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Showing posts with label Victory Gardens. Show all posts
Showing posts with label Victory Gardens. Show all posts

Wednesday, April 3, 2013

ACT OUT ENDING: There Is A Happiness That Morning Is #review


Catch it while you can.  Happiness is fleeting and Theatre Oobleck's remount is ending this weekend after an extension through April 7th.   The show's upstairs at The Biograph Theatre-Victory Gardens.   

We'll be back at The Biograph for the press opening of The Whale on the 15th--not to be confused with The Elephant and The Whale (at CST-Chicago Children's Theatre).   We're covering their opening Friday the 12th and have some sweet video interviews and a 4 ticket giveaway in the works!

We sat in on an early rehearsal of The Whale, just 3 days in and had an excellent talk back with the actors.   I love to see a piece evolve.   This show has a Mormon (who has friends who went to serve in Africa... like a certain hit Broadway musical), a snarky teenage girl, school papers by an estranged child (like Dream of the Burning Boy), and a gay, obese protagonist who is already a challenge to play in an authentic, truthful way that won't evoke ire.   I'm so intrigued to see where they go with this show!

Back to There is a Happiness, it was an interesting segue to go from Completeness at The Wit on Friday to this show on Saturday.   It was a nerd love fest of a weekend.   This show's a bit more intellectual and esoteric, so less accessible unless you're a true disciple of William Blake's works.   The scenario is a hoot and the characters' responses provide an interesting dynamic, and lend fresh eyes to staid literary staples.  It's certainly worth a look.



Of course Dillinger didn't experience much happiness after seeing a show at The Biograph with The Woman in Red (Ana Sage)  that infamous day in 1934, so my husband and I left our daughter, Sage Ani, at home and had a great time with another woman in red, our long time friend, Cath.




No theatre goers were harmed in the making of this feature.








 



More Happiness!
There Is a Happiness That Morning Is

  "a not-to-be-missed remount" - "soul shaking" - "Killer."
Yes, that one, has been extended until April 7th!
Tickets available here
More info here

There Is a Happiness That Morning Is

by Mickle Maher

“. . . richer, funnier, and more heartbreaking than ever… If the American theater harbors a precedent for Mickle Maher’s astonishing 2011 play There Is a Happiness That Morning Is, I’ve never found it . . .”


“The most remarkable mix of poetry and drama you are ever likely to see.”


MAHER’S MOST POWERFUL PLAY TO DATE… SOUL SHAKING


an enjoyably lunatic endeavor


“Goosed by precise, masterful performances, Maher’s text is almost endlessly engaging and frequently hilarious.”


“FUNNY, WITTY, LITERATE, and PROFOUND… It’s the actors who make it a slam-dunk”




JANUARY 31-MARCH 10, 2013
EXTENDED THROUGH APRIL 7
Thursday-Saturday at 8pm
Sunday at 3pm
(no shows Thursdays March 28 & April 4)
INDUSTRY NIGHT: MONDAY APRIL 1st at 8pm
VICTORY GARDENS BIOGRAPH THEATER
2433 North Lincoln Avenue, Chicago
773.871.3000
$15 suggested donation*
More if you got it,
free if you’re broke.

Theater Oobleck revives Mickle Maher’s comedy in rhymed verse told via two lectures on the poetry of William Blake: one given in the morning by Bernard, a middle-aged, barely published poet of scant scholarship, on the Songs of Innocence, and the other in the afternoon by his lover, Ellen, a reputable Ph.D., on the Songs of Experience.

Having engaged the evening before in a highly inappropriate display of public affection on the main lawn of their rural New England campus, the two undergraduate lecturers must now, in class, either apologize for their behavior or effectively justify it if they want to keep their jobs.
Featuring Diana Slickman, Colm O’Reilly, and Kirk Anderson.


The script of There Is A Happiness That Morning Is is also available as part of the book of Oobleck plays More If You’ve Got It. Purchase it directly from us.

*Quick ticket explanation: You can get your “more if you’ve got it, free if you’re broke” tickets (as per Theater Oobleck tradition) by calling the box office 773-871-3000. For on-line tickets, click on the link above, then click on the day you want. Then in the next screen you indicate how many tickets you want. Then in the NEXT screen you are given the option of a “Regular Price” (that would be $15), a $10, or a $1 ticket.



Check out this audio link to an interview with Mickle Maher about how he wrote the play.   Then go already.   This weekend is your last shot at Happiness!   
Happiness playwright Mickle Maher talks about the power of public sex, the actor’s prerogative, and why the play was almost about mummies in this half-hour podcast from Talk Theatre in Chicago. Includes bonus stale bread metaphors!
How does a play get written? In particular, how does a verse play about two college English teachers lecturing on the poetry of William Blake to save their jobs after having public sex on the campus green get written? Mickle Maher joins Anne Nicholson Weber to talk about the genesis of his play, There Is A Happiness That Morning Is, which is currently being remounted by Theater Oobleck at Victory Gardens; and about drafts and redrafts, writing in verse, and finding one's voice as a writer.
Listen: (MP3) Time: 31:53



Friday, January 11, 2013

ACT OUT OPENING: Disconnect at Victory Gardens




Victory Gardens presents the American Premiere of
Disconnect
by Anupama Chandrasekhar
directed by Ann Filmer

Featuring Minita Gandhi, Behzad Dabu,
Kamal J. Hans, Arya Daire, and Debargo Sanyal


Victory Gardens continues its 2012-13 season with the American Premiere of Disconnect, written by Anupama Chandrasekhar and directed by Ann Filmer. The production runs January 25 – February 24, 2013 at the Victory Gardens Biograph Theater, 2433 N. Lincoln Avenue in Lincoln Park. The Press Opening is Monday, February 4, 2013 at 7:30 p.m.

