Pages

Showing posts with label Music Box Theatre. Show all posts
Showing posts with label Music Box Theatre. Show all posts

Sunday, April 23, 2017

1 Night Only Withnail & I With Post-Show Q&A With Star Richard E. Grant at Music Box Theatre This Monday 4/24

Chi, IL LIVE Shows On Our Radar:

Film star Richard E. Grant appears at Music Box Theatre
one night only for 30th anniversary screening of cult film
Withnail & I and 
post-show Q&A with audience

Monday, April 24 at 7 p.m.

Grant currently in Chicago for Lyric Opera’s My Fair Lady

l-r: Richard E. Grant; Paul McGann and Richard E. Grant in Withnail & I.

TV and film star Richard E. Grant (Logan, Jackie, Girls, Game of Thrones) appears at the Music Box Theatre on Monday, April 24 for a special one-night-only 30th anniversary screening of the cult classic film Withnail & I, which launched Grant’s career in 1987. The British black comedy follows two unemployed young actors during what is supposed to be a relaxing getaway weekend to a country cottage. The film will be screened on 35mm, and immediately following Grant will participate in a Q&A with the audience about the film, his career, and first time performing in Chicago for Lyric Opera’s My Fair Lady.

The one-night-only 30th anniversary screening of Withnail and I at the Music Box Theatre (3733 N. Southport Avenue) is Monday, April 24 at 7 p.m. with a Q&A with Richard E. Grant immediately following. Tickets are $12 and available now at MusicBoxTheatre.com.

Withnail & I is a British black comedy about two “resting” actors – living off a diet of booze and pills in a squalid Camden Flat – who decide to take a trip to a country house (belonging to Withnail’s uncle) to “rejuvenate.” Faced with bad weather, altercations with the locals, and the unexpected arrival (and advances) of Uncle Monty, the pair’s wits and friendship are tested.

Richard E. Grant is currently in Chicago for Lyric Opera’s grand-scale company premiere of My Fair Lady, starring as Henry Higgins alongside Lisa O’Hare as Eliza Doolittle. The cast also includes Bryce Pinkham (Freddy Eynsford-Hill), Nicholas Le Prevost (Colonel Pickering) and Donald Maxwell (Alfred Doolittle). My Fair Lady plays April 28-May 21, 2017, at Lyric’s Civic Opera House, 20 N. Wacker Drive. Tickets start at $22 and are available now at www.lyricopera.org/myfairlady or at 312-827-5600.

Richard E. Grant has proven to be one of the great character actors of his generation since appearing in his first film as the perpetually inebriated title character in Withnail and I. Some of his most memorable credits include Bram Stoker’s Dracula, Henry & June, L.A. Story, The Player, The Age of Innocence, The Portrait of a Lady, Spice World, Gosford Park, and The Iron Lady. He has countless television credits, including featured roles on Girls, Downton Abbey, and Game of Thrones. In 2008, Grant performed the role of Henry Higgins in My Fair Lady with Opera Australia. Following the recent releases of the acclaimed films Jackie and Logan, he has several other films scheduled for release, including the romantic comedy Their Finest and the dark comedy Can You Ever Forgive Me? with Melissa McCarthy.

Music Box Theatre
For the last two decades, the Music Box Theatre has been the premiere venue in Chicago for independent and foreign films. It currently has the largest theater space operated full time in the city. The Music Box Theatre is independently owned and operated by the Southport Music Box Corporation. SMBC, through its Music Box Films division, also distributes foreign and independent films in the theatrical, DVD and television markets throughout the United States.

Follow The Music Box Theatre on Instagram @musicboxchicago and Twitter @musicboxtheatre

Lyric Opera of Chicago
Lyric Opera of Chicago’s mission is to express and promote the life-changing, transformational, revelatory power of great opera. Lyric exists to provide a broad, deep, and relevant cultural service to Chicago and the nation, and to advance the development of the art form.

Founded in 1954, Lyric is dedicated to producing and performing consistently thrilling, entertaining, and thought-provoking opera with a balanced repertoire of core classics, lesser-known masterpieces, and new works; to creating an innovative and wide-ranging program of community engagement and educational activities; and to developing exceptional emerging operatic talent.

Under the leadership of General Director, President & CEO Anthony Freud, Music Director Sir Andrew Davis, and Creative Consultant Renée Fleming, Lyric strives to become The Great North American Opera Company for the 21st century: a globally significant arts organization embodying the core values of excellence, relevance, and fiscal responsibility.

