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Showing posts with label last call. Show all posts
Showing posts with label last call. Show all posts

Saturday, April 8, 2017

LAST CALL: Three Stellar Shows Closing This Weekend Include Saturday Night Fever at Drury Lane, A Disappearing Number at Timeline, and The Hard Problem at Court Theatre

Don't Miss This:

Saturday Night Fever at Drury Lane,  A Disappearing Number at Timeline, and 

The Hard Problem at Court Theatre


If you still haven't made it to these shows, it's your final chance. We caught the press openings of all 3, and they all made our highly recommend list. All must close this Sunday, April 9th.




Drury Lane's Saturday Night Fever has been extended 3 weeks due to high demand, but it must close this Sunday. This new rewrite is a delight on stage and a welcome respite from the current exhausting political climate. Drury Lane's high energy production leaves everyone grinning, and harkens back to the disco days of the 70's with an instantly recognizable score. I'd forgotten the still timely pro-immigrant, pro-tolerance twist, the teen angst of changing blue collar neighborhoods, underemployment, and the trauma and drama of accidental death. As always, Drury Lane does a stellar job casting the best and brightest local talent. 

We'll be back out on the 28th, for the press opening of Chicago, so check back soon for our full review.

Don’t miss out on the hottest ticket in town! This critically-acclaimed new version, rewritten for the Drury Lane stage, features music and lyrics by The Bee Gees, based on the smash-hit Paramount/RSO Film and the story by Nik Cohn, and adapted for the stage by Robert Stigwood in collaboration with Bill Oaks. This North American version was written by Sean Cercone and David Abbinanti and is helmed by Tony-nominated director and choreographer Dan Knechtges with musical direction by Roberta Duchak. 

Tickets, priced $43 - $60 are available by calling 630.530.0111 or at DruryLaneTheatre.com. 

Alex Newell (Glee) joined the cast of Saturday Night Fever in the role of disco singer Candy. He stars alongside Adrian Aguilar as Brooklyn teen Tony Manero and Erica Stephan as Stephanie Mangano. Newell is an actor and singer best known for playing the transgender student Wade “Unique” Adams on the Fox musical series Glee. He has also appeared at the North Shore Music Theater and is a recording artist with Atlantic Records.

Based on the 1977 hit film, Saturday Night Fever follows Tony Manero in his attempt to escape his troubles by spending weekends at the local disco. Watch Tony win the admiration of the crowd, as well as his heartthrob Stephanie Mangano, as he burns up the dance floor with his electric moves. This new production features favorite Bee Gees songs from the movie such as “Night Fever,” "Stayin' Alive,” and "Jive Talkin’.”

To accommodate the extension of Saturday Night Fever, Drury Lane's electrifying new production of Chicago, featuring a book by Fred Ebb and Bob Fosse, music by John Kander, lyrics by Fred Ebb, and based on the play by Maurine Dallas Watkins, will now run April 20 – June 18, 2017. The Press Opening is Friday, April 28, 2017 at 8:00 p.m. This fiery new take on Chicago is directed by Drury Lane Theatre’s Artistic Director William Osetek with choreography by Jane Lanier, the Tony-nominated student of Bob Fosse.

Season and Subscription Information
Drury Lane Theatre’s 2017-2018 season will open with Chicago – the first professional Chicagoland production of the hit musical in 30 years. The season continues with the Pulitzer-winning play The Gin Game featuring Chicago theatre legends John Reeger and Paula Scrofano, followed by the powerhouse musical tribute to the 1980s Rock of Ages. For the holiday season Drury Lane will stage beloved tap classic 42nd Street and then close its 17-18 season with the iconic Tim Rice & Andrew Lloyd Webber musical Joseph and the Amazing Technicolor Dreamcoat. The 2017/2018 season runs March 30, 2017 through March 25, 2018 at Drury Lane Theatre, 100 Drury Lane in Oakbrook Terrace.

Subscriptions for the 2017 - 2018 Season are priced from $144.60 to $175.80. Subscribers receive special offers on dining, flexible ticket exchanges and early notification and priority seating for added events and concerts. For more information, visit DruryLaneTheatre.com.

