EXTENDED: House Theatre's The Last Defender Now On Sale Through June 12!

THE HOUSE THEATRE OF CHICAGO 

THE LAST DEFENDER 

EXTENDS THROUGH JUNE 12

To say we're super stoked about this show here at ChiIL Mama & ChiIL Live Shows is a colossal understatement! I played when they first opened, with my son and a couple of his friends, all high school freshmen. 

We ran out of time and blew up the world, but had a blast! During the first wave of shows in February, we were also excited to partner up with The House and give away 2 pairs of these highly sought after tickets to our readers. The rest is history.

 The Last Defender Production Photo by Johnny Knight

The initial run and extension sold out super fast and my son, Dugan, loved the show so much we bought 6 tickets so he could come back with more friends and play again for his 15th birthday. This series of puzzles is crazy tough to crack (only 22 out of the first 100 teams did it!!) and on Dugan's birthday they were 1 task short of solving it the 2nd time around when they had to strike a "costly compromise" with under 10 seconds to total annihilation. The game was a huge hit for all involved, and one of the most memorable birthdays ever. Oh so highly recommended! 

Dugan & his birthday entourage got to play the ONE HUNDREDTH GAME, on Easter, & have a birthday party too!

Check out our full set of Dugan's Last Defender Birthday shots in the slideshow here and more favorites embedded below:

We're elated about the latest extension because EVERYONE should have a chance to play this live action room escape puzzle. It's great for guys, girls, and geeks ages 14+ and it's SO much fun we're hoping a room escape show becomes part of The House Theater's line up every season. 

We played on Easter afternoon so it was oddly fitting to be following black rabbits down the hole into an alternate near apocalyptic reality. They even left Easter eggs (of the candy filled variety, not the hidden code easter eggs of video game fame) around the playing space as an extra treat and the birthday boy got one in his locker. House Theatre ROCKS!

We even made Dugan a Last Defender 15th Birthday Cake & shared it with cast & crew.

The Last Defender is great for a group of friends, date night, or family fun for high school kids through adults. It's addictive and players are returning in droves to play again and again. Book your tickets NOW before the clock ticks down and all you see on site are the sad words SOLD OUT! Don't miss THIS!

  The Last Defender Production Photo by Johnny Knight

WHAT:              

The House Theater of Chicago is adding 86 new performance times, extending to June 12

WHERE:          

The Chopin Theater Downstairs, 1543 W. Division St.

WHEN:            

Extension Dates: April 24 - June 12

The regular performance schedule is now as follows: Wednesdays at 6:30 and 8:30 p.m., Thursdays at 7 p.m., Fridays at 7 and 9 p.m., Saturdays at 2, 4, 7 and 9 p.m.

Through April 17: Sundays at 4:30 and 7 p.m.

Starting April 24: Sundays 4:30 and 6:30 p.m.

These added dates and extension go on sale to the public on Monday April 4

                     

MORE:             

A total of 86 performance times have been added for this live action game after selling out over 90% of the existing playtimes. 

The Last Defender Production Photo by Johnny Knight

ABOUT THE LAST DEFENDER 

Artistic Director Nathan Allen and Company Member and D.C. Comics artist Chris Burnham, have teamed up with some of Chicago’s best loved puzzle and game designers in this world premiere. Together, they created a wholly new experiment in immersive story and stagecraft call The Last Defender.  It’s part performance, part puzzle hunt, and part live action game.

Set during the Cold War, The Last Defender draws on the era's sense of paranoia, and fear of nuclear attack to give audiences a one-of-a-kind storytelling experience. Audience members become the

heroes of the story in The Defenders' underground headquarters. The United States and The Soviet Union are still mired in the Cold War. Artificial intelligence has been deployed alongside 8 bit

arcade-style computer technologies to control our nuclear weapons.

The game will present teams of players with a classic "trolley problem” resulting in three possible endings based on their choices and actions: Nuclear War, which is easy to achieve. Nuclear Peace, which is very difficult, and a costly compromise scenario for teams who fail to reach Nuclear Peace but wish to avoid Nuclear War. Players will navigate their own paranoia, as well as the stresses of Mutually Assured Destruction to do the job of The Defenders. Everyone will work as a team to gather information, solve puzzles, and make increasingly difficult decisions in real time. All to complete The Defenders' mission and save the world.

Photo Favorites: Dugan's Last Defender Birthday 

Dugan and I both bought these rockin' Last Defender tee shirts after we played in February! And everyone who plays get a free surprise packet to take home.