To learn more about Lyric, go to lyricopera.org. You can also join the conversation with @LyricOpera on Twitter, Instagram, and Facebook. #Lyric1617 #LongLivePassion

Wednesday, September 7, 2016

Live Opera at Music Box Theatre 9/30-10/9 Via Chicago Opera Theater

Chi, IL LIVE Shows On Our Radar:

CHICAGO PREMIERE OF FRANK MARTIN’S 
“THE LOVE POTION” (“LE VIN HERBÉ”) 
TO BE STAGED BY CHICAGO OPERA THEATER AT THE MUSIC BOX THEATRE SEPTEMBER 30 – OCTOBER 9, 2016


COT Brings Live Opera Performance to Historic Cinema with Martin’s Mystical Adaptation of Tristan and Isolde Story

For the first time ever, Chicago’s iconic Music Box Theatre will host a classical live performance when Chicago Opera Theater (COT) debuts the Chicago premiere of Frank Martin’s 1942 “The Love Potion” (“Le Vin Herbe”) on September 30. Martin’s adaptation of the medieval legend of Tristan and Isolde chronicles the relationship of the two lovers who meet by deception, fall in love by magic and pursue their love in defiance of heavenly and earthly powers. “The Love Potion” will be performed at the Music Box Theatre (3733 N Southport). The press performance will be Friday, September 30 at 7:30 p.m.

Subsequent performances will be Oct. 1 and 9 at 3 p.m.  Due to a recently scheduled Chicago Cubs playoff game, there will be no performance on Oct. 7.

The oratorio begins with Tristan retrieving the reluctant Isolde so that she can be married to his uncle, King Mark. Isolde's mother has brewed a love potion meant to enchant King Mark into falling in love with her daughter. Tristan and Isolde mistakenly drink the potion when their maid confuses it for wine and they fall irrevocably in love. King Mark discovers Tristan and Isolde's love and declares vengeance. The lovers are able to escape the King and flee to the forest where they are quickly discovered propelling the story towards its climatic tragic end.  

The libretto, originally by medievalist Joseph Bédier, was translated into English for this production by Hugh MacDonald.  “The Love Potion” will be conducted by Emanuele Andrizzi and directed and production designed by Chicago Opera Theater’s Stefan Edlis and Gael Neeson General Director Andreas Mitisek

“Opera audiences are familiar with the story of Tristan and Isolde, thanks to Richard Wagner’s often-produced classic, but Martin’s take on this timeless tale is equally moving and musically hypnotic,” said Mitisek.  “One of our goals at Chicago Opera Theater is to bring our work to new audiences, and producing this work at the Music Box Theatre is in keeping with our mission.  It is an exceptional acoustic space and we are proud to bring this rarely seen work to Chicago audiences in a venue that serves it so well musically and aesthetically.”

Reviewing a 2013 production at the Berlin Staatsoper, A. J. Goldman of Opera News called Martin “distinctive and unjustly neglected” and called the piece “a work of startling economy and emotion” and that the composer had “succeeded in concocting a harmonically dense potion that, for all its dissonances, also goes down easy.” Bernard Holland, reviewing an earlier staging for the New York Times, called it “absolutely gripping… filled with dignity, mystery and a simplicity born of true sophistication… It ought to return so that more people can see and hear it.”  Jeremy Eichler, reviewing a 2014 Boston Lyric Opera production, called the piece “Mesmerizing… The score’s dissonant but ravishing musical language is a heady and highly personalized cocktail, indebted to Debussy yet at once updated and archaicized, its lulling waves giving voice to the characters’ strong emotions while at the same time keeping them at a precisely measured distance.”

Portraying the star-crossed lovers will be Lani Stait (Isolde) and Bernard Holcomb (Tristan).  Other principals include Brittany Loewen (Branghien), Kira Dills-Desurra (Isolde with White Hands), Cassidy Smith (Isolde’s Mother), Jonathan Weyant (Kaherdin), Nicholas Davis (King Mark) and Zacharias Niedzwiecki (Duke Hoël).  The ensemble includes Alexandra Martinez, Quinn Middleman, Patrick Dean Shelton and Samuel Weiser. The performers are members of COT's Young Artists program, which is composed of students in the Professional Diploma in Opera Program at Roosevelt University's Chicago College of Performing Arts in conjunction with Chicago Opera Theater, headed by Scott Gilmore, The Director of Musical Studies at CCPA. 

