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Thursday, January 9, 2014

ACT OUT OPENING: Phantom of the Opera at Cadillac Palace #BroadwayInChicago



THE PHANTOM OF THE OPERA





IN A SPECTACULAR NEW PRODUCTION BY
CAMERON MACKINTOSH


 TO PLAY CHICAGO’S CADILLAC PALACE THEATRE


JANUARY 9 – MARCH 2, 2014




Broadway In Chicago, Cameron Mackintosh and Andrew Lloyd Webber’s Really Useful Group are delighted to announce the opening of the spectacular new production of Andrew Lloyd Webber’s THE PHANTOM OF THE OPERA. With newly reinvented staging and stunning scenic design, this new version of PHANTOM, the most successful musical of all-time, will be performed by a cast and orchestra of 52, making this one of the largest productions on tour in North America.  THE PHANTOM OF THE OPERA will play Chicago’s Cadillac Palace Theatre (151 W Randolph) January 9, 2014 through March 2, 2014.



Mark Campbell portrays the man behind the mask, ‘The Phantom,’ with Julia Udine as ‘Christine Daaé,’ Ben Jacoby as ‘Raoul,’ Jacquelynne Fontaine as ‘Carlotta Giudicelli,’ Craig Bennett as ‘Monsieur Firmin,’ Edward Staudenmayer as ‘Monsieur André,’ Linda Balgord as ‘Madame Giry,’ Frank Viveros as ‘Ubaldo Piangi’ and Hannah Florence as ‘Meg Giry’.

Mark Campbell has been seen across the country in the National Tours of Mamma Mia! and Guys & Dolls. His regional credits include The Old Globe, Cape May Stage, Virginia Stage Company and Arkansas Rep.  Julia Udine makes her touring debut with PHANTOM. Regionally, she starred as Maria in West Side Story and appeared on “Law and Order SVU.” Chicago native, Ben Jacoby has performed at the Marriott Theatre, Milwaukee Rep, Maine State Music Theatre and the Utah Shakespeare Festival.  Jacquelynne Fontaine’s stage and opera credits include The Student Prince (Kathie, Pittsburgh CLO), A Little Night Music (Charlotte, Indiana Rep), La Traviata (Violetta) and was Miss California 2006.  Craig Bennett’s Broadway credits include A Tale of Two Cities, South Pacific and Miss Saigon. Edward Staudenmayer’s Broadway credits include Wonderland, Martin Short: Fame Becomes Me and Beauty and the Beast (1st National Tour).

Linda Balgord received a Drama Desk Award nomination for The Pirate Queen and has also been seen on Broadway in Gypsy, La Cage Aux Folles, Cats and Passion.  Frank Viveros originated the roles of Bloat The Blowfish in Disney’s Finding Nemo: The Musical and Iron Chef in Yellow Brick RoadHannah Florence appeared in Scandalous (Broadway) as well as Where’s Charley (Encores!), Anna Nicole (NYC Opera/BAM) and Mary Poppins (1st National Tour). 

The Ensemble includes Adam Bashian, Nick Cartell, Dan Debenport, Amy Decker, Mark Emerson, Cooper Grodin, Michael Thomas Holmes, Celia Hottenstein, Christopher Howard, Merritt David Janes, Amy Justman, Edward Juvier, Dustin Layton, Luke Lazzaro, Jay Lusteck, Katie McCreary, Grace Morgan, Christy Morton, Quinto Ott, Eric Ruiz and Marguerite Willbanks. The Corps de Ballet includes Morgan Cowling, Anjelica Bette Fellini, Ramona Kelley, Abigail Mentzer, Lily Rose Peck, Tara Sweeney and Micki Weiner.

For more information on the production, please visit www.ThePhantomOfTheOpera.com.



Andrew Lloyd Webber said, “It’s wonderful to have a new production of PHANTOM touring America in the same year that the show celebrates 25 years on Broadway.  Director Laurence Connor has done an amazing job and this production has received huge critical acclaim in the UK.”

Cameron Mackintosh said, ''After a glorious celebration of 25 phenomenal years on Broadway with no end in sight, I'm delighted to be able to bring this dazzling new production of PHANTOM -- which has been phenomenally well-received by both audiences and critics in the U.K this past year  -- to North America.  With an exciting new design and staging, retaining Maria Björnson’s amazing costumes, I am confident North American audiences will fall in love with the PHANTOM in his new guise -- for the first time or all over again.”

The new production of PHANTOM has been an enormous hit on its inaugural UK tour with audiences and critics alike…

“An intense and spectacular new production with a stunning new design,
fresh drama and added momentum.”

“Cameron Mackintosh’s flawless new PHANTOM is the best production of this musical ever.”