The performance schedule for all productions is as follows: Wednesdays at 1:30 p.m., Thursdays at 1:30 p.m. and 8 p.m., Fridays at 8 p.m., Saturdays at 5 p.m. and 8:30 p.m., and Sundays at 2 p.m. and 6 p.m. Student group tickets start as low as $30 and Senior Citizens start at $40 for matinees. Dinner and show packages are also available. For individual ticket on-sale dates and ticket reservations, call the Drury Lane Theatre box office at 630.530.0111, TicketMaster at 800.745.3000 or visit DruryLaneTheatre.com.

About Drury Lane Theatre
Under the leadership of President Kyle DeSantis and Artistic Director William Osetek, Drury Lane Theatre is a major force in the Chicagoland theatre scene, presenting world-class productions in collaboration with some of the nation’s leading actors, artists, writers and directors. Over the past 30 years, Drury Lane has staged more than 2,000 productions and has been nominated for more than 350 Joseph Jefferson Awards. Drury Lane is committed to breathing new life into beloved classics and introducing audiences to exciting new works.


Throughout its 30-year history, Drury Lane has employed more than 7,500 actors and 10,000 musicians, designers and crewmembers to entertain upwards of nine million audience members. Originally founded by Anthony DeSantis, Drury Lane Theatre remains a family-run organization known for producing breathtaking Broadway classics, top-rated musicals, bold new works, hilarious comedies and unforgettable concert events.

A Disappearing Number

Timeline Theatre's A Disappearing Number and Court Theatre's The Hard Problem are both Chicago premieres with a scholarly bent, strong female protagonists, and psychological real world applications for the studies of academia. Let's hear it for the brainy blondes. Both shows have striking similarities and are thought provoking, multilayered explorations in human nature that are utterly compelling. Highly recommended. 


A Disappearing Number





The Hard Problem

A Disappearing Number 
If the thought of higher math classes gives you hives, never fear, you won't be called to the white board to solve equations. A Disappearing Number deals with the cool side of mathematics, too, like coincidence and synchronicity. As always, we recommend you come early and explore Timeline's lobby. They delve into the artistic side of math with fractals, math in art and architecture, optical illusions and more! We adored this production, based on a real life occurrence from 1913, expertly interwoven with the present day.


Check out more of my original photos of Timeline's lobby at the bottom of this feature.


“A mathematician, like a painter, or a poet, is a maker of patterns 

… and beauty is the first test.”
The long-awaited Chicago premiere of this exquisite, internationally acclaimed play about love, math, and how the past and future connect. In 1913, a clerk in rural India named Srinivasa Ramanujan sends a letter to famed mathematician G.H. Hardy, filled with astonishing mathematical theorems. In the present, a math professor and a businessman fall in love. Told in a whirlwind of vignettes spanning history and time, A Disappearing Number is a love letter to numbers, blending the beauty of everyday relationships with the mysticism of the cosmos.
Winner of the 2007 Critics’ Circle Theatre, Evening Standard, and Laurence Olivier awards for Best New Play, TimeLine’s production is a new and rare staging of this mesmerizing play.







The Hard Problem

I don't want to give away any spoilers, because this production benefits from the mystery. Suffice it to say, there are some craftily wrought plot twists that make this drama a delight. Don't miss this. The Hard Problem is classic Tom Stoppard and a thrill to see. Kudos to Court Theatre for producing this Chicago Premiere.





ChiIL Mama's Adventures in Timeline's lobby
at A Disappearing Number:




















Friday, January 27, 2017

LAST CALL: Chicago Puppet Fest End This Weekend

Chi, IL LIVE Shows On Our Radar:

FINAL WEEKEND! TICKETS ARE GOING FAST FOR FINAL PERFORMANCES OF THE CHICAGO INTERNATIONAL 
PUPPET THEATER FESTIVAL, CLOSING SUNDAY, JANUARY 29

The second Chicago International Puppet Theater Festival closes this weekend, Sunday, January 29. 

Contemporary puppets acts and artists from around the world, the U.S. and Chicago have been playing to sold out houses and critical acclaim since January 19, and tickets are going fact to this weekend's final events at Chicago-area venues large and small. 


