost Episodes
Satan’s School for Girls
By Artistic Director David Cerda

BETTE: XMAS AT THE CONTINENTAL BATHS
A Musical Tribute Starring Caitlin Jackson
Adapted by Artistic Director David Cerda & Caitlin Jackson
Music Direction by Tommy Ross

THE GOLDEN GIRLS: The Lost Episodes
The Holiday Edition, Vol. 2
By Artistic Director David Cerda

Hell in a Handbag Productions is pleased to announce its 2019 Season, launching this winter with the show that started it all: POSEIDON! An Upside Down Musical, an unauthorized musical parody of the classic granddaddy of all disaster films, 1972’s The Poseidon Adventure. The much-anticipated revival of Handbag’s very first show features a book, music and lyrics by Artistic Director David Cerda* with Scott Lamberty, direction by Derek Van Barham, music direction by Andrew Milliken, and choreography by Breon Arzell. The cast includes ensemble members Sydney Genco*, Caitlin Jackson*, Elizabeth Lesinski*, David Lipschutz*, Stevie Love* and a boatload of others. POSEIDON will play at a venue befitting of an ocean liner: The Edge Theater, 5451 N. Broadway in Chicago’s Edgewater neighborhood.

Following closely on the heels of the SS Poseidon, Chicago’s favorite drag seniors return in THE GOLDEN GIRLS: The Lost Episodes – Vol. 3. Dorothy, Rose, Blanche, Sophia and their whacky friends and relatives are back for all new adventures – including the first-ever musical episode. Written by Artistic Director David Cerda*, THE GOLDEN GIRLS stars original cast members Chazie Bly*, David Cerda*, Grant Drager*, Adrian Hadlock* and Ed Jones*. The Girls return to Mary’s Attic, 5400 N. Clark St. in Chicago’s Andersonville neighborhood.

Summer 2019 brings another world premiere Handbag musical! Inspired by our changing times, THE DRAG SEED is an unauthorized musical parody of the 1956 psychological horror-thriller film The Bad Seed. Ensemble member Kristopher Bottrall stars as little Carson Langus, the perfect little boy who likes to dress like the perfect little girl. Featuring book, music and lyrics by Artistic Director David Cerda* with Scott Lamberty and direction by Cheryl Snodgrass (The Birds, The Rip Nelson Halloween Spooktacular), THE DRAG SEED will also play at Mary’s Attic.

Handbag conjures up double the scares for the Halloween season! The geriatric “Fab Four” return with scares and hilarity in THE GOLDEN GIRLS: The Lost Episodes – Bea Afraid Too, written by Artistic Director David Cerda*. This Halloween tradition (almost) will play at Mary’s Attic. Meanwhile, across town at Stage 773 (1225 W. Belmont Ave., Chicago), another beloved TV sitcom is resurrected Handbag style: THE FACTS OF LIFE: The Lost Episodes – Satan’s School for Girls. Ensemble member Ed Jones* stars as Mrs. Edna Garrett, the house mother with a deep dark secret, in this new parody by Artistic Director David Cerda*.

Handbag wraps up its season with another double whammy for the holidays. Handbag diva Caitlin Jackson* reprises her role as Bette Midler in BETTE, XMAS AT THE CONTINENTAL BATHS, a recreation of the Divine Miss M’s historic concert at New York’s Continental Baths – with a holiday twist. The show enjoyed a sold-out run in 2017 as part of the LookOut Series at Steppenwolf’s 1700 Theatre. Handbag’s steamy cabaret sensation features music direction by Tommy Ross. Also, enjoy some eggnog and cheesecake on the lanai at THE GOLDEN GIRLS: The Lost Episodes – The Holiday Edition, Vol. 2, another round of festive sketches featuring the Handbag Golden Girls. BETTE and THE GOLDEN GIRLS will play concurrently at Mary’s Attic.

Season subscriptions and single tickets for all the shows are currently available at www.handbagproductions.org.

*Denotes Handbag Ensemble Member.

