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Showing posts with label Court Theatre. Show all posts
Showing posts with label Court Theatre. Show all posts

Tuesday, September 3, 2013

ACT OUT: Save The Dates--Fall Theatre On Our Radar

Mark your calendars and hang on for the ride.   Chi-town is theatre town and this fall is full of great season openers.   Here are just a few productions of note, that are high on our must see list.   Check back with ChiIL Live Shows like we vote in Chi, IL... early and often, for the heads up on great upcoming theatre, music and more. 

ChiIL Live Shows Phone Photo Theatre Montage 2012/13
Here's just a smattering of what we saw and reviewed this past season:

  


AMERICAN THEATER COMPANY

It’s a Wonderful Life: The Radio Play                                                 
Adapted from the Frank Capra film
Directed by ATC Artistic Director PJ Paparelli
Dates: November 22-December 29, 2013
Location:          American Theater Company, 1909 W Byron St., Chicago
Box Office:       1909 W Byron St., Chicago; 773.409.4125; www.atcweb.org

Bedford Falls, 1948.  After ten years, American Theater Company will revise its annual holiday production of Frank Capra’s beloved story of one man’s affect on his community.  This year’s production-- directed for the first time by ATC’s Artistic Director PJ Paparelli-- will include new Foley sound effects and commercial breaks in the style of a traditional 1940’s radio play.

Subscriber Only Event
The Wizard of Oz: The Radio Play
By L. Frank Baum
Adapted by Frank Gabrielson
With Music and Lyrics of the MGM score by Harold Arlen and E. Y. Harburg
Directed by ATC Artistic Director PJ Paparelli
Dates: November 8-10, 2013
Location:          American Theater Company, 1909 W Byron St., Chicago
Box Office:       1909 W Byron St., Chicago; 773.409.4125; www.atcweb.org

Kansas. 1939.  L. Frank Baum’s unforgettable story of a little girl’s journey over the rainbow to discover the true meaning of home is told for the first time in over 60 years as a radio play.  This unique telling of America’s most beloved movie includes a tour-de-force of live Foley sound effects and powerful ensemble acting that celebrates this heartwarming tale of the life lessons learned over the rainbow.  Note: This limited engagement is for ATC subscribers only and not open to the general public.

We'll be reviewing all of Broadway in Chicago's offerings again this season, at The Oriental, Cadillac Palace, Broadway Playhouse, Auditorium Theater and more.






BLACK ENSEMBLE THEATER
It’s All-Right To Have A Good Time (The Story of Curtis Mayfield)
Produced, written and directed by Jackie Taylor
Directed by Jackie Taylor
September 14 – October 20, 2013
Previews begin September 14, 2013
Opening: Sunday, September 22, 2013 at 3:00 p.m.
Location:          Black Ensemble Theater Cultural Center, 4450 N. Clark Street. Valet parking available.
Tickets:            $55 on Wednesdays, Thursdays, and Saturday matinees;
$65 on Fridays, Saturday evenings, and Sunday matinees.
A 10% discount is available for students, seniors, veterans and groups.
Box Office:       Buy online at www.ticketmaster.com or call (773) 769-4451

Black Ensemble’s tribute to Chicago’s own music legend Curtis Mayfield is the story of a musical giant who is equally celebrated as a singer, song writer and record producer.  From the anthemic music of The Impressions like “Gypsy Woman,” “I’m So Proud,” “Choice of Colors” to movie hits like “Super Fly,” The Curtis Mayfield Story will bring to vibrant life the rare musical genius that was Curtis Mayfield. Mayfield’s timeless music is known and celebrated all over the world, and he is the winner of the Grammy Legend Award (1994), the Grammy Lifetime Achievement Award (1995) and a double inductee into both The Rock and Roll Hall of Fame (1991, 1999) and the Grammy Hall of Fame.

Chicago’s Golden Soul
Written and Directed by Black Ensemble Theater Founder and CEO Jackie Taylor
November 16, 2013 – January 5, 2014
Previews: November 16, 17, 22, 23
Opening: Sunday, November 24, 2013 at 3:00 p.m.
Location:          Black Ensemble Theater Cultural Center, 4450 N. Clark Street. Valet parking available.
Tickets:            $55 on Wednesdays, Thursdays, and Saturday matinees;
$65 on Fridays, Saturday evenings, and Sunday matinees.
A 10% discount is available for students, seniors, veterans and groups.
Box Office:       Buy online at www.ticketmaster.com or call (773) 769-4451

First produced in 1998, this wonderful treasure of a production is a tribute to the music that put Chicago on the map as a national musical force. This Chicago celebration brings back the music of Jerry Butler, the Chi-Lites, Gene Chandler, Barbara Acklin and many, many more in this rollicking tribute to the music that made Chicago famous.






CHICAGO SHAKESPEARE THEATER
Cyrano de Bergerac                                                                              
By Edmond Rostand
Translated and Adapted for the stage by Anthony Burgess
Directed by Penny Metropulos
September 24 – November 10, 2013
Location:          Chicago Shakespeare's Courtyard Theater, 800 East Grand Avenue, Chicago
Tickets:            $48-$78
Box Office:       312.595.5600 or www.chicagoshakes.com

The stars have aligned to reunite the actor-director team behind our wildly popular production of The Madness of George III. The illustrious Harry Groener, who took home the Best Actor Jeff Award for his turn as King George, will play the nobleman whose gift for romance is shadowed by his all-too-prominent nose. Director Penny Metropulos takes the helm of this enduring masterwork that speaks as directly to the heart today as it did more than 100 years ago. Featuring some of the most clever, touching lines ever written, this homage to poetry, love and panache reminds us that sometimes what you seek is right under your, well…nose.

The Table                                                                                             
October 16-27
World’s Stage Upstairs Theatre
In Blind Summit Theatre’s The Table, a cantankerous puppet with a cardboard head is having an existential crisis—on a table. Blind Summit Theatre, founded by Mark Down and Nick Barnes, is reinventing puppetry for modern adult audiences and pioneering new methods of performing with puppets. Pushing the boundaries of puppetry in their own productions and in international collaborations, they have created puppetry for Anthony Minghella, Complicite, and Danny Boyle’s Olympic Opening Ceremony. Their work is inspired by Bunraku puppetry in which three puppeteers combine to operate one beautifully crafted puppet, communicating through finely detailed movement and gesture. The Table will be performed in the Upstairs Theater at Chicago Shakespeare from October 16-27th, 2013.

COURT THEATRE
The Chicago premiere
The Mountaintop
By Katori Hall
Directed by Ron OJ Parson
Featuring David Alan Anderson (Dr. Martin Luther King, Jr.) and Lisa Beasley (Camae)
September 5 - October 6, 2013
Location:          Court Theatre, 5535 S. Ellis Ave. in Chicago
Tickets:            $35-$45 previews, $45-$65 regular run
Box Office:       5535 S. Ellis Avenue, Chicago; (773) 753-4472 or online www.CourtTheatre.org

Winner of the Laurence Olivier Award for Best New Play
On the eve of his assassination, a weary Dr. Martin Luther King Jr. returns to his lonely hotel room in Memphis. Restless, he begins to work on his next speech when he’s suddenly interrupted by the arrival of a young hotel maid named Camae. The two strike up an unlikely conversation and as the hour grows late and Dr. King’s fate presses closer, Camae reveals that she is more than she appears. The Mountaintop offers a beautiful and powerful meditation on mortality, destiny, and the liminal space where the material meets the divine. Resident Artist Ron OJ Parson will direct this revelatory new portrayal of Dr. King.

