Steppenwolf's Casting Complete for Winter Productions The Christians and Straight White Men

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CASTING ANNOUNCED FOR STEPPENWOLF'S 2016 WINTER PRODUCTIONS: 

THE CHRISTIANS BY LUCAS HNATH AND 

STRAIGHT WHITE MEN BY YOUNG JEAN LEE

Steppenwolf Theatre Company announced complete casting for two upcoming Chicago premiere productions: Lucas Hnath’s The Christians directed by ensemble member K. Todd Freeman (December 1, 2016 – January 29, 2017) in the Downstairs Theatre; and Straight White Men written and directed by Young Jean Lee (February 2, 2016 – March 19, 2017) in the Upstairs Theatre.

The Christians cast features ensemble member Tom Irwin as Pastor Paul and ensemble member Robert Breuler as Elder Jay with Shannon Cochran (Elizabeth), Glenn Davis (Joshua) and Jacqueline Williams (Congregant). 

The Downstairs Theatre will be transformed into a mega church with a choir performing live onstage. The choir, called The Praise Team, features Faith Howard, Yando Lopez, Jazelle Morriss, Mary-Margaret Roberts and Charlie Strater. Directed by ensemble member K. Todd Freeman, the production runs December 1 – January 29, 2017. 

The Straight White Men cast features ensemble members Alan Wilder (Ed) and Tim Hopper (Matt) with Madison Dirks (Jake), Ryan Hallahan (Drew) and Elliott Jenetopulos (Stagehand-in-charge). Written and directed by Young Jean Lee, the Chicago premiere production runs February 2 - March 19, 2017 in the Upstairs Theatre. 

Single tickets ($20-$89) to The Christians and Straight White Men are currently on sale at 312-335-1650 or steppenwolf.org. Subscription Memberships are available through mid-October for audiences who like to lock in dates and secure seats in advance. Subscribers receive special access to buy additional shows. Flex Card Memberships are available for audiences interested in extreme flexibility with six tickets for use any time, along with perks including free exchanges, savings on single tickets and bar and restaurant discounts.

About The Christians

Pastor Paul has spent 20 years successfully growing his church from a small storefront to a gleaming megachurch, but now he fears that there may be a crack in the theological foundation. As he shares his new belief in the nature of salvation, the message is met with surprise and then growing trepidation from his closest confidantes in the congregation, threatening to create a schism within the church. Lucas Hnath’s fascinating new play looks with great complexity and compassion at the relationship between belief and behavior—and its evenhanded, unbiased take on faith in modern America can be appreciated no matter what you believe.

About Straight White Men

As Ed, a widower, prepares to celebrate Christmas, he calls his three grown sons back to the family home. Games are played, Chinese food is ordered, and brotherly pranks and trashtalk distract them from the ongoing issue that threatens to ruin the festivities:  when personal identity is essential and privilege is a problem, what is a straight white man to do? Playwright/ Director Young Jean Lee takes an outside look at the traditional father/son play narrative, shedding new and often hilarious light on a story we think we know all too well.

About the 2016/17 Season

Steppenwolf’s 41^st anniversary Season opens with the world premiere of Visiting Edna by David Rabe, directed by Artistic Director Anna D. Shapiro, which is currently in previews and runs through November 6. In addition to The Christians and Straight White Men, the 2016/17 also features the world premiere of The Fundamentals by Erika Sheffer, directed by ensemble member Yasen Peyankov, November 10 – December 23, 2016 in the Upstairs Theatre. ); the world premiere of Linda Vista by ensemble member Tracy Letts, directed by Dexter Bullard (March 30 – May 21, 2017); the Chicago premiere of Hir by Taylor Mac, directed by Hallie Gordon (June 29 – August 20, 2017); and an additional summer show, Pass Over by Antoinette Nwandu (June 1 – July 9, 2017).

Visitor Information & Accessibility

Steppenwolf is located at 1650 N Halsted St near all forms of public transportation and is wheelchair accessible. The parking facility consists of both a covered garage ($11 cash or credt) and an open-air lot, located just south of our theater at 1624 N Halsted. Valet parking service ($14 cash) is available directly in front of the main entrance at 1650 N Halsted St starting at 5pm on weeknights, 1pm on weekends and at 12 noon before Wednesday matinees. Street and lot parking are also available. For last minute questions and concerns, patrons can call the Steppenwolf Parking Hotline at (312) 335-1774.

Committed to making the Steppenwolf experience accessible to everyone, performances featuring American Sign Language interpretation, open captioning and audio description are offered during the run of each play. Assistive listening devices and large-print programs are available for every performance. With the expertise of Assistive Hearing Systems Ltd., Steppenwolf installed an induction loop on both the main and balcony levels of our Downstairs Theatre in 2015. There is also an induction loop installed in the 1700 Theatre.

Front Bar: Coffee and Drinks

Located in front of the 1700 Theatre is Steppenwolf’s café & bar, Front Bar: Coffee and Drinks. Open daily from 7am to midnight, Front Bar is a creative space to grab a drink, have a bite, or meet up with friends and collaborators, day or night. A morning and evening menu is curated by Chef Chris Pandel, and artisanal coffee and espresso is provided by La Colombe. Front Bar was developed with consultation from Steppenwolf’s friends and neighbors, Boka Restaurant Group (BRG), along with interior designers Karen Herold and Kayce Carter of Studio K and the marketing and design firm Grip. More info at front-bar.com.

