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Showing posts with label Writers Theatre. Show all posts
Showing posts with label Writers Theatre. Show all posts

Wednesday, September 12, 2018

EXTENDED: Vietgone at Writers Theatre Now Extended Through September 29, 2018

Writers Theatre extends the run of
VIETGONE
Written by Qui Nguyen
Directed by Lavina Jadhwani
Original Music & Music Direction by Gabriel Ruiz
Choreographed by Tommy Rapley
Featuring Aurora Adachi-Winter, Rammel Chan, Emjoy Gavino
Ian Michael Minh and Matthew C. Yee


Now through September 29, 2018

Writers Theatre, under the leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, adds four performances to the run of Qui Nguyen’s Vietgone. The production is directed by Lavina Jadhwani, with original music and music direction by Gabriel Ruiz and choreography by Tommy Rapley. Due to demand, Vietgone now runs through September 29, 2018 in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe.

Newly added performances for VIETGONE are as follows: Wednesday, September 26 at 7:30pm; Thursday, September 27 at 7:30pm; Friday, September 28 at 7:30pm; and Saturday, September 29 at 7:30pm.

Tickets for VIETGONE are currently on sale. Subscriptions and individual tickets, priced $35-$80, may be purchased online at www.writerstheatre.org, by phone at 847-242-6000, or in person at the box office, 325 Tudor Court in Glencoe.

It's 1975 and two young survivors (who may or may not be the playwright's parents) meet in a Vietnamese refugee camp in mid-America shortly after the fall of Saigon. Will this strange new land of cowboys, hippies and bikers allow them to fall in love? Playwright Qui Nguyen’s wildly creative, irreverent style flips stereotypes on their head, remixing history and culture into a sexy, funny and energetic fantasia as he imagines how two soul mates might have found each other in a turbulent time.

Equal parts road-trip adventure, buddy film, romantic comedy and Hamilton-esque rap musical, this epic new play repurposes pop culture from the last forty years to tell its “probably-mostly-true” story. Directed by Lavina Jadhwani, Vietgone takes a no-holds-barred approach, transporting you through time and across the globe to put an innovative spin on a critical moment in our history.

Recommended for ages 14 and up. This production contains strong language and sexual situations, violent images, simulated drug use and vapor cigarettes. Please note that the production incorporates the use of fog and haze, as well as flashing lights.

The cast of Vietgone includes: Aurora Adachi-Winter (Tong), Rammel Chan (Asian Guy/American Guy/Nhan/Khue), Emjoy Gavino (Asian Girl/American Girl/Thu/Huong/Translator/Flower Girl), Ian Michael Minh (Playwright/Giai/Bobby/Captain Chambers/Redneck Biker/Hippie Dude) and Matthew C. Yee (Quang).

The creative team includes: Yu Shibagaki (scenic), Melissa Ng (costumes), Sarah Hughey (lighting), Kevin O’Donnell (sound), Rasean Davonte Johnson (projections), Dwight Sora (assistant director) and Carol Ann Tan (production dramaturg). The production stage manager is David Castellanos.


AUDIENCE ENGAGEMENT
Sunday Spotlight
Sunday, September 16, 2018 at 11:30am
In Vietgone, playwright Qui Nguyen gives us a dynamic look at the Vietnam War and its aftermath from a rarely observed point of view. At this Sunday Spotlight event, we will be joined by a diverse panel of historians, activists and artists to discuss varying perspectives on this contentious time in history when the country—and the world—was undergoing great change. Seating is limited, RSVP is required.

The Making of... Vietgone
Post-Show Conversation: The Word
Join us after every Tuesday evening performance (excluding First Week and any extension weeks) for a 15-minute discussion of the play, facilitated by a member of the WT Artistic Team.
Post-Show Conversation: The Artist
Join us after every Wednesday evening performance (excluding First Week and any extension weeks) for a 15-minute talk-back featuring actors from the production, facilitated by a member of the WT Artistic Team.

Pre-Show Conversation: Up Close
Join us at 6:45pm before every Thursday evening performance (excluding First Week and any extension weeks) for a 15-minute primer on the context and content of the play, facilitated by a member of the WT Artistic Team.

RIDE METRA TO WRITERS THEATRE
In an effort to promote taking public transit to the Theatre, Writers Theatre launched a new promotion in 2013. Any audience member who purchases a ticket to a Writers Theatre production and rides Metra’s Union Pacific North Line to the Theatre may snap a photo of themselves on the train and post it to their Facebook, Twitter or Instagram account with a tag of @WritersTheatre (@Writers_Theatre on Instagram) and #VietgoneWT, and upon showing the post at the Writers Theatre Box Office, receive $5 in cash to put toward the cost of your fare as a thank you for going green.

This promotion is available for a limited time only and may end without warning. Ticket must have been paid for in advance. Not valid on comp tickets. More information available at writerstheatre.org/metra

WRITERS THEATRE PARTNERS
Writers Theatre is pleased to recognize BMO Harris Bank as the 2018/19 Season Sponsor and ComEd as the Official Lighting Sponsor of the 2018/19 Season. The Major Corporate Sponsor for Vietgone is Northern Trust. The Major Production Sponsors are Maryellen and Richard Keyser, and the Artists Council Sponsors are Laurie and Michael Petersen. Additional support for Vietgone is provided by the Director’s Society Sponsors.

For more information about Writers Theatre’s 2018/19 partners, visit writerstheatre.org/our-supporters.



ABOUT WRITERS THEATRE
For more than 25 years, Writers Theatre has captivated Chicagoland audiences with inventive interpretations of classic work, a bold approach to contemporary theatre and a dedication to creating the most intimate theatrical experience possible.

Under the artistic leadership of Michael Halberstam and the executive leadership of Kathryn M. Lipuma, Writers Theatre has grown to become a major Chicagoland cultural destination with a national reputation for excellence, being called the top regional theatre in the nation by The Wall Street Journal. The company, which plays to a sold-out and discerning audience of more than 60,000 patrons each season, has garnered critical praise for the consistent high quality and intimacy of its artistry—providing the finest interpretations of both classic and contemporary theatre in its two intensely intimate venues. 

In February 2016, Writers Theatre opened a new, state-of-the-art facility. This established the company's first permanent home—a new theatre center in downtown Glencoe, designed by the award-winning, internationally renowned Studio Gang Architects, led by Founder and Design Principal Jeanne Gang, FAIA, in collaboration with Theatre Consultant Auerbach Pollock Friedlander. The new facility has allowed the Theatre to continue to grow to accommodate its audience, while maintaining its trademark intimacy. The new facility resonates with and complements the Theatre’s neighboring Glencoe community, adding tremendous value to Chicagoland and helping to establish the North Shore as a premier cultural destination.


Up Next:


Find Writers Theatre on Facebook at Facebook.com/WritersTheatre, follow @WritersTheatre on Twitter or @Writers_Theatre on Instagram. For more information, visit www.writerstheatre.org.

Friday, July 27, 2018

OPENING: VIETGONE at Writers Theatre August 15 – September 23, 2018

Chi IL Live Shows On Our Radar:

Writers Theatre presents
VIETGONE
Written by Qui Nguyen
Directed by Lavinia Jadhwani
Original Music & Music Direction by Gabriel Ruiz
Choreographed by Tommy Rapley
Featuring Aurora Adachi-Winter, Rammel Chan, Emjoy Gavino
Ian Michael Minh and Matthew C. Yee

Pictured: Matthew C. Yee and Aurora Adachi-Winter. Photo by Saverio Truglia.

August 15 – September 23, 2018

**Warning, contains strong language and adult themes.**

Writers Theatre, under the leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, opens its 2018/19 season with Qui Nguyen’s Vietgone, directed by Lavina Jadhwani, featuring original music and music direction by Gabriel Ruiz and choreography by Tommy Rapley. Vietgone runs August 15 – September 23, 2018 in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe. 

It's 1975 and two young survivors (who may or may not be the playwright's parents) meet in a Vietnamese refugee camp in mid-America shortly after the fall of Saigon. Will this strange new land of cowboys, hippies and bikers allow them to fall in love? Playwright Qui Nguyen’s wildly creative, irreverent style flips stereotypes on their head, remixing history and culture into a sexy, funny and energetic fantasia as he imagines how two soul mates might have found each other in a turbulent time.

Vietgone is a first-generation immigrant story told through a second-generation lens. As a result, this period piece about the 70s is infused with elements of modern American pop culture—rap music, ninja fights, movie montages, motorcycle chases—that playwright Qui Nguyen grew up loving.

Equal parts road-trip adventure, buddy film, romantic comedy and Hamilton-esque rap musical, this epic new play repurposes pop culture from the last forty years to tell its “probably-mostly-true” story. Directed by Lavina Jadhwani, Vietgone takes a no-holds-barred approach, transporting you through time and across the globe to put an innovative spin on a critical moment in our history.


Vietgone features an Asian American playwright, director and cast, and a significant portion of the creative team.

“Vietgone is one of the most creative, vibrant and entertaining plays to emerge on the American stage in the past few years,” said Artistic Director Michael Halberstam.” Qui Nguyen handles his subject matter with great originality and a generous eye towards keeping the audience engaged, while not shying away from a very sophisticated narrative. Furthermore, thanks in no small part to pioneers like Lin Manuel Miranda and The Q Brothers, hip-hop culture and rap music have become an organic part of the current theatrical conversation and Mr. Nguyen uses the vernacular to great effect. In fact, Vietgone feels somewhat like producing a musical. The piece fills the epic canvas of the Nichols stage with its integral musical score and choreographic sequences, while adhering to the intimacy that is a hallmark of the Writers Theatre experience.


Gabriel Ruiz has composed original music for the production. Like Lin-Manuel Miranda's Hamilton, Vietgone uses contemporary music, including rap, to tell an historic story in an anachronistic way.


“Director Lavina Jadhwani has been collaborating with Writers Theatre in various capacities for more than a decade now, and her directorial debut is an organic extension of our ongoing relationship. Her national career has been well and truly launched with projects in development at Oregon Shakespeare Festival (where she first encountered this play), the Asolo Repertory Theatre in Florida and the Guthrie Theater in Minneapolis. She’s assembled an ideal cast and a bravura design team, and we all feel very lucky to be working together to tell such a dynamic and important story.”  