Performance Schedule
Friday, September 30, 7:30 p.m.
Friday, October 1, 3 p.m.
Sunday, October 9, 3 p.m.

Subscriptions for the 2016/17 season are now on sale. Single tickets will go on sale on August 10, 2016. Tickets will range in price from $50 - $75 and can be purchased by calling 312.704.8414 or via chicagooperatheater.org.

The season continues on November 5 at the Studebaker Theater with three performances of “The Fairy Queen.” Composed in 1692 by Henry Purcell, “The Fairy Queen,” takes its inspiration from the mystical masques of Shakespeare’s “A Midsummer Night’s Dream,” creating the perfect world to explore relationships. On February 18, 2017, COT will present the co-world premiere with Long Beach Opera of “The Invention of Morel”. “Morel” is composed by Stewart Copeland and is based on “La invención de Morel” by Adolfo Bioy Casares. It is COT’s first-ever commissioned opera. The season will close with the Chicago premiere of Philip Glass’ 2013 “The Perfect American,” a fictionalized biography of Walt Disney’s life told through the musical lens of Philip Glass, melding delusions of the American Dream, immortality, and an empire.

Creative Team
Stage Director and Production Design: Andreas Mitisek
Conductor: Emanuele Andrizzi
Orchestra: Chicago Philharmonic

Emanuele Andrizzi – Conductor
Andrizzi conducted “A Coffin in Egypt” at Chicago Opera Theater in 2015.  Educated in the rich musical tradition of the Rome's Conservatory as a conductor, composer, and pianist, Andrizzi has become a versatile musician with vast experience in the symphonic and operatic repertoires and a passion for the many areas of the musical arts. As a conductor, he has collaborated with various symphonic and operatic companies. In the past several years, he has conducted at the Lyric Opera of Chicago, San Diego Opera, Orchestradella Città di Ravenna, Chicago Philharmonic, Salt Creek Ballet, and New Philharmonic, among others. He has also collaborated with important music festivals, including the Millennium Park and the Ravinia Festivals.  In the next few months, Mr. Andrizzi is going to debut with several important operatic companies, among which the Opera Theater of St. Louis, where he will conduct a production of Puccini’s “La Bohème.”

An active teacher and performer, Andrizzi has worked since August 2013 as the Conductor and Head of the Orchestra Program at the prestigious Chicago College of Performing Arts at Roosevelt University. He often collaborates with young artist programs, including the Ryan Opera Center, the Lyric Opera of Chicago’s Young Artist Program. In addition, he has been invited to guest conduct in various university music programs, such as the Bienen School of Music at Northwestern University where he recently conducted Mozart’s “Le Nozze di Figaro,” after his earlier success in conducting “Così Fan Tutte.” He was the conductor of the Illinois All-State Orchestra in 2016 and is a recipient of the Honorable Mention award at the International Competition for Conductors of Contemporary Music “4X4 Prize” and a winner of the “P. Barrasso” International Competition for Chamber Music.

Andreas Mitisek – Stefan Edlis and Gael Neeson General Director 
A native of Austria, Mitisek has been the General Director of COT since June of 2012. He has also been Artistic and General Director of Long Beach Opera (LBO) since 2003. Mitisek has been named “Chicagoan of the Year for Classical Music” by the Chicago Tribune in 2014 and was selected as one of the “25 people that will be a major force in the field of opera in the coming decade” by Opera News.

He recently directed and designed COT’s “gripping” (Chicago Tribune) “Macbeth” by Ernest Bloch in 2014. His other COT directing credits include ”La Voix Humaine” by Francis Poulenc, “Gianni Schicchi” by Giacomo Puccini, “Lucio Silla” by Wolfgang Amadeus Mozart,“Therese Raquin” by Tobias Picker, “Maria de Buenos Aires” by Astor Piazzolla and “The Emperor of Atlantis & The Clever One” by Viktor Ullmann and Carl Orff. Ricky Ian Gordon’s “Orpheus and Euridice,” at the Welles Park Pool in 2013, was critically and publicly acclaimed. Mitisek is on the board of directors for Opera America, the national service organization for U.S.  opera companies.

About Chicago Opera Theater
Chicago Opera Theater is an innovative, nationally recognized opera company that inspires a diverse community through immersive and thought-provoking opera experiences. COT, established in 1974 by Alan Stone, is a founding resident company of the Harris Theater for Music and Dance in Millennium Park. General Director Andreas Mitisek is known for his adventurous repertory, visionary leadership, fundraising skills and innovative audience-building initiatives.