An Iliad                                                                                               
By Lisa Peterson and Denis O’Hare
Directed by Charles Newell
November 13 - December 8, 2013
Featuring Timothy Edward Kane
Location:          Court Theatre, 5535 S. Ellis Ave. in Chicago
Tickets:            $35-$45 previews, $45-$65 regular run
Box Office:       5535 S. Ellis Avenue, Chicago; (773) 753-4472 or online www.CourtTheatre.org

Winner of an OBIE Award and the Joseph Jefferson Award for Best Solo Performance
Timothy Edward Kane returns to reprise his jaw-dropping, award-winning performance in this highly anticipated revival of Artistic Director Charles Newell’s critically acclaimed 2011 production. A one-man adaptation of Homer’s Iliad created by Lisa Peterson and Denis O’Hare (TV’s True Blood), An Iliad returns Homer’s epic poem to the voice of the lone poet as he recounts a story of human loss and folly that echoes across three millennia of war and bloodshed. An Iliad will once again illuminate this ancient classic by taking a harrowing look at the human cost of war.

LOOKINGGLASS THEATRE
World Premiere                                                                                 
The North China Lover
Adapted and Directed by Ensemble Member Heidi Stillman
Based on the novel by Marguerite Duras
Featuring Ensemble member Tracy Walsh, Walter Owen Briggs, Amy J. Carle, Tim Chiou, Deanna Dunagan, Rae Gray, JJ Phillips and Allison Torem
October 6 – November 10, 2013
Previews: September 25 – October 4, 2013

Location:          Lookingglass Theatre Company, located inside Chicago's historic
Water Tower Water Works, 821 N. Michigan Ave. at Pearson.  
Prices:             $28-$70
Box Office:       located at Water Tower Water Works, 821 N. Michigan Ave.

You never forget your first lover. The affair plays like a moving picture over and over in your mind: passionate, consuming, secret, taboo.

Fade in: the seamy French Quarter of Southern Indochina in the 1930s where the 14-year-old impoverished schoolgirl who will someday be French novelist Marguerite Duras is about to meet and captivate a wealthy 27-year-old Chinese aristocrat.

With the older Duras as our guide, The North China Lover transports us on a provocative and haunting journey of awakening and sacrifice, revealing the delicate and indelible effect of life on art.

MILLION DOLLAR QUARTET                                        
Book by Floyd Mutrux and Colin Escott
Directed by Eric Schaeffer and Floyd Mutrux
Location:          Apollo Theater, 2540 N. Lincoln Ave in Chicago 
Tickets:            $25 - $85
via the Apollo Theater box office, 2540 N. Lincoln Ave in Chicago,
by calling (773) 935-6100 or through Ticketmaster
Website:           Milliondollarquartetlive.com
Tickets on sale through January 5, 2014

On December 4, 1956, an auspicious twist of fate brought Johnny Cash, Jerry Lee Lewis, Carl Perkins and Elvis Presley together. The place was Sun Records’ storefront studio in Memphis.  The man who made it happen was Sam Phillips, the “Father of Rock ’n’ Roll,” who discovered them all. The four legends-to-be united for the only time in their careers for an impromptu recording that has come to be known as one of the greatest rock jam sessions of all time. 

Featuring a treasure trove of the greatest rock ’n’ roll, gospel, R&B and country hits from these music legends, including “Blue Suede Shoes,” “Fever,” “Sixteen Tons,” “Who Do You Love?,” “Great Balls of Fire,” “Ghost Riders,” and “Whole Lotta’ Shakin’ Goin’ On,” Million Dollar Quartet captures the infectious spirit, freewheeling excitement and thrilling sounds of a singular moment when four of the music industry’s most extraordinary talents, all in their creative prime, came together for one of the most memorable nights in music history. 



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We'll also be reviewing at The Goodman & Steppenwolf again this season.


NORTHLIGHT THEATRE
4000 Miles                                                                                           
By Amy Herzog
Directed by Kimberly Senior
Featuring Emjoy Gavino (Amanda/Lily), Caroline Neff (Bec), Josh Salt (Leo Joseph-Connell) and Mary Ann Thebus (Vera Joseph)
September 13 – October 20, 2013
Location:          Northlight Theatre, 9501 Skokie Blvd, Skokie
Tickets:            $25-$72
Tickets for those 25 and under are $15, any performance, (subject to availability)
Box Office:       9501 Skokie Blvd, Skokie; 847.673.6300; northlight.org

At the end of an arduous cross-country bike trip, a rudderless 21 year-old seeks refuge in his elderly grandmother’s West Village apartment.  These two outsiders face ideological differences, but ultimately find their way together in “a beautifully rendered portrait” (The New York Times) of a cross-generational relationship.

4000 Miles was a Pulitzer Prize Finalist; Time Magazine's #1 Play of 2012; the winner of the Obie Award, Best New Play (2012); and received The New York Times Outstanding Playwright Award (2012).

Detroit '67
By Dominique Morisseau
Directed by Ron OJ Parson
Featuring Tyla Abercrumbie (Chelle), Cassandra Bissell (Caroline), Kamal Angelo Bolden (Lank), Coco Elysses (Bunny) and Kelvin Roston, Jr. (Sly)
November 8 – December 15, 2013
Location:          Northlight Theatre, 9501 Skokie Blvd, Skokie
Tickets:            $25-$72
Tickets for those 25 and under are $15, any performance, (subject to availability)
Box Office:       9501 Skokie Blvd, Skokie; 847.673.6300; northlight.org

It’s 1967 and the world is changing around Chelle and Lank, who run an after-hours club in the basement of their late parents’ house.  Tensions mount when the siblings discover that their dreams have diverged, their tight-knit community is threatened by the arrival of an outsider, and the city around them erupts in violence. The music of Motown fuels this riveting new play set in America’s Motor City.

The Northlight production marks the Midwest premiere of Detroit ’67, which recently completed an acclaimed run in New York with the Public Theatre in conjunction with the Classical Theatre of Harlem and the National Black Theatre. Ron OJ Parson will make his Northlight directing debut with this powerful and Motown-infused production.

PROFILES THEATRE


Midwest Premiere
In God’s Hat
By Rhett Rossi
Directed by Artistic Director Joe Jahraus
Featuring Co-Artistic Director Darrell W. Cox as Roy, Larry Neumann, Jr. as Mitch with John Victor Allen and Bruce Cronander.
August 29 - October 13, 2013
Previews: August 23 - 28, 2013
Location:          Profiles Theatre, The Main Stage, 4139 N. Broadway
Tickets:            $20 previews, $30 - $40 regular run
Box Office:       www.profilestheatre.org or (773) 549-1815

In God's Hat examines the extremes of humanity and the love of family as well the contempt for it. For nearly a decade, estranged brothers Roy and Mitch found themselves kept apart by prison bars and a nefarious history. On the day of Mitch's release, he is shocked to see Roy waiting for him, unsure of his intentions. Together they travel down a desolate road stopping at the only lodging around - a fleabag motel where confrontation and tension manifest themselves through darkly comical situations. In the end, the brothers must confront both the past and present as some secrets are revealed and new ones must be kept.

Produced off-Broadway by the Apothecary Theatre Company, Rhett Rossi’s critically acclaimed play In God’s Hat premiere in July 2010. His other plays include the one-man show Burnt, first performed by the Present Company Theatorium and From Red to Black, runner up for the Laurents/Hatcher Prize, which received a reading at South Coast Rep. Rossi currently lives in Brooklyn and recently developed a pilot for HBO about minor league hockey.

Midwest Premiere
Wrecks
By Resident Artist Neil LaBute
Directed by Guest Artist Jason Gerace
September 26 – November 17, 2013
Previews: September 27 – October 2, 2013
Location:          Profiles Theatre, The Alley Stage, 4147 N. Broadway
Tickets:            $20 previews, $30 - $40 regular run
Box Office:       www.profilestheatre.org or (773) 549-1815

Edward Carr, an ordinary man, an adoring father of four and a successful business owner, sees his world shattered by the death of his beloved wife JoJo. Through his grief, he picks through his past, piecing together the story of his life, like the wrecks of the cars he so lovingly restores. In this fiercely passionate, unflinching and concise powerhouse of a play, LaBute explores the boundaries of love, and the extent of what society accepts as opposed to what the heart desires.

