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Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

Thursday, January 26, 2023

REVIEW: “TALES FROM THE WANDERING WYVERN INN” EXTENDED UNTIL FEBRUARY 19th, 2023

ChiIL Live Shows On Our Radar 

Otherworld Theatre Company's

The Wandering Wyvern Inn Now Extended Due To Popular Demand



Guest Review 

by Dugan Kenaz-Mara

When traveling through the realm of Amelor, my party of five adventurers came across a cozy inn. Some invited there by old friends, some seeking answers, and others just looking to have a good time. Little did we know that in the span of 90 minutes, we would make decisions that could change the fate of the world…



Tales From The Wandering Wyvern Inn is a fun, immersive experience where you and your party get to gather information from the characters, find clues, solve puzzles, and decide on a path to follow to solve a mystery about a fantasy world. 

The show is a fun activity for everyone regardless of previous LARP (live action role play) experience. My party consisted of a good mix of people with a wide variety of experiences. A few of us have worked at Bristol Renaissance faire and had plenty of background in immersive theatre. Others are experts at TTRPGS but had never experienced them in person, and others still are not involved in theatre whatsoever. All of us had a fantastic time. 

The adventure starts with a quest board, listing the names of the NPCs you will encounter once the experience starts. The participants are given a brief insight into who the characters are and what they are like before choosing one of the quests to follow. This gives the participants an easy entrance into the world of the show and gives each one a sort of NPC companion to start off the show with. Nobody feels left out, and because everyone chooses which questline to follow, they often end up with an NPC who they feel like they can trust and identify with. One friend who was new to immersive experiences ended up getting to just hang out with one NPC who was just in the story to have fun and didn’t have to get wrapped up too tightly in the lore of the world. 

Anyone looking for a well-constructed world can find that here too. The Wandering Wyvern Inn’s characters have secrets, conflicting motivations, and lore about themselves and the world that the players get to discover through conversation. They also bring some of that character lore to the whole group after it’s revealed, heightening the tensions and helping nudge the story along naturally. With 5 players maximum and 5-6 NPCs, the world feels full without being too chaotic, and intimate without being overbearing. 

The set is very fun and quite immersive, including a bar where you can exchange fantasy coins for real drinks, shelves of magical trinkets, and additional spaces that get revealed as the story progresses. Some characters even grow and change as you progress their individual questlines! While it’s marketed as a hybrid LARP/escape room/immersive theatre experience, I would say that it skews more heavily into LARP than the other two. While there are still puzzles to solve it’s much more story driven than an escape room, and while it is completely immersive, the main focus is building relationships and interacting with characters rather than following a plot. 

On top of all of that, there are multiple storylines (some apparently covering more intense material than others), so players who enjoyed the experience can return to the world to solve new puzzles and interact with new characters, making each adventure unique. I would highly recommend this show to anyone who enjoys role-playing or audience-centered experiences. ★★★★ Four out of four stars. 

Dugan is an actor, designer, and photographer studying theatre and psychology at Northwestern University. Contrary to popular belief, he is not a time traveler.


Audiences Embark on Ever-Changing Quests, 

Ensuring No Two Shows are the Same

Don't miss this! Shows are selling out fast. Get your tickets today. 

Otherworld Theatre Company has announced the extension of TALES OF THE WANDERING WYVERN INN: A One-Shot Immersive LARP, a hybrid Live Action Role Play (LARP), escape room, and immersive theatre that has enjoyed a sold-out run since opening December 9. The show, originally slated to close January 29, will now run through February 19, 2023 at their storefront at 3914 N. Clark St. 

TALES FROM THE WANDERING WYVERN INN: A One-Shot Immersive LARP is a 90-minute adventure set in the world of the popular multi-day CHRONICLES OF THE REALM LARP series. Rumors abound about the quaint Wyvern Inn, nestled quietly at the foothills of the Alden's Gate Mountains in Amelor. It is the first stop for many who make the pilgrimage up to Heightswatch. The tavern itself seems unassuming - without the smoke stack you might even miss the structure. However, at night, there is no mistaking the glow from a single orb that beckons travelers to its doors. As you approach, you see the famed Wyvern himself to greet you, holding his magical sphere and whispering through the winter wind that you should come inside for at least the night. 