Chicago Opera Theater has carved a significant place for itself in the operatic life of Chicago and has reached an audience of hundreds of thousands through its main stage performances, community engagement, education programs in Chicago Public Schools, as well as its renowned Young Artist Program.

Experience MORE OF THE DIFFERENT with Chicago Opera Theater!


For more information on the Chicago Opera Theater and its programs please visit www.chicagooperatheater.org.

Wednesday, June 15, 2016

Coen Brothers' Blood Simple 4K Digital Restoration Opens at Music Box July 8th

ChiIL Flix Picks

BLOOD SIMPLE, the first film by Joel and Ethan Coen, opens at The Music Box Theatre on Friday, July 8th, 2016 on a stunning 4K Digital Restoration!


To honor this brand new restoration, The Music Box has programmed A Coen Brothers Retrospective. Films include FARGO, BARTON FINK, and THE MAN WHO ISN’T THERE. Each film will be shown on 35mm! Schedule to be announced. 

BLOOD SIMPLE opens on a brand new restoration  at The Music Box on Friday, July 8th. Color correction and restoration were supervised and approved by filmmakers Joel and Ethan Coen, as well as director of photography Barry Sonnenfeld. For further information on BLOOD SIMPLE and the Coen Brothers retrospective, please visit www.musicboxtheatre.com.


About Joel and Ethan Coen- (writers/directors/ producers/editors)
The Coen Brothers began making films in their backyard as children, using a Super 8 camera to re-create late-night-TV staples in a manner that foreshadowed their future tendency to re-envision classic Hollywood genres. After Joel graduated from New York University’s lm program and worked on a number of industrial films (as well as future Coen collaborator Sam Raimi’s The Evil Dead), and Ethan completed his studies in philosophy at Princeton, the pair teamed up in 1984 to produce Blood Simple, which made waves at the Sundance Film Festival and quickly became a critical hit upon its commercial release. Having established themselves as key figures in the new American independent cinema of the 1980s, the brothers further burnished their reputation with increasingly popular films such as Raising Arizona, Miller’s Crossing, and Barton Fink, which won the Palme d’Or at Cannes and garnered three Academy Award nominations.

About BLOOD SIMPLE-
This razor-sharp modern lm noir, the rst lm by Joel and Ethan Coen, introduced the brothers’ inimitable black humor and eccentric sense of character, a sensibility that has helped shape the course of contemporary American cinema. Deep in the heart of Texas, a sleazy bar owner suspects his wife of having an a air and hires a private detective to con rm his suspicions—only to have the crosshairs turned back on himself. Playfully shot by Barry Sonnenfeld and featuring a haunting score by Carter Burwell and a cunning performance by Frances McDormand, Blood Simple was a career-launching lm for this ensemble and the rst articulation of the precision of style that has de ned the Coens’ work ever since.



About The Music Box Theatre-
For the last two decades, the Music Box Theatre has been the premiere venue in Chicago for independent and foreign films. It currently has the largest theater space operated full time in the city. The Music Box Theatre is independently owned and operated by the Southport Music Box Corporation. SMBC, through itsMusic Box Films division, also distributes foreign and independent films in the theatrical, DVD and television markets throughout the United States.


Follow The Music Box Theatre on Instagram @musicboxchicago and Twitter @musicboxtheatre

Monday, May 9, 2016

The Music Theatre Hosts The 4th Annual Chicago Film Critics Association (CFCA) Festival 5/20-26

Films On Our Radar:

The Chicago Film Critics Association (CFCA) Festival kicks off on Friday, May 20th, 2016 at The Music Theatre!

This year's lineup will include 25 feature films and shorts. This programming brings together an eclectic array of films ranging from raucous comedies and foreign-made dramas to thought-provoking documentaries and midnight genre films.



Special guest appearances include Craig Robinson (Morris From America), Martin Starr (Operator), Anne Hamilton (American Fable), Ira Sachs (Little Men), Ti West (In a Valley of Violence), Michael Pena (War on Everyone) among others!


Now in its fourth year, the CFCA festival will run May 20-26th, 2016 and will be held once again at Chicago's historic Music Box Theatre. Click HERE for Program Scheduling.