Forty-something Avinash is hopelessly out of step in a company that demands success, energy, and youth. To bring his game up, he is transferred to work with the bright young graduates in Illinois—down on the fourth floor. In the windowless, nighttime offices of a call center in Chennai, India, is a bustling world of energetic Indian workers dreaming the American Dream and faking U.S. accents to target their American “marks” maxed out on credit cards. Anupama Chandrasekhar’s Disconnect is a powerful and witty drama about the consequences of consumer culture and the intricacies of our interconnected global economy.

Artistic Director Chay Yew comments, “While I was at Sundance last year, I made a good friend of British director Indhu Rubasingham, recently the Artistic Director of the Tricycle Theatre in London. When I told her of my appointment at Victory Gardens, she immediately sent me Anupama Chandrashekhar’s Disconnect. I knew this smart, funny, bittersweet and very observant play needs to be experienced in Chicago. In this poignant study of credit and debt culture in America, Anu has vividly portrayed the complex lives of non-descript voices we often hear when we call customer service, and our interconnected relationship with a country and its people continents away. I’m also very pleased to welcome one of off-loop Chicago’s most exciting directors, Ann Filmer, to lead an all South Asian cast in this American Premiere.”

Disconnect had its world premiere at The Royal Court Theatre in 2010.  The Victory Gardens production marks its American Premiere.  The Independent called it, "A marvel...Disconnect is the Glengarry Glen Ross of our day.”

Previews:              January 25 – February 3, 2013
Regular run:         February 5 – February 27, 2013

Schedule:         Wednesdays:     7:30 pm
                            Thursdays:         7:30 pm
                            Fridays:                7:30 pm
                            Saturdays:         4:00 pm
                            Sundays:            3:00 pm

Location:              Victory Gardens Biograph Theater is located at 
                          2433 N. Lincoln Avenue,
                          in the heart of Chicago’s Lincoln Park neighborhood

Tickets:                 Previews:            $20 - $40
                             Regular run:      $20 - $50

Box Office:            The Box Office is located at 2433 N. Lincoln Avenue, Chicago
                             773.871.3000; victorygardens.org



The cast of Disconnect includes Minita Gandhi (Vidya), Behzad Dabu (Giri), Kamal J. Hans (Avinash), Arya Daire (Jyothi), Teresa Kuruvila (US), Owais Ahmed (US), and Debargo Sanyal (Ross).

The designers are Grant Sabin (Set Designer), Mac Vaughey (Lighting Designer), Christine Pascual (Costume Designer), Barry Bennett (Sound Designer) and Dennis Conners (Stage Manager).

Full performance schedule
Previews of Disconnect are January 25 – February 3, 2013: Tuesday through Saturday at 7:30 pm and Sunday at 3 pm.  Previews are $35-$40.   Regular performances run through February 27, 2013: Thursday through Saturday at 7:30 pm; Saturday at 4 pm; Sunday at 3 pm.  Regular performances are $35-$50.

Performances are at the Victory Gardens Biograph Theater, 2433 N. Lincoln Avenue, in the heart of Chicago’s Lincoln Park neighborhood.  For tickets and information, call the Victory Gardens Box Office, 773.871.3000 (TTY: 773.871.0682), email tickets@victorygardens.org, or visit www.victorygardens.org.  Ask the Box Office about student tickets ($15), senior, Access, 20 for $20, and rush discounts.  For group discounts, call 773.328.2136.


Dig Deeper Events:

PLAYING RACE
A Town Hall Discussion
Thursday, January 31, 2013 (Post-show)
Alarms went off in a recent La Jolla Playhouse production of Nightingale when white actors played Asian characters. In Chicago, the issue was raised with Oak Park’s Circle Theatre’s Bollywood treatment of Pippin. Where do we stand on nontraditional casting? Is this a form of minstrelsy or is this harmless cultural appropriation? Join Victory Gardens for an important town hall conversation on playing race in American theatre.

Reading of Indio written and performed by Alladin Ullah
accompanied on tablas by Avirodh Ramsamooj; directed by Chay Yew
Sunday, February 10, 2013 - Free for Disconnect ticketholders
Auditioning to play a terrorist in a major Hollywood movie may be stand-up comedian Aladdin’s big break. As he prepares for his audition, he finds himself thinking back on his deceased father, who left Bangladesh for a better life in New York, and his parents’ futile attempts to raise him Muslim in Spanish Harlem. Accompanied by the tabla, Aladdin takes us a hilarious and moving journey about art, immigration, family, the Yankees and the nature of the American dream. Presented in association with Silk Road Rising.

IDENTITY: REAL AND IMAGINED
A Presentation and Conversation 
Monday, February 11, 2013 at 7:30 pm 
Who is really on the other end of the phone? Responding to the themes of identity and race in Disconnect, the Third Coast International Audio Festival conducts an evening of audio stories specially curated for a conversation about identity: real and imagined.

PLAYS FROM AROUND THE WORLD
A Play Reading Festival 
March 7 - 17, 2013
Victory Gardens Theatre hosts the International Voices Project 2013, a two weekend festival of contemporary plays from across the globe.