Hell in a Handbag Productions’ 2019 Season includes:


Poseidon (pictured) The cast of Hell in a Handbag Productions’ 2009 revival of POSEIDON! An Upside Down Musical. Photo by Rick Aguilar Studios.

March 15 – April 28, 2019
Title: POSEIDON! An Upside Down Musical
Book and Lyric by Artistic Director David Cerda*
Music by David Cerda* with Scott Lamberty
Directed by Derek Van Barham
Music Direction by Andrew Milliken
Choreography by Breon Arzell
at The Edge Theater, 5451 N. Broadway Ave., Chicago
Featuring ensemble members Sydney Genco*, Caitlin Jackson*, Elizabeth Lesinski*, David Lipschutz*, Stevie Love* and Michael S. Miller* with Katherine Bellantone, Frankie Leo Bennett, Brittney Brown, Tommy Bullington, Josh Kemper, Nicky Mendelson, Courtney Dane Mize, Elissa Newcorn, Marc Prince, Shane Roberie, Scott Sawa, Patrick Stengle and Maiko Terazawa.

It’s New Year’s Eve and a group of hardcore fans have gathered for their annual viewing of the greatest film ever – The Poseidon Adventure, the story of the capsize of the SS Poseidon on New Year’s Eve, and the handful of misfit passengers that decide to climb to the top of the ship – which is now the bottom. As the story progresses the viewers become one with the film. POSEIDON! An Upside-Down Musical is part parody, part homage – and a look at how movies can leave their mark on you.

First produced by Handbag 17 years ago, POSEIDON! An Upside-Down Musical enjoyed an extended five month-run, went to the 2002 New York International Fringe Festival and was the most attended show of the festival. Remounted in 2009, the show had another extended run and garnered critical acclaim.

February 8 – March 10, 2019 – Off-Season Special! (not included in season subscriptions)
THE GOLDEN GIRLS: The Lost Episodes – The Valentine Edition
Written by Artistic Director David Cerda*
Directed by: Jon Martinez
at Stage 773, 1225 W. Belmont Ave., Chicago
Featuring ensemble members Chazie Bly*, David Cerda*, Grant Drager*, Adrian Hadlock* and Ed Jones* with Miles Brindley, Casey Coppess, Steve Kimbrough, Ryan Oates, Michael Rashid, Ryan Tang and Danne Taylor.

Poor Dorothy can’t find a date for the Sadie Hawkins dance at the Miami Senior Center. When Rose sets her up with a man with a colorful past, the evening takes a turn for the bizarre. Meanwhile Sophia locks horns with her arch rival, Sylvia Martinelli and the two engage in a steamy battle of wits.

April 18 – August 25, 2019
THE GOLDEN GIRLS: The Lost Episodes, Vol. 3
By Artistic Director David Cerda*
at Mary’s Attic, 5400 N. Clark St., Chicago
Featuring ensemble members Chazie Bly*, David Cerda*, Grant Drager*, Adrian Hadlock* and Ed Jones*.

Dorothy, Rose, Blanche, Sophia and their whacky friends and relatives are back for all new adventures – including the first-ever musical episode.

July 5 – August 25, 2019
THE DRAG SEED
Book and Lyrics: Artistic Director David Cerda*
Music: David Cerda* with Scott Lamberty
Directed by Cheryl Snodgrass
Featuring ensemble member Kristopher Bottrall*
at Mary’s Attic, 5400 N. Clark St., Chicago
Casting to be announced.

Inspired by our changing times, THE DRAG SEED is an unauthorized musical parody of the 1956 psychological horror-thriller film The Bad Seed. Carson is a perfect little boy who likes to dress like the perfect little girl. Carson loves drag and prides himself on being the best child drag queen in the greater Chicago area. Carson always gets what he wants, and he really wants to win the drag pageant at his very progressive school – The Josephine Baker Academy for Gifted Students. When Carson doesn’t win, he vows to get that crown – one way or another…

September 27 – November 2, 2019
THE GOLDEN GIRLS: The Lost Episodes – Bea Afraid Too
By Artistic Director David Cerda*
at Mary’s Attic, 5400 N. Clark St., Chicago
Featuring ensemble members Chazie Bly*, Grant Drager*, Adrian Hadlock* and Michael Miller*

Last year Sophia was possessed by the devil. Did anyone even notice? Stay tuned to find out what spooky adventures Artistic Director David Cerda* conjures up for our heroines in what’s quickly becoming a Chicago Halloween tradition.

