Chicago Premiere of RIGHT TO BE FORGOTTEN Via Raven Theatre February 9 – March 26, 2023

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Raven Theatre Presents the Chicago Premiere of

RIGHT TO BE FORGOTTEN

By Sharyn Rothstein

Directed by Sarah Gitenstein

February 9 – March 26, 2023

PHOTO CREDIT: The cast of Raven Theatre’s Chicago premiere of Right To Be Forgotten includes (top, l to r) Lucy Carapetyan, Kroydell Galima and Susaan Jamshidi with (bottom, l to r) Kelsey Elyse Rodriguez, Adam Shalzi and Jamila Tyler.

  

Raven Theatre, Chicago’s newest Equity-affiliated theatre, is pleased to continue its 40th Anniversary Season with the Chicago premiere of Right To Be Forgotten, Sharyn Rothstein’s smart and timely story about human forgiveness in the age of the internet. Directed by Sarah Gitenstein, Right To Be Forgotten will play February 9 – March 26, 2023 in Raven’s 85-seat East Stage, 6157 N. Clark St. (at Granville) in Chicago. I'll be out for the press opening February 13th, so check back soon for my full review.

The cast includes Lucy Carapetyan, Kroydell Galima, Susaan Jamshidi, Kelsey Elyse Rodriguez, Adam Shalzi and Jamila Tyler.

Single tickets are now on sale at raventheatre.com or by calling (773) 338-2177. 

The internet never forgets, and Derril Lark’s mistake at 17 haunts him online a decade later. Desperate for a normal life, he goes to extraordinary lengths to erase his indiscretion. But freedom of information is a big business, and the tech companies aren’t going down without a fight. Secrets, lies and political backstabbing abound in this riveting new drama about one man’s fierce battle to reclaim his privacy by Primus Prize winning playwright Sharyn Rothstein (By the Water, Northlight Theatre).

Comments Director Sarah Gitenstein, “As the internet continues to record our personal narrative, from social media to the cloud, we must grapple with the concept that our memory, however subjective, has become permanent. Who we were and mistakes we may have made are cataloged, searchable and available for reinvestigation. But what if that could change? The European Union has recently legislated The Right to be Forgotten, an act that allows individuals to request the removal of personal information from search engines. But in the American constitutional system, where freedom of speech is protected, such an act is nearly impossible to adopt. So, what happens to people who want to escape the new digital permanence of memory? I’m excited to dig into these questions and ideas as we start work on Sharyn Rothstein’s nuanced take on the inescapable impact the internet has on our lives.”

The production team includes Jeffrey D. Kmiec (Scenic Designer), Finnegan Chu (Costume Designer), Liz Gomez (Lighting Designer), Eric Backus (Sound Designer), Ivy Treccani (Props Designer), Reese Craig and Liviu Pasare (Projection Designers), Sarah Slight (Dramaturg), Nora Geffen (Assistant Dramaturg), Catherine Miller (Casting Director), Mia Thomas (Assistant Costume Designer), Tor Campbell (Assistant Director), Lorenzo Blackett (Production Manager), Alan Weusthoff (Technical Director), Rose Johnson (Scenic Artist), Mark Brown (Master Electrician), James Chapman (Stage Manager) and Shana Gordon (Assistant Stage Manager).

COVID-19 safety: Raven Theatre will require patrons to wear a face mask at all times inside the building (when not eating or drinking in the lobby). The theatre will no longer require patrons to provide proof of vaccination to attend a production. If you are experiencing symptoms of COVID-19, please contact the box office to reschedule your tickets free of charge. For all of Raven’s current COVID-19 protocols, visit raventheatre.com/covid-19.

Chicago Theatre Week

Right To Be Forgotten will be featured as part of Chicago Theatre Week, an annual celebration of the rich tradition of theatre-going in Chicago during which visitors and residents can access $15 or $30 value-priced tickets. As a program of the League of Chicago Theatres, in partnership with Choose Chicago, Chicago Theatre Week takes place February 16 – 26, 2023. Find more information at ChicagoTheatreWeek.com. Raven Theatre will offer $30 tickets to performances of Right To Be Forgotten.

Cast (in alphabetical order): Lucy Carapetyan (Annie Zahirovic), Kroydell Galima (Alvaro Santos), Susaan Jamshidi (Marta Lee), Kelsey Elyse Rodriguez (Sarita Imari), Adam Shalzi (Derril Lark) and Jamila Tyler (Eve Selinsky).

Location: Raven Theatre East Stage, 6157 N. Clark St. (at Granville), Chicago

Dates: Previews: Thursday, February 9 at 7:30 pm, Friday, February 10 at 7:30 pm, Saturday, February 11 at 7:30 pm and Sunday, February 12 at 3 pm

Press performance: Monday, February 13 at 7:30 pm

Regular run: Thursday, February 16 – Sunday, March 26, 2023

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm.

Tickets: Previews $30. Regular run $40. Students/active military and veterans $15. Single tickets are currently available at raventheatre.com or by calling (773) 338-2177.

 

Closed Captioned performance: Sunday, March 5 at 3 pm. Note: screens are limited.

Touch Tour: Sunday, March 12 – 1:30 pm touch tour, 3 pm performance.

These accessibility features are available at no additional cost, with advance reservations required by contacting the box office at info@raventheatre.com or (773) 338-2177.

Group tickets: Special group rates are available. For information, call (773) 338-2177 or e-mail info@raventheatre.com.

 

Plan Your Visit:

Free parking is provided in a lot adjacent to the theatre – additional street parking is available. Nearest El station: Granville Red Line. Buses: #22 (Clark), #36 (Broadway), #151 (Sheridan), #155 (Devon), #84 (Peterson).

 

About the Artists

Sharyn Rothstein (Playwright) is an award-winning playwright and television writer. Her plays and musicals have been produced around the country, as well as internationally. Sharyn is currently writing for the spin-off of the sci-fi hit Orphan Black, soon to be on AMC, and was a writer and producer for the USA legal drama SUITS for many years. Her play By The Water was first produced by Manhattan Theater Club and Ars Nova and was the recipient of the American Theater Critic’s Association Francesca Primus Prize. Her play All The Days was produced at the McCarter Theater Center, directed by Emily Mann, and her technology drama Right To Be Forgotten premiered at Arena Stage, directed by Seema Sueko. Her audio drama Deep Fake, commissioned by Audible, was released this past fall. Sharyn holds an MFA in dramatic writing from NYU's Tisch School of the Arts, and a Masters in Public Health from Hunter College. She teaches television writing at NYU, and lives in Brooklyn and Maine.

Sarah Gitenstein (Director) is a freelance director and educator in Chicago and works as the Associate Producer to the MFA Theater Program at Northwestern University. She hails from Washington, D.C. and graduated from Kenyon College (BA Theater) and Northwestern University (MFA Directing). Directing credits include work at American Theater Company, Court Theatre, Curious Theatre, The Gift, Raven Theatre and A Red Orchid Theatre. For The New Coordinates, Sarah directed Kate and Sam Are Not Breaking Up (Jeff Nomination – New Work) and the world premiere, Off-Broadway, national tour and commercial runs of 5 Lesbians Eating a Quiche (Winner Best Production 2012 New York International Fringe Festival). Sarah is an adjunct professor at Northwestern University, where she teaches about her research in Best Practices in Directing. www.sarahgitenstein.com

About Raven Theatre

Raven Theatre tells stories of today and the past that connect us to our cultural landscape. Through its plays, as well as its educational programming, Raven is committed to serving our communities’ needs through the arts.

Raven Theatre Company is funded in part by The MacArthur Fund for Culture, Equity, and the Arts at Prince, Polk Bros Foundation, The Shubert Foundation, S&C Electric Company Fund, Paul M. Angell Foundation, The Gaylord and Dorothy Donnelley Foundation and the Illinois Arts Council, a state agency.

