REVIEW: Remy Bumppo Theatre Company's Passage at Theater Wit Through April 10, 2022

ChiIL Live Shows On Our Radar  

Remy Bumppo Theatre Company Presents

PASSAGE 

by Christopher Chen Directed by Kaiser Ahmed

March 2 - April 10, 2022 at Theater Wit

REVIEW:

By Bonnie Kenaz-Mara

Passage breaks through the 4th wall and straight into the souls of the audience. Remy Bumppo's latest is a thought provoking journey that illuminates the chasm between different ethnicities, the complicated topography of colonialism, and the humanity that connects us all. I loved the use of letters to designate names and places, as it left a bit of mystery, but also made the content more universal. 

Patrick Agada, Carolyn Hu Bradbury, Adam Poss, Leyla Beydoun, Tiffany Renee Johnson, Charin Alvarez and Peter Sipla.  All photos by Nomee Photography

At the top of the show, with house lights still blazing, it was enjoyable to get to see the whole cast introduce themselves and share a bit of family background on where they've come from in life and how they got here, as in literally HOW they made the trek in to the performance space today. As the lights dimmed and the actors morphed into their characters, they did an amazing job of bringing the entire audience of newfound friends along for the ride.

This timely and timeless production is a must see as long as humans are still invading each other's countries, judging worth on the basis of ethnicity or physical characteristics, and reacting to others based on fears, stereotypes, and prejudices.

Peter Sipla and Carolyn Hu Bradbury

Kudos to Scenic Designer: Yeaji Kim for the unique set, that provides a powerful visual metaphor.

Carolyn Hu Bradbury

The entire cast was strong, whether connecting with one another or addressing and engaging the audience directly with rhetorical questions and visualization journeys. Charin Alvarez and Patrick Agada were particularly excellent in their respective roles.

Charin Alvarez and Patrick Agada 

Charin Alvarez, Peter Sipla, Tiffany Renee Johnson and Adam Poss

Cheers to Remy Bumppo Theatre Company for celebrating ageless, nearly universal traditions of spilling the tea, adding a flask for a bit of a spike, and both listening and engaging in meaningful dialogue with those different from ourselves even when we may end up with more questions than answers. This production is a lovely exploration of the subtle layers and nuances to the human condition, sacred spaces, and the ways we help and harm others intentionally or accidentally. 

Adam Poss

If clever tangents, multicultural friendships, anthropomorphic critters, mystical caves, and forging new ways to repair systemic racism are your jam, don't miss this. After seeing Passage, I'm eager to read  E. M. Forster's  1924 novel, A Passage to India, though it's certainly not a prerequisite to enjoy this production. Good theatre entertains while great theatre enlightens, encourages thought, and challenges ingrained thoughts and behaviors. Passage does just that. Highly recommended.

Bonnie is a Chicago based writer, theater critic, photographer, videographer, actress, artist and Mama. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 

Leyla Beydoun and Adam Poss

Remy Bumppo Theatre Company is pleased to announce the casting and design team for the first show in its 2022 Season, 

PASSAGE by Christopher Chen and directed by Kaiser Ahmed. 

The show will run from March 2 through April 10, 2022 at Theater Wit, 1229 W. Belmont Avenue in Chicago.

Q is building a new life in Country X, having immigrated from Country Y. But it’s hard to make friends in Country X — the history between the two countries is fraught, and political tensions are running high. As Q tries to navigate interpersonal dynamics, the past and present collide in a complex geopolitical landscape. And no one is off the hook. Christopher Chen’s deeply humane, exquisitely theatrical play inspired by E.M. Forster’s A Passage to India is tense, fascinating, delicate, and dangerous.

PASSAGE will feature Patrick Agada, Charin Alvarez (Remy Bumppo Core Ensemble Member), Leyla Beydoun, Carolyn Hu Bradbury, Tiffany Renee Johnson, Adam Poss, Peter Sipla. Designs for this production will feature work by Himabindu Poroori (Dramaturg), Yeaji Kim (Scenic Design), Izumi Inaba (Costume Design), Liz Gomez and Mac Vaughey (Co-Lighting Design), Michael Huey (Sound Design and Original Music) and Rowan Doe (Properties Design).

