Pages

Tuesday, April 7, 2015

CIMMfest Bands: ChiIL Live Shows on Our Radar #ChiILPicksList

Chi, IL Live Shows on Our Radar

So you've got your CIMMFest 2015 4 day pass squared away and you've picked up or downloaded the mindblowingly huge Chicago International Movies & Music Festival Program (pdf) which features over 100+ FILM & LIVE MUSIC events, & over 4 rocking days & nights (April 16-19). Now what?! 

Follow your bliss, and when in doubt check back with ChiIL Live Shows and ChiIL Mama for some sweet leads on some must sees. Here's a few of our LIVE band favs to get you started. Mark your calendars. 




The Luck of Eden Hall headlines Moe’s Tavern, 2937 N Milwaukee, on Saturday, April 18: http://cimmfest.org/the-luck-of-eden-waxworks-chicago-semisweet/.  Check out our original TLoEH live show shots here.






And our blast from the past original video interview with TLoEH's Curvey on How Creatives Parent and How Parents Create. Our interview also includes his daughter Seda, 7 at the time, in 2012.



HELP OUT: 
They have a great Kick Starter campaign going on right now. Kick in some cash if you can! 

Our goal today is $220. Preorder our new album The Acceleration of Time on CD, LP, limited edition Pop-Up CD for a $20,...
Posted by The Luck of Eden Hall on Tuesday, April 7, 2015



Nashville singer-songwriter Rorey Carroll will be direct support for Todd Snider at City Winery on Sunday, April 19 at 6PM: http://cimmfest.org/city-winery-and-cimmfest-present-todd-snider-with-special-guest-rorey-carroll/





Car­roll was born in Chicago to a rather nor­mal Amer­i­can fam­ily brought up as a typ­i­cal, mid­dle class kid. It was this up­bring­ing along with a fas­ci­na­tion with al­ter­na­tive cul­ture that led her to­wards the great Amer­i­can love af­fair, the coun­ter­bal­ance to the Amer­i­can Dream. At a young age, she lived in her car in cities all around the county, she hiked the Ap­palachian Trail, hopped freight trains. She made money play­ing mu­sic to any­one who would lis­ten, from the sub­ways of New York City to the streets of Ohio. She be­came a liv­ing para­dox, some­where be­tween run­ning from the law and run­ning from the nor­mal­ity of a Mid­west­ern sub­ur­ban lifestyle. In her words, ‘You have to trust every­one in that world… You’re all fight­ing for the same thing. But at the same time, you don’t trust any­one.’ While the hard­ness of the streets broke her down, an­other world picked her up. Ap­palachian songs, blue­grass and coun­try pat­terns ce­mented in her mind, and per­haps most im­por­tantly - she in­haled the great spirit of rock and roll.


Finally, Laura Joy will take part in Get Off the Couch at The Hideout on Sunday, April 19 at 6PM: http://cimmfest.org/get-off-the-couch-at-cimmfest-no-7-dickie-frances-luke-accord-fee-lion-laura-joy/



GET OFF THE COUCH (GOTC), hosted at The Hideout Inn, is Chicago’s longest running singer/songwriter showcase for area artists. Performed Nashville-style, it's typically held on the first Sunday of every month and hosted by Sam Wahl. 

Now GOTC and CIMMfest are bringing the show to you with headliner DICKIE (Dick Prall) and other showcase artists Frances Luke Accord, FEE LION, Laura Joy, and special guest host Myles Hayes.
http://getoffthecouchchicago.com/



Chicago-based singer-songwriter Laura Joy has been known to quell dark, angry bars full of ornery old Irishmen with her brand of acoustic pop. Drawing comparisons that range from Joni Mitchell to Alison Krauss, Laura’s percussive finger picking and buoyant voice have graced audiences from as far as the Sun Belt to the streets of Manhattan.

Laura’s EP, “Between Our Words,” was released on March 5, 2015.  It was produced by Chicago veteran, Will Phalen, at Cold Ghost Studios. The album features James Gallagher on drums (Kapsalis Trio, Weepin’ Willows, Republic of Lights), David Gallagher on guitar (Belleisle, Weepin’ Willows), and Will Phalen on bass (Stereo Addicts, Julie Meckler).

Laura is a frequent performer on the Midwest festival scene. She has played at the Independent Chicago Songwriter Festival, Metamora Folk Festival, Lakeshore Arts Festival, Cain Park Arts Fest, and Ravenswood Remix. In January, 2013, she was awarded as a top finalist in the Broward Folk Club Songwriter Competition in Fort Lauderdale, FL. Laura has also opened for Hammel on Trial, Staceyann Chin, and Greg Klyma.

Friday, April 3, 2015

OPENING: Melancholy Play: a chamber musical at Piven 4/30 - 6/7

Chi, IL Live Shows On Our Radar

Piven Theatre Workshop presents the Midwest Premiere of
Melancholy Play: a chamber musical by Sarah Ruhl

Rare musical offering at Piven to be performed 
April 30-June 7, 2015




Piven Theatre Workshop proudly announces the Midwest Premiere of Melancholy Play: a chamber musical by Tony™-nominated playwright Sarah Ruhl, with new music by New York composer Todd Almond and direction by Polly Noonan. The production will run April 30 – June 7, 2015 at Piven Theatre Workshop, 927 Noyes Street in Evanston. 

