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Showing posts with label Midwest premiere. Show all posts
Showing posts with label Midwest premiere. Show all posts

Tuesday, September 11, 2018

OPENING: THE MIDWEST PREMIERE OF AN OAK TREE​ VIA RED THEATER TO KICK OFF 7TH SEASON 11/1-12/9/18

Chi, IL LIVE Shows On Our Radar:

RED THEATER TO KICK OFF 7TH SEASON WITH
THE MIDWEST PREMIERE OF
AN OAK TREE​ BY TIM CROUCH




Red Theater Chicago announces the start of their 7th season with their upcoming production of An Oak Tree by Tim Crouch, directed by Jeremy Aluma and starring Gage Wallace, both Red Theater company members. Performances run November 1 through December 9, 2018. Performances run at the Athenaeum Theatre in Studio One at 2936 N Southport Ave, Chicago, IL 60657.

I'll be out for the press opening on Saturday, November 3 at 8:00pm, so check back soon after for my full review.

THE PLAY
Two Actors. One has rehearsed the play. The second has never even read it. Performed by a different person each night, the second actor will discover the play and their role at the same time as you do. In this Midwest Premiere by Tim Crouch, An Oak Tree asks, how do we transform our world in order to survive our pain? How do we create our own reality? Anything can happen in this play that illuminates the magic of theater – a cheap trick and a genuine spell all at once.

THE FORMAT

The FIRST ACTOR or HYPNOTIST is being played by Gage Wallace. We will announce the actors playing the SECOND ACTOR on the Tuesday prior to each upcoming weekend performances.

WHEN:
Saturday, November 3rd at 8:00 pm (press opening)
Sunday, November 4th at 6:00 pm
Monday, November 5th at 7:00 pm
Friday, November 9th at 8:00 pm
Saturday, November 10th at 8:00 pm
Sunday, November 11th at 6:00 pm
Thursday, November 15th at 8:00 pm
Friday, November 16th at 8:00 pm
Saturday, November 17th at 8:00 pm
Sunday, November 18th at 6:00 pm
Saturday, November 24th at 8:00 pm
Sunday, November 25th at 6:00 pm
Monday, November 26th at 7:00 pm
Friday, November 30th at 8:00 pm
Saturday, December 1st at 8:00 pm
Sunday, December 2nd at 6:00 pm
Thursday, December 6th at 8:00 pm
Friday, December 7th at 8:00 pm
Saturday, December 8th at 8:00 pm
Sunday, December 9th at 6:00 pm (closing)

TICKETS: Tickets are on sale at redtheater.org
PRESS CONTACT: Neil O'Callaghan at marketing@redtheater.org or 617.794.2475

TICKETS, DATES & INFORMATION
An Oak Tree runs Thursdays through Saturdays at 8:00 pm and Sundays at 6:00 pm from November 3 through December 9. There are two additional Monday performances on November 5 and November 26 at 7:00 pm. There are no performances on November 8, 22, 23 or 29. Tickets went on sale on September 1, 2018.

An Oak Tree by Tim Crouch will be performed at the Athenaeum Theatre in Studio One at 2936 N Southport Ave, Chicago, IL 60657.
The closest “L” stop is the Brown Line at Wellington Ave. Then walk 4 blocks WEST to Southport. Turn LEFT on Southport and go to 2936 N. Southport. The best bus to take is CTA Bus #9. For bus and train schedules, contact the CTA at (312) 836-7000.

There is plenty of free, unrestricted street parking in the area around the theatre west of Southport. Additionally, there is a $2/hour parking lot behind the theatre, which is shared with St. Alphonsus Catholic Church, enter this parking lot on Oakdale St. There is a second parking lot on the corner of Southport Ave. and Oakdale St, enter this parking lot on Southport Ave.

THE PEOPLE
Tim Crouch (Playwright)​ is a UK theatre artist based in Brighton. He writes plays, performs inthem and takes responsibility for their production. He started  to make his own work in 2003. Before then he was an actor. His plays include My Arm, An Oak Tree, ENGLAND, and The Author. His work has been seen at the Royal Court Theatre, the Traverse Theatre in Edinburgh, the
British Council, Brighton Festival, Singapore Arts Festival, Culturgest in Lisbon, Warwick Arts Centre, the Royal Shakespeare Company and the National Theatre. Tim’s work tours extensively to UK and international venues and festivals. timcrouchtheatre.co.uk

Jeremy Aluma (Director)​ is an award-winning, Jewish-American theatre director of Iraqi descent. He founded the internationally touring clown troupe, Four Clowns and served as Artistic Director during their first seven years. Directing credits include: Abraham & Isaac (MuBe Cultural Theatre, São Paulo, Brazil); Pinocchio and Robin Hood (South Coast Repertory, CA);
Sublimity (Theatre Row, NYC); The Elaborate Entrance of Chad Deity (Red Theater, Chicago); Crumble, Lay Me Down Justin Timberlake (Sacred Fools, LA); The Last Days of Judas Iscariot (Urban Theatre Movement, LA); Henry’s Potato (REDCAT, LA); In Arabia We’d All Be Kings (Alive Theatre, Long Beach); Jonah (Annenberg, Santa Monica) and Hamlet (American Coast Theater, CA). His original show, Four Clowns toured nationally to La MaMa (NYC); Chopin
Theatre (Chicago); Gremlin Theatre (St. Paul, MN); Exit Theatre (San Francisco); Space 55 (Phoenix, AZ); and Insurgo Theater Movement (Las Vegas). He is the recipient of the City of Los Angeles Department of Cultural Affairs, Cultural Exchange International Grant, the City of Santa Monica, Annenberg Community Beach House Residency, and the Long Beach Arts
Council Community Project Grant. Aluma is a company member at Red Theater and member of the Stage Directors and Choreographers Union (SDC). He continues to teach and take classes at The Clown School and is currently pursuing his MFA in Directing at The Theatre School at DePaul University. Upcoming: A Dybbuk or Between Two Worlds by S. Anksy adapted by Tony
Kushner, February 2019. Jeremyaluma.com

Gage Wallace (HYPNOTIST)​ is a Founding and Company Member with Red Theater Chicago. He is also an Ensemble Member with Strawdog Theatre Company. Recent Chicago Credits include: Taste (Jeff Award – Principal Actor), Year of the Rooster, Dylan, and Red Hamlet (Red Theater Chicago); Pillars of the Community, Cymbeline (Strawdog Theatre); You Can't Take It with You (Oak Park Festival Theatre); The White Road (Jeff Award Nomination – Ensemble), In a Little World of Our Own (Irish Theatre of Chicago); Ghosts (Mary Arrchie Theatre Co.). Gage is represented by the incredible people at Shirley Hamilton Talent. www.gagewallace.com

The FIRST ACTOR or HYPNOTIST is being played by Gage Wallace. We will announce the actors playing the SECOND ACTOR on the Tuesday prior to each upcoming weekend performances.

The artistic team includes Alex Casillas (Scenic & Prop Design), Hailey Rakowiecki (Costume Design), John Nichols (Sound Design), Abby Beggs (Lighting Design), Aaron Sawyer (Producer) and Marisa Lehrman (Producer).

ABOUT RED THEATER CHICAGO
Red Theater Chicago, now in its 7th Season, is committed to honoring all audiences by asking
dangerous questions through accessible performances that broaden perspectives and inspire
dialogue.

Thursday, March 8, 2018

OPENING: Midwest Premiere! of HOT PINK, OR READY TO BLOW Via New American Folk Theatre Through 4/7/18 at The Den

Chi, IL LIVE Shows On Our Radar: 

Midwest Premiere!
New American Folk Theatre Announces
HOT PINK, OR READY TO BLOW
By Johnny Drago 
Directed by Derek Van Barham
March 10 – April 7, 2018 at The Den Theatre

It’s Pompeii meets Heathers as New American Folk Theatre presents the Midwest premiere of Johnny Drago’s 1980s-infused comedy HOT PINK, OR READY TO BLOW, directed by Derek Van Barham, playing March 10 – April 7, 2018 at The Den Theatre (2A), 1333 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood. 



Running time: 90 minutes, no intermission.

I'll be out for the press opening on 3/12, reviewing for ChiIL Live Shows. Check back soon for my full review.