Director Lavina Jadhwani has a long-standing relationship with Writers Theatre starting as a script reader and progressing to serve as Dramaturg of Travels with My Aunt and the Director of the staged reading of Our Few and Evil Days.

The cast of Vietgone includes: Aurora Adachi-Winter (Tong), Rammel Chan (Asian Guy/American Guy/Nhan/Khue), Emjoy Gavino (Asian Girl/American Girl/Thu/Huong/Translator/Flower Girl), Ian Michael Minh (Playwright/Giai/Bobby/Captain Chambers/Redneck Biker/Hippie Dude) and Matthew C. Yee (Quang).

The creative team includes: Yu Shibagaki (scenic), Melissa Ng (costumes), Sarah Hughey (lighting), Kevin O’Donnell (sound), Rasean Davonte Johnson (projections), Dwight Sora (assistant director) and Carol Ann Tan (production dramaturg). The production stage manager is David Castellanos.

Tickets are priced $35 - $80. Subscriptions and individual tickets may be purchased online at www.writerstheatre.org, by phone at 847-242-6000 or in person at the box office at 325 Tudor Court in Glencoe.



ABOUT THE ARTISTS
Qui Nguyen (Playwright) is a playwright, screenwriter, and co-founder of the OBIE Award-winning Vampire Cowboys Theatre Company of NYC. His plays include Vietgone (2016 Harold and Mimi Steinberg/ATCA New Play Award, 2016 LADCC Tim Schmitt Award, 2016 Edward M. Kennedy Prize finalist), War is F**king Awesome (Frederick Loewe Award), She Kills Monsters (2014 AATE Distinguished Play Award, 2012 GLAAD Media Award nom), Soul Samurai (2009 GLAAD Media Award nom) and the critically acclaimed Vampire Cowboys shows: The Inexplicable Redemption of Agent G, Alice in Slasherland, Fight Girl Battle World, Men of Steel, Six Rounds of Vengeance and Living Dead in Denmark. Recent awards include a 2016 Daytime Emmy Award for Outstanding Writing in a Preschool Animated Program (Peg+Cat) and a 2015 New York Community Trust Helen Merrill Playwriting Award. He is proud member of the WGA, The Dramatists Guild, The Playwrights Center, Ensemble Studio Theatre and The Ma-Yi Writers Lab. He’s an alumni of New Dramatists and Youngblood. For television, he's written for PBS’s Peg+Cat and SYFY’s Incorporated. Currently, he’s a screenwriter for Marvel Studios.

Lavinia Jadhwani (Director) Lavina Jadhwani is a Chicago-based director, adaptor, and advocate. Favorite directing credits include Roe (Asolo Repertory Theatre), Human Rites (world premiere at the Phoenix Theatre, Indianapolis), Great Expectations (Silk Road Rising/Remy Bumppo Theatre Company), Gruesome Playground Injuries, Much Ado About Nothing, Yoni Ki Baat (Rasaka Theatre Company), Cherry Smoke (the side project), Romeo and Juliet (Teatro Vista—BroadwayWorld nomination, Best Production for Young Audiences), Hamlet and Twelfth Night (Oak Park Festival Theatre). Her adaptations include The Sitayana (a solo performance piece based on the Hindu epic, The Ramayana), Vanya (adapted from Chekhov) and Shakuntala: An East-Meets-West Love Story (an a cappella musical, adapted from Kalidasa). Lavina maintains relationships with Oregon Shakespeare Festival (Phil Killian Directing Fellow), the National New Play Network (Affiliated Artists Council), Silk Road Rising (Artistic Associate) and Steppenwolf Theatre Company (Artistic Engagement Associate). She was named Time Out Chicago’s “Best Next Generation Stage Director” in 2013. Lavina is a graduate of The Theatre School at DePaul University (M.F.A., Directing), Carnegie Mellon University (B.F.A., Scenic Design; Masters, Arts Management) and the Illinois Mathematics and Science Academy.

Gabriel Ruiz (Original Music/Music Director) Gabriel is a proud ensemble member of Teatro Vista. Chicago credits include: Agamemnon (Court Theatre), City of Angels (Marriott Theatre in Lincolnshire), The Upstairs Concierge (Goodman Theatre), White Tie Ball (Teatro Vista), Creditors (Remy Bumppo Theatre Company), How Long Will I Cry?, The Motherfucker with the Hat (Steppenwolf Theatre Company), Sita Ram (Chicago Children's Choir), After (Profiles Theatre), Working: The Musical (Broadway Playhouse at Water Tower Place), Richard III, Short Shakespeare! A Midsummer Night's Dream (Chicago Shakespeare Theater) and Arabian Nights (Lookingglass Theatre Company). Regional credits include: Native Gardens (Cincinnati Playhouse), Harvey (Milwaukee Repertory Theater), Why Torture Is Wrong, and the People Who Love Them (Forward Theater Company) and Blood and Gifts (Lincoln Center for the Performing Arts). He can also be seen as Dilip Singh in both seasons of Boss (Starz).

Tommy Rapley (Choreographer) Tommy Rapley is a proud Company Member with The House Theatre of Chicago where he has choreographed over 25 world-premiere productions including The Sparrow (Jeff Award), Cave With Man (Jeff Award), The Terrible Tragedy of Peter Pan, The Valentine Trilogy and Death and Harry Houdini. Directing credits for The House include: The Great and Terrible Wizard of Oz, All the Fame of Lofty Deeds, Hope Springs Infernal, DORIAN and their critically acclaimed productions of The Nutcracker. Other notable Chicago credits include: AIDA (Drury Lane Oakbrook), Detroit (Steppenwolf Theatre Company), One Hundred Dresses, A Year with Frog and Toad (Chicago Children's Theatre), Yeast Nation (American Theatre Company), Man in the Ring (Court Theatre), The King and I, City of Angels (Marriott Theatre) and A Christmas Carol (The Goodman Theatre). Tommy has worked regionally with Hartford Stage Company, Actors Theatre of Louisville, Kansas City Rep., Olney Theatre Center, St. Louis Rep., The Adrienne Arsht Center and Oregon Shakespeare Festival.

Aurora Adachi-Winter (Tong) A Chicago native, Aurora grew up on the south side of the city, attended Walter Payton College Prep and graduated with her BFA in theatre from The University of Illinois Urbana-Champaign. She is a company member with First Floor Theater, where she appeared in their productions of Edith Can Shoot Things and Hit Them, peerless and Two Mile Hollow. Other past credits include: Bull In A China Shop (About Face Theatre), Put Your House In Order (The Roustabouts), The Burials (Steppenwolf Theatre Company), good friday (Oracle Productions, Jeff Nomination for Best Ensemble), Hinter (Steep Theatre Company), M. Butterfly (Court Theatre) and Miss Saigon (The Paramount). Upcoming productions include Red Rex (Steep Theatre) and Lottery Day (Goodman Theatre) both by Chicago playwright Ike Holter. Aurora has performed three consecutive years in The Fly Honey Show (The Inconvenience), including with her mother, aunt and cousin in their drum group Adachi Taiko.

Rammel Chan (Asian Guy/American Guy/Nhan Khue) Theatre credits include King of the Yees (Goodman Theatre, Kirk Douglas Theatre), Oblivion (Steppenwolf Theatre Company), A Red Line Runs Through It (u/s Second City), Twilight: Los Angeles, 1992 (Next Act Theatre) and staged readings of Vietgone (Writers Theatre), The Supreme Leader (Roundabout Theatre Company), The Not-So-Accidental Conviction of Eleven Milwaukee Anarchists (Milwaukee Repertory) and The Oldest Boy (Goodman Theatre). He is an ensemble member of Stir Friday Night, a recipient of the 2015 Bob Curry Fellowship from the Second City and the 2018 Kundiman Fiction Fellowship. As a writer, his play Northern Michigan Trust premiered as part of TEN at The Gift Theatre and his short fiction has appeared in Riksha or is forthcoming in Asimov’s Science Fiction. His film and television credits include Cold War, End of the Tour, Red Line (CBS), Crisis, Chicago Justice (NBC), Patriot (Amazon) and The Jamz (Netflix).

Emjoy Gavino (Asian Girl/American Girl/Thu/Huong/Translator/Flower Girl) Representative Chicago credits include Steppenwolf Theatre (The Drunken City, You Got Older), Court Theater (Wait Until Dark, Electra, The Good Book, Iphigenia in Aulis, M Butterfly, The Hard Problem), About Face Theatre (Bull in a China Shop), The Hypocrites (You on the Moors Now), The Second City (The Realish Housewives—National tour), The House Theater of Chicago (Death and Harry Houdini, Wilson Wants it All), Northlight (4000 Miles), Victory Gardens (Failure: A Love Story), Remy Bumppo (Seascape, Fallen Angels, Love and Information), Paramount (Hair), Broadway Playhouse (Working), Lookingglass Theatre (Arabian Nights), The Neo-Futurists (Neo-Futurist Christmas Carol) and Goodman Theater (A Christmas Carol). Regional credits include Repertory Actors Theatre, Book-It Repertory, ACT, 5th Avenue Theatre and Village Theatre. Film/TV: The Exorcist, Mob Doctor, Empire (Fox), Chicago Fire and Chicago Med (NBC). Emjoy graduated from The School at Steppenwolf. She is the casting director of Gift Theatre, a teaching artist with Barrel of Monkeys, a 3Arts Make a Wave grantee and is the founder and producer of The Chicago Inclusion Project. She is represented by Stewart Talent.

Ian Michael Minh (Playwright/Giai/Bobby/Captain Chamber/Redneck Biker/Hippie Dude) is an artistic ensemble member of Midsommer Flight and has appeared in the company's productions of Twelfth Night, Hamlet and As You Like It. Other Chicago productions include Romeo and Juliet (Teatro Vista), The Last Dance, Shadow Boy (Commedia Beauregard), Art (Parlor Room Players) and Coriolanus (Commission Theatre).
Matthew C. Yee (Quang) Theatre credits include Once (Paramount Theatre), Treasure Island (Lookingglass Theatre Company), Alice’s Rock and Roll Adventure, The Year I Didn't Go to School, A Year With Frog And Toad (Chicago Children's Theatre) and The Wheel (Steppenwolf Theatre Company). Television credits include Chicago Fire, Chicago Justice (NBC) and Empire (Fox).