Dates:                                      
Previews: April 30 & May 1, 2015                 
Regular run: May 2 – June 7, 2015
Schedule: Thursday, Friday & Saturday: 7:30 p.m. 
Sunday: 2:30 p.m.
Location: Piven Theatre Workshop, 927 Noyes St., Evanston
Tickets: Pay-what-you-can preview performances; $20-35 regular run performances
Box Office: Located at 927 Noyes St., Evanston; 847-866-8049 or online www.piventheatre.org.

Sarah Ruhl’s Melancholy Play had its world premiere in 2002 at Piven Theatre Workshop and starred Noonan in the lead role as Tilly.  A decade later, Ruhl teamed up with Almond and developed Melancholy Play as a new chamber musical.  It was workshopped in 2012 via 13p in Brooklyn, and will return to the Piven Theatre Workshop stage for its Midwest Premiere.

“We rarely present musicals but knew we had to jump at the chance to work with Sarah again and share this gem with Chicago audiences.  She has taken this quirky, lovely story to a new and different level from when it was first staged here in ‘02.  We’ve got Chicago’s rising musical theater talent performing to Todd’s gorgeous score, accompanied by a live chamber ensemble.  This is going to be a special night out for Piven audiences to discover,” said Piven Theatre Workshop artistic director Jennifer Green.

In this lighthearted farce, bank teller Tilly’s (Stephanie Stockstill) melancholy is of an exquisite quality. She turns her melancholy into a sexy thing, and every stranger she meets falls in love with her. One day, inexplicably, Tilly becomes happy, and wreaks havoc on the lives of her paramours, while Frances, Tilly’s hairdresser, becomes so melancholy that she turns into an almond. It is up to Tilly to get her back. Other members of the Equity production include Chris Ballou (Frank, a tailor who deeply loves Tilly’s melancholia); Lauren Paris (Frances, her hairdresser); Emily Grayson (Joan, the helpless nurse who watches her girlfriend Frances devolve into a nut), and Ryan Lanning (Lorenzo, Tilly’s eccentric therapist from an undetermined European country).  
.
Noonan, director of the highly acclaimed production of The Language Archive last year at Piven, returns to helm the show she once starred in over a decade ago. 

“I love this play,” said Noonan.  “If plays are blueprints, catalysts, then this play is a recipe for joy.  When Sarah and Jessica (Thebus) invited me to play Tilly (in 2002) I had given up acting, so Melancholy Play brought me back to the theatre. There is so much humor in the play mixed in with the melancholy.  I am thrilled that Piven is producing such an ambitious project—five actors and five musicians!  It’s so wonderful to think of the Piven Theatre enlivened again with the sounds of Melancholy Play.”

The designers of Melancholy Play: a chamber musical are Jacob Watson (set), Rachel Levy (lighting), Alex Palma (sound), Stephanie Cluggish (costumes), and Austin Kopsa (properties). Musical Direction is by Aaron Benham.

About the Playwright:

Sarah Ruhl’s plays include In the Next Room, or the vibrator play (Pulitzer Prize finalist, Tony Award nominee for best new play), The Clean House (Pulitzer Prize Finalist, 2005; The Susan Smith Blackburn Prize, 2004); Passion Play, a cycle (Pen American award, The Fourth Freedom Forum Playwriting Award from The Kennedy Center); Dead Man’s Cell Phone (Helen Hayes award); Melancholy Play; Eurydice; Orlando, Demeter in the City (NAACP nomination), Late: a cowboy song, Three Sisters, and most recently, Stage Kiss, The Oldest Boy, and Dear ElizabethMelancholy Play, Eurydice, Orlando, Three Sisters, and Late: a cowboy song have all been produced at Piven Theatre Workshop.

About the Composer:

Writer/performer Todd Almond’s work includes the World Premiere of IOWA, an original musical play with playwright Jenny Schwartz and director Ken Rus Schmoll, officially opening at Playwrights Horizons, April 13, 2015.  Other theatrical credits include original music for Ruhl’s Stage Kiss, also at Playwrights Horizons; original music and lyrics for the Public Theater/Public Works’ The Tempest at the Delacorte, in which Almond also starred as Ariel; original book for Girlfriend (music and lyrics by Matthew Sweet) at Actors Theater and Berkeley Rep; original music and lyrics for On the Levee at LCT3; original music and lyrics for Yale Rep’s We Have Always Lived in the Castle; original music and lyrics for The Odyssey at the Old Globe in San Diego; and original music and lyrics for Kansas City Choir Boy, performed by Almond with rock icon Courtney Love as part of the Prototype Festival. 


About Piven Theatre Workshop:
With Melancholy Play: a chamber musical, Piven Theatre Workshop continues its ongoing mission of premiering original works, and its history of celebrating the emerging voices of women. Piven Theatre Workshop has excelled as a leader in the arts community for 44 years, maintaining a distinguished legacy in the training of children and adults in the theatre arts. Annually, between onsite and off-site programming, the theatre trains over 1,000 students, provides approximately $30,000 in need-based scholarships, and maintains a professional theatre and numerous outreach programs throughout the Chicago area.