Grab a quest off the wall, an adventure awaits! Be a mage outlaw, a Strykarrian assassin on the job, a Druid on a journey to find the life-saving antidote for your feverish friend, and more - the Quest Board changes daily so no two experiences are ever the same. Limited to five players, this intimate experience is a hybrid between LARP, escape room, and immersive theatre. Shows run Fridays at 8 p.m., Saturdays at 5:30 and 8 p.m., and Sundays at 2 p.m.; tickets are $65 and include a beverage (alcoholic and non-alcoholic options available). The next installment in the LARP series, CHRONICLES OF THE REALM: LEGIONS & LIAISONS, is a weekend-long event July 21 - 23, 2023, held in Monticello, Illinois.

TALES FROM THE WANDERING WYVERN INN features a cast of Non-Player Characters (NPCs), whose roles change show by show depending on that evening’s Quests. The cast includes Blake Hood, Ross Myers, Lilly Bolduc, Shaun Hayden, Sean Buckley, Kyra Young, Vhenan Strange, Ginny Weant, Jono Mammel, Jenna Kappers, Abbey Schnell, Alex Campbell, Chelsea Cox, and Sam Santos. Players are guided on their quests by these NPCs, with new storylines unfolding based on the players’ choices.

Tickets for TALES OF THE WANDERING WYVERN INN and CHRONICLES OF THE REALM: LEGIONS AND LIAISONS are available at www.otherworldtheatre.org

ABOUT OTHERWORLD THEATRE COMPANY

Otherworld Theatre Company (3914 N Clark St.) was founded in 2012 to bring a theatrical experience to the science fiction and fantasy genre. The Company’s work celebrates the depth of human imagination by engaging spectators in high quality storytelling. Otherworld Theatre Company stages original works in its pay-what-you-can Chicago, Illinois venue, presents virtual programming online, and produces immersive Live-Action Role Playing events through its partner company, Moonrise Games. For more information: www.otherworldtheatre.org

Saturday, January 7, 2023

REVIEW: Steppenwolf Theatre Company's World Premiere of Bald Sisters Now Extended Through January 21, 2023

ChiIL Live Shows On Our Radar

Steppenwolf Theatre Company extends its world premiere of

Bald Sisters


Francesca Fernandez McKenzie and Jennifer Lim
Photo Credit for all: Michael Brosilow

By Vichet Chum

Directed by Jesca Prudencio

  ADDED WEEK OF PERFORMANCES!

Now Playing Through January 21, 2023 in Steppenwolf’s new in-the-round Ensemble Theater in Honor of Helen Zell


Francesca Fernandez McKenzie and Wai Ching Ho 


REVIEW:

By Bonnie Kenaz-Mara

Bald Sisters is poignant, powerful, must-see theatre. This wonderful world premiere is both universal enough to be easily relatable and deeply personal, steeped with Cambodian heritage. There's abundant humor and plenty of quirky human nature moments to make this production enjoyable, despite the serious tone of the subject matter which covers maternal death, past trauma, refugee life, infidelity, cancer treatments, stillbirth, and complicated multicultural family dynamics.  

Wai Ching Ho and Jennifer Lim 

Jennifer Lim and Francesca Fernandez McKenzie 

It's a joy to see Vichet Chum's multilayered writing come to life on stage in the capable hands of this stellar cast. Wai Ching Ho steals the show before and after her death, as the cute, feisty, Asian matriarch. The sisters' dynamic is also a joy to see as well, as they navigate funeral arrangements, different religions or lack thereof, and conflicting ideas of what their mother's unwritten wishes actually were. It's glorious to see so many strong, opinionated women take the lead in this storyline.