“Take a deep breath and prepare to be dazzled; this kind
of gorgeous escapism is exactly what audiences need.”

“A PHENOMENON.”

“Andrew Lloyd Webber’s luscious music - a great theatrical experience PHANTASTIC.”

This new production of THE PHANTOM OF THE OPERA is directed by Laurence Connor (the 25th Anniversary production of Les Misérables coming to Broadway March 2014, Jesus Christ Superstar) with choreography by Scott Ambler, set design by Paul Brown, Tony Award-winning original costume design by Maria Björnson, lighting design by Tony Award winner Paule Constable, sound design by Mick Potter and musical supervision by John Rigby. The production is overseen by Matthew Bourne and Cameron Mackintosh.  THE PHANTOM OF THE OPERA has music by Andrew Lloyd Webber; lyrics are by Charles Hart (with additional lyrics by Richard Stilgoe) and the book is by Richard Stilgoe and Andrew Lloyd Webber.  Orchestrations are by David Cullen and Andrew Lloyd Webber.

THE PHANTOM OF THE OPERA continues its record-breaking runs in London and on Broadway. There are currently five productions around the world: the flagship London production (26 Years and counting), New York (25 years and counting - PHANTOM celebrated its 25th Anniversary on Broadway on January 26 of this year), Budapest (Hungary), Kyoto (Japan, also celebrating 25 years and counting), and Seoul (Korea).

Since its debut, THE PHANTOM OF THE OPERA has grossed over $5.6 billion worldwide, with over 65,000 performances that have been seen by 130 million people in 29 countries and 150 cities in 13 languages. The show has won more than 70 major theater awards.

The new touring production of THE PHANTOM OF THE OPERA will be the first to tour the U.S. in three years.   There have been three previous U.S. National Tours that grossed over $1.5 billion in combined box office sales and played 216 engagements in 77 cities for an unprecedented total of 36 years and over 14,500 performances to 31 million people.

Based on the classic novel Le Fantôme de L’Opéra by Gaston Leroux, THE PHANTOM OF THE OPERA tells the story of a masked figure who lurks beneath the catacombs of the Paris Opera House, exercising a reign of terror over all who inhabit it.  He falls madly in love with an innocent young soprano, Christine, and devotes himself to creating a new star by nurturing her extraordinary talents and by employing all of the devious methods at his command.

PERFORMANCE SCHEDULE
The performance schedule for THE PHANTOM OF THE OPERA is as follows:
Tuesdays at 7:30 p.m.
Wednesdays at 2 & 7:30 p.m. (Note: no 2 p.m. performance on January 15)
Thursdays at 7:30 p.m.  (additional 2 p.m. performance on January 16)
Fridays at 7:30 p.m.
Saturdays at 2 & 8 p.m.
Sundays at 2 p.m. (additional 7:30 p.m. performances on January 12 and January 19)
Please note: Ticket prices and performance schedule are subject to change.

TICKET INFORMATION
Tickets for THE PHANTOM OF THE OPERA at the Cadillac Palace Theatre range from $23-$93.  A select number of premium seats are also available for many performances.  Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710.  Tickets are available at all Broadway In Chicago Box Offices (24 W. Randolph St., 151 W. Randolph St., 18 W. Monroe St. and 175 E. Chestnut), the Broadway In Chicago Ticket Line at (800) 775-2000, all Ticketmaster retail locations and online at www.BroadwayInChicago.com

For more information, visit www.BroadwayInChicago.com or www.ThePhantomOfTheOpera.com.



EXTENDED DUE TO EARLY INTEREST & POPULAR DEMAND!

Wednesday, January 8, 2014

ACT OUT OPENING: Ghost The Musical #BroadwayInChicago

Ghost the musical hits Chicago tonight, just as the arctic vortex is lifting.   We'll be reviewing tomorrow night at the press opening and can't wait to see the stage adaptation.   We just watched the movie again, since we love to play the same/different game and see how the basic plot line, special effects and more are adapted for the Broadway version.   I always dug this movie.   Demi Moore had a rockin' urban loft, and aside from the dead boyfriend tragedy, her character in Ghost was living my dream life, so to say I could relate was an understatement.  I was already running around in overalls, making wheel pottery, and fancying myself an artist before the film came out.   The whole supernatural schtick was a cool premise too. 





It's strange to see the movie again and realize that Patrick Swayze is actually deceased now.  My Location Sound Engineer husband, Dug, worked with him on his final series, The Beast, right here in Chicago, before his untimely death at a young age.   Go back and revisit this 1990 movie blast from the past, then head out to Oriental Theatre and catch the stunning supernatural stage adaptation.   We've heard the large screen, multimedia effects are pretty chill.



