OPENING: Julia Sweeney: Older and Wider to run in The Second City’s e.t.c. Theater April 24 – May 30, 2018

Chi IL Live Shows On Our Radar:

Sweeney moves to a resident stage after a live workshop process at The Second City

SNL vet Julia Sweeney’s one-woman show Julia Sweeney: Older and Wider will move to The Second City's e.t.c. stage for a six-week run beginning April 24, 2018. Sweeney has been honing her first-ever stand-up show in front of live audiences since she began a January workshop run in one of Second City’s studio theater spaces. Julia Sweeney: Old and Wider will run on the e.t.c. stage at The Second City April 24 – May 30, 2018. 

“It turns out I had to do five years on SNL to make it to The Second City, and that’s alright with me! This is truly a dream come true,” said Sweeney. “I’d always considered myself a comedic monologist, but it occurred to me that I was so close to doing stand-up that I should just take that step...My show is observational and strewn with funny stories. I’m older and yes, a wee bit wider, but I think you’ll laugh and have a good time.”

Julia Sweeney: Older and Wider

Schedule: Tuesdays & Wednesdays at 8pm April 24-May 30; Saturdays & Sundays at 4pm April 29-May 27

Running Time: 90 minutes

Location: The Second City’s e.t.c. Theater, 230 W North Ave, 2rd Floor of Piper’s Alley, Chicago

Tickets: Tickets start at $26 for general admission with premium rail seating also available. Special rates for students.

Box Office: 230 W. North Ave, 1st Floor, Piper's Alley. By phone at 312-337-3992 or online at www.secondcity.com.

About Julia Sweeney
Called “a consummate storyteller with exquisite comic timing” by Variety, Julia Sweeney is a writer, actor, comedian, director, and monologist. Perhaps most recognized as a Saturday Night Live cast member from 1990 to 1995, she created and popularized the androgynous character “Pat.” Sweeney is also adored for her comedic and dramatic (and usually both at the same time) monologues, including God Said Ha!, which she staged across the country, as well as on Broadway at the Lyceum Theater. The film version was produced by Quentin Tarantino and premiered at the 1998 South by Southwest Film Festival, and the accompanying comedy album was nominated for a Grammy. Sweeney's second monologue, In the Family Way, played in New York and LA and was ultimately developed into a memoir, If It's Not One Thing, It's Your Mother. Her third monologue, Letting Go of God, was adapted into a film that aired on Showtime. Sweeney is also a cancer survivor, an outspoken secular humanist, and the proud mother of a teenage daughter.

About The Second City
Since opening its doors 1959, The Second City has grown to become the world’s premier comedy club, theater, and school of improvisation, entertaining 1 million theatergoers a year around the globe. Alumni of The Second City’s resident stages, touring companies, and theatrical divisions include some of the biggest names in entertainment, and in addition to the sold-out shows playing nightly on resident stages in Chicago and Toronto, the comedy empire has staged productions with a wide range of illustrious creative partners and theater companies, including the Lyric Opera of Chicago, Hubbard Street Dance Chicago, The John F. Kennedy Center for the Performing Arts, Goodman Theatre, Center Theater Group Los Angeles, Portland Center Stage, Toronto Symphony Orchestra, La Jolla Playhouse, Woolly Mammoth Theatre, and the Chicago Bulls.

OPENING: Chicago Premiere HOW TO USE A KNIFE Via Shattered Globe Theatre At Theater WIT April 26 – June 9, 2018

Chi IL Live Shows On Our Radar:

Chicago Premiere!

Shattered Globe Theatre Presents 

HOW TO USE A KNIFE

By Will Snider

Directed by Producing Artistic Director Sandy Shinner

April 26 – June 9, 2018 at Theater Wit

I'll be ChiILin' with Shattered Globe Theatre and catching HOW TO USE A KNIFE May 4th, so check back soon for my full review on this Chicago premiere. Theater Wit is one of our favorite multi space, Chicago storefront theaters and Shattered Globe Theatre company has been a long time favorite of ours as well. 

Shattered Globe Theatre is pleased to conclude its 2017-18 Season with the Chicago premiere of Will Snider’s fast-paced gritty drama HOW TO USE A KNIFE, directed by SGT Producing Artistic Director Sandy Shinner*, playing April 26 – June 9, 2018 at SGT’s resident home Theater Wit, 1229 W. Belmont Ave. in Chicago. Single tickets are currently available at www.shatteredglobe.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office. 

HOW TO USE A KNIFE will feature Shattered Globe ensemble Brad Woodard* with Michelle Bester, Peter DeFaria, Dennis García, Anthony Irons, Dillon Kelleher and Víctor Maraña. 

In the chaotic kitchen of a Wall Street restaurant, Chef George is trying to stay sober and keep the cross-cultural kitchen staff churning out orders on time. While dealing with two trash-talking line cooks, a naïve busboy and a jerk of a boss, George strikes up a surprising friendship with an unassuming dishwasher. The heat is turned up when secrets from their pasts are exposed.  Raw, fast-paced and funny, HOW TO USE A KNIFE serves up plenty of food for thought.

“Shattered Globe is thrilled to produce Will Snider’s How To Use a Knife which I enjoyed several years ago in an early reading at the National New Play Network and have been pursuing ever since,” comments Producing Artistic Director Sandy Shinner. “The overwhelmingly positive response from audiences and artists across the country during the play’s rolling world premiere is a tribute to Will’s compelling story and the energy and musicality of his dialogue. This is a playwright to watch. SGT is proud to introduce Will’s work to Chicago audiences.” 

The production team for HOW TO USE A KNIFE includes Jeff Bauer (scenic design), Hailey Rakowiecki (costume design), Shelley Strasser Holland* (lighting design), Abigail Cain (props design), Daniel Carylon (sound design), Judy Anderson* (executive production manager), Colin David+ (production manager), J. Hampton Cade and Arianna Soloway (asst. directors), Tina M. Jach (stage manager) and Devonte Washington+ and Ayanna Wimberly (asst. stage managers).

Location: Theater Wit, 1229 W. Belmont Ave, Chicago
Dates: Previews: Thursday, April 26 at 8 pm, Friday, April 27 at 8 pm and Saturday, April 28 at 8 pm
Press Performance: Sunday, April 29 at 3 pm
Regular Run: Thursday, May 3 – Saturday, June 9, 2018
Curtain Times: Thursdays, Fridays, Saturdays at 8 pm; Sundays at 3 pm. Please note: there will not be an 8 pm performance on Friday, May 11; there will be an added performance on Saturday, June 9 at 3 pm.
Touch Tour/Audio Description Performance: Friday, May 18, 2018 – 6:30 pm touch tour, 8 pm performance with audio description. $20 tickets available with code “ACCESS.”
Global Perspectives: SGT will be hosting post-show discussions immediately following 3 pm performances on Sundays.