Sponsor Information

Major support for Steppenwolf’s expanded 2016/17 programming is provided by the Lefkofsky Family Foundation, The Negaunee Foundation and the Zell Family Foundation.

Major support for Steppenwolf’s New Play Development Initiative is provided by The Davee Foundation and the Zell Family Foundation.

PwC is the corporate presenting sponsor of Straight White Men.

United Airlines is the Official and Exclusive Airline of Steppenwolf.

Steppenwolf Theatre Company is America’s longest standing, most distinguished ensemble theater, producing nearly 700 performances and events annually in its three Chicago theater spaces—the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Formed in 1976 by a collective of actors, Steppenwolf has grown into an ensemble of 46 actors, writers and directors. Artistic programming includes a seven-play season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a new multidisciplinary performance series. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf has the distinction receiving the National Medal of Arts, in addition to numerous other prestigious honors including an Illinois Arts Legend Award and 12 Tony Awards. Anna D. Shapiro is the Artistic Director and David Schmitz is the Managing Director. Nora Daley is Chair of Steppenwolf’s Board of Trustees. 

For additional information, visit www.steppenwolf.org, facebook.com/steppenwolftheatre and twitter.com/steppenwolfthtr.

STEPPENWOLF "LOOKOUT" SERIES CONTINUES WITH DIVERSE FALL LINEUP

Chi, IL LIVE Shows On Our Radar:

"LOOKOUT" For More Great Performances From Steppenwolf Theatre Company's Popular MULTI-GENRE SERIES In The 1700 THEATRE

Fall highlights include punk dance troupe BOOMERANG with Greg Saunier of Deerhoof; explosive comedy-duo Dominizuelan; genre-bending jazz singer Akenya; an exciting collaboration with Pivot Arts; Chicago improv titans TJ and Dave; and more

Steppenwolf Theatre Company announced today the fall lineup for LookOut, the company’s multi-genre performance series that launched this summer. Presenting a wide variety of work from a diverse array of voices, artists emerging and established alike, LookOut programming takes place in Steppenwolf’s 1700 Theatre, an 80-seat cabaret-style space connected to Steppenwolf’s own Front Bar: Coffee and Drinks at 1700 N Halsted St.

LookOut’s inaugural run welcomed more than 2,300 attendees and presented 32 different programs spanning plays, improv, staged musicals, book readings, live music and even an interactive night of science experiments.

“It has been so thrilling to see the positive response to LookOut this summer. Ensemble members Laurie Metcalf, Jeff Perry and Jon Michael Hill showed up to christen the space with their performances, along with partners ranging from The Second City to Salonathon. These artists created an amazing spark of energy in the new building that continues to reverberate throughout the entire theater,” shares Artistic Director Anna D. Shapiro.

“With the DJs and the great food and drinks in Front Bar as a bookend to shows, we welcomed long-time patrons and brand new audience members as well. We plan to bring even more diverse artists and genres to this fun and innovative series year-round,” says LookOut Producer John Zinn.

Tickets to all LookOut programming are on sale now at steppenwolf.org or 312-335-1650. Red and Black Card Members may use credits towards any LookOut programming. Prices vary for each show. LookOut is presented year-round and announced on an ongoing basis. For information, visit steppenwolf.org/lookout.

LookOut Fall 2016 Lineup 

in the 1700 Theatre

1700 N Halsted St

Listed in date order. All artists, dates and prices subject to change.

*Doors open 30 minutes before performance time 

Me, My Mom and Sharmila

Written and Performed by Fawzia Mirza 

Friday, September 23 & Saturday, September 24

8pm

$15

A hilarious coming-of-age story told by a first generation American woman of color. At some point, we all realize we are not exactly the person our parents expected us to become. How do we find our own voice and embrace our personal identity in the face of societal and familial pressures? Told with humor and deep insight, dynamic writer-performer Fawzia Mirza shares a journey of self-discovery and strength that carries her all the way from childhood as a Pakistani Muslim in small-town Canada to living out as an actress in the heart of Chicago. fawziamirza.com

Beauty School

Friday, September 30

8pm

$8

Retro-pop quartet Beauty School invites you to celebrate the release of their new EP Ghost Beach, a day-dreamy elegy to summer. Beauty School formed in Chicago in late 2015 when two groups of musicians joined forces to pursue their shared appreciation of sweet hooks, simple arrangements, pithy love songs and future plates. beautyschoolband.bandcamp.com

TJ and Dave

Saturday, October 1 

8pm

$10

TJ and Dave walk out on stage without characters, dialogue or plot. Described by The New York Times as “Second City-seasoned masters of long form improv,” TJ Jagodowski and David Pasquesi have become living legends in their field.

Tumbao

By Jo Cattell, Lorena Diaz and Wendy Mateo 

Featuring Dominizuelan

Monday, October 3 and Monday, October 10

8pm

$15

For two nights this fall, Steppenwolf’s 1700 theatre is transformed into Tumbao, a family bar and the best place for a salsa night, baptism, séance or wedding reception. Unbeknownst to the owners, the community has decided to make the Tumbao family the basis for a radionovela, broadcast from the bar itself. By transmitting to the rest of the world what happens within Tumbao’s walls they hope to share the infectious energy of the family to keep the community thriving through its desperate fight against gentrification. dominizuelan.com.