Click here to watch the 1 min 25 sec video trailer

for the 2017 Chicago International Puppet Theater Festival




REVIEW:
I caught this excellent rendition of the tale made popular by Fantasia and Mickey Mouse's magic mop fiasco. This is a dark, edgier version that's not babyish at all, and appeals to older kids and adults. There's nothing objectionable for young children either. The story is primarily enacted with marionettes, with some shadow puppetry, chalk transitions, and a large mask and hands wearable "puppet". Recommended.
                       
Adventure Stage Chicago and Blair Thomas & Co. present Open Eye Figure Theatre of Minneapolis performing  The Sorcerer's Apprentice
at Adventure Stage Chicago, 1012 N. Noble St., Chicago
Friday, January 27 at 7 pm., Saturday, January 28 at 1 p.m. and 7 p.m.
Tickets: $17; $12 ages 14 and under 
Run time: 60 minutes
Family friendly
      
Open Eye Figure Theatre's adaptation of The Sorcerer's Apprentice for the marionette stage is a look at youth, aging and the allure of power. Creator Michael Sommers uses Goethe's 1797 poem "Der Zauberlehrling" as inspiration, expanding on the young apprentice's mishaps and mistakes in this original work with a unique Open Eye approach. With its highly designed production, original score and masterful puppetry, this show appeals to both adults and children.



This Sunday I'll be out to check out one of the hottest tickets, Feathers of Fire: A Persian Epic, with five shows Thursday through Sunday in the newly renovated Studebaker Theatre in Chicago's historic Fine Arts Building, 410 S. Michigan Avenue. 

Feathers of Fire is a visually breathtaking cinematic shadow play for all ages. The play unfolds on a cinema-sized screen as an action-packed magical tale of star-crossed lovers from the 10th-century Persian epic "Shahnameh" ("The Book of Kings.") Inspired by Iranian visual traditions, creator Iranian-American filmmaker and graphic artist Hamid Rahmanian uses puppets, costumes, masks, scenography and digital animation to bring the story to life. 

Show times are Thursday and Friday, January 26 and 27 at 7:30 p.m.; Saturday, January 28 at 3 p.m. and 7:30 p.m.; and Sunday, January 29 at 3 p.m. Tickets are $40; $30 student/senior. Run time is 70 minutes. 

Tickets to Feathers of Fire and all remaining festival events are now on sale at ChicagoPuppetFest.org or by calling 312.977.9483.

Following are listings for the remaining acts and artists performing citywide now through Sunday, January 29, the final day of the 2017 Chicago International Puppet Theater Festival: 



  












The free Festival Neighborhood Festival Tour presenting three puppet artists - Detroit's Interstate Arts' PLAY with your food, Montreal's Magali Chouinard in The White Woman, and Baltimore's Schroeder Cherry in Underground Railroad, Not A Subway -  at a different Chicago Park District venue today through Saturday. 

Garfield Park Conservatory, Jensen Room, 300 N. Central Park Ave., Chicago
Wednesday, January 25 at 4:30 p.m. (Schroeder Cherry), 5:30 p.m. (Interstate Arts) and 6:30 p.m. (Magali Chouinard)

Calumet Park, 9801 S. Ave. G, Chicago
Thursday, January 26 at 11:30 a.m. (Magali Chouinard), 12:30 p.m. (Interstate Arts) and 1:30 p.m. (Schroeder Cherry)

Marquette Park, 6700 S. Kedzie Ave., Chicago
Friday, January 27 at 5 p.m. (Schroeder Cherry), 6 p.m. (Magali Chouinard) and 
7 p.m. (Interstate Arts)

Hamilton Park, 513 W. 72nd St., Chicago
Saturday, January 28 at 1 p.m. (Magali Chouinard), 2 p.m. (Interstate Arts) and
3 p.m. (Schroeder Cherry)    

                             
   
Center for Community Arts Partnerships at Columbia College Chicago presents Great Small Works performing Muntergang and Other Cheerful Downfalls
at the Dance Center at Columbia College, 1306 S. Michigan Ave., Chicago
Thursday through Saturday, January 26 - 28 at 7 p.m.
Tickets: $20; $10 student
Run time: 75 minutes
Family friendly

In a bilingual Yiddish-English play,  Muntergang and Other Cheerful Downfalls meditates on power dynamics by revisiting the performances of radical 20th-century puppeteers Zuni Maud and Yosi Cutler. Using original graphics and satirical scripts, Great Small Works combines new puppets and projections with original graphics and satirical scripts, introducing some Mae West and The Dybbuk along the way.
  