The geek in me loves that they're keeping game stats & standings:

OPENING: The Broadway Hit, Nice Work If You Can Get It, at Theatre at the Center

Theatre at the Center presents 

Nice Work If You Can Get It

Munster, IN – Theatre at the Center announces the Chicagoland premiere of the Broadway hit Nice Work If You Can Get It. This new musical features a book by Tony Award winner Joe DiPietro, and a treasure trove of George and Ira Gershwin's most beloved, instantly recognizable tunes (Let's Call the Whole Thing Off, Someone to Watch Over Me, 'S Wonderful).  Nice Work If You Can Get It runs May 5 through June 5 at Theatre at the Center. 

Ashley Lanyon (ensemble), Justin Brill as “Jimmy Winter”, Kayla Kennedy (ensemble).  Photo by Guy Rhodes.  Courtesy of Theatre at the Center.

Set in the Roaring Twenties, Nice Work If You Can Get It is the story of charming and wealthy playboy Jimmy Winter, who meets rough female bootlegger Billie Bendix on the weekend of his wedding.  Jimmy is embarking on his third or fourth marriage, this one to a narcissistic modern dancer named Eileen. Billie learns that the couple will be out of town and devises a plan to stash cases of alcohol in the basement of Jimmy’s mansion.  When Jimmy, Eileen and Eileen’s prohibition family suddenly arrive at the mansion for the wedding, Billie and her gang pose as the serving staff, with hijinks as the end result.

Jeff Award winning director William Pullinsi will join forces with Jeff Award winning choreographer Danny Herman to co-direct Nice Work If You Can Get It, just as they did for last season's hit production of All Shook Up at Theatre at the Center.  

Justin Brill (All Shook Up at Theatre at the Center and All Shook Up on Broadway) stars as Jimmy along with Erica Stephan (White Christmas at Drury Lane and The Little Mermaid at Chicago Shakespeare Theater) who plays Billie Bendix.  Laura Freeman (The Fox on the Fairway at Theatre at the Center and Into the Woods national tour) plays Estonia Dulworth, The Duchess of Woodford. Jeff Award winner Stef Tovar (The Christmas Schooner at Mercury Theater Chicago and Big Fish at Theatre at the Center) plays Cookie McGee.  Additional cast include Julie Baird as Eileen Evergreen, Rick Rapp as Senator Max Evergreen, Annelise Baker as Jeannie Muldoon, Jake Stempel as Chief Berry, John Stemberg as Duke Mahoney and Debbie DiVerde as Millicent Winter, the mother of Jimmy.

The Nice Work If You Can Get It production team includes musical director Bill Underwood, Jeff Award winning scenic design team Jackie and Richard Penrod; costume design is by Brenda Winstead, lighting design is by Guy Rhodes, sound design is by Barry Funderburg.  Brittney O’Keefe is the props designer. The production manager is Ann Davis with Dennis Galbreath as assistant technical director. Matt McMullen is the stage manager. Richard Friedman is general manager and Linda Fortunato is Theatre at the Center’s new artistic director.  

Founded in 1991, the 410-seat Theatre at the Center is a year-round professional theater at its home, The Center for Visual and Performing Arts, 1040 Ridge Road, Munster, Indiana.  Theatre at the Center is the only professional theater company in Northwest Indiana, offering downtown caliber performances in an accessible venue with plenty of free parking.  Theatre at the Center is located off I-80/94, just 35 minutes from downtown Chicago. 

Performances are 2 p.m. Wednesdays and Thursdays; 7:30 p.m. Fridays and Saturdays; 2:30 p.m. Sundays; and select Thursday and Sunday evenings and Saturday matinees. Individual ticket prices range from $40 - $44. To purchase individual tickets call the Box Office at 219-836-3255 or Tickets.com at 800-511-1552. Group discounts are available for groups of 11 or more and gift certificates are also available. For more information on Theatre at the Center, visit TheatreAtTheCenter.com.

REVIEW: Christina, The Girl King

Chi, IL LIVE Shows On Our Radar

Last Call: Christina, The Girl King 

Must Close April 9th

**Note: Christina, The Girl King is for adult audiences only. Contains sex, full nudity (both female and male), violence and blood.**

Move over Game of Thrones! Cor Theatre's Christina, The Girl King has it all... smart, powerful women, plotting men, a lesbian love affair, torture, abdication, and more, live on stage, in an intimate little venue! They even have some sweet, local microbrews from Temperance Beer Company in Evanston you can take to your seat and enjoy during the show. Each purchase directly benefits the theatre! 