The Claudettes

Wednesday, October 5

8pm

$12

The Claudettes fuse Windy City piano blues with the full-throttle energy of rockabilly and punk, jazz-age echoes of burlesque and vaudeville and the sultriness of ’60s pop-soul to write a thrilling new chapter in American roots music. File under: post-burlesque? Neo-vaudeville? Cosmic cartoon music? You’ve never seen a bar band like this. theclaudettes.com/

Tales and Tunes with the Irish American Heritage Center

Saturday, October 8

8pm

$10

Enjoy live music and stories with musicians and storytellers from the Irish American Heritage Center. With music on fiddle, keyboards, mandolin, uilleann pipes and vocals and stories by Irish born and Irish American writers. irish-american.org

A Tribute to The Smiths & Morrissey by The Handsome Devilz

Saturday, October 15

8pm

$10

Formed in 2008, The Handsome Devilz got their start playing in their aunt’s restaurant in Pilsen before going on to become a Midwest regional favorite. Their goal: to bring to life the sounds of The Smiths and Morrissey. As time passes, The Devilz strive to resurrect as many songs as possible from their catalogs for all to enjoy. thehandsomedevilz.com

Akenya in Concert

Friday, October 21

8pm

$15

Akenya is young multi-genre singer, pianist, composer and arranger whose music places a strong emphasis on jazz and the culmination of hip-hop, funk, pop, classical, and world music. Her voice, style and sound—both poignant and riveting—is sure to make this intimate evening a transformative experience for audience members. For this one night engagement, Akenya will perform a slew of original works and arrangements with her five piece band. akenyamusic.com

WildClaw Theatre’s Deathscribe: An Evening of Radio Horror

Saturday, October 22

8:30pm

$25

WildClaw Theatre has culled from eight years of Deathscribe to select their top five favorite tales of terror from their annual festival of radio horror. Dare to join them as they bring the nightmares to LookOut for an evening of the Best of Deathscribe: Performed with live foley, live music and a cast of Chicago talent. wildclawtheatre.com/deathscribe

Torch, Sass and Swing!

Created and Performed by Suzanne Petri

With Bobby Schiff, Jim Cox and ensemble member Robert Breuler

Wednesday, October 26-Friday, October 28

8pm

$20

Torch songs, smoky clubs and great music. Join Suzanne Petri as she sings fantastic songs and ensemble member Robert Breuler as he tells stories and guides you up "the street" to the classic clubs of Chicago and the artists who played them: Ella, Sarah, Barbra, Sophie, Bette Midler, Oscar Brown Jr., Nat "King" Cole and of course Petri’s special tribute to the one and only Julie Wilson. With musical director Bobby Schiff at the keys and Jim Cox on bass.

Repercussion

Created by BOOMERANG

Saturday, October 29 at 8pm

Sunday, October 30 at 4pm

$20

BOOMERANG, hailed as the “punk Mozarts of dance,” presents a percussively visceral and psychologically dynamic new work made in collaboration with Greg Saunier, drummer and founding member of the internationally acclaimed band Deerhoof. Repercussion combines the daring and vulnerable artistry of dancers Matty Davis and Adrian Galvin with poetically nuanced choreography by Kora Radella. Saunier’s physically-charged, expressive percussion sets the tone and further embodies the work’s fearlessly physical exploration of “active forgetting,” based on new writing by MacArthur Fellow and cultural critic Lewis Hyde. Repercussion was originally commissioned by Dixon Place for a March 2016 premiere in New York City, and subsequently premiered in Paris, France at The Arts Arena at the invitation of Robert Wilson. boomerangdance.com

Charlie Strater and Friends

Thursday, November 3

8pm

$5

Charlie Strater honed his songwriting and performing skills like many other artists, by playing countless restaurant and tavern gigs. After releasing his critically acclaimed debut recording, Bluesy Stuff, he quickly earned a name for himself as a powerhouse performer with skilled blues-guitar chops and a vocal intensity and passion. His second album Thornhill Road, continued to define him as a uniquely modern singer/songwriter and guitarist. His third album Charlie Strater combined country and rock in an album that Copeland Music says, “hits the emotional bull’s eye in each song.” Acoustic duo, The PhilBillies, open. reverbnation.com/charliestrater

Looking for Love

Live Dating Game Show and Cabaret

Saturday, November 5

8pm

$12

Looking for Love is the only live dating game show and cabaret in the Universe (according to Looking for Love). Hosted by Carolyn Hoerdemann and Maggie Graham; the Dean and Jerry of the new Millennium—with cleavage. Featuring house band Tuffy Roads, comedy cahoots, dating advice and a chance to find the bachelor/bachelorette of your dreams.

Pivot Arts presents Live Talk: The Day After

Wednesday, November 9

8pm

$15

Come celebrate or mourn the day after one of the most bizarre presidential elections in modern U.S. history with Pivot Arts' Live Talk series. Part performance, part live talk show, this unique evening includes quirky performances, interviews, live music and the very special, Pivot DIY. pivotarts.org 

Methtacular! 