Tickets: Previews: $20 general admission, $10 students, $10 industry tickets with code “FRIEND”. Regular Run: $35 general admission. Discounts: $15 students, $28 seniors, $20 under 30. $15 industry tickets on Thursdays with code “INDUSTRY.” Tickets are currently available at www.theaterwit.org, in person at the Theater Wit Box Office or by calling (773) 975-8150. Group discounts are currently available by contacting groupsales@shatteredglobe.org or by calling (773) 770-0333. 

* Denotes SGT Ensemble Member
+ Denotes SGT Artistic Associate

About the Artists:
Will Snider (Playwright) was born and raised in the suburbs of Washington, D.C. His play How to Use a Knife received a Rolling World Premiere through National New Play Network, won the Barrymore Award for Outstanding New Play, and was a finalist for a PEN Center USA Literary Award. Other plays include The Big Man (Ensemble Studio Theatre’s 35th Marathon of One-Act Plays), Strange Men and Death of a Driver. His work has been developed at MCC, NNPN National Showcase of New Plays, The Kennedy Center, SPACE on Ryder Farm, #serials@theflea, the claque and MAKEHOUSE. He is an alumnus of Youngblood and received an EST/Soan Grant and The Kennedy Center’s Paula Vogel Playwriting Award. MFA: UCSD.

Sandy Shinner (Director) joined Shattered Globe Theatre in October 2013 as the theater’s first Producing Artistic Director. She directed Scott McPherson’s Marvin’s Room in 2015 and Sally Nemeth’s Mill Fire at SGT in 2014 for SGT. The former Associate Artistic Director of Victory Gardens Theater, she created the nationally known IGNITION! Festival, served as co-director of the Access Project, and accepted the 2001 Regional Theater Tony Award on behalf of VG with former Artistic Director Dennis Zacek and former Managing Director Marcelle McVay. Her other recent directing credits include: the world premiere of Rasheeda Speaking by Joel Drake Johnson (Rivendell Theater Ensemble) and Creditors by August Strindberg (Remy Bumppo Theater Company). She has directed over 80 plays at theaters including Victory Gardens, Remy Bumppo, American Blues, the University of Virginia, Actors Theater of Louisville’s Humana Festival, Steppenwolf’s First Look Repertory of New Work, New York’s 78th Street Theater Lab and the Sacramento Theater Company, among others. Her production of Trying by Joanna McClelland Glass transferred to New York and her direction was nominated for the Joe A. Callaway Award. Shinner received the 2013 Kathryn V. Lamkey Spirit Award from the Equal Employment Opportunity Committee of Actors’ Equity Association for her commitment to diversity and non-traditional casting. She has been recognized as one of “50 Top Players” by Newcity and a “Chicagoan of the Year” by the Chicago Tribune. She is an adjunct professor at DePaul’s Theatre School, an At Large Ambassador for the National New Play Network and an Artistic Affiliate at American Blues Theater.  

About Shattered Globe Theatre
Shattered Globe Theatre (Sandy Shinner, Producing Artistic Director; Doug McDade, Managing Director) was born in a storefront space on Halsted Street in 1991. Since then, SGT has produced more than 60 plays, including nine American and world premieres, and garnered an impressive 42 Jeff Awards and 106 Jeff Award nominations, as well as the acclaim of critics and audiences alike. Shattered Globe is an ensemble driven theater whose mission is to create an intimate, visceral theater experience that challenges the perspective of audience and artist alike through passionate storytelling. Shattered Globe is inspired by the diversity of our city and committed to making the theater available to all audiences.   Through initiatives such as the Protégé Program, Shattered Globe creates a space which allows emerging artists to grow and share in the ensemble experience.

Shattered Globe Theatre is partially supported and funded by generous grants from The Shulman-Rochambeau Charitable Foundation, The James P. and Brenda S. Grusecki Family Foundation, Alphawood Foundation, The Gaylord & Dorothy Donnelley Foundation, The MacArthur Fund for Arts & Culture at The Richard H. Driehaus Foundation, The Illinois Arts Council, a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events, The Shubert Foundation, The Blum-Kovler Family Foundation, and The Robert J. & Loretta W. Cooney Family Foundation.

For more information on Shattered Globe Theatre, please visit www.shatteredglobe.org.

REVIEW: Heart-Wrenching Letters From Home Returns Home To Chicago After 10 Years On The Road

Chi IL Live Shows On Our Radar:

Griffin Theatre Company Presents

LETTERS HOME

Written and Directed by Artistic Director William Massolia

 (front) Andrew Neftalí Perez with the ensemble of Griffin Theatre Company’s 10th anniversary production of LETTERS HOME. Photo by Evan Hanover.

Review:
A decade after Griffin Theatre opened Letters From Home, built around actors reading actual correspondence between soldiers in Iraq and Afghanistan and their families, they've returned home to play Chicago's Den Theatre this spring. This acclaimed production has been seen by more than 100,000 people in more than 100 cities since its first performance in 2007, and with wars still raging in the Middle East, it's still as timely and relevant today. 

(front) Jessica Dean Turner with the ensemble of Griffin Theatre Company’s 10th anniversary production of LETTERS HOME. Photo by Evan Hanover.

In Letters Home, Griffin Theatre makes stellar use of multimedia to pair up scenes from war zones with letters to and from soldiers' loved ones. This production is staged in an intimate, minimalist way that has the actors facing forward and making eye contact with the audience for an eerily personal  connection. Cast members take turns reading letters, so the storylines intertwine and pick back up for the duration of the show. We're privy to the successes and failures, homesickness, regret, fear, hope and joy of these families, as conveyed to those closest to them. And we're also ultimately shown the soldiers' futures, or lack thereof. Many in the audience were moved to tears.

(front) Lynda Shadrake with the ensemble of Griffin Theatre Company’s 10th anniversary production of LETTERS HOME. Photo by Evan Hanover.

I had the chance to informally chat with some of the cast members who have been touring with this production for years, and the mother of an actor who plays a soldier who dies. The mother spoke candidly about how wrenching it was to see her son die, even knowing it was just a show, and how much her son has enjoyed being part of a production this significant and moving. 

On the road, the shows are followed by audience talk backs where the cast has been met with myriad personal stories and seen first hand how the production is touching people's lives. Some audience members were motivated to open up and speak of their personal pain and similar experiences. Others became more empathetic and stopped seeing soldiers as just political pawns and started seeing them as human beings. People become immune to endless war news or launch into talking points and argue their side without listening. These productions get people to sit quietly and immerse themselves in the raw humanity of love, loss, fear, pride, patriotism, and the psychology of war.

(front) Ryan McBride with the ensemble of Griffin Theatre Company’s 10th anniversary production of LETTERS HOME. Photo by Evan Hanover.