Marti Lyons enthusiastically speaks to kicking off her first season as Artistic Director with PASSAGE: “I am thrilled to launch our 2022 season with this production. PASSAGE, written by one of my favorite playwrights, Christopher Chen, is a kaleidoscopic examination of power that could be anywhere and anytime, but feels intensely now. The Core Ensemble and I cannot wait to be back onstage and start our season with this show.”

Remy Bumppo Theatre Company’s production of PASSAGE will run from March 2 through April 10, 2022 at Theater Wit, 1229 W. Belmont Avenue in Chicago. Subscriptions and single tickets are on sale at www.RemyBumppo.org or by calling the Theater Wit Box Office at 773.975.8150.

Remy Bumppo Theatre Company’s 2022 Presenting Sponsor is Geoffrey A. Anderson. Remy Bumppo Theatre Company’s 2022 Season Sponsors are Brenda and James Grusecki and Charlotte Toerber.

Cast (in alphabetical order): Patrick Agada (F); Charin Alvarez (B); Leyla Beydoun (Q); Carolyn Hu Bradbury (J/S/MOSQUITO); Tiffany Renee Johnson (D/M); Adam Poss (H/R/GECKO); Peter Sipla (G); Flavia Pallozzi (u/s D / M); Natalie Santoro (u/s J / S / MOSQUITO). Tina El Gamal (u/s B); Nathaniel Elfant (u/s H /R / GECKO); Aissa Guerra (u/s Q); Tulsi McDaniels (u/s F); Michael Mejia (u/s G);

Artistic Director: Marti Lyons 

Producer: Alexis Taylor

Intimacy and Culture Consultant: Greg Geffrard

Associate Intimacy and Culture Consultant: Courtney Abbott

Casting Director: Rachael Jimenez, CSA

Casting Associate: Emily Gruhl

Stage Manager: Jean E. Compton

Assistant Stage Manager: Cori Lang

 Technical Director: Harrison Ornelas

 Production Manager: Ellen Willett

Dramaturg: Himabindu Poroori 

Scenic Designer: Yeaji Kim 

Costume Designer: Izumi Inaba

 Assistant Costume Designer: Aija Moreno

 Co-Lighting Designer: Liz Gomez

 Co-Lighting Designer: Mac Vaughey

 Sound Designer and Original Music: Michael Huey

 Properties Designer: Rowan Doe

 Scenic Charge Artist: Emily Altman

 Wardrobe Supervisor: Stefani Azores-Gococo

 Head Electrician: Nick Chamernik

Leyla Beydoun, Adam Poss, Peter Sipla, Carolyn Hu Bradbury, Patrick Agada, and Tiffany Renee Johnson

Location: Theater Wit, 1229 W. Belmont Ave., Chicago, IL 60657

Dates: Previews: Wednesday, March 2 - Saturday, March 5, 2022 at 7:30pm; Sunday, March 6, 2022 at 2:30pm

Press Performance: Monday, March 7, 2022 at 7:30pm

Regular Run: Thursday, March 10 through Sunday, April 20, 2022

Curtain Times: Wednesdays – Saturdays at 7:30pm, Sundays at 2:30pm

Matinee Performances (other than Sundays): Saturday, March 19 at 2:30pm; Saturday, March 26 at 2:30pm; Saturday, April 2 at 2:30pm; Thursday April 7 at 2:30pm Audio Description/Touch Tour Performance: Saturday, March 19, 2022; Touch Tour starts at 1:00pm, and the performance starts at 2:30pm

Open Caption Performance: Saturday, April 2, 2022 at 2:30pm

Tickets: Previews: $30.00 - $40.00

Regular Run: $35.00 - $55.00

Industry Tickets: $20.00, available Wednesdays – Fridays

Student Tickets: $15.00, available day of

Group Discounts: Available for parties of 10 or more, call 773.244.8119

ABOUT REMY BUMPPO THEATRE COMPANY:

Remy Bumppo Theatre Company expands and enriches their community’s view of the world, and their own, by producing both the great plays of the past and the important plays of today. As an ensemble-driven theater company, Remy Bumppo authors a more humane culture that listens to, and seeks to understand, the voices, the ideas and the stories of one another. Since its inception in 1996, Remy Bumppo has produced a blend of modern classics and complex contemporary works, presented in an intimate setting with clarity, wit and passion. We invite audiences to engage directly with the art through conversation with the artists.

