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Wednesday, March 6, 2013

MAGIC SLIM, BLUES ICON, DIES AT 75




Slim recording "Goin' To Mississippi" in the Blind Pig Chicago warehouse in April of 2002

Magic Slim was a favorite of ours here at ChiIL Live Shows.   He was an annual staple at the Chicago Blues Fest and will be missed.

Magic Slim, a revered and towering figure in the field of traditional Chicago blues, died February 21st in a Philadelphia hospital at the age of 75. Born Morris Holt in Torrance, Mississippi in 1937, the guitarist performer, bandleader, and recording artist went on to enjoy a career that launched him to national and international recognition and acclaim.

Slim was one of the foremost practitioners of the raw, gut-bucket, back alley blues associated with the postwar Chicago blues sound. He and his band, the Teardrops, were known as "the last real Chicago blues band" for their authentic, no-frills, straight-no-chaser performance of the music.

Slim's slash and burn guitar technique and booming vocals made for a commanding stage presence. His intense style was the blueprint that spawned much of the music played by modern blues artists and rockers.  After catching one of Slim's electrifying live shows at a local nightclub Eddie Vetter invited Slim to open Pearl Jam's concert in Chicago.  Magic Slim also had an encyclopedic repertoire of hundreds of blues songs in his head, giving his live shows a charming impromptu quality.

Growing up in Grenada, Mississippi, Slim took an early interest in music, singing in the church choir, and fashioning a guitar for himself with baling wire from a broom, which he nailed to the wall. "Mama whooped me for that," recalled Slim. His first love was the piano, but having lost the little finger on his right hand in a cotton gin accident, he found it difficult to play properly. Undaunted, he simply switched to guitar, working in the cotton fields during the week and playing the blues at house parties on weekends.  In 2011 the state of Mississippi erected a Blues Trail Marker in Slim's honor in front of a building in Grenada where his mother operated a restaurant.

In 1955, like many musicians from the Deep South, Slim migrated to Chicago, where he was mentored by his friend Magic Sam, who gave the lanky Morris his lifelong stage moniker.  Initially discouraged by the highly competitive local music scene, Slim went back to Mississippi and spent the next five years woodshedding and perfecting his craft.  He confidently returned to Chicago and became a formidable player on the scene, eventually putting together the Teardrops, who would become one of the busiest and best-loved blues bands around, and one of the most sought-after headliners for festivals in Europe, Japan, and South America.  Slim and his group won the coveted Blues Music Award in 2003 as "Blues Band of the Year," one of six times Slim won a BMA, considered the highest honor in the blues.  Living Blues magazine called Slim and the Teardrops "a national treasure."

Slim's recording career began with a series of singles in 1966, and he recorded his first album for a French label in 1977.  With the release of Gravel Road in 1990, he began a twenty-two year association with Blind Pig Records, who issued ten albums and a live DVD over that span.  His last release, 2012's Bay Boy, proved that Slim could still deliver the goods. As No Depression said, "Magic Slim doesn't just play the blues, he body slams his audiences with a vicious guitar attack that pins them to the floor. His blues are the in-your-face variety."  AllMusicGuide added, "Magic Slim turned 75 in 2012, but his growling vocals have the fire and brimstone of a Young Lion and his guitar playing is still as razor-sharp as it was when he turned pro in the '50s." 

Blind Pig Records owner Jerry Del Giudice said, "Magic Slim embodied the heart and soul of this label.  It was Magic Slim, and the guys like him, and their music, that inspired us to start the label in the first place."

Blues Revue once remarked, "Whoever the house band in blues heaven may be, even money says they're wearing out Magic Slim albums trying to get that Teardrops sound down cold." Now Slim can assume his rightful place as the leader of that band.
For a complete biography, please click HERE.


HELP OUT-Relapse Records Tribute Sampler to Pat Egan


RELAPSE RECORDS:  Releases Tribute Sampler to Pat Egan

Pat Egan, longtime Director of Retail Sales at Relapse Records, tragically passed away on Monday February 18th after a battle with pneumonia and related complications.  In honor of the man who was so instrumental in the success of so many Relapse bands and records, the label has put together a 20 track compilation featuring a collection of his favorite songs and artists, including Mastodon, The Dillinger Escape Plan, Brian Posehn, Red Fang, Death, and many more, including a never-before-released track from Exhumed. 

100% of proceeds from the compilation will go towards a college fund for his young daughter Katie.  Relapse thanks each band for contributing each track and waiving their royalty fee to maximize the benefit for Pat’s beloved family.  The compilation is available via Bandcamp at this location for only $5 but friends and fans are welcome to donate as much as they want.  Direct contributions may also be made via paypal to wellmissyoupat@relapse.com.