Chicago Premiere of Last Night and the Night Before Via Steppenwolf April 6 – May 14, 2023

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Chicago premiere of Donnetta Lavinia Grays’ 

Last Night and the Night Before

 at Steppenwolf Theatre April 6 – May 14, 2023

PHOTO CREDIT: The cast of Steppenwolf Theatre Company’s Chicago premiere of Last Night and the Night Before includes (top, l to r) ensemble member Namir Smallwood with Ayanna Bria Bakari and Sydney Charles (bottom, l to r), Aliyana Hamood, Kylah Renee Jones and Jessica Dean Turner.

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased to continue its 47th season with the Chicago premiere of Donnetta Lavinia Grays’ Last Night and the Night Before, a powerful, poetic exploration of what it takes to create a future from a past you long to forget. Directed by Valerie Curtis-Newton, Last Night and the Night Before will play April 6 – May 14, 2023 in Steppenwolf’s Downstairs Theater, 1650 N. Halsted St. in Chicago. I'll be out for the press opening, April 16th, so check back soon for my full review.

Last Night and the Night Before will feature ensemble member Namir Smallwood with Ayanna Bria Bakari, Sydney Charles, Aliyana Hamood, Kylah Renee Jones and Jessica Dean Turner.

Monique is on the run. From what, she will not say. Showing up on the doorstep of her sister’s Brooklyn brownstone with her timid daughter Sam – and without her husband – their arrival raises more questions than it answers. As the specter of their abandoned life in Georgia creeps back into focus, the family is forced to consider what must be sacrificed to break a cycle of despair. Poetic and heartbreaking, Donnetta Lavinia Grays’ stunning portrait of Black Love explores what it takes to nurture family in an often-cruel world. 

Single tickets for Last Night and the Night Before starting at $20 are now on sale at steppenwolf.org and the Box Office at (312) 335-1650.

Steppenwolf 2022-23 Flex Memberships are currently on sale: Black Card Memberships with six tickets for use any time for any production, and Red Card Memberships for theatergoers under 30.  

The creative team includes Regina García (Scenic Design), Izumi Inaba (Costume Design) Mary Louise Geiger (Lighting Design), Larry Fowler (Sound Design), Kirsten Baity (Intimacy Choreographer), Gigi Buffington (Company Voice & Text Coach), Tom Pearl (Producing Director), JC Clementz, CSA (Casting Director), Laura D. Glenn (Production Stage Manager) and Jaclynn Joslin (Assistant Stage Manager). For full cast and creative team bios, visit steppenwolf.org/tickets--events/seasons-/2022-23/last-night-and-the-night-before/.

 

Artist Biographies:

Donnetta Lavinia Grays (Playwright) is the author of Where We Stand (Lucille Lortel, Drama League, and AUDELCO award nominee), Last Night and the Night Before, Warriors Don’t Cry, Laid to Rest and The Review or How to Eat Your Opposition. She is the recipient of The Whiting Award for Drama, Helen Merrill Playwright Award, The National Theater Conference’s Stavis Playwright Award, Lilly Award, Todd McNerney National Playwriting Award and the Doric Wilson Independent Playwright Award. For television, she has staffed on Spectrum’s Manhunt, FX’s Y: The Last Man and served as Executive Story Editor on Joe Vs. Carole for Peacock. Broadway acting credits include The Skin of Our Teeth, In The Next Room, or the vibrator play and Well. Off-Broadway: Where We Stand (WP Theater/Baltimore Centerstage), Men on Boats (Playwrights Horizons/Clubbed Thumb) O, Earth (The Foundry Theatre), In the Footprint (The Civilians, as an Associate Artist) and Shipwrecked! An Entertainment (Primary Stages). Film: The Book of Henry, Wild Canaries, The English Teacher and The Wrestler. TV: Recurring roles on New Amsterdam, Happy, Rubicon, Mercy and Law and Order: SVU. And guest starring roles on High Maintenance, The Night Of, Blue Bloods, The Blacklist, A Gifted Man, Law & Order, Law & Order: CI and The Sopranos.

Valerie Curtis-Newton (Director) is currently Head of Directing at the University of Washington School of Drama and serves as the Founding Artistic Director for The Hansberry Project, a professional African American theatre lab. She has worked with professional theatres across the country including: The Guthrie Theatre, Denver Center for the Performing Arts, Seattle Rep, Playmakers Repertory Company, Actors’ Theatre of Louisville, Alabama Shakespeare Festival, Intiman Theatre, Seattle Children’s Theatre, The Mark Taper Forum, New York Theatre Workshop and Southern Repertory Theatre, among others. Awards: 2020: Seattle Times Most Influential People of the Last Decade; 2019: Theatre Puget Sound - Gregory Falls Award for Sustained Achievement; 2016: Seattle Times Footlight Award (Best in Show); 2014: Stranger Genius Awards in Performance and the Crosscut Courage Award for Culture; 2012: Gypsy Rose Lee Award for Excellence in Direction; 2001: Stage Directors and Choreographers Foundation’s (SDCF) Gielgud Directing Fellowship; 1997-1999: NEA/TCG Career Development Fellowship for Directors.

 

The Expanded Steppenwolf Campus

Steppenwolf Theatre Company’s trailblazing new 50,000 square foot theater building and education center, the Liz and Eric Lefkofsky Arts and Education Center, was designed by world-renowned architect Gordon Gill FAIA of Adrian Smith + Gordon Gill Architecture, with construction by Norcon. The centerpiece of the new Arts and Education Center is the new 400-seat in-the-round Ensemble Theater in Honor of Helen Zell—one of its kind in Chicago—with theater design and acoustics by Charcoalblue.

The expanded Steppenwolf campus is a cultural nexus for Chicago, offering bold and ambitious opportunities for creative expression, social exchange, unparalleled accessibility, and arts-driven learning for Chicago youth in The Loft, Steppenwolf’s first-ever dedicated education space. The campus expansion also features bright new lobbies and two new full-service bars for socializing designed by fc STUDIO, inc. The $54 million new building is part of Steppenwolf’s multi-phase $73 million Building on Excellence expansion campaign. Learn more about Steppenwolf’s campus expansion at steppenwolf.org/buildingonexcellence.

A Safe Return

As the Chicago theatre community continues to navigate the COVID-19 pandemic, Steppenwolf Theatre remains committed to the safety of its patrons and staff. For the most up-to-date information on our venue’s COVID precautions, please visit steppenwolf.org/welcomeback.

Accessibility

Steppenwolf offers accessible services to ensure all audience members have access to our work, including American Sign Language interpretation, Spanish Language captions, wheelchair accessible seating and more. With questions, email access@steppenwolf.org.

Sponsor Information 

Last Night and the Night Before is supported in part by Conagra Brands Foundation. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from Northern Trust, Allstate Insurance Company, Amazon, ComEd, JPMorgan Chase, PNC and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council Agency. This project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events.

Steppenwolf Theatre Company is a Chicago theater that is home to America’s ensemble. The company began performing in the mid-1970s in the basement of a Highland Park, IL church—today Steppenwolf is the nation’s premier ensemble theater with 49 members who are among the top actors, playwrights and directors in the field. Deeply rooted in its ensemble ethos, the company is committed to equity, diversity, inclusion and making the Steppenwolf experience accessible to all. Groundbreaking productions from Balm in Gilead and August: Osage County to Downstate and Pass Over—and accolades that include the National Medal of Arts and 12 Tony® Awards—have made the theatre legendary. Artistic programming includes a main stage season; a Steppenwolf for Young Adults season; LookOut, a multi-genre performance series; and the Steppenwolf NOW virtual stage. The nationally recognized work of Steppenwolf Education engages more than 20,000 participants annually in Chicagoland communities promoting compassion, encouraging curiosity and inspiring action. While firmly grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. 2021 marked the opening of Steppenwolf’s landmark Liz and Eric Lefkofsky Arts & Education Center—deepening the company’s commitment to Chicagoland teens and serving as a cultural nexus for Chicago. Glenn Davis and Audrey Francis are the Artistic Directors and E. Brooke Flanagan is Executive Director. Keating Crown is Chair of Steppenwolf’s Board of Trustees.

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.        

 

Hell in a Handbag Productions’ Chicago premiere of I Promised Myself to Live Faster

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Chicago Premiere!