INCOMING: Elvin Bishop At Chicago's City Winery Wednesday, April 6, 2022

 ChiIL Live Shows On Our Radar 

BLUES LEGEND ELVIN BISHOP AND HIS BIG FUN TRIO TO PERFORM IN CHICAGO!

 “Deceptively loose but always tight…the raspy chuckle in Bishop’s singing and the sharp sting of his guitar are forceful and fresh, enduring and fun.”--Fresh Air, NPR

Rock & Roll and Blues Hall of Famer Elvin Bishop will bring his Big Fun Trio -- Bob Welsh on piano and guitar and Willy Jordan on cajón (a hand-played Peruvian drumbox) and vocals -- to City Winery in Chicago on Wednesday, April 6, 2022. The Big Fun Trio’s Grammy-nominated Alligator Records release, Something Smells Funky 'Round Here, is rootsy, spirited, humorous and soulful, performed by serious musicians hell-bent on having a good time. Bishop, a natural storyteller, is as slyly good-humored and instantly crowd-pleasing as he was when he was scoring Southern rock-styled hits during the 1970s or cutting award-winning blues albums over the last 30 years. His most recent award-winning Alligator Records release, 100 Years Of Blues , was recorded with Bishop’s friend, Grammy-winning harmonica master Charlie Musselwhite. 100 Years Of Blues, was recently nominated for a Grammy Award for Best Traditional Blues Album.

Concert information is as follows: 

Date: Wednesday, April 6, 2022

Venue: City Winery

Address: 1200 W. Randolph St.

City: Chicago, IL

Phone: 312-733-9463

Showtime: 8:00pm

Ticket price: $35-$58

Website: www.citywinery.com

*See website for complete performance information

Ever since Elvin Bishop first hit the scene with the Paul Butterfield Blues Band back in 1965, he’s blazed his own musical trail. Whether he was playing raw, eye-popping blues, or penning the evergreen radio hit Fooled Around And Fell In Love, or touring the world for decades delivering his original, good-time countrified blues, Bishop has always inspired his fans with his rowdy guitar playing and witty, slice-of-life songs. Rolling Stone calls Bishop “a legendary guitarist” whose playing is “impeccable and spirited…a distinguished American player.”

Something Smells Funky 'Round Here was produced by Bishop and recording engineer Steve Savage and recorded at Bishop’s Hog Heaven Studio in Lagunitas, California. Bishop wrote or co-wrote five songs (including two by the entire trio). The album mixes rousing new originals, reinventions of three Bishop classics and some unexpected, soul-shaking covers. The potent title track -- a tongue-in-cheek State Of The Union address as only Elvin can deliver -- kicks the album off with Bishop aiming his lyrical truths at those in power. The humorous but piercingly direct lyrics take aim at the current political scene while Bishop’s deep blues guitar playing drives the point home. Jordan sings lead on four songs, including blistering reinventions of Jackie Wilson’s Higher And Higher and Ann Peebles’ I Can’t Stand The Rain . Welsh, whose guitar or piano playing highlight every song, pounds the ivories on his own Bob’s Boogie. “This album fell together easily,” says Bishop. “Everything I visualized about the songs – from Bob’s playing to Willy’s singing, came true. Bob and Willy are great musicians.”

Elvin Bishop formed The Big Fun Trio in late 2015 with his friends Bob Welsh and Willy Jordan. After playing just a handful of live dates, the group’s instantly crowd-pleasing music and undeniable chemistry took the blues world by storm. With the release of their self-titled CD in 2017, media and fan response was immediate and overwhelming. DownBeat celebrated Bishop’s “verbal hijinks, outstanding guitar work and country boy friendliness.” OffBeat said The Big Fun Trio was “intricate, funky and uplifting,” declaring them, “consistently great.” With its top-shelf musicianship and front-porch vibe, the album earned a Grammy Award nomination.

The Big Fun Trio quickly discovered the more they played live, the more fun they had making music together. So a follow-up recording was an easy decision. The new album, Something Smells Funky 'Round Here , finds the group fearlessly laying it all on the line. According to Elvin, “With a trio there’s no place to hide­—you’ve got to be pourin’ everything you got right out front. You need to be totally into it all the time. It’s really cool to see how people react to the goin’-for-it feel of the music.”