We enjoyed the creative set design and staging in Steppenwolf's new theatre in the round space, well suited for this style of intimate storytelling. It's heartening to see more refugee experiences and first generation immigrant stories on stage. Excellent ensemble work all around. Highly recommended. ★★★★ Four out of four stars. 

Wai Ching Ho and Francesca Fernandez McKenzie


Bonnie is a Chicago based writer, theatre critic, photographer, videographer, actress, artist and Mama. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).


Francesca Fernandez McKenzie and Jennifer Lim 

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased to announce an added week of performances for its world premiere of Vichet Chum’s Bald Sisters, now extended through January 21, 2023 in Steppenwolf’s stunning new in-the-round Ensemble Theater in Honor of Helen Zell, the centerpiece of its recently unveiled Liz and Eric Lefkofsky Arts and Education Center, 1650 N. Halsted St. in Chicago.

Directed by Jesca Prudencio, this brazen, comic examination of the ties that bind multigenerational families of immigrants together features Francesca Fernandez McKenzie, Coburn Goss, Wai Ching Ho, Jennifer Lim and Nima Rakhshanifar.

Single tickets ($20 - $84) for all Bald Sisters performances are now on sale at steppenwolf.org and the Box Office at 312-335-1650.

Ma is dead; now what happens? Vichet Chum’s world premiere follows two sisters – at odds since birth – as they settle the affairs of their strong-willed, wise-cracking mother while reconciling their family’s Cambodian heritage with its ever-so-complicated American present. Where’s the will? A burial or cremation? And what happens with Ma’s teeth? Bald Sisters is an irreverent, comic and ultimately poignant examination of the ties that bind multigenerational families of immigrants together: history, spirituality and humor. 

 

Production Information

Ticket information: Single tickets ($20 - $84) for all performances are now on sale at steppenwolf.org and the Box Office at (312) 335-1650. Steppenwolf 2022-23 Flex Memberships are also currently available: Black Card Memberships with six tickets for use any time for any production and Red Card Memberships for theatergoers under 30.  

The production team includes Andrew Boyce (Scenic Design), Izumi Inaba (Costume Design), Stacey Derosier (Lighting Design), Pornchanok Kanchanabanca (Sound Design & Original Music), Mike Tutaj (Projection Design), Gigi Buffington (Company Voice & Text Coach), Tom Pearl (Producing Director), JC Clementz, CSA (Casting Director), Laura D. Glenn (Production Stage Manager) and Jaclynn Joslin (Assistant Stage Manager). 


Artistic Biographies

Francesca Fernandez McKenzie (Sophea) Steppenwolf Theatre Company debut. Off-Broadway: ...what the end will be (u/s Roundabout Theatre Company), Gloria: A Life (Daryl Roth Theatre); Kenny's Tavern (59E59); Sorry Not Sorry (Ars Nova ANTFEST); Love: Medea (Center at Park West). Regional: Twelfth Night (KC Rep); Good Person of Szechwan (CalShakes); Nanay (Magic Theatre); SYZRGY (Two Rivers Theatre); Lily's Revenge (Southern Rep); Sheddin' (Horizon Theatre); Hotel Plays (Provincetown Players); and more. Film: Mooshrooms, Arcadia, Facetime, The Hardest Part. Television: Blue Bloods, Locker Room Series, PBS’ Great Performances recording of Gloria: A Life. Education: Yale MFA Acting. @cheskamckenzie francescafm.com

Jennifer Lim and Coburn Goss 

Coburn Goss (Nate) Steppenwolf Theatre Company: Fake, Dead Man’s Cell Phone, The Royal Family, The Burials, Absolution. Off Broadway: When the Messenger Is Hot. Chicago: The Crowd You’re In With, Vigils (Goodman Theatre); The Diary of Anne Frank, Seagull (Writers Theatre); Freud’s Last Session (CRC/Mercury Theatre); Chimerica (Timeline Theatre). Regional: The Crucible (Asolo Repertory Theatre); The Last True Believer (Seattle Repertory Theatre). Film: Widows, Man of Steel, Batman v. Superman, The Lucky Ones, Once Upon a River, What Women Want. Television: The Red Line, neXt, Chicago Fire, Chicago Med, The Mob Doctor, Boss, Empire, Chicago Code, E/R, Prison Break. He co-wrote and produced the upcoming film All Happy Families.