I PROMISED MYSELF TO LIVE FASTER

Conceived and Created by Pig Iron Theatre Company

Text by Greg Moss and Pig Iron

Directed by JD Caudill

March 23 – April 16, 2023 at The Chopin Theatre

PHOTO CREDIT: The cast of Hell in a Handbag Productions’ Chicago premiere of I Promised Myself to Live Faster includes (top, l to r) Kim Boler, David Cerda, Taylor Dalton, Lolly Extract and Sydney Genco (bottom, l to r) Caitlin Jackson, Tyler Anthony Smith, Emmanuel Ramirez, Ben Stacy and Robert Williams.

 

Hell in a Handbag Productions is pleased to continue its 21st season with the Chicago premiere of I Promised Myself to Live Faster, an intergalactic queer extravaganza featuring closeted extraterrestrials, high stakes pursuits and nuns from outer space, created and conceived by Pig Iron Theatre Company, with text by Greg Moss and Pig Iron and directed by JD Caudill*. I Promised Myself to Live Faster will play March 23 – April 16, 2023 at The Chopin Upstairs Theatre, 1543 W. Division St. in Chicago’s Wicker Park neighborhood. Tickets are now on sale at buytickets.at/hellinahandbagproductions/825817 or handbagproductions.org. I'll be out for the press opening March 26th, so check back shortly after for my full review. 

The cast includes ensemble members David Cerda*, Sydney Genco*, Caitlin Jackson*, Tyler Anthony Smith* and Robert Williams* with Kim Boler, Taylor Dalton, Lolly Extract, Emmanuel Ramirez and Ben Stacy. Understudies include Connar Brown, Andres Coronado, Abbey Demorow, Ashley Graham, Rebecca Husk, Brian Knoll, Michael Radford and Scott Sawa (performing March 30 – April 2).

This space epic tells the tale of our reluctant hero Tim (Robert Williams*) who’s been put through an emotional ringer these past few months. Tim’s life takes a radical turn when an order of intergalactic nuns charge him with a quest: retrieve the Holy Gay Flame from the clutches of the evil emperor to save the race of Homosexuals and restore the balance of power in the universe. Once Tim is captured by the fabulously androgynous Ah-Ni (David Cerda*), Tim goes places he never dreamed in this ridiculous and delirious allegorical adventure.

The production team includes Jonathan Berg-Einhorn (Scenic Designer), Beth Laske-Miller and Rachel Sypniewski (Costume Designers), Liz Cooper (Lighting Designer), Danny Rockett (Sound Designer), Bren Coombs (Props Designer), Jamal Howard (Choreographer), Lolly Extract/Jabberwocky Marionettes (Puppet Designer and Puppetry), Sydney Genco* (Make-up Designer), Keith Ryan* (Wigs Designer), Carly Belle Cason (Violence Designer), Spencer Douglas Clark (Intimacy Designer) and Leo Batutis and Scott Sawa (Assistant Directors).

*Denotes Handbag Ensemble Member

COVID safety: Masking is recommended, but not required. COVID guidelines may change in accordance with public health guidelines.

Cast (in alphabetical order): Kim Boler (Mother Superior), David Cerda* (Ah-Ni), Taylor Dalton (Nun #2), Lolly Extract (Ensemble/Puppetry), Sydney Genco* (King Trout), Caitlin Jackson* (Nun #1), Tyler Anthony Smith (Movie Star Boy), Emmanuel Ramirez (Ensemble), Ben Stacy (Ensemble) and Robert Williams* (Tim).

Understudies: Connar Brown (Ensemble/Puppetry), Andres Coronado (Movie Star Boy), Abbey Demorow (Nun #1), Ashley Graham (Mother Superior), Rebecca Husk (King Trout), Brian Knoll (Tim), Michael Radford (Ensemble) and Scott Sawa (Ah-Ni, performing March 30 – April 2).

Location: The Chopin Downstairs Theatre, 1543 W. Division St., Chicago

Previews: Thursday, March 23 at 7:30 pm, Friday, March 24 at 7:30 pm and Saturday, March 25 at 7:30 pm

Opening/Press performance: Sunday, March 26 at 7 pm

Regular run: Thursday, March 30 – Sunday, April 16, 2023

Curtain Times: Thursdays, Fridays & Saturdays at 7:30 pm; Sundays at 3 pm

Tickets: $24 previews. $42 general admission ($25 Thursday special), $61 VIP/reserved seating with drink ticket. Group rates $34 for 10 or more. Tickets are now on sale at buytickets.at/hellinahandbagproductions/825817 or handbagproductions.org. 

About the Artists     

Pig Iron Theatre Company (Creator, Text) has been creating original performance works in Philadelphia since 1995, making plays about live music, dead people, neuroscience and thwarted love affairs. A unique method of performance research and collaborative creation, plus a signature physical approach to character, has led to 29 plays, cabaret-ballets, hoaxes and installations over two decades. Past collaborations include work with the legendary director Joseph Chaikin, playwright Toshiki Okada, choreographer David Brick, composer Cynthia Hopkins and the rock band Dr. Dog. Pig Iron's work has been presented by FringeArts in Philadelphia and by theatres and festivals around the world. The company has won two Obie Awards, a Total Theatre Award and eight Barrymore Awards. Other scripts by Pig Iron are anthologized in Pig Iron: Three Plays, published by 53rd State Press. pigiron.org

Greg Moss (Text) is a writer, educator and performer from Newburyport MA. His work has been produced at Playwrights Horizons, Soho Rep, Steppenwolf, La Comédie-Française, EST-LA, Clubbed Thumb, Capital T Theatre and South Coast Rep, among others. His plays include Indian Summer, punkplay, Reunion, Billy Witch, House of Gold and sixsixsix. Upcoming: The Unauthorized Unofficial Hunter S. Thompson Musical at La Jolla Playhouse in September 2023. gregorymoss.com

JD Caudill (Director) is a queer director, artistic director, literary manager and music director, whose recent direction includes After the Blast (Broken Nose Theatre), Southern Comfort (Pride Films and Plays), Bechdel Fests 4-6 + 8 (Broken Nose Theatre), Book of Shadows (Broken Nose Theatre) and other plays at The New Colony, Haven Theatre, The Runaways Lab Theatre, New American Folk Theatre, Hobo Junction, 20% Theatre, Paragon Theatre, Otherworld Theatre, Arc Theatre, 16th Street Theatre, Stage Left, The Syndicates and Red Theatre. They are a proud ensemble member of Hell in a Handbag, where they have music directed countless shows, and recently became interim artistic director of Broken Nose Theatre, where they’ve served as a literary manager and ensemble member for the past five years.

 

About Hell in a Handbag Productions

Hell in a Handbag is dedicated to the preservation, exploration, and celebration of works ingrained in the realm of popular culture via theatrical productions through parody, music and homage. Handbag is a 501(c)(3) Not for Profit. For additional information, visit handbagproductions.org.

 

SAVE THE DATES: Chicago Premiere of Describe the Night Via Steppenwolf Theatre March 2 – April 9, 2023

ChiIL Live Shows On Our Radar

Steppenwolf Theatre continues its 47th Season

with the Chicago premiere of

Describe the Night

By ensemble member Rajiv Joseph

Directed by ensemble member Austin Pendleton

March 2 – April 9, 2023  

The cast of Steppenwolf Theatre’s Chicago premiere of Describe the Night includes (top row, l to r) Glenn Davis, James Vincent Meredith and Sally Murphy (middle row, l to r) Caroline Neff and Yasen Peyankov (bottom row, l to r) Karen Rodriguez, Jack Cain and Jon Hudson Odom.

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased to continue its 47th season with ensemble member Rajiv Joseph’s Chicago premiere of Describe the Night, directed by ensemble member Austin Pendleton. This thrilling mystery buried by years of history, fiction and conflict will play March 2 – April 9, 2023 in Steppenwolf’s stunning new in-the-round Ensemble Theater in Honor of Helen Zell, the centerpiece of its recently unveiled Liz and Eric Lefkofsky Arts and Education Center, 1646 N. Halsted St. in Chicago. I'll be out for the press opening March 12th, so check back shortly after for my full review.