About the Artists

Anupama Chandrasekhar (Playwright) is a journalist-turned-playwright based in Chennai.  She has a Masters in Journalism from the University of Illinois at Urbana-Champaign.  Anupama will makes her American debut at the Victory Gardens Theater with Disconnect. The play originally opened at the Royal Court Theatre, London, in 2010 to sell out shows and critical acclaim. It has been staged in Austria and the Czech Republic and will have its West Coast premiere at the San Jose Rep in March 2013.  Her breakout play Free Outgoin premiered at the Royal Court Theatre in London in 2007. It was revived at the Royal Court’s main theatre the next year and travelled to the Traverse Theatre for the Edinburgh Fringe Festival.  Anupama was a finalist in 2009 for the prestigious Susan Smith Blackburn Prize (U.S.), given annually to outstanding works by women in the English speaking theatre, for her Free Outgoing. She was also a runner-up in 2008 for the London Evening Standard’s Most Promising Playwright award and shortlisted for the Whiting Award, UK for the play. Her screenplay adaptation of Free Outgoing was a finalist for the Sundance Screenwriter’s Lab, Utah. Her most recent work was her adaptation, The Snow Queen, commissioned by the Unicorn Theatre in London as part of the British Council’s Connection Through Culture project. It opened for Christmas in 2011 and was a tremendous box office success. Remounted by Trestle Theatre, the play toured India in 2012 and will further tour the UK in 2013.  Anupama is currently working on Bay-Sea-Ocean, a new commission from the Royal Court Theatre. Other plays include Kabaddi-Kabaddi (Royal Court Theatre – 2005, International Human Rights Watch Film Festival); Whiteout (Royal Court Theatre, BBC Radio World Drama – 2006); Anytime, Anywhere (Kimaayaa, 2004); and Closer Apart (Theatre Nisha, 2003) and ACID (QTP, 2004). Additional awards include Charles Wallace India Trust fellowship to attend the Royal Court Theatre International Residency for Young Playwrights 2000; Regional Winner (Asia) of the Commonwealth Short Story Competition 2006; and Runner up Jane Chambers International Award for Women Playwrights 2005 for her play, Acid.

Ann Filmer (Director) has directed over 40 productions in Chicago, half of those being world premieres, at such theatres as Red Orchid (Brett Neveu's Eric LaRue), Shattered Globe (House of Blue Leaves), Live Bait, Stage Left (David Alan Moore's In Times of War and Mia McCullough's Spare Change), Porchlight, Prop Thtr, The Aardvark, and Emerald City. She also has directed for Northwestern, NIU, DePaul, UIC, Circle Theatre in Forest Park (Susan Hahn's Golf), William Inge Theatre Festival in Kansas, and 29th Street Rep in New York.  She was the 2004-05 recipient of the Michael Maggio Directing Fellowship at the Goodman Theatre where she directed David Mamet's Almost Done, Reunion, and Dark Pony. In 2001 she received an After Dark Award for her direction of John Green's The Liquid Moon at Chicago Dramatists.  Ann was the Associate Artistic Director of Writers' Theatre in Glencoe for three years and served on the board of the League of Chicago Theatres. While Producing Director of Chicago Dramatists from 2000-2004, Ann co-produced the National Showcase of New Plays 2004. She is the editor of "New Plays from Chicago" Chicago's first-ever anthology of new plays and the creator and Artistic Director of Chicago's Estrogen Fest. Ann founded 16th Street Theater in September 2007 and has developed and directed the world premieres of Rohina Malik's Unveiled, Susan Hahn's The Scarlet Ibis, Will Dunne's The Ascension of Carlotta, Robert Koon's Menorca and Tony Fitzpatrick's This Train which enjoyed a sold-out, critically-acclaimed remount at Steppenwolf's Garage Theatre. She also directed the Jeff-Nominated Kita y Fernanda by Tanya Saracho, Anna Deavere Smith's Fires in the Mirror and Brett Neveu's The Last Barbecue. Ann has shared the stage with Tom Wopat and Jennifer Garner.

Owais Ahmed (Understudy) is making his Victory Gardens debut. He is a senior, graduating with a B.A. in Acting at Illinois State University, where he was most recently seen as Anon in Anon(ymous).  He was also seen in The Merchant of Venice (Shylock), The Passion Play (Visiting Friar/Englishman), and in Bhopal (Jaganlal). Owais is also a national Irene Ryan Award finalist through the Kennedy Center's American College Theatre Festival.

Behzad Dabu (Giri) is making his Victory Gardens debut.  He grew up in Syracuse, NY, made Chicago his home in 2005 and has since been performing on various stages all over town; most recently, in Disgraced at American Theater Company. Other credits include: TheatreSeven's We Live Here, First Folio's Twelfth Night, The Goodman's Christmas Carol, Holes at AdventureStage, and the original cast of The History Boys at TimeLine Theatre, where he will return this summer performing in Blood and Gifts.  In addition to stage work, he can be seen and heard in various commercial and voice-over spots. Behzad attended Columbia College Chicago, where he now works full-time in addition to acting.    

Arya Daire (Jyothi) is making her Victory Gardens debut in Disconnect. A "reformed" lawyer, this is her second appearance on the Chicago theatre scene, after her turn as Marcy Park in The 25th Annual Putnam County Spelling Bee.