Commissioned and produced by the Everyman Palace Theatre in Cork, Ireland as part of the city's Capital of Culture program, Wrecks premiered in 2005. In 2006, it received its American debut at the Public Theatre in New York, followed by an extended run. Both productions, directed by Neil LaBute, starred Ed Harris as Edward Carr.


Return of the Seasonal Favorite
Hellcab                                                                                                 
By Will Kern
Directed by Artistic Director Darrell W. Cox
November 14 – January 12, 2014
Previews: November 8 - 13, 2013
Location:          Profiles Theatre, The Main Stage, 4139 N. Broadway
Tickets:            $20 previews, $30 - $40 regular run
Box Office:       www.profilestheatre.org or (773) 549-1815

Presented last season for its 20th Anniversary, Profiles remounts their acclaimed production for the holidays. Hellcab portrays the story of a cab driver during the longest night of his life as he transports a bizarre and mysterious array of customers through the gritty streets of Chicago. Playwright Will Kern draws from personal experience as a former cab driver to create this alternately frightening, hilarious and poignant journey. Throughout his long shift, the eclectic collection of passengers includes a trio of drug-addicts, a born-again couple, a smug lawyer, and a randy duo on their way to a motel. Set during a bitter cold Christmas Eve, Hellcab presents a rear-view image mirroring the passing parade of humanity.

First produced as a late-night show by Famous Door Theatre in 1992, the play, originally scheduled for twelve performances, ended up running for over nine years, becoming one of the longest running shows in Chicago theatre history. Hellcab, performed all over the U.S. and abroad, including Scotland, Israel, Singapore, and Ireland, won numerous awards, including a Fringe First at the Edinburgh Festival and later adapted for the screen by Kern in 1998.


VICTORY GARDENS THEATER
The Co-World Premiere of
Appropriate
By Branden Jacobs-Jenkins
Directed by Gary Griffin
In association with Actors Theater of Louisville
Featuring Cheryl Graeff, Leah Karpel, Kirsten Fitzgerald, Keith Kupferer and Stef Tovar
November 8-December 8, 2013
Opening: Friday, November 15, 2013 at 7:30 p.m.
Location:              2433 N Lincoln Avenue, in the heart of Chicago’s Lincoln Park neighborhood
Tickets:                 $20 - $40 previews, $20 - $50 regular run
Box Office:            2433 N. Lincoln Avenue, Chicago, 773.871.3000, victorygardens.org

When the Lafayettes descend upon a crumbling Arkansan plantation to liquidate their dead patriarch's estate, his three adult children collide over clutter, debt, and a contentious family history. But after a disturbing discovery surfaces among their father's possessions, the reunion takes a turn for the explosive, unleashing a series of crackling surprises and confrontations. Acclaimed director Gary Griffin (Chicago Shakespeare Theater's Sunday in the Park with George and Follies) directs a potent and exciting play about the trouble with inheritance, memory loss, and the art of repression.  Appropriate was developed and workshopped through Victory Gardens' IGNITION New Play Festival in 2012. 

Appropriate was developed, in part, at Vineyard Arts Project, Ashley Melone, Founder and Artistic Director; the 2012 Sundance Institute Theatre LAB at the Sundance Resort; and Victory Gardens Theater, Chicago, Illinois, Chay Yew, Artistic Director, as part of IGNITION 2012.


WRITERS THEATRE
The Midwest Premiere of                                                          
THE OLD MAN AND THE OLD MOON
A New Play with Music
By PigPen Theatre Co.
Directed by Associate Artistic Director Stuart Carden and PigPen Theatre Co.
Featuring PigPen Theatre Co. - Alex Falberg, Ben Ferguson, Curtis Gillen, Ryan Melia, Matt Nuernberger, Arya Shahi and Dan Weschler.
September 3 – November 10, 2013
Location:          Writers’ Theatre, 325 Tudor Court, Glencoe
Tickets:            $35 - $75          
Box Office:       376 Park Avenue, Glencoe; 847-242-6000 or online at www.writerstheatre.org.

The Old Man and the Old Moon creates an epic new mythology, centered on a man whose job is to collect spilled light to refill the leaking moon.  When his wife unexpectedly leaves home in pursuit of much-needed adventure, he abandons his post to follow her, throwing the world into chaos as he searches for his lost love, his fading memory and, ultimately, himself.

A blend of resonant storytelling, spirited indie-folk music and inventive puppetry creates a theatrical experience that will win audiences over with its wit, style and depth of emotion.

Writers’ Theatre is thrilled to collaborate with the young men of PigPen Theatre Co., who bring the story of The Old Man and the Old Moon to such brilliant, vibrant life that its New York production earned a coveted spot on multiple “Best of the Year” lists.

The Old Man and The Old Moon premiered in New York City, at the Gym at Judson and was produced by: Britt Lafield/BKL Productions, SoHo Playhouse, Inc., Aaron Glick, Ronnie Planalp/Deborah Taylor, and The PigPen Company.

The Midwest Premiere of
PORT AUTHORITY
By Conor McPherson
Directed by William Brown
Featuring Patrick Clear (Joe), Rob Fenton (Kevin) and John Hoogenakker (Dermot)
October 29, 2013 – February 16, 2014
Location:          Books on Vernon, 664 Vernon Avenue, Glencoe
Tickets:            $35 - $70          
Box Office:       376 Park Avenue, Glencoe; 847-242-6000 or online at www.writerstheatre.org.

Featuring Patrick Clear (Joe), Rob Fenton (Kevin) and John Hoogenakker (Dermot)

Acclaimed playwright Conor McPherson (The Seafarer, Shining City, Dublin Carol) crafts a series of interconnected monologues that explore the heart and soul of three generations of Irishmen.

A young man escapes his parents’ house to share digs with two alcohol-soaked friends and a mesmerizing young woman; a middle-aged laborer lands a dream job that he’s not remotely qualified for; and a widower receives a mysterious package that touches a hidden part of his memory. 

The lightly interlocking stories of these three men at three different stages of life weave together a tale that is both spirited and moving in its portrait of ordinary lives.

Directed by Writers’ Theatre favorite William Brown (The Liar, A Little Night Music, Heartbreak House), Port Authority revels in the rough lyricism of McPherson’s language and the poignancy of these stories of lost love, big dreams and the consequences of even our smallest choices.



Check back early and often for the latest on our favs at The House Theatre and Hypocrites.


Thursday, August 22, 2013

ACT OUT OPENING: The Mountaintop at Court Theatre

COURT THEATRE PRESENTS
THE CHICAGO PREMIERE OF KATORI HALL’S
THE MOUNTAINTOP
DIRECTED BY RESIDENT ARTIST RON OJ PARSON


Court Theatre Artistic Director Charles Newell and Executive Director Stephen J. Albert present The Mountaintop written by Katori Hall, and directed by Resident Artist Ron OJ Parson. The Mountaintop will run September 5 – October 6, 2013 at Court Theatre, 5535 S. Ellis Avenue. 



On the eve of his assassination, a weary Dr. Martin Luther King Jr. returns to his lonely hotel room in Memphis. Restless, he begins to work on his next speech when he’s suddenly interrupted by the arrival of a young hotel maid named Camae. The two strike up an unlikely conversation and as the hour grows late and Dr. King’s fate presses closer, Camae reveals that she is more than she appears. The Mountaintop offers a beautiful and powerful meditation on mortality, destiny, and the liminal space where the material meets the divine. Resident Artist Ron OJ Parson will direct this new portrayal of Dr. King.

“The Mountaintop is one of the most extraordinary plays I've had the pleasure of encountering in recent years, and as soon as I first read it I knew instantly that it should open Court Theatre's fifty-ninth season. Court's intimate space is perfectly suited to the quiet power of Katori Hall's play, and under the incisive direction of Resident Artist Ron OJ Parson, this Mountaintop has the potential to really sing as it would nowhere else,” says Artistic Director Charles Newell. “Not only am I proud to present the Chicago premiere of The Mountaintop, I'm grateful and truly moved that Court Theatre has the opportunity to explore, through the art form of drama, the life and legacy of such a crucial figure of our time.”