After seeing the illusions clip below, we're extra stoked for the Broadway touring show.






Monday, January 6, 2014

First of it’s kind in the US, the 2014 Chicago Contemporary Circus Festival brings shows from around the world together January 7-12.

Here at ChiIL Live Shows we cover a vast aray of theatre, music, arts, entertainment and urban lifestyle, but circus is our passion and first love.   So we were way beyond stoked to hear about The Chicago Contemporary Circus Festival in Chicago this week.   It's like a family reunion for us!   The more we read about the lineup, speakers, workshops and management, the more we realized we either already personally know or have covered/filmed/reviewed and/or shot stills of the vast majority of people involved in The Chicago Contemporary Circus Festival.   

Now our challenge is how to share the basics along with loads of our original coverage without 10 page posts!   Our best option looks to be a big, running series of features.   


Here's the basic scoop below, performance schedule and ticket links.   We'll be elaborating with loads of original content, more in depth features on each show, and photo filled recaps.  

So, check back with ChiIL Live Shows like we vote in Chi, IL... early and often.  This will be circus immersion week for sure. Get your tickets early and escape the Arctic Vortex to catch as many of these live acts as you can & experience the rest vicariously through our pages here and at our family friendly sister site, ChiIL Mama

  

2014 Chicago Contemporary 
Circus Festival


2014 Chicago Contemporary Circus Festival is the nationʼs first contemporary circus festival, and it flies into the Windy City this January 7-12, 2014. Chicagoanʼs of all ages can experience seven genre-defying national and international circus companies for four days of daringly moving full-length contemporary circus shows, and two late-night cabaret* style performances, as well as workshops, seminars, discussions and parties. Performances will be held in the Athenaeumʼs main stage and black box theaters, as well as at Links Hall. Tickets start at $20.00, and festival packages are also available starting at $135.00. Tickets for all shows (at various venues) may be purchased through the Athenaeum box office 773-935-6875 or online at ovationtix.com/trs/dept/1188. For more information go to chicagocircusfest.com.

“Delightful... Go see it!” ~CBC Radio Canada

Click here for ChiIL Live Shows sizable SmugMug Gallery of Original Circus Arts Photos.   Our photo gallery includes an array of Contemporary and Traditional Circus Arts... major players and local favs including:


  • Cirque du Soliel
  • El Circo Cheapo
  • The Actor's Gymnasium
  • The Midnight Circus
  • The Ordinary Acrobat Book Tour-Duncan Wall/Circus Now
  • CircEsteem
  • Ringling Brothers
  • Cirque Shanghai

From tiny, hilarious clown shows to large scale ensemble-based spectacles, from the intimate to the outrageous, the 2014 Chicago Contemporary Circus Festival will blow the doors off the idea that the circus is only a Big-Top, multimillion-dollar extravaganza. Since the mid to late 19th century, the “traditional” format in American circus has been viewed as clowns with big shoes, glittery show girl costumes and elephants standing on one leg. In stark contrast, the contemporary circus (originally known as nouveau cirque), well-established and respected in Europe, Canada, Australia and other parts of the world since the 1970’s, is a mix of human circus skill, theater, dance and music. This contemporary genre of circus tends to focus more attention on the overall aesthetic impact, on character and story development, and on the use of new media, design, and original music, to convey thematic or narrative content provoking emotional engagement.

PERFORMANCE SCHEDULE
*NOTE: There is partial nudity in Ricochet, the Cabaret shows may not be appropriate for kids under 17, and Honeybuns is an 18 and older show. 
**Produced by the AYCO, this show features 40 young artists ages 6-21 from 13 states showcasing their circus artistry.



Attrape-Moi by Flip FabriQue
Athenaeum Theatre: FRI, 1/10/14 @ 4pm
SAT, 1/11/14 @ 8pm, & SUN, 1/12/14 @ 5pm


The Way Out by The Acrobatic Conundrum
Athenaeum Theatre
THUR, 1/9/14 @ 7:30pm, & SAT, 1/11/14 @ 5pm 


Smoke and Mirrors* by Ricochet AND



Muualla/Elsewhere by Ilona Jäntti’
Athenaeum Theatre
FRI, 1/10/14 @ 7:30pm, & SUN, 1/12/14 @ 8pm
*NOTE: There is partial nudity in Ricochet


El Circo Cheapo Cabaret* by Aloft Circus Arts
Athenaeum Theatre 
FRI, 1/10/14 @ 11pm, & SAT 1/11/14 @ 11pm
*NOTE: the Cabaret shows may not be appropriate for kids under 17


Cherepaka (the death of a turtle) by Andréane Nadere Leclerc
Links Hall
THUR 1/9/14 @ 6pm, & FRI 1/10/14 @ 8:30pm


The Rendez-vous by Krin Haglund
Links Hall
THUR 1/9/14 @ 8:30pm, & FRI 1/10/14 @ 6pm


Honeybuns* by Dean Evans
Athenaeum’s Black Box Theatre
THUR 1/9/14 @ 9pm, SAT 1/11/14 @ 9:30pm, & SUN 1/12/14 @ 6:30pm
*NOTE:   Honeybuns is an 18 and older show.   Don't let the playful costume fool you.    Honeybuns is raunchy, irreverent, and brilliant... and we're not just talking about the hue of his bloomers.   He WILL take you out of your comfort zone.