The Neo-Futurists present Vincent de Rooij and The Neo-Futurist Ensemble in 
Future Crash: a collision of short work by Vincent de Rooij and The Neo-Futurists 
at The Neo-Futurarium, 5153 N. Ashland Ave., Chicago
Thursday, Friday and Saturday, January 26-28 at 7:30 p.m.
Tickets: $25; $10 student/senior with ID
Run time: 70 minutes
Ages 14 and up

Future Crash collides Vincent de Rooij, puppeteer of site-specific performances and magician of the inanimate object, with The Neo-Futurists, purveyors of the first-person play and destroyers of the fourth wall. Traveling from the Netherlands, de Rooij will lead an ensemble in interdisciplinary collaboration, guiding the audience through a solar system of short work hidden throughout the Neo-Futurarium. 
                                                                              

  
Chicago Children's Theatre presents Manual Cinema's world premiere Magic City
at the new Chicago Children's Theatre, The Station, 100 S. Racine Ave., Chicago
Friday, January 27 at 7 p.m. and 9 p.m.; Saturday, January 28 at 2 p.m. and 6 p.m.; Sunday, January 29 at 11 a.m. and 2 p.m.
Tickets: $25
Run time: 60 minutes
Family friendly

With their newest work, the inaugural production in Chicago Children's Theatre's new West Loop home, The Station, Manual Cinema transforms Edith Nesbit's novel The Magic City into a live, cinematic shadow puppet experience. When a young girl moves into a new home, she entertains herself by building a city using household objects. Through some magic, she finds herself inside the city, surrounded by life. Using overhead projectors, paper shadow puppets, live actors in silhouette, miniature toy theater and a live music ensemble, Manual Cinema's Magic City modernizes the novel, building and illuminating a miniature city onstage that the audience explores themselves after every performance.



Links Hall and Rough House present Nasty, Brutish & Short: A Puppet Cabaret
at Links Hall, Studio B, 3111 N. Western Ave., Chicago
Friday and Saturday, January 27 and 28 at 11 p.m.
Run time: 1hour 20 minutes
Tickets: $10; $8 student/senior
Family friendly? No

Hit Links Hall for late night cabarets featuring short works by international festival artists, regional puppeteers and local talent. End your evening with a tasty selection of the raucous, raunchy, dark, sassy, sad and hilarious! 

The program provides a late-night hang out spot for the whole festival, an opportunity for out-of-town talent to bring shorter works, and a space for local artists. Each show features at least two mainstage festival artists bringing secondary short works, and at least two Nasty, Brutish & Short contributors.


Theater and Performance Studies and the Reva and David Logan Center for the Arts present Puppet Quartet: UChicago Performance Lab residencies with Liz Joyce, Jesse Mooney-Bullock, Molly Ross and Michael Summers
at the Reva and David Logan Center for the Arts, 915 E. 60th St., Chicago
Saturday, January 28, 4 p.m.
Tickets: Free to the public, no reservations required

An immersive afternoon of four works in development, in various sites of performance within the Logan Center for the Arts. Audiences will move from space to space to experience the four works by noted puppet artists Liz Joyce, Jesse Mooney-Bullock, Molly Ross and Micheal Sommers. 


Lookingglass Theatre Company presents Mr. and Mrs. Pennyworth
at the Water Tower Water Works, 821 N. Michigan Ave., Chicago
January 25-29: Wednesday at 7:30 p.m.; Thursday at 2 p.m. and 7:30 p.m.;
Friday at 7:30 p.m.; Saturday and Sunday at 2 p.m. and 7:30 p.m.
Tickets: $35
Run time: 90 minutes
Family friendly - Recommended for ages 8+

Traveling storytellers Mr. and Mrs. Pennyworth captivate audiences with spellbinding tales. But one day, The Big Bad Wolf mysteriously dies before his story is complete. As fairytales disappear from their pages, Mr. and Mrs. Pennyworth must journey through the stories to restore order before they are lost forever. Written and directed by Doug Hara, with puppets by Blair Thomas.