INCOMING: The New Switcheroo EP Release at Tonic Room 4/11 (21+) #IndieFolk

Chi, IL Live Shows On Our Radar

Chicago’s The New Switcheroo will celebrate the release of their debut EP, Heartless Sky, with a show at Tonic Room on Saturday, April 11th. Click here for tickets and show details.

*Please join us for this very special event, as The New Switcheroo release their first studio EP, "Heartless Sky." A copy of the CD is included in the ticket price.*



The New Switcheroo [Album Release Party]

The New Switcheroo is a 4-member indie folk rock band based in Chicago. Featuring sublime vocal harmonies layered over lush instrumental arrangements, they create a rich sound, guaranteed to warm your insides, tickle your fancy, and rock you right out of your boots!

Originally formed in 2011 as an 8-person, project-oriented acoustic group, The New Switcheroo have plugged in and evolved into an emerging band working the Chicago circuit. With their clear love for what they do and for each other, they make new friends and gain new fans everywhere they go.

For the latest news, upcoming shows, and to listen to their music, please visit their official website, join the mailing list, and "Like" or "Follow" them on the platform of your choice.

The New Switcheroo are:
Kathryn Diana - Violin, Mandolin, Vocals
Claire Feeney - Piano, Harmonica, Vocals
Tim Hill - Guitar, Bass, Vocals
Joanna P. Lind - Drums, Percussion, Vocals



Thursday, April 2, 2015

INCOMING: Chicago's Razorhouse EP Release at Schuba's Tavern (21+) 4/29/15

Chi, IL Live Shows On Our Radar

Chicago’s Razorhouse will be celebrating the April 7 release of the *Codex Du EP with a show at Schuba’s Tavern on Wednesday, April 29: $8, 8pm, 21+. Check out their site here for more details.


Chicago’s Razorhouse follows up 2013's Codex Jun with Codex Du, scheduled for release on Tuesday, April 7.

Codex Du collects the previously released singles "Neu Sensation" and "Girl Like a Hand Grenade" alongside the tracks "Distance Wheel," "Regan’s Song," "If You Find Heaven" and "St. Teresa."


Razorhouse takes its name from the Mayan spiritual teachings in the Popul Vuh and the term "Codex" refers to a section of the Mayan writings. The band combines elements of industrial rock and hard glam with the distinctive voice and songwriting of group leader Mark J. Panick (The Bonemen of Barumba, Chac Mool, Revolting Cocks), whose work is encoded with beautiful daydreams and dirty ideas.

While earlier incarnations of Razorhouse included members of RevCo, KMFDM, and Sister Machine Gun, Panick has more recently opted for a rotating lineup with players recruited specifically for recordings, shows and tours. Codex Du features production by Danny McGuinness and Howie Beno, vocals by Mark Panick, guitars by Panick, Danny Shaffer, John McCurry and Tommi Zender, bass by Beno and John Abbey and drums by David Suycott. Bob Ludwig, well known for his work with Led Zeppelin, The Police and Nirvana, mastered the EP.


SIGNAL ENSEMBLE THEATRE PRESENTS THE CHICAGO PREMIERE OF THE DROWNING GIRLS, APRIL 30 – JUNE 6


Chi, IL Live Shows on Our Radar

Save the dates for Signal Ensemble Theatre's latest, the Chicago premiere of The Drowning Girls by Beth Graham, Daniela Vlaskalic and Charlie Tomlinson. The show will be directed by Signal Ensemble Member Melanie Keller at Signal Ensemble Theatre, 1802 W. Berenice Ave., April 30 – June 6. Tickets are on sale now. ChiIL Live Shows will be there for opening night, so check back for our full review after May 1.   



Previews are Thursday, April 30 and Friday, May 1 at 8 p.m. Opening/Press night is Saturday, May 2 at 8 p.m. Regular performances are Thursday – Saturday at 8 p.m. and Sunday at 3 p.m. Ticket prices are $23 for single tickets, $15 for industry/students/seniors/groups and $12 for previews. Tickets may be purchased by calling 773.698.7389 or by visiting www.signalensemble.com.

*NOTE: There will be no performance on Sunday, May 3 and there will be an added industry night performance on Monday, June 1 at 7:30 p.m.

Bessie, Alice and Margaret have two things in common: they are married to George Joseph Smith, and they are dead.  Surfacing from the bathtubs they were drowned in, the three breathless brides gather evidence against their womanizing, murderous husband by reliving the shocking events leading up to their deaths.  Reflecting on the misconceptions of love, married life, and the not-so-happily ever after, The Drowning Girls is both a breathtaking fantasia and a social critique, full of rich images, a myriad of characters, and lyrical language.