It was my great pleasure to see both GHOSTS OF WAR and LETTERS HOME. They make a powerful pairing of productions and we highly recommend catching this pair of shows. These works are thought provoking, multilayered, nuanced looks at the human side of war. Kudos to Griffin for providing the platform for this message in an era of fake news, polarizing views, and a daunting barrage of rhetoric. 

In this pairing of productions Griffin Theatre has given audiences a powerful gift and a unique experience that can open hearts and mind and bridge polarizing politics.

Presented in Rotating Repertory

Through May 6, 2018 at The Den Theatre

The Chicago premiere of GHOSTS OF WAR details a young soldier’s tour of duty in Iraq following 9/11, based on Ryan Smithson’s best-selling autobiographical novel, adapted for the stage by Artistic Director Bill Massolia (In To America) and directed by Jason Gerace (Great Expectations, Last Train to Nibroc). Celebrating its 10th anniversary, Griffin’s LETTERS HOME puts the wars in Afghanistan and Iraq front and center by bringing to life actual letters written by soldiers serving in the Middle East. Written and directed by Bill Massolia, the critically acclaimed production returns home to Chicago after touring the U.S. for more than a decade. 

GHOSTS OF WAR and LETTERS HOME will play April 7 – May 6, 2018 at The Den Theatre (2B), 1331 N. Milwaukee Ave. in Chicago Tickets for go on sale Friday, February 16 at www.griffintheatre.com or by calling (773) 697-3830. The press opening for GHOSTS OF WAR is Monday, April 9 at 7:30 pm and the press opening for LETTERS HOME is Wednesday, April 11 at 7:30 pm.

GHOSTS OF WAR features Sam Krey as Ryan Smithson. 

Ryan Smithson joined the Army Reserve when he was seventeen. Two years later, he was deployed to Iraq as an Army engineer. In this extraordinary and harrowing adaptation, GHOSTS OF WAR follows one GI’s tour of duty inside a world that few understand. Based on Smithson’s best-selling novel, this unforgettable story about combat, friendship, fear and a soldier’s commitment to his country peels back the curtain on the realities of war.

LETTERS HOME features an ensemble cast including Peter Byrne, Elliot Cruz, Zachary DeNardi, Mario Guzman, Jennifer Lowe, Ryan McBride, Andrew Neftalí Perez, Leah Raidt, Lynda Shadrake, Jessica Dean Turner and Jason Von Rohn. 

Celebrating its 10th anniversary, Griffin Theatre’s critically lauded production of LETTERS HOME puts the soldier experience in Iraq and Afghanistan front and center by bringing to life war letters written home. Seen by more than 100,000 people in more than 100 cities since its first performance in 2007, the Griffin is proud to have this production come home for Chicago audiences to experience once again.

The production team for GHOSTS OF WAR includes: Alan Donahue (scenic design), Rachel Sypniewski (costume design), John Kelly (lighting design), Stephen Ptacek (sound design), Michael Stanfill (projection design), Jennifer Aparicio (production manager), David Moreland (technical director) and Sara Beaman (stage manager).

The production team for LETTERS HOME includes: Alan Donahue (scenic design), John Kelly (lighting design), Brett Warren Masteller (sound design), Brandon Wardell (projection design), Jennifer Aparicio (production manager), David Moreland (technical director) and Sara Beaman (stage manager).


(front) Leah Raidt with the ensemble of Griffin Theatre Company’s 10th anniversary production of LETTERS HOME. Photo by Evan Hanover.

PRODUCTION DETAILS:
Location: The Den Theatre (2B), 1331 N. Milwaukee Ave., Chicago
Dates: Previews: Saturday, April 7 at 4 pm and Sunday, April 8 at 5 pm (GHOSTS OF WAR), Saturday, April 7 at 7:30 pm and Sunday, April 8 at 7 pm (LETTERS HOME).

Regular run: Thursday, April 12 – Sunday, May 6, 2018
Curtain Times: Thursdays at 7:30 pm, Fridays at 7:30 pm, Saturday at 4 pm and 7:30 pm, Sundays at 2 pm and 4 pm.

Tickets: Previews $23. Regular run $30 single show; $50 for both shows (when purchased together). Students, seniors & veterans $27 ($20 previews). Group discount are available for groups of ten or more. Single tickets go on sale Friday, February 16 at www.griffintheatre.com or by calling (773) 697-3830.

GHOSTS OF WAR Performance Schedule:

Saturday, April 7 at 4 pm (preview) 
Sunday, April 8 at 5 pm (preview) 
Monday, April 9 at 7:30 pm (press opening)
Thursday, April 12 at 7:30 pm
Saturday, April 14 at 4 pm
Sunday, April 15 at 2 pm
Friday, April 20 at 7:30 pm
Saturday, April 21 at 7:30 pm
Sunday, April 22 at 2 pm
Monday, April 23 at 7:30 pm
Friday, April 27 at 7:30 pm
Saturday, April 28 at 4 pm
Sunday, April 29 at 2 pm
Thursday, May 3 at 7:30 pm
Saturday, May 5 at 7:30 pm
Sunday, May 6 at 2 pm

LETTERS HOME Performance Schedule:

Saturday, April 7 at 7:30 pm (preview)
Sunday, April 8 at 7 pm (preview)
Wednesday, April 11 at 7:30 pm (press opening)
Friday, April 13 at 7:30 pm
Saturday, April 14 at 7:30 pm
Sunday, April 15 at 4 pm
Thursday, April 19 at 7:30 pm
Saturday, April 21 at 4 pm
Sunday, April 22 at 4 pm
Thursday, April 26 at 7:30 pm
Saturday, April 28 at 7:30 pm
Sunday, April 29 at 4 pm
Monday, April 30 at 7:30 pm
Friday, May 4 at 7:30 pm
Saturday, May 5 at 4 pm
Sunday, May 6 at 4 pm

About the Artists
Jason Gerace (Director, Ghosts of War) is a freelance director in Chicago, and is so thrilled to be directing for Griffin Theatre for the first time. He was the recipient of the 2014 Non-Equity Jeff Award in Outstanding Direction for Great Expectations with Strawdog Theatre Company, which broke box office records, was twice remounted, and led to the adaptation’s first publication. His production of Last Train to Nibroc for Haven Theatre was hailed as “an exquisitely acted and generally gorgeous little show” by the Chicago Tribune. Regional directing credits include the world premiere of Gabe McKinley's The Source (Route 66 Theatre), the Chicago Premiere of Yussef El Guindi’s Threesome (Other Theatre), Wrecks (with John Judd; Chicago), Who’s Afraid of Virginia Woolf? and Opus (RedTwist Theatre, Chicago). Jason originally hails from Anchorage, Alaska and holds an MFA in Directing from The University of Oklahoma. He is an associate member of SDC, and has been Artistic Associate of American Theater Company since 2008.