With Something Smells Funky 'Round Here, Elvin Bishop’s Big Fun Trio are clearly having a very good time. Having spent almost three years performing, these three tremendously talented musicians continue to inspire each other to new heights. As Elvin Bishop’s Big Fun Trio take their music back on the road, fans will once again have a chance to experience the big fun first hand. According to Living Blues , “Elvin Bishop’s Big Fun Trio has wonderful chemistry and are a joy to hear.”

 

William Shakespeare’s ALL’S WELL THAT ENDS WELL at Chicago Shakespeare Theater April 22–May 29, 2022

 ChiIL Live Shows On Our Radar 

Chicago Shakespeare Theater announces cast and creative team

William Shakespeare’s

ALL’S WELL THAT ENDS WELL

directed by Shana Cooper

in the Courtyard Theater, April 22–May 29, 2022

Featuring Alejandra Escalante, Dante Jemmott, Ora Jones, Francis Guinan, Emma Ladji, Mark Bedard, Elizabeth Ledo, William Dick, Patrick Agada, Casey Hoekstra, Joseph Aaron Johnson, Jeff Kurysz, Pablo David Laucerica, and Tanya Thai McBride

Chicago Shakespeare Theater announces the cast and creative team for the upcoming production of William Shakespeare’s All’s Well That Ends Well, staged by acclaimed director Shana Cooper. No challenge can match the power of a determined woman. In love with a young man who does not return her affection, the resourceful Helena will go to any length to turn her visions of romance into reality—only to discover that happy endings are never quite as simple as they seem in fairy tales. Shakespeare’s rarely seen dark comedy is brought to new life in the uniquely intimate setting of the Courtyard Theater, April 22–May 29, 2022.

"The beautiful thing about All’s Well That Ends Well is that it’s about these transitional moments in life—about growing up and growing older—in the midst of profound loss and major shifts in the world… and I think we’re all in that space," shared director Cooper. "It’s ultimately a joyful ride through the intricacies of self-exploration and self-discovery."

Director Shana Cooper is known for her visceral approach to both classical texts and new works, often infusing movement and music to complement the muscularity of language. A company member at the acclaimed Woolly Mammoth Theatre Company, Cooper has directed at leading companies, including Oregon Shakespeare Festival, Seattle Rep, and Yale Repertory Theatre. She notably staged the world premiere of Terra Firma off-Broadway in 2019. Her work has most recently been seen in Court Theatre’s The Lady from the Sea.

Appearing as Helena is Alejandra Escalante, a veteran of seven seasons at Oregon Shakespeare Festival. In addition to credits at American Players Theatre and Guthrie Theater, Escalante has also notably appeared at Goodman Theatre as Isabella in Measure for Measure and in featured roles in 2666, The Upstairs Concierge, and Song for the Disappeared. Portraying Bertram, the young nobleman at the center of Helena’s affection, is Dante Jemmott—who recently made an acclaimed debut as Romeo in R+J at the Stratford Festival in 2021. 

Esteemed performer Ora Jones is Bertram’s mother, the Countess of Roussillon. Jones has appeared on Broadway as Madame de Volanges in Les Liaisons Dangereuses and Mrs. Phelps in Matilda the Musical, both on Broadway and in the first national tour. Her notable Chicago Shakespeare roles include Katherine of Aragon in Henry VIII, Queen Charlotte in The Madness of George III, and Maria in Twelfth Night. Francis Guinan portrays the ailing King of France. An ensemble member since 1979, Guinan has appeared in more than 40 productions at Steppenwolf Theatre Company. He made his Chicago Shakespeare debut in the world premiere of The Book of Joseph.

Emma Ladji is Helena’s accomplice, Diana. With multiple credits at Chicago Shakespeare, Writers Theatre, and Goodman Theatre, Ladji has also been an artist-in-residence at Links Hall and presented work at the New Now Festival in Amsterdam. Appearing as Parolles is Mark Bedard, who has performed off Broadway in Julius Caesar and A Midsummer Night’s Dream in addition to seven seasons at Oregon Shakespeare Festival. Jeff Award-winner Elizabeth Ledo plays Lavache, the clown of the Countess’s court. An artistic associate of About Face Theatre and recipient of the Lunt-Fontanne Fellowship, Ledo has memorably appeared at Chicago Shakespeare as Puck in A Midsummer Night’s Dream, Phoebe in As You Like It, and Myrtle in The King’s Speech. William Dick is Lafew. Highlights of Dick’s long theatrical career include Blind Date and Father Comes Home from the Wars (Parts 1, 2, and 3) at the Goodman Theatre; We All Went Down to Amsterdam at Steppenwolf; and A Midsummer Night’s Dream, The Merry Wives of Windsor, and Henry VIII at Chicago Shakespeare. 