From the moment we entered Jackalope Theatre's territory, The Frontier Theater, to see the actors stretching and doing vocal warm ups right on stage, as the audience filtered in, we were hooked! Cor Theatre's production choice meshed so well with this quirky space and is a boon for both companies. Cor Theatre was chosen for a residence as part of Jackalope Theatre's Pioneer Series. These up and comers did their hosts proud with a daring, edgy piece of historical theatre, based on the true life of Queen Christina of Sweden, professionally and passionately enacted by Toya Turner. The entire ensemble was excellent at bringing this timely tale back to life.

Even the title "The Girl KING" speaks volumes of a gender bending, norm shattering woman, ahead of her time. This production touched on the terrible price she had to pay to be true to herself, from the bawdy barroom songs and taunts of her subjects to the torture of those she loved most. 

The writing is also superb, with plenty of thought provoking turns of phrase and situations that are still all too familiar in our current political and social climate. Christina, The Girl King is highly recommended. Don't miss this!

Chicago's Cor Theatre is the first U.S. theater to present Linda Gaboriau's new translation of French playwright Michel Marc Bouchard's 2012 play Christine, la reine-garcon, which premiered in an applauded, extended run at the 2014 Stratford Festival. 

Cor Theatre, in residence with Jackalope Theatre's Pioneer Series at The Frontier, 1106 W. Thorndale in Edgewater, presents Christina, The Girl King through April 9, 2016.

Remaining show times through April 9 are Wednesday through Friday at 7:30 p.m., Saturday at 3 p.m. and 7:30 p.m. and Sunday at 3 p.m. 

Tickets are $25; $10 students and industry. For tickets and information, visit CorTheatre.com or call (866) 811-4111. 

After 30 years of war, Christina, the Girl King of Sweden, armed by the power of her crown and whip-smart intellect, is pushing her people to become a forward thinking nation. But when an unspeakable passion begins to burn underneath her androgynous visage, the Girl King's power is put to the test. Should she meet the demands of her country and birth its next heir? Should she fight the established patriarchy to rule as her own woman? Will she change? Or will she change the world around her? One thing is certain: the choice she makes will change her identity forever, and could mean certain death for the woman that she loves.

Cor Theatre, hailed for "Most Promising Debut" last season by Time Out Chicago, plans to surprise and amaze Chicago theater fans with its U.S. debut of Christina, The Girl King next month. 

Christina, The Girl King is a daring, sensitive reintroduction to the enigmatic 17th century European monarch, flamboyant intellectual and feminist before her time.

Cor Theatre Artistic Director Tosha Fowler directs the play's U.S. debut. The cast features Toya Turner as Christina, with Laura Resinger as Ebba, Adam Gutkin as Karl Gustav, Will Von Vogt as Johan, Tony Bozzuto as Axel, Meg Elliott as Maria Elenora, Danny Taylor as Descartes, Bridget Schreiber as Erika and Scott Shimizu as Chanut. 

Designers are Elyse Balogh (set and props), Alarie Hammock (costumes), Eric Vigo (lights), Jeffrey Levine (sound), Adam Gutkin (technical director), Elyse Cowles (dramaturg), Janelle Bourdreau (stage manager) and Stefin Seberl (production stage manager).

Tosha Fowler (director) is co-founder and artistic director of Cor Theatre, where she directed last season's A Map of Virtue and acted in Love and Human Remains. As a result, Fowler debuted on New City's "Player's 2016 The Fifty People who really perform for Chicago" list as "the fearless leader of Chicago's most dangerously sexy new company." Fowler also produced and starred in Cor's acclaimed Skin Tight in 2012, under the direction of Victoria Delorio, and co-produced, wrote and performed in her original solo show, Mami, Where'd my O go?  She has produced theatre for almost ten years for companies including Mary-Arrchie Theatre, The Chicago Fringe Festival, Academy Theatre in Atlanta, and her founding company, Fowl Brick in Savannah, Georgia. Other directing credits include A Doctor's Stories, Poof! and Bash and Bully Breakdown in HD. As an actress, Fowler has performed in Chicago with Lifeline Theatre, Emerald City, MPAACT, Cock & Bull and Circle Theatre. She has worked as a playwright with American Theatre Company's "Chicago Chronicle Project," the DePaul University Diversity Initiative and the Academy Theater. She is an adjunct professor in Theatre at DePaul University, and holds an MFA in Acting from The Theatre School at DePaul.