Tickets on sale at newamericanfolktheatre.org or by calling (773) 697- 3830. The press opening is Monday, March 12 at 7:30 pm.

HOT PINK, OR READY TO BLOW will feature New American Folk Theatre Company Members Charlie Irving*, Caitlin Jackson*, Kirk Jackson* and Anthony Whitaker* with Brittney Brown, Tommy Bullington, Janyce Caraballo, Elise Marie Davis, Will Kazda and Josh Kemper.

When New Pompeii’s annual sacrifice fails to satisfy the local volcano’s appetite for virgins, three totally ‘80s teenage girls concoct a brilliant plan to save themselves. This fearless twist on the classic, horny high school comedy incinerates double standards, as our heroines take control of their destiny by following one simple rule: get laid or die trying!

The production team for HOT PINK, OR READY TO BLOW includes: Roger Wykes (scenic design), Kate Setzer Kamphausen (costume design), G. "Max" Maxin IV (lighting design), Kallie Rolison (sound design) and Keith Ryan (wig design).



Cast (in alphabetical order): Brittney Brown (Tatanya), Tommy Bullington (Lenny, Mr. Kowalczyk), Janyce Caraballo (Brichelle), Elise Marie Davis (News Reporter, Coach Dykeman, Tour Guide), Charlie Irving* (Cadence), Caitlin Jackson* (Bangs), Kirk Jackson* (Duff McStraddlin), Will Kazda (Brace Face, Bruce), Josh Kemper (Mayor, Chadwick Throbhard) and Anthony Whitaker* (Mother).
Understudies: Don Baiocchi, Jean Burr, Grant Drager* and Kendra Verhage

Location: The Den Theatre (2A), 1333 N. Milwaukee Ave., Chicago 
Dates: Previews: Saturday, March 10 at 7:30 pm and Sunday, March 11 at 6 pm
Press performance: Monday, March 12 at 7:30 pm
Regular run: Thursday, March 15 – Saturday, April 7, 2018
Curtain Times: Thursdays, Fridays & Saturdays at 7:30 pm; Sundays at 6 pm. 
Tickets: Previews: $10. Regular run: $25. Tickets go on sale Wednesday, February 14 at newamericanfolktheatre.org or by calling (773) 697- 3830

* Denotes New American Folk Theatre Company Members

About the Artists
Johnny Drago (Playwright) is a queer, Brooklyn-based Southern playwright and performer, who makes comedies and tragedies about sex, death and the occult – all his favorite social taboos! He's a narrative structure junkie with genre fiction on the brain, but has begun exploring ideas of autobiography, intimacy and more relaxed modes of storytelling in his plays. His work has been produced and/or developed by Actors Theatre of Louisville, The Lark, Pig Iron Theatre Company, the HOT! Festival at Dixon Place, The Barter Theatre, New American Folk Theatre, 7 Stages, The Weird Sisters Theatre Project, The Process Theatre Co. and Actor's Express. As Dismantle Theater (with contemporary choreographer Erik Thurmond), Drago also makes experimental performance essays that tiptoe along the line between theatre and dance. His MFA is from Indiana University.

Derek Van Barham (Director) is the Associate Artistic Director of Pride Films & Plays, a member of the Red Tape Theatre ensemble and a former Artistic Director of The Ruckus. For PFP, he has directed Perfect Arrangement, Angry Fags (Steppenwolf Garage Repertory), Songs from an Unmade Bed (Jeff nomination: Best Director of a Musical or Revue) and PRISCILLA, Queen of the Desert: The Musical. He also wrote, directed and choreographed BITE: A Pucking Queer Cabaret and Kill Your Boyfriends. Other directing credits include Three Days of Rain (Boho), Miracle! by Dan Savage and Skooby Don't (Hell in a Handbag) Trash and Deep in the Heart of Tuna (New American Folk Theatre) and From These Fatal Loins (The Ruckus). He was recently named one of Windy City Times “30 Under 30,” recognizing individuals from Chicago's LGBTQ+ community. MFA: Chicago College of Performing Arts at Roosevelt University.


 About New American Folk Theatre
New American Folk Theatre is dedicated to folk theatre, music, education, and stories that shine a new light on the American tale. We strive to educate the public on works worthy of inclusion to the American theatrical canon. Using the resources around us, we create art that often dives into a mix of magical realism, southern gothic, pop culture, and the irreverent. We produce impactful theatre and artistic projects that help us learn and grow as a society. For additional information, visit www.newamericanfolktheatre.org.

Saturday, March 3, 2018

SAVE THE DATES: RIVENDELL THEATRE ENSEMBLE CONTINUES 2018 SEASON “THE RECKONING”

Chi, IL LIVE Shows On Our Radar:


Including the Midwest Premiere of
The Cake by Bekah Brunstetter
and the World Premiere of The Scientific Method by Jenny Connell Davis




Rivendell Theatre Ensemble 2018 Season, “The Reckoning” continues. The season includes three plays about women who come face to face with an essential truth that threatens to shatter the things they love most. The 2018 Season will be performed at Rivendell Theatre Ensemble, 5779 N. Ridge Avenue in Chicago.

The 2018 Season kicked off with the Midwest premiere of William Francis Hoffman’s Cal in Camo, directed by RTE ensemble member Hallie Gordon and featuring RTE members Ashley Neal, Keith Kupferer and Eric Slater. The season continues with the Midwest premiere of The Cake by Bekah Brunstetter, directed by Lauren Shouse, and featuring RTE Founders Keith Kupferer and Tara Mallen. The season concludes with the world premiere of The Scientific Method by Jenny Connell Davis and directed by Jessica Holt. 



What happens when a deeply held belief is revealed as a lie we've told ourselves? How do we change in the face of such revelations? Rivendell’s 2018 Season explores that moment of reckoning—the collision between the outer world and the core self—with three plays about women who come face to face with an essential truth that threatens to shatter the things they love most.

"Rivendell was born out of a specific need: women are vastly underrepresented in American theatre, a situation which limits the range of stories and perspectives available to audiences. We counteract these circumstances by serving as advocate, ally, and artistic home for women theatre artists and by offering our audiences a fuller and more realistic representation of the American experience, and this season is no exception,” comments Artistic Director Tara Mallen. “I am delighted to introduce these fresh new voices to Chicago audiences as we present a slate of relevant and timely new work centered on three women at wildly different moments in their lives--each colliding with a deep-seated personal bias they didn't even know they held." 

The Rivendell 2018 Season continues as follows:


  
The Midwest Premiere of
The Cake
Written by Bekah Brunstetter
Directed by Lauren Shouse
Featuring RTE Founders Keith Kupferer and Tara Mallen
April 11 - May 20, 2018

Jen lives in New York but has always dreamed of getting married in her small North Carolina hometown, so she heads down south with her partner to ask Della, her late mother's best friend, to do the honors of making the wedding cake at her bakery. Della's cakes are legendary,­ even earning her a spot as a contestant on the "Great American Baking Show." She is overjoyed at Jen's request­ until she realizes there's not just one bride, but two, forcing her to re-examine some of her deeply-held beliefs, as well as her own marriage. Faith, family and frosting collide in this touching and timely new play.

Bekah Brunstetter (Playwright) hails from Winston-Salem, North Carolina and currently lives in Los Angeles. Her plays include The Cake (Ojai Playwrights Conference), Going to a Place where you already are (South Coast Repertory), The Oregon Trail (Portland Center Stage Fall 2016, O'Neill Playwrights Conference; Flying V) Cutie and Bear (Roundabout commission), A Long and Happy Life (Naked Angels commission), Be A Good Little Widow (Ars Nova, Collaboraction, The Old Globe), Oohrah! (Atlantic Theater, Steppenwolf Garage, Finborough Theater/London), Nothing is the end of the World (except for the end of the world) (Waterwell Productions), House of Home (Williamstown Theater Festival) and Miss Lilly Gets Boned (Ice Factory Festival). She is an alumna of the CTG Writers Group, Primary Stages Writers Group, Ars Nova Play Group, The Playwright's Realm, and the Women's Project Lab. She is currently a member of the Echo Theater¹s Playwright's Group. She has previously written for MTV (Underemployed; I Just Want My Pants Back,) ABC Family's Switched at Birth and Starz's American Gods. She is currently a Co-Producer on NBC's This Is Us. She received her B.A. from UNC Chapel Hill and her M.F.A. in Dramatic Writing from the New School for Drama.