Running in Corduroy by Brian P. Dailey
Athenaeum’s Black Box Theatre
FRI 1/10/14 @ 9pm, SAT 1/11/14 @ 6:30pm, & SUN 1/12/14 @9:30pm


(*AYCO performers include Chicago youth from Actor's Gymnasium and CircEsteem.   Click the links for loads of ChiIL Mama's original features on both.)

American Youth Circus Organization Showcase**
Athenaeum Theatre 
SUN 1/12/14 @ 1pm

**Produced by the AYCO, this show features 40 young artists ages 6-21 from 13 states showcasing their circus artistry.

__________________________________________
LOCATION & OTHER INFORMATION
ATHENAEUM THEATRE, performances will be held in both their main stage and black box (studio 3) theatres. The theater is located at 2936 N. Southport Ave., Chicago, IL 60657 / 773-935-6875
LINKS HALL is located in Constellation (the former site of the Viaduct Theater) at 3111 N. Western Ave., Chicago, IL 60618 / 773.281.0824
TICKETS Tickets start at $20.00, and festival packages are also available starting at $135.00. Tickets for all shows (at various venues) may be purchased through the Athenaeum box office 773-935-6875 or online at ovationtix.com/trs/dept/1188. For more information and group ticket inquiries, go to chicagocircusfest.com

WORKSHOP CONTACT INFORMATION For more information on professional development please visit http://circusnow.org/. For more information on skill-based master classes contact chicagocircusfest.com.

QUESTIONS ABOUT THE SEMINAR OR CIRCUS NOW
Please contact Duncan Wall, National Director, Circus Now at US: 347.587.8107 or CAN: 438.936.7503

ADDITIONAL LINKS OF INTEREST
Speaking Circus / Chicago
  II Speaking Circus / NYC  II Circus Now  
An editorial in the NYTimes about the rise of creative circus.

MORE INFORMATION For more information go to chicagocircusfest.com

Co-producers Shayna Swanson and Matt Roben and their team have been working collaboratively to curate and produce this first festival with the purpose of creating a new and educated audience for circus in America. The festival is organized as a not-for-profit, with Links Hall acting as itʼs fiscal agent. Festival discussions and workshops are being organized by Circus Now. For more information on professional development please visit http://circusnow.org/.

The first of its kind in the United States, The Chicago Contemporary Circus Festival brings daringly moving acts and shows from around the world to perform, teach, and network from January 6-12, 2014. The festival showcases genre-defying companies and performers creating circus in an entirely new, and completely inspiring way. Tickets for all shows (at various venues) may be purchased through the Athenaeum box office 773-935-6875 or online at ovationtix.com/trs/dept/1188. For more information go to chicagocircusfest.com.

BIOS:
Matt Roben, Co-Producer (and the only guy I've ever met in person who can pull off a dual handlebar mustache!!




Matt Roben, Co-Producer for the Chicago Contemporary Circus Festival, a six day event featuring contemporary circus companies from around the world which will take place in Lakeview from January 6-12, 2014. Matt Roben is a circus performer with over 24 years of professional experience as a clown and actor. Originally from Saratoga, CA, Matt grew up performing in musical theater and after graduating high school was fortunate enough to attend the prestigious National Circus School of Montreal where his focus was acrobatic bicycle and clown. He has been performing for the public in venues as diverse as backyard birthday parties to the stage of the San Francisco Symphony Orchestra with everything from a bicycle act on a cruise ship to the top of a 60' sway pole overlooking the skyline of Dubai. He has been seen in circuses, USO shows, musical and straight theater, television, commercials, movies and voice over. He has performed circus on the high seas and in North America, South America, Europe, the Middle East, Africa and Asia with companies such as Royal Caribbean, MSC, The New Pickle Circus, Cirque Productions, Poet Productions, Aloft Circus Arts and Midnight Circus. In 1997 he competed in the Acrobatic Bicycle World Championships as the only American in nearly two decades to do so. In the early 2000's, while back in the San Francisco Bay Area, Matt performed in a number of theater shows and as a cast member on the television show Stand UP It's Thursday Night and produced the Spring Comedy Competition in San Jose, CA. He was also a founding member of the short-lived Dusk Beat Circus.