Previews are September 5 – September 13, 2013.  Curtain times are Wednesdays and Thursdays at 7:30 p.m.; Fridays and Saturdays at 8:00 p.m. with Saturday matinees at 3 p.m.; Sundays at 2:30 p.m. and 7:30 p.m.

Ticket prices are $35 to $45 for preview performances; $45 to $65 for regular run performances. Tickets are available at the Box Office, 5535 S. Ellis Avenue, Chicago; (773) 753-4472 or online at www.CourtTheatre.org. Student and senior discounts available. Groups of 10 or more may purchase discounted tickets by calling Kate Vangeloff at 773-834-3243.

The Mountaintop is sponsored by Allstate, and Ron OJ Parson’s artistic residency is made possible by a grant from The Joyce Foundation.

The cast of The Mountaintop is David Alan Anderson (Dr. Martin Luther King Jr.) and Lisa Beasley (Camae).

The creative team includes Scott Davis (scenic design), Melissa Torchia (costume design), Sarah Hughey (lighting design), Victoria Delorio (sound design), Martine Kei Green-Rogers (dramaturgy). William Collins is the Stage Manager. 

David Alan Anderson (Dr. Martin Luther King Jr.) is making Court Theatre debut with The Mountaintop.  He is a 2013 recipient of the prestigious Lunt-Fontanne Fellowship, sponsored by the Ten Chimneys Foundation (tenchimneys.org).  A resident of Indianapolis, he is a frequent performer with the Indiana Repertory Theatre, where his many credits include The Whipping Man, Radio Golf, Gem of the Ocean, Romeo and Juliet, The Heavens are Hung in Black, A Christmas Carol, the title role in Julius Caesar,  and the one man show Looking Over the President's Shoulder.  He is a company member with the critically acclaimed Penumbra Theatre in St. Paul, MN, where his credits include King Hedley II, Seven Guitars, Two Trains Running, and Jitney.  Regional credits include Troy in Fences at Denver Center, Walter Lee in A Raisin in the Sun at The Guthrie, Penumbra, Cleveland Playhouse, Arizona Theatre Co., and Kansas City Rep, Othello at Great Lakes Theatre and Idaho Shakespeare Festival, Kent in King Lear and Othello at Pennsylvania Shakespeare, and Sebastian in The Tempest at Actors Theatre of Louisville.  Other credits include Geva Theatre, Syracuse Stage Lake Tahoe Shakes, St. Louis Black Rep., and Peoples Light and Theatre.  Directing credits include Most Valuable Player and The Color of Justice at Indiana Rep, and Topdog/Underdog and Two Trains Running at the Phoenix Theatre in Indianapolis.  He also works in film and television and does voiceover work.

Lisa Beasley (Camae) is making her Court Theatre debut with The Mountaintop. Her recent credits include eta Creative Arts Foundation - Field of Souls (Ruby) and Flow (Will Power); Black Ensemble Theatre - The Marvin Gaye Story (Ensemble), One Name Only (Tanika), The Other Cinderella (Margarite), and From Doo Wop to Hip Hop (Nina), and a company member with Black Ensemble Plays With A Purpose and The High School Series. Originally from Gary, IN, Lisa is a graduate of The LeMoyne-Owen College in Memphis, TN with a B.A. in Classical Jazz Studies and also attended The American Musical and Dramatic Academy of Los Angeles.

Now in its 59th season, Court Theatre is guided by its mission to discover the power of classic theatre. Court endeavors to make a lasting contribution to American theatre by expanding the canon of translations, adaptations, and classic texts. Court revives lost masterpieces, illuminates familiar texts, and distinguishes fresh, modern classics. Court engages and inspires its audience by providing artistically distinguished productions, audience enrichment activities, and student educational experiences.

Court Theatre is the professional theatre in residence at the University of Chicago continuing to discover the power of classic theatre. Court Theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. Productions are made possible in part by a grant from the Illinois Arts Council, a state agency, and by a City Arts grant from the City of Chicago Department of Cultural Affairs. Court Theatre is a constituent of Theatre Communications Group, the national organization for the American Theatre; the League of Resident Theatres; the Illinois Humanities Council; the Arts Alliance Illinois; the League of Chicago Theatres; and Hyde Park Cultural Alliance.

Title:                The Mountaintop
Written by:        Katori Hall
Directed by:      Resident Artist Ron OJ Parson
Dates:                Previews:        September 5 – September 13, 2013
                        p.m.      
Regular run:     September 15 – October 6, 2013
Schedule:         Wed & Thurs: 7:30 PM
Fridays:           8:00 PM
Saturdays:       3:00 PM & 8:00 PM 
Sundays: 2:30 PM & 7:30 PM
Location:          Court Theatre, 5535 S. Ellis Ave.
Tickets:            $35-$45 previews
                        $45-$65 regular run
Box Office:       Located at 5535 S. Ellis Avenue, Chicago; (773) 753-4472 or www.CourtTheatre.org


Notes of Interest:
  • Hall’s The Mountaintop won the 2010 Laurence Olivier Award for Best New Play. Notable international productions include the critically-acclaimed James Dacre-directed London production at Theatre 503 and Trafalgar Studios, and the subsequent 2012 Broadway production starring Angela Bassett and Samuel L Jackson.  

  • Saturday, August 28 marks the 50th Anniversary of Dr. Martin Luther King’s historic “March on Washington.”  In commemoration of the event, the DuSable Museum will be reenacting the March, to include a portion of Dr. King’s seminal “I Have a Dream” speech read by David Alan Anderson who portrays Dr. King in Court Theatre’s production of The Mountaintop

  • Hall’s plays include Hoodoo Love, which was produced Off-Broadway at the Cherry Lane Theatre in New York City; Remembrance, which won the 2011 Susan Smith Blackburn Award; Saturday Night/Sunday Morning; WHADDABLOODCLOT!!!!; and Pussy Valley.  She has also been published as a book reviewer, journalist, and essayist in publications such as The Boston Globe, Essence, Newsweek and The New York Times. She was a Kennedy Center Playwriting Fellow at the O’Neill.


Tuesday, April 30, 2013

ACT OUT OPENING: Season of Snark With THE MOLIÈRE FESTIVAL: THE MISANTHROPE & TARTUFFE at COURT THEATRE



COURT THEATRE LAUNCHES CENTER FOR CLASSIC THEATRE WITH
THE MOLIÈRE FESTIVAL:
THE MISANTHROPE & TARTUFFE
DIRECTED BY ARTISTIC CHARLES NEWELL



ChiIL Live Shows adored The School for Lies based on The Misanthrope at Chicago Shakespeare earlier this year.   Now you can immerse yourself in Moliere, thanks to Court Theatre.
 

Court Theatre Artistic Director Charles Newell and Executive Director Stephen J. Albert present The Molière Festival: The Misanthrope & Tartuffe, written by Molière with a translation by Richard Wilbur, and directed by Artistic Director Charles Newell. The Misanthrope will run May 9 – June 9, and Tartuffe will run June 20 –July 14 at Court Theatre, 5535 S. Ellis Avenue.

This is a significant moment for Court Theatre.  After a decade of aspiration, Court has finally achieved the creation of the Center for Classic Theatre.  The Center combines the elements of innovative productions, international scholarship, interdisciplinary study and interactive community outreach, in short it allows Court to access the amazing intellectual resources here at the University of Chicago to deepen the work on our stages, as well as maximize the impact of these productions on our surrounding communities,” says Artistic Director Charles Newell.