Describe the Night will feature ensemble members Glenn Davis, James Vincent Meredith,Sally Murphy, Caroline Neff, Yasen Peyankov and Karen Rodriguez with Jack Cain and Jon Hudson Odom.

Truth is lie; lie is truth. 1920: Jewish writer Isaac Babel begins a journal while serving in war. Ninety years later, this same journal is found in the wreckage of a suspicious plane crash. What did Babel write, and why does it matter? Ensemble member Rajiv Joseph’s epic thriller ricochets through place and time following the unlikely lives of seven individuals – soldiers and poets, KGB agents and babushkas – as they unearth mysteries buried by decades of history, fiction and blood. 

Single tickets for Describe the Night starting at $20 are now on sale at steppenwolf.org and the Box Office at (312) 335-1650.

Steppenwolf 2022-23 Flex Memberships are currently on sale: Black Card Memberships with six tickets for use any time for any production, and Red Card Memberships for theatergoers under 30.  

 

Production Information

In Steppenwolf’s Ensemble Theater in Honor of Helen Zell, 1646 N. Halsted St., Chicago

March 2 – April 9, 2023

Press opening: Sunday, March 12, 2023 at 6 pm

Ticket information: Single tickets starting at $20 are now on sale at steppenwolf.org and the Box Office at (312) 335-1650.

The creative team includes Collette Pollard (Scenic Designer), Raquel Adorno (Costume Designer), Keith Parham (Lighting Designer), Pornchanok Kanchanabanca (Sound Designer), Gigi Buffington (Company Voice and Text Coach), Tom Pearl (Producing Director), JC Clementz, CSA (Casting Director), Christine D. Freeburg (Production Stage Manager) and Kathleen Barrett (Assistant Stage Manager). For full cast and creative team bios, visit steppenwolf.org/tickets--events/seasons-/2022-23/describe-the-night/.

 

Artist Biographies:

Rajiv Joseph (Playwright) is a Steppenwolf Theatre Company ensemble member. His play Bengal Tiger at the Baghdad Zoo was a 2010 Pulitzer Prize finalist for Drama and also awarded a grant for Outstanding New American Play by the National Endowment for the Arts. He has twice won the Obie Award for Best New American Play, first in 2016 for Guards at the Taj (also a 2016 Lortel Winner for Best Play), and again in 2018 for Describe the Night. Other plays include King James, which recently had its world premiere at Steppenwolf, Letters of Suresh, Gruesome Playground Injuries, Animals Out of Paper, The North Pool, The Lake Effect, Archduke and Mr. Wolf. He is a graduate of Cleveland Heights High School in Ohio. He received his Bachelor’s degree from Miami University in Ohio, and his MFA from New York University’s Tisch School for the Arts.

Austin Pendleton (Director) began working with Steppenwolf in 1979, when he directed the Ensemble in Say Goodnight, Gracie by Ralph Pape. After that, he returned to direct Loose Ends (by Michael Weller), Three Sisters and Cat on a Hot Tin Roof.  Then he was cast opposite Laurie Metcalf in Educating Rita, directed by Jeff Perry, and on the first day of rehearsal for that was asked to join the Ensemble officially. Since then, he has acted and directed at Steppenwolf frequently, and most recently acted on Broadway in the Steppenwolf-originated The Minutes, by Tracy Letts, directed by Anna D. Shapiro. He has acted over the years in several Broadway shows (the first being the original production of Fiddler on the Roof, in which he was the first Motel, the Tailor), and many off-Broadway and off-off-Broadway shows. He has also directed in these venues, winning a Tony nomination for The Little Foxes (with Elizabeth Taylor) and an Obie Award for Three Sisters (with Peter Sarsgaard and Maggie Gyllenhaal). He's appeared in about 300 movies, and on TV in recurring roles in Oz and Homicide. He has written three plays: Orson's Shadow (which started at Steppenwolf, directed by David Cromer, that moved to off-Broadway and ran for a little under a year); Uncle Bob (the second production of the play, after its New York premiere); and Booth, which, after its New York premiere played at Writers' Theatre in Glencoe. He was also commissioned by Writers' Theatre to write the libretto for A Minister's Wife, a musical adapted from Shaw's Candida, with music by Josh Schmidt and lyrics by Jan Tranen, conceived and directed by Michael Halberstam, which then moved to the Newhouse Theatre at Lincoln Center, in New York. All these works are published and have been frequently produced around the country, and, in the case of Orson's Shadow, in London, and in the case of Uncle Bob, in Paris, translated by Jean-Marie Besset.

 

The Expanded Steppenwolf Campus

Steppenwolf Theatre Company’s trailblazing new 50,000 square foot theater building and education center, the Liz and Eric Lefkofsky Arts and Education Center, was designed by world-renowned architect Gordon Gill FAIA of Adrian Smith + Gordon Gill Architecture, with construction by Norcon. The centerpiece of the new Arts and Education Center is the new 400-seat in-the-round Ensemble Theater in Honor of Helen Zell—one of its kind in Chicago—with theater design and acoustics by Charcoalblue.

The expanded Steppenwolf campus is a cultural nexus for Chicago, offering bold and ambitious opportunities for creative expression, social exchange, unparalleled accessibility, and arts-driven learning for Chicago youth in The Loft, Steppenwolf’s first-ever dedicated education space. The campus expansion also features bright new lobbies and two new full-service bars for socializing designed by fc STUDIO, inc. The $54 million new building is part of Steppenwolf’s multi-phase $73 million Building on Excellence expansion campaign. Learn more about Steppenwolf’s campus expansion at steppenwolf.org/buildingonexcellence.

A Safe Return

As the Chicago theatre community continues to navigate the COVID-19 pandemic, Steppenwolf Theatre remains committed to the safety of its patrons and staff. For the most up-to-date information on our venue’s COVID precautions, please visit steppenwolf.org/welcomeback.

Accessibility

Steppenwolf offers accessible services to ensure all audience members have access to our work, including American Sign Language interpretation (available for student matinees as scheduled with education staff or per public performances below), Spanish Language captions, wheelchair accessible seating and more. With questions, email access@steppenwolf.org.

Sponsor Information 

Describe the Night is generously supported in part by the Zell Family Foundation and PNC. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from Northern Trust, Allstate Insurance Company, Amazon, ComEd, Conagra Brands Foundation, JPMorgan Chase, PNC and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council Agency. This project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events.

Steppenwolf Theatre Company is a Chicago theater that is home to America’s ensemble. The company began performing in the mid-1970s in the basement of a Highland Park, IL church—today Steppenwolf is the nation’s premier ensemble theater with 49 members who are among the top actors, playwrights and directors in the field. Deeply rooted in its ensemble ethos, the company is committed to equity, diversity, inclusion and making the Steppenwolf experience accessible to all. Groundbreaking productions from Balm in Gilead and August: Osage County to Downstate and Pass Over—and accolades that include the National Medal of Arts and 12 Tony® Awards—have made the theatre legendary. Artistic programming includes a main stage season; a Steppenwolf for Young Adults season; LookOut, a multi-genre performance series; and the Steppenwolf NOW virtual stage. The nationally recognized work of Steppenwolf Education engages more than 20,000 participants annually in Chicagoland communities promoting compassion, encouraging curiosity and inspiring action. While firmly grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. 2021 marked the opening of Steppenwolf’s landmark Liz and Eric Lefkofsky Arts & Education Center—deepening the company’s commitment to Chicagoland teens and serving as a cultural nexus for Chicago. Glenn Davis and Audrey Francis are the Artistic Directors and E. Brooke Flanagan is Executive Director. Keating Crown is Chair of Steppenwolf’s Board of Trustees.

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. 

steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.        

The Gift Theatre Announces 2023 Season and Resource-Sharing Residency with Filament Theatre

ChiIL Live Shows On Our Radar

 PHOTO CREDIT: The Gift Theatre’s 2023 Season will be helmed by directors Lili-Anne Brown (left) and Devo de Mayo (right).

Chicago Premiere!