The cast and production team for The Drowning Girls includes: 
CAST: Meghan Reardon (Alice), Katherine Schwartz (Bessie) and *Anne Sheridan Smith (Margaret)
*Indicates Signal Ensemble Theatre Member
CREW: *Melanie Keller (director), William Collins (assistant director), *Michelle Sellers (stage manager), *Buck Blue (set designer), Rachel Lambert (costume designer), Christopher Neville (properties designer), Amanda Herrmann (assistant properties designer), Brian Sidney Bembridge (lighting designer), *Anthony Ingram (sound designer), Tyler Rich (violence), Elise Kauzlaric (dialect coach), Brenna Schafer (assistant stage manager) and Joe Pindelski (dramaturg)   *Indicates Signal Ensemble Theatre Member

ABOUT THE DIRECTOR
Melanie Keller is a member of Signal Ensemble Theatre, where her first appearance with them was as Beatrice in their Much Ado About Nothing. She was the winner of a Jeff Award for Best Principal Actress for her work in East of Berlin and The Russian Play, and was nominated for a Jeff Citation for Best Supporting Actress for her performance in The Weir. She also appeared in Signal's world-premiere production of Landslide, and played Kate Hardcastle in She Stoops to Conquer. She was the Chicago Fellow at the Stratford Shakespeare Festival of Canada and is also an artistic associate of First Folio Theatre.  Melanie’s credits include roles at Northlight Theatre, Michigan Shakespeare Festival, Next Theatre, Chicago Shakespeare Theater, Metropolis Performing Arts Centre, BackStage Theatre Company, Strawdog Theater Company, Goodman Theatre, Seanachai Theatre Company (now Irish Theatre of Chicago), Breadline Theatre, Shaw Chicago Theater Company, and Lifeline Theatre, among others. Melanie trained at the Birmingham Conservatory of Stratford, the Royal Academy of Dramatic Art in London, and is a graduate of Illinois Wesleyan University.

ABOUT THE CREATORS
Beth Graham is a co-creator of The Drowning Girls, which premiered at Alberta Theatre Projects’ 2008 PlayRites festival, went on to tour nationally, was published by Playwrights Canada Press, was nominated for the Carol Bolt Award, and received the Gwen Pharis Ringwood Award for Drama. Other co-creations include: Comrades,Mules and Victor and Victoria’s Terrifying Tale of Terrible Things. She is a graduate of the University of Alberta’s BFA acting program and is currently a member of The Playwright’s Forum at The Citadel Theatre in Edmonton.

Daniela Vlaskalic is an actor and playwright who has performed in many theatres across Canada. Daniela began collaborating with Beth Graham and Charlie Tomlinson in 1999 with The Drowning Girls. In 2008, a new full-length version of The Drowning Girls premiered at Alberta Theatre Projects as part of the Enbridge PlayRites Festival and received four Betty Awards (Calgary). Daniela continued collaborating with Beth on several plays including; Comrades, nominated for four Elizabeth Sterling Haynes Awards (Edmonton), The Last Train, which won the Alberta Playwrights Network Write-to-Win competition in 2003 and premiered at Shadow Theatre in their 2004/2005 season. Their most recent play Mules premiered at the 2006 Edmonton Fringe Festival.
Charlie Tomlinson is a teacher, director and actor who lives in St John’s, Newfoundland. He is the former artistic director of c2c theatre. He has worked at theatres from Newfoundland to the Yukon and has taught in Ontario, Alberta, and Newfoundland.

Signal Ensemble Theatre presents the Chicago premiere of The Drowning Girls by Beth Graham, Daniela Vlaskalic and Charlie Tomlinson and directed by Signal Ensemble Member Melanie Keller at Signal Ensemble Theatre, 1802 W. Berenice Ave., April 30 – June 6.  Previews are Thursday, April 30 and Friday, May 1 at 8 p.m. Opening/Press night is Saturday, May 2 at 8 p.m. Regular performances are Thursday – Saturday at 8 p.m. and Sunday at 3 p.m. Ticket prices are $23 for single tickets, $15 for industry/students/seniors/groups and $12 for previews. Tickets may be purchased by calling 773.698.7389 or by visiting www.signalensemble.com
                                                               
Street parking available on Ravenswood and Berenice (runs one way going west) CTA Brown line EL stops Irving Park and Addison. CTA busses #80-Irving Park, #152-Addison, #50-Damen, #11-Lincoln. The theatre is handicapped accessible.


Saturday, March 28, 2015

CASTING CALL: We Gotta Bingo #Chicago #Theatre



“WE GOTTA BINGO,” THE HILARIOUS INTERACTIVE DINNER THEATER EXPERIENCE,
BLOWS INTO THE WINDY CITY SUMMER 2015 

 
 
New Chicago Theater Works Venue Joins Belmont Theater District



Start warming up your vocal chords and get ready to shout “BINGO!” when the hilarious, interactive dinner theater experience “We Gotta Bingo,” makes its Chicago debut in June of 2015. In the spirit of “Tony n’ Tina’s Wedding,” “We Gotta Bingo” invites guests to the new Chicago Theater Works (1113 W. Belmont)—located in the heart of the Belmont Theater District—for a night of raucous fun. This exciting new show, directed by Ross Young, allows guests to mix and mingle with a lively cast of characters while eating, drinking and playing bingo all night long!