The Molière Festival launches the Center for Classic Theatre at the University of Chicago campus, dedicated to the creation and curation of large-scale interdisciplinary theatrical experiences.  With the production of The Misanthrope and Tartuffe during the International Molière Festival, Court Theatre is taking its place as a hub for intellectual activity that unites artists and scholars to foster collaboration between theatre and a myriad of other academic disciplines. The Center for Classic Theatre signals a new way for a professional theatre to be in residence at a major university: it is an approach to producing that fully accesses the resources that surround Court Theatre, enabling the Company to continue its work producing world premiere translations and adaptations of classic texts, turn its theatrical productions into interdisciplinary events with direct ties to University coursework, forge connections with international arts organizations and universities, and reach new audiences. 

The Molière Festival was created from a longstanding collaboration between Artistic Director Charles Newell and University of Chicago Professor Larry Norman, who notably collaborated on the 2010 production of Tony Kushner’s adaptation of Pierre Cornielle’s The Illusion.  Professor Norman is a leading French scholar and was planning to convene an international conference on Molière during the spring of 2013 in collaboration with The Sorbonne University and the University of Glasgow.  This event inspired the decision to produce two Molière plays at Court, thus incorporating The Molière Festival as part of the company’s 2012-13 Season. Professor Norman developed a class on Molière which is being taught concurrently with Court’s rehearsal process, allowing scholarship and the artistic process to feed and influence each other – a hallmark of the Center for Classic Theatre.  This interdisciplinary collaboration then inspired an additional class at the University of Chicago Graham School being offered to the general public, which also allows access to the artistic process surrounding the Molière Festival. Court Theatre has also partnered with the Alliance Francaise, Chicago’s center for French Culture, to engage their constituency with the unique opportunities afforded through the production of The Misanthrope and Tartuffe.      

The Molière Festival: The Misanthrope & Tartuffe is sponsored by Boeing, Rita and John Canning, David and Marilyn Fatt Vitale, the Elizabeth F. Cheney Foundation, the National Endowment for the Arts, and the Marion M. Lloyd Court Theatre Fund
 
The Misanthrope
In a society where social graces reign supreme, the cynical Alceste causes a scandal when he refuses to play his part in the charade. Torn between his love for the coquettish Célimène and the pretenses he so despises, Alceste finds himself alone in a world where words are brandished like weapons and status is defined by style. Unwilling to play the hypocrite any longer, Alceste must decide his destiny. Artistic Director Charles Newell returns to his roots in the French Baroque to give this wickedly funny and deliciously droll comedy of manners new life.

The cast of The Misanthrope includes Kamal Angelo Bolden (Philinte), Patrese D. McClain (Eliante), A.C. Smith (Oronte), Travis Turner (Acaste), Elizabeth Ledo (Basque/DuBoise/Guard), Michael Pogue (Clitandre), Grace Gealey (Celimene), Allen Gilmore (Arsinoe), and Erik Hellman (Alceste).

The creative team includes John Culbert (scenic design), Jacqueline Firkins (costume design), Keith Parham (lighting design), Andre Pluess (sound design), and Drew Dir (dramaturgy). Sara Gammage is the Production Stage Manager and William Collins is the Stage Manager.

The Misanthrope will run May 9 – June 9, 2013 at Court Theatre, 5535 S. Ellis Avenue. Previews are May 9 – May 17, 2013.  The opening press performance is on Saturday, May 18, 2013 at 8:00 p.m. Curtain times are Wednesdays and Thursdays at 7:30 p.m.; Fridays and Saturdays at 8:00 p.m. with Saturday matinees at 3 p.m.; Sundays at 2:30 p.m. and 7:30 p.m.

Ticket prices are $35 to $45 for preview performances; $45 to $65 for regular run performances. Tickets are available at the Box Office, 5535 S. Ellis Avenue, Chicago; (773) 753-4472 or online at www.CourtTheatre.org. Student and senior discounts available. Groups of 10 or more may purchase discounted tickets by calling Kate Vangeloff at 773-834-3243.

Tartuffe
A devilish comedy about the art of deception and the price of misplaced faith, Molière’s Tartuffe reveals a tale as outrageous as it is insightful. When the cunning imposter Tartuffe wields a pretense of piety to capture the imagination of aging family-man Orgon, the scoundrel succeeds in insinuating himself into the patriarch’s home, throwing Orgon’s family into utter chaos. As Orgon’s foolish infatuation with Tartuffe’s fraudulent religious fervor grows, the depth of Tartuffe’s deception turns dangerous. Artistic Director Charles Newell directs the French classic Tartuffe with a provocative contemporary approach that will illicit deep laughter of recognition.

The cast of Tartuffe includes Philip Earl Johnson (Tartuffe), Kamal Angelo Bolden (Damis), Patrese D. McClain (Elmire), A.C. Smith (Orgon), Travis Turner (Valere), Elizabeth Ledo (Darine), Michael Pogue (Cleante), Grace Gealey (Mariane), Allen Gilmore (Mme Pernelle), and Erik Hellman (Laurant).  Additional cast to be announced.

The creative team includes John Culbert (scenic design), Jacqueline Firkins (costume design), Keith Parham (lighting design), Joshua Horvath (sound design), Drew Dir (dramaturgy). Sara Gammage is the Production Stage Manager and William Collins is the Stage Manager.

Tartuffe will run June 20 – July 14, 2013 at Court Theatre, 5535 S. Ellis Avenue. Previews are June 20 – June 27, 2013.  The opening press performance is on Friday, June 28, 2013 at 8:00 p.m.  Curtain times are Wednesdays and Thursdays at 7:30 p.m.; Fridays and Saturdays at 8:00 p.m. with Saturday matinees at 3 p.m.; Sundays at 2:30 p.m. and 7:30 p.m.

Ticket prices are $35 to $45 for preview performances; $45 to $65 for regular run performances. Tickets are available at the Box Office, 5535 S. Ellis Avenue, Chicago; (773) 753-4472 or online at www.CourtTheatre.org. Student and senior discounts available. Groups of 10 or more may purchase discounted tickets by calling Kate Vangeloff at 773-834-3243.


ABOUT THE ARTISTS
Charles Newell (Artistic Director/Director) has been Artistic Director of Court Theatre since 1994, where he has directed over 30 productions. He made his Chicago directorial debut in 1993 with The Triumph of Love, which won the Joseph Jefferson Award for Best Production. Directorial highlights at Court include James Joyce’s “The Dead,” Angels in America, An Iliad, Porgy and Bess, Three Tall Women, The Year of Magical Thinking, The Wild Duck, Caroline, Or Change, Titus Andronicus, Arcadia, Man of La Mancha, Uncle Vanya, Raisin, The Glass Menagerie, Travesties, Who’s Afraid of Virginia Woolf?, Hamlet, and The Invention of Love.  Charlie has also directed at the Goodman Theatre (Rock ‘n’ Roll), the Guthrie Theater (Resident Director: The History Cycle, Cymbeline), Arena Stage, John Houseman’s The Acting Company (Staff Repertory Director), the California and Alabama Shakespeare Festivals, Juilliard, and New York University. He is the recipient of the 1992 TCG Alan Schneider Director Award. He has served on the Board of Theatre Communications Group, as well as on several panels for the National Endowment for the Arts. Opera directing credits include Marc Blitzstein’s Regina at the Lyric Opera of Chicago, and Rigoletto at Opera Theatre of St. Louis. Charlie is a multiple Joseph Jefferson Award (Chicago’s highest theatrical honor) nominee and recipient.

Kamal Angelo Bolden (Philinte – The Misanthrope; Damis - Tartuffe) was most recently seen at Court Theatre as Youngblood in August Wilson's Jitney, at A Red Orchid Theatre as Donell in The Opponent, at the Goodman Theatre as Tony in Paul Oakley Stovall's Immediate Family, and as Black Man/Actor 2 in the world premiere of We Are Proud to Present... at Victory Gardens Theater.  Since leaving Nashville for Chicago three years ago, Kamal has originated the roles of Jackie Robinson in the Chicago Children's Theatre's world premiere of Jackie and Me, and Chad Deity in Victory Gardens Theatre's world premiere of The Elaborate Entrance of Chad Deity. He has also worked with Actors Theatre of Louisville (The Elaborate Entrance of Chad Deity) and won a Black Theatre Alliance Award for Best Leading Actor for his work in Athol Fugard’s The Island at Remy Bumppo Theatre.  Kamal has appeared in many independent films and national commercials, and has made guest appearances on BOSS, Lights Out, and The Row.  He holds a B.S. in Business Administration-Entrepreneurship from Bradley University and is a proud Artistic Associate of Erasing the Distance.