Minita Gandhi (Vidya) made her Victory Gardens debut earlier this season with the role of Judith in  Equivocation. Regional credits include Mary Zimmerman’s The Arabian Nights at Lookingglass Theatre, Berkeley Repertory Theater, and The Arena Stage; Half-Life, A Christmas Carol, and The Voysey Inheritance at Milwaukee Repertory Theatre; Around the World in 80 Days, A Christmas Carol at Indiana Repertory Theater; Twelfth Night at First Folio Theater; Distracted at ATC, and Gilgamesh at the MCA with Silk Road Rising. Film/TV credits include Fox's “The Chicago Code” and Parvati's “Golden Skin.” Minita was born in Mumbai, India and specializes in East-Indian dance and movement. She travels and performs with the corporate comedy troupe Wavelength, teaches anti-bullying techniques and sexual abuse prevention for K-12 with Imagination Theater, is a graduate of the Pacific Conservatory of the Performing Arts, and is represented by The Gray Talent Group.

Kamal J. Hans (Avinash) makes his Victory Gardens mainstage debut with Disconnect.  Most recently Kamal appeared as Mourad in the world premiere of Mia McCullough’s Impenetrable at Stage Left Theatre.  This year, Kamal’s projects include Shakespeares’ Much Ado About Nothing – “A Bollywood Spectacular” which he is producing as the Managing Director for Rasaka Theater (the Midwest’s first South Asian Theater company) and in the Regional Premiere of Jonas Hassen Khemiri'sInvasion! at Silk Road Rising.  Favorite roles include Mayor in Fuckin’ A (Urban Theater), Marius in Fanny, Caliban in Shakespeare’s Tempest, Devendra in Silk Road’sMerchant On Venice, Salieri in Amadeus and Anatoly in Chess.  Kamal’s studies include the Theatre School at DePaul University, Julliard School, The University of Chicago GSB and Illinois Wesleyan University. 

Teresa Kuruvilla (Understudy) recently graduated from Loyola University Chicago with a B.F.A. in Music Performance. She was most recently seen playing Bloom in the Literary Guild Complex's original production of Unnatural Spaces, directed by Coya Paz. In addition to acting, she frequently performs as a vocalist throughout Chicago. She is a teaching artist for After School Matters, as well as the International Performing Arts Academy.

Debargo Sanyal (Ross) is making his Chicago stage debut in Disconnect at Victory Gardens. He was recently seen opposite Morgan Freeman in the Magnolia Pictures feature film The Magic of Belle Isle (directed by Rob Reiner), and opposite Robert De Niro & Kate Beckinsale in the Miramax feature film Everybody's Fine. Other feature film credits include The Normals, Today's Special, Bert and Arnie's Guide to Friendship, Made for Each Other, Drawing with Chalk, Red Hook, West 32nd, Sita Sings the Blues, Karma Calling, Quarter Life Crisis, Sad Sack Sally, Ashes, and My Sassy Girl. NYC stage credits include: the Obie Award-winning U.S. premiere production of Jonas Hassen Khemiri's Invasion! (The Play Company at Walkerspace), the world premieres of Chuck Mee's Queens Boulevard (the musical) (Signature Theatre Company), Jorge Ignacio Cortiñas' Bird in the Hand (Fulcrum Theater), Chad Beckim's After. (Partial Comfort Productions), Larry Kunofsky's Your Boyfriend May Be Imaginary (The Management), Mike Batistick's Port Authority Throw Down (The Working Theater), Andrea Lepcio's Looking for the Pony (Vital Theatre Co), Kate E Ryan's Women of Trachis (Target Margin), Sonya Sobieski's Commedia Dell Smartass (New Georges), Kristin Newbom's Telethon (Clubbed Thumb), and the NY premiere of Tom Stoppard'sIndian Ink (Alter Ego Productions). TV credits include guest appearances on Blue Bloods, Damages, Law & Order, The Sopranos, NYC 22, Law & Order-Special Victims Unit, The Unusuals, Running Wilde, Law & Order-Criminal Intent, All My Children, and national commercials.


Access Performances
Audio description and touch tours for patrons who are blind or have low vision
Friday, February 15       Performance 7:30pm
Sunday, February 24     Performance 3:00pm/7:30pm     Touch Tour        1:30pm/6:00 pm                                                                             
Call 773.871.3000 for reservations.

Word for word captioning for patrons who are hearing impaired
Wednesday, February 13 at 2:00pm                             
Friday, February 22 at 7:30pm
Saturday, February 23 at 4:00pm
Sign language interpretation for patrons who are deaf or hearing impaired
Friday, February 22 at 7:30pm

Victory Gardens is the winner, Best Accessible Theater, Deaf Illinois Awards 2009.  See www.victorygardens.org and click on “Enhance Your Visit” for information on other Access services including large print and Braille programs, assisted listening devices, and artist development workshops as well as a full schedule of special events, post-show discussions and presentations.

Logistics and Amenities
Parking
$11 valet parking is available for all performances except weekday matinees. Metered and street parking is available, but mind the neighborhood parking restrictions.

Public transit
By CTA train, take the Red, Purple or Brown lines to the Fullerton stop.  Walk east on Fullerton to Lincoln, then north 1/2 block to the theater.   The #8 Halsted, #11 Lincoln,  #37 Sedgwick/Ogden, and #74 Fullerton CTA buses all stop at the corner of Fullerton and Halsted, 1/2 block south of the theater.  See transitchicago.com for times and routes.