Since moving to Chicago a decade ago Matt has worked with Lookingglass Theatre, iO Theater (formerly Improv Olympic), Actors Gymnasium, Aloft Circus Arts, Emerald City Theater Company, The Artistic Home, Midnight Circus and Lyric Opera of Chicago. He has taught circus for nearly every circus organization in town and performed as a clown doctor in all of the major Chicago-land Childrenʼs Hospitals. For the last six years he has been a cast member of Midnight Circus as a musical clown, acrobatic bicyclist and performing his comical chair balancing routine. He performs a "melancholic" mime piece with several of the nation's premier orchestras as the comical host and emcee of Cirque Musica. Matt is a monthly favorite in Alofts' El Circo Cheapo Cabaret with his acrobatic bicycle act or musical comedy duo act, The Amazing Gamberoni Brothers.

In addition to circus Matt has done commercials for Clabber Girl Baking Powder, morning-DJ Rover, and the Como Restaurant. Matt was also featured on billboards and in magazine ads nationwide for Hewlett Packard doing another one of his passions: flying his hang glider. You can see him on episodes of Jerry Springer as a juggling stilt-walker and as an entertainer in the movie Outing Reilly. He is an experienced trade-show presenter and emcee for companies such as Zirmed, Manitowoc, NTN, Visit Britain, Intel, Pogo Linux and many more, bringing his unique brand of comedy and circus skills to the rather "conventional" convention market. Finally, you can catch Matt every Monday at Chicagoʼs Shedd Aquarium where he is a scuba dive presenter in the Caribbean Reef Tank, hand-feeding stingrays and fish and educating the public about life underwater.


Shayna SwansonCo-Producer



Shayna Swanson, Co-Producer, is a ground breaking, award winning aerial and circus acrobat, whose work pushes the limits of physicality and emotion. She recently won the “Best Performance of Festival” Award at the American Aerial Acrobatic Festival, and a Special Prize at the Circuba Festival in Havana and was featured at the Huishan Acrobatic Festival in Taiwan and Collision Arts Asia Festival in Malaysia.

Shayna has been creating and performing aerial works that have been described by the Chicago Reader as “truly heart-felt and creative” for over 12 years. After studying dance and sociology at university she decided her true place was in the air. As a former competitive gymnast and diver, her work naturally fused difficulty, strength and intricacy with thoughtfulness and surprise. Shayna developed her aerial voice though independent study of the body in vertical space, but refined her skills through training at Circus Maniacs and with private tutors like Elsie and Serenity Smith, Fred Deb and Norboul Meirmanov.

In 2005 she received the Glenn P Davis Scholarship to the Aerial Dance Festival, awarded every year for excellence in aerial choreography. That same year Shayna formed her own company “Aloft” and, with a CAAP grant from the City of Chicago, produced the critically acclaimed full-length show “Rolling Blackouts”. In 2006 her choreography was selected into the repertory of Thodos Dance Chicago and featured in the Best of Dance Chicago Showcase. Also that year the Chicago Reader named her a “Mover and Shaker” of the Chicago dance scene. Her work was also presented at the International Circus Performerʼs Gathering in Brattleboro, Vermont, and at many Chicago dance festivals. Shayna formed the Aloft Loft in April 2006 to provide a supportive and vibrant community training space for physical artists of all sorts. Since its founding Shayna has created 3 full length shows and 4 interactive performance parties. She was the co-aerial director for the first and second incarnations of the massive church/circus hit “Imagine Christmas”. “El Circo Cheapo Cabaret” is Shaynaʼs newest project: part talent show, part vaudeville, part punk rock warehouse show, “El Circo Cheapo” has toured across America, selling out shows weeks in advance.

In addition to producing and creating her own shows, Shaynaʼs work has been seen at the Pegasus Variete in Germany, the Kim Tom Clown Festival in Shanghai, Olympic festivities in Hong Kong, Vivendi Cabaret in the Cayman Islands, resorts in the Caribbean and with shows like Cirque Voila, Lyric Opera of Chicago, Cirque de la Mer, The Coorʼs Light/Maxim Model Search Tour, New Vision Cirque, The Big Aerial Show, The Midnight Circus and Circus Smirkus. Corporate clients include The Macau Board of Tourism, Deutschebank, Absolut, Seneca Niagara Casino, Harrahʼs, Ford, Air France, KA Furniture, Mori Seiki and many more.


More Details:

El Circo Cheapo Cabaret
Starting in the early 90ʼs and continuing through the mid-part of 2008, the New Circus Movement, as embodied by Cirque du Soleil, involved lavish, technically complex productions. But in this post-recession world everyone is trying to do more with less. El Circo Cheapo Cabaret was born out of this moment. 