Sweden's Queen Christina has already been the subject of theatrical and cinematic speculation. Greta Garbo portrayed her in the 1933 film Queen Christina. So did Liv Ullman in 1974 in The Abdication.  History remembers her best for helping end the 30 Years War and for making Stockholm a major European capital. 

Toward the end of her reign, Queen Christina summoned René Descartes to share his new ideas about science and philosophy at the time. His radical ideas about free will and reason appealed to Christina, who was struggling to reconcile tensions between her rational self and emotions she dared not name. 

Rather than conform, the 26-year-old queen chose to abdicate her throne and convert to Catholicism, rendering her ineligible to rule. Was it an act of madness? Or a bold gesture of autonomy by a modern woman born ahead of her time? 

Christina, The Girl King underscores Cor Theatre's mission to explore the inner truth of the human experience through storytelling that defies convention, and to engage audiences by telling stories that take courage to tell.

Cor is also proud to have been selected by Jackalope Theatre Company to receive a prime time, four-week, rent-free run of Christina, The Girl King in The Frontier through The Pioneer Series, Jackalope's continuous initiative to cultivate bold new theatre in Chicago.

SAVE THE DATES:

Up Next: The Good Person of Szechwan, August 11-September 11 at 

A Red Orchid Theatre

Cor's second production in 2016 will be The Good Person of Szechwan by Bertolt Brecht, translated by Tony Kushner. Ernie Nolan will direct, and ensemble member Will Von Vogt will defy traditional casting in the title role of Brecht's parable of good and evil. Performances are August 11 through September 11 at A Red Orchid Theatre, 1531 N. Wells Street in Chicago's Old Town neighborhood.

About Cor Theatre

Cor Theatre (cortheatre.org) debuted in September 2012 with a vision to create theatrical experiences that are rarely presented in Chicago by artists who seek to defy expectation. 

The company's first production, Skin Tight by Gary Henderson, produced by Tosha Fowler and Victoria Delorio, was rewarded with enthusiastic audiences, critical acclaim and made just enough money to establish a not-for-profit corporation. The company named itself Cor Theatre, deriving its name from the Latin root of courage - meaning heart.

In 2015, Cor expanded to a two-show season launched by an acclaimed production of Erin Courtney's A Map of Virtue, named Most Promising Debut by Time Out Chicago, and nominated for several Time Out Chicago Theatre Awards including Best Supporting Actress (Scottie Caldwell) and Best Design (Tierra G. Novy, set; Stefin Steberl, costumes and props; Eric Vigo, lights; and Jeffrey Levin, sound.) 

Cor's second 2015 production, Love and Human Remains, the first professional staging of Brad Frasier's controversial play in Chicago in 20 years, played to numerous sold-out houses and was listed as one of the top plays to see by Windy City Times and New City.

Today, Cor is one of Chicago's newest and most ambitious Chicago professional theatre companies with a growing board and strong experience behind it. Cor Theatre company members are Chris Brickhouse, Elyse Cowles, Tosha Fowler, Adam Gutkin, Claire Meyers, Ernie Nolan, Stefin Steberl and Will Von Vogt.

For more information, visit cortheatre.org, like Cor Theatre on Facebook, follow the company on Twitter, @CorTheatre, or call (866) 811-4111.

FREE Theatre: 7th International Voices Project Brings Nine Readings to Victory Gardens Biograph Theater 4/9-25

Chi, IL LIVE Shows On Our Radar:

INTERNATIONAL VOICES PROJECT ANNOUNCES 2016 DATES AND LINEUP OF STORIES FROM AROUND THE WORLD AT THE VICTORY GARDENS BIOGRAPH THEATER, APRIL 9 – 25

The Seventh Season Includes Nine Readings Featuring Plays from 

Britain, Italy, Poland, Austria, Norway, Germany, Pakistan, and Lebanon Performed by Lookingglass, Akvavit, Rasaka, TUTA, Vitalist, Trap Door and More

Here at ChiIL Live Shows, we're greatly anticipating this year's International Voices Project (IVP)! Chicago is so fortunate to have such a rich, international collection of stories coming to us, with concert-style readings by some of the top local companies. As if that's not exciting enough, shows are FREE with RSVP! So go already. What are you wating for?!