Pre- and post-show dining
See www.victorygardens.org for a list of Victory Gardens’ neighborhood dining partners.  Each is within walking distance of the Biograph, and all offer a special discount to patrons who present a Victory Gardens ticket stub.

About Victory Gardens Theater
Under the leadership of Artistic Director Chay Yew and Managing Director Chris Mannelli, Victory Gardens is dedicated to artistic excellence while creating a vital, contemporary American Theater that is accessible and relevant to all people through productions of challenging new plays and musicals. Victory Gardens Theater is a leader in developing and producing new theatre work and cultivating an inclusive theater community. Victory Gardens’ core strengths are nurturing and producing dynamic and inspiring new plays, reflecting the diversity of our city’s and nation’s culture through engaging diverse communities, and in partnership with Chicago Public Schools,  bringing art and culture to our city’s active student population.  

Since its founding in 1974, the company has produced more world premieres than any other Chicago theater, a commitment recognized nationally when Victory Gardens received the 2001 Tony Award for Outstanding Regional Theatre. Our commitment to developing, supporting and producing new theatre work makes Victory Gardens an American Center for New Plays.

In 2006, Victory Gardens successfully completed an $11.8 million renovation of Chicago’s famed Biograph Theater, and moved two blocks north from its longtime venue at 2257 N. Lincoln Avenue, to its beautiful new home in one of Chicago’s most celebrated historic landmarks.  Renamed Victory Gardens Biograph Theater, the new venue is a state-of-the-art 299-seat mainstage which has greatly expanded the company’s artistic flexibility.

In 2009, Victory Gardens completed the second phase of renovation at the Biograph, building an intimate, new, 109-seat studio theater on the second floor.  On March 1, 2010, at a special launch event for Victory Gardens $1 million Campaign for Growth, the theater’s new studio was officially named the Richard Christiansen Theater, in honor of the Chicago Tribune chief critic emeritus and longtime champion of Chicago’s live theater scene.  Visit www.victorygardens.org for more details.

Victory Gardens Theater receives major funding from Alphawood Foundation, The Joyce Foundation, The Shubert Foundation, The Chicago Community Trust, John D. and Catherine T. MacArthur Foundation, Allstate Insurance, The Boeing Company, Crown Family Philanthropies, Leo S. Guthman Fund, National Endowment for the Arts, Polk Bros. Foundation, and REAM Foundation. Additional funding is provided by: Illinois Arts Council (a state agency), The Edgerton Foundation, The James S. Kemper Foundation, Charles & M.R. Shapiro Foundation, Sara Lee Foundation, Venturous Theater Fund, McVay Foundation, The Seabury Foundation, Wrightwood Neighbors Conservation Association, The Charles H. and Bertha L. Boothroyd Foundation, John R. Halligan Charitable Fund, Illinois Tool Works, Motorola Mobility Foundation, Elizabeth F. Cheney Foundation, a City Arts Grant from the City of Chicago Department of Cultural Affairs and Special Events, The Irving Harris Foundation, PNC Foundation, and The Saints.

Monday, November 26, 2012

ACT OUT OPENING: FAILURE: A LOVE STORY AT VICTORY GARDENS



Victory Gardens presents 
the World Premiere of

FAILURE: A LOVE STORY

By Ensemble Playwright Philip Dawkins
Directed by Seth Bockley

Featuring Baize Buzan, Emjoy Gavino,
Mildred Marie Langford, Michael Salinas,
Matt Fletcher, Guy Massey, and Janet Ulrich Brooks

Richard Christiansen Theater at Victory Gardens
2433 N. Lincoln Avenue, Chicago

ChiIL Live shows will be there to check out opening night tonight.   Check back with us like we vote in Chi, IL...early and often for our full review.


Victory Gardens continues its 2012-13 season with the World Premiere of Failure: A Love Story, written by VG Ensemble Playwright Philip Dawkins and directed by Seth Bockley. The production runs November 16 – December 30, 2012 in the Richard Christiansen Theater at the Victory Gardens Biograph Theater, 2433 N. Lincoln Avenue in Lincoln Park. The Press Opening is Monday, November 26, 2012 at 7:30 pm.

1928 was the last year of each of the Fail Sisters’ lives. Nelly was the first to die, followed soon after by sisters, Jenny June and Gerty. As with many unforeseen circumstances in life—blunt objects, disappearances and consumption—they never saw death coming. Written by Chicago playwright Philip Dawkins, Failure: A Love Story is a magical, musical fable about the triumphs and aspirations of three sisters living in the rickety two-story building by the Chicago River which was the Fail family home and clock shop. This profoundly funny and moving holiday offering reminds us that in the end, all that remains is love.

Notes of Interest:
  • Victory Garden’s World Premiere of Failure: A Love Story will be Philip Dawkins’ first play produced at Victory Gardens Theater as a member of the new Victory Gardens Playwrights Ensemble.  Dawkins was inducted into the VG Playwright’s Ensemble this year along with Marcus Gardley, Samuel D. Hunter, and Tanya Saracho.
  • This marks Seth Bockley’s directing debut for Victory Gardens, having previously helmed productions at Sideshow, Collaboraction and Redmoon, to name a few.  Also a playwright, Bockley won the 2008 Jeff Citation for Best New Adaptation for Jon, from a story by George Saunders.  He is also a recipient of Theater Communications Group’s New Generations Grant. 
  • Failure: A Love Story will include popular songs of the era such as “Let Me Call You Sweetheart” and “How Ya Gonna Keep 'Em Down On the Farm,” as well as original tunes by Philip Dawkins titled “I Don't Need Anyone (Now I Have You)” and “An Ode To Johnny Weissmuller.”
  • This production is family friendly just in time for the holiday season.