Wai Ching Ho and Francesca Fernandez McKenzie

Wai Ching Ho (Ma) Steppenwolf Theatre Company debut. Chicago: Night Watch (Goodman Theatre), Off Broadway: Snow In Midsummer (Classic Stage Company); Endlings (New York Theatre Workshop); Henry VI, Ah, Wilderness (NAATCO); No Foreigners Beyond This Point, The Square (Ma-Yi Theater Company); Joy Luck Club, Carry The Tiger To The Mountain, Legacy Codes, A Song For A Nisei Fisherman (Pan Asian Rep). Regional: A.R.T., Long Wharf Theatre, Denver Center Theatre, Pittsburgh Public Theatre, Palo Theatre Works. Film: Turning Red, Hustlers, The Sorcerer’s Apprentice, Robot Stories. Television: Daredevil, Iron Fist, The Defenders, Awkwafina is Nora From Queens, New Amsterdam, Fresh Off the Boat, Law & Order: Criminal Intent, Law & Order SVU.

Coburn Goss and Jennifer Lim

Jennifer Lim (Him) Steppenwolf Theatre Company debut. Chicago: Chinglish (Jeff Award Nomination – Best Actress, Chicago Theater Critic’s Beat Nomination - Best Actress), The World of Extreme Happiness (Goodman Theatre). Broadway: Chinglish (Theater World Award – Outstanding Broadway Debut, IASNY Trophy for Excellence, Drama Desk Nom –  Outstanding Actress). Off Broadway: Fefu & Her Friends (TFANA); Usual Girls (Roundabout Theatre Company); Caught (PlayCo); Tumacho (Clubbed Thumb); The World of Extreme Happiness (Manhattan Theatre Club); The Urban Retreat (Public Theater); Golden Child (Signature Theatre Company). Television/Film: New Amsterdam, Prodigal Son, Jessica Jones, Instinct, High Maintenance, Hell on Wheels, POI, Elementary, The Good Wife, A Naked Singularity, The Savages, The Stand-In, 27 Dresses. Education: Yale School of Drama. Jenniferlimonline.com


Francesca Fernandez McKenzie and Nima Rakhshanifar

Nima Rakhshanifar (Seth) Steppenwolf Theatre Company debut. Chicago: ShortShakes! Comedy of Errors (Chicago Shakespeare Theater); Waiting for Godot (Victory Gardens Theater); Cat in the Hat (Northbrook Theater). Regional: Andy Warhol in Iran (Barrington Stage Company); A Christmas Carol, Junk, Guards at the Taj (u/s), Christmas at Pemberley (u/s) (Milwaukee Repertory Theater); Hotter than Egypt (u/s) (ACT Seattle); The Hunchback of Notre Dame, Freaky Friday (PCPA). Upcoming: Sanctuary City (TheatreSquared). Education: PCPA - Pacific Conservatory Theatre. nimarakhshanifar.com

Vichet Chum (Playwright) is a Cambodian American playwright, actor and novelist living in NYC. Bald Sisters is his first time working at Steppenwolf Theatre Company, though he vividly remembers seeing The Pillowman directed by Amy Morton on a college theatre trip many moons ago. He cannot actually believe his lucky stars. He is the recipient of the Princess Grace Award, an Edgerton Foundation New Play Award and the Laurents/Hatcher Award. He currently serves as a board member for the New Harmony Project, a curator for Space on Ryder Farm and a steering committee member for the Asian American Performers Action Coalition. Play groups (current and past) include Ars Nova, Page 73 and Space on Ryder Farm. He is presently working on commissions for Audible, Steppenwolf Theatre, Cleveland Play House, Merrimack Repertory Theatre and Seattle Children’s Theatre. Chum is a proud graduate of the University of Evansville and Brown University/Trinity Repertory Company. vichetchum.com 