Grace Gealey (Celimene – The Misanthrope; Mariane - Tartuffe) recently appeared in American Theater Company’s production of Rent, directed by David Cromer. Regional credits include: “Delilah” (Venus Flytrap), “Rosalita” (Skippy Jon Jones Mini-Tour, Theaterworks USA), “Maggie” (Cat on a Hot Tin Roof), “Anita” (West Side Story), “Vera Charles” (Mame), “Jenny Diver” (The Threepenny Opera), “Olivia” (Twelfth Night).

Allen Gilmore (Arsinoe – The Misanthrope; Mme Pernelle - Tartuffe) was last seen at Court Theater as Tumbo in Jitney and as Sizwe Banzi in Sizwe Banzi is Dead, both directed by Ron OJ Parson. He has recently performed at Yale Repertory Theatre and Berkeley Repertory Theatre in A Doctor In Spite of Himself. He just completed the run of A Servant of Two Masters at The Shakespeare Theater in Washington, D.C., and following Jitney, he will perform A Servant of Two Masters at Guthrie Theater in Minneapolis. Allen returns to Court in the spring for the Moliere comedies The Misanthrope and Tartuffe. He is a proud artistic associate of Next Theater and a proud ensemble member of Congo Square Theater Company.

Erik Hellman (Alceste – The Misanthrope; Laurant - Tartuffe) happily returns to Court after previously appearing in Comedy of Errors, The Mystery of Irma Vep (for which he received a Joseph Jefferson Award nomination for lead actor), Titus Andronicus, and Arcadia. His recent Chicago credits include Eastland (Lookingglass Theatre); Hesperia (Writers’ Theatre); Madness of  King George III, Taming of the Shrew, and Macbeth and Edward II (Chicago Shakespeare Theatre); Honest, Elephant Man, and Huck Finn (Steppenwolf Theatre); All My Sons (Timeline); The Busy World is Hushed (Next Theatre); Tartuffe (Remy Bumppo); Hatfield, and McCoy (The House Theatre of Chicago); and multiple performances as an ensemble member of Strawdog Theatre Company. Outside of Chicago, Erik has appeared at the Milwaukee Repertory Theatre, Geva Theatre, Syracuse Stage, Indianapolis Repertory Theatre, Shakespeare Santa Cruz, Houston’s Stages Repertory Theatre and Off-Broadway at The Mirror Repertory Theatre. In film and on TV, he has appeared in The Dark Knight, The Chicago Code, and Boss.



Phillip Earl Johnson (Tartuffe - Tartuffe) returns to Court Theatre having just played Gabriel Conroy in James Joyce’s “The Dead” and Tom Sergeant in Skylight. Other credits include The Mystery Cycle (Jesus) at Court Theatre and the National tour of Angels in America (Joe). Other Chicago credits include Talking Pictures (Willis) at the Goodman Theatre, Old Glory (Peter) at Writers’ Theatre, The Big Meal (Man #2) at American Theater Company, Picasso at the Lapin Agile (Picasso) at Steppenwolf Theatre Company, and The Herbal Bed (Rafe) at Chicago Shakespeare Theater.  Regional credits include Cyrano de Bergerac (Cyrano) at the Illinois Shakespeare Festival.  Recent television credits include Chicago Fire (NBC) and Unemployed (MTV).  Philip Earl Johnson has also performed for 23 years as MooNiE the Magnif’Cent.

Elizabeth Ledo (Basque/DuBoise/Guard – The Misanthrope; Darine - Tartuffe) previously appeared at Court in The Comedy of Errors, The Real Thing, Uncle Vanya, and Titus Andronicus.  Chicago credits include: Boleros for the Disenchanted (Goodman Theatre), Amadeus, Midsummer Night’s Dream, and Funk It Up About Nothin’ (Chicago Shakespeare Theater), Morningstar and Homebody/Kabul (Steppenwolf Theatre), The Old Curiosity Shop (Lookinglass Theatre), Arms and the Man (Writers’ Theatre), The Chalk Garden (Northlight Theatre), Barefoot in the Park and The Odd Couple (Drury Lane), Say You Love Satan (About Face Theatre), Pinocchio (Marriot Lincolnshire Theatre). Regional credits include: Romeo and Juliet and Comedy of Errors (Summer Shakespeare at Notre Dame), Arcadia (Indiana Repertory Theatre) and 20 productions with Milwaukee Repertory Theatre where some favorites include Almost Maine, Escape From Happiness, The Lonesome West, Wit, The Clean House, and The Crucible.  Elizabeth is a voice talent with Stewart Talent Agency and has done numerous televisions and radio spots as well as a regular with The Twilight Zone Radio Dramas produced by The Falcon Picture Group.  Elizabeth is a proud graduate of Loyola University of Chicago and has been a member of Actors Equity since 1999.

Patrese D. McClain (Eliante – The Misanthrope; Elmire - Tartuffe) previously appeared at Court Theatre in Spunk. She was recently seen in Ruined (St. Louis Black Repertory Company) and ABC’s Detroit 1-8-7. Chicago credits include Goodman Theatre, Lookingglass Theatre Company, and CollaborAction Theatre, where she is a proud member. Regional credits include Two Trains Running (Geva Theatre Center, Rochester, NY) and a Kevin Kline-nominated performance in Crumbs from the Table of Joy (Mustard Seed Theatre, St. Louis). She received her B.F.A. from Howard University and her M.F.A. from Pennsylvania State University. Patrese is also the Executive Director of Pure ART, a non-profit organization that offers arts education outreach to inner city youth and produces events to showcase local artists.

Michael Pogue (Clitandre – The Misanthrope; Cleante - Tartuffe) returns to Court Theatre where he previously appeared in Angels in America and Spunk. His other credits include The Brother/Sister Plays and Carter’s Way at Steppenwolf Theatre Company; Radio Golf at Raven Theatre; Lobby Hero at Redtwist Theatre; Night and Day at Remy Bumppo Theatre Company; and Six Degrees of Separation at Eclipse Theatre Company.

A.C. Smith (Oronte – The Misanthrope; Orgon - Tartuffe) makes his seventh appearance at Court Theatre. Past productions include, Jitney, the world premiere of Invisible Man, Fences (Jeff Award – Actor in a Principal Role – Play), The First Breeze of Summer, The Piano Lesson, and Ma Rainey’s Black Bottom.  Smith, a Chicago native, has performed in many theaters here, including Victory Gardens Theatre, Timeline Theatre Company, Steppenwolf Theatre Company, Goodman Theatre, Chicago Center for the Performing Arts, Illinois Theatre Center, Second City, and Chicago Shakespeare Theater. Smith has also performed in many regional theatres all across the country. When not in Chicago, he can often be seen performing at the St. Louis Black Repertory Company, where he has been a member for over seventeen years, and is a nine time Woody King Jr. Award winner.

Travis Turner (Acaste – The Misanthrope; Valere - Tartuffe) returns to Court Theatre where his credits include The Gershwins’ Porgy and Bess, Carousel (also Long Wharf Theatre in New Haven, CT) and Raisin (Black Theatre Alliance Award Nomination, Best Featured Actor). Other credits include: Britten's A Midsummer Night's Dream (Lyric Opera of Chicago); Loving Repeating: A Musical of Gertrude Stein (About Face); Ragtime and High School Musical (Drury Lane Oakbrook); Hairspray, The 25th Annual Putnam Co. Spelling Bee, High School Musical and Footloose (Marriott Lincolnshire); Willy Wonka, Short Shakespeare! The Taming of the Shrew, Seussical and The Princess and the Pea (Chicago Shakespeare). Education/ Training: Northwestern and the School at Steppenwolf.