“I'm extremely proud to present the world premiere of Failure: A Love Story by our new ensemble playwright Philip Dawkins,” says Victory Gardens Artistic Director Chay Yew. “With exuberant wit and sumptuous theatricality, Philip has written a wise, whimsical fable about finding success in what others deem as failure, living outside society's margins, and embracing life's unpredictable journey and pursuing what you love. I'm also proud to have one of the most innovative and fearless off-Loop directors, Seth Bockley, a Victory Gardens Associate, direct this production. A valentine to our great city of Chicago, I can’t think of a more perfect play for the holidays.”

This World Premiere production will feature popular songs from the time period as well as original compositions by Philip Dawkins.  The cast will accompany themselves on a variety of instruments including piano, oboe, accordion, and percussion. Elements of puppetry and object theater will also be woven into the show.

The cast of Failure: A Love Story includes Baize Buzan (Nelly Fail), Emjoy Gavino (Jenny June Fail), Mildred Marie Langford (Gertrude Fail), Michael Salinas (John N. Fail), Matt Fletcher (Mortimer Mortimer),Guy Massey (The Chorus), and Janet Ulrich Brooks (The Chorus).

The designers are Scott Davis (Set Designer), Mac Vaughey (Lighting Designer), Emily Tarleton (Costume Designer) and Charles Kim (Sound Designer). Will Bishop is the Assistant Director, Helen Lattyak is the Stage Manager.


(Estrogen Fest; Estrogenius Festival, NY; 16th Street Theatre, Berwyn; Painted Filly, Ireland.).  His plays for young folks have been performed all over the world and are published through Playscripts, Inc.  A graduate of Loyola University, Chicago, Philip is an Artistic Associate of About Face Theatre, an Ensemble Playwright at Victory Gardens, and a founding member, with artistic partner Eric C. Reda, of Chicago Opera Vanguard.  Philip teaches playwriting at Northwestern University and through the Victory Gardens ACCESS Program for writers with disabilities. 

About the Artists
Philip Dawkins’ (Playwright) critically-acclaimed play The Homosexuals received a Joseph Jefferson Nomination for New Work after its world premiere with About Face Theatre in the summer of 2011, under the direction of Bonnie Metzgar.  Further productions are planned for the 2012/13 seasons of The Ringwald Theater in Detroit and ManBites Dog Theater in North Carolina.  After premiering at Victory Gardens, Failure: A Love Story will be performed in Philadelphia at Azuka Theatre in summer 2013.  His new play, Stutter, was commissioned by the Goodman Theater and will receive a staged reading in December 2012.  Last fall, his play Miss Marxor The Involuntary Side Effect of Living received a staged reading as part of Steppenwolf’s First Look Series.  Other credits include Dead Letter Office (Dog and Pony Theatre); Yes to Everything! (Chicago, NY,CA, DC); Perfect (The Side Project); Ugly Baby (Chicago Opera Vanguard/Strawdog Theatre Company); A Still Life in Color (T.U.T.A. Company); and Saguaro
(Estrogen Fest; Estrogenius Festival, NY; 16th Street Theatre, Berwyn; Painted Filly, Ireland.).  His plays for young folks have been performed all over the world and are published through Playscripts, Inc.  A graduate of Loyola University, Chicago, Philip is an Artistic Associate of About Face Theatre, an Ensemble Playwright at Victory Gardens, and a founding member, with artistic partner Eric C. Reda, of Chicago Opera Vanguard.  Philip teaches playwriting at Northwestern University and through the Victory Gardens ACCESS Program for writers with disabilities. 


Seth Bockley (Director) is a Chicago-based director, playwright and performer. His directing credits include The Ugly One by Marius von Mayenburg (Sideshow Theater); Civilization (all you can eat) by Jason Grote (Clubbed Thumb, NYC); 1001 by Jason Grote; Jon, winner of the 2008 Jeff Citation for Best New Adaptation (Collaboraction); Winter Pageant 2010, Laika’s Coffin (Redmoon); and Guerra: A Clown Play (created with Mexico City’s La Piara). Writing credits include Elephant and the Whale (April 2013, Redmoon at Chicago Childrens’ Theatre); February House (with lyricist/composer Gabriel Kahane – Public Theater, NYC); Ask Aunt Susan (Goodman’s New Stages Amplified series in November 2011);The Twins Would Like To Say (Dog & Pony); Laika’s Coffin, and Boneyard Prayer (Redmoon). He has also penned adaptations of Jon andCommComm (from short stories by George Saunders). Bockley was a recipient of Theater Communications Group’s New Generations Grant, and is currently a playwright in residence at the Goodman Theater.
 
Baize Buzan (Nelly Fail) is performing at Victory Gardens for the first time with Failure: A Love Story. Chicago credits include Cripple of Inishmaan (Redtwist), The Sea (Theatre Mir), Walk Two Moons (Adventure Stage), Far Away (winterfall chicago), The Chicago Landmark Project (Theatre Seven) and Woyzeck (Oracle.) TV credits include Chicago Fire. Baize is a graduate of Vassar College and The School at Steppenwolf, and has also studied at the Moscow Art Theatre School. 