MOTHERS

Written by Anna Ouyang Moench 

Directed by Lili-Anne Brown

 

THE RISE AND FALL OF LITTLE VOICE

Written by Jim Cartwright

Directed by Devon de Mayo

Performed at Filament Theatre, as part of “industry leading” resource-sharing residency

The Gift Theatre is pleased to announce its 2023 season, featuring the Chicago premiere of Anna Ouyang Moench’s dark comedy Mothers, directed by Lili-Anne Brown and a revival of Jim Cartwright’s powerful, award-winning drama The Rise and Fall of Little Voice, directed by Devo de Mayo. The full season will be presented at Filament Theatre (4040 N. Milwaukee Ave., Chicago) as part of an innovative resource-sharing residency beginning in January 2023.

"As we were dreaming about our first season announcement as a trio, we went on a listening tour of sorts and chatted with our Ensemble to see what dreams they had for the future of Gift,” comment Co-Artistic Directors Brittany Burch, Emjoy Gavino and Jennifer Glasse. “Similar themes were echoed throughout the conversations – an excitement for taking risks, exploring out of the box, dark comedies and working with directors who meet us where we are and challenge where our ensemble and audience can go. We are thrilled to announce our 2023 Season!”

Co-Artistic Director Jennifer Glasse adds, “We have been fans of Lili-Anne Brown and Devon de Mayo for YEARS. Both of them are incredible forces of nature as directors and women. Lili-Anne understands the Gift and the uniqueness of our Ensemble. We truly admire the stories she tells that always speak to the heart of voicing and affirming underrepresented people. Devon is masterful at sharing ensemble stories while transporting audiences through her work. Both Lili-Anne and Devon pitched this season to us because they specifically wanted to work on these shows with the Gift. We are so honored and beyond thrilled to bring their work to life.”

Season subscriptions are currently available at thegifttheatre.org or by calling (773) 283-7071. The 2023 GiftFlex Subscription Package ($80) includes 20% off all tickets, admission to any performance of Mothers, The Rise and The Rise and Fall of Little Voice, tickets to “In the Works, the Gift’s exclusive staged reading series, two free ticket exchanges and a discount to the Gift Gala.

 

An innovative resource-sharing residency

In January 2023, The Gift Theatre will join long time neighbors, Filament Theatre as year-round co-tenants, reactivating Filament’s venue in the “Six Corners” as a vibrant arts center. Designed for the companies to share resources and provide valuable pipelines to new audiences, the “industry-leading” arrangement (as described by Professor Alan Salzenstein, Director of the MFA/Arts Leadership program at The Theatre School at DePaul) has the potential to serve as a national model for nonprofit resource collaboration that maintains each organization’s mission, artistic and programmatic independence.

“As we continue our plans to open a new theater space in Jefferson Park, this temporary home at Filament provides our current audience a familiar neighborhood to experience our work and introduces us to a new audience base of adults among Filament’s following,” said Gift Theatre Managing Director John Gawlik. “We are grateful to Julie Richey, Krissi Ann McEachern and their team for inviting us ‘in-residence’ indefinitely until we settle into our new forever home.” 

Filament Managing Director Krissi Ann McEachern adds, “At Filament, we believe that building community and sharing our resources are key practices for creating institutional resilience – especially in the ever-evolving landscape nonprofit theaters find ourselves in. We're thrilled to share our Six Corners home with long time neighbors and friends, The Gift Theatre. While they work towards their dream building, it's our hope that this partnership will increase the strength and reach of both organizations, deepening our shared commitment to the Northwest Side.”

The Gift Theatre’s 2023 Season includes:

May 4 – June 11, 2023

Mothers – Chicago Premiere!

Written by Anna Ouyang Moench 

Directed by Lili-Anne Brown

Performed at Filament Theatre, 4040 N. Milwaukee Ave., Chicago

Press opening: Monday, May 8 at 7:30 pm

Three moms, a stay-at-home dad and a nanny watch their kids play at Mommy-Baby Meetup. One mom is the queen bee and one is here to shake things up. The dad just wants to fit in, and the nanny doesn’t say a word. When catastrophe comes, the five of them have to figure out how to survive a war and each other. Mothers examines the primal heartache of raising children in a disintegrating world.

Comments Co-Artistic Director Brittany Burch, “I first read Mothers nearly a year after giving birth to my daughter. I immediately identified with the vicious humor of the first act, and by the end of the second act I was completely gutted. I love that it sheds light on the blinders we wear in this country to the world around us. The invincibility we can feel and the denial of an inevitable future if we continue to allow our human rights to be stripped from us. Mothers reminds us that if we continue to ignore these issues, they will eventually show up knocking at our front door.”

September 14 – October 29, 2023

The Rise and Fall of Little Voice

Written by Jim Cartwright

Directed by Devon de Mayo

Performed at Filament Theatre, 4040 N. Milwaukee Ave., Chicago

Press opening: Monday, September 18 at 7:30 pm

Blown fuses, real and metaphorical, punctuate the action with flashes of pent-up energy in this acclaimed play. The heroine frequently plunges the dilapidated house she shares with her alcoholic mother into darkness by playing her dead father's records at a volume matched only by the soulful power of her vocal impressions. She hides in her room, crooning and dreaming of love, while her disheveled mother mistakes a seedy agent's interest as affection rather than enthusiasm for the gold mine buried in her daughter's throat. This is an engaging fairy tale of despair, love and finally hope as LV finds a voice of her own.

“We loved the idea of presenting a Cinderella story, but in a way that would resonate with The Gift ensemble and audience – dark and quirky, with unexpected monsters and heroes,” writes co-artistic director Emjoy Gavino, “The Rise and Fall of Little Voice is equal parts hilarity, heartbreak and song. Our industry can disregard the people behind the show – this play explores that exploitation but also shows how art can help us find our humanity, despite the forces and systems that seek to overshadow it. Also, it’s just incredibly funny.”

 

Artist Biographies

Anna Ouyang Moench (Playwright, Mothers) is an award-winning playwright and screenwriter. Her plays have been produced at the Geffen Playhouse, the Playwrights Realm, East West Players, InterAct Theater, and many other theaters across the country and around the world. Anna is a 2020 Steinberg Award winner and the recipient of a Gerbode Special Award in the Arts commission for a new play that will be produced at Magic Theater in 2022. She has been commissioned by NAATCO for a new play premiering in 2021. In television and film, Anna has worked with Netflix, Apple TV+, HBO, UCP, eOne, PictureStart and Universal. Anna lives in Los Angeles with her family. 

Lili-Anne Brown (Director, Mothers), a Chicago South Side native, works as a director, actor and educator, and has performed in, directed and produced many award-winning shows in Chicago and nationally. She is the former Artistic Director of Bailiwick Chicago, where she focused programming on Chicago-premiere musicals and new play development with resident playwrights. Recent directing credits include School Girls, or The African Mean Girls Play and the world premieres of Ike Holter’s I Hate It Here and Lottery Day (Goodman Theatre), Joe Turner's Come and Gone (Huntington Theatre), Ain’t No Mo’ (Woolly Mammoth), The Color Purple (The Muny), Once on This Island (Oregon Shakespeare Festival), Acoustic Rooster... (Kennedy Center), Jesus Snatched My Edges (nat'l tour) and Put Your House in Order (La Jolla Playhouse). She is a member of SDC, AEA, and SAG-AFTRA, and represented by William Morris Endeavor. www.lilbrownchicago.com

Jim Cartwright (Playwright, The Rise and Fall of Little Voice) is a multi-award winning, international playwright, screenwriter and director. His work is in almost continuous production around the world and has been translated into over 35 languages. His plays have been performed at The National Theatre, The Royal Court Theatre, The West End of London and on Broadway and in many of the principle theatres of the world. His plays include Road, now considered a modern classic and winner of The George Devine Award, The Plays and Players Award, Drama Magazine Award and The Samuel Beckett Award. Voted third best play of the decade and in the top 50 best plays in the history of theatre. The Rise and Fall of Little Voice, nominated for six Olivier Awards, winning three including Best Comedy and winner of the prestigious Evening Standard Award. Two-time winner of the M.E.N best new play award. Bed, Eight Miles High, Prize Night, Hard Fruit, A Christmas Fair, and most recently at the National Theatre Mobile Phone Show and Raz Fringe First winner 2015 at the Edinburgh Festival.