The company also includes Patrick Agada (Second Lord Dumaine), Casey Hoekstra (First Lord Dumaine), Joseph Aaron Johnson (Rinaldo), Jeff Kurysz (First Soldier), Pablo David Laucerica (Ensemble), and Tanya Thai McBride (Mariana).

Award-winning choreographer Stephanie Martinez is the production’s Movement Designer. In addition to being the founder and artistic director of contemporary dance company PARA.MAR, Martinez has devised original creations for Joffrey Ballet, Ballet Hispánico, and Luna Negra Dance Theater, among others. Joining Cooper and Martinez on the creative team are Scenic Designer Andrew Boyce, Costume Designer Raquel Barreto, Lighting Designer Adam Honoré, Sound/Composition by Paul James Prendergast, and Hair & Make-up Designer Richard Jarvie. The team also includes Magic Consultant Nate Dendy (who memorably appeared as Ariel in Aaron Posner and Teller’s production of The Tempest at Chicago Shakespeare in 2015), Verse Coach Gregory Linington, Assistant Director Mallory Metoxen, Assistant to the Movement Designer Noelle Kayser, Intimacy Director Sarah Scanlon, and Casting by Bob Mason. The stage management team features Katrina Herrmann as Stage Manager and Kate Ocker as Assistant Stage Manager. Katie Lupica and Manna-Symone Middlebrooks are Assistants to the Director.

Chicago Shakespeare strives to make its facility and performances accessible to all patrons through its Access Shakespeare programs. Accessible performances for All’s Well That Ends Well include:

Open-captioned Performances – Wednesday, May 18, 2022, at 1:00 p.m. and 7:30 p.m.

A text display of the words and sounds heard during a play, synced live with the action onstage.

ASL Duo-interpreted Performance – Friday, May 20, 2022, at 7:30 p.m.

All dialogue and lyrics are translated into American Sign Language by two certified interpreters.

Audio-described Performance – Sunday, May 22, 2022, at 2:00 p.m

A program that provides spoken narration of a play’s key visual elements for patrons who are blind or have low vision.

More information on the production at www.chicagoshakes.com/allswell or on social media at #cstAllsWell.

All’s Well That End’s Well is presented April 22–May 29, 2022, in Chicago Shakespeare’s Courtyard Theater. Single tickets ($49–$90) are on sale now. Special discounts are available for groups of 10 or more. For more information or to purchase tickets, contact the Box Office at 312.595.5600 or visit the Theater’s website at www.chicagoshakes.com. 

Chicago Shakespeare’s most up-to-date health protocols can be found at www.chicagoshakes.com/health.

ABOUT CHICAGO SHAKESPEARE THEATER

A Regional Tony Award recipient, Chicago Shakespeare Theater produces a year-round season—featuring plays, musicals, world premieres, family productions, and theatrical presentations from around the globe—alongside nationally recognized education programming, each year serving tens of thousands of students, teachers, and lifelong learners. Founded in 1986, the Theater’s onstage work has expanded to as many as twenty productions and 650 performances annually. Dedicated to welcoming the next generation of theatergoers, one in four audience members is under the age of eighteen. As a nonprofit organization, Chicago Shakespeare works to embrace diversity, prioritize inclusion, provide equitable opportunities, and offer an accessible experience for all. On the Theater’s three stages at its home on Navy Pier, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare is a multifaceted cultural hub—inviting audiences, artists, and community members to share powerful stories that connect and inspire.

OPENING: Theo Ubique Cabaret Theatre’s ONCE UPON A MATTRESS March 11 – May 1, 2022

 ChiIL Live Shows On Our Radar 

ONCE UPON A MATTRESS

Directed by Landree Fleming

Music Direction by Jeremy Ramey

Choreography by Jenna Schoppe

Theo Ubique Cabaret Theatre’s third show of the 2021-’22 season will be the hilarious musical comedy ONCE UPON A MATTRESS – a rowdy and mildly adult twist on Hans Christian Andersen’s “The Princess and the Pea.” This “fractured fairy tale” will be directed by one of Chicago’s funniest ladies, Landree Fleming. Joining Fleming on the creative team will be Jeff Award winners Jenna Schoppe as Choreographer and Theo Ubique Resident Music Director Jeremy Ramey. ONCE UPON A MATTRESS will be performed March 11 – May 1, 2022. 