 The play explores the time during and immediately following the Vietnam War, told through the eyes of Vietnamese refugees, revealing a different perspective on a well-known piece of American history.

AUDIENCE ENGAGEMENT
Sunday Spotlight
Sunday, September 16, 2018 at 11:30am
In Vietgone, playwright Qui Nguyen gives us a dynamic look at the Vietnam War and its aftermath from a rarely observed point of view. At this Sunday Spotlight event, we will be joined by a diverse panel of historians, activists and artists to discuss varying perspectives on this contentious time in history when the country—and the world—was undergoing great change. Seating is limited, RSVP is required.

The Making of... Vietgone
Monday, September 10, 2018 at 6:30pm
Music plays a huge role in Vietgone, and the styles are specific and intentional for each musical moment. At this Q&A, WT Associate Artistic Director Geoff Button moderates a discussion to break down the music in Vietgone, looking at the rich storytelling in rap and how popular music makes its way from radio waves to the stage. Seating is limited, RSVP is required.

Post-Show Conversation: The Word
Join us after every Tuesday evening performance (excluding First Week and any extension weeks) for a 15-minute discussion of the play, facilitated by a member of the WT Artistic Team.
Post-Show Conversation: The Artist
Join us after every Wednesday evening performance (excluding First Week and any extension weeks) for a 15-minute talk-back featuring actors from the production, facilitated by a member of the WT Artistic Team.

Pre-Show Conversation: Up Close
Join us at 6:45pm before every Thursday evening performance (excluding First Week and any extension weeks) for a 15-minute primer on the context and content of the play, facilitated by a member of the WT Artistic Team.

RIDE METRA TO WRITERS THEATRE
In an effort to promote taking public transit to the Theatre, Writers Theatre launched a new promotion in 2013. Any audience member who purchases a ticket to a Writers Theatre production and rides Metra’s Union Pacific North Line to the Theatre may snap a photo of themselves on the train and post it to their Facebook, Twitter or Instagram account with a tag of @WritersTheatre (@Writers_Theatre on Instagram) and #VietgoneWT, and upon showing the post at the Writers Theatre Box Office, receive $5 in cash to put toward the cost of your fare as a thank you for going green.

This promotion is available for a limited time only and may end without warning. Ticket must have been paid for in advance. Not valid on comp tickets. More information available at writerstheatre.org/metra

WRITERS THEATRE PARTNERS
Writers Theatre is pleased to recognize BMO Harris Bank as the 2018/19 Season Sponsor and ComEd as the Official Lighting Sponsor of the 2018/19 Season. The Major Corporate Sponsor for Vietgone is Northern Trust. The Major Production Sponsors are Maryellen and Richard Keyser, and the Artists Council Sponsors are Laurie and Michael Petersen. Additional support for Vietgone is provided by the Director’s Society Sponsors.

For more information about Writers Theatre’s 2018/19 partners, visit writerstheatre.org/our-supporters.

ABOUT WRITERS THEATRE
For more than 25 years, Writers Theatre has captivated Chicagoland audiences with inventive interpretations of classic work, a bold approach to contemporary theatre and a dedication to creating the most intimate theatrical experience possible.

Under the artistic leadership of Michael Halberstam and the executive leadership of Kathryn M. Lipuma, Writers Theatre has grown to become a major Chicagoland cultural destination with a national reputation for excellence, being called the top regional theatre in the nation by The Wall Street Journal. The company, which plays to a sold-out and discerning audience of more than 60,000 patrons each season, has garnered critical praise for the consistent high quality and intimacy of its artistry—providing the finest interpretations of both classic and contemporary theatre in its two intensely intimate venues. 

In February 2016, Writers Theatre opened a new, state-of-the-art facility. This established the company's first permanent home—a new theatre center in downtown Glencoe, designed by the award-winning, internationally renowned Studio Gang Architects, led by Founder and Design Principal Jeanne Gang, FAIA, in collaboration with Theatre Consultant Auerbach Pollock Friedlander. The new facility has allowed the Theatre to continue to grow to accommodate its audience, while maintaining its trademark intimacy. The new facility resonates with and complements the Theatre’s neighboring Glencoe community, adding tremendous value to Chicagoland and helping to establish the North Shore as a premier cultural destination.

Find Writers Theatre on Facebook at Facebook.com/WritersTheatre, follow @WritersTheatre on Twitter or @Writers_Theatre on Instagram. For more information, visit www.writerstheatre.org.



Dates:                              
First performance: Wednesday, August 15, 2018
Press opening: Wednesday, August 22, 2018 at 7:30pm
                                    Closing performance: September 23, 2018

Open Captioning performance: Thursday, September 6 at 7:30pm
ASL-Interpreted performance: Saturday, September 22 at 7:30pm

Schedule:                         
Tuesdays – Fridays: 7:30pm (with select 3:00pm Wednesday matinees)
Saturdays: 3:00pm and 7:30pm
Sundays: 2:00pm and 6:00pm

Location:                           
The Alexandra C. and John D. Nichols Theatre
325 Tudor Court, Glencoe
             
Prices:                             
Prices for all performances range from $35 - $80
Purchase early for best prices                                 
             
Box Office:
The Box Office is located at 325 Tudor Court, Glencoe;
847-242-6000; www.writerstheatre.org

Wednesday, May 16, 2018

OPENING: Buried Child Via Writers Theatre Through June 17, 2018

Chi IL Live Shows On Our Radar:

Writers Theatre presents 
BURIED CHILD
Written by Sam Shepard

Directed by WT Resident Director Kimberly Senior
Featuring Shannon Cochran, Allen Gilmore, Arti Ishak, Timothy Edward Kane, 
Shane Kenyon, Mark L. Montgomery and Larry Yando


May 9 – June 17, 2018


I'll be ChiILin' just north of Chi, IL in Glencoe, with the acclaimed Writers Theatre, for the press opening of Buried Child on May 16th. Writers Theatre has long been a favorite of mine, for stellar seasons, award winning productions, and world class talent. I'm eager to catch their latest since Kimberly Senior is directing and I've long enjoyed her work. With the incomparable Larry Yando as Dodge, and an excellent cast all around, this is sure to be one to see.

Writers Theatre, under the leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, presents Buried Child, written by Sam Shepard and directed by WT Resident Director Kimberly Senior. Buried Child runs May 9 – June 17, 2018 in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe. 

On a cross-country trip from New York to the west coast, Vince and his girlfriend Shelly decide to make a stop at his grandparents’ rural Illinois home. But when they arrive, neither his grandparents, Dodge and Halie, nor his father Tilden and uncle Bradley seem to recognize or remember him. As Vince searches for answers, truths begin to emerge that reveal a deep corrosion of this fragmented family living in a forgotten America.

This Pulitzer Prize-winning masterpiece will be newly invigorated for the WT stage by Resident Director Kimberly Senior (Hedda Gabler, The Diary of Anne Frank, Marjorie Prime, The Scene), drawing audiences deeply into the story of a family fighting to come to grips with an America that may have left them behind.

Dates:
First performance: Wednesday, May 9, 2018
Press opening: Wednesday, May 16, 2018 at 7:30pm
Closing performance: June 17, 2018

Schedule:
Tuesdays – Fridays: 7:30pm
(with select 3:00pm Wednesday matinees)
Saturdays: 3:00pm and 7:30pm
Sundays: 2:00pm and 6:00pm

Location:
The Alexandra C. and John D. Nichols Theatre
325 Tudor Court, Glencoe

Prices:
Prices for all performances range from $35 - $80
Purchase early for best prices

Box Office:
The Box Office is located at 325 Tudor Court, Glencoe; 
847-242-6000; www.writerstheatre.org

WT’s production of Buried Child represents the first major Chicago production of a Sam Shepard play since his death in July of 2017. 

“Part of the Writers Theatre mission is to revive plays from the existing dramatic canon,” says artistic director Michael Halberstam “As a company that eschews overly conceptual stagings, the opportunity to look at that canon with fresh eyes is essential to keeping these plays relevant.  Shepard’s writing has a decidedly masculine perspective and yet, thematically, his play seems to signal the death of the patriarchy, the dwindling of the American Dream and it offers empathic insight into a segment of the population that the mainstream largely ignored, until they made themselves viscerally heard in the most recent election. It is therefore very worthy of revival.  

Buried Child is Director Kimberly Senior’s sixth production at Writers Theatre. She previously directed The Scene, Marjorie Prime, The Diary of Anne Frank, Hedda Gabler and The Letters.

“Kimberly Senior is the perfect director to guide this play into life on the Nichols Theatre stage.  She has assembled a superb team of artists to realize her vision.  It’s a play that ignites her passion on a personal level and fires up her fierce intellectual curiosity.  For those who have not seen the play before, this will be a perfect introduction to a fiercely complex and consciously imperfect playwright. For those who have experienced Buried Child previously, this will be a new realization.  Either way, expect the unexpected.  As she did with Hedda Gabler and The Diary of Anne Frank, Kimberly will find an emotionally blisteringly and thrillingly sharp way to bring this text into the hearts and souls of audiences with absolute present-day currency.”



Two cast members are making their Writers Theatre debuts in this production: Arti Ishak (Shelly) and Shane Kenyon (Vince).

The cast of Buried Child includes: Shannon Cochran (Halie), Allen Gilmore (Father Dewis), Arti Ishak (Shelly), Timothy Edward Kane (Bradley), Shane Kenyon (Vince), Mark L. Montgomery (Tilden) and Larry Yando (Dodge).

In creating the set for Buried Child, the WT production team imported 150 cubic yards of “stover” a mix of dirt and corn debris that is left over after a field has been harvested but not cleared for the next crop. That 150 cubic yards represents 350 plowed stalks of corn, which is cured and treated for bugs before use on stage.

The designers are Jack Magaw (scenic), Mieka van der Ploeg (costumes), Heather 

Gilbert (lighting), Mikhail Fiksel (sound) and Scott Dickens (props). The fight director is Matt Hawkins and the production stage manager is David Castellanos.