Emjoy Gavino (Jenny June Fail) has been seen in Seascape (Remy Bumppo), Wait Until Dark (Court Theatre), Working (Broadway Playhouse), Arabian Nights (Lookingglass Theatre), Next Stop (Route 66), Hair(Paramount Theatre), A Christmas Carol (Goodman Theatre), Wilson Wants it All (House Theatre), Cooperstown (Theatre Seven), A Very Neo-Futurist Christmas Carol (Neofuturists) and That’s Weird Grandma (Barrel of Monkeys). Regional credits include The Violet Hour, Into the Woods and the world premiere of The Joy Luck Club (Repertory Actor’s Theatre), Miss Saigon (5th Avenue Theatre/Bass Hall), Searching 4 Y (Village Theatre), Sadako (Book-it Repertory) and A Christmas Carol (ACT Theatre).

Mildred Marie Langford (Gertrude Fail) is making her Victory Gardens debut in Failure: A Love Story. Other Chicago credits include Freshly Fallen Snow at Chicago Dramatists, where she is a newly named Associate Artist; My Kind of Town and In Darfur at Timeline Theatre, where she serves as a new company member; An Actor Prepares (U of C Logan Center for the Arts); The Ghost is Here (Vitalist Theatre);13Clocks (Lifeline Theatre); Venus, The Twins Would Like To Say and The Crucible (Steppenwolf Theatre); Sinbad: The Untold Tale, The Ghost of Treasure Island and The Blue House (Adventure Stage); A Civil War Christmas (Northlight Theatre); Zulu Fits (MPAACT); War With The Newts and The Overwhelming (Next Theatre); and 12 Ophelias (Trap Door Theatre). Mildred is a graduate of George Mason University and The School at Steppenwolf. She also works as a teaching artist in the city and as a mentor for Adventure Stage Chicago's Mentorship Program.

Michael Salinas (John N. Fail) is making his Victory Gardens debut. As an ensemble member of Steep Theatre his credits include Festen, Under the Blue Sky, Pornography, A Brief History of Helen of TroyThe Hollow Lands, and In Arabia, We’d All Be Kings (Jeff Award-Best Ensemble). Also at Steep, he recently co-produced and performed in an off-night solo piece, The Gog/Magog Project. Other Chicago credits includeNight Over Erzinga (Silk Road Rising); Girl You Know It’s True (Pavement Group); Fedra: Queen of Haiti (Lookingglass); Mimesophobia (Theatre Seven); As Told by the Vivian Girls (Dog & Pony); and Hatfield & McCoy (The House). He has also worked with Collaboraction, The Gift, Steppenwolf, and The Goodman. Regional credits include Laura Eason’s The Vast In-Between (Perry-Mansfield New Works Festival in Steamboat Springs, CO); Spinning Into Butter (Southern Repertory Theatre in New Orleans); and Romeo & Juliet (The Shakespeare Festival at Tulane). Film credits include Freshman Orientation (Sundance Premiere).

Matt Fletcher (Mortimer Mortimer) is making his Victory Gardens debut. Matt serves as Producing Artistic Director with Sideshow Theatre Company, where he was most recently seen in Idomeneus at the DCASE Storefront Theatre; other Sideshow work includes HeddatronStrangerland, Theories of the SunEverything Freezes: another winter's tale, and Dante Dies!! (and then things get weird). Other performance credits include As Told by the Vivian Girls with Dog and Pony Theatre Company, two seasons with The Lost Colony, as well as a staged reading of Third with Jane Alexander at Hollins University. Matt is a graduate of the University of Virginia, where he received his BA in Drama.
 
Guy Massey (The Chorus) has performed in plays with The Steppenwolf Theater, The Gift Theater, Shaw Chicago, A Red Orchid Theater, Theater Wit, Rivendell Theater, The Curious Theatre Branch, Theater Oobleck, Eclipse Theater, Greasy Joan & Co., Prop Thtr, Teatro Vista, Next Theater, and Wisdom Bridge, among others.  Most recently, he has worked with The Milwaukee Repertory Theater, and here in Chicago, just finished a production of Tigers Be Still with Theater Wit, as well as playing “The Creature” in the Neo-Futurists’ smash up of Pinocchio/Frankenstein.  With Theater Oobleck, he played “George W Bush” in The Strangerer both Off-Broadway at the Barrow Street Theater in Manhattan and in Chicago at the Chopin Theater.  His earliest film credits include the 1980’s cult classic Three O’Clock High and the latest are At Any PriceThe PromotionStranger Than FictionContagion, and Fred Claus.  Television credits include BossShameless and the Pilot Episodes of The Mob DoctorThe BeastThe Line, and The Chicago Code.
 
Janet Ulrich Brooks (The Chorus) was last seen at Victory Gardens in Jacob & Jack. She is a TimeLine Company Member and has appeared in more than 10 productions, most recently A Walk in the Woods and All My Sons. Other credits include South of Settling (Steppenwolf Theatre), Ten Chimneys (Northlight Theatre), The Original Grease (American Theater Co.), Pony (About Face Theatre), The Seagull and A True History of the Johnstown Flood (Goodman Theatre). Other Chicago credits include Golda’s Balcony (Pegasus Players, Non-Equity Jeff Award – Outstanding Solo Performance) and work with Strawdog Theatre, Steppenwolf for Young Adults, Writers' Theatre and Collaboraction. Janet's film credits include FoolsConvictionPolish BarI Heart Shakey, and One Small Hitch, and her television credits include BossUnderemployedThe Chicago Code and The Playboy Club.