“After years of searching for the perfect venue, we have finally found the right home to bring this truly unique show to life,” said “We Gotta Bingo” Creator and Producer Bill Collins. “Born and raised in Chicago, it has been a long-time dream of mine to introduce Chicago audiences to the hilarious, wacky cast of characters that were created from my own experiences growing up in the city and going to a catholic school with a mix of Irish and Italian families. This show fits so well into the Chicago culture and we are truly thrilled to be creating this brand new theater space in the Belmont Theater District, where innovative theater is continuously being produced.”

The fun, interactive premise of “We Gotta Bingo” allows audience members to be immersed in a dynamic, riotous show filled with music, comedy and of course, bingo! As guests enter into the German beer hall known as “Der Brew-Ha-Ha,” they are greeted by the lively house polka band as well as the rousing, colorful cast of characters that soon become their dinner dates and bingo partners for the evening. Guests soon learn that they are amongst two rival Chicago parishes, one Italian and one Irish, who are set to merge with one another—against their wishes—and are participating in this bingo bonanza in order to raise money for the imminent union. In between exhilarating games of bingo, all in attendance are treated to an Italian dinner, drinks, dancing, music, mayhem and more.

“We Gotta Bingo” was first presented by the Actors Theater of Minnesota in 2004. Since then, the show has played in various venues throughout the Midwest including Playhouse Square in Cleveland and has delighted more than 100,000 theatergoers of every age. The Star Tribune hails the show as “a hilarious night of Bingo and Beer. ‘We Gotta Bingo’ is great fun!” The Stillwater Gazette states that “We Gotta Bingo” is “a tremendous play” and Lavender Magazine calls it “a wild affair.”

“We Gotta Bingo” is currently casting the Chicago premiere. Please visit wegottabingo.com for more information.

Bill Collins, Creator and Producer
Bill Collins is the Chief Manager of N-42 Productions, Sole Member and Chief Manager of WGB Creative, LLC, and Creator/Producer/Writer of “We Gotta Bingo.” Collins co-founded Actors Theater of Minnesota in 1999 and serves as its Managing Director and Board Chair. Since then he has produced or co-produced over 50 professional stage productions.  He has numerous theatrical, commercial and corporate industrial credits to his name and has also worked as a consultant to NBC television where he took shows from pitch to pilot. He founded and currently is the majority shareholder in a very successful night club and cabaret in Saint Paul, Minnesota; Camp Bar & Cabaret.

Michael Dunne, General Manager
Michael Dunne
’s introduction to the theater industry came in 1991. After spending more than 15 years in hospitality management and consulting, Dunne was contracted to develop an upscale urban bistro as part of a live theater/restaurant complex in Minneapolis called Hey City Stage and Café. Upon completion, Dunne stayed on at Hey City Stage Company as the Director of Business Operations. Over the course of 11 years with Hey City, Dunne held the positions of vice president and executive director for all Hey Companies and was responsible for the production of numerous theatrical presentations in several US cities, most notably, the runaway interactive hit, “Tony n’ Tina’s Wedding,” which, under Dunne’s leadership enjoyed multi-year runs in Minneapolis, Portland, Oregon and Cleveland. Among Dunne’s other theatrical credits are “Forever Plaid,” “Beehive,” “The ‘60s Rock-n-Roll Musical,” “Smokey Joe’s Café,” “Nunsense A-Men” and “Triple Espresso.” After leaving Hey City in 2002, Dunne formed Amuse-Bouche, LLC, a highly specialized management company to the entertainment and hospitality industry. In 2005, Dunne came to the Actors Theater of Minnesota to assist in the development of “We Gotta Bingo.” He continues to operate Amuse-Bouche, LLC for a variety of hospitality and entertainment clients.

About Chicago Theater Works
The new Chicago Theater Works makes its home in the heart of the Belmont Theater District at 1113 W. Belmont. Designed by Obora and Associates with interior design by Matthew Murray, this versatile space will be transformed into a 200-seat German beer hall known as “Der Brew-Ha-Ha.” The space will be a new staple in the Chicago theater scene run by Bill Collins and Michael Dunne.

Performance and Ticket Information
“We Gotta Bingo” opens June 2015 at the new Chicago Theater Works (1113 W. Belmont). Shows are Thursdays and Fridays at 7 p.m.; Saturdays at 8:30 p.m.; and Sundays at 5 p.m. Tickets ($57 - $75) go on sale at a later date to be announced. Discounted tickets for groups of 16 or more are currently available at GroupTix by calling 773.327.3778 or visiting grouptix.net. For more information about “We Gotta Bing,” visit wegottabingo.com.
  

Friday, March 27, 2015

OPENING: The World Premiere of An Issue of Blood at Victory Gardens #Chicago #Theatre

Victory Gardens Theater presents
An Issue of Blood 
By Ensemble Playwright Marcus Gardley, 
Directed by Chay Yew

ChiIL Live Shows will be there for opening night, and we're greatly anticipating this world premiere. Check back with us after April 10th for our full review. In the meantime, save the dates, and we recommend ordering your tickets well in advance. Aside from consistently compelling content and extraordinary performances, Victory Gardens also does an excellent job of engaging the community with talk backs after every performance and a a slew of special events and presentations on topic, that run in conjunction with the show. Check out those listings below.