What is “The Circus” when you peel away elaborate sets and the profusion of special effects? At circusʼ core is the relationship between the performers and the audience. Part vaudeville and part reality-TV, on stage there is the performer, their apparatus, music and the audience: nothing more. The performers communicate with the audience, and the audience, through applause, gasps, tears and laughter, communicates with the performers. This is the framework that El Circo Cheapo began with 5 years ago, and 120 sold-out shows later, it's what makes El Circo Cheapo Cabaret unique—everyone, regardless of education, age, culture or background can, and will want to, participate in it. The result is a fresh and honest show that makes a profound connection with any audience. This is circus as it has always been intended--powerful, honest, dangerous, intense, hilarious and passionate.  This special festival edition is being chosen and planned by the production team at the CCCF and features some of the best circus artists in America.

Flip Fabrique
Flip FabriQue is a young organization born out of the common dream of a group of friends, all from the world of professional circus, to create a company which incorporates personal experiences and, above all, utilizes the full potential of each artist. These world-class artists have performed hundreds of shows for numerous companies including the prestigious Cirque du Soleil and Cirque Éloize. Flip FabriQue takes a creative and collaborative approach created entirely by the artist and the director. Embracing the qualities and strengths of each unique performer reveals the magic of Flip FabriQue.

The Acrobatic Conundrum
The Acrobatic Conundrum Eight strangers find themselves in a room with no exit. They are isolated from the world in a bunker where supplies are scarce. In the absence of enough, the new arrivals see themselves in a different light: vindictive and kind, desperate and hopeful.
With no allies but each other, eight disparate personalities vie for survival, connection, and a way out.

The Way Out is 90 minutes of heart-stopping acrobatics, aerials, theater, dance and video projection. Under the artistic direction of Terry Crane, with choreography by Elizabeth Rose, it is a truly contemporary form of storytelling using the raw physicality of the performers.

Ricochet
Ricochet Weaving delicate metaphor with jaw dropping spectacle, RICOCHETʼs unique brand of poetic acrobatics has taken the world by storm. Using lyric physicality and virtuosic circus technique, RICOCHET draws from rigorous backgrounds of classical and contemporary dance, aerial acrobatics, and the commitment to experimentation and improvisation to explore the internal landscapes of the human experience. The company of two; Cohdi Harrell and Laura Stokes, based out of rural New Mexico, travel the world over performing and teaching. Hailed as being “vital to the growth of contemporary circus in America,” their work has played to sold out theaters from Seattle to Croatia, never receiving less than a standing ovation.

Krin Haglund
After touring the world with Quebecʼs most innovative circus companies, Krin Haglund presents her one- woman theatrical circus show where she plays both MC and cast. A “deft comedienne,” Krin shares “surprising skills in circus and acrobatics” including her mad cocktail of aerial feats, Cyr wheel and clown.

No stranger to eccentric characters, Krin is an original cast member of Cirque Éloizeʼs Rain, directed by Daniele Finzi Pasca, which performed to sold-out crowds around the world. With Rain she became the first woman to master the Cyr single wheel. Krin has also toured with the 7 doigts de la main (7 Fingers) hit shows La Vie and Loft. With the hot cabaret La Clique her aerial tissue routine was praised as “dynamic, expressive and original.”

She has also performed with Cirque du Soleil, Riksteatret National Theater of Norway, Amanda Palmer and toured with the Dresden Dolls as a performer and MC. Her work is supported by TOHU-Cité des arts du cirque.


Andréane Nadère Leclerc
Cherepaka is the death of a Turtle. Inspired by Deleuzeʼs Logique de la sensation and Francis Baconʼs paintings, Cherepaka is a scenographic composition that explores the duality of eternity and death, and the human desire to live.

This essay tries to go beyond the curiosity of contortion - to make this acrobatic language a physical language capable of stimulating the audiences imagination.

Contortionist Andréane began her circus career at nine years of age. Driven by a desire to harness contortion technique as a malleable material that is capable of generating a world of sensations and imagery beyond the spectacle, she now creates her own experimental and conceptual performances (Di(x)parue, Cherepaka, InSuccube). In 2013, she obtained a Masterʼs Degree in Theatre at UQAM. She is currently working on Eat Me (Tangente, 2014) and Whore of Babylon, a co-creation with the Tiger Lillies. 

Friday, December 20, 2013

PRODUCT REVIEW: Funky Colorful Hair Chalk from Ellore Femme!

Disclosure:   We were sent product samples to review in exchange for sharing this information with our readers. All opinions are our own.