Written and performed by Steven Strafford

Friday, November 11 & Saturday, November 12

8pm

$20 

Methtacular! is Steven Strafford's award-winning one-man show telling the true story of his three years as a sex-addled, crystal meth addict on the streets of Chicago. He weaves jokes, stories, original songs, a game show and documentary footage of interviews with his mom to bring the audience down into the depths of a life in pursuit of the next high. A brave, hilarious and insightful journey through the maelstrom of addiction and recovery, the narrative is riveting and transitions from tear-jerking to gut-busting while never resorting to cloying clichés. methtacular.com 

Chicago Podcast Festival

Friday, November 18 & Saturday, November 19 

8pm

$20 

Podcasts are the new art form for this century as they encompass the qualities of art, comedy, drama, entertainment, storytelling and unscripted theatre. Jonathan Pitts, executive director of Chicago Improv Productions and the co-founder/producer of the highly successful Chicago Improv Festival has teamed up with WBEZ's & The Moth's Tyler Greene, to produce the first annual Chicago Podcast Festival. The focus of this festival is to present a diverse collection of local, regional and national podcasters in live performances of their podcasts at some of Chicago's most renowned theatre venues. Join the fun as Chicago transforms into a podcast Mecca for one weekend in the fall.

LookOut programming is presented year-round and announced on an ongoing basis. John Zinn, Greta Honold and Patrick Zakem are the producers for LookOut. For more information, visit steppenwolf.org/lookout.

The 1700 Theatre

The new 80-seat theater is a casual, intimate and flexible space at 1700 N Halsted St presenting a wide variety of genres and shows, from live music to dance to spoken word and beyond. The diverse programming provides current and new audience members with a variety of multidisciplinary cultural experiences with the added Steppenwolf stamp of approval.

Front Bar: Coffee and Drinks

Located in front of the 1700 Theatre is Steppenwolf’s café & bar, Front Bar: Coffee and Drinks. Open daily from 7am to midnight, Front Bar is a creative space to grab a drink, have a bite, or meet up with friends and collaborators, day or night. A morning and evening menu is curated by Chef Chris Pandel, and artisanal coffee and expresso is provided by La Colombe. Functioning as a stand-alone entity, the café & bar also connects to Steppenwolf’s existing main building creating an expanded lobby space. Front Bar was developed with consultation from Steppenwolf’s friends and neighbors, Boka Restaurant Group (BRG), along with interior designers Karen Herold and Kayce Carter of Studio K and the marketing and design firm Grip. More info at front-bar.com.

Membership options

With the larger and more diverse selection of programming this season, Steppenwolf has increased the ways in which audiences can access the offerings. The new Steppenwolf Black Card offers extreme flexibility with six ticket credits that can be used any time for any production at Steppenwolf. The credits are valid for one year, and there is the option to add on additional credits as needed. Additional membership perks include easy and free exchanges, access to seats before the general public, savings on single ticket prices and bar and restaurant discounts for pre- and post-show socializing. The Steppenwolf Black Card is modeled after the popular Steppenwolf Red Card, which offers audiences under the age of 30 the option to purchase six ticket credits at a discounted price to use towards any play, anytime. Still available are Season Subscription packages, including student, educator and access discount subscriptions.

To purchase a 2016/17 Subscription or Membership, visit Audience Services at 1650 N Halsted St, call 312-335-1650 or visit steppenwolf.org.

Steppenwolf Theatre Company is America’s longest standing, most distinguished ensemble theater, producing nearly 700 performances and events annually in its three Chicago theaterspaces—the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Formed in 1976 by a collective of actors, Steppenwolf has grown into an ensemble of 46 actors, writers and directors. Artistic programming includes a seven-play Season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multidisciplinary, year-round performance series. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf has the distinction of being the only theater to receive the National Medal of Arts, in addition to numerous other prestigious honors including an Illinois Arts Legend Award and 12 Tony Awards. Anna D. Shapiro is the Artistic Director and David Schmitz is the Managing Director. Nora Daley is Chair of Steppenwolf’s Board of Trustees. For additional information, visit www.steppenwolf.org, facebook.com/steppenwolftheatre and twitter.com/steppenwolfthtr.

Steppenwolf 2016/17 Season Begins With Visiting Edna In Previews Starting September 15th and Opening the 27th

What's On Tap For Steppenwolf

As previously announced, the complete 2016/17 Subscription Season includes the world premiere of Visiting Edna by David Rabe, directed by Artistic Director Anna D. Shapiro (September 15 – November 6, 2016); the world premiere of The Fundamentals by Erika Sheffer, directed by ensemble member Yasen Peyankov (November 10 – December 23, 2016); the Chicago premiere of The Christians by Lucas Hnath, directed by ensemble member K. Todd Freeman (December 1, 2016 – January 29, 2017); the Chicago premiere of Straight White Men, written and directed by Young Jean Lee (February 2 – March 19, 2017); the world premiere of Linda Vista by ensemble member Tracy Letts, directed by Dexter Bullard (March 30 – May 21, 2017); and the Chicago premiere of Hir by Taylor Mac, directed by Hallie Gordon (June 29 – August 20, 2017). 

Dexter Bullard will direct the world premiere production of ensemble member Tracy Letts’s Linda Vista and Hallie Gordon will direct the Chicago premiere of Taylor Mac’s Hir. 