The CFCA will be programming the following titles as part of this year's program at The Music Box Theatre:

Beauty and the Beast
Christophe Gans, the director of such visually stunning films as "Brotherhood of the Wolf" and "Silent Hill," unites two of France's biggest stars, Vincent Cassel and Lea Seydoux, to produce this lavish live-action version of Jeanne-Marie Leprince de Beaumont's classic fantasy story that has already served as the basis for two classic screen adaptations from Jean Cocteau and Disney. For those of you who somehow missed those, it tells the story of a beautiful young woman who agrees to become the prisoner of a ferocious beast in order to save her beloved father's life and eventually learns that there is more to him than his gruff exterior would suggest.

The Blackcoat's Daughter
Set on a nearly deserted prep school campus during winter break, the debut feature from writer/director Oz Perkins (son of Anthony Perkins) follows two students (Kiernan Shipka and Lucy Boynton) who have been left behind and a young woman (Emma Roberts) who has just left the hospital and is hitchhiking towards the school with a seemingly good-natured couple (James Remar and Lauren Holly). Needless to say, something is clearly amiss but what exactly it is and how it connects these seemingly unrelated characters is what gave audiences a start when it premiered at the Toronto International Film Festival, where it was formerly known as “February”.

Goat
Co-written by David Gordon Green and based on the memoir by Brad Land, this harrowing drama follows a 19-year-old boy, who, following a brutal assault, pledges the college fraternity to which his older brother belongs. As the hazing rituals grow more and more dangerous, he finds himself reconsidering his loyalty to both his brother and his new-found allies. Directed by former documentarian Andrew Neel and co-starring Nick Jonas and James Franco, the film offers an eye-opening look at some of the more appalling aspects of masculinity in contemporary society.

Hunt For the Wilderpeople
From Taika Waititi, the writer-director-star of "What We Do In The Shadows," comes the comedic coming-of-age story of Ricky (Julian Dennison), an unruly orphan boy who is dropped off at a remote farm with the latest in a long string of foster parents, the cheerful Aunt Bella and the more taciturn Uncle Hec (Sam Neill). For a while, everything works out fine, but when a tragedy strikes that threatens to remove Ricky to another family, he and Uncle Hec take off into the bush and, thanks to a series of odd events, unexpectedly find themselves at the center of a nationwide manhunt. 

Life, Animated
Based on the memoir by Ron Suskind, this documentary tells the story of his autistic son Owen and how they still managed to communicate with each other utilizing characters and dialogue from Disney animated films that were the only thing that seemed to truly engage the boy. Mixing live-action and animation, the film shows  how Owen was able to utilize his responses to these films as a way to explore his own personal feelings while growing up, and to help him as he makes his first steps towards adulthood and independence.

Morris From America
Directed by Chad Hartigan (whose previous feature, "This is Martin Bonner," was part of the first Chicago Critics Film Festival), this crowd-pleasing comedy follows the adolescent misadventures of a 13-year-old American boy (Markees Christmas) growing up in Germany while living with his father (Craig Robinson). This film was a hit at this year's Sundance Film Festival, where it won the Waldo Salt Screenwriting Award and a Special Jury Award for Individual Performance for Robinson.

Trash Fire
In this super-dark comedy with horrific overtones from Richard Bates Jr. (whose "Excision" managed to make even the most dedicated genre buffs squirm in their seats), Adrien Grenier stars as an unpleasant young man who, to please his pregnant girlfriend (Angela Trimbur) and prove that he can be a reliable father figure, agrees to visit the estranged grandmother (Fionnula Flanagan) and sister (Annalynn McCord) that are his only living relatives. Although the two make the trip in order to allow him to bury the hatchet at last, they soon discover that family ties can choke as well as bind

American Fable
American Fable is a fairytale thriller set in the 1980s Midwest farm crisis about a courageous girl living in a dark and sometimes magical world. When 11-year-old Gitty discovers that her beloved father is hiding a wealthy man in her family’s silo in order to save their struggling farm, she befriends the captive in secret and quickly becomes trapped between protecting her family and her soul.

Another Evil
After encountering a ghost in his family’s vacation home, a modern artist and his wife hire an “industrial-grade exorcist” to get rid of the beings. But he soon realizes that ridding the home of evil won’t be as simple as it seems.

Contemporary Color
In the summer of 2015, legendary musician David Byrne staged an event at Brooklyn’s Barclays Center to celebrate the art of Color Guard: synchronized dance routines involving flags, rifles, and sabers. Recruiting performers that include the likes of Saint Vincent, Nelly Furtado, Ad-Rock, and Ira Glass to collaborate on original pieces with 10 color guard teams from across the US and Canada.