The House Theatre of Chicago presents Diamond Dogs
at the Chopin Theatre, 1543 W. Division St., Chicago
January 26-29: Thursday, Friday, and Saturday at 8 p.m., Sunday at 7 p.m.
Tickets: $15-$30
Run time: 2 hours

Diamond Dogs is a classic deadly-maze story set in Alastair Reynolds's Revelation Space Universe. Follow a future team of humans and transhumans as they investigate a mysterious alien tower, bent on brutally punishing all intruders. Body modification is the norm in the 26th century, and award-winning puppet designer Mary Robinette Kowal articulates and re-shapes actors' human forms into powerful mechanized players battling for their lives. Blood will spill.


About The Chicago International Puppet Theater Festival

Intent on establishing Chicago as a center for the advancement of the art of puppetry, the 11-day, city-wide Chicago International Puppet Theater Festival showcases an entertaining and eclectic array of puppet styles from around the world. Marionettes, shadow puppets, Bunraku puppets, tiny toy puppets, and distinctive, innovative styles of contemporary puppetry are just a few. 

The festival was founded by Chicago puppeteer Blair Thomas to celebrate and cultivate the city's reputation as a leader in the art of contemporary puppetry, and because there was no major international festival of its kind offered in any U.S. city. 

In sum, the 2017 Chicago International Puppet Theater Festival boasts 24 presenting partners, 22 venues, more than 25 artists from seven countries presenting 20 different shows and more than 90 total performances. 

The festival website, is your online gateway to learn about, and with its new, shared online box office, purchase your tickets to this world pageant of top puppet artists and shows. 

Sign up via the website to receive important festival updates. Track the festival hashtag, #ChiPuppetFest, like the festival on Facebook, or follow the festival on Twitter at @ChiPuppetFest or on Instagram

For information (only) during the festival, call the Chicago International Puppet Theater Festival box office, (312) 554-9800.

For more information, visit chicagopuppetfest.org.

Sunday, October 16, 2016

LAST CALL: Wonderful Town at Goodman Heads Into Final Extension Dates

Chi, IL LIVE Shows On Our Radar:  

  Wonderful Town
MARY ZIMMERMAN’S MAJOR REVIVAL OF LEONARD BERNSTEIN’S CLASSIC MUSICAL, EXTENDED THROUGH OCTOBER 23 AT GOODMAN THEATRE



All good things must come to an end, and that includes Mary Zimmerman’s extended and highly recommended revival of Wonderful Town. Here at ChiIL Mama we adored this retro gem. I remember my mother singing me the songs from the production as a child, but I'd never seen it on stage. It held special meaning for her, since she saw it in New York, back in the early 60's! Before I was born, my parents relocated to New York from Cincinnati for a stint in their early 20's, when my father had a short term cross training there. The stellar acting, costumes, hilarious stylized set, and crazy catchy score brought those days back in glorious detail under the brilliant hands of director, Mary Zimmerman. 


I'm still laughing about and loving the standing Taxi cabs whizzing across the stage, as I'm humming bars of tunes from the show. Goodman's Wonderful Town is playful, energetic, enthusiastic and all around fun. This sister act is a must see! Highly recommended.



Wonderful Town, a musical by Leonard Bernstein, librettists Joseph A. Fields and Jerome Chodorov and lyricists Betty Comden and Adolph Green. Directed by Manilow Resident Director Mary Zimmerman at Goodman Theatre

Don't miss this. Wonderful Town is now entering it's final extension, so don't delay if you haven't caught it yet, or go again, while you still can. This production was laugh out loud funny and had the audience grinning and toe tapping to the catchy numbers and empathizing with the still too timely story lines of struggling creatives trying to make it in the big city. 


“It’s Love!” Goodman Theatre adds eight performances of Mary Zimmerman’s revival of Wonderful Town, extending the show through October 23. Featuring a company of over 40 actors and musicians, the Goodman production of Leonard Bernstein ’s whimsical love letter to Manhattan marks the first major revival in more than 10 years. The musical is based upon the hit Broadway play My Sister Eileen by Joseph A. Fields and Jerome Chodorov and the autobiographical short stories by Ruth McKenney. Fields and Chodorov later collaborated with lyricists Betty Comden and Adolph Green to create Wonderful Town—the musical adaptation of the play, which features 20 Bernstein songs—including “Ohio,” One Hundred Easy Ways,” and “A Little Bit in Love.” 