Dexter Bullard last directed Steppenwolf’s critically acclaimed production of Annie Baker’s The Flick this season. Hallie Gordon, who serves as  Steppenwolf Artistic Producer and Artistic Director of Steppenwolf for Young Adults (SYA), has directed several SYA productions including George Orwell’s 1984 last season. Gordon will also direct next season’s SYA adaptation of Walter Dean Myers’s Monster.

An additional seventh play, the world premiere of Pass Over by Antoinette Nwandu, will be produced in May 2017 in the Upstairs Theatre. Winner of the Lorraine Hansberry Playwriting Award, Antoinette Nwandu is an exciting new voice in the American theater. Pass Over will run in the non-subscription summer slot; however, subscribers will have access to pre-sale tickets. The director is TBA.

With the larger and more diverse selection of programming next season, Steppenwolf is increasing the ways in which audiences can experience the offerings with the new Steppenwolf Black Card, a membership program offering extreme flexibility. The Steppenwolf Black Card provides six ticket credits that can be used at any time for any production at Steppenwolf. The credits are valid for one year, and there is the option to add on additional credits as needed. Additional perks include easy and free exchanges, access to seats before the general public, savings on single ticket prices and bar and restaurant discounts for pre- and post-show socializing. 

The Steppenwolf Black Card is available through Audience Services (1650 N. Halsted) at 312.335.1650 and steppenwolf.org 

Season Subscription Packages are still available and are currently on sale. Packages start at $100. Student, educator and access discount subscriptions also offered. To purchase a 2016/17 subscription, visit Audience Services at 1650 N Halsted St, call 312-335-1650 or visit steppenwolf.org.

Director Bios

Dexter Bullard has strong ties with Steppenwolf, having most recently directed Annie Baker’s The Flick and having directed ensemble member Tracy Letts’s Bug at the Barrow Street Theater, for which he received the 2004 Lucille Lortel Award for Outstanding Direction Off-Broadway. He has directed for Steppenwolf’s First Look Repertory of New Work in 2006 and 2013. Recent directing credits include the critically acclaimed production of Sucker Punch at Victory Gardens Theater, Big Meal at American Theatre Company and Craig Wright’s Grace at Northlight Theatre. He is the head of Graduate Acting and Showcase Artistic Director with The Theatre School at DePaul University.  

Hallie Gordon serves as Artistic Director of Steppenwolf for Young Adults and an Artistic Producer at Steppenwolf. Along with selecting the young adult productions each season, she has created the Young Adult Council, a group of high school students who collectively help to create innovative programming for their peers. Previously as SYA’s Education Director, Gordon worked closely with the Chicago Public Schools to create an environment in which all students and teachers have access to the theater. For Steppenwolf, Hallie has directed George Orwell’s 1984 and Animal Farm, as well as Leveling Up, The Book Thief, The Heart is a Lonely Hunter, To Kill a Mockingbird, the world premiere of a new adaptation by Tanya Saracho of The House on Mango Street and Harriet Jacobs, adapted for the stage by Lydia R. Diamond. A world premiere of Toni Morrison’s The Bluest Eye, also adapted by Lydia R. Diamond, won a Black Excellence Award from the African American Arts Alliance of Chicago and also transferred Off-Broadway to The New Victory Theatre. She is the recipient of The Helen Coburn Meier & Time Meier Achievement Award. Gordon most recently directed Dry Land at Rivendell Theatre Ensemble, playing now through May 28, 2016. For SYA’s 2016/17 season Gordon will direct an adaptation of Walter Dean Myers’s Monster.

About the Steppenwolf Black Card

Steppenwolf is excited to offer a larger and more diverse selection of programming next season, and to that end has increased the ways in which audiences can experience the offerings. Launching next season is the new Steppenwolf Black Card, a membership program offering extreme flexibility. The Steppenwolf Black Card provides six ticket credits that can be used at any time for any production at Steppenwolf. The credits are valid for one year, and there is the option to add on additional credits as needed. Additional perks include easy and free exchanges, access to seats before the general public, savings on single ticket prices and bar and restaurant discounts for pre- and post-show socializing. 

“We have heard from our audiences that they crave both choice and flexibility. The Steppenwolf Black Card will provide insider access to everything we have to offer, making it easier than ever to be a part of Steppenwolf,” shares Managing Director David Schmitz.  

Audiences will be able to choose from three Steppenwolf Black Card options: Anytime ($70 a credit to use any way, any day of the week); Weeknight ($50 a credit to use Sunday evening –Thursday evening) and Preview ($30 a credit to use towards early performances in the run). Steppenwolf Black Cards will go on sale July 15, 2016 through Audience Services at 312-335-1650 or steppenwolf.org.

The Steppenwolf Black Card is modeled after the popular Steppenwolf Red Card, which offers audiences under the age of 30 the option to purchase six ticket credits at a discounted price to use towards any play, anytime.

Still available will be Steppenwolf’s Season Subscriptions including the Preview Series, Regular Series and Dinner Theatre Series, in addition to discounted Student/Educator Series, Accessible Series and Saver Series. With the new season format, subscribers will see five plays; four in the Downstairs Theatre with the option to choose between two shows in the Upstairs Theatre. Packages start at $100 and are currently available for purchase through Audience Services at 1650 N Halsted St, call 312-335-1650 or visit steppenwolf.org. 