Film and television include Road, Vroom, June, Wedded, Village, Vacuuming Completely Nude in Paradise, Strumpet, King of the Teds and the award-winning film Little Voice, adapted from his play The Rise and Fall of Little Voice. He has received an Honorary Doctorate from Bolton University, has been a visiting professor at The University of Salford and his old school Harper Green have named a building in his honour.

His plays have been in constant publication since 1986 and are on school, college and university curriculums.

Devon de Mayo (Director, The Rise and Fall of Little Voice) is a Chicago-based theatre director and devisor. Her Chicago professional credits include: In Every Generation and If I Forget (Victory Gardens Theater), First Love is the Revolution (Steep Theatre); The Tasters, Laura and the Sea and The Scientific Method (Rivendell Theatre); Women Laughing Alone With Salad (Theater Wit); The Burn (Steppenwolf Theatre); Harvey (Court Theatre); Sycamore (Raven Theatre); You on the Moors Now (The Hypocrites); Animals Out of Paper (Shattered Globe Theatre); You Can’t Take it With You and Lost in Yonkers (Northlight Theatre); Everything is Illuminated and Compulsion (Next); Roadkill Confidential, The Whole World is Watching, As Told by the Vivian Girls and The Twins Would Like to Say (Dog & Pony). Outside of Chicago, Devon served as Resident Director on The Audience by Peter Morgan (Schoenfeld Theatre, Broadway, under the direction of Stephen Daldry). She co-wrote and co-directed Guerra: A Clown Play, a collaboration with Mexico City based artists La Piara (performances in New York, Chicago, Albuquerque, Mexico City and Bogota). Devon is an ensemble member at Rivendell Theatre and co-founded Dog & Pony Theatre. She received her MFA in Theatre Directing from Middlesex University in London and a BA in Drama and Political Science from Kenyon College. She did further studies at the Russian Academy of Theatre Arts (GITIS) in Moscow and the Indonesian Institute for the Arts in Bali. She is an Assistant Professor and the Director of Performance in Theatre and Performance Studies at the University of Chicago.

About The Gift Theatre

Since 2001 and over 70 productions, The Gift Theatre has been dedicated to telling great stories onstage with honesty and simplicity by being the most intimate professional Equity theatre in the country, leading to national acclaim for both the theatre and ensemble and creating a cultural revolution on Chicago’s northwest side.

 

About Filament Theatre

Filament Theatre, on Chicago’s Northwest Side, has been creating innovative theater for young audiences since 2007. Filament’s mission is to create a more equitable society by celebrating and amplifying the perspectives and experiences of young people through the performing arts. Please visit www.filamenttheatre.org for more information.

The Auditorium Theatre Proudly Presents Cloud Gate Dance Theatre of Taiwan Performing Chicago Premiere of 13 Tongues for Two Performances Only: October 14 & 15, 2022

 ChiIL Live Shows On Our Radar

Cloud Gate Dance Theatre of Taiwan

13 Tongues

Two performances only: October 14 & 15 at 7:30 p.m.

 

Cloud Gate Dance Theatre of Taiwan performs 13 Tongues, choreographed by CHENG Tsung-lung, photo by LIU Chen-hsiang 

The Auditorium Theatre (50 E. Ida B. Wells Drive) proudly continues its  2022-23 season of global dance presentations with Asia’s leading contemporary dance theater,  Cloud Gate Dance Theatre of Taiwan, performing its bold and breath-taking evening length work, 13 Tongues for two nights only, Friday and Saturday, October 14 & 15 at 7:30 p.m. Making its Chicago premiere, 13 Tongues is a striking and immersive journey transforming childhood memories of the Taoist rites and bustling street life of Bangka into a fantasy world, as choreographed by Cloud Gate Artistic Director CHENG Tsung-lung.

“We are privileged to be able to host some of the greatest performing artists from around the world at the Auditorium Theatre,” says Auditorium Theatre CEO Rich Regan. “Cloud Gate Dance Theatre of Taiwan has been gracing Chicago stages for over two decades, and its brilliant skill and imagery continue to wow Chicago audiences.”

As a child in the 1980s, Cloud Gate Artistic Director CHENG Tsung-lung would contribute to the family business by helping his father sell slippers on the streets of Bangka/Wanhua, the oldest district of Taipei. Bangka/Wanhua was known for its vibrantly diverse and bustling street scene that embraced religious and secular life, rich and poor, work and play, legal and illegal activities. The young CHENG was transfixed by his mother’s accounts of the legendary 1960s street artist and storyteller known as “Thirteen Tongues” who had adopted Bangka/Wanhua for his informal stage. It was said that “Thirteen Tongues'' could conjure up all the Bangka/Wanhua characters - high and low born, sacred and profane, men and women - in the most vivid, dramatic, and fluently imaginative narratives. Thirty years on CHENG’s fascination for “Thirteen Tongues” became his inspiration as he transformed his childhood memories into dance.

Beginning and ending with the sound of a single hand bell, the music accompanying 13 Tongues ranges from Taiwanese folk songs to Taoist chant to electronica. The stage is awash with projections of brilliant colors, shapes, and images as the dancers gather, interact, separate and re-gather in a thrilling representation of the clamor of street life. As the religious heritage of ancient Bangka/Wanhua fuses with the secular space it is today so time appears to dissolve. The spirit realm and the human realm also coalesce as the audience is taken on an immersive journey - via imagination and storytelling that recalls the art of “Thirteen Tongues” - through centuries of human endeavor, behavior, and belief.

Performance schedule and tickets

Cloud Gate Dance Theatre of Taiwan performs at the Auditorium Theatre Friday, October 14 and Saturday, October 15 at 7:30 p.m. Tickets start at $37 (inclusive of all fees) and are now  available at AuditoriumTheatre.org, or by calling 312.341.2300, or at the Box Office at 50 E Ida B Wells Drive in Chicago, IL. Click here for phone and in-person hours.  Discounted tickets for groups of 10 or more people are available. The Auditorium Theatre offers $20 student rush tickets to full-time college students and $5 tickets to young people ages 13-19 with Urban Gateways' Teen Arts Pass program. The Auditorium also offers a Student Savings Club for both college and high school students. The Auditorium Theatre's ADMIT ONE program offers complimentary tickets to Chicago-area community groups.

 

The Auditorium Theatre is fully committed to the health and safety of our patrons and our staff. We continue to monitor health guidance and appropriately adjust our policies. For current health safety information, please visit AuditoriumTheatre.org/visit/safety.

 

Special thanks

The Auditorium Theatre is grateful for the support of the 2022-23 Season Global and Chicago Dance Sponsor, The Florian Fund, and Presenting Sponsor, Alphawood Foundation.  The Auditorium Theatre 2022-23 Season is made possible in part with support from the John D. and Catherine T. MacArthur Foundation and the Illinois Arts Council Agency. The Auditorium’s official hotel partner is the Palmer House Hilton.

About Cloud Gate Dance Theatre of Taiwan

Cloud Gate is the name of the oldest known dance in China. In 1973, choreographer LIN Hwai-min adopted this classical name and founded the first contemporary dance company in the greater Chinese-speaking community: Cloud Gate Dance Theatre of Taiwan, also known worldwide as Cloud Gate. In 2020, CHENG Tsung-lung succeeded LIN as the company’s Artistic Director.  

Cloud Gate has set out to engage with local history, culture and subject matter and draws on classical, folk, and modern dance from both the western and Asian traditions. Its dancers trained in meditation, Qi Gong, an ancient breathing exercise, internal martial arts, modern dance, and ballet. Under the leadership of CHENG, their training has further expanded to include trainings from various styles of dance, such as street dance. Manifesting in choreographies, the company transforms ancient aesthetics into a thrilling and modern celebration of motion.  The company has toured worldwide with frequent engagements at the Next Wave Festival in New York, the Sadler’s Wells Theatre in London, the Moscow Chekhov International Theatre Festival in Russia, the Movimentos International Dance Festival and the Internationales Tanzfest NRW, then directed by Pina Bausch in Germany.