Jesca Prudencio (Director) is a director and choreographer dedicated to developing new theatrical works that humanize issues nationally and internationally. Upcoming: Dot Dot Dot (TheatreWorks USA), Exotic Deadly; or the MSG Play (The Old Globe). Recent: King Liz (Geffen Playhouse), Can We Now? (La Jolla Playhouse WoW Fest), It’s a Ship Show! (Virgin Voyages), Interstate (Mixed Blood, East West Players). Other credits: The Great Leap by Lauren Yee (Steppenwolf Theatre Company), Vietgone, Actually (San Diego Rep); Calling (La MaMa ETC); Man of God (East West Players); A&Q (Pineapple Lab, Philippines); FAN (B-Floor, Thailand). Jesca has developed new work at MCC Theater, Atlantic Theater Company, Cleveland Playhouse, Arena Stage, NAMT and La MaMa. She is a recipient of The Drama League Fellowship and the inaugural Julie Taymor World Theater Fellowship. Jesca is head of directing at SDSU where she is an Associate Professor. BFA: NYU Tisch, MFA: UC San Diego. Jescaprudencio.com

 

The Expanded Steppenwolf Campus

Steppenwolf Theatre Company’s trailblazing new 50,000 square foot theater building and education center, the Liz and Eric Lefkofsky Arts and Education Center, was designed by world-renowned architect Gordon Gill FAIA of Adrian Smith + Gordon Gill Architecture, with construction by Norcon. The centerpiece of the new Arts and Education Center is the new 400-seat in-the-round Ensemble Theater in Honor of Helen Zell—one of its kind in Chicago—with theater design and acoustics by Charcoalblue.

The expanded Steppenwolf campus is a cultural nexus for Chicago, offering bold and ambitious opportunities for creative expression, social exchange, unparalleled accessibility, and arts-driven learning for Chicago youth in The Loft, Steppenwolf’s first-ever dedicated education space. The campus expansion also features bright new lobbies and two new full-service bars for socializing designed by fc STUDIO, inc. The $54 million new building is part of Steppenwolf’s multi-phase $73 million Building on Excellence expansion campaign. Learn more about Steppenwolf’s campus expansion at steppenwolf.org/buildingonexcellence.

 

A Safe Return

As the Chicago theatre community continues to navigate the COVID-19 pandemic, Steppenwolf Theatre remains committed to the safety of its patrons and staff. For the most up-to-date information on our venue’s COVID precautions, please visit steppenwolf.org/welcomeback.

 

Accessibility

Steppenwolf offers accessible services to ensure all audience members have access to our work, including American Sign Language interpretation, Spanish Language captions, wheelchair accessible seating and more. With questions, email access@steppenwolf.org.

Bald Sisters is generously supported in part by the Laurents/Hatcher Foundation and is the recipient of the Edgerton Foundation New Play Award. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from Northern Trust, Allstate Insurance Company, Amazon, ComEd, Conagra Brands Foundation, JPMorgan Chase, PNC and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council Agency. This project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events.

Steppenwolf Theatre Company is a Chicago theater that is home to America’s ensemble. The company began performing in the mid-1970s in the basement of a Highland Park, IL church—today Steppenwolf is the nation’s premier ensemble theater with 49 members who are among the top actors, playwrights and directors in the field. Deeply rooted in its ensemble ethos, the company is committed to equity, diversity, inclusion and making the Steppenwolf experience accessible to all. Groundbreaking productions from Balm in Gilead and August: Osage County to Downstate and Pass Over—and accolades that include the National Medal of Arts and 12 Tony® Awards—have made the theatre legendary. Artistic programming includes a main stage season; a Steppenwolf for Young Adults season; LookOut, a multi-genre performance series; and the Steppenwolf NOW virtual stage. The nationally recognized work of Steppenwolf Education engages more than 20,000 participants annually in Chicagoland communities promoting compassion, encouraging curiosity and inspiring action. While firmly grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. 2021 marked the opening of Steppenwolf’s landmark Liz and Eric Lefkofsky Arts & Education Center—deepening the company’s commitment to Chicagoland teens and serving as a cultural nexus for Chicago. Glenn Davis and Audrey Francis are the Artistic Directors and E. Brooke Flanagan is Executive Director. Keating Crown is Chair of Steppenwolf’s Board of Trustees.