Tickets are priced $35 - $80. Subscriptions and individual tickets may be purchased online at www.writerstheatre.org, by phone at 847-242-6000 or in person at the box office at 325 Tudor Court in Glencoe.


Sam Shepard’s Buried Child premiered at the Magic Theatre in San Francisco in 1978 and had its New York premiere at Theater for the New City later that year. The play won the 1979 Pulitzer Prize for Drama as well as Shepard the 1979 Obie Award for Playwriting. The 1996 Broadway production, directed by Gary Sinise, was nominated for five Tony Awards including Best Play. Buried Child was revived Off-Broadway by The New Group in 2016. The production was nominated for two Lucille Lortel Awards, for Outstanding Lead Actor (Ed Harris) and Outstanding Featured Actor in a Play (Paul Sparks). It transferred to the West End for a limited engagement in November 2016 starring Ed Harris and Amy Madigan of the Off-Broadway production.


ABOUT THE ARTISTS

Sam Shepard (Playwright) ranks as one of America's most celebrated dramatists. Prior to his death in 2017, he wrote nearly 50 plays and saw his work produced across the nation, in venues ranging from Greenwich Village coffee shops to regional professional and community theatres, from college campuses to commercial Broadway houses. His plays are regularly anthologized, and theatre professors teach Sam Shepard as a canonical American author. Outside of his stage work, he achieved fame as an actor, writer and director in the film industry. With a career that spanned nearly 40 years, Sam Shepard gained the critical regard, media attention and iconic status enjoyed by only a rare few in American theatre. Throughout his career Shepard amassed numerous grants, prizes, fellowships and awards, including the Cannes Palme d'Or and the Pulitzer Prize. He received abundant popular praise and critical adulation. While the assessment of Shepard's standing may evidence occasional hyperbole, there can be little doubt that he has spoken in a compelling way to American theatre audiences and that his plays have found deep resonance in the nation's cultural imagination.

Several members of the Buried Child cast and creative team (including director Kimberly Senior, scenic designer Jack Magaw, lighting designer Heather Gilbert, and actors Shane Kenyon and Larry Yando) have personal connections to Shepard’s work and Buried Child, specifically, and have noted the influence Shepard’s work has had on their careers. 

Kimberly Senior (Director) returns to Writers where she previously directed The Scene, Marjorie Prime, The Diary of Anne Frank, Hedda Gabler and The Letters. Chicago credits include: Disgraced and Rapture, Blister, Burn (Goodman Theatre), Discord, 4000 Miles, The Whipping Man (Northlight Theatre), Want, The North Plan (Steppenwolf Theatre Company), Inana, My Name is Asher Lev, All My Sons, Dolly West's Kitchen (TimeLine Theatre Company), Disgraced (American Theatre Company), among others. New York credits include: Disgraced (2013 Pulitzer Prize, Broadway), Chris Gethard's Career Suicide (Judd Apatow Productions), Discord (Primary Stages), Engagements (Second Stage Uptown), The Who and The What and Disgraced (Lincoln Center Theater 3). Regional credits include: Sheltered (Alliance Theatre), The Niceties (Contemporary American Theatre Festival), Other Than Honorable (Geva Theatre Center), Sex with Strangers (Geffen Playhouse), Disgraced (Mark Taper Forum, Berkley Repertory Theatre, Seattle Repertory Theatre), The Who and The What (La Jolla Playhouse), Little Gem (City Theatre), Games Afoot, Murder on the Nile, A Few Good Men (Peninsula Players), among others. Upcoming shows include Support Group for Men (Goodman Theatre), The Niceties (Huntington Theatre Company, McCarter Theatre) and Miss Bennet: Christmas at Pemberley (Milwaukee Repertory). Kimberly also directed Chris Gethard's Career Suicide (HBO). Kimberly was awarded the prestigious Alan Schneider Award at the 2016 TCG Conference. She is also a 2013 Finalist for the SDCF Joe A. Callaway Award. She is the recipient of the 2016 Special Non-Equity Joseph Jefferson Award for her Chicago career achievements as a trail blazer, champion and role model for emerging artists.

Returning to Writers Theatre are Shannon Cochran (Halie), Allen Gilmore (Father Dewis), Timothy Edward Kane (Bradley), Mark L. Montgomery (Tilden) and Larry Yando (Dodge).

Shannon Cochran (Halie) has previously appeared at Writers Theatre in The Importance of Being Earnest, The Dance of Death, Hamlet, A Little Night Music, The Lion in Winter, The Father and Private Lives (Joseph Jefferson Award Nomination). Her recent theatre work includes the world premiere of A Doll's House, Part 2 (South Coast Repertory), The Christians (Steppenwolf Theatre Company) and the Roundabout National Tour of Cabaret. She performed in the National Tour of August: Osage County, for which received a Helen Hayes nomination and Chicago Theatre award. She is an Obie and TheatreWorld Award winner for the role she created in Bug (Gate Theatre-London, Barrow Street Theatre). Other theatre credits include The Old Globe, Long Wharf Theatre, Mark Taper Forum, Geffen Playhouse, Court Theatre, Victory Gardens, Route 66 Theatre, The Marriott Theatre in Lincolnshire, Cincinnati Playhouse in the Park, Playhouse on the Square, Barbican (London). Her directing credits include Fallen Angels (Remy Bumppo), Dirty (Zephyr Theatre, West Coast premiere), Bug (Barebones Productions), The Rivalry, The Real Dr. Strangelove and Judgement at Nuremberg (LA Theatreworks), Therese Raquin (greasyjoan) and Private Passage (Odyssey Theatre Ensemble). Film credits include Captive State (in production), The Ring, Star Trek: Nemesis, Be Good for Rachel, The Perfect Family, Flowers and Weeds, and Fenton Black. Television credits include Modern Family, Scandal, Grey's Anatomy (ABC), NCIS: LA, Star Trek: Deep Space Nine (CBS), The Office, Law and Order: SVU (NBC) and others.

Allen Gilmore (Father Dewis) previously appeared at Writers Theatre in Rosencrantz and Guildenstern Are Dead.  Most recently, Allen was seen in An Enemy of the People, as Alternate Scrooge in A Christmas Carol, Yasmina’s Necklace, Objects in the Mirror (all at Goodman Theatre) and Man in the Ring (Court Theatre). Last summer he was A Clown in The 39 Steps and The Duke in Two Gentlemen of Verona (Santa Cruz Shakespeare). He began the 2017/18 season at The Jewel Theater in Santa Cruz as Joe Keller in All My Sons. Allen has performed at theaters in Chicago and across North America including Lookingglass Theatre Company, Congo Square Theatre, Chicago Shakespeare Theater, Yale Rep, Berkeley Rep, The Shakespeare Theater DC, Arena Stage, Portland Stage, Citadel Theater in Edmonton, National Arts Center in Ottawa, Atlantic Theater Festival in Nova Scotia and on Broadway. He is a native of Houston, a US Army Infantry veteran, a 2015 Lunt-Fontanne Fellow and a 2015 3Arts awardee.

Director Kimberly Senior has noted that in the context of today’s world, Buried Child feels more like it is “Shelly’s play” to her in ways different than before, emphasizing the themes of gender and generational power politics. In the Writers Theatre production, Shelly is played by Arti Ishak in her WT debut. 

Arti Ishak (Shelly) is an actor, writer and teaching artist originally from Detroit. Recent Chicago credits include Men On Boats (American Theater Company), Johnny 10 Beers’ Daughter (Chicago Dramatists), Venus in Fur (Circle Theatre), Fantastic Super Great Nation Numero Uno (The Second City), Harbur Gate (16th Street Theatre) and A Story Told in Seven Fights (The Neo-Futurists). She is a graduate of Western Michigan University's Theatre and Business schools.

Timothy Edward Kane (Bradley) previously appeared at Writers Theatre in Hamlet, Rosencrantz and Guildenstern Are Dead and Arms and the Man. Other Chicago credits include All My Sons, Harvey, One Man Two Guvnors, An Iliad (2011 & 2013), The Illusion, Wild Duck, Titus Andronicus, Uncle Vanya, The Romance Cycle, Hamlet (Court Theatre), Faceless, Lost in Yonkers, The Miser, She Stoops to Conquer (Northlight Theatre), Blood and Gifts (TimeLine Theatre Company), The North Plan (Steppenwolf Garage) and fifteen productions at Chicago Shakespeare Theater including Tug of War: Civil Strife, The Comedy Of Errors, A Flea In Her Ear and Henry IV Parts 1 & 2 (CST and at the Royal Shakespeare Company, Stratford-Upon-Avon). Regional credits: The Mark Taper Forum, Notre Dame Shakespeare, Peninsula Players and the Illinois Shakespeare Festival. TV: Chicago Fire (NBC). Education: BS, Ball State University; MFA, Northern Illinois University. He is the recipient of a Joseph Jefferson award and an After Dark award.

Shane Kenyon (Vince) recently appeared in Romeo & Juliet, Shakespeare in Love and As You Like It (Utah Shakespeare Festival). Shane has a Jeff Award for Best Supporting Actor in If There Is I Haven’t Found It Yet (Steep Theatre). Other Chicago credits include Buzzer (Goodman Theatre), Where We’re Born, Hushabye, Betrayal, Sex With Strangers (u/s) (Steppenwolf Theatre Company), The Who and The What (Victory Gardens Theater), Shining City, The Seafarer (Jeff Award Winner – Best Ensemble), Shadow of a Gunman (Irish Theatre of Chicago, Ensemble Member), Things You Shouldn’t Say Past Midnight (Windy City Playhouse), Season on the Line (The House Theatre of Chicago), Trainspotting USA (Book & Lyrics), Big Love (Strawdog Theatre), and Mary’s Wedding (Rivendell Theatre). Regional theatre credits include Hedda Gabler (Studio Theatre), Hamlet, Romeo & Juliet, Macbeth and A Midsummer Night’s Dream (Lakeside Shakespeare Theatre). Shane has been on screen in Chicago Med, Chicago Justice, Chicago PD (NBC), Empire, Chicago Code (Fox), Mind Games (ABC) along with multiple SAG independent films and commercials. Shane received his BFA in Theatre Performance from the Chicago College of Performing Arts at Roosevelt University.