International Voices Project (IVP) is proud to present the seventh season of play readings by playwrights from around the world. The series is presented in collaboration with consulates and cultural institutions throughout Chicago. The 2016 engagement’s represented countries include Great Britain, Italy, Poland, Austria, Canada, Norway, Germany, Pakistan, Lebanon.  

The readings take place at the Victory Gardens Biograph Theater, McVay Theatre, 2433 N. Lincoln Ave, April 9 – 25  Saturdays at 3 p.m. and Sundays — Tuesdays at 7:30 p.m. A reception follows each evening’s reading. The International Voices Project is the largest event of its kind in the country and introduces Chicago audiences to some of the most exciting voices on the international theater scene. Performances are free to the public and reservations are requested. For more information about IVP, or to reserve your seat, visit IVPChicago.org or call 773.250.7055.

Presented in collaboration with each country’s consulate general and/or a country’s cultural institution, the International Voices Project celebrates the voices of international playwrights with nine premiere concert-style readings. A professional cast performs each play to allow audience members’ imaginations create the world of the play. After each reading, there is a post-performance discussion with the cast and audience, followed by a reception.

IVP 2016 Schedule is below and can also be viewed by clicking here.

Saturday, April 9 at 2 p.m.:

From Great Britain, IVP presents John Hollingworth’s Multitudes, presented in collaboration with Vitalist Theatre, and directed by Liz Carlin-Metz.

On the eve of a Conservative Party Conference the country is in turmoil and one of its most multicultural cities awaits a visit from the Prime Minister.

Sunday, April 10 at 7:30 p.m.

From Italy, IVP presents Saverio La Ruina’s Dust, translated by Thomas Simpson, directed by Anna Bahow.

In a sequence of short scenes between two characters, Dust tracks the development of an abusive relationship between a man and a woman, focusing especially on the violence hidden in the silences behind apparently banal words and actions.

Monday, April 11 at 7:30 p.m.

From Poland, play Trash Story by Magda Fertacz presented in collaboration with Trap Door Theatre, translated by Benjamin Paloff, and directed by Monica Payne.

An award-winning anti-war play, Trash Story is the harrowing tale of a Polish family living on land that once belonged to Germany. Told through the eyes of a 10-year-old girl, the play poses important questions about violence, both present and past, and the secrets it leaves behind.

Tuesday, April 12 at 7:30 p.m.

From Austria, IVP presents Ewald Palmetshofer’s the unmarried woman, presented in collaboration with TUTA Theatre, translated by Neil Blackadder, and directed by Andy Hager.

Three women, three generations, an unresolved past that stinks of betrayal and blind obedience: the unmarried woman connects April 1945 with the present. The woman is old and has an alienated daughter and a grand-daughter whom she feels closer to, even though the young woman is digging through her past. A female chorus of four completes the ensemble through which Palmetshofer uncovers who might have done what, and why.

Monday, April 18 at 7:30 p.m.

From Norway, IVP presents Fredrik Brattberg’s The Returning, presented in collaboration with Akvavit Theatre, translated by Henning Hegland and directed by Breahan Pautsch.

In The Returning we meet a mother and a father grieving the loss of their son, Gustav, whom they assume to be dead. The funeral is breath-taking, where they have filled the coffin with tings reminding them of Gustav. After a while daily life returns. The parents manage to go on with their life. One day there is a knock on the door…

Tuesday, April 19 at 7:30 p.m.

From Germany, IVP presents Woman in Berlin, presented in collaboration with Lookingglass Theatre, adapted by Eva Barr, and directed by Tracy Walsh.

The memoir, A Woman in Berlin, by Anonymous, is one woman's account of her experiences during the first eight weeks of the Russian invasion of Berlin in April, 1945.  This adaptation visits the material as if it is in the process of being staged as a play with a three-person acting company and a director some twenty years after the events described, and six years after its original publication, and subsequent suppression, in Germany in 1959.  The memoir was first published in the United States in 1954.

Sunday, April 24 at 7:30 p.m.

From Pakistan, IVP presents Iftikar Hassan’s Voiceless Melodies, presented in collaboration with Pakistani Consul General and Rasaka Theatre, adapted by Judy Veramendi and directed by Puja Mohindra. 

Shazia, a lovely young Punjabi girl with a determined vision of how her life must unfold, moves through light and shadow before coming into her glory. Experience her story, and her world, through songs, dances and celebrations of love and marriage, interwoven with the Voiceless Melodies of her ancestors.