October 5 – November 3, 2019
The FACTS OF LIFE: The Lost Episodes – Satan’s School for Girls
By Artistic Director David Cerda*
at Stage 773, 1225 W. Belmont Ave., Chicago
Featuring ensemble members David Cerda* and Ed Jones*

Ed Jones* stars as Mrs. Edna Garrett – the house mother with a deep dark secret in this parody of the beloved TV sitcom The Facts of Life. The Eastland seemed to be the place for the best and the brightest girls. But when a series of girls die mysterious accidental deaths, ace reporter Claudia Collins (David Cerda*), who is as beautiful as she is talented – goes undercover to avenge her kid sister’s death.

November 27 – December 28, 2019
THE GOLDEN GIRLS: The Lost Episodes, The Holiday Edition, Vol. 2
By David Cerda
at Mary’s Attic, 5400 N. Clark St., Chicago
Featuring ensemble members David Cerda*, Grant Drager*, Ed Jones* and Adrian Hadlock*

Celebrate the season in sunny Miami, as Dorothy, Rose, Blanche and Sophia return for brand new holiday episodes of Chicago’s beloved TV sitcom parody.

December 6 – 28, 2019
BETTE: XMAS AT THE CONTINENTAL BATHS
Adapted by Artistic Director David Cerda* and Caitlin Jackson*
Musical Direction by Tommy Ross
at Mary’s Attic, 5400 N. Clark St., Chicago
Featuring ensemble member Caitlin Jackson*

Handbag diva Caitlin Jackson recreates Bette Midler’s concert at New York’s Continental Baths. This loving recreation of the beginning of Ms. Midler’s stellar career features the fabulous songs she sang for the boys in the bathhouse, including Chattanooga Choo-Choo, Superstar – plus holiday ditties done in Bette’s inimitable style.

About Hell in a Handbag Productions
Hell in a Handbag is dedicated to the preservation, exploration, and celebration of works ingrained in the realm of popular culture via theatrical productions through parody, music and homage. Handbag is a 501(c)(3) Not for Profit.

Tuesday, February 5, 2019

OPENING: DEAD MAN'S CELL PHONE Via The Comrades at Greenhouse Theater Center February 7 – March 10, 2019

ChiIL Live Shows on our radar
DEAD MAN'S CELL PHONE
by Sarah Ruhl
Directed by Arianna Soloway



I'm a big fan of playwright, Sarah Ruhl's work, and eager to see this "film noir' comedy with my teenage son. This will be our first time to check out The Comrades. We'll be out for the press opening February 9th, so circle back shortly for my full review.

An incessantly ringing cell phone in a quiet café. A stranger at the next table who has had enough. And a dead man – with a lot of loose ends. So begins DEAD MAN’S CELL PHONE, a wildly imaginative new comedy by MacArthur “Genius” Grant recipient and Pulitzer Prize finalist Sarah Ruhl. A work about how we memorialize the dead – and how that remembering changes us – it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world.  The SAN FRANCISCO CHRONICLE said, “It's a joyride through the absurdity of trying to make simple connections in a world overwhelmed with interconnectivity.”

Arianna Soloway, who recently directed a site-specific production of PINE by Jacqui Honess-Martin and CARRIE & FRANCINE with Haven Theatre Company, will direct. Playing Jean, the young woman who retrieves the phone and makes a new, albeit deceased, friend will be Cydney Moody, whose 2018 credits include THE WOLVES at Goodman and DOWNSTATE at Steppenwolf.  Chicago veteran actress and theatre professor Caroline Latta, recently seen in 2017’s BY THE BOG OF CATS with The Artistic Home, will play the dead man’s domineering mother, Mrs. Gottlieb. Also in the cast are Bryan Breau (Gordon, the dead man), Lynnette Li  (Hermia, Gordon’s widow), Mike Newquist (Dwight, Gordon’s brother) and Valeria Rosero (Other Woman/Stranger). Cydney Moody as Jean.