The tracklisting for the compilation is as follows:

1. Brian Posehn - More Metal Than You
2. Exhumed - The Beginning After The End (Previously Unreleased)
3. Mastodon - Mother Puncher
4. Kingdom of Sorrow - Screaming into the Sky
5. Baroness - Take My Bones Away
6. Red Fang - Wires
7. Death - A Moment Of Clarity
8. Revocation - Teratogenesis
9. Brutal Truth - Old World Order
10.Dying Fetus - Second Skin
11.Black Anvil - Ultimate Reality    
12. Agoraphobic Nosebleed - Sword Swallower    
13. Zombi - Siberia
14. Pig Destroyer - The American's Head
15. Toxic Holocaust - Sound The Charge
16. Murder Construct - No Question, No Comment    
17. Horseback - Arjuna
18. Dillinger Escape Plan - Sunshine the Werewolf    
19. Abysmal Dawn - In Service of Time
20. Total Fucking Destruction - In The Process of Correcting Thinking Errors 





Pig Destroyer is also offering Mass & Volume--a 2 song EP download for Pat Egan for $10 here.
www.relapse.com
www.facebook.com/relapserecords
www.twitter.com/relapserecords

Saturday, March 2, 2013

ACT OUT OPENING: HOW LONG WILL I CRY?: VOICES OF YOUTH VIOLENCE



STEPPENWOLF FOR YOUNG ADULTS’ 2012/13 SEASON CONTINUES WITH
HOW LONG WILL I CRY?: VOICES OF YOUTH VIOLENCE IN THE UPSTAIRS THEATRE

EDWARD TORRES DIRECTS THIS WORLD PREMIERE BY MILES HARVEY
AS PART OF THE NOW IS THE TIME INITIATIVE, FEBRUARY 26 – MARCH 23, 2013

Next on stage as part of the Steppenwolf for Young Adults’ (SYA) season is the world premiere of How Long Will I Cry?: Voices of Youth Violence by Miles Harvey. How Long Will I Cry? is directed by Edward Torres as part of the citywide, season-long Now Is The Time initiative with Chicago Public Library and other local cultural organizations. Public performances of How Long Will I Cry? are March 2, 4, 9, 18 and 23 in Steppenwolf’s Upstairs Theatre (1650 N Halsted St); tickets for public performances are available through Audience Services (1650 N Halsted St), 312-335-1650 and steppenwolf.org. School performances are Tuesday – Friday at 10am and are on sale now through SYA Education Assistant Lauren Sivak at 312-654-5643.

How Long Will I Cry? also tours select Chicago Public Library branches and partner locations, March 11 – 16, 2013.

Journalist, playwright and DePaul University professor Miles Harvey participates in a post-show discussion with filmmaker of The Interrupters and author of There Are No Children HereAlex Kotlowitz, and Founder and CEO of Kids Off The Block, Inc., Diane Latiker, whose story is featured in the play following the performance on Monday, March 4. Miles Harvey also participates in a post-show discussion following the performance on Monday, March 18. On Saturday, March 23, Steppenwolf is pleased to welcome award-winning author of Gang Leader for a Day and Freakonomics contributor Sudhir Venkatesh for a post-show discussion following the performance. Mr. Venkatesh has written extensively about Chicago’s urban poor and gang culture.

Woven together from interviews gathered by journalist Miles Harvey and his students at DePaul University, How Long Will I Cry? provides raw, truthful insight into the problem of youth violence. By giving voice to those who know the tragic consequences of violence first-hand—families of the victims, residents of crime-ridden neighborhoods and especially young people—How Long Will I Cry? inspires all of us to join together in search of a solution.

How Long Will I Cry?: Voices of Youth Violence is a culmination for me of more than three years of thinking about youth violence in the city of Chicago,” comments Hallie Gordon, Artistic and Education Director for Steppenwolf for Young Adults. “It is a concern that both the playwright, Miles Harvey, and his students from DePaul University shared and over the past two years have investigated with compassion and honesty. It is why Now Is The Time was started, a city wide initiative to stop youth violence and intolerance. This piece shows the power the arts can have on very real issues. This piece is a call to action to stop the trend of youth violence in Chicago. Now is the time.”

Now Is The Time is a year-long conversation about how young people can make positive change in their communities and stop the trend of youth violence and intolerance. Through major projects taking place throughout 2012/13, Chicago Public Library, Facing History and Ourselves, and Steppenwolf Theatre Company join forces to activate this conversation in our city’s many neighborhoods. They are joined by dozens of other organizations and institutions around the city, including a coalition of Chicago’s finest theater companies, Now is the Time to ACT. Learn more at nowisthetimechicago.org.