William Massolia (Adapter, Ghosts of War & Playwright/Director, Letters Home) is a founding member of the Griffin Theatre Company. He is the author of over 30 plays and adaptations including, Be More Chill, Little Brother, Stardust, Loving Little Egypt, Shakespeare’s Dog, Ghosts of War, and most recently In to America. His play Letters Home is celebrating its 10th Anniversary touring the U.S. and his children’s play, Frindle has been presented in more than 70 U.S. cities since 2009. Massolia is a seven-time Joseph Jefferson Award nominee for his work as a playwright. A graduate of Southern Illinois University, Mr. Massolia is a past member of the League of Chicago Theatres Board of Directors, a recipient of an IAC Playwriting Fellowship Award and the theatre advisory panel for the Illinois Arts Council.

The Griffin Theatre Company's 2017/2018 Premiere Season Sponsors are Michael and Mona Heath.

Additional Season Sponsor Support: Kassie Davis and Bruce Beatus, Mary Grover, Randy and Lloyd Gussis, Terrance Stevenson and Gale Dreas and Tom Brennan,

The Griffin Theatre Company is a Blue Star Theater and is proud to support our military enlisted and veterans. 



(front) Zachary De Nardi with the ensemble of Griffin Theatre Company’s Chicago 10th anniversary production of LETTERS HOME. Photo by Evan Hanover.

About Griffin Theatre Company
Established in 1988 and celebrating its 30th season, the mission of the Griffin Theatre Company is to create extraordinary and meaningful theatrical experiences for both children and adults by building bridges of understanding between generations that instill in its audience an appreciation of the performing arts. Through artistic collaboration the Griffin Theatre Company produces literary adaptations, original work and classic plays that challenge and inspire, with wit, style and compassion for the audience.

The Griffin Theatre Company is the recipient of 115 Joseph Jefferson Award nominations for theater excellence in Chicago. The Griffin was the repeat winner of the 2016 Jeff Award for “Best Production of a Play” for London Wall having won the same award in 2015 for its production of Men Should Weep.

The Griffin Theatre Company is partially supported by the Illinois Arts Council, a state agency.
For additional information, visit www.griffintheatre.com.

REVIEW: L'Imitation's The Real Deal via Hell in a Handbag at Stage 773 Through 5/6/18

Chi, IL Live Shows On Our Radar: 

Hell in a Handbag Productions Presents

L'IMITATION OF LIFE

Adapted by Ricky Graham and Running with Scissors

Directed by Stevie Love

Through May 6, 2018 at Stage 773

Running time: 1:40, including intermission

(left to right) Robert Williams, Katherine Bellantone, Chazie Bly and Ed Jones in Hell in Handbag Productions’ revival of L’IMITATION OF LIFE. Photo by Rick Aguilar Studios.

Review:

Hell in a Handbag Productions' latest is a revival of their 2013 hit L’IMITATION OF LIFE, a terrifically timely parody of the 1959 film Imitation of Life. This show is classic drag and high camp of the highest order, exploring race and class, mothers and daughters, and looking fabulous in your dead aunt of questionable fashion sense's size 22 wardrobe!

(left to right) Katherine Bellantone, Ed Jones, Ashley J. Hicks and Robert Williams 

Photo by Rick Aguilar Studios.

Handbag ensemble member Ed Jones* (Lana Turner) and Robert Williams (Annie Johnson) killed it as the classic movie diva and domestic duo. L'Imitation is full of amusing affectations, a script to die for, and talent to spare. Daughters Katherine Bellantone (Suzie Turner) and Ashley J. Hicks (Sara Jane Johnson) are also standouts in their Hell in a Handbag debut. 

(left to right) Katherine Bellantone, Ashley J. Hicks and Robert Williams 

Photo by Rick Aguilar Studios.

The parody goes far beyond the original movie, with witty wordplay galore on theatrical and movie titles. The backdrop screen work is a wonder, and too much fun, from the first rolling credits through the altered iconic photo shoots. 

L’imitation-2 (left to right) Ed Jones and Katherine Bellantone in Hell in Handbag Productions’ revival of L’IMITATION OF LIFE. Photo by Rick Aguilar Studios.

L'imitation manages to hit on the cringeworthy themes of prejudice, pedophilia, homicidal children, closeted gay boy toys, self absorption, parental neglect, passing for white, racism, runaways in the sex industry, and even a racially motivated hate crime attack, with more than a measure of hilarity. This retro favorite is perfect fodder for a drag makeover and Handbag does it with panache!

(left to right) Ed Jones and Robert Williams 

Photo by Rick Aguilar Studios.

Hell in a Handbag Productions is a true Chicago treasure and a fun favorite of ours here at ChiIL Live Shows. L'imitation of Life is highly recommended and now playing at Stage 773 through May 6th.

Hell in a Handbag Productions is pleased to kick off its 2018 Season with a revival of its 2013 hit L’IMITATION OF LIFE, a dead on parody of the 1959 film Imitation of Life about race, mothers and daughters – and looking fabulous! Adapted by Ricky Graham and Running with Scissors and directed by ensemble member Stevie Love*, L’IMITATION OF LIFE will play March 31 – May 6, 2018 at Stage 773, 1225 W. Belmont Ave. in Chicago. Tickets are currently on sale at www.handbagproductions.org (through Stage 773) or by calling (773) 327-5252. 

L’IMITATION OF LIFE features Handbag ensemble member Ed Jones* as Lana Turner with Robert Williams as Annie Johnson, two very different women raising their daughters in a world made for a man. Ensemble member Chazie Bly* plays Steve Martin, Lana’s hunky boy toy. New to Handbag are Katherine Bellantone, playing Suzie Turner and Ashley J. Hicks playing Sara Jane Johnson – the daughter that was “born to be hurt.” Allison Petrillo and Chase Wheaton-Werle round out the cast as various characters.

(left to right) Ashley J. Hicks and Robert Williams

 Photo by Rick Aguilar Studios.

In this hilarious parody of the 1959 film Imitation of Life, Lana Turner is a determined white widow and single mother with aspirations of becoming a Broadway sensation. When Lana meets Annie Johnson, a struggling single African-American mother, the two team up and take on the world as Lana does “whatever it takes” to make it in show business – while Annie takes care of the homestead and raises both daughters.

The two women face insurmountable challenges led by their daughters. There's the blonde, perky and “so white it's frightening" Suzie, daughter of Lana Turner, and the raven-haired rebellious light-skinned beauty, Sara Jane, daughter of Annie. Sara Jane learns the hard truth about acceptance and the color of your skin – especially when she tries to “pass” as white.