REVIEW: We had a blast getting playful, colorful fun without a permanent commitment. Ellore Femme Hair Chalk was easy to apply and with damp hair the colors came out bright and lasted well. My 10 year old daughter was a little disgruntled that it made her hair stiff when applied to wet strands and she needed a full hair washing before bed. Overall it was a success and we would recommend this as a low commitment way to change up your look frequently or easily go from conservative to wild and back again.




If you don't know what Hair Chalk is, then prepare yourself for amazingness! It's a super fun, temporary method to add some serious flair to your hair. These vibrantly colored hair-chalk sticks from Ellore Femme help you to easily paint rainbow hues onto strands. The easy-to-blend dyes are formulated with natural plant pigments, rendering the chalk non-toxic. All 24 colors easily wash out in the shower.

Spontaneous hair color

Set with heat

Blendable colors

Nontoxic, natural plant pigments

Washes out after one shower

Use on wet hair

24 vibrant shades

May transfer onto clothing during application

*just don't inhale! (May cause respiratory irritation)


**ChiIL Mama's  Readers can click here to save $30 Off Ellore Femme 24 piece Hair Chalk set with promo code BL15**

Regular Price: US $44.99
Blog Price: $14.99 (with Promo Code: BL15)
Disclosure:   We'll be sent product samples to review in exchange for sharing this information with our readers.   All opinions are our own.

Thursday, December 19, 2013

ACT OUT: Jeff Recommended Elemeno Pea Now Playing at Redtwist



By Molly Smith Metzler 
Directed by Steve Scott 

The Chicago premiere of Humana Festival's runaway hit play from 2011,
the hilarious scathing satire on money and class in post-modern America

Featuring Redtwist Jeff Award winner, Jacqueline Grandt, and company members, Michael Sherwin, & Johnny Garcia



PLAY 
Elemeno Pea features two sisters whose relationship gets off-kilter when, Devon, a regular Buffalo gal visits her elegant sister, Simone, who works as a personal assistant for a very rich, pampered woman on Martha's Vineyard. Simone gets a hefty six-figure salary for serving the pretty people and feels she has found nirvana, while Devon thinks her brainwashed sister is selling her soul. A riveting drama one minute, a riotous comedy the next, Elemeno Pea is a blistering play about the volatile mixture of people and money and how we deal with it...and without it. Directed by Clybourne Park director, Steve Scott. 

CAST
Elizabeth Argus (Simone), Johnny Garcia (Jos-B), Jacqueline Grandt (Michaela), Carley Moseley (Devon), Michael Sherwin (Ethan), Melonie Collmann (after Jan 1, 2014)
  
STAFF 
Steve Scott (Director), Alicia Hynes (Assistant Director), Allison Queen (Stage Manager), Olivia Leah Baker (Assistant Stage Manager/Costume Designer), Ross G. Hoppe (Set Designer/Tech Director), Christopher Burpee (Lighting Designer), Christopher Kriz (Sound Designer), Jeff Shields (Prop Designer), Jan Ellen Graves (Graphic Designer), Kevin McDonald (Dramaturg), Alan Weusthoff (Set Construction), Eric Vigo (Master Electrician), Charles Bonilla (Box Office Manager), E. Malcolm Martinez (Box Office Associate), Johnny Garcia (Box Office Associate/Associate Producer), Michael Colucci & Jan Ellen Graves (Producers)


SCHEDULE 
Runs: Thu, Fri, Sat, 7:30pm; Sun, 3pm
Closes: Sun, Jan 12, 2014 
Running Time: Approximately 90 minutes total, no intermission
Tickets: Thursdays, $25; Fridays, Saturdays, Sundays, $30 (seniors & students $5 off) 

RESERVATIONS 
Call: 773-728-7529 
Website/Tickets: www.redtwist.org

Redtwist is located at 1044 W Bryn Mawr, 2 blks W of LSD, 2 blks E of the Red Line El station. Street parking (paybox/meters until 10pm, Free on Sundays) is available on Bryn Mawr, side streets, and Broadway. Please reserve 48 hours in advance. Credit cards accepted by phone and online to guarantee seating. 

Redtwist Theatre announced its complete line-up for 2013-2014 Season, which includes 14 productions, all at its black box, storefront location, in the Bryn Mawr Historic District of Chicago's Edgewater neighborhood. The complete season includes 7 Chicago premieres and 4 world premieres

There are five MAIN Season shows, which include at least 18 performances. Each of the MORE RED (off night) and DARK RED (late night) series plays perform in rotating rep with the MAIN Season productions and primarily use the same set as the MAIN Season show. 

  

Chicago Premiere Men Exposed



By Scott Woldman
Directed by Matt Dominguez


Part of Redtwist's late-night series called DARK RED. Performed in rotating rep with Redtwist's MAIN season show, Elemeno Pea, and its MORE RED off-night series show, Shipwrecked.