The cast of How Long Will I Cry? features Carlos Rogelio Diaz (Berly Valladares/Ernie Purnell, March 11 – 23), 
Charles Gardner (Deshon), Tara Mallen (Joy McCormack),  J. Salomé Martinez, Jr. (Berly Valladares/Ernie Purnell, February    26 – March 10; Frankie Valencia/Max Cerda, March 11 – 23), Shannon Matesky(DaisyCamacho/Ora), Jessie David Perez (Narcisco Gatica/Jamie), Gabriel Ruiz (Frankie Valencia/Max Cerda, February 26 – March 10), Mark Smith (Pastor Brooks), March Ulrich (Narrator) and Celeste Williams(Diane Latiker/T-Awannda Piper).
                                                    
The production team for How Long Will I Cry? includes: William Boles (scenic design), Sally Dolembo (costume design), J.R. Lederle (lighting design), Gregor Mortis (sound design) and Michael Fernandez(projection design). Additional credits include: Erica Daniels (casting), Terrence Mosely (assistant director), Kelli Simpkins (artistic consulting), Megan Shuchman (dramaturgy) and Tess Golden (stage manager).Photos and bio information for all artists are available upon request.

Tickets to public performances of How Long Will I Cry?: Voices of Youth Violence ($20) are currently on sale through Audience Services (1650 N Halsted St), 312-335-1650 and steppenwolf.org. Tickets to the performances on Saturday, March 2 and 9 are 2-for-1. Student Discounts: a limited number of $15 student tickets are available through Audience Services (1650 N Halsted St) or by calling 312-335-1650. Must present a valid student ID for each ticket. School Performances are currently on sale. Contact SYA Education Assistant Lauren Sivak at 312-654-5643. Adult Groups: all groups of 10 or more receive a discounted rate for any performance throughout the season. For additional information, visit steppenwolf.org/groupsTour Performances: admission to the tour performances March 11 – 16 is free, though a reservation is required. Please call the library branch as listed to reserve tickets.

Tour Schedule
March 11: 11am at Woodson Regional Library (9525 S Halsted St, 312-747-6900); 5pm at West Englewood Branch (1745 W 63rd St, 312-747-3481)
March 12: 11am at Austin Branch (5615 W Race Ave, 312-746-5038)
March 13: 11am at Little Village Branch (2311 S Kedzie Ave, 312-745-1862); 5pm at Gary Comer Youth Center (7200 S Ingleside Ave, 773-358-4100)
March 14: 11am at Harold Washington Library Center (400 S State St, 312-747-4780); 5pm at Whitney Young Branch (7901 S King Dr, 312-747-0038)
March 16: 11am at Humboldt Park Branch (1605 N Troy St, 312-744-2244)

Accessible Performances:
Audio-described performance: March 9 at 11am
Open captioned performance: March 4 at 7:30pm
Sign-interpreted performances: March 4 at 7:30pm; Student Performance: March 6 at 10am

JPMorgan Chase & Co. is the Corporate Sponsor of Steppenwolf for Young Adults. Target is the sponsor of the Target 2-for-1 matinees.


Steppenwolf for Young Adults’ unique approach combines play production with educational components to enhance arts education for young audiences, as well as their teachers and families. SYA creates two full-scale professional productions each season specifically for teens. Working closely with the Chicago Public and metropolitan area schools and other community partners, SYA annually ensures access to the theater for more than 12,000 participants from Chicago’s diverse communities. The initiative also includes post-show discussions with artists; classroom residencies led by Steppenwolf-trained teaching artists in more than 30 classrooms in 12 public high schools; professional development workshops for educators; and the Young Adult Council, an innovative year-round after school initiative that uniquely engages high school students in all areas of the theater’s operations.

Steppenwolf Theatre Company is America’s longest standing, most distinguished ensemble theater, producing nearly 700 performances and events annually in its three Chicago theater spaces—the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat Garage Theatre. Formed in 1976 by a collective of actors, Steppenwolf has grown into an ensemble of 43 actors, writers and directors. Artistic programming at Steppenwolf includes a five-play Subscription
Season, a two-play Steppenwolf for Young Adults season and three repertory series: First Look Repertory of New Work, Garage Rep and Next Up. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Off-Broadway, Broadway, London, Sydney and Dublin. Steppenwolf has the distinction of being the only theater to receive the National Medal of Arts, in addition to numerous other prestigious honors including an Illinois Arts Legend Award and nine Tony Awards. Martha Lavey is the Artistic Director and David Hawkanson is the Executive Director. Nora Daley is Chair of Steppenwolf’s Board of Trustees. For additional information, visit steppenwolf.orgfacebook.com/steppenwolftheatre and twitter.com/steppenwolfthtr.

