ACT OUT REVIEW: Bud, Not Buddy #Authorvideo #Review #photofeature

Author, Christopher Paul Curtis, & Chicago Children's Theatre Artistic Director Jacqueline Russell

Bud, Not Buddy is a compelling period piece that gives families a feel for the desperation of the great depression and being orphaned at a young age, without being heavy handed.  The fabulously flawed characters are genuine and real, and it's magical to see them spring to life, off the page.  Bud, Not Buddy is full of wit and wisdom, and truly funny moments.   It was simultaneously chilling and heart warming to see how much Bud's dead mother still influenced him through her words, actions and love, even from beyond the grave.   

We highly recommend seeing the production.   Bud, Not Buddy is a stunningly well done piece with a poignant and piercing script.   I see a LOT of theatre and it's rare that something actually brings me to tears, and this show did.  Everyone should have a "family" as creative and caring as the jazz band surrogates who take Bud in and teach him what it means to be truly home, even while on the road.   The set design, backdrop projections, costumes, and acting are truly impressive.

We're looking forward to playing the "same different game" with the book and the stage adaptation.   We'll be reading the book together and comparing and contrasting the different ways to tell the same story using different medium.   It's a family game we all enjoy, and so much fun, the kids hardly notice they're learning. 

It was ChiIL Mama and Sagezilla's great pleasure to meet award winning author, Christopher Paul Curtis at the opening of Bud, Not Buddy at Chicago Children's Theatre.  This gifted author went from hanging Buick doors to winning multiple Newbery Awards and Coretta Scott King Awards!   


We do a number of author interviews and frequently cover book signings.   I'm always impressed when authors are genuine and personable, even after hours of autographs!  Christopher Paul Curtis was was down to earth, friendly, and truly a joy to meet.  Even at the tail end of a sizable book signing line, he took time to chat with each child.


This week, Sagezilla came home from school all excited and she exclaimed "Our class just started reading about the wacky Watsons out loud with the whole class (The Watsons Go to Birmingham-1963).   And I got to share that I just met the author and got that book signed and saw Bud, Not Buddy!"   It's those moments that make me LOVE being a mom.  Her enthusiasm was contagious. 










At Bud, Not Buddy, we splurged on the 4 book/bookbag combo from Chicago Children's Theatre, as we're always more than happy to support the arts, and we dig getting books signed by their authors.   





CCT is also selling retro candy and kids games as well as individual books at the shows.




ChiIL out with ChiIL Mama's opening night photo filled recap right here

Click here to check out our past Bud, Not Buddy coverage.

Look for show specials like different high school jazz musicians playing before the Friday shows, and pizza party nights!

School and public performances of Bud, Not Buddy run Jan. 12-Feb. 24, 2013 at the Ruth Page Center for the Arts, 1016 N. Dearborn St., Chicago.  Single tickets start at $20. To purchase, visit chicagochildrenstheatre.org or call (872) 222-9555. For group rates, visit GroupTix.net or call (773) 327-3778.   

 Recommended for ages 8+ to adult.

Curtis was visiting Chicago for the opening weekend of Chicago Children's Theatre's newest production, a live stage adaptation of his book Bud, Not Buddy. The production is directed by Derrick Sanders, director of CCT's 2011 smash hit Jackie and Me. 

About Christopher Paul Curtis

Born in Flint, Michigan, Christopher Paul Curtis was always a great reader, but as a youth he could not find books "that were about me." He spent his first 13 years after high school on the assembly line of Flint's historic Fisher Body Plant #1, hanging 80-pound car doors on Buicks. He wrote during his breaks to escape the noise of the factory, while attending college at night. Curtis made an outstanding debut in children's s literature with The Watsons Go to Birmingham-1963. His second novel, Bud, Not Buddy, is the first book ever to receive both the Newbery Medal and the Coretta Scott King Author Award. 

Curtis' writing - and his dedication to it - has been greatly influenced by his family members. He modeled characters in Bud, Not Buddy after his two amazing grandfathers - Earl "Lefty" Lewis, a Negro Baseball League pitcher, and 1930s bandleader Herman E. Curtis, Sr., of Herman Curtis and the Dusky Devastators of the Depression.  For more information, visit his website nobodybutcurtis.com

ACT OUT: Black Watch & The Strange Undoing of Prudencia Hart (The OTHER Scottish Plays) #review

ChiIL Live Shows photos--The Strange Undoing of Prudencia Hart

Ask any theatre geek what "The Scottish Play" is and he or she will undoubtedly conjure up the infamous Shakespeare play whose name must not be uttered within a theatre or it's bad luck.   Actors can be a superstitious lot.    However, in Chi-town right now, there are two authentic Scottish plays running this month, with real Scottish actors and accents, and major players from The National Theatre of Scotland!    Neither of them is Macbeth, though the troupe IS here in conjunction with Chicago Shakespeare Theatre.