Mark L. Montgomery (Tilden) has appeared at Writers Theatre in The Scene, Hedda Gabler, The Letters, and The Beats. Mark has appeared in more than a dozen productions with Chicago Shakespeare Theater including: Twelfth Night, Troilus and Cressida and Rose Rage: Henry VI Parts 1, 2 and 3. Other Chicago credits include Camino Real, Stage Kiss, A Christmas Carol (Goodman Theatre), Fascination (About Face Theatre), Want, The Time of Your Life (Steppenwolf Theatre), In the Next Room or the Vibrator Play, Equivocation (Victory Gardens), Cat on a Hot Tin Roof (Apple Tree Theatre), and In the Belly of the Beast: Letters from Prison (The Journeymen Theater Company) as well as shows with Remy Bumppo and Northlight, among others. New York credits include: The Seagull, Mamma Mia! (Broadway), Macbeth (The Public), The Runner Stumbles (The Actors Company Theatre) and The Madras House (Mint Theater Company). Regional credits include: Julius Caesar (American Repertory Theater and French tour) and Emma (Cleveland Playhouse). Television credits include: Boss, Law & Order and Guiding Light.

Larry Yando and Shannon Cochran play opposite each other for the first time on a WT stage since their Joseph Jefferson Award-winning performances in the 2014 production of The Dance of Death by August Strindberg, adapted by Conor McPherson and directed by Henry Wishcamper.

Larry Yando (Dodge) has appeared at Writers Theatre in The Dance of Death, Hamlet, As You Like It, Bach at Leipzig, Rocket to the Moon and Nixon’s Nixon.  Chicago credits include Ebenezer Scrooge in nine productions of A Christmas Carol, The Little Foxes, The Jungle Book, Candide (Jeff Award) (Goodman Theatre), Titus Andronicus (Defiant Theatre), Shakespeare in Love, The Tempest, King Lear, Julius Caesar, The Two Noble Kinsmen, Cymbeline, Timon of Athens, All’s Well That Ends Well, Henry IV Parts I and II, Antony and Cleopatra, The Two Gentlemen of Verona (Chicago Shakespeare Theater), Angels in America (Jeff Award), Travesties, An Ideal Husband, Ghosts, Electra, Measure for Measure, The Importance of Being Earnest, Travels with My Aunt (Court Theatre), Fake, Mother Courage and Her Children (Steppenwolf Theatre Company), Kiss of the Spider Woman (Pegasus Players, Jeff Award), I Hate Hamlet and Jacques Brel is Alive and Well and Living in Paris (Royal George Theatre). Regional credits include Angels in America, Arcadia and Amadeus at Milwaukee Repertory Theater. Mr. Yando performed as Scar in the national tour of The Lion King for three years. He was honored as Chicago magazine’s Best Actor in Chicago, received DePaul University’s Excellence in the Arts Award and was the recipient of the 2014 Sarah Siddens Award for Chicago’s Leading Man. Mr. Yando has taught advanced acting classes at The Theatre School at DePaul University, Northwestern University, Columbia College Chicago and Chicago Shakespeare Theater’s Classical Training Program. In 2010, he was one of nine actors chosen for the Lunt- Fontanne Fellowship Program, an acclaimed program serving regional theater actors and the future of American theater.

AUDIENCE ENGAGEMENT

Accessible Performances:
ASL-Interpreted performance: Tuesday, May 29, 2018 at 7:30pm 
Open-Captioned performance: Friday, June 15, 2018 at 7:30pm


Sunday Spotlight — Sunday, June 3, 2018 after the matinee performance

Are you curious about the world that surrounds your favorite plays? Sunday Spotlight offers access to the finest speakers, scholars and cultural leaders. This one-hour event extends the conversation on our stages by featuring an expert in an area connected to the play. Seating is limited. RSVP is required. Save the date!


The Making of… Series— Monday, June 11, 2018 at 6:30pm

Writers Theatre will once again host its popular The Making of… Series, providing insight into a different aspect of creating the productions seen on our stages. Enjoy a short and lively presentation by our actors, designers or other experts who will walk you through the process of preparing for and executing a production. The Making of… events are FREE and open to the public. Seating is limited. RSVP is required.


Post Show Conversation: The Word

Join us after every Tuesday evening performance (excluding First Week and extensions) for a 15-minute discussion of the play, facilitated by a member of the WT Artistic Team. 

Post Show Conversation: The Artist

Join us after every Wednesday evening performance (excluding First Week and extensions) for a 15-minute talk-back featuring actors from the production, facilitated by a member of the WT Artistic Team. 

Pre-Show Conversation: Up Close

Join us at 6:45pm before every Thursday evening performance (excluding First Week and extensions) for a 15-minute primer on the context and content of the play, facilitated by a member of the WT Artistic Team.

For more information about Writers Theatre Audience Enrichment programs visit writerstheatre.org/events.



RIDE METRA TO WRITERS THEATRE

In an effort to promote taking public transit to the Theatre, Writers Theatre launched a new promotion in 2013. Any audience member who purchases a ticket to a Writers Theatre production and rides Metra’s Union Pacific North Line to the Theatre may snap a photo of themselves on the train and post it to their Facebook or Instagram page or their Twitter feed with a tag of @WritersTheatre and #[the title of the show], and upon showing the post at the Writers Theatre Box Office, receive $5 in cash to put toward the cost of your fare as a thank you for going green. 

This promotion is available for a limited time only, and may end without warning. Ticket must have been paid for in advance. Not valid on comp tickets. More information available at writerstheatre.org/metra

WRITERS THEATRE PARTNERS
Writers Theatre is pleased to recognize BMO Harris Bank as the 2017/18 Season Sponsor and ComEd as the Official Lighting Sponsor of the 2017/18 Season. The Corporate Sponsor for Buried Child is United. Major Production Sponsors are Jennifer and Alec Litowitz. The Artists Council Sponsors are Susan and Don Belgrad and Gail and Tom Hodges. Additional support for Buried Child is provided by the Director’s Society Sponsors.

For more information about Writers Theatre’s 2017/18 partners, visit writerstheatre.org/our-supporters.



ABOUT WRITERS THEATRE
For more than 25 years, Writers Theatre has captivated Chicagoland audiences with inventive interpretations of classic work, a bold approach to contemporary theatre and a dedication to creating the most intimate theatrical experience possible.

Under the artistic leadership of Michael Halberstam and the executive leadership of Kathryn M. Lipuma, Writers Theatre has grown to become a major Chicagoland cultural destination with a national reputation for excellence, being called the top regional theatre in the nation by The Wall Street Journal. The company, which plays to a sold-out and discerning audience of more than 60,000 patrons each season, has garnered critical praise for the consistent high quality and intimacy of its artistry—providing the finest interpretations of both classic and contemporary theatre in its two intensely intimate venues. 

In February 2016, Writers Theatre opened a new, state-of-the-art facility. This established the company's first permanent home—a new theatre center in downtown Glencoe, designed by the award-winning, internationally renowned Studio Gang Architects, led by Founder and Design Principal Jeanne Gang, FAIA, in collaboration with Theatre Consultant Auerbach Pollock Friedlander. The new facility has allowed the Theatre to continue to grow to accommodate its audience, while maintaining its trademark intimacy. The new facility resonates with and complements the Theatre’s neighboring Glencoe community, adding tremendous value to Chicagoland and helping to establish the North Shore as a premier cultural destination.

Find Writers Theatre on Facebook at Facebook.com/WritersTheatre, follow @WritersTheatre on Twitter or @Writers_Theatre on Instagram. For more information, visit www.writerstheatre.org.





Tuesday, March 6, 2018

OPENING: SMART PEOPLE at Writers Theatre 3/21-6/10/18

Chi IL Live Shows On Our Radar:

Writers Theatre presents
SMART PEOPLE
Written by Lydia R. Diamond
Directed by Hallie Gordon
Featuring Kayla Carter, Erik Hellman, Deanna Myers and Julian Parker

 
March 21 – June 10, 2018

**Advisory: Recommended for ages 18 and up. This production contains use of profanity and sexual situations.**

Here at ChiIL Live Shows, we're elated to see Chicago's theatre scene embracing themes of racism and racial tensions, and sparking much needed discussions. We're also eager to see Hallie Gordon's inaugural opportunity directing at Writers Theatre. We've thoroughly enjoyed her insightful direction at Steppenwolf and Rivendell for years.

Writers Theatre, under the leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, presents Smart People, written by Lydia R. Diamond and directed by Hallie Gordon. Smart People runs March 21 – June 10, 2018 in the Gillian Theatre at 325 Tudor Court, Glencoe. The Press Opening is Wednesday, March 28 at 7:30 p.m.

Four intelligent, attractive and opinionated young urban professionals—a doctor, an actress, a psychologist and a neurobiologist studying the human brain’s response to race—search for love, success and identity while also attempting to navigate the intricacies of racial and sexual politics. This whip-smart new play taps into current cultural conversation in an enthralling and provocative way, taking on deep questions of the nature of prejudice with razor sharp wit.

Smart People premiered at the Huntington Theatre in Boston in May of 2014 under the direction of Peter DuBois.

Staged in WT’s intimate Gillian Theatre, this sexy, serious and fiercely funny new play explores the inescapable nature of racism and other tricky topics with rapid fire dialogue, shattering assumptions about our culture’s ingrained attitudes of racism, sexism and classism. Audiences will be captivated by one of the smartest new plays of its time.

Lydia Diamond’s plays have received national attention and acclaim, receiving the Lorraine Hansberry Award for Best Writing, an LA Weekly Theater Award, and a Los Angeles Drama Critics Circle Award. She has taught playwriting at DePaul University, Loyola University, Columbia College Chicago, and Boston University. She is also a Huntington Playwright Fellow and a Resident Playwright at Chicago Dramatists.

“Smart People manages to be a progressive provocative and sophisticated conversation about race while also being thoroughly entertaining and even hilarious,” said Artistic Director Michael Halberstam. “This combination of superlatives defines the work of playwright Lydia Diamond. She is uncompromising in how she engages with her subject matter and yet remains completely generous to the audience, never forgetting the reasons we choose to go to the theatre in the first place.  We are delighted to welcome director Hallie Gordon, making her Writers Theatre debut, with a first rate cast and superb design team.  I invite you to stay around in the lobby for a drink and some conversation following the performance.  There will be SO much to talk about!"