Monday, April 25 at 7:30 p.m.

From Lebanon, IVP presents Issam Mahfouz’s The Dictator, translated by Robert Myers and Nada Saab, and directed by Warner Crocker.

Absurdist political play by Lebanon’s most renowned playwright Issam Mahfouz. Takes place during an offstage, and perhaps imaginary, coup directed by a general and his faithful assistant, Saadoun.

International Voices Project (IVP) is proud to present the seventh season of play readings by playwrights from around the world. The series is presented in collaboration with consulates and cultural institutions throughout Chicago. The 2016 engagement’s represented countries include Great Britain, Italy, Poland, Austria, Canada, Norway, Germany, Pakistan, Lebanon. The readings take place at the Victory Gardens Biograph Theater, McVay Theatre, 2433 N. Lincoln Ave, April 9 – 25 Saturdays at 3 p.m. and Sundays — Tuesdays at 7:30 p.m. A reception follows each evening’s reading. The International Voices Project is the largest event of its kind in the country and introduces Chicago audiences to some of the most exciting voices on the international theater scene. Performances are free to the public and reservations are requested.  For more information about IVP, or to reserve your seat, visit IVPChicago.org or call 773.250.7055.

REVIEW: The New Sincerity at Theater Wit Must Close April 17th

Last Call

Chi, IL LIVE Shows On Our Radar: 

The New Sincerity at Theater Wit

★★★ Genuinely funny! Feels authentically connected to Americans currently in their mid-20s, and it deals with a question I find to be exceptionally germane to the moment. A VERY SMART PIECE! - Chris Jones, Chicago Tribune Brutally honest and fiercely funny! – Buzz Chicago The cast is darn near close to perfect! — Splash Chicago

**FINAL SPECIAL OFFER!**

 Reserve your tickets for any performance 

with offer code "NSTREET" for $5 off EACH ticket!

(offer expires 4/5)

The New Sincerity by Alena Smith from Theater Wit on Vimeo.

Here at ChiIL Live Shows we adore this production and highly recommend it. We had a number of friends involved in the Occupy Chicago movement and when I initially read the premise of this show I couldn't see how Theater Wit could convincingly pull this off on stage. I should never have doubted. They came through in spades!

Theater Wit's stage has been beautifully and convincingly transformed into a New York worthy live/work loft space, while the protests were effectively portrayed by screens streaming news from Occupy New York, and by a steady stream of fascinating characters entering and exiting from the Occupy "battlefields.

Yes, this show is laugh out loud funny, but it's also complex and multilayered enough to leave you thinking about snatches of dialogue days later. Rose (Maura Kidwell) is well cast as the naive geek girl, smart, driven and eager to prove herself. Sadly, in her inexperience, she confuses power in one crush and a zen like aimlessness with sexiness, instead of finding someone to truly treat her decently and appreciate her gifts. Natasha (Erin Long) is also brilliant as the eternal unpaid intern whom everyone writes off. She comes across as an almost ditzy and cliche millennial, but as the play unfolds, it's apparent that under her flakey persona, she's actually quite bright, insightful and more than competent.

Nobody is quite who they seem in this show. The wild eyed, perennially  unemployed Occupy idealist just may turn out to be a trust fund baby, taking a break from the Bentleys to play rebel with a cause in a tent city full of free love and fun times. Maybe some violent acts are deserved. Maybe some "activists" are not arrested for their heartfelt ideals, but for a byline and a power grab at fame. History is constantly rewritten, movements are coopted, and you can't always believe what you read or see, even if you were there. Whether the press is mainstream or under the radar, reporting is subjective and often filtered through dogma, opinions, and ulterior motives, consciously or subconsciously.

It's eerily appropriate that Benjamin (Drew Shirley) ends the show by donning a Guy Fawks mask for his black tie, big donor dinner for the Occupy movement. The iconic face has been appropriated by Anonymous, the on line hacktivist group, and pop culture in general. The mask has come to stand as an easily recognizable symbol for protest, yet the element of disguise, secrets, and lies is still present too. Don't miss this!