Now in its 58th season, Court Theatre is guided by its mission to discover the power of classic theatre. Court endeavors to make a lasting contribution to American theatre by expanding the canon of translations, adaptations, and classic texts. Court revives lost masterpieces, illuminates familiar texts, and distinguishes fresh, modern classics. Court engages and inspires its audience by providing artistically distinguished productions, audience enrichment activities, and student educational experiences.

Court Theatre is the professional theatre in residence at the University of Chicago continuing to discover the power of classic theatre. Court Theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. Productions are made possible in part by a grant from the Illinois Arts Council, a state agency, and by a City Arts grant from the City of Chicago Department of Cultural Affairs. Court Theatre is a constituent of Theatre Communications Group, the national organization for the American Theatre; the League of Resident Theatres; the Illinois Humanities Council; the Arts Alliance Illinois; the League of Chicago Theatres; and Hyde Park Cultural Alliance.

FACT SHEET
The Misanthrope
In a society where social graces reign supreme, the cynical Alceste causes a scandal when he refuses to play his part in the charade. Torn between his love for the coquettish Célimène and the pretenses he so despises, Alceste finds himself alone in a world where words are brandished like weapons and status is defined by style. Unwilling to play the hypocrite any longer, Alceste must decide his destiny. Artistic Director Charles Newell returns to his roots in the French Baroque to give this wickedly funny and deliciously droll comedy of manners new life.

Title:        The Misanthrope
Written by:    Molière
Adaptation by:   Richard Wilbur
Directed by:    Charles Newell
Featuring:    Kamal Angelo Bolden (Philinte), Patrese D. McClain (Eliante), A.C. Smith (Oronte), Travis Turner (Acaste), Elizabeth Ledo (Basque/DuBoise/Guard), Michael Pogue (Clitandre), Grace Gealey (Celimene), Allen Gilmore (Arsinoe), and Erik Hellman (Alceste)
Dates:        Previews: May 9 – May 17, 2013
    Press opening: Saturday, May 18, 2013 at 8:00PM        
Regular run:     May 22 - June 9, 2013
Schedule:         Wed & Thurs:     7:30 PM
Fridays:    8:00 PM
Saturdays:    3:00 PM & 8:00 PM 
Sundays:          2:30 PM & 7:30 PM
Location:    Court Theatre, 5535 S. Ellis Ave.
Tickets:        $35-$45 previews
        $45-$65 regular run
Box Office:    Located at 5535 S. Ellis Avenue, Chicago; (773) 753-4472 or online www.CourtTheatre.org

Tartuffe
A devilish comedy about the art of deception and the price of misplaced faith, Molière’s Tartuffe reveals a tale as outrageous as it is insightful. When the cunning imposter Tartuffe wields a pretense of piety to capture the imagination of aging family-man Orgon, the scoundrel succeeds in insinuating himself into the patriarch’s home, throwing Orgon’s family into utter chaos. As Orgon’s foolish infatuation with Tartuffe’s fraudulent religious fervor grows, the depth of Tartuffe’s deception turns dangerous. Artistic Director Charles Newell directs the French classic Tartuffe with a provocative contemporary approach that will illicit deep laughter of recognition.

Title:        Tartuffe
Written by:    Molière
Adaptation by:    Richard Wilbur
Directed by:    Charles Newell
Featuring:    Philip Earl Johnson (Tartuffe), Kamal Angelo Bolden (Damis), Patrese D. McClain (Elmire), A.C. Smith (Orgon), Travis Turner (Valere), Elizabeth Ledo (Darine), Michael Pogue (Cleante), Grace Gealey (Mariane), Allen Gilmore (Mme Pernelle), and Erik Hellman (Laurant).  Additional cast to be announced.
Dates:        Previews: June 20 – June 27, 2013
    Press opening: Friday, June 28 at 8:00PM        
Regular run:     July 3 – July 14, 2013 (no performance on July 4)
Schedule:         Wed & Thurs:     7:30 PM
Fridays:    8:00 PM
Saturdays:    3:00 PM & 8:00 PM 
Sundays:          2:30 PM & 7:30 PM
Location:    Court Theatre, 5535 S. Ellis Ave.
Tickets:        $35-$45 previews
        $45-$65 regular run
Box Office:    Located at 5535 S. Ellis Avenue, Chicago; (773) 753-4472 or online www.CourtTheatre.org

Thursday, January 10, 2013

ACT OUT OPENING: Court Theatre Present Skylight



Laura Rook as Kyra Hollis and Philip Earl Johnson as Tom Sergeant. Photo Credit: Joe Mazza


COURT THEATRE PRESENTS SKYLIGHT
WRITTEN BY DAVID HARE
DIRECTED BY WILLIAM BROWN


January 10 - February 10, 2013

Court Theatre Artistic Director Charles Newell and Executive Director Stephen J. Albert present Skylight, written by David Hare, and directed by William Brown. Skylight will run January 10 – February 10, 2013 at Court Theatre, 5535 S. Ellis Avenue. 

  • Skylight was awarded the Laurence Olivier Theatre Award for Best Play in 1996 and was nominated for the Tony Award for Best Play in 1997.


A chamber play of surprising force, David Hare’s Skylight captures a cultural rift as powerful and polarizing today as it was when the piece premiered at the National Theater in Great Britain in 1995. On a bitterly cold London evening, schoolteacher Kyra Hollis (Laura Rook) receives an unexpected visit from her former lover, Tom Sergeant (Philip Earl Johnson), a successful and charismatic restaurant owner whose wife has just passed away. As the night wears on, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires. Director William Brown makes his Court Theatre debut with this intimate, contemporary drama.

  • This marks William Brown’s 16th production with Court Theatre, but his first as a director. He made his Chicago acting debut thirty years ago at Court Theatre as one of the twins in You Never Can Tell. 

“I'm thrilled to be making my Court Theatre directorial debut with Skylight,” said Director William Brown. “It's a powerful, intimate drama. Every scene in the play is a two-person scene which makes it my favorite type of play to direct. Plus, the play is in such good hands with the actors—Phil and Laura, the two leads, have undeniable chemistry, and with Matt Farabee, it's an extraordinary cast.”

The cast of Skylight includes Laura Rook as Kyra Hollis, Philip Earl Johnson as Tom Sergeant and Matt Farabee as Edward Sergeant.


  • Philip Earl Johnson, who returns to Court Theatre after just having played “Gabriel Conroy” in James Joyce’s “The Dead” has also performed for 23 years as MooNiE the Magnif’Cent.


The creative team includes Todd Rosenthal (scenic design), Rachel Healy (costume design), Jesse Klug (lighting design), Andy Hansen (sound design), John DiResta (assistant director). Sara Gammage is the production stage manager, and Amber Johnson. Eva Breneman is the dialect coach and Maren Robinson is the dramaturg.

ABOUT THE ARTISTS
DAVID HARE (Playwright) is a British playwright and prominent member of the British theatrical left. A founder of the Portable Theatre and the Joint Stock, he became resident dramatist and literary manager of the Royal Court Theatre, London (1967-71), and at the Nottingham Playhouse (1973). His plays are personal dramas, often presented in a historical context. Among the best of his early works is Teeth 'n' Smiles (1975), a satirical commentary on the state of modern British society. He achieved wide critical and popular acclaim with Plenty (1978), a dramatic tour-de-force for its female star, which deals with disillusionment in post-World War II Britain. His most successful play was Pravda (1985), which he wrote with his frequent collaborator Howard Brenton. The 1998-99 Broadway season marked a peak in Hare's success, featuring productions of The Judas Kiss, The Blue Room, and Amy's View, as well as a one-man play, Via Dolorosa, performed by Hare. The Breath of Life (2002) is a caustic study of two women in late middle age abandoned by the same man, roles originated in London by Dames Judi Dench and Maggie Smith. Stuff Happens (2004) is a bitingly topical examination of the Iraq war, repeatedly updated, with actors playing George W. Bush, Tony Blair, Colin Powell, and other real-life characters. The Iraq war is also central to The Vertical Hour (2006), the first of Hare's plays to debut on Broadway.