Victory Gardens Theater, under the leadership of Artistic Director Chay Yew and Managing Director Chris Mannelli, presents the World Premiere of An Issue of Blood by Ensemble Playwright Marcus Gardley, directed by Chay Yew. An Issue of Blood was penned by Gardley in response to recent events and social injustices. An Issue of Blood runs April 3 – May 3, 2015 at Victory Gardens Theater, 2433 N. Lincoln Avenue.

“While working on a new draft of A Wonder in My Soul in December, Marcus felt the need to respond to recent events and the current national conversation on race, class and identity and was urged by many to express the complex feelings of his community. When he reached out to me with this conundrum, I told him to follow his instincts and write a new play addressing his concerns," comments Victory Gardens’ Artistic Director Chay Yew. "As a theatre that creates and produces socially relevant plays, it is important that we respond to the times with our art and support our artists. And I'm glad Marcus is leading us in this vital national conversation." 

It’s 1676 in Virginia – a time when class, not color, defined an American’s destiny. Historic figure and wealthy landowner Negro Mary believes a vile curse has been cast upon her family and land. But her plans to break the curse are thwarted by a secret wedding, an interracial love triangle, and a crime of passion. Can Mary cheat fate and change the course of history? Or will their lives end in division and destruction? In An Issue of Blood, Marcus Gardley (The Gospel of Lovingkindness) and Chay Yew look to a pivotal moment in our collective past to understand how we arrived in our tumultuous present.

DATES:
Previews: April 3 – April 9, 2015
Regular run: April 11 – May 3, 2015

Schedule: Tuesdays: 10:30 am (April 14 & 21); 7:30 pm (no shows April 14 & 21)
Wednesdays: 2:00 pm (April 22 only); 7:30 pm (no show April 22)
Thursdays: 7:30 pm (no show April 30)
Fridays: 7:30 pm 
Saturdays: 4:00 pm (April 18 & 25, May 2 only); 7:30pm
Sundays: 3:00 pm

Location: Victory Gardens Biograph Theater is located at 2433 N. Lincoln Avenue, 
in the heart of Chicago’s Lincoln Park neighborhood
Tickets: Previews:  $15 - $40 
Regular run: $15 - $60
Box Office: The Box Office is located at 2433 N. Lincoln Avenue, Chicago.
773.871.3000; www.victorygardens.org

Full performance schedule
Previews of An Issue of Blood are April 3 - 9, 2015: Tuesday–Saturday at 7:30 pm and Sunday at 3 pm. Previews are $15-$40. Regular performances run April 11 – May 3, 2015: Tuesday at 10:30am (April 14 and 21 only) 7:30 pm (except April 14 and 21); Wednesdays 2:00 pm (April 22 only); 7:30 pm (no show April 22); Thursdays at 7:30 pm (no show April 30); Fridays at 7:30pm; Saturday at 7:30 pm; Saturday at 4 pm (April 18 & 25, May 2 only); Sunday at 3 pm. Regular performances are $15-$60.

Performances are at the Victory Gardens Biograph Theater, 2433 N. Lincoln Avenue, in the heart of Chicago’s Lincoln Park neighborhood.  For tickets and information, call the Victory Gardens Box Office, 773.871.3000, email tickets@victorygardens.org, or visit www.victorygardens.org.  Ask the Box Office about student tickets ($15), senior, Access, $20 under 30, and rush discounts.  For group discounts, call 773.328.2143.

Accessible Performances
ASL Interpreted performance: Friday, May 1 at 7:30pm

Word for Word (Open Captioning): Wednesday, April 22 at 2:00pm, Friday, May 1 at 7:30pm, and Saturday, May 2 at 4:00pm

Audio Description: Friday, April 24 at 7:30pm (Touch tour at 6:00pm), Sunday, May 2 at 3:00pm (Touch Tour at 1:30pm)


A full and updated schedule of special events, post-show discussions and presentations centered on performances of An Issue of Blood is available at www.victorygardens.org 
All events are free unless otherwise noted, and a reservation is preferred. To RSVP, call 773.871.3000 or visit the Victory Gardens website. 

Public Programs is an event series designed to enhance your experience by exploring the themes and issues within Victory Gardens' Productions. Connecting our theater to the world beyond the stage and rehearsal room, Public Programs events bridge ideas, provoke dialogue, and deepen the relationship between our audiences and our productions.

AFTERWORDS
Post-show discussions with members of the artistic team will follow every performance of AN ISSUE OF BLOOD (unless otherwise noted)

SIDESHOW SIDE SERIES: AN ISSUE OF ANTIGONICK
Fri April 3rd, 2015 | Following a performance of Sideshow Theatre Company’s Antigonick
In Victory Gardens’ An Issue of Blood and in Sideshow’s Antigonick, issues of racial inequality are brought to life through dynamic historical lenses. How can Greek tragedies and the stories of America’s first slaves bridge the gap between our past and present? In partnership with Sideshow’s Side Series, join this post-show conversation with Human Rights Advocate Keisa Reynolds (We Charge Genocide) and participants of Victory Gardens’ We Must Breathe as we open old wounds to uncover new ways of healing.  