Previews Thursday, February 7 and Friday, February 8
Thursdays, Fridays and Saturdays at 8 pm, Sundays at 3 pm.,
Tickets range from $15-$20 with discount for industry and students
Tickets available at : https://www.greenhousetheater.org/ or by phone at 773-404-7336.

Performances at Greenhouse Theater Center, 2257 N. Lincoln Ave., Chicago
For more information, www.the-comrades.com/




ABOUT THE COMRADES
 The Comrades were founded in January 2016. They are an ensemble-based theater company who create fun, vibrant, and engaging theater with a focus on revitalizing classics and producing area premieres that are relevant in today’s world.  They are a resident company at the Greenhouse Theater Center.

FEST ALERT: Greenhouse Theater Center Celebrates Chicago Theatre Week with BREAKING GROUND FEST Through February 17, 2019

ChiIL Live Shows on our radar

Greenhouse Theater Center
Celebrates Chicago Theatre Week with
BREAKING GROUND FEST

February 7 – 17, 2019


PS Burlesque.  Photo by Adam Blaszkiewicz.


The Greenhouse Theater Center celebrates Chicago Theatre Week with its BREAKING GROUND FEST, an eclectic line-up of performances including live music, plays, staged readings, improv, comedy, burlesque and more, playing February 7 – 17, 2019 on multiple stages at 2257 N. Lincoln Ave. in Chicago. All performances are priced at $10. Tickets are currently available at greenhousetheater.org, in person at the Greenhouse box office or by calling (773) 404-7336. Spots are still available for the Festival. For information, e-mail gm@greenhousetheater.org.



The BREAKING GROUND FEST line-up to date includes (additional acts to be announced):



Friday, February 8 at 10:30 pm
GODDESS, hosted by Kat Sass and Lucky Stiff 

Acclaimed drag performers Kat Sass and Lucky Stiff bring their visionary GODDESS out of Boystown and into the Greenhouse Theater Center for a unique performance art experience unlike anything you have ever seen.



She’s Folks. Photo by Jill Fager.

Saturday, February 9 at 8 pm
SHE’S FOLKS!

Elizabeth Morgan’s She’s Folks! is a little bit country, a little bit rock ‘n’ roll, and a lot of laughs. Journey from the city to farm country and back again through folk and country music, hilarious stories, soaring harmonies and a wry view of the folks back home.  



Saturday, February 9 at 10:30 pm
PLAN 9 BURLESQUE

Plan 9 Burlesque was founded in 2012 by a rag tag group of nerds with an affinity for nudity. They wanted to create a space where burlesque and fandom come together to produce innovative, creative and bonkers performance art. Since then they have perverted comic book heroes, sci-fi super stars, beloved children's cartoons and fantastical fairy tales.  



Sunday, February 10 at 7 pm

AUNTIE MAME
A semi-staged reading of the play by Jerome Lawrence and Robert E. Lee
Directed by Nicholas Reinhart 


Based on the bestselling memoir, Auntie Mame tells the story of Patrick Dennis, newly orphaned and sent to live with his eccentric Auntie Mame in New York City. This madcap play about family, growing up, and making the most out of life has been entertaining audiences around the world for years and returns to the Greenhouse Theater Center for one night only!



Monday, February 11 at 7:30 pm
MONA Q: AGE 38
A staged reading written by Steven Strafford
Directed by Kristina Valada-Viars
Featuring Sadieh Rifai, J. Nicole Brooks, Shea Coffman and Eric Slater 


Mobs finds that life has left her sad and stuck. When she can’t seem to get off a Holocaust Trivia Distribution list, she takes a road trip to take some action. Along the way, she shapes her story and learns a bit about what she might want next. 