ACT OUT OPENING: A Body of Water at Red Twist


A Body of Water
By Lee Blessing  
Directed by Mary Reynard
Opens at Redtwist Theatre Saturday, Mar 2, at 3pm

We'll be checking out the press opening today, and we'll have a full review up shortly.   Red Twist remains one of our favorites for bold choices and high quality, frequently Jeff recommended productions.

Redtwist announces the Chicago premiere of Lee Blessing's charming, clever, frightening, witty, and mysterious drama about lost identity and rediscovering love.
Jeff Award-winner, Brian Parry, and Jan Ellen Graves reunite on the Redtwist stage as husband and wife for the first time since their acclaimed performances in Three Hotels (2007). Only this time, their characters, Moss and Avis, meet each other for the first time, everytime they wake up in the morning. 

PLAY
A middle-age couple awaken every day and don't know who they are, where they are, or the why of anything. And an unfamiliar young woman uses extreme measures to reach them. Funny and charming, this is a lyrical, intriguing drama that examines the wisdom of embracing a pure moment of joy...when nothing else is certain.
cast 
CAST
Jan Ellen Graves (Avis), Stella Martin (Wren), Brian Parry (Moss)

STAFF
Mary Reynard (Director), Matt Dominguez (Assistant Director), Lauren Yarbrough (Stage Manager), Allison Queen (Assistant Stage Manager), Justin Castellano (Production Manager), Frank Sjodin (Tech Director), Nick Mozak (Set Designer), Christopher Burpee (Lighting Designer), Nick Gajary (Sound Designer), Olivia Leah Baker (Costume Designer), Jeff Shields (Prop Designer), Mary Reynard (Vocal Coach), Kevin McDonald (Dramaturg), Eileen Rozycki (Scenic Charge), Garvin Jellison (Master Electrician), Alan Weusthoff (Set Builder), Jan Ellen Graves (Graphic Designer), Charles Bonilla (Box Office Manager), E. Malcolm Martinez (Box Office Associate), Johnny Garcia (Associate Producer), Michael Colucci & Jan Ellen Graves (Producers)

SCHEDULE
Opens: Sat, Mar 2, 3pm
Runs: Thu, Fri, Sat, 7:30pm; Sun, 3pm
Note: no evening performance on Sat, Mar 2 AND no performance on Sun, Mar 3 
Closes: Sun, Apr 7, 3pm
Running Time: Approximately 90 minutes, no intermission
Previews: $15; Wed, Thu, Fri, Feb 27, 28, & Mar 1 at 7:30pm
Tickets:
Thursdays, $25; Fridays, Saturdays, Sundays, $30 (seniors & students $5 off) 
Group Rates: Special discounts for groups of 10 or more, and groups of 25 or more
 
DETAILS
Call: 773-728-7529
Email: michael@redtwist.org
Website/Tickets:
 www.redtwist.org

Redtwist is located at 1044 W Bryn Mawr, 2 blks W of LSD, 2 blks E of the Red Line El station. Street parking (paybox/meters until 9pm) is available on Bryn Mawr, side streets, and Broadway. Please reserve 48 hours in advance. Credit cards accepted by phone and via Paypal to guarantee seating.

Wednesday, February 27, 2013

REVIEW: Jack the Giant Slayer 3D #original photos #review



ChiILin' out with ChiIL Mama & Jack the Giant Slayer Giveaways at CircEsteem Circus Arts School Monday




We've been eagerly anticipating the press preview of Warner Brothers' latest, Jack the Giant Slayer 3D, and we finally got to see it last night!   It was truly epic and the whole family loved it.   This show combines all the elements of great cinema, action packed battles with mythical creatures, unique costumes, brave underdogs, evil underlings, visually stunning scenery, romance, and a princess who kicks butt instead of staying home and being prissy.    

Sagezilla, my 9 year old daughter, was so jazzed to have another strong, female role model instead of the comatose princesses of my childhood, sleeping their lives away, awaiting a kiss from a prince.   Isabelle is a rockin' role model who longs for adventure and sneaks out often incognito.  She's even got a cool mom who gets it, and encourages her to have adventures as a child, and see how the world works, so she can better govern later as a queen.