BLACK LIVES MATTER: PAST, PRESENT, AND FUTURE
Town Hall | Sun April 5th, 2015
Cries of “I can’t breathe” and #BlackLivesMatter have shed harsh light on our country’s struggle with race, discrimination, and police brutality. Systems of oppression and racial inequity date as far back as colonial America - before Ferguson, before Selma, even before slavery.  What do we do with a system we’ve inherited? Join us for a performance of Marcus Gardley’s historical drama, then stick around for this crucial town hall conversation as we unearth our roots and discover new ways of moving forward.

TAKE BACK THE MIC
Pre Show Spoken Word Performance Series | April 7th, 11th, 16th, 18th, and 24th, 2015 | 7:00 p.m.
Last December, you heard them slam at We Must Breathe - an evening of performance pieces created in the wake of the national outcry stemming from the deaths and verdicts of Michael Brown, Eric Garner, Tamir Rice, and countless others. Now, select poets return to Victory Gardens to continue the conversation in the best way they know how—through their art. Join us for select pre-show performances in the lobby as these spoken word artists take the mic and share their truths.

RACE OUT LOUD
Wednesday Night Out | Wed April 8th, 2015
6:30pm cocktail get together at Victory Gardens | Special Afterwords following performance
Racial tension in Chicago’s queer neighborhoods is on the rise. Claims of “racism” and “white boys’ town” have surfaced more and more in the last decade. How do queer people of color find solace in deeply segregated Chicago?  In partnership with Center on Halsted, enjoy pre-show cocktails and free appetizers from Fiesta Mexicana, then stick around for this timely post-show conversation.

ARTIST TALK: BRINGING BLOOD TO LIFE
Special Afterwords | Thurs April 9th, 2015
When Victory Gardens announced a change in the season from A Wonder in My Soul to An Issue of Blood, it was born out of playwright Marcus Gardley’s need to respond to the recent deaths of Michael Brown, Eric Garner, Tamir Rice, and countless others. A historical drama set in the late 1600’s, An Issue of Blood critically examines our history to understand our present. Join Marcus Gardley (playwrights ensemble member) and Chay Yew (artistic director) as they discuss themes, ideas, and the new play process of bringing An Issue of Blood to life.

COLLEGE NIGHT: LOOK AT ME
Pre-show Performance | Special Afterwords | Thurs April 30th, 2015 | 6:30 p.m.
Though race and privilege on college campuses are often considered taboo topics, every college and university faces them. From misperceptions to underrepresentation, students of color are sometimes forced to navigate institutions that may not always protect them. Grab a pop and free pizza and watch young local artists respond at a pre-show performance, then stay for a special Afterwords conversation investigating race & privilege on college campuses. 

MY AMERICA
Encuentros | Fri April 17th, 2015
6:30pm cocktail get together at Victory Gardens | Special Afterwords following performance
All around the country, undocumented Mexican immigrants are working as indentured servants to ensure their place in America. Whether they’re cleaning houses or building them, the pay is less than adequate and the conditions are even worse. With no legal rights and nowhere to turn, how can these workers ensure their safety and survival? Come early for pre-show cocktails and free appetizers from Fiesta Mexicana, and stay for this special Afterwords conversation that hits close to home.

THE PLAYWRIGHT’S VOICE: ...AND JESUS MOONWALKS THE MISSISSIPPI 
Staged Reading | Mon April 20th, 2015 | 7:30 p.m.
Delve further into the mythical worlds of Marcus Gardley at this staged reading of … And Jesus Moonwalks the Mississippi. Presented in association with Congo Square Theater, this 2010 hit is a riff on a familiar Greek tale. Set on the banks of the Mississippi River during the Civil War, a lynched African American man named Damascus is immediately resurrected as a woman named Demeter. With only three days to find her daughter Po'em, she must transmit her song before she has to return to death. 

HOW DO YOU FEAR ME
Special Afterwords | Wed April 23rd, 2015
Since September 11, 2001, the rate of hate crimes against Muslims in the United States has quintupled. In 2015 alone, three Muslim American students were shot in the head in Chapel Hill, North Carolina; an Arab American man was brutally attacked by two white men at a supermarket in Dearborn, Michigan; police in Austin, Texas arrested a man for threatening to bomb an Islamic center - and the list goes on and on. In a culture of prejudice and fear against Muslim Americans, how do we hold each other accountable for shattering the stigma? Engage in this special Afterwords conversation shedding light on one of the most widely misunderstood communities in America. 

SOUTH ASIA SPEAKS: THE NEW IMMIGRANT 
Special Afterwords | Friday April 24th, 2015
The issue of immigration in America is complex - at best. Though immigration itself can be traced as far back as Irish and African indentured servants in colonial America, the vast majority of South Asian immigrants didn't come to the US until after 1970. With Mexican immigration most commonly in the limelight - how can we illuminate the stories of South Asians? What other stories aren't being told? Following the performance, join us for this special Afterwords conversation shedding light to immigration in the South Asian community. 