  • Playwright David Hare has been awarded the John Llewellyn Rhys Prize (1975), BAFTA Award (1979), the New York Drama Critics Circle Award (1983), the Berlin Film Festival Golden Bear (1985), the Olivier Award (1990), and the London Theatre Critics' Award (1990). He has been nominated for Broadway's Tony Award three times as the author of a Best Play (Plenty – 1983; Racing Demon – 1996; Skylight – 1997). Hare has also been nominated for two Academy Awards for Best Adapted Screenplay (The Hours – 2003; The Reader – 2009). He was knighted in 1998 for his services to drama.


WILLIAM BROWN (Director) most recently directed the world premiere of Wasteland at TimeLine Theatre Company where he also co-wrote and directed the world premiere of To Master the Art. For Writers’ Theatre, where he has directed twelve productions, he most recently directed A Little Night Music. At American Players Theatre he directed Troilus and Cressida as well as The Critic, Another Part of the Forest, Comedy of Errors, Hay Fever, A Midsummer Night's Dream, The Night of the Iguana, The Matchmaker, Twelfth Night, The Cherry Orchard, and Antony and Cleopatra. He has also directed plays at Goodman Theatre, Northlight Theatre, Indiana Repertory Theatre, and Milwaukee Repertory Theatre and is the Associate Artistic Director of Montana Shakespeare in the Parks. Bill made his Chicago acting debut thirty years ago at Court Theatre as one of the twins in You Never Can Tell.

MATT FARABEE (Edward Sergeant) has appeared in Chicago in punkplay (Steppenwolf Garage); MilkMilkLemonade (Pavement Group); Elizabeth Rex (Chicago Shakespeare Theater); Tigers Be Still (Theater Wit); and The Trestle at Pope Lick Creek (Eclipse Theatre Company).  Off Broadway credits include A Bright New Boise at Partial Comfort.  Regional credits include Lord of the Flies and One Flew Over the Cuckoo’s Nest at Round House Theatre.  Matt is a graduate of the University of North Carolina at Chapel Hill and is represented by Paonessa Talent. 

PHILLIP EARL JOHNSON (Tom Sergeant) returns to Court Theatre having just played Gabriel Conroy in James Joyce’s “The Dead.” Other credits include The Mystery Cycle (Jesus) at Court Theatre and the National tour of Angels in America (Joe). Other Chicago credits include Talking Pictures (Willis) at the Goodman Theatre, Old Glory (Peter) at Writers’ Theatre, The Big Meal (Man #2) at American Theater Company, Picasso at the Lapin Agile (Picasso) at Steppenwolf Theatre Company, and The Herbal Bed (Rafe) at Chicago Shakespeare Theater.  Regional credits include Cyrano de Bergerac (Cyrano) at the Illinois Shakespeare Festival.  Recent television credits include Chicago Fire (NBC) and Unemployed (MTV).  Philip Earl Johnson has also performed for 23 years as MooNiE the Magnif’Cent.

LAURA ROOK (Kyra Hollis) makes her Court Theatre debut. Recent credits include productions at American Players Theater, Montana Shakespeare in the Parks, Illinois Shakespeare Festival, Writers’ Theatre, Bohemian Theatre, Silk Road Rising, and XIII Pocket. This spring she will appear as “Juliet” in Chicago Shakespeare Theater’s Short Shakespeare! Romeo and Juliet. Laura holds a BFA from the Chicago College of Performing Arts at Roosevelt University and is represented by Paonessa Talent.

CHARLES NEWELL (Artistic Director) has been Artistic Director of Court Theatre since 1994, where he has directed over 30 productions. He made his Chicago directorial debut in 1993 with The Triumph of Love, which won the Joseph Jefferson Award for Best Production. Directorial highlights at Court include James Joyce’s “The Dead,” Angels in America, An Iliad, Porgy and Bess, Three Tall Women, The Year of Magical Thinking, The Wild Duck, Caroline, Or Change, Titus Andronicus, Arcadia, Man of La Mancha, Uncle Vanya, Raisin, The Glass Menagerie, Travesties, Who’s Afraid of Virginia Woolf?, Hamlet, and The Invention of Love.  Charlie has also directed at the Goodman Theatre (Rock ‘n’ Roll), the Guthrie Theater (Resident Director: The History Cycle, Cymbeline), Arena Stage, John Houseman’s The Acting Company (Staff Repertory Director), the California and Alabama Shakespeare Festivals, Juilliard, and New York University. He is the recipient of the 1992 TCG Alan Schneider Director Award. He has served on the Board of Theatre Communications Group, as well as on several panels for the National Endowment for the Arts. Opera directing credits include Marc Blitzstein’s Regina at the Lyric Opera of Chicago, and Rigoletto at Opera Theatre of St. Louis. Charlie is a multiple Joseph Jefferson Award (Chicago’s highest theatrical honor) nominee and recipient.

STEPHEN J. ALBERT (Executive Director) is a founding Partner in Albert Hall & Associates, LLC a leading arts consulting firm. Prior to forming the consulting practice, Albert was recognized as a leading arts manager. He has led some of America’s most prestigious theatres, including the Mark Taper Forum/Center Theatre Group, Alley Theatre, and Hartford Stage Company. Albert began his career with the Mark Taper Forum/Center Theatre Group in Los Angeles where he worked in senior management positions for over a decade, rising to Managing Director. He went on to become Executive Director of Houston’s Alley Theatre where he led a turnaround that stabilized the organization, enabling the Alley to return to national standing and drove a capital campaign that secured the organization’s future. At Hartford Stage, his partnership with Mark Lamos resulted in some of the theatre’s most successful seasons and reinforced Hartford Stage’s position at the forefront of the regional theatre movement. During his tenure in Hartford, Mr. Albert led the initiative to create a 25,000 square foot, state-of-the-art production center, securing the donation of the facility and the funding for its renovation. Albert has served as both President and Vice President of the League of Resident Theatres (LORT) and as a board member of Theatre Communications Group (TCG). He has also written and produced a variety of productions for television, is an ACE Award nominee, and has been an associate producer of numerous acclaimed Broadway productions. He is a Senior Fellow with the American Leadership Forum, a graduate of the University of Southern California and holds a MBA from the UCLA Graduate School of Management.

Previews are January 10 – January 18, 2013.  The opening press performance is on Saturday, January 19, 2013 at 8:00 p.m. Curtain times are Wednesdays and Thursdays at 7:30 p.m.; Fridays and Saturdays at 8:00 p.m. with Saturday matinees at 3 p.m.; Sundays at 2:30 p.m. and 7:30 p.m.

Ticket prices are $35 to $45 for preview performances; $45 to $65 for regular run performances. Tickets are available at the Box Office, 5535 S. Ellis Avenue, Chicago; (773) 753-4472 or online at www.CourtTheatre.org. Student and senior discounts available. Groups of 10 or more may purchase discounted tickets by calling Kate Vangeloff at 773-834-3243.

Skylight is sponsored by Kirkland and Ellis.

Now in its 58th season, Court Theatre is guided by its mission to discover the power of classic theatre. Court endeavors to make a lasting contribution to American theatre by expanding the canon of translations, adaptations, and classic texts. Court revives lost masterpieces, illuminates familiar texts, and distinguishes fresh, modern classics. Court engages and inspires its audience by providing artistically distinguished productions, audience enrichment activities, and student educational experiences.


Laura Rook as Kyra Hollis and Philip Earl Johnson as Tom Sergeant. Photo Credit: Joe Mazza

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