Steppenwolf Theatre Company is America’s longest standing, most distinguished ensemble theater, producing nearly 700 performances and events annually in its three Chicago theater spaces—the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Formed in 1976 by a collective of actors, Steppenwolf has grown into an ensemble of 46 actors, writers and directors. Beginning in 2016/17, Steppenwolf expands artistic programming to include a seven-play Season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a new multidisciplinary performance series. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf has the distinction of being the only theater to receive the National Medal of Arts, in addition to numerous other prestigious honors including an Illinois Arts Legend Award and 12 Tony Awards. Anna D. Shapiro is the Artistic Director and David Schmitz is the Managing Director. Nora Daley is Chair of Steppenwolf’s Board of Trustees. 

For additional information, visit www.steppenwolf.org, facebook.com/steppenwolftheatre and twitter.com/steppenwolfthtr.

Theatre Thursdays Offer World Premiere Productions And Exclusive Access to Artists.

League of Chicago Theatres Announces

Theatre Thursdays Series for 2016-2017 Season

Series Includes Carroll Gardens (16^th Street Theater), A Life Extra Ordinary (The Gift Theatre),

Cinderella at the Theater of Potatoes (The Hypocrites),

The Rip Nelson Holiday Spectacular (Hell in a Handbag Productions),

Mr. and Mrs. Pennyworth (Lookingglass Theatre Company),

The Wolf at the End of the Block (Teatro Vista), The Snare (Jackalope Theatre Company),

Linda Vista (Steppenwolf Theatre Company), and Relativity (Northlight Theatre)

The League of Chicago Theatres announces the Theatre Thursdays line-up for the 2016-2017 Chicago theatre season including world premiere productions of Carroll Gardens (16th Street Theater), A Life Extra Ordinary (The Gift Theatre), Cinderella at the Theater of Potatoes (The Hypocrites), The Rip Nelson Holiday Spectacular (Hell in a Handbag Productions), Mr. and Mrs. Pennyworth (Lookingglass Theatre Company), The Wolf at the End of the Block (Teatro Vista), The Snare (Jackalope Theatre Company), Linda Vista (Steppenwolf Theatre Company), and Relativity (Northlight Theatre).  Additional information for each event is available at http://bit.ly/theatrethursdays.

The Theatre Thursdays initiative, first launched in 2005, strengthens and diversifies the Chicago theatre community by encouraging Chicagoans to explore new venues and companies. Last season, the League revamped the program to focus on new work with twelve Theatre Thursday events, one per month. Each monthly event provides audiences with a world premiere production and an inside look at the creative process behind new works, including exclusive access to artists.

The 2016-2017 series includes:

Thursday, September 22

CARROLL GARDENS

Written by A. Zell Williams

Directed by Ann Filmer

16^th Street Theater at the Berwyn Cultural Center, 6420 16^th Street in Berwyn

Event begins at 6:30 pm, Show begins at 7:30 pm

Tickets $18 at http://boxoffice.printtixusa.com/16thstreet/eventcalendar with promo code: THRTHURS

Join 16th Street Theater for a world-premiere of A. Zell Williams's comedy, Carroll Gardens. Theatre Thursday guests are invited to a pre-show beer tasting courtesy of Oak Park's Kinslahger Brewing Company at 6:30pm. Stay after the show for a conversation with director Ann Filmer and the cast.

Davis and Robby were childhood friends. But that was a long time ago. Now Davis lives in Brooklyn which is a long way from Stockton, CA, in all ways. When Robby shows up unexpected on Davis' doorstep, Robby's brash nature sparks conflicts amongst Davis' new circle spurring debates of race and class and forcing Davis to question who he has remade himself to be and where his loyalty lies.

Thursday, October 13, 2016

A LIFE EXTRA ORDINARY

Written by Melissa Ross

Directed by John Gawlik

The Gift Theatre, 4802 N. Milwaukee in Jefferson Park

Event details for this Theatre Thursday event will be announced closer to the date.

Annabel Anderson McCafferty is an expectant mother who vanishes from her small Ohio town on Christmas Eve. Both mystery and memory play, A Life Extra Ordinary untangles and re-assembles the moments that make a life.

Thursday, November 17, 2016

CINDERELLA AT THE THEATER OF POTATOES 

Written by Andra Velis Simon

Based on Cendrillon and other compositions by Pauline Viardot-Garcia

Directed by Sean Graney

The Hypocrites at The Den Theatre, 1333 N. Milwaukee Ave. in Wicker Park

Event details for this Theatre Thursday event will be announced closer to the date.

Adapted from Pauline Viardot-Garcia’s 1904 opera Cendrillon, and many of her other compositions, Andra Velis Simon’s musical-play is an elegantly irreverent exploration of the classic fairy tale. Here, Cinderella’s version of happily-ever-after does not include acceptance by the Prince. In the actor-as-orchestra style of The Hypocrites’ Gilbert & Sullivan opera work, Artistic Director Sean Graney directs this fun holiday-time show, perfect for the whole family. From the co-adapter of H.M.S. Pinafore and director of All Our Tragic.

Thursday, December 8, 2016

THE RIP NELSON HOLIDAY SPECTACULAR 

Written by David Cerda

Directed by Steve Love

Hell in a Handbag Productions at Mary’s Attic, 5400 N. Clark St. in Andersonville

Event details for this Theatre Thursday event will be announced closer to the date.