Image 1: Left to right: David McKay, Alasdair Macrae, Melody Grove and Andy Clark in National Theater of Scotland’s production of The Strange Undoing of Prudencia Hart, presented in the Upstairs Theater at Chicago Shakespeare, now through October 28, 2012. Photo by Drew Farrell.

First up, we're super stoked The National Theatre of Scotland is presenting The Strange Undoing of Prudencia Hart.    Critics are just about universally raving about the show and handing out 5 stars like shots of fine Scotch whisky. 
Do not miss this limited run.   The show must close October 28th.

September 26–October 28, 2012 Tickets $45–$60

Tuesday	7:30 p.m.
Wednesday	7:30 p.m.
Thursday	7:30 p.m.
Friday	7:30 p.m.
Saturday	3:00 & 7:30 p.m.
Sunday	3:00 & 7:30 p.m.

ChiIL Live Shows caught opening night and we loved it.  This show is wickedly funny, creative and smart without pretension.  Much of the dialogue is couplets providing a classy and classic touch.  



Scottish folk ballads and instruments that have been used for centuries effectively transport the audience out of the intimate, upstairs space at Chicago Shakespeare Theater on Navy Pier and into a recreated Scottish pub.  

Image 3: Left to right: Andy Clark, Melody Grove, Annie Grace, David McKay and Alasdair Macrae in National Theater of Scotland’s production of The Strange Undoing of Prudencia Hart, presented in the Upstairs Theater at Chicago Shakespeare, now through October 28, 2012. Photo by Drew Farrell.

Yet cell phones, the internet, karaoke, soccer matches, and even modern pop stars are intrinsically woven throughout the story in a brilliant melding of past and present, myth and modern life.   The audience is treated to a rousing night of live theatre, Scottish folk songs, and a truly unique hybrid of classic and modern story telling.   In this interactive show, the 3rd wall is broken down and much of the action takes place among, around and on the audience and their pub tables! The audience is asked to make snow and sing along, and more than a few enjoyed doodling on the paper table cloths.   

I heard a few older patrons saying they had a bit of trouble with understanding the accents, but I'd say 95% of the dialogue and song was easy to hear and follow along with.  Luckily we were also given a "cheat sheet" that explained the most Scottish of expressions and events not universally known to Chicagoans.

The theatre has a bar in the room and the audience is treated to a free communion cup shot of smoky, rich Benromach Speyside Single Malt Scotch Whisky.   Even my decidedly non-theatre lovin' spouse was placated with a few beers and a shot of 10 year old whisky in front of him, and actually admitted he enjoyed the show!


 

Image 2: Left to right: Annie Grace, Melody Grove and Andy Clark in National Theater of Scotland’s production of The Strange Undoing of Prudencia Hart, presented in the Upstairs Theater at Chicago Shakespeare, now through October 28, 2012. Photo by Drew Farrell.

We dug the misadventures of the aptly named Prudencia Hart, the serious, prudent and prudish academic with her heart tightly under wraps.  Truly the rule of opposites does exist and apply.   Sometimes opponents are unlikely allies.
    
  

Chicago Shakespeare Theater Presents 

National Theatre of Scotland's

The Strange Undoing of Prudencia Hart

As Part of the World's Stage Series

Upstairs at Chicago Shakespeare Now through October 28, 2012

The theater Upstairs at Chicago Shakespeare morphs into the intimate confines of a Scottish pub for National Theatre of Scotland’s The Strange Undoing of Prudencia Hart now through October 28. Complete with pub-style seating and a bar, the production recounts the Faustian tale of Prudencia, an ivory-tower academic sweetly "lost" in her research on Scottish folk music, who finds her world comically unhinged as the love and mythology of her research springs to surprising life.

Winner of a Herald Angel award at the 2011 Edinburgh Festival Fringe, The Scotsman gives it five stars and The Herald declares, “You shouldn’t miss this show for the world... [it’s] rambunctiously life-affirming and touchingly beautiful.”

The Strange Undoing of Prudencia Hart is the product of a weekend visit to a Kelso pub in the Scottish Borders by playwright David Greig, director Wils Wilson and composer Alasdair Macrae. What began as simple research on Scottish Border ballads soon became the inspiration for a story of love, music and the Devil.