The production team for L’IMITATION OF LIFE includes: Samantha Gribben (scenic design), Garry Nocco (costume design), Rachel Lake (lighting design), Sebby Woldt (sound design), Keith Ryan* (wig design), Sydney Genco* (make-up design), Adrian Hadlock* (props design), Lana Whittington (violence coordinator) and AJ Wright* (production manager).

*Denotes Handbag ensemble member.

(left to right) Ed Jones and Chazie Bly

Photo by Rick Aguilar Studios.

PRODUCTION DETAILS:
Location: Stage 773 (Black Box Stage), 1225 W. Belmont Ave., Chicago
Dates: Sunday, April 8 – Sunday, May 6, 2018
Curtain Times: Thursday, Fridays and Saturday at 7:30 pm; Sundays at 3 pm. Please note: there will be an added performance on Monday, April 30 at 7:30 pm.

Tickets: 
Regular run $29 in advance, $34 at the door. Group rates $25 for 10 or more. Tickets are currently on sale at www.handbagproductions.org (through Stage 773) or by calling (773) 327-5252.

About the Director
Stevie Love is a Handbag ensemble member. Creative credits include last year's production of Lady X (director/choreographer, HIAH), Northlight Theatre's production of Charm (choreographer), Caged Dames (choreographer, Jeff nomination). Performing credits include Miracle! (Helen) with HIAH (Jeff nomination); Kin Folk (Arethin) and Stanley in the Name of Love (Stanley) with The New Colony. Stevie has worked on stages on the East Coast, the Midwest and throughout the Caribbean aboard Disney Cruise Lines. He also works as a teaching artist for the professional teen performers of The Talent Machine Co. on the East Coast.





About Hell in a Handbag Productions
Hell in a Handbag is dedicated to the preservation, exploration, and celebration of works ingrained in the realm of popular culture via theatrical productions through parody, music and homage. Handbag is a 501(c)(3) Not for Profit.

 (left to right) Katherine Bellantone, Ed Jones, Ashley J. Hicks and Chazie Bly 

Photo by Rick Aguilar Studios.

OPENING: Catch The Regional Premiere of Disaster Via CHICAGO THEATRE WORKSHOP at The Edge Theater

CHICAGO THEATRE WORKSHOP PRESENTS THE REGIONAL PREMIERE OF 

“DISASTER” 

BY SETH RUDETSKY AND JACK PLOTNICK 

Earthquakes, tidal waves, infernos and the unforgettable songs of the '70s take center stage in Broadway’s side-splitting homage to classic disaster films.

Here at ChiIL Live Shows, we're eager to catch Chicago Theatre Workshop's Disaster. We've been impressed with their past offerings and this looks like a hilarious night out. I've known Melissa Young (SHIRLEY) since the mid 90's and she was even in a show I wrote at Blue Rider Theatre back in the day. Even though I review an average of 6 shows a week now, it's still fun to see friends in shows. We also love The Edge Theater space -- comfy seats and cup holders, people! What better way to watch DISASTER unfold? Sadly I'm already booked, reviewing elsewhere on their two press opening dates, but I'll be out shortly after, on the 20th. Check back soon for my full review.

It's 1979, and New York's hottest A-listers are lining up for the opening of a floating casino and discotheque. Also attending is a faded disco star, a sexy nightclub singer with her eleven-year-old twins, a disaster expert, a feminist reporter, an older couple with a secret, a pair of young guys who are looking for ladies, an untrustworthy businessman and a nun with a gambling addiction. What begins as a night of boogie fever quickly changes to panic as the ship succumbs to multiple disasters, such as earthquakes, tidal waves and infernos. As the night turns into day, everyone struggles to survive and, quite possibly, repair the love that they've lost... or at least escape the killer rats.



The CTW cast includes; CHAD - Nathan Cooper, MARIANNE - Shannon McEldowney, SCOTT - Warren Dailey, TED - Dan Gold, TONY - Charlie Ward, JACKIE - Elissa Newcorn, BEN/LISA - Pierce Cleaveland, LEVORA - Jessica Vann, SISTER MARY - Britain Gebhardt, SHIRLEY - Melissa Young, MAURY - Shane Roberie, ENSEMBLE - Marcellus Burt, Kaleb Van Rijswijck, Lily Cox, Kara Schoenhofer.

FULL COMPANY AND CREATIVE TEAM!

The creative team includes; Evan Frank (Set Designer), Jennifer Kules and Collin Helou (Lighting Designers), Shelby Brand (Costume & Prop Design), Mike Patrick (Sound Design), Samantha Kittleson (Assistant Director) Ben Baylon (Director), Megan Farly (Choreographer), Oliver Townsend (Musical Director), Tom Mullen (Artistic Director)

DISASTER opens to previews APRIL 12, 2018. Performances run every Thursday & Friday at 7:30 pm, Saturday’s at 8:00 pm and Sunday’s at 3:00 pm thru May 6th at The EDGE Theater which is located at 5451 N. Broadway, Chicago, IL 60640.




For more information on Chicago Theatre Workshop please visit us at www.chicagotheatreworkshop.org

REVIEW: Pre-Famous Playwrights Disturb and Delight in Raven's Gentleman Caller

Chi, IL LIVE Shows On Our Radar:

EXTENDED: Two Additional Weeks of Performances!

THE GENTLEMAN CALLER features Rudy Galvan as Tennessee Williams and Curtis Edward Jackson as William Inge. 

 

(left to right) Curtis Edward Jackson and Rudy Galvan. 
All Photos by Michael Brosilow.

Review:
It's a rare treat to catch a glimpse into the lives of the pre-famous. THE GENTLEMAN CALLER does just that, inviting the audience into the 1944 lives of two struggling artists who were soon to change the face of American theatre, Tennessee Williams and William Inge. 

We're privy to the future greats' first meeting, a botched interview slash seduction by unfulfilled teacher turned critic, Inge, and his subject, up and coming playwright Williams, who is at present still a starving artist and virtual unknown, blowing his meager earnings on binge drinking benders. Though seeming opposites in personality, as they get to know one another, the two sense a rare connection and depth of camaraderie in their respective works, and an undeniable sexual spark. The writing is at once playful and powerful, and Galvan and Jackson are a joy to see, embodying the iconic playwrights, as they battle their respective demons and embrace their destinies. 



There's an enticing sense of history and back story playing out in this production, along with spot on universal truths about the artistic temperament, the downside of success, and the intensity of introspection, addiction and self loathing. It's a heady mix and a must see. Highly recommended. 

In the microcosm of Chicago's theatre scene, accidental coincidences in programming and intentional themes happen. Either way, we're elated that productions Tennessee Williams' Suddenly Last Summer at Raven in May and an entire season of William Inge at Eclipse, are so closely following the opening of Raven's excellent world premiere of THE GENTLEMAN CALLER. Check out the details at Raven Theatre's site and at Eclipse Theatre. 

Raven Theatre’s World Premiere of

THE GENTLEMAN CALLER

By Philip Dawkins

Directed by Artistic Director Cody Estle

Extends Through May 27, 2018 

After selling out more than half its run prior to opening, Raven Theatre is pleased to announce a two week extension for its world premiere of Philip Dawkins’ provocative drama THE GENTLEMAN CALLER, directed by Artistic Director Cody Estle, now playing through May 27, 2018 in Raven’s intimate 55-seat West Stage, 6157 N. Clark St. (at Granville) in Chicago. Tickets for all performances are currently available at www.raventheatre.com or by calling (773) 338-2177. 

PHOTO CREDIT: (left to right) Curtis Edward Jackson and Rudy Galvan in Raven Theatre’s world premiere of THE GENTLEMAN CALLER by Philip Dawkins, directed by Artistic Director Cody Estle. Photo by Michael Brosilow.

Although now regarded as two of history's finest American playwrights, back in 1944, William Inge and Tennessee Williams had yet to experience anything close to success. Before the Chicago premiere of The Glass Menagerie, Inge, a dissatisfied newspaper critic, invites Williams to his St. Louis apartment for an interview. This fraught, sexy rendezvous sparks a relationship which radically alters the course of their lives and the American Theatre.

Comments Raven Artistic Director Cody Estle, “I am thrilled to bring Raven Theatre its first commissioned play in 35 years, and even more excited to be working with the exceptionally talented Philip Dawkins. The Gentleman Caller is based on the true story of the meeting, friendship and sexual tryst of Tennessee Williams and William Inge. Philip has written a play that poignantly depicts two writers struggling to find their purpose and grappling with the consequences of that purpose. It’s both intoxicating and harrowing – much like the lives of Williams and Inge. Philip’s writing is a gift, and I’m delighted to have this phenomenal team bring his play to life.”

The production team for THE GENTLEMAN CALLER includes: Jeffrey D. Kmiec (scenic design), Melissa Ng (costume design), Michelle E. Benda (lighting design), Kevin O’Donnell (sound design), Claire Stone (properties design), David Woolley (fight choreography), Elise Kauzlaric (dialect coach), Eli Newell (assistant director), Isabel Thompson (assistant to the playwright), Tara Malpass (stage manager) and Destiney Higgins (assistant stage manager).

Location: Raven Theatre West Stage, 6157 N. Clark St. (at Granville), Chicago
Regular run: Friday, April 6 – Sunday, May 27, 2018

Curtain Times: Thursdays, Fridays and Saturdays at 8 pm; Sundays at 3:30 pm. Please note: there will not be a performance on Thursday, April 5.

Tickets: Regular run $46 ($43 if purchased online). Seniors/teachers $41 ($38 if purchased online). Students/active military and veterans $15. Every Thursday is “Under 30 Thursday,” when patrons under age 30 can purchase tickets for $15. Single tickets and season subscriptions for the 2018-19 Season are currently available at www.raventheatre.com or by calling (773) 338-2177.

Group tickets: Groups of 10 or more are $30 per person for Thursday and Friday performances and $35 per person for Saturday and Sunday performances. Student groups are $15 per person.

About the Artists
Philip Dawkins (Playwright) is a Chicago playwright whose plays have been produced throughout the country and the world. His works Miss Marx: or The Involuntary Side Effect of Living (Strawdog Theatre) and Charm (Northlight Theatre at the Steppenwolf Garage) both won the Joseph Jefferson Award for Best New Work. His critically-acclaimed plays The Homosexuals, Le Switch (both produced by About Face Theatre) and Failure: A Love Story (Victory Gardens Theater), all received Joseph Jefferson Nominations for New Work, and he is the recipient of Joseph Jefferson Award for Best Solo Performance for his play, The Happiest Place On Earth (Side Show Theatre). His play, Charm, received its extended New York premiere with MCC this last year. Philip is an artistic associate at About Face Theatre, Side Show Theatre and MC-10 as well as an ensemble playwright at Victory Gardens Theater. He teaches playwriting at Northwestern University as well as at his alma mater, Loyola University Chicago.

Cody Estle (Director) is the newly appointed Artistic Director of Raven Theatre. Directing credits include Five Mile Lake at Shattered Globe Theatre; By The Water at Northlight Theatre; The Assembled Parties, A Loss of Roses, Dividing the Estate, Vieux Carré (named by Chicago Tribune as one of the Year's Best in 2014), Good Boys and True, Brighton Beach Memoirs, Boy Gets Girl and Dating Walter Dante at Raven Theatre; American Hero at First Floor Theatre; Scarcity at Redtwist Theatre; The Seagull and Watch on the Rhine at The Artistic Home; Don't Go Gentle at Haven Theatre; Uncle Bob at Mary-Arrchie Theatre Company and Hospitality Suite at Citadel Theatre. He’s had the pleasure of assistant directing at Steppenwolf Theatre, Northlight Theatre, Marriott Theatre, Goodspeed Musicals, Court Theatre, Writers Theatre, Next Theatre and Strawdog Theatre. Estle is an associate member of SDC and a graduate of Columbia College Chicago.

Plan Your Visit: 
Free parking is provided in a lot adjacent to the theatre – additional street parking is available. Nearest El station: Granville Red Line, Buses: #22 (Clark), #36 (Broadway), #151 (Sheridan), #155 (Devon), #84 (Peterson).

About Raven Theatre
Raven Theatre tells stories of today and the past that connect us to our cultural landscape. Through its plays as well as its educational programming, Raven is committed to serving our communities’ needs through the arts.

Raven Theatre Company is funded in part by the Alphawood Foundation, Dramatists Guild Fund, Elizabeth F. Cheney Foundation, The MacArthur Fund for Arts and Culture at Prince, Polk Bros. Foundation, The Arts Work Fund for Organizational Development, S&C Electric, The Gaylord and Dorothy Donnelley Foundation, the PAV Fund and the Illinois Arts Council, a state agency.

OPENING: Midwest Premiere of The Cake by Bekah Brunstetter at Rivendell Theatre Through 5/20/18

Chi IL Live Shows On Our Radar:

Rivendell Theatre Ensemble Announces 

the Midwest Premiere of

The Cake

by Bekah Brunstetter

directed by Lauren Shouse

featuring RTE Founders Tara Mallen and Keith Kupferer, 

RTE Member Krystel McNeil, and Tuckie White

April 8 - May 20, 2018

I'll be ChiILin' with Chi, IL's Rivendell Theatre Ensemble (RTE) for the press opening April 19th. We can't wait to catch this tasty drama from Bekah Brunstetter, Emmy-nominated producer and writer of the hit NBC drama “This Is Us.” Inspired in part by the Masterpiece Cakeshop v. Colorado Civil Rights Commission, which is currently in front of the U.S. Supreme Court, this is a topic in need of a platform in the arts.