 

About The Auditorium Theatre

The Auditorium Theatre, located at 50 E. Ida B. Wells Drive at Roosevelt University in Chicago, is an Illinois not-for-profit organization committed to presenting the finest in international, cultural, community, and educational programming to all of Chicago and beyond as The Theatre for the People. The organization also is committed to the continued restoration and preservation of this National Historic Landmark that originally opened in 1889.

This Auditorium Theatre’s 2022-23 performance season features a dynamic mix of acclaimed global dance companies (Kyiv City Ballet of Ukraine, Les Ballets Trockadero de Monte Carlo, Step Afrika!, and the much anticipated annual engagement by the Alvin Ailey American Dance Theater) while closer to home, beloved Chicago dance companies also take the stage (Ensemble Español Spanish Dance Theater, also Deeply Rooted Dance Theater, South Chicago Dance Theatre, and an evening with Trinity Irish Dance Company, M.A.D.D. Rhythms, and special guest, New York-based Dorrance Dance. In addition, the critically acclaimed National Geographic Live speaker series, offering first-hand accounts and expert voices on cultural and environmental issues, returns with three offerings and a new lower ticket price. And rounding out the season will be two holiday music concert specials in December:  the popular Too Hot to Handel: The Jazz-Gospel Messiah and Celtic Woman. 

For more information on the Auditorium Theatre and a complete listing of events at the Auditorium Theatre, please visit AuditoriumTheatre.org.

Shattered Globe Theatre Presents the Chicago Premiere of STEW September 9 – October 22, 2022 at Theater Wit

ChiIL Live Shows On Our Radar

STEW

Written by Zora Howard

Directed by Malkia Stampley

September 9 – October 22, 2022 at Theater Wit

Shattered Globe Theatre is pleased to launch its 2022-23 season with the Chicago premiere of STEW, Zora Howard’s Pulitzer Prize Finalist for Drama, directed by Malkia Stampley, playing September 9 – October 22, 2022 at Theater Wit, 1229 W. Belmont Ave. in Chicago’s Lakeview neighborhood. Tickets are currently available on at sgtheatre.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office. 

 

STEW features Ensemble Members Demetra Dee* and Jazzma Pryor* with Velma Austin and Jasmine Cheri Rush.

 

The Tucker women are up early to prepare an important meal, or at least that’s what Mama says. As the day wears on, tensions simmer inside and around Mama’s kitchen. Zora Howard’s award-winning play, STEW, is a hilarious and haunting drama that explores the unbreakable bond between kinswomen and reveals the power that loss holds over our lives when we refuse to share it with others.

 

SGT Producing Artistic Director Sandy Shinner comments, “SGT is delighted to introduce award- winning playwright and screenwriter Zora Howard to Chicago audiences with our production of STEW, finalist for the 2021 Pulitzer Prize in Drama. Our entire cast and production team is excited that Ms. Howard continues to be in conversation with us about the play, and will join us in Chicago for several rehearsals. I am equally thrilled to welcome nationally recognized actor, director and producer Malkia Stampley as director of STEW, her first mainstage production in Chicago. The entire artistic team is inspired by her passion for this important play.”

 

The production team includes Sotirios Livaditis (Scenic Designer), Austin Winter (Costume Designer), Levi Wilkins (Lighting Designer),Persephone Lawrence-Wescott (Props Designer), Zack Berinstein (Composer), Danielle Davis (Assistant Director), JJ Porterfield (Sound Technician), Judy Anderson (Executive Production Manager) Dusty Brown (Production Manager), Johnnie Schleyer (Technical Director), Tina M. Jach* (Stage Manager) and Ayanna Wimberly⁺ (Assistant Stage Manager).

COVID-19 safety: All patrons at Theater Wit will be required to show proof of full vaccination before they even enter the lobby. Please note that masks are mandatory for all patrons for the entire duration of the performance, except when actively drinking beverages. Visit sgtheatre.org for more information. 

 

*Denotes SGT Ensemble Member  ⁺Denotes SGT Artistic Associate

 

Cast (in alphabetical order): Velma Austin (Mama), Demetra Dee* (Lil' Mama), Jazzma Pryor* (Lillian) and Jasmine Cheri Rush (Nelly).

 

Location: Theater Wit, 1229 W. Belmont Ave., Chicago

Dates: Previews: Friday, September 9 at 8 pm, Saturday, September 10 at 8 pm, Sunday, September 11 at 3 pm and Wednesday, September 14 at 8 pm

Press Performance: Thursday, September 15 at 7:30 pm

Regular Run: Saturday, September 17 – Saturday, October 22, 2022

Curtain Times: Thursdays, Fridays, Saturdays at 8 pm; Sundays at 3 pm. Please note: there will be not be a performance on Friday, September 16.

Touch Tour/Audio Description Performance: Friday, October 7 – 6:45 pm touch tour, 8 pm performance with audio description. $20 tickets available with code “ACCESS20.”

Global Perspectives: SGT will present a series of post-show discussions and events following select Sunday matinees: September 18 (conversation led by Protégé Alumni Aja Singletary), September 25 (spoken word and dance performance from Global Girls, plus pop-up fromThe Understudy bookstore) and October 2 (conversation led by Ensemble Member Devonte Washington, plus pop-up from The Understudybookstore).

 

Tickets: Previews: Friday: pay-what-you-can; Saturday & Sunday: $25 general admission, $10 students. Regular Run: $45 general admission. $15 students. $35 seniors. $25 under 30 years old. $15 industry tickets on Thursdays and Fridays with code “INDUSTRY.” Tickets are currently available at sgtheatre.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office. Group discounts are available by contacting groupsales@shatteredglobe.org or by calling (773) 770-0333.

 

Shattered Globe understands that ticket prices can pose a financial burden and, at times, an obstacle for theatregoers. A number of waived tickets are available on a first-come, first-serve basis for students and community members experiencing access barriers to theatre. If you would like to be added to SGT’s Waived Ticket Waitlist, please email lswanson@shatteredglobe.org. Please note: all requests must be completed by 12 pm the Friday before the performance you would like to attend. The e-mail will not be monitored at all on weekends or after 5 pm on weekdays.

 

About the Artists:

 

Zora Howard (Playwright) is a Harlem-bred writer and performer. Plays include STEW (2021 Pulitzer Prize Finalist; P73), The Master’s Tools (WTF), Bust (2022 Susan Smith Blackburn Prize Finalist), Hang Time (2022 Creative Capital Award Finalist) and Good Faith. Her work has been developed with SPACE at Ryder Farm, Ojai Playwrights Conference, the Lark, Primary Stages and Cape Cod Theatre Project, among others. In 2020, her film Premature (2020 Film Independent John Cassavetes Award nominee), which she co-wrote with director Rashaad Ernesto Green, opened in theaters following its world premiere at the 2019 Sundance Film Festival. Zora is the inaugural Judith Champion Fellow at MTC, a 2022 Lilly Award recipient and is currently under commission from Seattle Rep, MTC, and Wessex Grove.

 

Malkia Stampley (Director) hails from Milwaukee where she attended Marquette University for Theater Arts with internships at Milwaukee Repertory Theater and Skylight Music Theater. She joined Goodman Theatre as Producer in 2021 after serving as founding Artistic Producer for Milwaukee Black Theater Festival. Select producing credits: Goodnight Oscar, Gem of the Ocean, Notebooks of Leonardo da Vinci, Life After, STEW and Pretty Fire. She is an alum of Theatre Producers of Color and Broadway for Racial Justice’s Casting Directive Fellowship. Malkia is a founder of Bronzeville Arts Ensemble and served as Producing Artistic Director for three seasons. Select directing credits: Shakesfest (Chicago Shakespeare), Lady Day at Emerson’s Bar and Grill (Farmer's Alley), The Gift of the Magi (American Players), Black Nativity (Black Arts MKE, three years), STEW (Milwaukee Chamber), Nunsense (Milwaukee Rep), Five Guys Named Moe (Skylight Music) and readings for Congo Square, #ENOUGH and Texas State Black and Latino Playwright Celebration. 