Tuesday, February 12 at 8 pm
SIX PACK AND A SHOT
A play written and directed by Bill Goff
Featuring Dante Charlton and Evan Henderson


Two best friends share one last six pack as one looks to resolve their friendship and the other wants to preserve it before time runs out.



Tuesday, February 12 at 8 pm
OEDIPUS IN JERUSALEM
A staged reading by Kalman Kaplan
Directed by Michael Reinstein


Oedipus in Jerusalem begins with the fictional and unexpected meeting outside of Thebes between the blinded Greek Oedipus and the biblical prophet Nathan. Although Oedipus insists on his guilt with regard to patricide and incest with his mother, Nathan is convinced that he has been entrapped by the purposely obscure responses of the Pythia to Oedipus's sincere attempts to avoid these acts and brings him to be tried in the great Sanhedrin in Jerusalem. Oedipus is acquitted because he is judged to be doing all in his power to try to avoid performing these acts, but thinking like a Greek, Oedipus refuses to emotionally accept his acquittal.

 
Falling in Love (pictured) Jack Schultz in I’m Falling in Love All The Time. Photo by Sommer Austin.


Thursday, February 14 at 8 pm
I’M FALLING IN LOVE ALL THE TIME
A solo show written and performed by Jack Schultz

Coffee. Romance. Heroin. There’s a first time for everything and a last. In his heartfelt solo show, Jack Schultz weaves together personal stories of the highs and lows of love.



Friday, February 15 at 7:30 pm
BROMANTICAL HEALING Hosted by Stoopie

Stoopie (aka improv duo Cooper Bohn and Steven Dionne) holds the title for strongest bromance in Chicago’s improv scene. Enjoy the day after Valentine’s Day with them and their funny friends! 



Friday, February 15 at 10:20 pm
PS… BURLESQUE


Ah, the day after Valentine’s Day. The heart shaped candy is 50% off, the roses are wilting, and the love-themed plush toys have been thrown into the clearance bin. But, the Unpopular Hotties have something even more enjoyable for you Valentine’s Day haters on February 15th! During the “Love Hangover” burlesque revue, we’ll be serving up all those post V-Day feels the best way we know how – by taking off our clothes!



Saturday, February 16 at 7:30 pm
FANCY MUSTARD Improv

There are times in your life where everything came before and after a single moment. Inspired by your suggestions Fancy Mustard will improvise what led up to that moment and the aftermath in The Event! Also featuring opening acts of friends and enemies (just kidding, we don’t have friends). 


For additional information, visit greenhousetheater.org/breakingground.


Following the BREAKING GROUND FEST, Greenhouse Theater Center will regularly host new performances on Monday, Tuesday and Wednesday nights when space is available. For information on booking an act, please gm@greenhousetheater.org.

About the Greenhouse Theater Center
The Greenhouse Theater Center (GTC) is a producing theater company, performance venue and theatre bookstore located at 2257 N. Lincoln Ave. in Chicago’s Lincoln Park neighborhood.

GTC began its producing life in 2014 with the smash hit Churchill, followed by 2016’s much-lauded Solo Celebration!, an eight month, 16 event series highlighting the breadth and depth of the solo play form. In 2017-18, the Greenhouse presented its first full subscription season, including Machinal (4 stars from Chicago Tribune's Chris Jones) and the Chicago premiere of Birds of a Feather. 

As a performance venue, the Greenhouse complex offers two newly remodeled 190-seat main stage spaces, two 60-seat studio theaters, two high-capacity lobbies and an in-house rehearsal room. GTC also houses Chicago’s only dedicated used theatre bookstore, located on the second floor the complex. 

The Greenhouse Theater Center’s mission is first and foremost to grow local theatre. GTC seeks local theatre companies and artists to partner on co-productions, offering partners a multitude of resources including an equitable split of production costs, production manager, full-service box office and front-of-house staff, artistic consultation, marketing and public relations support and a full-service bar with concessions. For additional information, contact Bill Spatz at (312) 637-5323 or wmspatz@gmail.com.

With new ideas always incubating, the Greenhouse is flourishing. Come grow with us!

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