I'll be out for the press opening March 20, so check back shortly after for my full review at ChiILLiveShows.com.

In this offbeat version of Andersen’s fairy tale, the domineering Queen Aggravain has created impossible tests of any princess who might seek to marry her son, Prince Dauntless. This is a problem for the people of the kingdom, as the Queen has decreed no one shall marry until Prince Dauntless is wed. It’s a particular problem for the leading knight of the realm, Sir Harry, who discovers that his girlfriend, Lady Larken, is expecting. When Winnifred the Woebegone arrives, this brash and unrefined princess from the marshlands becomes the last best hope of the Kingdom to end Queen Aggravain’s virtual ban on marriage.

Director, Landree Fleming has played such classically comic musical theater roles as Penny in HAIRSPRAY (at Paramount Theatre), Frenchy in GREASE, and Kira in XANADU (the latter two at American Theater Company). Fleming does stand-up comedy, performs with her musical sketch comedy group Off Off Broadzway, and appears on her podcast Deep Dish. She was Assistant Director for BEAUTY AND THE BEAST (Paramount), NOISES OFF (Windy City Playhouse), and FIRST LADY SUITE (Circle Theatre). 

Leading the cast as Winnifred is Sonia Goldberg (she/they), an actress, writer, musician, and teaching artist who last fall was the understudy for Bethany Thomas in Northlight Theatre’s acclaimed one-woman musical SONGS FOR NOBODIES. Goldberg followed that assignment as the easily fooled Malvolio in Midsommer Flight’s TWELFTH NIGHT. Queen Aggravain will be played by Anne Sheridan Smith (she/her), whose many credits include SOUTHERN GOTHIC with Windy City Playhouse and FUN HOME with Victory Gardens. Prince Dauntless, the son against whom Queen Aggravain plots to keep him an ineligible bachelor, will be played by August Forman (they/them), winner of a Jeff Award for supporting actor in GIRL IN THE RED CORNER for Broken Nose Theatre, where they are an ensemble member.

The anxious couple Sir Harry and Lady Larkin will be AMDA graduate Michael Metcalf (he/him) and Parker Guidry (they/them). Guidry was seen pre-pandemic in Kokandy Productions’ HEAD OVER HEELS. The cast also will include Andrew Fortman (he/him, King Sextimus the Silent), Michael M. Ashford (he/him, Jester), Jasmine Lacy Young (she/her, Poet), J Alan (J/her, Wizard/Dance Captain), Sarah J. Patin (they/she, ensemble, U/S Winnifred and Poet), Nathe Rowebotham (they/them, ensemble, U/S Jester, Wizard), Peter Ruger (he/him, ensemble, U/S Harry, Dauntless, King), and Laura Sportiello (she/her, ensemble, U/S Lady Larkin, Queen Aggravain).

The production team will include Mara Ishihara Zinky (she/her, Scenic Designer), Uriel Gómez (he/him, Costume Designer), Piper Kirchhofer (she/her, Lighting Designer), Rick Sims (he/him, Sound Designer), Rowan Doe (they/he, Props Designer), Evan Tyrone Martin (he/him, Asst. Director), J Alan (J/her, Asst. Choreographer), Nicholas Reinhart (he/him, Production Manager), Jayce Lewis (they/them, Stage Manager), Amy Rappa (Asst. Stage Manager), Macy Kloville (she/her, Audio Engineer), Christopher Pazdernik (any, Managing Director/Casting Director), and Fred Anzevino (he/him, Artistic Director).

A three-course dinner catered by Cross-Rhodes Catering of Evanston is available for $29 per person. Reservations and payment for dinner must be made by Saturday, March 12. Please call the box office at 773-939-4101, Wednesdays through Sundays from Noon to 5 pm, to reserve dinners and make payment.

Theo Ubique is requiring all audience members to be fully vaccinated from COVID-19 this season. Photo ID and proof of vaccination (photos or photocopies are acceptable) will be required at the door. Masks must be worn at all times except while actively eating and drinking.

Single tickets for ONCE UPON A MATTRESS are on sale now at www.theo-u.com. Prices are $35.00 for previews March 11-20, and $42.00- $54.00 for regular performances March 24-May 1. Optional three course prix fixe dinners are available for $29.00 per person, per show. Dinner reservations must be placed one week in advance of the desired performance date. 

Howard Street Theatre, 721 Howard St., Evanston

INCOMING: Circle Jerks Tour Dates and Zander Schloss of Circle Jerks Releases Debut Solo Album Song About Songs

  ChiIL Live Shows and New Release On Our Radar

Zander Schloss of Circle Jerks Shares “Dead Friend Letter” Music Video

On 40th Anniversary Tour with Circle Jerks

Here at ChiIL Live Shows we've dug the Circle Jerks for decades and were happy to see them playing Riot Fest in Chicago last fall. They're back out on tour again and shows are selling out fast. Still, even punks have a mellow side and we're thoroughly enjoying Zander Schloss's melodic new release too. Check it out!

Zander Schloss has released his long-awaited debut solo album Song About Songs via Blind Owl Records. The album marks the beginning of a new chapter for the longtime Circle Jerks bassist and known Joe Strummer collaborator, who calls the album his “polar opposite version of punk rock.”

Schloss has also shared the music video for the recent single “Dead Friend Letter” with Under The Radar saying, “‘Dead Letter Friend’ initially appears as one of the record’s sunnier arrangements, tinged with warm melodicism, pastoral harmonies, and a stark, intimate vocal style from Schloss. Yet, beneath the welcoming fingerpicking and gentle melodic lull, Schloss explores dark lyrical territory, tracing the outline of a man’s suicide letter and his final goodbyes. The resulting track is stark and simple, but hits like a startling gut-punch, painting a sincere and heart-rending character portrait.”

Stream/purchase Song About Songs HERE

Watch “Dead Friend Letter” Music Video HERE

The singles leading up to Song About Songs have been praised by many including BrooklynVegan who called “Dead Friend Letter,” “a lovely dose of early '70s style folk rock,” and Atwood Magazine who did a deep dive into “I Have Loved The Story Of My Life,” (which singer-songwriter Bedouine makes an appearance on) saying, “The song touches on themes of gratitude, on sentimentality, on magic, and on memories and paints such a vivid tale in both its lyrics and its video presentation. It details the life of one who’s lived so widely and experienced such a great deal.”

There was also plenty of excitement around the release of the title track which Northern Transmissions dubbed Song of the Day, and was further praised by Punktuation!, antiMusic, Ghettoblaster, and Blabbermouth among others. Schloss also recently appeared on Damian Abraham’s (of Fucked Up) podcast Turned Out A Punk.

The “I Have Loved The Story Of My Life” music video features uncanny marionettes of Schloss from the many different phases of his life, including his acting roles in numerous Alex Cox films, his time working with Joe Strummer, playing bass with the Circle Jerks and Weirdos, all leading up to present-day Zander Schloss. WATCH HERE

Schloss has an impressive résumé that includes his featured acting performance alongside Harry Dean Stanton and Emilio Estevez in Alex Cox’s 1984 cult classic feature Repo Man; work on the soundtracks for Cox’s later films Sid & Nancy, Straight to Hell, Walker; and Highway Patrolman. He is well known as touring musical director and guitarist for Joe Strummer of the Clash, with performances on Strummer’s first solo single “Trash City” and album Earthquake Weather. He also has appearances on record with Low & Sweet Orchestra, Magnificent Bastards, Thelonious Monster and in concert with the Weirdos. In 2021-22, he will be seen on stage during the Circle Jerks’ pandemic-delayed 40th anniversary tour.

But Song About Songs, which features the Los Angeles-based performer as singer, guitarist, and writer of nine striking original compositions, displays a revelatory new aspect of his work. It will surprise listeners accustomed to hearing Schloss in an aggressive hardcore format, but the St. Louis-born musician notes that his early musical inspirations came from a distinctly different realm.

As Veteran Los Angeles music journalist and critic Chris Morris writes in the album’s liner notes, “Played tenderly, with a striking intimacy, the subtle and affecting material on Song About Songs may well come as a surprise to listeners who know Zander Schloss only from three decades of bash-it-out work with the Circle Jerks and other punk units….Here, we get a long overdue look at a hitherto unheard side of his musical personality. It bears the thrill of discovery.”

Schloss is currently on the road with the Circle Jerks for their pandemic-delayed 40th anniversary tour. See full list of dates here: https://www.circlejerks.net/tour

 

Song About Songs tracklist

1. My Dear Blue

2. Not So Long Ago

3. Sin Of Wasting Time

4. Old Cliches & Diamond Rings

5. Dead Friend Letter

6. I Have Loved The Story Of My Life (featuring Bedouine)

7. The Road

8. Married To Sadness

9. Song About Songs 

Follow Zander Schloss: Facebook - Twitter - Instagram

credit: Geoff Moore

Rock of Ages Still Rollin' in Aurora at Paramount Theatre Through MAY 29, 2022

ChiIL Live Shows On Our Radar 

ARE YOU READY TO ROCK?

PARAMOUNT THEATRE HITS THE HIGH NOTES WITH 

ROCK OF AGES

ITS 10TH BROADWAY SEASON FINALE 

APRIL 13-MAY 29, 2022

Note: Rock of Ages is suggested for ages 14 and up due to adult language and sexual content.

Here at ChiIL Live Shows, we've seen the Broadway touring company perform Rock of Ages at least three times in Chicago and we just can't get enough. We can't wait to see Paramount's take on this big hair, big dreams, big fun, hit. Relive the 80's, hairband era, with a LA love story that redefines success from fame and fortune to family. This is one of those musicals that you can bring straight men who hate musicals to. With hits from top ‘80s rock bands like Journey, Bon Jovi, Styx, Poison and more, Rock of Ages might even have them singing along! Break out your leopard and leather and dress the part. Rock of Ages is an epic 80's party you don't want to miss.

(top, from left) Kieran McCabe plays Drew, Taylor DiTola is Sherrie, (below) Melody A. Betts is Justice and Josh Scholl plays Stacee Jaxx. Credit: Amy Nelson

Are you ready to rock? Like, really rock?!

Nominated for five Tony Awards, including Best Musical, Rock of Ages will take Paramount Theatre audiences back into the iconic music era of the ‘80s, where rock ‘n’ roll dreamers turn their fantasies into reality. 

Paramount Artistic Producer and New Works Director Amber Mak, known for staging Paramount’s smash hit blockbusters Beauty and the Beast, The Wizard of Oz and The Little Mermaid, directs Rock of Ages. Don’t miss Paramount’s 10th Anniversary Broadway Series finale, a trip back to when rock was king, and every song was a hitmaker.

Previews start April 13, 2022. Performances run through May 29 at Paramount Theatre, 23 E. Galena Blvd. in downtown Aurora. Single tickets are $36-$79. For tickets and information, visit ParamountAurora.com, or call the box office, (630) 896-6666, Monday-Saturday, 10 a.m. to 6 p.m.



 

(from left) Kieran McCabe plays Drew, Taylor DiTola is Sherrie, Melody A. Betts plays Justice and Josh Scholl is Stacee Jaxx in Rock of Ages, Paramount Theatre’s 10th Anniversary Broadway Series finale. Credit: Amy Nelson

Rock of Ages is the story of a small-town girl with Hollywood dreams who meets a big-city boy chasing his rock-star fantasies on L.A.’s infamous Sunset Strip. With the historic Bourbon Room as the backdrop, their love story unfolds right where the biggest names in rock got their start – all told through the biggest, baddest, mind-blowing rock songs of the ‘80s including “Just Like Paradise,” “Sister Christian,” “We’re Not Gonna Take It,” “Wanted Dead or Alive,” “Can’t Fight This Feeling,” “Hit Me With Your Best Shot,” “Every Rose Has Its Thorn” and a whole lot more.

Rock of Ages, book by Chris D’Arienzo, arrangements and orchestrations by Ethan Popp, premiered on Broadway April 7, 2009, at the Brooks Atkinson Theatre and later moved to the Helen Hayes Theatre where it closed on January 18, 2015 after 2,328 performances. With pulsating percussion, blazing guitar riffs, vocal gymnastics and glam 80’s rock hits, Rock of Ages earned five Tony Nominations, including Best Musical, spawned tours and productions worldwide, and was turned into a 2012 major motion picture starring Tom Cruise, