Pages

Wednesday, March 1, 2017

OPENING: Chicago Debut of ANNE " MR. BURNS" WASHBURN'S Newest Work, 10 OUT OF 12 at Theater Wit

Chi, IL LIVE Shows On Our Radar:

MARTHA LAVEY, JOHN MAHONEY, PETER SAGAL 
JOIN  CAST FOR THEATER WIT'S  
10 OUT OF 12

CHICAGO DEBUT OF ANNE " MR. BURNS" WASHBURN'S NEWEST WORK, 
A NEAR-PERFECT RECREATION OF A TECH REHEARSAL, IS MARCH 3-APRIL 23
  

           
Chicago theater luminaries Martha Lavey, John Mahoney, Barbara Robertson and Peter Sagal will play key roles in Theater Wit's much anticipated Midwest debut of 10 Out of 12, the newest, most adventurous work by Anne Washburn, author of Wit's 2014 smash hit Mr. Burns, a post-electric play.


Theater Wit's Midwest premiere of 10 Out of 12 by (top, from left) Anne Washburn, directed by Jeremy Wechsler, 


features (row 2, from left) Chicago theater all-stars Martha Lavey, John Mahoney, Barbara Robertson and Peter Sagal in pre-recorded roles, integrated with the live on-stage action played by (row 3) Dado, Gregory Fenner, Kyle Gibson, Shane Kenyon, Erin Long, (row 4) Riley McIlveen, Adam Shalzi, Stephen Walker, Eunice Woods and Christine Yrem-Ydstie. 

Hailed by the New York Times as a "wholly original love song to the maddening art of the theater," 10 Out of 12 is an extraordinarily funny and touching workplace comedy. With its story of the challenges of bringing a new play to life, Washburn's near-perfect recreation of a technical rehearsal is also a moving tribute to the complexity and beauty of human endeavor.  

"No one in Chicago has ever seen anything like 10 out of 12. Simultaneously exactingly real-to-life and riotously funny, Anne Washburn's detonation of a single technical rehearsal is promising to be a unique and thrilling viewing experience," said Jeremy Wechsler, Artistic Director of Theater Wit and director of 10 Out of 12. 

"This is the most technically extravagant piece of design we've ever done at Theater Wit," he added. "For instance, armed with 98 individual headsets, our audience will get to experience the play in three distinct auditory spaces simultaneously. As a special bonus, Anne is working with us to customize the play to our city's own rich theatrical history (and contemporary reality), which is going to provide an immediacy and context that will make 10 out of 12 a must-see show for every Chicago theatergoer who loves Chicago Theater."

Performances are March 3-April 23, 2017: Thursday through Saturday at 7:30 p.m., and Sunday at 2 p.m. Exceptions: Sunday previews on March 5 and March 12 are at 7 p.m. There is no performance on March 16. 

Theater Wit is located at 1229 N. Belmont Ave., in the heart of the new Belmont Theatre District in Chicago's Lakeview neighborhood. Tickets are $12-$70. To purchase tickets, a Theater Wit Membership or Flex Pass, visit TheaterWit.org or call 773.975.8150. 

Behind the scenes of  10 Out of 12

10 Out of 12 will feature the recorded voices of a clutch of Chicago on stage icons cast in key backstage roles: 

Former Steppenwolf Artistic Director Martha Lavey will voice the lighting designer.

John Mahoney, best known for TV's Frasier, will play back stage crew person #3.

Peter Sagal, host of NPR's Wait Wait...Don't Tell Me!, is the sound designer. 

Noted Chicago classical actor Barbara Robertson will voice the costume designer. 

At every performance, each audience member will be given their own headset to hear their pre-recorded backstage chatter, mixed in real time with live actors on stage for a very meta look at seemingly the most mundane of processes and the hopes and visions that emerge from the 10 hours commonly known as "tech."

On stage, one of the city's edgiest storefront theater pioneers, Dado, takes on the role of the stage manager. Dado is joined by Gregory Fenner as Jake, an actor; Kyle Gibson as another actor, Ben; Shane Kenyon as the director; Erin Long as the assistant stage manager; Riley McIlveen as electrician #2, Adam Shalzi as assistant director; Stephen Walker as the troublesome lead actor, Paul; Eunice Woods as supporting actor, Siget; and Christine Yrem-Ydstie as the female lead, Eva. 

For a show that pulls the curtain on the tech process, major props are due for Wit's production team: Adam Vesness (set), Izumi Inaba (costumes), Diane Fairchild (lights), Brenda Didier (choreography), Andra Velis-Simon (original music and music director), Joe Court (sound), Vivian Knouse (props), Greg Pinsoneault (scenic charge), Andrew Glasenhardt (technical director), Kristof Janezic (master electrician) Majel Cuza (production manager) and Katie Klemme (stage manager). 

Anne Washburn (playwright) play, Mr. Burns...a post electric play, was produced by Theater Wit, Playwrights Horizons, Woolly Mammoth (DC) and The Almeida (London). Her other plays include Antilia Pneumatica, The Internationalist, A Devil at Noon, Apparition, The Communist Dracula Pageant, I Have Loved Strangers, The Ladies, The Small and a transadaptation of Euripides' Orestes. Awards include the 2015 Whiting Award, 2015 PEN/Laura Pels International Foundation Theater Award, the Guggenheim, a NYFA Fellowship, a Time Warner Fellowship, Susan Smith Blackburn finalist, and residencies at MacDowell and Yaddo. She is an associate artist with The Civilians, Clubbed Thumb, New Georges, Chochiqq, and is an alumna of New Dramatists and 13P. 

Jeremy Wechsler (director) most recently staged Theater Wit's workshop of Mitchell Fain's This Way Outta Santaland and the extended Midwest premiere of Mat Smart's Naperville. Other directing credits at Wit include the company's election night reading of The Trump Card by Mike Daisey, The New Sincerity by Alena Smith, The (curious case of the) Watson Intelligence by Madeleine George, Bad Jews by Joshua Harmon, Mr. Burns, a post-electric play by Anne Washburn, Madeline George's Seven Homeless Mammoths Wander New England, and that show's summer remount at Art Square Theatre in Las Vegas. Wechsler also staged Wit's acclaimed Completeness and The Four of Us (Itamar Moses), Tigers Be Still (Kim Rosenstock), This (Melissa James Gibson), Spin (Penny Penniston), Feydeau-Si-Deau (Georges Feydeau), Men of Steel (Qui Nguyen), Thom Pain (Based on Nothing) (Will Eno), Two for the Show (James Fitzpatrick and Will Clinger) and The Santaland Diaries. A veteran director in Chicago with over fifty productions, his work has been nominated for and won multiple awards for design, performance, adaptation and best new plays.

About Theater Wit
Theater Wit, Chicago's "smart art" theater, is a major hub of the Chicago neighborhood theater scene, where audiences enjoy a smorgasbord of excellent productions in three, 99-seat spaces, see a parade of talented artists and mingle with audiences from all over Chicago.
"A thrilling addition to Chicago's roster of theaters" (Chicago Tribune) and "a terrific place to see a show" (New City), Theater Wit is now in its sixth season at its home at 1229 N. Belmont, in the heart of the new Belmont Theatre District in Chicago's Lakeview neighborhood. 

The company's most recent hits there include Naperville by Mat Smart, The New Sincerity by Alena Smith, Bad Jews by Joshua Harmon, Mr. Burns, a post-electric play by Anne Washburn, The (curious case of the) Watson Intelligence and Seven Homeless Mammoths Wander New England by Madeleine George, and Completeness and The Four of Us by Itamar Moses. 

In 2014, Theater Wit was awarded the National Theatre Award by the American Theatre Wing for strengthening the quality, diversity and dynamism of American theater. Theater Wit also brings together Chicago's best storefront companies at its Lakeview home, including 2016-17 resident companies About Face and Shattered Globe. 

In addition to its popular Membership program, Theater Wit also offers a 10-play Flex Pass for $215 to anything presented in the building, a savings of up to 40%. To purchase a Theater Wit Membership, inquire about a Flex Pass or to buy single tickets, visit TheaterWit.org or call 773.975.8150. 

Monday, February 27, 2017

OPENING: The Scene at Writers Theatre

Chi, IL LIVE Shows On Our Radar:

Writers Theatre presents
The Scene
Written by Theresa Rebeck
Directed by Kimberly Senior

February 22 – April 2, 2017



Here at ChiIL Live Shows, I'm elated to see another female playwright/director combo tipping the scales a bit more equitably in Chicago's still male dominated theatre scene. We'll be out to review at the press opening and can't wait to check it out. We've been wowed by Kimberley Senior's past directing and we're looking forward to experiencing Theresa Rebeck's work as well

Writers Theatre, under the leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, continues its 2016/17 season with The Scene, written by Theresa Rebeck and directed by Kimberly Senior. The production runs February 22 – April 2, 2017 in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe.

What starts off with an amusing exchange at a hip Manhattan party quickly turns into something more complex. When close friends Charlie and Lewis meet Clea, a determined young woman making her mark on the New York scene, it sets them off on an emotional roller coaster. This provocative comedy-drama explores the dark edges of commitment and the struggles of balancing authenticity with ambition.

WT Resident Director Kimberly Senior, who recently directed the Pulitzer Prize-winning Disgraced on Broadway and who has helmed past WT hits The Letters, Hedda Gabler, The Diary of Anne Frank and Marjorie Prime, takes on Theresa Rebeck’s wickedly biting and often hilarious play about the search for the ever elusive “place-to-be,” and the three old friends whose lives are irrevocably changed when they discover how fragile the foundations of their relationships really are.

Senior is the recipient of the 2016 Special Non-Equity Joseph Jefferson Award for her Chicago career achievements as a trail blazer, champion and role model for emerging artists.

“I saw The Scene in its premiere at Actors Theatre of Louisville and fell in love with the play right there and then,” said Artistic Director Michael Halberstam.  “We explored getting the rights, but at that time it was Broadway bound and indeed, if it had not been for a cast scheduling conflict, it likely would have enjoyed a triumphant transfer. A decade later it has lost none of its bite and is ripe for revival. Kimberly Senior and I separately developed relationships with Theresa Rebeck, and both of us admire her tremendously. In a casual conversation about potential projects for this season we both suggested The Scene and Le Voila! The great challenge of the play is the character of Clea, and Kimberly has found a remarkable Clea for the Writers Theatre production in Deanna Myers. Smart, charismatic, vibrant and gifted, Deanna brings a fresh and contemporary take on the character and is matched in prowess by her fellow cast members: the powerful and poised Charin Alvarez (who, like Deanna, will be making her WT debut) and two Writers Theatre favorites, the talented and engaging La Shawn Banks and Mark Montgomery. Kimberly has also assembled a terrific team of designers to create the world in which word and the artist come together to tell this relevant and important story."

Prices: Prices for all performances range from $35 - $80. Purchase early for best prices.

Box Office: The Box Office is located at 325 Tudor Court, Glencoe;847-242-6000; www.writerstheatre.org

The cast of The Scene includes: Charin Alvarez (Stella), La Shawn Banks (Lewis), Mark L. Montgomery (Charlie) and Deanna Myers (Clea).

The creative team includes: Brian Sidney Bembridge (Scenic Designer), Nan Zabriskie (Costume Designer), Sarah Hughey (Lighting Designer), Richard Woodbury (Original Music & Sound Designer), and Scott Dickens (Properties Master). Bobby Kennedy is the Dramaturg and David Castellanos is the Production Stage Manager.

This marks the fifth show for director Kimberly Senior at Writers Theatre where she previously directed Marjorie Prime, The Diary of Anne Frank, Hedda Gabler, and The Letters. Senior recently directed the Broadway production of Disgraced which ran at the Lyceum Theatre during the 2014-2015 season. Disgraced was nominated for the 2015 Tony Award for Best Play and was awarded the 2013 Pulitzer Prize for Drama.

ABOUT THE ARTISTS

Kimberly Senior (Director) returns to Writers Theatre, where she is a Resident Director, after directing Marjorie Prime, The Diary of Anne Frank, Hedda Gabler and The Letters. Other Chicago credits include: Support Group for MenDisgraced, and Rapture, Blister, Burn (Goodman Theatre);  Discord4000 Miles, and The Whipping Man (Northlight Theatre); WantThe North Plan (Steppenwolf); InanaMy Name is Asher LevAll My Sons, and Dolly West's Kitchen (TimeLine Theatre); Disgraced (American Theatre Company); The Great God Pan, After the RevolutionMadagascarThe Overwhelming, and The Busy World is Hushed (Next); Waiting for Lefty (American Blues); Old TimesTheConquest of the South PoleUncle VanyaCherry OrchardThree SistersFuddy Meers, and Knives in Hens (Strawdog); Cripple of InishmaanBug, and The Pillowman (Redtwist Theatre); Thieves Like Us (The House Theatre); among others. New York Credits: Disgraced (2013 Pulitzer Prize, Broadway); Chris Gethard's Career Suicide (Judd Apatow Productions); Engagements (Second Stage Uptown); The Who and The What, and Disgraced (Lincoln Center Theater 3). Regional: Sex with Strangers (The Geffen Playhouse); Disgraced (Mark Taper Forum, Berkley Repertory Theatre, Seattle Repertory Theatre); The Who and The What (La Jolla Playhouse); Little Gem (City Theatre); Games AfootMurder on the Nile, and A Few Good Men (Peninsula Players); Mauritius (Theatre Squared, Fayetteville, AR).  Kimberly also directed Chris Gethard's Career Suicide for HBO/Funny or Die which will air May 6 on HBO.  Kimberly was awarded the prestigious Alan Schneider Award at the 2016 TCG Conference.  She is also a 2013 Finalist for the SDCF Joe A. Callaway Award. She is the recipient of the 2016 Special Non-Equity Joseph Jefferson Award for her Chicago career achievements as a trail blazer, champion and role model for emerging artists.

Theresa Rebeck was a finalist for the 2004 Pulitzer Prize for Drama for her play Omnium Gatherum.

Theresa Rebeck (Playwright) is a widely produced playwright throughout the United States and abroad. New York productions of her work include Dead Accounts (Music Box Theatre); Seminar (Golden Theatre); Mauritius (Biltmore Theatre in a Manhattan Theater Club Production); The Scene, The Water’s Edge, Loose Knit, The Family of Mann and Spike Heels (Second Stage); Bad DatesThe Butterfly Collection and Our House (Playwrights Horizons); The Understudy (Laura Pels Theater in a Roundabout Theatre Company production); and View of the Dome (New York Theatre Workshop). Omnium Gatherum (co-written, finalist for the Pulitzer Prize in 2003) was featured at the Humana Festival, and had a commercial run at the Variety Arts Theatre. Her newest work, Poor Behavior premiered at the Mark Taper Forum in Los Angeles in 2011. Dead Accounts, commissioned by the Cincinnati Playhouse, premiered January 2012. Seminar ran on Broadway.

All of Ms. Rebeck’s past produced plays are published by Smith and Kraus as Theresa Rebeck: Complete Plays, Volumes I, II III, and IV and in acting editions available from Samuel French or Playscripts. Ms. Rebeck’s other publications are Free Fire Zone, a book of comedic essays about writing and show business. She has written for American Theatre magazine and has had excerpts of her plays published in the Harvard Review. Rebeck’s first novel, Three Girls and Their Brother, was published by Random House/Shaye Areheart Books in April 2008. Her second novel, Twelve Rooms With A View, was published by Random House/Shaye Areheart Books in May of 2010. Both novels are available online and at booksellers everywhere.

In television, Ms. Rebeck has written for Dream On (HBO, FOX), Brooklyn Bridge (CBS), L.A. Law (NBC), American Dreamer (NBC), Maximum Bob (ABC), First Wave (Syfy, Space), and Third Watch (NBC). She was the creator of the NBC drama Smash.  She has been a writer/producer for Canterbury’s Law (FOX), Smith(CBS), Law and Order: Criminal Intent (NBC, USA, MyNetworkTV) and NYPD Blue (ABC). Her produced feature films include Harriet the Spy, Gossip, and the independent features Sunday on the Rocks and Seducing Charlie Barker, an adaptation of her play, The Scene. Awards include the Mystery Writers of America’s Edgar Award, the Writer’s Guild of America award for Episodic Drama, the Hispanic Images Imagen Award, and the Peabody, all for her work on NYPD Blue. She has won the National Theatre Conference Award (for The Family of Mann), and was awarded the William Inge New Voices Playwriting Award in 2003 for The BellsMauritius was originally produced at Boston’s Huntington Theatre, where it received the 2007 IRNE Award for Best New Play as well as the Elliot Norton Award. Other awards include the PEN/Laura Pels Foundation Award, the Athena Film Festival Award, an Alex Award, a Lilly Award and in 2011 she was named one of the "150 Fearless Women in the World" by Newsweek.

Rebeck is originally from Cincinnati and holds an M.F.A. in Playwrighting and a Ph.D. in Victorian Melodrama, both from Brandeis University. She is a proud board member of the Dramatists Guild, a Contributing Editor to the Harvard Review, an Associate Artist of the Roundabout Theatre Company, a Playwright Adviser and Board Member of the LARK and has taught at Brandeis University and Columbia University.

Charin Alvarez (Stella) returns to Writers Theatre where she previously appeared in the reading of Saint Joan in collaboration with The Chicago Inclusion Project. Theatre credits include 2666Pedro ParamoEl Nogalar, Dollhouse and Electricidad (Goodman Theatre), MojadaOedipus El ReyAnna in the Tropics andA Park in the House (Victory Gardens Theatre), In the time of the ButterfliesOur Lady of the UnderpassI put the fear of Mexico in ‘emDreamlandia, and Another Part of the House (Teatro Vista), Water by the Spoonful (Court Theatre), Work of Art (Chicago Dramatists) The Clean House (Remy Bumppo), What We Once Felt (About Face Theatre) Kita & Fernanda (16th Street Theatre), Esperanza Rising (Chicago Children’s Theatre), Two Sisters and a Piano (Apple Tree Theatre), Generic Latina (Teatro Luna) and La Casa de Bernarda Alba (Aguijon Theatre). Television credits include Shameless (Showtime), Chicago Fire (NBC), Chicago Code and Mob Doctor (FOX), and Boss (Starz). Film credits include Rooftop WarsArc of a BirdWere the World MineChicago OvercoatFirst and Only LessonEric’s HaircutDogwalkerRogers ParkOlympia: Manual on how to live your lifeSignature MoveEn Algun LugarPrincess Cyd, and Single File.

La Shawn Banks (Lewis) returns to Writers Theatre where he previously appeared in Isaac's Eye, The Liar, Travels With My Aunt, Old Glory, The Turn of the Screw, The Duchess of Malfi and To The Green Fields Beyond. Favorite Chicago productions include Short Shakespeare! Twelfth Night (Chicago Shakespeare Theatre), Le Switch (About Face Theatre), The Wheel (Steppenwolf Theatre Company) and A Year With Frog and Toad (Chicago Children's Theatre). Favorite regional productions include Around The World In 80 Days (Indiana Repertory Theatre), A Streetcar Named Desire, The Island, Edward Albee's Seascape, Troilus and Cressida, The Critic and Of Mice and Men (American Players Theatre). Television credits include Chicago Justice, Chicago PD (NBC), Shameless (Showtime) and The Exorcist (FOX). Film credits include The Merry Gentleman (directed by Michael Keaton) and Surprise Me!.

Deanna Myers (Clea) makes her Writers Theatre debut. Recent Chicago credits include: You on the Moors Now (The Hypocrites), the Chicago and Miami Productions of The Hammer Trinity (The House Theatre), SideShow (Porchlight Music Theatre), the New Stages Production of King of the Yees and The White Snake (Goodman Theatre), The Golden Dragon (Sideshow Theatre) and The Three Musketeers (Lifeline Theatre). Television credits include Chicago Fire (NBC) and The Drunk. Film credits include The Drunk. Deanna is a proud company member at Barrel of Monkeys, where she finds her favorite young playwrights among the students of CPS schools, and is a perpetual student at the Actors Gymnasium.

Mark L. Montgomery (Charlie) returns to Writers Theatre where he previously appeared in Hedda Gabler, The Letters and The BeatsMark has appeared in more than a dozen productions with Chicago Shakespeare Theater including Twelfth Night, Troilus and Cressida and Rose Rage: Henry VI Parts 1, 2 and 3. Other Chicago credits include Camino Real, Stage Kiss, A Christmas Carol (Goodman Theatre), Fascination (About Face Theatre), WantThe Time of Your Life (Steppenwolf Theatre), In the Next Room or the Vibrator Play, Equivocation (Victory Gardens), Cat on a Hot Tin Roof (Apple Tree Theatre), and In the Belly of the Beast: Letters from Prison (The Journeymen Theater Company) as well as shows with Remy Bumppo and Northlight Theatre, among others. New York credits include The Seagull, Mamma Mia! (Broadway), Macbeth (The Public), The Runner Stumbles (The Actors Company Theatre) and The Madras House (Mint Theater Company). Regional credits include Julius Caesar (American Repertory Theater and French tour) and Emma (Cleveland Playhouse). Television credits include Boss (Starz), Law & Order (NBC) and Guiding Light (CBS).

This is the first Theresa Rebeck play to be produced at 
Writers Theatre.  
Cast members Charin Alvarez (Stella) 
and Deanna Myers (Clea) will be appearing at 
Writers Theatre for the first time.



AUDIENCE ENGAGEMENT
Accessible Performances
ASL-Interpreted performance: Friday, March 31, 2017 at 7:30pm
Open-Captioned performance: Saturday, April 1, 2017 at 7:30pm

Sunday Spotlight—Sunday, March 19, 2017
Are you curious about the world that surrounds your favorite plays? Sunday Spotlight offers access to the finest speakers, scholars and cultural leaders. This one-hour event extends the conversation on our stages by featuring an expert in an area connected to the play. Seating is limited. RSVP is required. Save the date!

The Making of… Series—Monday, March 27, 2017 at 6:30pm
Writers Theatre will once again host its popular The Making of… Series, providing insight into a different aspect of creating the productions seen on our stages. Enjoy a short and lively presentation by our actors, designers or other experts who will walk you through the process of preparing for and executing a production. The Making of… events are FREE and open to the public. Seating is limited. RSVP is required.

Post Show Conversation: The Word
Join us after every Tuesday evening performance (excluding previews and extensions) for a 15-minute discussion of the play, facilitated by a member of the WT Artistic Team.

Post Show Conversation: The Artist
Join us after every Wednesday evening performance (excluding previews and extensions) for a 15-minute talk-back featuring actors from the production, facilitated by a member of the WT Artistic Team.

Pre-Show Conversation: Up Close
Join us at 6:45pm before every Thursday evening performance (excluding previews and extensions) for a 15-minute primer on the context and content of the play, facilitated by a member of the WT Artistic Team.

For more information about Writers Theatre Audience Enrichment programs visit writerstheatre.org/events.

RIDE METRA TO WRITERS THEATRE
In an effort to promote taking public transit to the Theatre, Writers Theatre launched a new promotion in 2013. Any audience member who purchases a ticket to a Writers Theatre production and rides Metra’s Union Pacific North Line to the Theatre may snap a photo of themselves on the train and post it to their Facebook or Instagram page or their Twitter feed with a tag of @WritersTheatre and #[the title of the show], and upon showing the post at the Writers Theatre Box Office, receive $5 in cash to put toward the cost of your fare as a thank you for going green.

This promotion is available for a limited time only, and may end without warning. Ticket must have been paid for in advance. Not valid on comp tickets. More information available at writerstheatre.org/metra

WRITERS THEATRE PARTNERS
Writers Theatre is pleased to recognize BMO Harris Bank as the 25th Anniversary Season Sponsor for the 2016/17 season. ComEd is the Official Lighting Sponsor of the season. The Elizabeth F. Cheney Foundation provides Foundation Support and the Artists Council Sponsors are Gail and Tom Hodges. Additional support for The Scene provided by the Director’s Society Sponsors, Cindy and David Knapp, Michael and Christine Pope, Craig and Linda Umans, and Sallyan Windt.

For more information about Writers Theatre’s 2016/17 Partners, visit writerstheatre.org/our-supporters.

ABOUT WRITERS THEATRE
For 25 years, Writers Theatre has captivated Chicagoland audiences with inventive interpretations of classic work, a bold approach to contemporary theatre and a dedication to creating the most intimate theatrical experience possible.

Under the artistic leadership of Michael Halberstam and the executive leadership of Kathryn M. Lipuma, Writers Theatre has grown to become a major Chicagoland cultural destination with a national reputation for excellence, being called the top regional theatre in the nation by The Wall Street Journal. The company, which plays to a sold-out and discerning audience of more than 60,000 patrons each season, has garnered critical praise for the consistent high quality and intimacy of its artistry—providing the finest interpretations of both classic and contemporary theatre in its two intensely intimate venues. 

In February 2016, Writers Theatre opened a new, state-of-the-art facility. This established the company's first permanent home—a new theatre center in downtown Glencoe, designed by the award-winning, internationally renowned Studio Gang Architects, led by Founder and Design Principal Jeanne Gang, FAIA, in collaboration with Theatre Consultant Auerbach Pollock Friedlander. The new facility has allowed the Theatre to continue to grow to accommodate its audience, while maintaining its trademark intimacy. The new facility resonates with and complements the Theatre’s neighboring Glencoe community, adding tremendous value to Chicagoland and helping to establish the North Shore as a premier cultural destination.

Find Writers Theatre on Facebook at Facebook.com/WritersTheatre or follow @WritersTheatre on Twitter. For more information, visit www.writerstheatre.org.





Saturday, February 25, 2017

OPENING: Chicago Premiere of Tom Stoppard's The Hard Problem at Court Theatre 3/9-4/9

Chi, IL LIVE Shows On Our Radar:

Court Theatre presents the Chicago Premiere of
The Hard Problem
By Tom Stoppard
Directed by Charles Newell

March 9 – April 9, 2017


Court Theatre, under the leadership of Marilyn F. Vitale Artistic Director Charles Newell and Executive Director Stephen J. Albert, announces casting for the Chicago premiere of The Hard Problem by Tom Stoppard, directed by Charles Newell. The Hard Problem runs March 9 – April 9, 2017 at Court Theatre, 5535 S. Ellis Avenue in Chicago. 

Court Theatre is proud to bring award-winning and renowned playwright Tom Stoppard’s highly-anticipated new play to Chicago. His new work introduces Hilary, a young psychologist working at the prestigious Krohl Institute for Brain Science. She struggles to bear the burden of her regrets as she works through a troubling issue in her research. Where does our biology end and our personhood begin?

If there is nothing but matter, what is consciousness? Will the computer someday answer all questions psychology can ask? This “hard problem” sets Hilary at odds with her colleagues, but she prays for a miracle to lead her to the solutions.

"Court Theatre has produced more of Tom Stoppard’s plays than any other contemporary playwright’s work because he such a great fit for our audience," says Charles Newell, Marilyn F. Vitale Artistic Director. "He is a writer who asks complicated questions, but our job as theatre artists is to find the heart in it all. The Hard Problem is no exception."

The cast for the Chicago premiere of The Hard Problem includes Owais Ahmed (Amal), Celeste M. Cooper (Julia), Chaon Cross (Hilary), Kate Fry (Ursula), Emjoy Gavino (Bo), Jürgen Hooper (Spike), Nathan Hosner (Jerry), Brian McCaskill (Leo), and Sophie Thatcher (Cathy).

The creative team includes John Culbert (Scenic Design), Nan Cibula-Jenkins (Costume Design), Keith Parham (Lighting Design), Eva Breneman (Dialect Design). Amanda Weener-Frederick is the Production Stage Manager.

About the Artists
TOM STOPPARD (Playwright) began his career in England in 1954 as a journalist, soon moving to London in 1960 to start work as a playwright. Plays: The Hard Problem, The Real Inspector Hound, After Magritte, Jumpers, Travesties, Every Good Boy Deserves Favour (with André Previn), Dirty Linen, New-Found-Land, Dogg’s Hamlet, Cahoot’s Macbeth, Night and Day, The Real Thing, Hapgood, Arcadia, Indian Ink, The Invention of Love, The Coast of Utopia, Rock’n’Roll, and The Hard Problem. Adaptations: On the Razzle (Nestroy), and Rough Crossing (Molnar). Tom’s most recent work for TV was Parades End; for radio, Darkside (with Pink Floyd); and for film, Anna Karenina. His film Rosencrantz and Guildenstern are Dead won the Venice FIlm Festival Prix d’Or, and Shakespeare in Love won an Academy Award.

CHARLES NEWELL (Director/Marilyn F. Vitale Artistic Director) was awarded the SDCF Zelda Fichandler Award, “which recognizes an outstanding director or choreographer who is transforming the regional arts landscape through singular creativity and artistry in theatre.” Charlie has been Artistic Director of Court Theatre since 1994, where he has directed over 50 productions. He made his Chicago directorial debut in 1993 with The Triumph of Love, which won the Joseph Jefferson Award for Best Production. Charlie’s productions of Man of La Mancha and Caroline, or Change have also won Best Production Jeffs. Other directorial highlights at Court include Man in the Ring; One Man, Two Guvnors; Satchmo at the Waldorf; Agamemnon; The Secret Garden; Iphigenia in Aulis; The Misanthrope; Tartuffe; Proof; Angels in America; An Iliad; Porgy and Bess; Three Tall Women; Titus Andronicus; Arcadia; Uncle Vanya; Raisin; The Glass Menagerie; Travesties; Who’s Afraid of Virginia Woolf?; The Invention of Love; and Hamlet. Charlie has also directed at Goodman Theatre (Rock ‘n’ Roll), Guthrie Theater (The History Cycle, Cymbeline), Arena Stage, John Houseman’s The Acting Company (Staff Repertory Director), the California and Alabama Shakespeare Festivals, Juilliard, and New York University. He has served on the Board of TCG, as well as on several panels for the NEA. Opera directing credits include Marc Blitzstein’s Regina (Lyric Opera), Rigoletto (Opera Theatre of St. Louis), Don Giovanni and The Jewel Box (Chicago Opera Theater), and Carousel (Glimmerglass). Charlie was the recipient of the 1992 TCG Alan Schneider Director Award, and has been nominated for 16 Joseph Jefferson Director Awards, winning four times. In 2012, Charlie was honored by the League of Chicago Theatres with its Artistic Achievement Award.

OWAIS AHMED (Amal) makes his Court debut. He is a Chicago native and ensemble member of Definition Theatre Co. Theatre credits include: The Invisible Hand (Milwaukee Rep), Orange (Mixed Blood Theatre), The Qualms (Steppenwolf Theatre), Heartland (PlayPenn), Blood & Gifts (Timeline Theatre), The Reckoning of Kit (First Floor Theater), Red Handed Otter (A Red Orchid Theatre), and Samsara (Victory Gardens). Other theatre credits: Anon(ymous), The Merchant of Venice, Much Ado About Nothing and Passion Play. Film/TV credits: Batman V. Superman: Dawn Of Justice, Age Of Ice and Empire. Owais is represented by Gray Talent.

CELESTE M. COOPER (Julia) returns to Court Theatre. Celeste most recently played Delia in Blues for an Alabama Sky. Some theatre credits include: Measure for Measure (Goodman); Stick Fly (Windy City Playhouse/ nominated for Best Featured Actress from BTAA), Never the Sinner (Victory Gardens Theater), Ruined (Eclipse), understudying Animal Farm (Steppenwolf); The Hammer Trinity (House/ Adrienne Arsht in Miami),The Mecca Tales (Chicago Dramatists); How We Got On (Citadel), Our Lady of 121st Street (Eclipse), her original one woman shows- Fight 4 Your Life, and later The Incredible Cece (MPAACT & Stage 773). Celeste is a recipient of The Most Promising Actress Award from the Black Theater Alliance for her portrayal of Josephine in Ruined, which led her to becoming an ensemble member and casting associate with Eclipse Theatre Company. Her TV/ Film credits include a recurring role as the Medical Examiner on Chicago PD (NBC), Spike Lee’s Chiraq, Sense8 (Netflix), and various other projects. Ms. Cooper has a B.A. in Speech Communications & Theatre from Tennessee State University and an M.F.A. in Acting from DePaul University Theatre School.

CHAON CROSS (Hilary) Chicago credits include: Life SucksBrothers Karamazov (Lookingglass Theatre Company); One Man, Two GuvnorsProof (Joseph Jefferson Nomination), Uncle VanyaThe Glass MenagerieScapinThe Romance Cycle, and Phèdre (Court); Cyrano (Court Theatre and Redmoon Theater); As You Like ItPrivate LivesCymbelineTroilus and CressidaThe Two Noble Kinsmen, and The Taming of the Shrew (Chicago Shakespeare); The Wheel and The Cherry Orchard (Steppenwolf); Macbeth (Lyric Opera of Chicago); and Grace (Northlight Theatre). Regional credits include Lady Windermere’s Fan (Milwaukee Repertory Theater) and Pride & Prejudice (Cleveland Play House). TV credits: The Exorcist (FOX), Chicago Fire (NBC), Boss (Starz), and Detroit 1-8-7 (ABC). Film: My Dog Skip (Warner Bros).

KATE FRY (Ursula) returns to Court Theatre, where she has performed in over a dozen productions, including Electra, The Romance Cycle, Twelfth NightThe Cherry OrchardMy Fair Lady, and Caroline, or Change. Other Chicago area credits include work with Writers Theatre (Arcadia, Marjorie Prime, Hedda Gabler, The Letters, Oh, Coward!,  A Minister’s Wife); Chicago Shakespeare Theatre (several productions, including As You Like It, Henry IV Parts One and Two, The Merchant of Venice, The Molière Comedies); Northlight Theatre (Outside Mullingar, The Miser); Victory Gardens (In the Next Room, or the Vibrator Play); as well as work with Theatre at the Center, Marriott Theatre, Apple Tree Theatre, and Candlelight Playhouse. Elsewhere, she has worked at McCarter Theatre Center in Princeton, NJ, Center Theatre Group in L.A., Repertory Theatre of St Louis, and Lincoln Center. She is the recipient of three Joseph Jefferson awards, an After Dark award, Chicago Magazine’s actress of the year, and the Sarah Siddons award for Chicago’s leading lady.

EMJOY GAVINO (Bo) returns to Court, where she was last seen as Chrysothemis in Electra. Representative Chicago credits include The Hypocrites, Second City (national tour), Northlight, Steppenwolf, Victory Gardens, Remy Bumppo, Paramount, Broadway Playhouse, Lookingglass, The Neo-Futurists, and Goodman. Regional credits include Repertory Actors Theatre, Book-It Repertory, ACT, and Village Theatre.  Film/TV: The ExorcistMob DoctorChicago FireEmpire, and Chicago Med.  Emjoy is the casting director of Gift Theatre, a company member with Barrel of Monkeys, and is the founder and producer of The Chicago Inclusion Project.

JÜRGEN HOOPER (Spike) makes his Court Theatre debut. Broadway: Brighton Beach Memoirs. Chicago: Life & Limb, Huck Finn (Steppenwolf) Rabbit Hole (Goodman), The Comedy of Errors, AmadeusShort Shakespeare! Romeo & Juliet (Chicago Shakespeare), Isaac's EyeThe Chosen (Writer's Theatre), The Dark at the Top of the Stairs (American Theatre Company), Paradise Lost (TimeLine Theatre), What's Wrong With Angry? (Circle Theatre, Non-Equity Jeff Award Best Principle Actor - Play). Regional: The Mousetrap, The Game's Afoot (Indiana Rep) The Game's Afoot (New Theatre), Wanamaker's Pursuit (Arden Theatre Co.), The Cherry Orchard (Milwaukee Rep). TV/Film: Chicago Med, Crisis, Chicago Fire (NBC), Suits (USA) and the film Game Day.

NATHAN HOSNER (Jerry) makes his Court Theatre debut. Chicago credits include productions with Writers Theatre, Chicago Shakespeare Theater, The Goodman Theatre, Northlight Theatre, The Paramount Theatre, About Face Theatre, First Folio Theatre, Shaw Chicago, and The Shakespeare Project of Chicago. Other credits include: Peter and the Starcatcher (first national tour) and productions with American Players Theatre, The New Theatre, Alabama Shakespeare Festival, Arkansas Shakespeare Theatre, The BoarsHead Theater, Illinois Shakespeare Festival, Door Shakespeare, and the Madison Repertory New Play FestivalNathan is a graduate of the Royal Academy of Dramatic Art, London.

BRIAN MCCASKILL (Leo) is making his Court Theatre debut. Previous credits include Windy City Playhouse, Lyric Opera, Goodman Theatre, Steppenwolf Theatre Company, Shattered Globe Theatre, TimeLine Theatre and Raven Theatre. He has received one Jeff Award, four Jeff Award nominations and two After Dark Awards for his theatrical work. Film and television credits include Chicago P.D.CrisisPrison Break and numerous commercials.

SOPHIE THATCHER (Cathy) makes her Court Theatre debut in The Hard Problem. Credits include The Diary of Anne Frank (Writers Theatre), Oliver! (Drury Lane Theatre), The Secret Garden (Light Opera Works), and work with Theatre at the Center and Provision Theater. Television credits include Chicago P.D. (NBC), a recurring role on The Exorcist (Fox), and commercials for the Illinois Office of Tourism.


           
Schedule: 
Wed & Thurs:       7:30 p.m.
Fridays:                8:00 p.m.
Saturdays:            3:00 p.m. & 8:00 p.m.
Sundays:              2:30 p.m. & 7:30 p.m.

Location: Court Theatre, 5535 S. Ellis Ave.
Tickets: $38-$48 previews
                        $48-$68 regular run

Box Office:       Located at 5535 S. Ellis Avenue, Chicago; (773) 753-4472 or www.CourtTheatre.org.

Production
Sponsors:         Nuveen Investments; Kirkland & Ellis LLP; Michael Charles Litt

Now in its 62nd season, Court Theatre is guided by its mission to discover the power of classic theatre. Court endeavors to make a lasting contribution to American theatre by expanding the canon of translations, adaptations, and classic texts. Court revives lost masterpieces, illuminates familiar texts, and distinguishes fresh, modern classics. Court engages and inspires its audience by providing artistically distinguished productions, audience enrichment activities, and student educational experiences.


Court Theatre's 2016/17 Season is sponsored by Barbara and Richard Franke.

OPENING: Picnic at American Theater Company

Chi, IL LIVE Shows On Our Radar:

Jeff Award-winner Molly Brennan to star as Hal in
American Theater Company’s
Picnic
Directed by ATC Artistic Director Will Davis
March 17 - April 23, 2017


Here at ChiIL Live Shows, we're excited for ATC's next production, Picnic. We've been long time fans of Molly Brennan and Malic White's exceptional work and the cast contains many of our favorites on the Chicago scene. We can't wait to see the results of collaborating with Director, Will Davis, ATC's new Artistic Director.

American Theater Company (ATC) continues its Season 32 with William Inge's Pulitzer Prize-winning Picnic. ATC’s Artistic Director Will Davis directs a cast featuring Jeff Award-winner Molly Brennan (Hal), Robert Cornelius (Howard), Alexia Jasmene (Millie), Patricia Kane (Flo Owens), Laura McKenzie (Mrs. Potts/Piano Player), Jose Nateras (Alan), Michael Turrentine (Rosemary) and Malic White (Madge). Picnic runs from March 17 - April 23, 2017 (Press opening: Wednesday, March 22).  

Closeted and dogged by an acute sense of failure for most of his life until he ended it, William Inge wrote some of the great lyrical plays of the American mid-century, and Picnic was his masterpiece, his playground and, quite possibly, his fantasy. In this loving reimagining, Davis puts Inge at the center of his Pulitzer Prize-winning play and animates what is both sacred and profane about small town life against the backdrop of dust bowl hymns and love songs. Part séance, part love letter to a ghost, this Picnic explores a life lived at the periphery of one’s own desire.

“My number one goal here is to not have a conversation about what kind of body is playing the role of what kind of body,” says Davis. “I cast this show to reflect the queer longing I feel emanating from the heart of Inge's play. From my view, Inge's cannon is defined by a question about desire and his terror of it. Each of his works asks questions about heeding the call of the heart and being punished for it. I see this as a reflection of the times he lived in and his experience of homophobia both internal and external. This production will pivot between experiencing the text through the lens of queer fellowship and experiencing the text through the lens of closeted longing. As is always true what we say is not what we mean and my casting choices for this show are meant to pull that divergence into focus.”

Picnic’s design team includes Evvie Allison (choreography), Joe Schermoly (set), Melissa Ng (costumes), Rachel Levy (lights), Miles Polaski (sound) and Abigail Cain (props).

Performance schedule
Previews: Friday, March 17 at 8 p.m.; Saturday, March 18 at 8 p.m.; and Sunday, March 19 at
2 p.m.
Press Opening: Wednesday, March 22 at 7 p.m.
Regular Run: March 23- April 23: Thursdays and Fridays at 8 p.m.; Saturdays at 2 p.m. and 8 p.m.; Sundays at 2 p.m.

Single tickets for Picnic range from $20-$38 and are available by calling the ATC box office at 773-409-4125, or visiting www.atcweb.org. Season subscriptions are also on sale now and range from $40-$112.50, with special pricing available for members under the age of 35.

Bios
Molly Brennan (Hal) is a clown, actor and theatre maker in town. In Chicago, she has performed at Lookingglass, Goodman, Steppenwolf, Neo-Futurists, About Face, Lifeline, Second City, Lyric Opera, House, Factory, and others. She has toured the U.S. extensively as well, most notably Denver Arts Center, PS 122 in NYC, the Arsht in Miami, Alliance in Atlanta, and the Kennedy Center.

Robert Cornelius (Howard) makes his ATC debut with Picnic. He was most recently seen in the Hypocrites production of WIT. Robert has performed in Chicago and around the country as an actor for over three decades at theaters including Victory Gardens, Court Theatre, The Goodman, First Folio, Drury Lane, Milwaukee Rep, Indiana Rep, Montana Rep, St Louis Black Rep, and many others. Favorite productions include Blues for an Alabama Sky, The Rivals, Takunda, Aida, You Can't Take it With You, Member of the Wedding, and Taming of the Shrew.

Alexia Jasmene (Millie) makes her ATC debut with Picnic. Past credits include Kin Folk (The New Colony), Merry Christmas, Mulch Pile (Mercy Street), Mary Shelley Sees the Future (Runaway Labs), Cathedrals (Living Canvas), Transformations (Nothing Without a Company & Living Canvas) and Temperance Vs. Tolerance (Step Up Productions). She is a trans woman that is an actor, musician, and story teller in Chicago and can be seen performing at various open mics around the city for music and poetry.

Patricia Kane (Flo Owens) makes her ATC debut with Picnic.  Past credits include The Whale, In the Next Room or the vibrator play and Hannah Free at Victory Gardens Theatre (as well as the film version of Hannah Free, starring Sharon Gless); What Once We Felt, Pulp, Seven Moves, Fascination, The Terrible Girls, Whitman, Dancer from the Dance, The Gift and Cloud Nine (About Face Theatre); Finding the Sun and Dancing at Lughnasa (Goodman Theatre); All in the Timing (Northlight Theatre); as well as productions with Collaboraction, Live Bait, Stage Left, Bailiwick, Cincinnati Playhouse in the Park, and NYC’s Tectonic Theatre Group.  

Laura McKenzie (Mrs. Potts/Piano Player) makes her ATC debut with Picnic. Past credits include Six Characters in Search of an Author (The Hypocrites), Alice, Beer and Picked Up (Neo-Futurists) and many shows with the Factory Theater. Laura has written music and lyriacs for several shows including Hey! Dancin'! Hey! Musical! (Factory Theater) and Sparky (Lifeline Theatre). She is a company member with Barrel of Monkeys and The Factory Theater and is one half of the facemelt duo The Laura On Laura Comeback Tour.

Jose Nateras (Alan) makes his ATC debut with Picnic. Recent credits include Cymbeline (Strawdog), Reprise (Adventure Stage Chicago), The Van Gogh Cafe (Filament Theatre), The Grapes of Wrath (The Gift Theatre), Othello(u/s*) and Since I Suppose (Chicago Shakespeare Theatre), My Soul's Shadow (Manual Cinema), Balm in Gilead (u/s Griffin Theatre), Romeo & Juliet (with Notre Dame Shakespeare Festival and Teatro Vista), Hit the Wall (u/s The Inconvenience); among others. He's toured with Montana Shakespeare in the Parks (Hamlet, Twelfth Night) and appeared on NBC's Chicago Fire, as well as in spots for Onion Labs, Radar Studios, and others.

Michael Turrentine (Rosemary) makes his ATC debut with Picnic. Past credits include The Grapes of Wrath (The Gift Theatre), Pirandello's Henry IV (Remy Bumppo Theatre Company), The Hairy Ape (Oracle Productions), La Cenerentola and The Merry Widow (The Lyric Opera), In Love and Warcraft (Halcyon Theater), How's It Going to End? (InGen Productions), as well as understudying at Chicago Children's Theater and The Hypocrites. He is also an Artistic Associate with Barrel of Monkeys.

Malic White (Madge) is a punk performer, playwright and gender warrior who has been an ensemble member at the Neo-Futurist Theater since 2012. Chicago stage credits include Too Much Light Makes the Baby Go Blind, Pop Waits (Neo-Futurists), and American Idiot (the Hypocrites). Film credits include Princess Cyd, Signature Move, and The Year I Broke My Voice. Malic's original performance work has been featured at Woolly Mammoth Theater, the Museum of Contemporary Art, Jay Pritzker Pavilion at Millennium Park, Davenport’s Piano Bar, Logan Square Auditorium, and Tour de Fat.

William Inge (Playwright, 1913-1973) was a playwright, teacher, and novelist born in Independence, Kansas, who wrote a string of successful plays throughout the 40s and 50s. His play Come Back, Little Sheba earned him the title of most promising playwright of the 1950 Broadway season. This success was followed in 1953 by Picnic (winner of the 1953 Pulitzer Prize) and again in 1955 by the highly-revered Bus Stop. Inge’s fame continued to grow as The Dark at the Top of the Stairs, a reworking of his first play Farther Off From Heaven opened on Broadway in 1957. The Dark at the Top of the Stairs, considered to be Inge’s finest play, is one in which he draws most directly from his own past. He spent the final years of his life writing two novels: Good Luck, Miss Wyckoff in 1970 and My Son Is a Splendid Driver in 1971. Inge committed suicide on June 10, 1973 at the age of 60.

Will Davis is a director and choreographer focused on physically adventurous new work and old plays in new ways. He is also the newly appointed artistic director of American Theater Company ( ATC). Recent projects include: Evita, re-imagined for the Olney Theatre Center, Men on Boats by Jaclyn Backhaus for Clubbed Thumb's Summerworks, Playwrights Horizons and ATC; DUAT by Daniel Alexander Jones for Soho Rep; Orange Julius by Basil Kreimendahl; Mike Iveson’s Sorry Robot for PS122’s COIL Festival; and two productions of Colossal by Andrew Hinderaker for Mixed Blood Theater and the Olney Theatre Center, for which he won a Helen Hayes award for outstanding direction. Davis has developed, directed and performed his work with New York Theatre Workshop, Clubbed Thumb, the New Museum, the Olney Theatre Center, the Alliance Theatre, the Playwright's Realm, the Fusebox Festival, New Harmony Project, the Orchard Project, the Ground Floor Residency at Berkeley Rep, Performance Studies International at Stanford University, and the Kennedy Center. He is an alum of the Soho Rep Writer/Director Lab, the NYTW 2050 Directing Fellowship and the BAX (Brooklyn Art Exchange) artist in residence program. He holds a BFA in Theatre Studies from DePaul University and an MFA in Directing from UT Austin.

About American Theater Company
American Theater Company (ATC) challenges and inspires its community by exploring stories that ask the question, "What does it mean to be an American?" ATC’s Ensemble includes Patrick Andrews, Kareem Bandealy, Jaime Castañeda, Kelly O’Sullivan, Tyler Ravelson, and Sadieh Rifai.

American Theater Company is partially supported by a grant from the Illinois Arts Council, a state agency, and CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events, the Lloyd A. Fry Foundation, Polk Bros. Foundation, the MacArthur Fund for Arts and Culture at Prince, and the Shubert Foundation.


Google Analytics