Hallie Gordon is directing at Writers for the first time. She recently directed Cal and Camo and Dry Land at Rivendell Theatre Company and HIR, The Rembrandt and Monster at Steppenwolf.

The cast includes: Kayla Carter (Valerie Johnston), Erik Hellman (Brian White), Deanna Myers (Ginny Yang) and Julian Parker (Jackson Moore).

The designers are Collette Pollard (scenic), Izumi Inaba (costumes), Kathy A. Perkins (lighting), Deidre Searcy (projections) and Richard Woodbury (original music & sound). The dramaturg is Bobby Kennedy and the intimacy director is Sasha Smith. The production stage manager is Rebecca Pechter.

Tickets are priced $35 - $80. Subscriptions and individual tickets may be purchased online at www.writerstheatre.org, by phone at 847-242-6000 or in person at the box office at 325 Tudor Court in Glencoe.

ABOUT THE ARTISTS
Lydia R. Diamond (Playwright) has written a number of award-winning plays including: Smart People, Stick Fly, Voyeurs de Venus, The Bluest Eye, The Gift Horse, Harriet Jacobs, The Inside, and Stage Black. Theatres she has worked with include: Arena Stage, Cort Theatre (Broadway), Chicago Dramatists, Company One, Congo Square, Goodman Theatre, Hartford Stage, Huntington Theatre Company, Jubilee Theatre, Kansas City Repertory, Long Wharf, Lorraine Hansberry, McCarter, Theatre Mo’Olelo Performing Arts Co., MPAACT, New Vic Theatre, Playmakers Repertory, Plowshares Theatre Company, Second Stage Theatre, Steppenwolf Theatre Company and TrueColors. Commissions include: Arena Stage, Steppenwolf (4), McCarter, Huntington, Center Stage, Victory Gardens and The Roundabout Theatre Company. A recipient of many playwriting awards, Lydia was also an 2005/06 W.E.B. Du Bois Institute non-resident Fellow, a 2007 TCG/NEA Playwright in Residence at Steppenwolf Theatre, a 2006/07 Huntington Playwright Fellow, a 2012 Sundance Institute Playwright Lab Creative Advisor, is a Board Member with Chicago Dramatists and a 2012/13 Radcliffe Institute Fellow. Lydia is a graduate of Northwestern University (Class of 1991), has an Honorary Doctorate of Arts from Pine Manor College and was 2013/14 Playwright in Residence at Arena Stage. Lydia is on faculty at the University of Illinois at Chicago where she teaches playwriting.

Hallie Gordon (Director) most recently directed Cal and Camo and Dry Land at Rivendell Theatre Company, where she is also an ensemble member. She serves as Artistic Producer for Steppenwolf Theatre Company, where she most recently directed HIR, The Rembrandt and Monster. She is the recipient of The Helen Coburn Meier & Tim Meier Achievement Award.

Kayla Carter (Valerie Johnston) has worked with The Shakespeare Project of Chicago and Artemisia. Regional credits include River City (NNPN World Premiere, Actor’s Theatre of Charlotte and Phoenix Theatre Indianapolis), the World Premiere of The Patron Saint of Losing Sleep and Passing Strange (Actor’s Theatre of Charlotte). TV credits include Chicago Med (NBC) and APB (Fox). She is a graduate of University of North Carolina School of the Arts.

Erik Hellman (Brian White) previously appeared at Writers Theatre in Marjorie Prime, Hesperia, and The Frog Prince. Recent work includes The Burn and The Crucible (Steppenwolf SYA), One Man Two Govnors, The Good Book, Tartuffe, The Misanthrope, Proof (Jeff Nomination, Supporting Actor), The Comedy of Errors, The Mystery of Irma Vep (Jeff Nomination, Lead Actor), Titus Andronicus, Arcadia (Court Theatre), Luna Gale (Goodman Theatre), Miss Bennet (Jeff Nomination, Lead Actor), Shining Lives, The Commons of Pensacola, Lost in Yonkers (Northlight Theatre), The Madness of  King George III, The Taming of the Shrew, Macbeth, Edward II (Chicago Shakespeare Theater), Honest, The Elephant Man,  Huck Finn (Steppenwolf), Eastland (Lookingglass Theatre Company), All My Sons (TimeLine), as well as shows at Next Theatre, Chicago Dramatists, Remy Bumppo, The House Theatre of Chicago and as a company member of Strawdog Theatre Company. Outside of Chicago, Erik has appeared at Milwaukee Repertory, Geva Theatre Center, Syracuse Stage, Indianapolis Repertory, Shakespeare Santa Cruz, Houston’s Stages Repertory and Off-Broadway at The Mirror Repertory. Film/TV work includes The Dark Knight, The Chicago Code, Boss, Betrayal, Chicago Fire, Chicago PD and the upcoming feature Walden. Erik is married to actress Jessie Fisher, with whom he co-hosts the Erik and Jessie and Everyone You Know Variety Show which performs regularly at the Steppenwolf 1700 space.

Deanna Myers (Ginny Yang) previously appeared at Writers Theatre in The Scene. Selected Chicago credits inlcude: That’s Weird, Grandma! (Barrel of Monkeys), Two Mile Hollow (First Floor Theatre), You on the Moors Now (The Hypocrites), The Chicago and Miami Productions of The Hammer Trinity (The House Theatre), SideShow (Porchlight Music Theatre), The New Stages Production of King of the Yees, The White Snake (Goodman Theatre), The Golden Dragon (Sideshow Theatre) and The Three Musketeers (Lifeline Theatre).  TV/Film Credits include: Hot Date, Chicago Fire and The Drunk. Deanna is a proud company member at Barrel of Monkeys, where she finds her favorite young playwrights among the students in CPS classrooms. She is a perpetual student at the Actors Gymnasium.

Julian Parker (Jackson Moore) has been previously seen at Writers Theatre in Julius Caesar and Hamlet, as well as in collaboration with The Chicago Inclusion Project: Saint Joan. He is a co-founding member of Definition Theatre Company and received his BFA from the University of Illinois Urbana-Champaign. Steppenwolf Theatre Company credits include: Pass Over, Gospel of Franklin, Head of Passes (u/s) (First Look Series) and BlackTop Sky (Garage Repertory). Other credits include: Genesis, Dutchman The Brothers’ Size (Definition Theatre Company), Prowess (Jackalope Theatre), The Hairy Ape (Jeff Award Recipient for Actor in Principal Role, Oracle Productions), Charm (Northlight Theatre) and The Royale (American Theatre Company). TV/Film credits include: Pass Over (Presented at Sundance Film Festival; Directed by Spike Lee), The Chi (Showtime), Chicago PD and Chicago Fire (NBC).

AUDIENCE ENGAGEMENT

Accessible Performances
ASL-Interpreted performance: Saturday, June 2, 2018 at 7:30pm
Open-Captioned performance: Friday, June 1, 2018 at 7:30pm

Sunday Spotlight— Sunday, May 13, 2018 after the matinee performance
Are you curious about the world that surrounds your favorite plays? Sunday Spotlight offers access to the finest speakers, scholars and cultural leaders. This one-hour event extends the conversation on our stages by featuring an expert in an area connected to the play. Seating is limited. RSVP is required. Save the date!

The Making of… Series— Monday, May 21, 2018 at 6:30pm
Ever wonder what goes on behind the scenes of our productions? For each production, we will offer insight into a different aspect of creating theatre. Enjoy a short and lively presentation by our actors, designers or other experts who will walk you through the process of preparing for and executing a production. Seating is limited. RSVP is required. Save the date!

Post Show Conversation: The Word
Join us after every Tuesday evening performance (excluding previews and extensions) for a 15-minute discussion of the play, facilitated by a member of the WT Artistic Team.

Post Show Conversation: The Artist
Join us after every Wednesday evening performance (excluding previews and extensions) for a 15-minute talk-back featuring actors from the production, facilitated by a member of the WT Artistic Team.

For more information about Writers Theatre Audience Enrichment programs visit writerstheatre.org/events.

RIDE METRA TO WRITERS THEATRE
In an effort to promote taking public transit to the Theatre, Writers Theatre launched a new promotion in 2013. Any audience member who purchases a ticket to a Writers Theatre production and rides Metra’s Union Pacific North Line to the Theatre may snap a photo of themselves on the train and post it to their Facebook or Instagram page or their Twitter feed with a tag of @WritersTheatre and #[the title of the show], and upon showing the post at the Writers Theatre Box Office, receive $5 in cash to put toward the cost of your fare as a thank you for going green.

This promotion is available for a limited time only, and may end without warning. Ticket must have been paid for in advance. Not valid on comp tickets. More information available at writerstheatre.org/metra

WRITERS THEATRE PARTNERS
Writers Theatre is pleased to welcome back BMO Harris Bank as the 2017/18 Season Sponsor, and ComEd as the Official Lighting Sponsor of the 2017/18 Season. The Major Production Sponsors of Smart People are Sara and Dan Cohan and Mary Winton Green. Artists Council Sponsors are Jane and Richard Lipton, Laurie and Michael Petersen, and Marilynn and Carl Thoma. Additional production support for is provided by the Patricia Dodson Family Foundation.

ABOUT WRITERS THEATRE
For more than 25 years, Writers Theatre has captivated Chicagoland audiences with inventive interpretations of classic work, a bold approach to contemporary theatre and a dedication to creating the most intimate theatrical experience possible.

Under the artistic leadership of Michael Halberstam and the executive leadership of Kathryn M. Lipuma, Writers Theatre has grown to become a major Chicagoland cultural destination with a national reputation for excellence, being called the top regional theatre in the nation by The Wall Street Journal. The company, which plays to a sold-out and discerning audience of more than 60,000 patrons each season, has garnered critical praise for the consistent high quality and intimacy of its artistry—providing the finest interpretations of both classic and contemporary theatre in its two intensely intimate venues. 