Rivendell Theatre Ensemble (RTE), Chicago’s only Equity theatre dedicated to producing new work with women at the core, announces the Midwest premiere of The Cake by Bekah Brunstetter, directed by Lauren Shouse, and featuring RTE Founders Tara Mallen and Keith Kupferer, RTE Member Krystel McNeil, with Tuckie White.  The Cake runs April 8 – May 20, 2018, at Rivendell Theatre Ensemble, 5779 N. Ridge Avenue in Chicago.  

The cast of The Cake includes RTE Founders (and real life married couple) Tara Mallen (Della) and Keith Kupferer (Tim), RTE Ensemble Member Krystel McNeil (Macy), and Tuckie White (Jen).

Jen lives in New York but has always dreamed of getting married in her small North Carolina hometown, so she heads down south with her partner to ask Della, her late mother's best friend, to do the honors of making the wedding cake at her bakery. Della's cakes are legendary, even earning her a spot as a contestant on the "Great American Baking Show." She is overjoyed at Jen's request until she realizes there's not just one bride, but two, forcing her to re-examine some of her deeply-held beliefs, as well as her own marriage. Faith, family and frosting collide in this touching and timely new play.

The Cake comes from Bekah Brunstetter, Emmy-nominated producer and writer of the hit NBC drama “This Is Us.” The timely play is inspired in part by the Masterpiece Cakeshop v. Colorado Civil Rights Commission, which is currently in front of the U.S. Supreme Court. In the coming months, our nation’s highest court will determine whether it was legal for a Colorado baker to turn away two men who wanted to place an order for their wedding reception. 

The creative team includes RTE member, Janice Pytel (Costume Design), as well as Arnel Sancianco (Scenic Design), Cat Wilson (Lighting Design), Shannon Marie O'Neill (sound design) and Danielle Myerscough (Properties Design). The stage manager is Jenniffer Thusing and the “Cake Designer” is Erin Martin of ECBG cake+pastry studio. 


ARTIST BIOS
Bekah Brunstetter (Playwright) hails from Winston-Salem, North Carolina and currently lives in Los Angeles. Her plays include The Cake (Ojai Playwrights Conference), Going to a Place where you already are (South Coast Repertory), The Oregon Trail (Portland Center Stage Fall 2016, O'Neill Playwrights Conference; Flying V) Cutie and Bear (Roundabout commission), A Long and Happy Life (Naked Angels commission), Be A Good Little Widow (Ars Nova, Collaboraction, The Old Globe), Oohrah! (Atlantic Theater, Steppenwolf Garage, Finborough Theater/London), Nothing is the end of the World (except for the end of the world) (Waterwell Productions), House of Home (Williamstown Theater Festival) and Miss Lilly Gets Boned (Ice Factory Festival). She is an alumna of the CTG Writers Group, Primary Stages Writers Group, Ars Nova Play Group, The Playwright's Realm, and the Women's Project Lab. She is currently a member of the Echo Theater¹s Playwright's Group. She has previously written for MTV (Underemployed; I Just Want My Pants Back,) ABC Family's Switched at Birth and Starz's American Gods. She is currently a Co-Producer on NBC's This Is Us. She received her B.A. from UNC Chapel Hill and her M.F.A. in Dramatic Writing from the New School for Drama.

Lauren Shouse (Director) is a director, dramaturg and teacher. She is currently the Artistic Associate and Literary Manager at Chicago's Northlight Theatre. Her recent directing credits include: The Legend of Georgia McBride at Northlight Theatre, Nice Girl and Betrayal at Raven Theatre, Rapture, Blister, Burn, Superior Donuts, and A Christmas Story at Nashville Repertory Theatre, the world premiere of Long Way Down with 3Ps productions (nominated for American Theatre Critics Association Steinberg New Play Award 2011); the world premiere of Religion and Rubber Ducks with Ovvio Arte; Parallel Lives, The 25th Annual Putnam County Spelling Bee, The Last Five Years and Chess in Concert with Street Theatre Company; the world premiere of Rear Widow at Chaffin's Barn Theatre, and Sylvia Plath’s 3 Women. As Artistic Associate at Nashville Rep, Lauren directed the Ingram New Works Play Lab and Festival, which developed new works by John Patrick Shanley, David Auburn, Steven Dietz and Victoria Stewart. Lauren also co-founded Ten Minute Playhouse, a company that produces short plays by local playwrights. Before moving to Nashville, Lauren lived in London, UK and worked with Producer/Director Hugh Wooldridge. Her work abroad includes: Production Executive for The Night of 1000 Voices (celebrating John Kander and Fred Ebb and starring Joel Grey with Avenue Q) at The Royal Albert Hall; Production Executive of An Evening with Michael Parkinson at The Theatre Royal - Windsor, Children's Director/Assistant to the Director of A Gift of Music, and Assistant Director of The Night of 1000 Voices at The Odyssey Arena in Belfast, Ireland. Lauren holds an MA in Performance Studies from the University of North Carolina – Chapel Hill where she adapted and directed The Time Traveler’s Wife. She received her MFA in theatre directing at Northwestern University where she directed Stop Kiss, Eurydice and In the Next Room or the Vibrator Play. In Chicago, Lauren has also worked with Steppenwolf Theatre, Goodman Theatre, Lookingglass Theatre, Rivendell Theatre, Sideshow Theatre, The Gift Theatre, Chicago Dramatists, and Stage Left Theatre.

Tara Mallen (Della) is an actor, director, producer and the Artistic Director at Rivendell Theatre Ensemble, Tara was most recently on stage in Rivendell’s production of The Firebirds Take the Field. Other recent credits include Lynn Nottage’s Sweat at Arena Stage; Rivendell’s Jeff Nominated, world premiere productions of Look, we are breathing and Rasheeda Speaking; How Long Will I Cry: Stories of Youth Violence at Steppenwolf›s Theatre for Young Audiences; Rivendell’s World Premiere, Jeff nominated production of The Walls and Self Defense, or the Death of Some Salesmen — both productions part of Steppenwolf Theatre Company’s Visiting Theater Initiative. For Rivendell, Tara has both produced and acted in over thirty productions. She received a Joseph Jefferson award for “Supporting Actress” for her portrayal of Gwenyth in WRENS as part of that production’s Jeff-winning ensemble. She was nominated the following year for “Actress in a Principal Role” for her work in My Simple City. Screen credits include Steven Soderbergh’s film Contagion; Boss (STARZ); Chicago Fire (NBC); Chicago P.D. (NBC); FOOLS (Feature film); Sense8 (Netflix); and the CBS/Sony Pictures pilot Doubt. Tara co-conceived and directed the critically acclaimed World Premiere of WOMEN AT WAR, a theatrical exploration of women in today’s military that played to sold out houses in the fall of 2014 and is now touring throughout the mid-west.