We close the year with an old friend and Handbag creation, Rip Nelson played by Handbag favorite, Ed Jones (think, the mutant love child of Paul Lynde, Rip Taylor and Charles Nelson Reilly) in The Rip Nelson Holiday Spectacular, a show that makes The Brady Bunch Variety Hour look like Citizen Kane.

It’s 1982 and a newly sober Rip (ensemble member Ed Jones) manages to land another TV special after the death of his arch-rival, Paul Lynde. Rip is determined to get his career back on track but can he handle the stress of a network television special and stay sober? Luckily he’s got help from a cavalcade of the hottest stars of 1982! Rip pulls every trick in the book to breathe some life in the dying variety series format and save his career but soon questions if his career is worth saving.

Thursday, January 26, 2017

MR. AND MRS. PENNYWORTH 

Written and Directed by Ensemble Member Doug Hara

Puppetry by Blair Thomas

Lookingglass Theatre Company, 821 N. Michigan Ave., Downtown Chicago

Event details for this Theatre Thursday event will be announced closer to the date.

Traveling storytellers Mr. and Mrs. Pennyworth captivate audiences with spell-binding tales. But one day, The Big Bad Wolf mysteriously dies before his story is complete. Fairytales disappear from the pages, characters are utterly forgotten, and Mr. and Mrs. Pennyworth must journey through the stories to restore order before they are lost forever.

Written and directed by Ensemble Member Doug Hara, this world-premiere weaves an exceptional story of adventure, love, and unexpected endings. Influenced by Neil Gaiman and other fantasy writers, Mr. and Mrs. Pennyworth is brought to life through the wondrous puppetry of Blair Thomas and reveals the transformational power of storytelling.

Thursday, February 9, 2017

THE WOLF AT THE END OF THE BLOCK 

Written by Ike Holter

Featuring Ensemble Members Sandra Márquez and Gabe Ruíz

Teatro Vista at the Victory Gardens Biograph Theater, 2433 N. Lincoln Ave. in Lincoln Park

Event details for this Theatre Thursday event will be announced closer to the date.

Chicago. Fall. One night, a boarded up bar on the dark side of the block becomes a terrifying crime scene. In the following 48 hours, the neighborhood digs deep into escalating mystery, working against time to separate fact from fiction. But as the clock ticks down, the clues spiral into a razor sharp jigsaw, and what began as a simple mystery quickly twists into a personal, pointed and political thriller. The Wolf at The End of The Block is a full-length play with five characters, three of which are Latino. The play explores the issues of racial profiling, media manipulation and family relationships. Highly charged, Holter’s story is brutally raw, funny and deftly pierces universal truths.

Thursday, March 9, 2017

THE SNARE 

Written by Samantha Beach

Directed by Elana Boulos

Jackalope Theatre Company at the Broadway Armory, 5917 N. Broadway in Edgewater

Event details for this Theatre Thursday event will be announced closer to the date.

Ruth is your average eighth-grader, keeping busy with basketball, preparing for her school’s Civil War Day, and trying to be more like her babysitter. One night, in the quiet of her bedroom, Ruth hears the voice of the devil, telling her to take action. Unprepared, Ruth’s pastor mom and family struggle to walk a path between pragmatism and faith. In this world premiere play about good vs. evil, and growing up, the question is: who will you believe?

Thursday, April 13, 2017

LINDA VISTA 

A world premiere by ensemble member Tracy Letts

Featuring ensemble members Ian Barford and Tim Hopper

Steppenwolf Theatre Company, 1650 N. Halsted in Lincoln Park

Event details for this Theatre Thursday event will be announced closer to the date.

Wheeler is 50. His marriage is over, his job is mundane, and the best years of his life appear to be behind him. A move from the cot in his ex-wife’s garage to his own apartment opens up new possibilities for love and sex—complicated, painful and hilarious. Full of opinions, yet short on self-examination, Wheeler is a modern misanthrope who must reconcile the man he has become with the man he wants to be.

Tracy Letts is a Pulitzer Prize and Tony Award-winning playwright, actor and member of the Steppenwolf ensemble. His works include August: Osage County, Superior Donuts, The Man from Nebraska, Killer Joe and Bug, among others. He is also known for his portrayal of Andrew Lockhart in Showtime's Homeland and can be seen in The Big Short and HBO’s Divorce. His play Mary Page Marlowe premiered at Steppenwolf, in March 2016.

Thursday, May 11, 2017

RELATIVITY

Written by Mark St. Germain

Directed by BJ Jones

Featuring Mike Nussbaum

Northlight Theatre at the North Shore Center for the Performing Arts, 9501 Skokie Blvd. in Skokie

Event details for this Theatre Thursday event will be announced closer to the date.

In 1902 Albert and Mileva Einstein had a baby daughter. After 1904 she was never seen or spoken of again. Forty years later, a reporter interviews Einstein about this mysterious piece of his past, revealing shocking secrets about his family and his personal life. While the reporter questions Einstein on his theory of relativity and his decisions, she also poses a query of her own: to be a great man, does one first need to be a good man?

The author of Freud’s Last Session and Becoming Dr. Ruth showcases his signature blend of insight, intellect, humor and heart in this fictional account of a legendary figure.

Please note that Theatre Thursdays event information and dates are subject to change.  Theatre Thursday events for June, July and August will be announced later in the year.