This is the fourth installment of Redtwist's DARK RED series of late-night plays featuring playwright Scott Woldman's hilarious "Luv Cycle," chronicling the life span of a relationship, from the moment two people meet, to the time they marry...and beyond. 

Men Exposed features the wild and crazy hijinks of guys having one last fling before the big day. 
  
CAST
Zach Finch (Hugh), Beau Forbes (Jim), Christopher Hahn (Bobby), John Mark Jernigan (Mike), Andrew Marikis (Pete), Ken Miller (Danny), Matthew Webb (Stuart), Dan Wenzel, Jr. (Brian)

STAFF
Matt Dominguez (Director), Allison Queen (Stage Manager), Olivia Leah Baker (Costume Designer), Eric Vigo (Lighting Designer), Kate Wecker (Sound Designer), Jan Ellen Graves (Graphic Designer), Charles Bonilla (Box Office Manager), E. Malcolm Martinez (Box Office Associate), Johnny Garcia (Box Office Associate/Associate Producer), Michael Colucci & Jan Ellen Graves (Producers)

SCHEDULE  
Opens: Fri, Dec 20, 10:30pm
Runs: Fridays & Saturdays, 10:30pm
Closes: Sat, Jan 25
Running Time: Approximately 90 minutes, no intermission
Tickets: $15

RESERVATIONS
Call: 773-728-7529
Website/tickets: www.redtwist.org

Redtwist is located at 1044 W Bryn Mawr, 2 blks W of LSD, 2 blks E of the Red Line El station. Street parking (paybox/meters until 10pm, Free on Sundays) is available on Bryn Mawr, side streets, and Broadway. Please reserve 48 hours in advance. Credit cards accepted by phone and online via BuzzOnStage to guarantee seating.

ACT OUT OPENING: A Chicago Premiere Shipwrecked! An Entertainment



The Amazing Adventures of Louis de Rougemont 
(as told by himself)
By Donald Margulies
Directed by Ian Frank


Part of Redtwist's off-night series called MORE RED. Performed in rotating rep with Redtwist's MAIN season show, Elemeno Pea, and its DARK RED late-night series show, Men Exposed.



THE MORE RED SERIES 
The MORE RED series at Redtwist features exciting young directors and actors from local college programs. And the cast are some of the finest actors to emerge from The Theatre School at DePaul University in recent years. 
  
THE STORY
A dazzling story like nothing you've ever seen, recounting the endless adventures of one man covering the globe at the close of the 19th century as he shares his ravishing tales. Storytelling for the ages.

DIRECTOR
Ian Frank has directed and assisted at Milwaukee Repertory Theater, The Kennedy Center, Actors Theatre of Louisville, and Chicago Shakespeare Theater assistant directed the Jeff Award winning SUNDAY IN THE PARK WITH GEORGE. Ian is a graduate of the MFA Directing program at The Theatre School at DePaul University where he directed THE ROYAL HUNT OF THE SUN, PRIVATE LIVES, RICHARD III, MOBY DICK, DOUBT, and BROADSWORD. He will direct REMIX 38 at The Humana Festival of New America Plays this spring at Actors Theatre of Louisville. He holds a BA in Dramatic Arts from Centre College.

CAST
Matt Browning (Louis); Daniela Colucci (Player #1); Michael C. Countryman (Player #2)

STAFF
Ian Frank (Director), Lauren Miller (Stage Manager), Olivia Leah Baker (Costume Designer), Eric Vigo (Lighting Designer), Kate Wecker (Sound Designer), Jan Ellen Graves (Graphic Designer), Charles Bonilla (Box Office Manager), E. Malcolm Martinez (Box Office Associate), Johnny Garcia (Box Office Associate/Associate Producer), Michael Colucci & Jan Ellen Graves (Producers)(Producers)

SCHEDULE 
Opens: Sat, Dec 21, 3pm
Runs: Saturdays at 3pm, Sundays & Mondays at 7:30pm (except Mondays Dec 23 & 30)
Closes: Mon, Jan 13, 2014
Running Time: Approximately 85 minutes total, no intermission
Tickets: $20 (seniors & students $5 off)

RESERVATIONS
Call: 773-728-7529
Website/tickets: www.redtwist.org

Redtwist is located at 1044 W Bryn Mawr, 2 blks W of LSD, 2 blks E of the Red Line El station. Street parking (paybox/meters until 10pm, Free on Sundays) is available on Bryn Mawr, side streets, and Broadway. Please reserve 48 hours in advance. Credit cards accepted by phone and online via BuzzOnStage to guarantee seating.

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