Full performance schedule
Regular performances run through December 30, 2012: Thursday through Saturday at 7:30 pm; Saturday at 4 pm; Sunday at 3 pm.  Regular performances are $35-$50.

There will be additional performances on Wednesday, December 19 at 2:00 pm and Wednesday, December 26 at 7:30 pm.

Performances are in the Richard Christiansen Theater at the Victory Gardens Biograph Theater, 2433 N. Lincoln Avenue, in the heart of Chicago’s Lincoln Park neighborhood.  For tickets and information, call the Victory Gardens Box Office, 773.871.3000 (TTY: 773.871.0682)

email tickets@victorygardens.org, or visit www.victorygardens.org.  Ask the Box Office about student tickets ($15), senior, Access, 20 for $20, and rush discounts.  For group discounts, call 773.328.2136.
 
A full and updated schedule of special events, post show discussions and presentations centered around performances of Failure: A Love Story is available at www.victorygardens.org.
 
ACCESS PERFORMANCES
Audio description and touch tours for patrons who are blind or have low vision

Friday, December 14     Touch Tour        6:00pm             Performance 7:30pm
Sunday, December 23  Touch Tour        1:30pm             Performance 3:00pm                                                                 
Call 773.871.3000 for reservations.

Word for word captioning for patrons who are hearing impaired
Wednesday, December 19 at 2:00pm                           
Friday, December 21 at 7:30pm
Saturday, December 22 at 4:00pm
Sign language interpretation for patrons who are deaf or hearing impaired
Friday, December 21 at 7:30pm

Victory Gardens is the winner, Best Accessible Theater, Deaf Illinois Awards 2009.  See www.victorygardens.org and click on “Enhance Your Visit” for information on other Access services including large print and Braille programs, assisted listening devices, and artist development workshops as well as a full schedule of special events, post-show discussions and presentations.
 
Logistics and Amenities
Parking
$11 valet parking is available for all performances except weekday matinees. Metered and street parking is available, but mind the neighborhood parking restrictions.
 
Public transit
By CTA train, take the Red, Purple or Brown lines to the Fullerton stop.  Walk east on Fullerton to Lincoln, then north 1/2 block to the theater.   The #8 Halsted, #11 Lincoln,  #37 Sedgwick/Ogden, and #74 Fullerton CTA buses all stop at the corner of Fullerton and Halsted, 1/2 block south of the theater.  See transitchicago.com for times and routes.

Pre- and post-show dining
See www.victorygardens.org for a list of Victory Gardens’ neighborhood dining partners.  Each is within walking distance of the Biograph, and all offer a special discount to patrons who present a Victory Gardens ticket stub.

About Victory Gardens Theater
Under the leadership of Artistic Director Chay Yew and Executive Director Jan Kallish, Victory Gardens is dedicated to artistic excellence while creating a vital, contemporary American Theater that is accessible and relevant to all people through productions of challenging new plays and musicals. Victory Gardens Theater is a leader in developing and producing new theatre work and cultivating an inclusive theater community. Victory Gardens’ core strengths are nurturing and producing dynamic and inspiring new plays, reflecting the diversity of our city’s and nation’s culture through engaging diverse communities, and in partnership with Chicago Public Schools,  bringing art and culture to our city’s active student population.  

Since its founding in 1974, the company has produced more world premieres than any other Chicago theater, a commitment recognized nationally when Victory Gardens received the 2001 Tony Award for Outstanding Regional Theatre. Our commitment to developing, supporting and producing new theatre work makes Victory Gardens an American Center for New Plays.

In 2006, Victory Gardens successfully completed an $11.8 million renovation of Chicago’s famed Biograph Theater, and moved two blocks north from its longtime venue at 2257 N. Lincoln Avenue, to its beautiful new home in one of Chicago’s most celebrated historic landmarks.  Renamed Victory Gardens Biograph Theater, the new venue is a state-of-the-art 299-seat mainstage which has greatly expanded the company’s artistic flexibility.

In 2009, Victory Gardens completed the second phase of renovation at the Biograph, building an intimate, new, 109-seat studio theater on the second floor.  On March 1, 2010, at a special launch event for Victory Gardens $1 million Campaign for Growth, the theater’s new studio was officially named the Richard Christiansen Theater, in honor of the Chicago Tribune chief critic emeritus and longtime champion of Chicago’s live theater scene.  Visit www.victorygardens.org for more details.

Victory Gardens Theater receives major funding from Alphawood Foundation, The Joyce Foundation, The Shubert Foundation, The Chicago Community Trust, John D. and Catherine T. MacArthur Foundation, Allstate Insurance, The Boeing Company, Crown Family Philanthropies, Leo S. Guthman Fund, National Endowment for the Arts, Polk Bros. Foundation, and REAM Foundation. Additional funding is provided by: Illinois Arts Council (a state agency), The Edgerton Foundation, The James S. Kemper Foundation, Charles & M.R. Shapiro Foundation, Sara Lee Foundation, Venturous Theater Fund, McVay Foundation, The Seabury Foundation, Wrightwood Neighbors Conservation Association, The Charles H. and Bertha L. Boothroyd Foundation, John R. Halligan Charitable Fund, Illinois Tool Works, Motorola Mobility Foundation, Elizabeth F. Cheney Foundation, a City Arts Grant from the City of Chicago Department of Cultural Affairs and Special Events, The Irving Harris Foundation, PNC Foundation, and The Saints.



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