Lauren Shouse (Director) is a director, dramaturg and teacher. She is currently the Artistic Associate and Literary Manager at Chicago's Northlight Theatre. Her recent directing credits include: The Legend of Georgia McBride at Northlight Theatre, Nice Girl and Betrayal at Raven Theatre, Rapture, Blister, Burn, Superior Donuts, and A Christmas Story at Nashville Repertory Theatre, the world premiere of Long Way Down with 3Ps productions (nominated for American Theatre Critics Association Steinberg New Play Award 2011); the world premiere of Religion and Rubber Ducks with Ovvio Arte; Parallel Lives, The 25th Annual Putnam County Spelling Bee, The Last Five Years and Chess in Concert with Street Theatre Company; the world premiere of Rear Widow at Chaffin's Barn Theatre, and Sylvia Plath’s 3 Women. As Artistic Associate at Nashville Rep, Lauren directed the Ingram New Works Play Lab and Festival, which developed new works by John Patrick Shanley, David Auburn, Steven Dietz and Victoria Stewart. Lauren also co-founded Ten Minute Playhouse, a company that produces short plays by local playwrights. Before moving to Nashville, Lauren lived in London, UK and worked with Producer/Director Hugh Wooldridge. Her work abroad includes: Production Executive for The Night of 1000 Voices (celebrating John Kander and Fred Ebb and starring Joel Grey with Avenue Q) at The Royal Albert Hall; Production Executive of An Evening with Michael Parkinson at The Theatre Royal - Windsor, Children's Director/Assistant to the Director of A Gift of Music, and Assistant Director of The Night of 1000 Voices at The Odyssey Arena in Belfast, Ireland. Lauren holds an MA in Performance Studies from the University of North Carolina – Chapel Hill where she adapted and directed The Time Traveler’s Wife. She received her MFA in theatre directing at Northwestern University where she directed Stop Kiss, Eurydice and In the Next Room or the Vibrator Play. In Chicago, Lauren has also worked with Steppenwolf Theatre, Goodman Theatre, Lookingglass Theatre, Rivendell Theatre, Sideshow Theatre, The Gift Theatre, Chicago Dramatists, and Stage Left Theatre.

The Cake was originally produced by The Echo Theater Company, Los Angeles, California; Chris Fields, Artistic Director and Jesse Cannady, Producing Director. The Cake received a developmental reading at The Alley Theatre, Gregory Boyd, Artistic Director and Dean R. Gladden, Managing Director. The Cake was developed at The Ojai Playwrights Conference, Robert Egan, Artistic Director/Producer




The World Premiere of
The Scientific Method
Written by Jenny Connell Davis
Directed by Jessica Holt
Cast TBD
October 18 – December 2, 2018 

Amy's on the cutting edge of a major scientific breakthrough...and on the brink of a nervous breakdown. When a handsome young grad student upsets the balance in one of the country's top research labs, he throws everything Amy thought she knew about science—and herself—.into question. A serio-comedy about work, life, and scientific progress.

Jenny Connell Davis (Playwright) has had her work developed and/or produced with The Eugene O'Neill National Playwrights Conference, The Playwrights Center, Icicle Creek, ACT (Seattle), American Theater Company (Chicago), SPACE at Ryder Farm, Ars Nova, NAATCO, Theater MITU, Articulate Theatre, New York Stage and Film, Shrewd Productions, Scriptworks, and The Gift Theatre, among others. She has been a finalist or semi-finalist for the Heideman, PlayPenn, Seven Devils, BAPF, the Nicholl Fellowship and the O'Neill. Jenny's short film, Fatakra, with writer/director Soham Mehta, played at over 75 festivals worldwide, including Toronto and SXSW, and was recognized with more than a dozen audience awards and jury prizes, including the Student Academy Award. She currently has screenplays in development with Maven Pictures and Co-op Entertainment. Jenny is an Affiliated Artist with The Playwrights' Center, and an alumna of Ars Nova Play Group, UT Austin's MFA Playwriting program, The School at Steppenwolf, the Court Theatre Resident Apprentice Program, and The University of Chicago.

Jessica Holt (Director) is a New York-based director. Recent projects include Speech and Debate by Stephen Karam at Barrington Stage Company (Boston Globe's Critics Pick), Rich Girl by Victoria Stewart at Florida Studio Theatre, Venus in Fur by David Ives at Virginia Stage Company, Ugly Lies the Bone by Lindsey Ferrentino at the Alliance Theater, Significant Other by Joshua Harmon at Actor’s Express, and the West Coast premiere of Bright Half Life by Tanya Barfield at Magic Theatre.  She also directed a multimedia, live immersive project with advertising agency BBDO and their pro bono client Street Grace to tell a powerfully impactful story that shined a light on the horrific realities of domestic minor sex trafficking. Jessica is currently a National Directing Fellow with the O'Neill/National New Plays Network, and is working with Rivendell in Chicago and Magic Theatre in San Francisco as part of her fellowship. She was the 2015-2016 Yale Directing Fellow at the Alliance Theatre in Atlanta, under the mentorship of Artistic Director Susan Booth. She developed new work by Bekah Brunstetter, Will Arbery, Mark Kendall, and Edith Freni. She has developed, produced and directed work at Ensemble Studio Theatre, Rivendell Theatre, Berkeley Rep's Ground Floor, Bay Area Playwrights Festival, Alliance Theatre, the American Academy of Dramatic Art in NYC, Theater Emory, Playwrights Center SF, Cutting Ball Theater, Berkeley Playhouse, Magic Theatre, New Conservatory Theater Center, and Piano Fight. Currently she is working with a number of playwrights and composers on exciting new projects including: Edith Freni's The Mystic, a time-travel comic drama about the 12th century mystic Hildegard von Bingen, Megan Cohen's Truest, a feminist absurdist fantasia of Sam Shepard's True West mashed with Thelma & Louise, and the new musical Danny and the Rocket by Marella Martin (Book/Lyrics) and Casey O'Neil (Music).  

This production is sponsored in part by Dan Cyganowski in memory of Carol K Cyganowski, scholar and theatre lover.

Subscription Packages
Subscription packages may be purchased at any time and include one ticket to the next three Rivendell mainstage productions. The Preview Pass is priced at $59 and the Performance Pass is $80. Benefits include: no-fee ticket exchange up to 48 hours prior to the performance, reserved seating, exclusive invites to Rivendell events, and a 10% discount for additional family and friends tickets purchased through the box office. Cal in Camo ticket purchase may be applied to the cost of a subscription. Please contact the box office.

Single Tickets
General Admission
Previews: $28
Regular Run: $38
Student, Senior, Active Military, Veteran
Preview: $18
Regular Run: $28

Pay What You Can: Five seats (10% of the house) are available for each performance. Reservations are made on a first come, first served basis.

Location: Rivendell Theatre Ensemble, 5779 N. Ridge Avenue in Chicago.

Box Office: (773) 334-7728 or www.RivendellTheatre.org

Parking and Transportation: Free parking is available in the Senn High School parking lot (located a block and a half from the theatre behind the school off Thorndale Avenue). There is limited paid and free street parking in the area and the theatre is easily accessible via the Clark (#22) or Broadway (#36) bus, and is a short walk from the Bryn Mawr Red Line El station.

About Rivendell Theatre Ensemble
Founded in 1994, Rivendell Theatre Ensemble advances women’s lives through the power of theatre. Rivendell cultivates the talents of women artists—writers, actors, directors, designers and technicians—
by seeking out innovative plays that explore unique female experiences and producing them in intimate, salon environments.

Rivendell fills an important role in the Chicago region as the only Equity theatre dedicated to producing artistically challenging and original plays created by and about women. After years of being an itinerant company, RTE moved into its own theater space in 2010 in Edgewater. As new members of the neighborhood, the company is focused on becoming an integral community partner and serving as a catalyst to engage audiences in a discussion of local social issues.

For more information about Rivendell Theater Ensemble, visit http://rivendelltheatre.org. Follow RTE on Facebook at Facebook.com/rivendelltheatre and on Twitter @RivendellThtr.