Keith Kupferer (Tim) is a founding member of Rivendell Theatre Ensemble where he was most recently seen in their critically acclaimed production of Cal in Camo. Other Chicago credits include The Qualms, Good People, Middletown, South of Settling, Of Mice & Men, Carter’s Way, Men of Tortuga; Things Being What They Are; Jesus Hopped The A Train and Tavern Story at Steppenwolf Theatre; The Humans at American Theatre Company, Men’s Support Group, God of Carnage, High Holidays, Passion Play and The Old Neighborhood at the Goodman Theatre; The Mystery of Love and Sex (where he received a Jeff nomination for “Supporting Actor”), and Death of a Streetcar Named Virginia Wolf at Writer’s Theatre; Hillary and Clinton, Never the Sinner, and Appropriate at Victory Garden’s Theatre; Gypsy at Chicago Shakespeare Theater; End Days at Windy City Playhouse; Execution of Justice with About Face Theatre; Cat Feet and The Old Neighborhood at Northlight; Desire Under The Elms, a co-production between Philadelphia’s Freedom Theatre and Chicago’s Court Theatre; The Unseen, The Meek, Canus Lunis Balloonis, (nominated for a 1998 Joseph Jefferson award for Best Ensemble), and The Physicists for A Red Orchid Theatre; and Big Lake, Big City, Trust and Hillbilly Antigone for Lookingglass Theatre. Film credits include the soon-to be released Widows; The Dilemma; Dark Knight; Public Enemies; The Express; Stranger Than Fiction; Road to Perdition; Finding Santa; Fred Klaus; The Last Rights of Joe May; The Merry Gentleman directed by Michael Keaton, Resurrecting McGinn; and Open Tables. TV credits include Better Call Saul; Empire; Chicago P.D.; Betrayal; Crisis; Chicago Fire; Detroit 187; The Beast; Prison Break; The Jamie Kennedy Experiment and Early Edition.

Krystel McNeil (Macy) is an ensemble member at RTE where she performed in the production WOMEN AT WAR. Most recent credits Include In The Next Room or The Vibrator Play (Timeline Theater Company), Bootycandy (Windy City Playhouse), The Compass (Steppenwolf SYA) , and understudying and performing in Objects in the Mirror and Carlyle at Goodman Theater Company. Krystel also does voiceover work and appeared in an episode of Chicago P.D. She is represented by Big Mouth Talent.

Tuckie White (Jen) most recently appeared in Raven Theatre’s Red Velvet and The Play About My Dad. Over the years, she has been part of productions at Chicago Shakespeare, Steppenwolf, Cock & Bull, Lifeline, Victory Gardens, and Goodman Theatre. Film/TV credits include: The Drunk, After Effect, and Chicago Med. She is a graduate of The Theatre School at DePaul University and an alum of iO and Second City. She is represented by Grossman & Jack Talent.

The Cake was originally produced by The Echo Theater Company, Los Angeles, California; Chris Fields, Artistic Director and Jesse Cannady, Producing Director. The Cake received a developmental reading at The Alley Theatre, Gregory Boyd, Artistic Director and Dean R. Gladden, Managing Director. The Cake was developed at The Ojai Playwrights Conference, Robert Egan, Artistic Director/Producer.

Previews: 
April 8 – 14, 2018
Sunday, April 8 at 3:00 pm
Thursday, April 12 at 8:00pm
Friday, April 13 at 8:00pm
Saturday, April 14 at 8:00pm

VIP Opening: Sunday, April 15 at 6:00pm
Press Openings: April 18 & 19 at 7:00pm
Regular run: Thursday, April 19-Sunday, May 20, 2018

Schedule:
Thursdays-Saturdays at 8:00pm 
(EXCEPT Thursday, May 10 – no performance that day)
Saturdays at 4:00pm
Sunday, May 6 and May 20 ONLY at 3:00pm
Town Hall Discussions will follow Saturday 4pm matinees on May 5 and May 19 to be moderated by director Lauren Shouse

Friday April 20: Performance to benefit Planned Parenthood of Illinois with $10 of every ticket sold going to PPIL

Friday April 27: Mama’s night – all moms, aunts, friends, etc. are welcome to join us in our rehearsal studio following the show for great conversation and drinks 

Thursday May 3: Open captioned performance - $15 tickets with the code ACCESS 

Location: 
Rivendell Theatre Ensemble, 5779 N. Ridge Avenue in Chicago

Tickets:
General Admission
Previews: $28
Regular Run: $38
Student, Senior, Active Military, Veteran
Preview: $18
Regular Run: $28

Pay What You Can: Five seats (10% of the house) are available for each performance. Reservations are made on a first come, first served basis.
Three-show pass: $59-$80 for 3-plays  

Box Office: (773) 334-7728 or www.RivendellTheatre.org

Parking and Transportation: Free parking is available in the Senn High School parking lot (located a block and a half from the theatre behind the school off Thorndale Avenue). There is limited paid and free street parking in the area. The theatre is easily accessible via the Clark (#22) or Broadway (#36) bus, and is a short walk from the Bryn Mawr Red Line El station.



About Rivendell Theatre Ensemble
Founded in 1994, Rivendell Theatre Ensemble advances women’s lives through the power of theatre. Rivendell cultivates the talents of women artists—writers, actors, directors, designers and technicians

by seeking out innovative plays that explore unique female experiences and producing them in intimate, salon environments.

Rivendell fills an important role in the Chicago region as the only Equity theatre dedicated to producing artistically challenging and original plays created by and about women. After years of being an itinerant company, RTE moved into its own theater space in 2010 in Edgewater. As new members of the neighborhood, the company is focused on becoming an integral community partner and serving as a catalyst to engage audiences in a discussion of local social issues.

For more information about Rivendell Theater Ensemble, visit http://rivendelltheatre.org. Follow RTE on Facebook at Facebook.com/rivendelltheatre and on Twitter @RivendellThtr.

Rivendell Theatre Ensemble is supported by generous grants from: The Lester and Hope Abelson Fund; The Alphawood Foundation; Paul M. Angell Family Foundation; The Arts Work Fund for Organizational Development; The Chicago Community Trust; The Chicago Foundation for Women; The Elizabeth F. Cheney Foundation; The Gaylord and Dorothy Donnelley Foundation; The MacArthur Funds for Arts and Culture at The Richard H. Driehaus Foundation; The Reva and David Logan Foundation; The Elizabeth Morse Charitable Trust; The Alfred Pick Jr. Fund; SIF Fund at The Chicago Community Trust; Cultural Outreach Program Grant from the City of Chicago Department of Cultural Affairs & Special Events; and the Illinois Arts Council Agency.