GET OCCUPIED WITH THEATER WIT'S 

MIDWEST PREMIERE OF THE NEW SINCERITY

ALENA SMITH'S NEW COMEDY ABOUT LOVE, SEX AND PROTEST, THROUGH APRIL 17

Directed by Jeremy Wechsler

Featuring Maura Kidwell, Erin Long, 

Drew Shirley and Alex Stein

Arguably the play of our current political moment, 

Wit's Midwest premiere of Alena Smith's new play about love, sex and protest is perhaps the first drama to deal with the idealism of the Occupy Movement, and explores the personal motivations for why people pursue dissent.

Erudites among us know "New Sincerity" is an actual term used in music, aesthetics, film criticism, poetry and philosophy, generally to describe art or concepts that run against prevailing modes of postmodernist irony or cynicism. 

Theater Wit is excited to introduce Chicago to one of the nation's top young women playwrights with The New Sincerity, a comedy by rising dramatist Alena Smith (Tween Hobo, The Newsroom, The Affair) about love, sex and protest, and perhaps the first drama to deal with the idealism of the Occupy Movement.

Performances run through April 17. Show times are Thursday, Friday and Saturday at 8 p.m., and Sunday at  2 p.m. Tickets are $12-$36. Theater Wit is located at 1229 N. Belmont, in the heart of the new Belmont Theatre District in Chicago's Lakeview neighborhood.To purchase single tickets, a Theater Wit Membership or Flex Pass, visit TheaterWit.org or call 773.975.8150.

In The New Sincerity, Smith investigates the fine line between sincerity and self-promotion through the story of Rose, a young journalist who has to untangle a sticky quagmire of politics, ambition and love. The year is 2011, and an Occupy-style movement has sprung up near the offices of the literary journal where Rose works. She gets swept up in the movement, but can she behave honestly in a context that may only be an unending performance? Her attempt to navigate her personal life in the midst of political, social and romantic upheaval is a poignant and comic drama for a rising generation.

Wit's cast for The New Sincerity includes Maura Kidwell as Rose, Erin Long as Natasha, Drew Shirley as Benjamin and Alex Stein as Django. Theater Wit Artistic Director Jeremy Wechsler directs. The production team includes Adam Veness (set), Izumi Inaba (costumes), Sarah Hughey (lights), Sarah Putts (sound), Vivian Knouse (props), Majel Cuza (production manager) and Katie Klemme (stage manager).

                                                                           

Alena Smith (playwright) is one of Variety's 10 TV Writers to Watch in 2014. She lives in Los Angeles, where she writes for Showtime's The Affair and previously wrote for HBO's The Newsroom.  She created the Twitter character Tween Hobo (featured in Paste, The Believer, A.V. Club and elsewhere), which begat the novel Tween Hobo: Off The Rails published in 2014 by Simon & Schuster. 

Her playThe New Sincerity premiered in 2015 at Bay Street Theatre in Sag Harbor, New York. The New York Times called it "a splendid new play...this is comedy with a poignant edge." Her plays have been produced internationally, including The Bad Guys, which was made into an independent film. She received her MFA in Playwriting from the Yale School of Drama, and studied philosophy at Haverford College and Oxford. Her essays about writing for theater, TV, and the internet have been published in Grantland and the Los Angeles Review of Books.

Jeremy Wechsler (director) most recently staged Theater Wit's The (curious case of the) Watson Intelligence by Madeleine George, Bad Jews by Joshua Harmon, Mr. Burns, a post-electric play by Anne Washburn, Madeline George's Seven Homeless Mammoths Wander New England, and that show's summer remount at Art Square Theatre in Las Vegas. Wechsler also staged Wit's acclaimed Completeness and The Four of Us (Itamar Moses), Tigers Be Still (Kim Rosenstock), This (Melissa James Gibson), Spin (Penny Penniston), Feydeau-Si-Deau (Georges Feydeau), Men of Steel (Qui Nguyen), Thom Pain (Based on Nothing) (Will Eno), Two for the Show (James Fitzpatrick and Will Clinger) and The Santaland Diaries. His productions have been nominated for and won multiple awards for design, performance, adaptation and best new work. 

About Theater Wit

Theater Wit - "a thrilling addition to Chicago's roster of theaters" (Chicago Tribune) and "a terrific place to see a show" (New City) - is now in its fifth season in its home at 1229 W. Belmont Ave. in Chicago. In 2014, Theater Wit was awarded the National Theatre Award by the American Theatre Wing for strengthening the quality, diversity and dynamism of American theater.