Dark Night
The lives of six strangers intersect at a suburban Cineplex where a massacre occurs.

Demon
A bridegroom is possessed by an unquiet spirit in the midst of his own wedding celebration, in this clever take on the Jewish legend of the dybbuk.

Disorder
Vincent is an ex-soldier with PTSD who is hired to protect the wife and child of a wealthy Lebanese businessman while he’s out of town. Despite the apparent tranquility on Maryland, Vincent perceives an external threat.

First Girl I Loved

With Dylan Gelula (Unbreakable Kimmy Schmidt) in attendance.

Seventeen-year-old Anne just fell in love with Sasha, the most popular girl at her LA public high school. But when Anne tells her best friend Clifton—who has always harbored a secret crush—he does his best to get in the way.

The Fits
While training at the gym 11-year-old tomboy Toni becomes entranced with a dance troupe. As she struggles to fit in she finds herself caught up in danger as the group begins to suffer from fainting spells and other violent fits.

In a Valley of Violence

With Writer/Director Ti West in attendance!

A mysterious stranger, and a random act of violence drags a town of misfits and nitwits into the bloody crosshairs of revenge.

Into the Forest

With Director Patricia Rozema in attendance

In the not-too-distant future, two young women who live in a remote ancient forest discover the world around them is on the brink of an apocalypse. Informed only by rumor, they fight intruders, disease, loneliness and starvation.

Joshy

With Adam Pally in attendance

Josh treats what would have been his bachelor party as an opportunity to reconnect with his friends.

Little Men

With Writer/Director Ira Sachs in attendance!

A new pair of best friends have their bond tested by their parents’ battle over a dress shop lease.

Lo and Behold: Reveries of the Connected World
Werner Herzog’s exploration of the Internet and the connected world.

My Blind Brother
The rivalry between two brothers reaches a fever pitch during a charity swim competition.

Nuts!
The mostly true story of Dr. John Romulus Brinkley, an eccentric genius who built an empire with his goat-testicle impotence cure and a million-watt radio station.

Operator

CLOSING NIGHT FILM!
With Martin Starr, Writer/Director Logan Kibens and Writer Sharon Greene in attendance!

Joe (Martin Starr) is a programmer and self-quantifier who uses the data he collects to make sense of the world and control his panic attacks. He and his wife Emily (Mae Whitman), a member of the Neo-Futurists, are happily married until they start working together on a project that promises to replicate Emily’s personality. What begins as a collaboration that strengthens their relationship quickly spirals into a technological love triangle in this dark comedy about love in the age of anxiety shot on location in Andersonville.

The Other Half
Nickie Bellow (Tom Cullen) is a self-destructive drifter, ever mourning the disappearance of his younger brother. Then he meets Emily (Tatiana Maslany) and the two form an immediate, inseparable bond – it is love at first sight deepened by a shared sense of sorrow. After a short amount of time, his PTSD and her bipolar disorder surface complicating their new-found intimacy. For Nickie and Emily, time does not heal all wounds, but could real love indeed conquer all?


For the most current details, along with information on the festival as a whole and a look back at previous years, please go to www.chicagocriticsfilmfestival.com


About The CFCA-
The CFCA has always been dedicated to supporting and celebrating quality filmmaking that has something to say about our world, our lives, and our society. In the past, while it supported and fought for the continued role of film critics in the media, the CFCA's primary public interaction was through the announcement of its annual film awards each December. In recent years, however, the CFCA moved aggressively to expand its presence on the Chicago arts scene and to promote critical thin king about cinema to a wider base. In 2012, in addition to re-launching a late-winter awards ceremony, CFCA members presented numerous film screenings at theaters like the Studio Movie Grill in Wheaton, and Muvico Theaters Rosemont 18 in Rosemont. Illinois. CFCA members also team-taught a new Young People's Film Criticism Workshop at Facets Multimedia that emphasized not just film analysis and criticism, but also writing skills to middle- and high-school students, many of whom were attending the course on lower-income scholarships. With this film festival, we intend to take the next step.

About The Music Box Theatre-
For the last two decades, the Music Box Theatre has been the premiere venue in Chicago for independent and foreign films. It currently has the largest theater space operated full time in the city. The Music Box Theatre is independently owned and operated by the Southport Music Box Corporation. SMBC, through its Music Box Films division, also distributes foreign and independent films in the theatrical, DVD and television markets throughout the United States.

Follow The Music Box Theatre on Instagram @musicboxchicago and Twitter @musicboxtheatre




Google Analytics