THE PLAYWRIGHT’S VOICE: THE GOSPEL OF LOVINGKINDNESS 
Staged Reading | Mon April 27th, 2015 | 7:30 p.m.
Last season’s hit by Marcus Gardley returns to the Victory Gardens stage for one night only! After Emanuel is murdered for his new pair of Air Jordans, his mother, Mary, rebuilds her life in the Bronzeville neighborhood she calls home. As fervent and poetic as a gospel hymn, this potent drama about faith, family and loss was inspired by true events. Join us as we celebrate the launch of the Gospel tour, which continues this May  with performances in Pilsen at the National Museum of Mexican Art (in partnership with JDEF Peace Project), and at a local Englewood high school auditorium (in partnership with iGrow Chicago).

LET FREEDOM RING
Special Afterwords | Tue April 28th, 2015
Earlier this month, the Jewish community celebrated Passover - an eight-day festival commemorating the emancipation of the Israeli slaves in ancient Egypt. What does it mean to celebrate this holiday in America, a country with deep roots in slavery? How has a history of oppression shaped American and Jewish culture?  Join us for this timeless post-show conversation addressing old wounds and new waves. 

COLLEGE NIGHT: LOOK AT ME
Pre-show Performance | Special Afterwords | Thurs April 30th, 2015 | 6:30 p.m.
Though race and privilege on college campuses are often considered taboo topics, every college and university faces them. From misperceptions to underrepresentation, students of color are sometimes forced to navigate institutions that may not always protect them. Grab a pop and free pizza and watch young local artists respond at a pre-show performance, then stay for a special Afterwords conversation investigating race & privilege on college campuses. 

Season Sponsors:        Diane and Steve Miller
Lead Production 
Sponsor: The Joyce Foundation
Production Sponsors: The Pendexter Family; Jeff Rappin and Penny Brown; Betty Bradshaw, Harold and The Mimi Steinberg Charitable Trust
Student Matinee Sponsors: Exelon, AllState
Travel Sponsor: Southwest Airlines
Marcus Gardley is an Andrew W. Mellon Foundation Artists in Residence at Victory Gardens Theater.

About Victory Gardens Theater
Under the leadership of Artistic Director Chay Yew and Managing Director Christopher Mannelli, Victory Gardens is dedicated to artistic excellence while creating a vital, contemporary American Theater that is accessible and relevant to all people through productions of challenging new plays and musicals.  With Victory Gardens’ first new Artistic Director in 34 years, the company remains committed to the development, production and support of new plays that has been the mission of the theater since its founding, continuing the vision set forth by Dennis Zacek, Marcelle McVay, and the original founders of Victory Gardens Theater.

Victory Gardens Theater is a leader in developing and producing new theatre work and cultivating an inclusive Chicago theater community. Victory Gardens’ core strengths are nurturing and producing dynamic and inspiring new plays, reflecting the diversity of our city’s and nation’s culture through engaging diverse communities, and in partnership with Chicago Public Schools, bringing art and culture to our city’s active student population.  

Since its founding in 1974, the company has produced more world premieres than any other Chicago theater, a commitment recognized nationally when Victory Gardens received the 2001 Tony Award for Outstanding Regional Theatre. Located in the Lincoln Park neighborhood, Victory Gardens Biograph Theater includes the Zacek-McVay Theater, a state-of-the-art 259-seat mainstage and the 109-seat studio theater on the second floor, named the Richard Christiansen Theater.

In 2012, Victory Gardens appointed new Ensemble Playwrights Philip Dawkins, Marcus Gardley, Samuel D. Hunter and Tanya Saracho, for seven-year residencies. The Playwrights Ensemble Alumni includes Claudia Allen, Lonnie Carter, Steve Carter, Gloria Bond Clunie, Dean Corrin, Nilo Cruz, Joel Drake Johnson, John Logan, Nicholas Patricca, Douglas Post, James Sherman, Charles Smith, Jeffrey Sweet and Kristine Thatcher.

For more information about Victory Gardens, www.victorygardens.org.  Follow us on Facebook at Facebook.com/victorygardens and Twitter @VictoryGardens.


Victory Gardens Theater receives major funding from Alphawood Foundation, The Shubert Foundation, The Joyce Foundation, The John D. and Catherine T. MacArthur Foundation, Polk Bros. Foundation, Crown Family Philanthropies, The Leo S. Guthman Fund, The Andrew W. Mellon Foundation, The William and Orli Staley Foundation, The National Endowment for the Arts, and The REAM Foundation. Additional funding is provided by: Abbot Downing & Wells Fargo, Alliance Bernstein, Allstate Insurance, Berghoff Catering, The Charles H. and Bertha L. Boothroyd Foundation, a City Arts Grant from the City of Chicago Department of Cultural Affairs and Special Events, Elizabeth F. Cheney Foundation, The Conant Family Foundation, Exelon, The Joseph and Bessie Feinberg Foundation, The Fry Foundation, John R. Halligan Charitable Fund, Illinois Arts Council (a state agency),  Illinois Tool Works, Italian Village Restaurants, James S. Kemper Foundation, Mayer Brown LLP, The McVay Foundation, Neal, Gerber & Eisenberg, LLP, Negaunee Foundation, The Prince Charitable Trusts, The Seabury Foundation, Charles & M.R. Shapiro Foundation, Southwest Airlines, The Harold and Mimi Steinberg Charitable Trust, Whole Foods and Wrightwood Neighbors Conservation Association.

Google Analytics