Founded in 2004, Theater Wit's mission is to explore contemporary issues with wit and wisdom through new works and Chicago premieres. As a production company, Theater Wit is Chicago's premier smart art theater, producing humorous, challenging and intelligent plays that speak with a vibrant and contemporary theatrical voice. Recent critical and box office hits include Bad Jews by Joshua Harmon, Mr. Burns, a post-electric play by Anne Washburn, The (curious case of the) Watson Intelligence and Seven Homeless Mammoths Wander New England by Madeleine George, Completeness and The Four of Us by Itamar Moses, and perennial holiday favorite The Santaland Diaries.

As an institution, Wit seeks to be the hub of the Chicago neighborhood theater scene, where audiences enjoy a smorgasbord of excellent productions in three, 99-seat spaces, see a parade of talented artists and mingle with audiences from all over Chicago. Theater Wit brings together Chicago's best storefront companies, including 2015-16 resident companies Stage Left, About Face, Shattered Globe and Kokandy Productions.

For more information, visit TheaterWit.org or call the Theater Wit box office, 773.975.8150.

Smart and well acted. Captures the spirit of an age. RECOMMENDED! — New City ★★★1/2 A beautifully written, terrifically staged play. “The New Sincerity” is the work of an important new voice in the American theater. A continual delight. - CTR Recommended! A great cast with screwball sensibility throughout. — Chicago Reader                   Don't miss this!

ChiIL Tips:

Parking Green box street parking is fairly cheap and plentiful if you leave a bit of extra time. If you're running late, love convenience, dread parallel parking, or money's no option, there is a reasonably priced valet service right in front. Bar This is not your typical lackluster theatre bar with minimal choices or a chug in the lobby policy. Theater Wit has some seriously tasty local micro brews. I'm partial to IPAs and have tried a variety of great ones here. They also have a full cocktail and wine bar, and non alcoholic choices if you're not a fan of the hop heavy. They feature handmade chocolates and baked goods by local artisans (even a Theater Wit chocolate bar!) and a variety of top-shelf liquors. All drinks may be taken into the performance. "Netflix" for Theatre (Just put some pants ON please!) Here at ChiIL Mama/ChiIL Live Shows we think this is an awesome idea! Theatre has the reputation of being expensive and it's easy to stay home on the couch. We're here to tell you to GET UP AND OUT THE DOOR. It's so worth it, and with Wit's Netflix-like "all the theater you can eat" membership deal, it's waaaaay affordable. Members can "binge watch" as many plays at they want at any of Theater Wit's three, 99-seat spaces for one low monthly fee of $36/$22 for students, along with many exclusive member perks!  The best way to secure seats at Theater Wit is by signing up for a Theater Wit Membership. Wit also offers a 10-play Flex Pass for $215 to anything presented in the building, a savings of up to 40%. Single tickets for Wit's 2015-16 productions start at $12, and will go on sale approximately two months before the first preview of each production. Do it. You know you want to! I'm going to close with a recent e-mail from the production's director, Jeremy Wechsler, who is also Theater Wit's Artistic Director, and a frequent fixture at performances. This speaks to the invaluable talk backs and conversations that multilayered productions invoke and Theater Wit is happy to foster. It's one of my favorite elements of live theatre. There's something compelling in the dynamic nature of a show and the idea that audience energy and attitudes influence each show in the moment, and vice versa. Jeremy's letter moved me and I think he is on to something. "It's been fascinating to hear the audience and critical response to The New Sincerity. In our history, this show has been unique in it's response. While the praise for the production, script and performances has been near unanimous, people's takeaway from the evening has been surprisingly varied. Is the play a call to action? Dismissive of the impact of protest? Full of caricature or completely honest characterization? We've had some of our best post-show conversations ever. Sitting around drinks, our audience has argued with each other about these questions. I've rarely seen a play amplify individual perspectives this strongly. Nor have I had the pleasure of seeing so many people, cross-generational and politically divided, really reach out to each other for understanding and compassion. A lot of this has to do with the complexity of Alena Smith's writing. The work is no way polemic, choosing instead to treat the politics of the moment through very messy human lenses.  I suspect that your Facebook feed is as awash in political posts as mine right now. In the midst of all the didactic absolutism that substitutes for public discourse in our presidential elections, The New Sincerity offers a refreshing space to embrace the complex, multi-faceted and harmoniously conflicted beauty of our individual desire for change and growth. I want to invite you to catch Theater Wit's latest work before it closes on April 17th. We could all use its compassion and empathetic perspective in the eight months ahead." Jeremy Wechsler, Artistic Director Theater Wit