Sure, the whole premise of man eating giants descending on mankind is pretty intense, and if you have younger kids and you're in doubt, read up, check out on line previews and reviews or see it yourself first.  We've found some sensitive tweens have trouble with extreme action films and some younger kids are just fine.  Everyone knows their own children's limits best.  Jack the Giant Slayer is rated PG13, but we were confident our 9 & 11 year olds could handle it just fine.   Jack the Giant Slayer is no more creepy or scary than Harry Potter, Star Wars, or the Lord of the Rings films.

The kids were enthusiastic in their praise for the movie.   Sure, it's based on the classic Jack and the Beanstalk fairy tale and has other familiar elements.   My kids noted the "farm boy" and kids in bed hearing stories nod to Princess Bride, and the very gollum like mini head on the creepiest giant.   Yet, Jack the Giant Slayer is an entirely new tale as well, and one that's sure to become a family favorite for generations.

Sage looked at me with a huge grin as the movie ended and said "I may have nightmares for a month, but it was worth it!"  She slept just fine last night without a giant nightmare in site.  Jack the Giant Slayer is entertaining, enchanting and highly recommended.



Bean Stalk Scalers & CircEsteem Shows

WORLDS COLLIDE ALERT:  Two shows are opening in Chicago this Friday, that we're super stoked about, here at ChiIL Mama.... Jack the Giant Slayer 3D movie and CircEsteem's Performing Troupe Show, Circus Symphony, for two shows only.   



If a plague of giants descended on us, I'd want these super climbers on my side!   These confident kids don't flinch at heights, could scale a bean stalk with ease, and rock the aerial arts and acro...useful life skills whether you're battling oversized, man eating bullies or keeping fit and entertaining your friends.




We gave away 400 Jack the Giant Slayer 3D movie preview tickets to our readers and they were gone in a matter of hours.  When Warner Brothers offered us Jack the Giant Slayer show swag, too, we instantly thought of the CircEsteem circus stars.   Who better to show off the Next Big Thing T's than Chi-town's larger than life circus troupe?!    

One of the Circus Troupe kids is even named Jack!



These kids have some super sized skills and they're the most likely to actually be able to scale a bean stalk and take on a race of giants with panache. 












CircEsteem Proudly Presents

The CircEsteem Teen Ensemble!
Don't miss 'Circus Symphony'- the 4th annual youth created, directed, and produced circus show presented by the 'CircusTeens' of CircEsteem.

Circus Symphony is a fusion of circus arts and music that explores two seemingly separate worlds as one by combining the unique talents of the CircusTeen group.

CircEsteem's CircusTeen program engages young performers by offering participants  employment in the arts. CircEsteem hires the most talented and skilled teens to teach, perform, and mentor younger students and collectively have performed hundreds of shows around Chicago, the United States, and the Globe.

Showtimes are Friday March 1st and Saturday March 2nd at 7pm and tickets are sold on a sliding scale between $7 and $20.

For more info please visit our website!

2 Mar 2013 - 7:00 PM
Alternatives
4730 N Sheridan Road
Chicago, IL 60640


The troupe show is entirely written, produced and publicized by the kids themselves.   Come check 'em out.   We caught up with them at rehearsal Monday, and they were digging the Jack swag!







Sagezilla & other girls of action need great role models like Jack & the Giant Slayer's Princess Isabelle, who is not only pretty & passionate, but adventurous, active, brave, smart and kind, too. 
















We adore mighty girls, and know they have a nurturing space at CircEsteem, where boys & girls from toddlers to teens can embrace their strength and climb, flip, roll, and fly.

We adore CircEsteem for their mission statement, too.   They're a non profit and keep classes sliding scale.  They also offer free tutoring, college scholarships, and work programs to keep circus arts accessible and affordable to all Chi-town's kids, which is a giant sized task, especially in tough economic times when corporate donations are down!   


The team kids encompass a huge variety of races, income levels, and areas of town, and form lasting friendships with kids they'd otherwise never cross paths with.   If you're in a position to support them by seeing their shows or kicking in some monetary support, we highly recommend it.



If you're looking for circus arts classes for kids or adults or a rockin' summer camp, check them out.   Our family has been personally involved with CircEsteem for close to 3 years and couldn't be happier with the experience.   Our kids have grown physically, mentally and emotionally, in stunning ways, all while laughing, playing, and having too much fun.  


Even my son who was firmly on the shy side, has become a seasoned, confident performer.   I've never seen him grin so much and have such a great time as he does at CircEsteem.





Coming THIS Friday.....March 1st!

Disclosure:   Thanks to Warner Brothers, Gofobo, and the Jack the Giant Slayer movie for tickets and goodies to review and give away to our readers.  You rock!   Check out the Jack and the Giant Slayer movie opening 3/1/13.  All opinions are our own.

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