 

About Shattered Globe Theatre

 

Shattered Globe Theatre (Sandy Shinner, Producing Artistic Director) was born in a storefront space on Halsted Street in 1991. Since then, SGT has produced more than 80 plays, including nine American and world premieres, and garnered an impressive 42 Jeff Awards and 107 Jeff Award nominations, as well as the acclaim of critics and audiences alike. 

 

Shattered Globe Theatre seeks to discover new connections between story, artist and audience by exploring drama from bold, challenging perspectives, and continuously redefining what it means to be an ensemble theater.

 

SGT’s values are rooted in a commitment to racial equity, respect for all artists and support for the ensemble, while creating new opportunities to amplify traditionally marginalized voices and collaborate in all aspects of our work. Through initiatives such as the Protégé Program, Shattered Globe creates a space which allows emerging artists to grow and share in the ensemble experience.

 

Shattered Globe Theatre is partially supported and funded by generous grants from The Shulman-Rochambeau Charitable Foundation, The James P. and Brenda S. Grusecki Family Foundation, Bayless Family Foundation, The Gaylord & Dorothy Donnelley Foundation, The MacArthur Fund for Arts & Culture at The Richard H. Driehaus Foundation, the Paul M. Angell Family Foundation, a CityArts Grant from the City of Chicago Department of Cultural Affairs and Special Events, the Illinois Arts Council, The Shubert Foundation, the Chicago Community Foundation, and The Saints.

 

For more information on Shattered Globe Theatre, please visit  sgtheatre.org.

 

First Floor Theater Launches Tenth Season with Chicago Premiere of BOTTICELLI IN THE FIRE September 22 – November 5, 2022

ChiIL Live Shows On Our Radar

 First Floor Theater is pleased to launch its Tenth Season with the Chicago premiere of Jordan Tannahill’s Botticelli in the Fire, a hot-blooded queering of Renaissance Italy that questions the value of art at the collapse of society. Directed by Bo Frazier, Botticelli in the Fire plays September 22 – November 5, 2022 at The Den’s Janet Bookspan Theatre, 1331 N. Milwaukee Ave. in Chicago. Tickets available at firstfloortheater.com. 

The cast of First Floor Theater’s Chicago premiere of Botticelli in the Fire includes (top, l to r) Neala Barron, Yuchi Chiu and Andrew Cutler (bottom, l to r) Christopher Meister, John Payne, Alex Benito Rodriguez and Jenece Upton.

Playboy Sandro Botticelli has it all: talent, fame, good looks. He also has the ear – and the wife – of Lorenzo de Medici, as well as the Renaissance’s hottest young apprentice, Leonardo Da Vinci. But while at work on his breakthrough commission, ‘The Birth of Venus’, Botticelli’s devotion to pleasure and beauty is put to the ultimate test. As the plague sweeps through the city, the charismatic friar Savonarola starts to stoke the fires of dissent against the liberal elite. Botticelli finds the life he knows breaking terrifyingly apart, forcing him to choose between love and survival. Jordan Tannahill’s hot-blooded queering of Renaissance Italy questions the value of art at the collapse of society.

The production team to date includes Lauren Nichols (Scenic Designer), Benjamin Carne (Lighting Designer), Willow James (Sound Designer), Caitlin McCarthy* (Props Designer), Micah Figueroa (Intimacy and Fight Choreographer), Andres Fonesca (Musical Director), Adelina Feldman-Schultz (Casting Director), Anastar Alvarez* (Production Manager) and Oswald Avile (Stage Manager).

*Denotes FFT Company Member

Location: The Den’s Janet Bookspan Theatre,1331 N. Milwaukee Ave. in Chicago

Dates: Previews: Thursday, September 22 at 7:30 pm, Saturday, September 24 at 7:30 pm, Sunday, September 25 at 3 pm and Wednesday, September 28 at 7:30 pm.

Press Performance: Thursday, September 29 at 7:30 pm

Regular Run: Friday, September 30 – Saturday, November 5, 2022

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm

Industry Nights: Monday, October 10 at 7:30 pm and Monday, October 24 at 7:30 pm

Tickets: Previews: $10. Regular Run: $25 – $35. Students/industry $20. Tickets go on sale Monday, August 15, 2022 firstfloortheater.com.

 

About the Artists

Jordan Tannahill (Playwright, he/him) is a Canadian writer and director. He has been described as being ‘widely celebrated as one of Canada’s most accomplished young playwrights, filmmakers and all-around multidisciplinary artists’ (Toronto Star), and ‘the enfant terrible of Canadian theatre’ (Libération). His plays have been translated into ten languages and widely honored in Canada and abroad. He has twice received a Governor General's Literary Award – in 2014 for Age of Minority: Three Solo Plays, and in 2018 for his plays Botticelli in the Fire and Sunday in Sodom. His plays, performance texts and productions have been presented at venues including The Young Vic Theatre (London), Sadler's Wells (London), The Kitchen (NYC), Festival d'Avignon (Avignon), The Lincoln Centre (NYC), The Deutsches Theater (Berlin), The Volkstheater (Vienna), The National Arts Centre of Canada (Ottawa), Woolly Mammoth Theatre (Washington, D.C.) and on London's West End. He is the author of Theatre of the Unimpressed, a book of essays on theatre. His debut novel Liminal, a work of autofiction, was named one of the best Canadian novels of 2018 by CBC Books and won France’s 2021 Prix des Jeunes Libraires. His second novel, The Listeners, has just been published by HarperCollins. His virtual reality performance Draw Me Close, produced by the National Theatre (UK) and the National Film Board of Canada, was presented at the Tribeca Film Festival and Venice Biennale in 2017, and ran at London's Young Vic Theatre in January 2019. Jordan has also worked in dance, choreographing and performing with Christopher House in Marienbad for the Toronto Dance Theatre, and writing the text for Akram Khan's dance pieces Xenos and Outwitting the Devil, both currently touring internationally. From 2012 – 2016, in collaboration with William Ellis, Jordan ran the alternative art space Videofag out of their home in Toronto’s Kensington Market neighbourhood. Over the four years of its operation, Videofag became an influential hub for queer and avant-garde work in Canada.

Bo Frazier (Director, they/them) is a highly visual and compositionally driven theatre maker interested in new work that tells traditionally excluded narratives in extremely imaginative ways. They are so incredibly excited to be making their Chicago directing debut with First Floor! Since moving to Chicago in 2021, they have worked with Victory Gardens, Sideshow Theatre, Rivendell Theatre Ensemble, BoHo Theatre, Filament Theatre and Mudlark Theatre. Favorite directing and choreography projects include: Hit The Wall by Ike Holter, Men on Boats by Jaclyn Backhaus, Love & Information by Caryl Churchill, The Curious Incident of the Dog in the Night-Time by Simon Stephens, Bright Star the musical, as well as new play productions by Dakota Parobek, C. Meaker, Leigh M. Marshall and KT Peterson.  Previously based in NYC and London, Bo has worked with companies such as The National Theatre (UK), Birmingham Rep (UK), Greenwich Theatre (UK), Signature Theatre (NYC), Dixon Place (NYC), Rutgers University (NJ), Theatre167 (NYC), Heartbeat Opera (NYC), Indiana Repertory Theatre (IN) and London Theatre Workshop Off-West End (UK), which they co-founded. They hold an MFA in Directing from University of Iowa alongside the Iowa Playwright’s Workshop, a MA in Acting from Royal Birmingham UK Conservatoire, a BA in Theatre from Millikin University, and was trained through SITI Company. www.bofrazier.com 

About First Floor Theater

Founded in 2012, First Floor Theater has garnered a reputation for pairing some of the most cutting-edge scripts in Chicago and the American Theater with a signature innovative design style. Shortly after their inaugural season, FFT was named “Best New Theater Company” in the Chicago Reader. FFT was also honored to be recognized with the 2018 Francesca Primus Prize from ATCA for their production of Leah Nanako-Winkler’s Two Mile Hollow, and in Newcity’s Players 2019: “The Fifty People Who Really Perform for Chicago”. Some of First Floor’s notable past productions include Hooded or Being Black for Dummies, Mike Pence Sex Dream, Two Mile Hollow, peerless and Plano. First Floor Theater is a Resident Company at The Den Theatre.