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. 

We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.        

 


Thursday, December 8, 2022

REVIEW: The Buttcracker: A Nutcracker Burlesque© Now Playing Through December 31 at The Greenhouse Theater Center

 ChiIL Live Shows On Our Radar

THE BUTTCRACKER: A NUTCRACKER BURLESQUE©
CHICAGO’S FAVORITE ALTERNATIVE 
HOLIDAY SHOW, IS NOW PLAYING THROUGH DECEMBER 31 AT
THE GREENHOUSE THEATER CENTER

Featuring the Best of Chicago’s Nightlife Entertainment; Highlighting the World of Burlesque, Boylesque, Magic, Sword Balancing, 
Circus, Dance and More


The cast of THE BUTTCRACKER BURLESQUE including (L to R) Lilly Rascal, Elena Avila, Anghell, Yasmyne Williams, Mandyn Mueller, Claire Francescon, Eilish Morse-O’Rourke, Baby Bagos Hood, Hannah Silverman and Jezzibel 
Photo by Matthew Gregory Hollis 

REVIEW:
By Bonnie Kenaz-Mara

Sexy, sultry, silly... Alliteration aside, these belles slay! If you're looking for some adult holiday cheer, we highly recommend you shake a tail feather and get on over to see The Buttcracker: A Nutcracker Burlesque©, now in their sixth season. We had a blast on opening night, our first time to see the show, but definitely not our last. 


Members of THE BUTTCRACKER BURLESQUE ensemble including (L to R) Hannah Silverman, Eilish Morse-O’Rourke, Mandyn Mueller and Yasmyne Williams
Photo by Matthew Gregory Hollis 


The two-hour experience begins with a cocktail hour which includes craft vendors from local artists (Thursday nights), special pre-show performances (Friday and Saturday nights), and brunch fare (Sunday matinees), followed by Tchaicovsky’s The Nutcracker Suite in a saucy, alternative and adult retelling of the holiday classic. 


Anghell (Chocolate) Photo by Matthew Gregory Hollis 

On opening night our cocktail hour included fabulous samples from Jeppson's & ch. Though we're not fans of their Chicago classic, Malört, we were pleased to discover Jeppson's also makes a much tastier bourbon, ch espresso martini, and more! We're all about supporting Chicago businesses and are happy to drink locally (as long as it's not Malört) and shop locally whenever possible. Check out our social media channels for more Malört Face selfies and other original photos from our adventures at the show. 

 
Bonnie's "Not Buzzed Enough To Drink Malört" Face


My handsome husband, Dug

The holiday drinks were flowing for the cocktail hour, with Greenhouse Theatre bars both in the lobby and upstairs in the theatre itself. And then there were those delicious non-Malört ch & Jeppson's jems. We'll be picking up at least a few bottles this holiday season. 


 Another Bonnie, slinging samples and making friends. 

Booze can be beneficial for hanging with friends and making those family gatherings more palatable. The celebration of drinks, both alcoholic and non, continued into the onstage shenanigans. 


Lilly Rascal (Vodka) Photo by Matthew Gregory Hollis 


We weren't sure quite what to expect of the show, given the corny title, and were pleasantly surprised at the level of talent and creativity. Of course there's a good bit of creative license and updates, but the plot and music follow the original Nutcracker more that I thought they would. I'm still geeking out on the costumes. And those Sugar Bum Fairy butt tassels were next level... 