In February 2016, Writers Theatre opened a new, state-of-the-art facility. This established the company's first permanent home—a new theatre center in downtown Glencoe, designed by the award-winning, internationally renowned Studio Gang Architects, led by Founder and Design Principal Jeanne Gang, FAIA, in collaboration with Theatre Consultant Auerbach Pollock Friedlander. The new facility has allowed the Theatre to continue to grow to accommodate its audience, while maintaining its trademark intimacy. The new facility resonates with and complements the Theatre’s neighboring Glencoe community, adding tremendous value to Chicagoland and helping to establish the North Shore as a premier cultural destination.

Find Writers Theatre on Facebook at Facebook.com/WritersTheatre, follow @WritersTheatre on Twitter or @Writers_Theatre on Instagram. For more information, visit www.writerstheatre.org.


Schedule:
Tuesdays – Fridays: 7:30pm
(with select 3:00pm Wednesday matinees)
Saturdays: 3:00pm and 7:30pm
Sundays: 2:00pm and 6:00pm
Open-Captioned performance: Friday, June 1, 2018 at 7:30pm
ASL-Interpreted performance: Saturday, June 2, 2018 at 7:30pm

Location:
The Gillian Theatre
325 Tudor Court, Glencoe
             
Prices: Prices for all performances range from $35 - $80
Purchase early for best prices                                    
             
Box Office:
The Box Office is located at 325 Tudor Court, Glencoe;
847-242-6000; www.writerstheatre.org

Monday, February 5, 2018

OPENING: Eugene O’Neill's A MOON FOR THE MISBEGOTTEN at Writers Theatre Through 3/18/18

Chi, IL LIVE Shows On Our Radar:

Writers Theatre presents
A MOON FOR THE MISBEGOTTEN
Written by Eugene O’Neill
Directed by WT Resident Director William Brown



February 7 – March 18, 2018

Running Time: 3 hours, including two intermissions.


Writers Theatre, under the leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, presents A Moon for the Misbegotten, written by Eugene O’Neill and directed by WT Resident Director William Brown. A Moon for the Misbegotten runs February 7 – March 18, 2018 in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe. 

My husband and I will be spending Valentine's Day at the press opening on Wednesday, February 14, so check back soon for my full review. Writers Theatre has been a top favorite of mine for years and I'm excited to see their take on this O'Neill classic. 

In 1920s rural Connecticut, Phil Hogan cobbles together a living on rented farmland that he hopes to someday own outright, when his landlord Jim Tyrone comes into his inheritance. Hogan has driven away his three sons, but his towering daughter Josie understands her father and can hold her own. When the two learn that the land may be sold out from under them, they concoct a plan to save it that ultimately reveals the secret desires that two lonely souls have kept hidden for years.

This bittersweet elegy from four-time Pulitzer Prize-winning playwright and Nobel laureate Eugene O’Neill offers a moving and powerful exploration of humanity at its basest and most beautiful. Directed by WT Resident Director William Brown (Company, Doubt: A Parable, The Liar, A Little Night Music and many more), this soaring powerhouse of a play is simultaneously intimate and epic, touching on themes of desire, family and the things we sacrifice for those we love. 
        
“We’re all excited to be exploring Eugene O’Neil for the first time in our 26-year history,” said Artistic Director Michael Halberstam. “Bill Brown has articulated such a beautiful, passionate, personal and clear vision for the piece. At Writers, it is our mission to take classics down from the shelf and dust them off a breathe new life into them. AC Smith, Bethany Thomas and Jim DeVita (in fact the whole cast) are some of the finest actors in the city and therefore the country. They bring original and refreshing voices to the conversation about the play and their endless reservoirs of creativity and emotional sophistication will make for a compelling take on the narrative. Furthermore, Bill’s design team has created a wonderful connection between intimate and epic in the beautiful Nichols Theatre. The lives of these disenfranchised characters demand such an intimate and empathic engagement while their emotional turmoil lives at an epic scale. Lean forward and engage!"


Featuring: Jim DeVita*, Eric Parks*, Cage Sebastian Pierre, A.C. Smith* and Bethany Thomas*. 

*Denotes a member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers  


       Returning to Writers Theatre are Eric Parks (T. Stedman Harder) who previously appeared in As You Like It; A.C. Smith (Phil Hogan) where he previously appeared in East Texas Hot Links; and Bethany Thomas (Josie Hogan) who was in She Loves Me. 


The cast includes: Jim DeVita (James Tyrone, Jr.), Eric Parks (T. Stedman Harder), Cage Sebastian Pierre (Mike Hogan), A.C. Smith (Phil Hogan) and Bethany Thomas (Josie Hogan).

Two cast members are making their Writers Theatre debuts in this production, including Jim DeVita (James Tyrone, Jr.) and Cage Sebastian Pierre (Mike Hogan).

The creative team includes Todd Rosenthal (scenic), Rachel Anne Healy (costumes), Jesse Klug (lighting), Andrew Hansen (sound), Regina Victor (dramaturg), Elizabeth Laidlaw (violence & intimacy director) and Karen Janes Woditsch (assistant director). The production stage manager is David Castellanos.

Tickets are priced $35 - $80. Subscriptions and individual tickets may be purchased online at www.writerstheatre.org, by phone at 847-242-6000 or in person at the box office at 325 Tudor Court in Glencoe.

       A Moon for the Misbegotten is a sequel to Eugene O’Neill’s Long Day’s Journey into Night, featuring an older and increasingly troubled version of James Tyrone, Jr. than seen in the previous play. The character is based on O'Neill's older brother, Jamie O'Neill.

ABOUT THE ARTISTS
Eugene O’Neill (Playwright) began writing for the stage early in the 20th century; the American theatre was dominated by vaudeville and romantic melodramas. Influenced by Strindberg, Ibsen and other European playwrights, O’Neill vowed to create a theatre in America, stripped of false sentimentality, which would explore the deepest stirrings of the human spirit. In 1914, he wrote: “I want to be an artist or nothing.” During the 1920s, he was awarded the Pulitzer Prize for three of his plays–Beyond the Horizon, Anna Christie and Strange Interlude. Other popular successes, including The Emperor Jones, The Hairy Ape, Desire Under the Elms, The Great God Brown and Mourning Becomes Electra, brought him international acclaim. In 1936, he was awarded the Nobel Prize for Literature—the only American playwright to be so honored. O’Neill experimented with new dramatic techniques and dared tackle such controversial issues as interracial marriage, the equality of the sexes, the power of the unconscious mind, and the hold of materialism on the American soul. In each of his plays, he sought to reveal the mysterious forces “behind life” which shape human destiny. Three of his final works, written at Tao House, tower over the others: The Iceman Cometh, Long Day’s Journey into Night and A Moon for the Misbegotten. These autobiographical plays portray, with “faithful realism,” the haunting figures of his father, mother and brother who loom in the background of most of his other plays. He was awarded a fourth Pulitzer Prize, posthumously, in 1956 for Long Day’s Journey into Night. In a career which spanned three decades, Eugene O’Neill changed the American theatre forever.


        A Moon for the Misbegotten is Director William Brown’s 23rd production at Writers Theatre. He previously directed Company, Doubt: A Parable, Port Authority, The Liar, A Little Night Music, Heartbreak House, Do the Hustle, Old Glory, As You Like It, Another Part of the Forest, Arms and the Man, Our Town, Rocket to the Moon, Misalliance, Incident at Vichy, and The Glass Menagerie. As an actor he appeared in Writers Theatre productions of Bus Stop, Nixon's Nixon, Candida, Private Lives, Dear Master, and Butley.

William Brown (Director) returns to Writers where he previously directed Company, Doubt: A Parable, Port Authority, The Liar, A Little Night Music, Heartbreak House, Do the Hustle, Old Glory, As You Like It, Another Part of the Forest, Arms and the Man, Our Town, Rocket to the Moon, Misalliance, Incident at Vichy, and The Glass Menagerie. As an actor he appeared in Writers Theatre productions of Bus Stop, Nixon's Nixon, Candida, Private Lives, Dear Master, and Butley. Bill has directed 17 productions at American Players Theatre in Spring Green, Wisconsin, including Three Sisters, King Lear, Travesties, The Importance of Being Earnest, All My Sons, Troilus and Cressida, The Critic, Hay Fever, The Comedy of Errors, Night of the Iguana, Antony and Cleopatra, All’s Well That Ends Well, You Never Can Tell and The Matchmaker. He directed and wrote (with Doug Frew) To Master the Art for TimeLine Theatre Company where he is an Associate Artist and most recently directed the world premiere of Susan Felder’s Wasteland. He has directed four plays at Northlight, including his own adaptation with music of She Stoops to Conquers. He directed Skylight at Court Theatre and at Indiana Rep, Around the World in Eighty Days and Fallen Angels. Recently he directed Singing in the Rain at Marriott Lincolnshire. He is the Associate Artistic Director of Montana Shakespeare in the Parks, where he has directed and acted since 1980. He regularly teaches and directs at universities across the country, most recently University of Houston, University of Illinois Urbana-Champaign and Northwestern. As an actor Brown has appeared in over a hundred productions. He appeared as Ebenezer Scrooge in A Christmas Carol at Goodman Theatre where he also appeared in Light up the Sky, Sunday in the Park with George, The Misanthrope and Wings. At Court Theatre, he appeared as Falstaff in Henry IV, Jack in The Importance of Being Earnest and Almady in The Play's The Thing. He created the role of Jody in Steven Dietz’s Lonely Planet (Northlight Theatre). Brown received a Joseph Jefferson Award for Best Director for The Liar (Writers Theatre) and a Best Actor award for his portrayal of Henry Kissinger in Nixon’s Nixon (Writers Theatre).  He received a 2010 Spirit of Diversity Award from Actors’ Equity Association and was named Chicagoan of the Year for Theatre by the Chicago Tribune in 2003.