Rivendell Theatre Ensemble is supported by generous grants from: The Lester and Hope Abelson Fund; The Alphawood Foundation; Paul M. Angell Family Foundation; The Arts Work Fund for Organizational Development; The Chicago Community Trust; The Chicago Foundation for Women; The Elizabeth F. Cheney Foundation; The Gaylord and Dorothy Donnelley Foundation; The MacArthur Funds for Arts and Culture at The Richard H. Driehaus Foundation; The Reva and David Logan Foundation; The Jenny and Alexander Luria Foundation; The Elizabeth Morse Charitable Trust; SIF Fund at The Chicago Community Trust; Cultural Outreach Program Grant from the City of Chicago Department of Cultural Affairs & Special Events; and the Illinois Arts Council Agency.

Tuesday, February 20, 2018

OPENING: Midwest Premiere of TIME IS ON OUR SIDE Via About Face Theatre at Theater Wit

About Face Theatre Presents the Midwest Premiere of
TIME IS ON OUR SIDE
By R. Eric Thomas
Directed by Artistic Director Megan Carney
March 1 – April 7, 2018 at Theater Wit



Following its sell-out hit Significant Other, About Face Theatre is pleased to continue its 2017-18 season with the Midwest premiere of R. Eric Thomas’ gleeful mystery TIME IS ON OUR SIDE, directed by Artistic Director Megan Carney, playing March 1 – April 7, 2018 at Theater Wit, 1229 W. Belmont Ave. in Chicago. Tickets are currently available at aboutfacetheatre.com by calling (773) 975-8150 or in person at the Theater Wit Box Office. 


I'll be out for the press opening March 7th, so check back soon for my full review.

(left to right) Maggie Scrantom and Rashaad Hall in a publicity image for About Face Theatre’s Midwest premiere of TIME IS ON OUR SIDE. Photo by Anna Gelman.

TIME IS ON OUR SIDE features Esteban Andres Cruz, Rashaad Hall, Riley Mondragon and Maggie Scrantom.

Besties Annie and Curtis struggle to produce a podcast that “queers history” until the discovery of a mysterious family journal launches them into a high stakes and hilarious investigation of the early LGBTQ rights movement. Hopping from the Underground Railroad to Rosa Parks, from the AIDS Quilt to Celebrity Jeopardy, the political gets personal.

“This is a hilarious and deeply personal story,” comments Director Megan Carney. “It brings together rich characters of different generations who share a longing to connect, which makes it such a perfect play for us at About Face Theatre. The play weaves a range of stories in which younger folks uncover their roots and elders pass on what they know. All together, a powerful story emerges revealing acts of resistance and queer magic through the decades.” 

The production team for TIME IS ON OUR SIDE includes José Manuel Diaz (scenic design), Robert Kuhn (costume design), Christopher Kriz (sound design), Claire Sangster (lighting design) Blake Burke (properties design) Catherine Allen (production manager) and Dana Nestrick (stage manager).

Dates: 
Previews: Thursday, March 1 at 7:30 pm, Friday, March 2 at 7:30 pm, Saturday, March 2 at 7:30 pm, Sunday, March 4 at 3 pm and Tuesday, March 6 at 7:30 pm

Regular run: Thursday, March 8 – Saturday, April 7, 2018
Curtain Times: Wednesdays, Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. Please note: there will not be a performance on Friday, March 9.

Tickets: Previews: $15. Regular run: $20-$38. Discounts available for groups of 10 or more. Tickets are currently available at aboutfacetheatre.com, by calling (773) 975-8150 or in person at Theater Wit Box Office.



Artist Biographies
R. Eric Thomas (Playwright) is an award-winning playwright, humorist and the long-running host of The Moth in Philadelphia. His play Time is on Our Side was the recipient of two Barrymore Awards including Best New Play and was named a finalist for the Harold and Mimi Steinberg American Theatre Critics Association New Play Award. Forthcoming productions include Mrs. Harrison at Azuka Theatre. He writes a daily humor column for Elle.com in which he “reads” the news. In addition to Elle.com and ELLE magazine, his writing has appeared in the New York Times, W Magazine, Man Repeller, Philadelphia Inquirer, Philadelphia Magazine and more. www.rericthomas.com

Megan Carney (Director) is a director, playwright, educator and the Artistic Director of About Face Theatre. Recent Chicago directing credits include Julie Jenson’s Winter, George Brandt’s Grizzly Mama, Danielle Pinnock’s Body/Courage and Lisa Dillman’s American Wee Pie and The Walls with Rivendell Theatre Ensemble. She was lead interviewer and playwright for Women at War, a multi-year performance and civic dialogue project about women in the military that continues to tour. Megan was a founding director of About Face Youth Theatre and served as Associate Artistic Director for several years while she created original ensemble plays. Carney’s work has been recognized with multiple After Dark Awards, the GLSEN Pathfinder Award, an APA Presidential Citation, induction in Chicago’s Gay and Lesbian Hall of Fame, a Rockefeller Foundation MAP Grant and a GLAAD Media Award nomination. Megan served as the Director of the Gender and Sexuality Center at the University of Illinois at Chicago from 2011-2017 where she created arts based educational programs for and about diverse LGBTQIA+ people and communities. She has a MFA in Theatre Arts from Virginia Tech with a focus on Directing and Public Dialogue.



About Face Theatre creates exceptional, innovative, and adventurous theatre and educational programming that advances the national dialogue on sexual and gender identity, and challenges and entertains audiences in Chicago and beyond.

Wednesday, October 4, 2017

Midwest Premiere of FOXFINDER Via Interrobang Theatre Project At The Athenaeum Theatre Through 11/5

Chi, IL LIVE Shows On Our Radar:

Midwest Premiere!
Interrobang Theatre Project Presents
FOXFINDER
By Dawn King
Directed by Margaret Knapp
September 28 – November 5, 2017 at The Athenaeum Theatre


(left to right) Jack Olin, Alexandra Fisher and David Anthony Marshall in Interrobang Theatre Project's Midwest premiere of FOXFINDER. Photo by Emily Schwartz.

Interrobang Theatre Project launches its 2017-18 Season, exploring the urgent question “What is Truth?,” with the Midwest premiere of Dawn King's darkly comic and politically relevant British drama FOXFINDER, directed by Literary Manager Margaret Knapp. FOXFINDER will play September 28 – November 5, 2017 at The Athenaeum Theatre (Studio 2), 2936 N. Southport Ave. in Chicago. Tickets are currently available at www.interrobangtheatre.org, by calling (773) 935-6875 or in person at The Athenaeum Theatre Box Office. 

FOXFINDER features Alexandra Fisher, David Anthony Marshall, Jack Olin and Alanna Rogers.

In the not so distant future, the economy is failing, food is scarce and paranoia is in the air. Samuel and Judith Covey live in rural England, maintaining their government-controlled farm – in constant fear of losing it all. After an anonymous tip, William Bloor, a "Foxfinder," arrives to investigate a suspected contamination, threatening to uncover secrets of desire and regret that will change all of their lives forever. 

Comments Director Margaret Knapp, "Although it flirts with thematic elements like the examination of a police state in today's society, the effects of global warming, and religious zealotism, at it's core Foxfinder is about the battle against the forces of nature, both external and internal, and how when these forces threaten to overwhelm us, we look for someone, or something, to blame."

The production team for FOXFINDER includes: Eric Luchen (scenic design), Melissa Perkins (costume design), John Kelly (lighting design), Jesse Case (sound design), Pauline Oleksy (properties design) Georgette Verdin* (asst. director), Claire Yearman* (fight choreographer), Lindsay Bartlett (dialect coach) and Victoria Bustoz (stage manager).

*Denotes Interrobang Theatre Project Company Member. 



(left to right) Jack Olin, David Anthony Marshall and Alexandra Fisher 
Photo by Emily Schwartz.


Location: The Athenaeum Theatre (Studio 2), 2936 N. Southport Ave., Chicago

Regular run: Thursday, October 5 – Sunday, November 5, 2017
Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 2 pm. 

Tickets: Previews: September 28: pay-what-you can, October 1: $17. Regular run: $32; Students $17 (with ID), Seniors $17. (Ticket prices include $2 Athenaeum Theatre restoration fee). 



Tickets are currently available at www.interrobangtheatre.org, by calling (773) 935-6875 or in person at The Athenaeum Theatre Box Office.

About the Creative Team

Dawn King (Playwright) is an award-winning writer working in theatre, film, TV and radio. Currently, Dawn is working on two plays; The Light and Salt, which is a commission from the National Theatre and will be performed by youth theatre groups around the country in 2018. She is also adapting her stage play Ciphers into a screenplay for Cowboy Films. Ciphers made the Brit List of the best ‘yet to shoot’ screenplays as selected by the UK film industry in 2016. Dawn is also redrafting the blacklisted screenplay Randle is Benign for Echo Lake Productions in the U.S. Dawn’s previous work for the stage includes; an adaptation of Aldous Huxley’s novel Brave New World, a co-production between the Royal and Derngate, Northampton and the Touring Consortium which toured the UK in 2014; Ciphers, a co-production between Out of Joint, Exeter Nothcott and The Bush Theatre which toured the UK in 2013/2014; and Foxfinder, produced by Papatango Theatre Company at The Finborough in 2011. Foxfinder won the Royal National Theatre Foundation Playwright Award 2013, the Papatango New Writing Competition 2011 and Most Promising Playwright, Off West End awards 2012. Dawn’s short film The Kármán Line won 17 awards including the BIFA for Best Short and was BAFTA nominated in 2014.

Margaret Knapp (Director) is new to the Interrobang Theatre Project family and is happy to be working as the Literary Manager for the company, as well as directing her first ITP production. A proud Equity actor since 1992, Margaret has acted at various theaters in the Midwest such as the Apollo here in Chicago, Drury Lane-Oakbrook, The Unicorn Theater and Kansas City Rep in Kansas City, MO and The Human Race Theater in Dayton, OH. Her directing credits include: Uncle Vanya, Honey Brown Eyes, The Intelligent Design of Jenny Chow, Rhinoceros, Museum by Tina Howe and The Eight: Reindeer Monologues starring TV and film actor Richard Kind. A graduate of UW-Madison (BA in Communications) and UMKC (MFA in Acting/Directing), Margaret also teaches Speech, Acting and Comparative Literature at various colleges in Illinois.



(left to right) Jack Olin and Alexandra Fisher in Interrobang Theatre Project's Midwest premiere of FOXFINDER. Photo by Emily Schwartz.



About Interrobang Theatre Project

Now in its eighth season, Interrobang Theatre Project, under the artistic leadership of Georgette Verdin and James Yost, has been hailed by the Chicago Tribune as a “company to watch” and by Time Out Chicago as “one of Chicago’s most promising young theatre companies.” Season seven earned seven non-Equity Jeff Nominations, including Best Director, Production of a Play, Solo Performance and acting nominations for Lead Actor, Actress and Actor in a Supporting Role. Productions have included the world premiere of Calamity West’s Ibsen is Dead (Jeff Recommended), and the Jeff Recommended The Pitchfork Disney, Orange Flower Water, Recent Tragic Events, The Amish Project, The North Pool, and Falling. Director James Yost’s critically-acclaimed Really Really was one of six shows chosen for Chicago Tribune’s list "Best of 2015 in Chicago Fringe Theater.”

What’s an interrobang?
An interrobang is the combination of a question mark and an exclamation point, joining the Latin for “question” (interro) with a proofreading term for “exclamation” (bang). Through the plays we produce, Interrobang Theatre Project aims to pose worthwhile and exciting questions which challenge our understanding and assumptions of who we are and the world in which we live. 

For more information, please visit www.interrobangtheatreproject.org.

Monday, October 2, 2017

OPENING: About Face Theatre and Theater Wit Present The Midwest Premiere of SIGNIFICANT OTHER 11/3-12/9

Chi, IL LIVE Shows On Our Radar:

Midwest Premiere!
About Face Theatre and Theater Wit Present
SIGNIFICANT OTHER
By Joshua Harmon
Directed by AFT Artistic Associate Keira Fromm

November 3 – December 9, 2017 at Theater Wit

The cast of About Face Theatre and Theater Wit’s Chicago premiere of SIGNIFICANT OTHER (top, l to r) AFT Artistic Associates Benjamin Sprunger and Alex Weisman with Ninos Baba (bottom, l to r) Amanda Drinkall, Tiffany Oglesby, Cassidy Slaughter-Mason and Ann Whitney.

Here at ChiIL Live Shows, we can't wait to catch Significant Other. It's the last chance for Chicago audiences to see Alex Weisman as a local, albeit playing a New Yorker, before he actually heads out to New York and dons Hogwarts Robes for his new gig on Broadway! We also enjoyed playwright Joshua Harmon's acclaimed comedy, Bad Jews, and caught it several times, so we're interested to see more of his work hit the Theater Wit stage. Save the dates and get your tickets early. Previews start November 3rd. 

About Face Theatre and Theater Wit are pleased to present the Midwest premiere of the romantic comedy SIGNIFICANT OTHER by Joshua Harmon, playwright of the hit comedy Bad Jews. Directed by AFT Artistic Associate Keira Fromm, SIGNIFICANT OTHER will play November 3 – December 9, 2017 at Theater Wit, 1229 W. Belmont Ave. in Chicago. Tickets are currently on sale at aboutfacetheatre.com or theaterwit.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office. 

SIGNIFICANT OTHER will feature AFT Artistic Associates Benjamin Sprunger and Alex Weisman with Ninos Baba, Amanda Drinkall, Tiffany Oglesby, Cassidy Slaughter-Mason and Ann Whitney.

Jordan Berman is a single gay man in New York City. Mr. Right is nowhere on his horizons. As he's nearing his 30s, his close group of girlfriends begin getting married en masse. What happens when you feel like life is leaving you behind but you're still expected to be at the forefront cheering on your friends on their perfect wedding day? Significant Other is a bittersweet comedy about friendship, single-hood and hoping you're not the one choking on car exhaust as the "Just Married" sign disappears from view. 

In 2015, Joshua Harmon's play Bad Jews hit Theater Wit and performed to capacity crowds for eight months. A breakaway playwright of his generation, Harmon's work offered a unique and searingly funny look at a new generation of American Jews. Now, with Significant Other he turns his compassion and considerable wit to marriage.

"This feels like the perfect moment to be bringing Significant Other to the stage," comments Director Keira Fromm. "On the surface, Significant Other is a very funny play about single-hood and friendship. On a deeper level, our protagonist, Jordan, is enduring an existential crisis. On the brink of turning 30 and recognizing that being gay today no longer means you're immune to expectations of marriage, Jordan is failing at the task of finding his soulmate. He begins to feel that life is passing him by and finding his way in the world starts to feel like a gargantuan undertaking. In our increasingly alienating world, I find that quest intensely moving and relatable.” 

"I am very excited to join About Face Theatre in presenting the Midwest premiere of Joshua Harmon’s newest work,” comments Theater Wit Artistic Director Jeremy Wechsler. “I think Josh is a remarkably original writer with a gift for showing us the utterly real and utterly unexpected. His plays are always about deeply human characters with a writerly perspective we've not seen previously dramatized, and Significant Other is no exception. Bad Jews was a legitimate theatrical event of 2015 – and Significant Other promises, in its writing and casting, to be another for 2017."

The production team for SIGNIFICANT OTHER includes Jeff Kmiec (scenic design), Noël Huntzinger (costume design), John Kelly (lighting design), Christopher Kriz (sound design), Pauline Oleksy (props design), Catherine Allen (production manager) and Helen Lattyak (stage manager).

Location: Theater Wit, 1229 W. Belmont Ave., Chicago
Dates: Previews: Friday, November 3 at 7:30 pm, Saturday, November 4 at 7:30 pm, Sunday, November 5 at 7 pm and Tuesday, November 7 at 7 pm.
Press opening: Wednesday, November at 8 at 7 pm
Regular run: Friday, November 10 – Saturday, December 9, 2017
Curtain Times: Wednesdays, Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. Please note: there will not be a performance on Thursday, November 9 or Thursday, November 23 (Thanksgiving); there are added performances on Wednesday, November 15 at 7:30 pm, Sunday, Saturday, November 25 at 3 pm and Sunday, November 26 at 7 pm and Saturday, December 9 at 3 pm.

Tickets: Previews: $15. Regular run: $20-$38. Discounts available for groups of 10 or more. Tickets are currently on sale at aboutfacetheatre.com or theaterwit.org, by calling (773) 975-8150 or in person at Theater Wit Box Office.

Artist Biographies
Joshua Harmon’s (Playwright) play Bad Jews received its world premiere at Roundabout Underground and was the first production to transfer to the Roundabout's Laura Pels Theatre (Outer Critics Circle and Lucille Lortel Award nominations, Best Play). It became the third most-produced play in the U.S. during the 2014-15 season and transferred to London’s West End after sell-out runs at Theatre Royal Bath and the St. James Theatre. His newest play, Significant Other, opened at Roundabout this summer. His work has been produced and developed by Manhattan Theatre Club, Williamstown Theatre Festival, Hangar Theatre, Ars Nova, and Actor's Express, where he was the 2010-2011 National New Play Network Playwright-in-Residence. He has received fellowships from MacDowell, Atlantic Center for the Arts, SPACE at Ryder Farm, and the Eudora Welty Foundation. Joshua is a recent graduate of Juilliard and at work on commissions for Roundabout Theatre Company and Lincoln Center Theater.

Keira Fromm (Director) is a Jeff Award nominated director, a casting director and a teacher based out of Chicago. Favorite recent directing credits include: Bright Half Life (About Face Theatre), A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan-Kettering Cancer Hospital of New York City (Route 66 Theatre Company) The Columnist (American Blues Theater), How the World Began (Rivendell Theatre Ensemble), A Kid Like Jake (About Face Theatre), Luce (Next Theatre), Charles Ives Take Me Home (Strawdog), The How and the Why (TimeLine Theatre), Broadsword (Gift Theatre) and Fallow (Steep Theatre). Keira is a proud Artistic Associate with About Face Theatre. She received her MFA from DePaul University and her BFA from Boston University. She is a member of SDC, as well as the Lincoln Center Theater Directors Lab. Keira is a frequent guest director at DePaul, as well as Roosevelt University. 

SIGNIFICANT OTHER was developed during a residency the Eugene O’Neill Theater Center's National Playwrights Conference in 2013. Preston Whiteway, Executive Director; Wendy C. Goldberg, Artistic Director.

About The Theatres 
About Face Theatre creates exceptional, innovative, and adventurous theatre and educational programming that advances the national dialogue on sexual and gender identity, and challenges and entertains audiences in Chicago and beyond.

Theater Wit, Chicago’s “smart art” theater, is a major hub of the Chicago neighborhood theater scene, where audiences enjoy a smorgasbord of excellent productions in three, 99-seat spaces, see a parade of talented artists and mingle with audiences from all over Chicago. 

“A thrilling addition to Chicago’s roster of theaters” (Chicago Tribune) and “a terrific place to see a show” (New City), Theater Wit is now in its seventh season at its home at 1229 N. Belmont, in the heart of the new Belmont Theatre District in Chicago’s Lakeview neighborhood. The company’s most recent hits include 10 Out of 12 and Mr. Burns, a post-electric play by Anne Washburn, Naperville by Mat Smart, The New Sincerity by Alena Smith, Bad Jews by Joshua Harmon, The (curious case of the) Watson Intelligence and Seven Homeless Mammoths Wander New England by Madeleine George, and Completeness and The Four of Us by Itamar Moses. 

In 2014, Theater Wit was awarded the National Theatre Award by the American Theatre Wing for strengthening the quality, diversity and dynamism of American theater. Theater Wit also brings together Chicago’s best storefront companies at its Lakeview home, including 2017-18 resident companies About Face, Kokandy Productions and Shattered Globe. 

Wednesday, July 19, 2017

SAVE THE DATES: THE GIFT THEATRE ANNOUNCES 2018 SEASON

Chi, IL LIVE Shows On Our Radar:

THE GIFT THEATRE ANNOUNCES 
HAMLET, 
PREMIERES BY STACY AMMA OSEI-KUFFOUR
AND TONY AWARD-WINNING PLAYWRIGHT DAVID RABE FOR 2018 SEASON


PLUS ADDITION OF FIVE NEW ENSEMBLE MEMBERS

Artistic director and co-founder Michael Patrick Thornton proudly announces The Gift Theatre's 2018 season will include: Stacy Amma Osei-Kuffour’s world premiere of Hang Man, directed by ensemble member Erica Weiss (February 9–April 8); Shakespeare’s Hamlet, directed by Monty Cole (June 1–July 29); and the Midwest premiere of Tony Award-winning playwright and ensemble member David Rabe’s Cosmologies, directed by Thornton (October 12–December 9).

The Gift Theatre also announces the addition of five artists to their ensemble: Evan Michael Lee, Chika Ike, Martel Manning, Gregory Fenner, and Hannah Toriumi. The ensemble is composed of actors, directors, writers and improvisers. For 16 years, The Gift Theatre has earned and deepened its reputation as an ensemble dedicated to acting of the highest caliber and a welcome home for new plays.

“Who are we? From the individual level to the national, we are in the midst of a vital articulation of Identity,” Thornton said. “We believe theatre can help orient and navigate people through a life which often contains multitudes of pain and struggle. And yet, the resolve to continue to struggle can define us; giving us, even, perhaps, in the act, a kind of grace. The 2018 Season lives under the aesthetical canopy of Absurdism, wherein characters who struggle to find meaning in life nevertheless continue to pursue meaning. Today, we are also deeply honored and excited to announce an enrichment of our ensemble. Evan, Chika, Martel, Gregory, and Hannah are artists of virtuosic talents with whom we have collaborated over the years in joy and awe. In short, we love them. They have each played a defining role in The Gift’s history and now, as ensemble members, our future.”

The now 37-member ensemble also includes: Danny Ahlfeld, Maggie Andersen, Cyd Blakewell, Brittany Burch, Hillary Clemens Harbor, John Kelly Connolly, Paul D’Addario, Jenny Connell Davis, Brendan Donaldson, Will Eno, James D. Farruggio, Ed Flynn, Gabriel Franken, John Gawlik, Andrew Hinderaker, Marti Lyons, Alexandra Main, Laura Marks, Kenny Mihlfried, Benjamin Montague, Darci Nalepa, Keith Neagle, William Nedved, Lynda Newton, Sheldon Patinkin (in loving memory), Maureen Payne-Hahner, David Rabe, Mary Ann Thebus, Michael Patrick Thornton, Erica Weiss, Jay Worthington and Kyle Zornes.

As usual, The Gift's year begins in January with TEN (January 5-14), the theater's annual celebration of world premiere ten-minute pieces by The Gift and guests, sponsored by Revolution Brewing.

THE GIFT THEATRE’S 2018 SEASON:

February 9–April 8, 2018
HANG MAN (world premiere)
by Stacy Amma Osei-Kuffour, directed by ensemble member Erica Weiss
The community of a backwoods Southern town grapples with the murder of a Black man who is found hanging in a tree. As events unfold, the hanging mystifies the people of the community, forcing them to confront their complicity in this man’s horrific demise. Osei-Kuffour’s darkly comical, heartbreaking play, which recently made the prestigious 2017 Kilroy’s List, uses absurdity to explore racism, sexuality, and the parts of American history we would all like to forget.

June 1–July 29, 2018
HAMLET, by William Shakespeare, directed by Monty Cole
After the death of his dad, a young black man named Hamlet returns home to grieve and seek revenge. Fighting against the injustice of his father's murder and the powers that want him out of the picture, Hamlet quickly loses power and sanity. Directed by guest artist Monty Cole, The Gift's retelling of Shakespeare's great tragedy will crack open the mind of one of western drama's most fascinating and entertaining characters.

October 12–December 9, 2018
COSMOLOGIES (Midwest premiere)
by ensemble member David Rabe, directed by artistic director Michael Patrick Thornton
Put the whimsical humor of the Keystone Cops and Bugs Bunny into a particle collider with the philosophy of Soren Kierkegaard  and George Berkeley and you’re getting close to the style of this existential absurdist comedy from David Rabe. When a young man’s negotiation for a date goes very wrong, we are transported through kaleidoscopic worlds of possibilities, identities, and loves. 

The Gift Theatre’s Annual Gala will take place on December 1, 2017 at The Copernicus Center; 4802, the new play development engine of The Gift, will present works in progress August 24, 25, and 26 of 2018.  

About The Gift Theatre
The Gift’s 16th season consists of three world premieres and kicked off in February with Mona Mansour’s war-torn drama Unseen, directed by ensemble member Maureen Payne-Hahner, followed by Claire Kiechel’s Pilgrims, co-directed by ensemble member Michael Patrick Thornton and guest artist Jessica Thebus (June 2-July 30). The season closes with Janine Nabers’ time-hopping love story A Swell in the Ground, directed by guest artist Chika Ike (October 13-December 10). 

Season subscriptions are available for as little as $75. The Gift subscribers ("Gifters") receive admission to three shows, free parking at Gale Street Inn, free admission to all Wednesday night “Natural Gas” improv shows and invitations to special subscriber-only special events. Subscribe at http://thegifttheatre.org/ or call 773-283-7071.

Tuesday, March 14, 2017

OPENING: Midwest Premiere of By the Water at Northlight 3/16-4/23

Chi, IL LIVE Shows On Our Radar:

Northlight Theatre continues its 2016-17 season with
the Midwest Premiere of

By the Water

By Sharyn Rothstein Directed by Cody Estle
March 16 - April 23, 2017




Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, presents the Midwest Premiere of By the Water, written by Sharyn Rothstein and directed by Cody Estle.  By the Water runs March 16 – April 23, 2017 at Northlight Theatre, 9501 Skokie Blvd in Skokie.

Hurricane Sandy has just ravaged the lifelong home of Marty and Mary Murphy. But the storm has ripped apart more than just the walls: with their neighbors too devastated to stay, the couple’s beloved Staten Island community is in danger of disappearing forever. Determined to rebuild, Marty wages a campaign to save his neighborhood and his home, but when the Murphys’ sons arrive to help their parents dig out, past betrayals come rushing to the surface.

With fierce compassion and poignant humor, By the Water reminds us that the very powers that tear us apart can also bring us together.

The Box Office is located at the North Shore Center for the Performing Arts, 9501 Skokie Boulevard, in Skokie.  Box Office hours are Monday-Friday 10:00am-5:00pm, and Saturdays 12:00pm-5:00pm. On performance days, the box office hours are extended through showtime. The Box Office is closed on Sundays, except on performance days when it is open two hours prior to showtime.

Curtain times are: Tuesdays: 7:30pm (March 21 only); Wednesdays: 1:00pm (except April 5) and 7:30pm; Thursdays: 7:30pm; Fridays: 8:00pm; Saturdays: 2:30pm (except March 18) and 8:00pm; Sundays: 2:30pm (except April 16) and 7:00pm (March 19 and April 9 only)

Tickets:Previews: $30-$57
Regular run: $30-$81
Student tickets are $15, any performance 
(subject to availability)

Box Office: The Box Office is located at 9501 Skokie Blvd, Skokie.
847.673.6300; northlight.org


“Sharyn is a wonderful talent and we are proud to have her work on our stage directed by longtime collaborator Cody Estle, who has assisted me on many projects here at Northlight,” said Artistic Director BJ Jones. “In this play, natural disaster serves as a metaphor for the social and political change that forces generations to confront very real issues about their own lives—lives built on values that have become outmoded. Sharyn's sharp sense of humor built on rich character development is sprinkled throughout, and the themes of justice and family values and loyalties emerge full-throated in her dialogue and her surprising plot.” 

•In the neighborhood that By the Water is based on, 
there were 184 families living on the water.  
When Governor Cuomo’s buyout plan was proposed, 
all but 40 families took it.

Director Cody Estle adds, “It’s about confronting deep-seated personal problems in the face of a generational divide and finding a way to move forward. Times are changing and it’s not about you and me; it’s about our grandchildren, and their children. It’s about all of us making sacrifices today to create a better tomorrow. The harrowing backdrop of a natural disaster also allows for unexpected wit and humor—all in all I think it will engage, move and inspire audiences.”

•By the Water was the recipient of the 2015 American Theater Critic’s Association Francesca Primus Prize, awarded annually to an emerging woman playwright. 
The Primus Prize was founded in 1997 in memory of actress and critic 
Francesca Primus. Previous awardees include Jennifer Haley, Stefanie Zadravec, 
Karen Zacarias, and Lynn Nottage.

The cast of By the Water includes Janet Ulrich Brooks (Andrea Carter), Jordan Brown (Sal), Patrick Clear (Phillip Carter), Amanda Drinkall (Emily), Francis Guinan (Marty Murphy), Joel Reitsma (Brian) and Penny Slusher (Mary Murphy).

The creative team includes Jeffrey D. Kmiec (Scenic Design), JR Lederle (Lighting Design), Rachel Laritz (Costume Design), and Lindsay Jones (Sound Design). The Production Stage Manager is Mara Filler.
Northlight’s production of By the Water is supported in part by Bill and Eleanor Revelle and Hagerty Consulting. 



ABOUT THE ARTISTS

By the Water marks Cody Estle’s directorial debut for Northlight Theatre where he previously served as an assistant director to BJ Jones on Charm, Season’s Greetings and Stella & Lou, and others, as well as an artistic assistant for the 2014-2015 season.

CODY ESTLE (Director) is a Chicago-based freelance director. Directing credits include The Assembled Parties, A Loss of Roses, Dividing the Estate, Vieux Carré (named by Chicago Tribune as one of the Year's Best in 2014), Good Boys and True, Brighton Beach Memoirs, Boy Gets Girl and Dating Walter Dante at Raven Theatre; Scarcity at Redtwist Theatre; The Seagull and Watch on the Rhine at The Artistic Home; Don't Go Gentle at Haven Theatre; Uncle Bob at Mary-Arrchie Theatre Company and Hospitality Suite at Citadel Theatre. He’s had the pleasure of assistant directing at Northlight, Steppenwolf, Goodspeed Musicals, Court, Writers, Next Theatre and Strawdog. Estle is the Associate Artistic Director at Raven Theatre, an associate member of SDC and a graduate of Columbia College Chicago.

•Sharyn Rothstein’s idea for By the Water sprang from a visit to the areas of Staten Island designated for a buyout following Hurricane Sandy. She said, “Leaving behind a community, a lifetime of memories, seemed like an enormous leap of faith and an incredibly difficult decision, but the destruction was gut wrenching. Yet, in front of one neat, clearly beloved house, a man who looked to be in his sixties was tending his lawn. With his whole neighborhood in ruins, with a majority of his neighbors already gone or figuring out how to leave, here was a man clearly standing firm. The image of him standing there amid so much loss was the genesis of my play.”

SHARYN ROTHSTEIN (Playwright) is a playwright and television writer, whose plays and musicals have been workshopped and produced around the country, as well as internationally. Her play By The Water was first produced by Manhattan Theater Club and Ars Nova in 2014 and was the recipient of the 2015 American Theater Critic’s Association Francesca Primus Prize for a play by an emerging woman playwright. Her play All The Days was the recipient of the Edgerton Foundation Award and was produced at the McCarter Theater Center in 2016, directed by Emily Mann. In addition to playwriting, Sharyn is a writer for the USA Network drama SUITS. She holds an MFA in dramatic writing from NYU and a Masters in Public Health from Hunter College, with a concentration in Urban Health.

JANET ULRICH BROOKS (Andrea Carter) returns to Northlight after previously appearing in Ten Chimneys. A company member of TimeLine, her credits include Bakersfield Mist, The How And The Why, Apple Family Plays and Jeff-nominated performances in All My Sons, When She Danced, Not Enough Air and Weekend.  Other credits include Vanya and Sonia and Masha and Spike, The Seagull (Goodman); Crazy For You (Drury Lane); Women Laughing Alone With Salad (Helen Hayes nomination - Woolly Mammoth Theatre, DC); Failure: A Love Story (Victory Gardens); Golda’s Balcony (Jeff Award – Pegasus Players) and work with Steppenwolf, ATC, About Face and Writers.  TV: Sense8, Chicago Fire, Chicago Justice and Boss.  Film: Divergent, Conviction, One Small Hitch and Fools. A recipient of the Ed See Outstanding Theatre Alumnus Award from University of Central Missouri, Janet is represented by Gray Talent Group.

Jordan Brown (Sal) returns to Northlight where he previously appeared in White Guy on the Bus and Sense & Sensibility. Other Chicago credits include the Goodman’s Wonderful Town, Vanya and Sonia and Masha and Spike, Brigadoon (Jeff Award nomination for Best Supporting Actor, Musical) and A Christmas Carol; Iphigenia In Aulis (Court); The Pitmen Painters and Juno (TimeLine) and In The Company Of Men (Profiles). Off-Broadway, he played Claudio in Much Ado About Nothing (Theatre Row in the Beckett Theatre). In Baltimore, he appeared in A Skull in Connemara (Centerstage Theatre). TV credits include Sirens and Crisis. Jordan can also be seen playing the role of Kirt in NBC's web series Bobby & Iza. He is a graduate of the University of the North Carolina School of the Arts.

Patrick Clear (Phillip Carter) returns to Northlight where he was seen as Mr. Kirby in last season’s You Can’t Take It With You. His other Northlight appearances include The Mousetrap, The Miser, Dr. Jekyll & Mr. Hyde and Pride and Prejudice. He has appeared in more than 60 productions with Chicago area theatres including Goodman, Chicago Shakespeare, Steppenwolf, Writers and Remy Bumppo. His regional credits include appearances at Hartford Stage, the Asolo Repertory Theatre, Indiana Repertory Theatre, Cleveland Playhouse, Maltz Jupiter Theatre, Arena Stage, the Guthrie Theater, American Shakespeare Theatre, Centerstage, the Huntington Theatre and the Cincinnati Playhouse in the Park. He appeared on Broadway in Noises Off and Hollywood Arms. Film and television credits include Empire, The Dark Knight, Chicago PD, Boss, The Untouchables and Early Edition.

Amanda Drinkall (Emily) returns to Northlight where she previously appeared in White Guy on the Bus and Funnyman. Other Chicago credits include: King Charles III (Chicago Shakespeare); Mary Page Marlowe (Steppenwolf), Venus in Fur and Measure for Measure (Goodman); Dutchman (American Blues); Last Train to Nibroc (Haven Theatre-Jeff Award, Best Actress), Rest (Victory Gardens), Pygmalion (Oak Park Festival); Great Expectations (Strawdog); Pride and Prejudice (Lifeline); hamlet is dead. no gravity, The Skriker, Brand, The Love of the Nightingale, and Pullman, WA (Red Tape); and sixteen shows with The Back Room Shakespeare Project. Regional credits include North Carolina & Michigan Shakespeare Festivals.  TV credits: Chicago Med, Bobby & Iza. Film credits: The View From Tall. Ms. Drinkall holds a BFA from the University of Illinois at Urbana-Champaign and is represented by Gray Talent Group.

Francis Guinan (Marty Murphy) returns to Northlight where he previously appeared in White Guy on the Bus, Stella & Lou, Season’s Greetings and Inherit the Wind. Chicago credits include The Night Alive, The Birthday Party, Time Stands Still, The Book Thief, American Buffalo, Balm in Gilead and Say Goodnight, Gracie (Steppenwolf); The Book of Joseph (Chicago Shakespeare); Twist Your Dickens, Pullman Porter Blues and The Seagull (Goodman); A Guide for the Perplexed (Victory Gardens, Jeff Award); and Rantoul and Die (American Blues). He appeared on Broadway in August: Osage County, The Grapes of Wrath and As Is. His television credits include Boss, Eerie, Indiana, ER, Frasier and several Star Trek franchise episodes. Mr. Guinan’s film credits include Abundant Acreage Available, The Last Airbender, Typing, Low Tide and Constantine.

Joel Reitsma (Brian) is a company member with Steep Theatre, where he performed in Bobby Clearly and Motortown (Joseph Jefferson Award Nomination). He is also a co-founder, writer, performer, and director for The LIVINGroom, a Solo Performance ensemble that tells personal, autobiographical, and universal stories live on stage. Other Chicago credits include A Loss of Roses and Vieux Carré (Raven); Lisbon Traviata (Eclipse); Ecstasy (Cole Theatre); Love and Understanding (Redtwist); and The Brig (Mary Arrchie).

Penny Slusher (Mary Murphy) most recently appeared at Northlight in You Can’t Take It With You. Other Northlight productions include Chapatti, Sense & Sensibility and A Life. Chicago credits include: Sweet Bird of Youth (Goodman); Uncle Vanya (After Dark Award), The Importance of Being Earnest, James Joyce’s “The Dead” (Court); Old Glory, Another Part of the Forest (Jeff Award), Bus Stop, The Subject Was Roses (Writers). Regional: Chapatti and The Hollow (Peninsula Players), My Fair Lady (Asolo Repertory), Sense & Sensibility (Actors Theatre of Louisville and Saint Louis Repertory). International Theatre: Chapatti and Stella & Lou (Northlight at Galway International Arts Festival, Ireland), August: Osage County (Steppenwolf at Sydney Theatre, Australia). Film: Virginia, Meet the Browns, Grace is Gone. Television: The Connie Banks Show.

•Hurricane Sandy was the deadliest and most destructive hurricane of the 2012 Atlantic hurricane season, and the second-costliest hurricane in United States history. In the US, Hurricane Sandy affected 24 states, with particularly severe damage in New Jersey and New York.  Of the five boroughs, Staten Island – where By the Water is set – faced the most death and damage. 



Northlight is continuing its popular special event series in conjunction with each production.  All events are free.  

Inside Look: By the Water
March 29 at 10:45am
at Bernard Weinger JCC
300 Revere Dr, Northbrook, IL
Explore the ​social and ​environmental context of By the Water, as well as aspects of the creative process through a discussion and Q&A session with director Cody Estle​.

Panel Discussion: Changing Climate, Changing Lives
April 1 at 4:00pm
at Evanston Public Library
1703 Orrington Ave, Evanston IL
In Northlight Theatre's By the Water, the Murphy family and their Staten Island neighbors lose their home to Hurricane Sandy - a natural disaster amplified by global warming. Join a panel of environmental experts to discuss the very human implications of climate change, and the many ways our changing environment can affect our lives. 
  

Northlight Theatre aspires to promote change of perspective and encourage compassion by exploring the depth of our humanity across a bold spectrum of theatrical experiences, reflecting our community to the world and the world to our community.

Now in its 42nd season, the organization has mounted over 200 productions, including nearly 40 world premieres. Northlight has earned 198 Joseph Jefferson Award nominations and 34 Awards. As one of the area’s premier theatre companies, Northlight is a regional magnet for critical and professional acclaim, as well as talent of the highest quality.

Northlight is supported in part by generous contributions from Allstate Insurance; the Paul M. Angell Family Foundation; Robert & Isabelle Bass Foundation; BMO Harris Bank; Henrietta Lange Burk Fund; The Elizabeth F. Cheney Foundation; The Chicago Community Trust; ComEd, An Exelon Company; The Davee Foundation; Edgerton Foundation for New American Plays Award; Evanston Community Foundation; Full Circle Foundation; Illinois Arts Council, a state agency; Kirkland & Ellis Foundation; The John D. and Catherine T. MacArthur Foundation; Melvoin Award for Playwriting; Modestus Bauer Foundation; National Endowment for the Arts; Niles Township; The Offield Family Foundation; The Pauls Foundation; Room & Board; Sanborn Family Foundation; Dr. Scholl Foundation; The Shubert Foundation, Inc.; The Harold and Mimi Steinberg Charitable Trust; The Sullivan Family Foundation; Tom Stringer Design Partners; Turner Construction; and the Venturous Theater Fund of the Tides Foundation.

•By The Water received its world premiere through The Writer’s Room, a new development partnership between Manhattan Theater Club and Ars Nova. The Writer’s Room is designed to commission, develop and support playwrights in the process of creating new work. By the Water marked the first world premiere production from the program and opened off-Broadway in November 2014 at MTC’s Studio at Stage II in New York’s City Center.  


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