Autumn Christensen (Sugar Bum Fairy) Photo by Daf Miller 


(L to R) Autumn Christensen (Sugar Bum Fairy); Elena Avila (Clara) and Olivia Lindsay 
Photo by Matthew Gregory Hollis 


There wasn't as much in the way of circus arts as we'd hoped, but the burlesque dances were much more fun than any traditional Nutcracker I've ever seen. In edition to the eye candy, we appreciate the show's mission statement, and we're thrilled that they are gaining quite the cult following for this cheeky, nontraditional take on a holiday staple.

"The Buttcracker: A Nutcracker Burlesque© subverts the classic holiday ballet to promote diversity in body, gender expression, sexuality and race. The show utilizes the platform of parody to encourage audiences to imagine a more inclusive world, redefining the art of the tease through an alternative take on burlesque."


Members of THE BUTTCRACKER BURLESQUE ensemble including (L to R) Mandyn Mueller, Eilish Morse-O’Rourke, Yasmyne Williams and Hannah Silverman 
Photo by Matthew Gregory Hollis 

If you're 18 or over, get your butts in gear and get your tickets before they disappear. A friend of mine bravely took a first date she'd only "met" on a dating app and they both ended up loving the show, and digging each other. We adored this (dare I say) tongue in cheek, body positive, rendition of this holiday classic. I will never hear Tchaikovsky quite the same way again!

Bonnie is a Chicago based writer, theatre critic, photographer, videographer, actress, artist and Mama. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 


More About The Buttcracker: 
A Nutcracker Burlesque© 



Members of THE BUTTCRACKER BURLESQUE ensemble including (L to R) Hannah Silverman,  Mandyn Mueller and Eilish Morse-O’Rourke
Photo by Matthew Gregory Hollis 

The Buttcracker: A Nutcracker Burlesque© is proud to announce its return this holiday season with the sixth edition of Chicago’s favorite alternative holiday show, a twist on the original story and a live event not to be missed, directed by Miguel Long and choreographed by Dylan Kerr, now playing through December 31 at the Greenhouse Theater Center, 2257 N. Lincoln Ave.  


(L to R) Elena Avila (Clara), Olivia Lindsay (Buttcracker) and Claire Francescon (Drosselmeyer) Photo by Matthew Gregory Hollis 

Each week features the best of Chicago’s nightlife entertainment in the roles of Tea, Coffee, Chocolate, Vodka and Mother Ginger, featuring sword swallowing, belly dancing, classic burlesque and more. It’s holiday performance schedule is Thursdays at 8 p.m., Fridays at 8 p.m., Saturdays at 8 p.m., Sundays at 3 p.m. with a special New Year’s Eve closing night performance Saturday, Dec. 31 at 9 p.m. 

This New Year’s Eve special event includes a party following the show with cheese and charcuterie snacks, two drink tickets for after the show, a midnight “pole dancer booty drop” countdown with balloons and prizes, a DJ and more. There are no performances Friday, Dec. 24 and Saturday, Dec. 25. Admission is available for those 18 years old and older (21+ to drink). 


Slightly Spitfire (Tea) Photo by Matthew Gregory Hollis

Tickets are Industry/SRO, $20; house left general admission, $30/$40 at the door, house center general admission, $40/$50 at the door and VIP, $75/$100 at the door with New Year’s Eve tickets house left general admission, $60/$70 at the door, house center general admission $80/$90 at the door and VIP $150/$200 at the door. Tickets are now on sale at greenhousetheatre.org and TheButtcrackerBurlesque.com and, based on availability,  at the door one hour before the performance.