For Wonderful Town tickets (starting at $25), call 312.443.3800, visit GoodmanTheatre.org/WonderfulTown or the box office (170 North Dearborn). Group savings are available for parties of 8 or more; call 312.443.3820 or email Groups@GoodmanTheatre.org

Extension Week Performance Schedule:
Tuesday, October 18 at 7:30pm
Wednesday, October 19 at 7:30pm
Thursday, October 20 at 7:30pm
Friday, October 21 at 8pm
Saturday, October 22 at 2pm and 8pm
Sunday, October 23 at 2pm and 7:30pm



Wonderful Town follows the adventure of sisters Eileen and Ruth, who leave Columbus, Ohio, in search of success in the Big Apple. Lauren Molina, who appeared as Cunegonde in Zimmerman’s acclaimed production of Candide (2010), portrays Eileen, a beautiful actress and hopeful romantic; and breakout Chicago star Bri Sudia (Far From Heaven, Porchlight Music Theater) makes her Goodman debut as Ruth, an aspiring, romantically-challenged journalist. Joining Molina and Sudia in the 26-member cast are Karl Hamilton as Robert Baker, the isolated editor of the Manhatter newspaper; Wade Elkins as Frank Lippencott and Steven Strafford as Chick Clark—two of Eileen’s love prospects and residents of the bohemian 1950s town; and Jordan Brown (Wreck), Amy J. Carle (Mrs. Wade), Matt DeCaro (Appopolous), Christina Hall (Violet), James Earl Jones II (Speedy Valenti), Kristin Villanueva (Helen) and George Andrew Wolff (Lonigan). Ensemble members include Nathaniel Braga, Ariana Cappuccitti, Sherriese Hamilton, Aaron Holland, Mark David Kaplan, Tiffany Krause, Kent M. Lewis, Russell Mernagh, Jeff Parker, Jody Reynard, Todd Rhoades, Lainie Sakakura, Ian Saunders and Erica Stephan.


Music director Doug Peck and associate music director/conductor Ben Johnson lead the 18-member orchestra. Chicago native and choreographer Alex Sanchez, whose work has been described as “spectacular–wildly ingenious and playful from start to finish” (Chicago Sun-Times), makes his Goodman debut. The creative team also includes Todd Rosenthal (sets), Ana Kuzmanic (costumes), T.J. Gerckens (lights) and Ray Nardelli (sound).  


About Goodman Theatre
Called America’s “Best Regional Theatre” by Time magazine, Goodman Theatre has won international recognition for its artists, productions and programs, and is a major cultural, educational and economic pillar in Chicago. Founded in 1925 by William O. Goodman and his family in honor of their son Kenneth (an important figure in Chicago’s cultural renaissance in the early 1900s) and represented today by descendant Albert Ivar Goodman, Goodman Theatre has garnered hundreds of awards for artistic achievement and community engagement, including: two Pulitzer Prizes, 22 Tony Awards (including “Outstanding Regional Theatre” in 1992), nearly 160 Joseph Jefferson Awards and more. Under the leadership of Artistic Director Robert Falls and Executive Director Roche Schulfer, the Goodman’s artistic priorities include new plays (more than 150 world or American premieres in the past 30 years), reimagined classics (including Falls’ nationally and internationally celebrated productions of Death of a Salesman, Long Day’s Journey into Night, King Lear and The Iceman Cometh, many in collaboration with actor Brian Dennehy), culturally specific work, musical theater (26 major productions in 20 years, including 10 world premieres) and international collaborations. Diversity and inclusion have been primary cornerstones of the Goodman’s mission for 30 years; over the past decade, 68% of the Goodman’s 35 world premieres were authored by women and/or playwrights of color, and the Goodman was the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Each year, the Goodman’s education and engagement programs serve thousands of students, teachers and life-long learners. In addition, for nearly four decades A Christmas Carol has led to the creation of a new generation of theatergoers in Chicago.

Goodman Theatre’s leadership includes the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. Joan Clifford is Chair of Goodman Theatre’s Board of Trustees, Cynthia Klem Scholl is Women’s Board President, and Justin A. Kulovsek is President of the Scenemakers Board for young professionals.


Visit the Goodman virtually at GoodmanTheatre.org, and on Twitter (@GoodmanTheatre), Facebook and Instagram.

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