The 2016-2017 Theatre Thursdays sponsors are the Chicago Reader and Chicago Splash.

       

About Chicago theatre

Chicago theatre is a leader in the U.S. with more than 250 theatres throughout Chicagoland, comprising a rich and varied community ranging from storefront, non-union theaters to the most renowned resident theatres in the country, including 5 that have been honored with Regional Tony Awards, and the largest touring Broadway organization in the nation. Chicago’s theatres serve 5 million audience members annually and have a combined budget of more than $250 million. Chicago produces and/or presents more world premieres annually than any other city in the nation. In the 2014-2015 season, Chicago theatre companies produced more than 100 world premiere productions and adaptations. Each year, Chicago theatres send new work to resident theatres across the country, to Broadway, and around the world.

About the League of Chicago Theatres

The League of Chicago Theatres is an alliance of theatres which leverages its collective strength to promote, support, and advocate for Chicago's theatre industry locally, nationally, and internationally. The League of Chicago Theatres Foundation is dedicated to enhancing the art of theatre in the Chicago area through audience development and support services for theatres and theatre professionals.

Additional information about Theatre Thursdays is available at http://bit.ly/theatrethursdays.

For a comprehensive list of Chicago theatre productions, visit the League of Chicago Theatres website, ChicagoPlays.com.  Half-price tickets are available at HotTix.org or at one of three downtown locations.

EXTENDED: Mary Page Marlowe at Steppenwolf Now Playing Through June 5

Chi, IL Live Shows On Our Radar:

Mary Page Marlowe

From the Pulitzer Prize-winning playwright of Killer Joe, Superior Donuts and August: Osage County. Extended by popular demand through June 5. 

"Intensely thoughtful…the work has depth and an elegant potency"

– Variety 

"A captivating portrait of an ordinary life" 

– TimeOut Chicago 

Here at ChiIL Mama and ChiIL Live Shows, we've been so booked with reviews and our own rehearsals we have still not caught Mary Page Marlowe yet. This production is high on our must see list and we're hoping to get over to Steppenwolf this week to review. 

We're eager to see Blair Brown and Carrie Coon in action and one of the cast's youngest, Caroline Heffernan. She was a gymnastics team mate of my daughter's for years and it's been a joy to see her masterful portrayals at Lookingglass Theatre, Chicago Shakespeare Theatre, and Gift theatre.

"Deeply moving…intoxicatingly thrilling. Four Stars (out of four)"

– Chicago Tribune 

“Exquisite new play… beautiful and affecting…about the evolutions, reversals and resurrections in a woman’s life” 

– The New York Times 

Mary Page Marlowe is an accountant from Ohio. She’s led an ordinary life, making the difficult decisions we all face as we try to figure out who we really are and what we really want. As Tracy Letts brings us moments—both pivotal and mundane—from Mary’s life, a portrait of a surprisingly complicated woman emerges. Intimate and moving, Mary Page Marlowe shows us how circumstance, impulse and time can combine to make us mysteries… even to ourselves.

Get up close: see the actors and experience the drama in the most intimate and exciting way possible. Steppenwolf’s newly added Pit Seats will bring you as close as you can get to the stage—at only $30/seat. 

"Artfully crafted…luminous performances" 

– Daily Herald 

“It’s the most purely beautiful play that Mr. Letts has given us, and its subtleties will linger in your mind long after you leave the theater” 

– Wall Street Journal 

THE ARTISTS

Author: ensemble member Tracy Letts

Directed by: ensemble member Anna D. Shapiro

Scenic Design: Todd Rosenthal

Costume Design: Linda Roethke

Lighting Design: Marcus Doshi

Original Music: Diana Lawrence

Sound Design: Richard Woodbury

Stage Manager: Malcolm Ewen

Assistant Stage Manager: Brian Maschka

Dramaturg: Edward Sobel

Projection Design: Sven Ortel
Wig and Hair Design: Penny Lane Studios
Voice and Text Coach: Gigi Buffington
Artistic Producer: Jonathan Berry
Casting: Jessamyn Fuller
Assistant to the Projection Designer: Yeaji Kim
Programmer: Joseph A. Burke

THE CAST

Blair Brown

Stephen Cefalu, Jr.

Carrie Coon

Amanda Drinkall

Jack Edwards

Laura T. Fisher

Kirsten Fitzgerald

Tess Frazer

Keith D. Gallagher

Caroline Heffernan

Sandra Marquez

Annie Munch

Rebecca Spence

Ariana Venturi

Madeline Weinstein

Gary Wilmes

FEATURED ENSEMBLE MEMBERS

Ian Barford

Alan Wilder

1 hour and 25 minutes, no intermission

Steppenwolf does not offer advisories about subject matter, as sensitivities vary from person to person. If you have any questions about content, age-appropriateness or stage effects (such as strobe lights or theatrical fog) that might have a bearing on patron comfort, please contact the box office at 312-335-1650.

Major support for Steppenwolf’s New Play Development Initiative is provided by The Davee Foundation and the Zell Family Foundation.

ASL interpretation:
Sunday, May 8 at 7:30pm

Open-captioned:
Saturday, May 7 at 3pm

Audio-described:
Sunday, May 22 at 3pm

Audio-described and touch tour:
Sunday, May 29 at 1:30 touch tour, audio-described performance at 3pm


Click here to purchase tickets and for further show information.