(L to R) Olivia Lindsay (Buttcracker) and Elena Avila (Clara)
Photo by Matthew Gregory Hollis 



The cast of THE BUTTCRACKER BURLESQUE including (L to R)Yasmyne Williams, Lilly Rascal, Darling Shear, Eilish Morse-O’Rourke, Baby Bagos Hood, Anghell, Jezzibel, Hannah Silverman, Autumn Christensen, Mandyn Mueller and Elena Avila 
Photo by Matthew Gregory Hollis 

Audiences are invited to follow Clara and her Buttcracker on a wild hallucinogenic trip from a boring-AF holiday party to the Land of Sweets where they battle rats, save the day and learn that body and sex positivity are to be celebrated. A combination of fairy tale and exotic trip down the rabbit hole with the best of Chicago’s nightlife entertainment. The Buttcracker highlights the world of burlesque, boylesque, magic, sword balancing, circus, dance and more.


Jezzibel (Chocolate) Photo by Daf Miller 


The Buttcracker: A Nutcracker Burlesque© cast includes Elena Avila*/^ (Clara); Olivia Lindsay* (Buttcracker);  Claire Francescon* (Drosselmeyer); Autumn Christensen* (Sugar Bum Fairy);  Baby Bagos Hood*/^ (Boss/Rat King); Hannah Silverman* (ensemble); Mandyn Mueller+/^ (ensemble); Eilish Morse-O'Rourke* (ensemble);  Yasmyne Williams*/^  (ensemble); Savannah Sinclair*/^ (swing) and Sierra Buffum*/^ (ensemble understudy). Features soloists for the roles of Vodka, Tea, Chocolate, Coffee, and Mother Ginger rotate weekly. Every week includes a different kind of performance from the best of Chicago’s nightlife entertainment.

The Buttcracker: A Nutcracker Burlesque© production team includes Miguel Long+ (director); Dylan Kerr* (choreographer); Brighid Martensen*/^ (costume designer); Gabrielle Strong* (set designer); Samuel Stephen+ (lighting designer);
Rowan Doe^ (props designer); Michael Bulaw+ (sound designer); Jake Snell+ (stage manager) and Carlie Rummel* (backstage manager); Kayla Drescher* (magic consultant). Jaq Seifert^/(sub)version productions (producer) and Caylei Hallberg* (producing assistant).

Pronoun Key: + (he/him/his); * (she/her/hers); ^ (they, them, theirs). = (any with respect)


Information on tickets:

New Year’s Eve
Saturday, Dec. 31 at 9 p.m.
Ticket prices: HOUSE LEFT GA $60/75 at the door, HOUSE CENTER GA $80/$100 at the door, VIP $150/$200 at the door.

This special closing performance of the 2022 run includes a make-your-own cheese and charcuterie board, two drink tickets for after the show, a midnight “pole dancer booty drop” countdown with balloons and prizes, a DJ and other special guest performances. 


Darling Shear (Mother Ginger) Photo by Daf Miller 

Regular Performances:

VIP 
Ticket price: $75/$100 at the door
This upgraded ticket includes reserved seating at your own cafe table right on the theatre floor with early entrance to the theatre and a private VIP bar, meet and greet with cast members and official Buttcracker swag. 

General Admission
Ticket price: $40/$50 at the door
General Admission tickets include first come, first served seating in the center section of the theater.

House Left General Admission
Ticket price: $30/$40 at the door
General Admission tickets include first come, first served seating in the house left section of the theater.

Standing Room Only (SRO)
Ticket price:  $20
A limited number of standing room only tickets will be available at the door, based on availability.



ADA Accessible seating is available, email thebuttcrackerburlesque@gmail.com for more information or to make reservations.

ABOUT THE BUTTCRACKER: A NUTCRACKER BURLESQUE
The Buttcracker: A Nutcracker Burlesque© subverts the classic holiday ballet to promote diversity in body, gender expression, sexuality and race. The show utilizes the platform of parody to encourage audiences to imagine a more inclusive world, redefining the art of the tease through an alternative take on burlesque. This performance would not be possible without the generous support of individuals and companies who understand the value of having alternative adult entertainment during the holiday season, as well as supporting our mission of subverting audience’s expectations of what live entertainment looks and feels like. 














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