Writer David Greig’s recent work for National Theatre of Scotland includes Dunsinane (Royal Shakespeare Company), Peter Pan and The Bacchae (Edinburgh International Festival). Currently, he is working on a new Broadway production of Charlie and the Chocolate Factory. Director Wils Wilson, a Critics’ Award for Theatre in Scotland (CATS) recipient, has previously worked on National Theatre of Scotland’s Gobbo, devised and created with David Greig, and Home Shetland, created with Jackie Kay. Composer Alasdair Macrae won a CATS for Best Music and Sound for his work on The Strange Undoing of Prudencia Hart. The production’s creative team is rounded out by Designer Georgia McGuinness, Composer and Music Director Alasdair Macrae, Movement Director Janice Parker, and Casting Director Anne Henderson. The cast of The Strange Undoing of Prudencia Hart includes: Andy Clark, Annie Grace, Melody Grove, Alasdair Macrae and David McKay.

Chicago Shakespeare Theater’s limited four-week engagement of The Strange Undoing of Prudencia Hart runs now through October 28, 2012, in the theater Upstairs at Chicago Shakespeare. Tickets are on sale now for $45–60. All patrons receive a 40% discount on guaranteed parking in Navy Pier garages. For more information or to purchase tickets, contact Chicago Shakespeare Theater’s Box Office at 312.595.5600 or visit the Theater’s website at www.chicagoshakes.com.

ABOUT NATIONAL THEATRE OF SCOTLAND

Supported by the Scottish Government, National Theatre of Scotland has been involved in creating 181 productions in 156 different locations since its launch in February 2006. With no building of its own, the Company takes theater all over Scotland and beyond, working with existing and new venues and companies to create and tour theater of the highest quality. It takes place in the great buildings of Scotland, but also in site-specific locations, airports and tower blocks, community halls and drill halls, ferries and forests. The company has performed to over 770,000 people, across three continents.

ABOUT CHICAGO SHAKESPEARE THEATER Chicago Shakespeare Theater is a leading international theater company, known for vibrant productions that reflect Shakespeare’s genius for intricate storytelling, musicality of language and depth of feeling for the human condition. Recipient of the 2008 Regional Theatre Tony Award, Chicago Shakespeare’s work has been recognized internationally with three of London’s prestigious Laurence Olivier Awards, and by the Chicago theater community with 62 Joseph Jefferson Awards for Artistic Excellence. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, CST is dedicated to producing extraordinary classic productions, new works and family fare; unlocking Shakespeare’s work for educators and students; and serving as Chicago’s cultural ambassador through its World’s Stage Series.

ABOUT THE WORLD’S STAGE SERIES

Chicago Shakespeare’s presentation of National Theatre of Scotland is emblematic of the wide scope of work presented through the World’s Stage Series—a program that brings the world’s most exciting theatrical events to Chicago audiences and presents Chicago Shakespeare’s work abroad. Since the inception of the World Stage Series in 2000, CST has imported international productions ranging from pedestrian-based live art events (Australia’s one step at a time like this) to grand aerial and water spectacles (France’s Compagnie Transe Express and Ilotopie); and hosted iconic theaters such as Shakespeare’s Globe Theatre (London), The Abbey Theatre (Dublin), the Chekhov International Theatre Festival (Moscow) and La Comédie-Française (Paris). As a leading cultural ambassador, Chicago Shakespeare has presented its work at the Royal Shakespeare Company, The Donmar Warehouse and Stratford East theatres; and this past spring, was among the 37 international companies that came together for an unprecedented 37-play “Globe to Globe” festival for the London 2012 Cultural Olympiad. Chicago Shakespeare, representing North America, brought to Shakespeare’s Globe Theatre in London an original CST commission and world premiere, The Q Brothers’ Othello: The Remix, presented in American hip-hop. The acclaimed production is currently playing at the Edinburgh Festival Fringe.

Check out Chicago Shakespeare Theatre's website for advanced tickets for their prolific, professional and profound offerings.

Black Watch, also by National Theatre of Scotland is opening Oct 10th.   Click the link for video clips, behind the scenes, reviews and more.   We missed it the last time around and are eagerly awaiting it's return.  It's playing at The Broadway Armory through Oct. 21st.

Both are well worth a night out.   Get your tickets today before they sell out or ship out!   Check out ChiIL Live Shows prior coverage here.

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UP AND COMING

SUNDAY IN THE PARK WITH GEORGE  |  September 26–November 4, 2012

THE STRANGE UNDOING OF PRUDENCIA HART  |  September 26–October 14, 2012

BLACK WATCH  |  October 10–21, 2012