Jim DeVita (James Tyrone, Jr.) is a native of Long Island, NY, an author, actor and theater director. Jim is primarily based in Wisconsin where he has been a core-company member of American Players Theater (APT) for twenty-three years. Some directing credits include Richard III, Romeo and Juliet, Gift of the Magi, The Desert Queen and Cyrano de Bergerac. Recent acting credits Eddie in A View from the Bridge (APT), Poet in An Iliad (Milwaukee Reperatory, APT) and Valmont in Dangerous Liaisons (ACT Theater). Along with his novels, A Winsome Murder, The Silenced and Blue, Jim has also worked extensively as a playwright. Some of his adult plays include Learning to Stay, Christmas in Babylon, Gift of the Magi (musical adaptation), In Acting Shakespeare, The Desert Queen (the life of Gertrude Bell), Dickens in America and a new adaptation of Cyrano de Bergerac. Jim has also worked for many years as a playwright for young audiences. His work in the field has been acknowledged with The Distinguished Play Award from The American Alliance for Theatre and Education (AATE), The Intellectual Freedom Award and The AATE honored his body of work with the Charlotte B. Chorpenning Award. Jim’s education began as a first mate on the charter boat JIB VII out of Captree Boat Basin, NY. He then studied theater at Suffolk County Community College, Long Island, and at the University of Wisconsin-Milwaukee. He also attended Madison Area Technical College where he was licensed as an Emergency Medical Technician. Jim is a member of The Dramatists Guild and Actors Equity Association, and a recipient of the National Endowment for the Arts Literature Fellowship for Fiction.

Eric Parks (T. Stedman Harder) returns to Writers Theatre where he previously appeared in As You Like It. He has worked in Chicago at Goodman Theatre, Chicago Shakespeare Theater, Northlight Theater and Drury Lane Oakbrook. Regionally he has worked with American Players Theatre, Indiana Repertory Theater, The Milwaukee Repertory Theatre, Maltz Jupiter Theatre, Syracuse Stage, Nebraska Shakespeare Festival and The Utah Shakespearean Festival.  Eric holds a BFA from Pacific Lutheran University and an MFA from University of Illinois Urbana Champaign.

Cage Sebastian Pierre (Mike Hogan) has appeared in Chicago in Short Shakes! Romeo and Juliet at Chicago Shakespeare Theater. His upcoming credits include Macbeth at Chicago Shakespeare Theater. Regional credits include American Players Theatre. Mr. Pierre received his BFA from the University of Minnesota/Guthrie Theatre BFA Actor Training Program.

A.C. Smith (Phil Hogan) returns to Writers Theatre where he previously appeared in East Texas Hot Links. In Chicago, Smith considers the Court Theatre to be his home where he has worked for the past eight years or so in productions ranging from Moliere to the great August Wilson and a host of other classic works. Smith received the Joseph Jefferson Award for his portrayal of Troy Maxson in Court Theatre’s production of Fences. Regional credits include Clarence Brown Theatre (Knoxville, TN), Portland Stage Company, Actors Theatre of Louisville, Milwaukee Repertory Theater, Kansas City Repertory Theatre, Ensemble Theatre Cincinnati, Indiana Repertory Theatre, Geva Theatre Center, Peninsula Players Theatre and The Black Rep, where he has been a company member for 21 years and is a nine-time Woodie King, Jr. Award winner. National tour credits include The Piano Lesson directed by Lloyd Richards. Off-Broadway credits include the title role in Jelly Belly (Audelco Award Nomination—New Federal Theatre). Smith has appeared on film, television, radio, voice-over, commercials and in Ebony and Jet magazines.

Bethany Thomas (Josie Hogan) returns to Writers Theatre where she previously appeared in She Loves Me.  A Chicago-based actor and singer, her credits include Marry Me A Little, Into The Woods, Nine, In Trousers (Porchlight Music Theater), The Tempest (Chicago Shakespeare Theater), Porgy and Bess (Court Theatre), Hairspray, Charlotte's Web (Drury Lane Oakbrook), Hair (Paramount Theatre), Fiorello! (TimeLine Theatre) also work with Second City, About Face Theatre, The Inconvenience, Theo Ubique, Congo Square, Theatre at the Center, Marriott Lincolnshire, Hell In A Handbag and American Theater Company. Regional credits include Iphigenia In Aulis (Getty Villa), The Color Purple, Ain’t Misbehavin’, Ragtime, Man Of La Mancha, A Christmas Carol (Milwaukee Reparatory Theatre) and Little Shop of Horrors (Geva Theatre). Bethany appeared in the second seasons of Empire (FOX) and You're So Talented (OpenTV). She is the proud recipient of a Joseph Jefferson Award, an After Dark Award and a Black Theatre Alliance Award. As a singer/songwriter, Bethany is a regular contributor at Salonathon and The Paper Machete, and has done several performance residencies at The Hideout and Steppenwolf's LookOut series. She's done concerts for WBEZ, WFMT, WTTW and the Chicago Humanities Festival, and was a featured local artist in Renee Fleming’s Chicago Voices Project at the Lyric Opera. Most recently, she's been touring the country as one quarter of the alt-country project on Langford's Four Lost Souls, (self-titled album out on Bloodshot Records) and she released an EP of her own music called First.

 The play has been produced five times on Broadway – the first production in 1957.  The 1973 revival starred Colleen Dewhurst (Tony-winner, Best Actress), Jason Robards (Tony-nominee, Best Actor), and Ed Flanders (Tony-winner, Best Featured Actor). The cast reprised their roles for ABC-TV in 1975, garnering five Emmy nominations, including Outstanding Special—Drama or Comedy, with Flanders also winning the award for Outstanding Single Performance by a Supporting Actor in a Comedy or Drama Special.

AUDIENCE ENGAGEMENT
Accessible Performances
ASL-Interpreted performance: Saturday, March 17, 2018 at 7:30 pm
Open-Captioned performance: Friday, March 16, 2018 at 7:30 pm

Sunday Spotlight— Sunday, March 4, 2018 after the matinee performance
Are you curious about the world that surrounds your favorite plays? Sunday Spotlight offers access to the finest speakers, scholars and cultural leaders. This one-hour event extends the conversation on our stages by featuring an expert in an area connected to the play. Seating is limited. RSVP is required. Save the date!

The Making of… Series—Monday, March 12, 2018 at 6:30 pm
Writers Theatre will once again host its popular The Making of… Series, providing insight into a different aspect of creating the productions seen on our stages. Enjoy a short and lively presentation by our actors, designers or other experts who will walk you through the process of preparing for and executing a production. The Making of… events are FREE and open to the public. Seating is limited. RSVP is required.

Post Show Conversation: The Word
Join us after every Tuesday evening performance (excluding previews and extensions) for a 15-minute discussion of the play, facilitated by a member of the WT Artistic Team.

Post Show Conversation: The Artist
Join us after every Wednesday evening performance (excluding previews and extensions) for a 15-minute talk-back featuring actors from the production, facilitated by a member of the WT Artistic Team.

Pre-Show Conversation: Up Close
Join us at 6:45pm before every Thursday evening performance (excluding previews and extensions) for a 15-minute primer on the context and content of the play, facilitated by a member of the WT Artistic Team.

For more information about Writers Theatre Audience Enrichment programs visit writerstheatre.org/events.

RIDE METRA TO WRITERS THEATRE
In an effort to promote taking public transit to the Theatre, Writers Theatre launched a new promotion in 2013. Any audience member who purchases a ticket to a Writers Theatre production and rides Metra’s Union Pacific North Line to the Theatre may snap a photo of themselves on the train and post it to their Facebook or Instagram page or their Twitter feed with a tag of @WritersTheatre and #[the title of the show], and upon showing the post at the Writers Theatre Box Office, receive $5 in cash to put toward the cost of your fare as a thank you for going green.

This promotion is available for a limited time only, and may end without warning. Ticket must have been paid for in advance. Not valid on comp tickets. More information available at writerstheatre.org/metra

WRITERS THEATRE PARTNERS
Writers Theatre is pleased to recognize BMO Harris Bank as the 2017/18 Season Sponsor, and ComEd as the Official Lighting Sponsor of the 2017/18 Season. The Corporate Sponsor for A Moon for the Misbegotten is Consolidated Electronic Wire & Cable.  Foundation Support provided by The Elizabeth F. Cheney Foundation. The Artists Council Sponsors are Karen and Jim Frank and Emily and Christopher N. Knight. Additional support for A Moon for the Misbegotten is provided by the Director’s Society Sponsors.

For more information about Writers Theatre’s 2017/18 partners, visit writerstheatre.org/our-supporters.



ABOUT WRITERS THEATRE
For 25 years, Writers Theatre has captivated Chicagoland audiences with inventive interpretations of classic work, a bold approach to contemporary theatre and a dedication to creating the most intimate theatrical experience possible.

Under the artistic leadership of Michael Halberstam and the executive leadership of Kathryn M. Lipuma, Writers Theatre has grown to become a major Chicagoland cultural destination with a national reputation for excellence, being called “America’s No. 1 theatre company” by The Wall Street Journal. The company, which plays to a sold-out and discerning audience of more than 60,000 patrons each season, has garnered critical praise for the consistent high quality and intimacy of its artistry—providing the finest interpretations of both classic and contemporary theatre in its two intensely intimate venues. 

In February 2016, Writers Theatre opened a new, state-of-the-art facility. This established the company's first permanent home—a new theatre center in downtown Glencoe, designed by the award-winning, internationally renowned Studio Gang Architects, led by Founder and Design Principal Jeanne Gang, FAIA, in collaboration with Theatre Consultant Auerbach Pollock Friedlander. The new facility has allowed the Theatre to continue to grow to accommodate its audience, while maintaining its trademark intimacy. The new facility resonates with and complements the Theatre’s neighboring Glencoe community, adding tremendous value to Chicagoland and helping to establish the North Shore as a premier cultural destination.

Find Writers Theatre on Facebook at Facebook.com/WritersTheatre or follow @WritersTheatre on Twitter. For more information, visit www.writerstheatre.org.


Dates: First performance: Wednesday, February 7, 2018
Press opening: Wednesday, February 14, 2018 at 7:30pm
Closing performance: March 18, 2018

Schedule:                         
Tuesdays – Fridays: 7:30pm
(with select 3:00pm Wednesday matinees)
Saturdays: 3:00pm and 7:30pm
Sundays: 2:00pm and 6:00pm

Location:                           
The Alexandra C. and John D. Nichols Theatre
325 Tudor Court, Glencoe
             
Prices:                             
Prices for all performances range from $35 - $80
Purchase early for best prices                                 
             
Box Office: 
The Box Office is located at 325 Tudor Court, Glencoe;
847-242-6000; www.writerstheatre.org

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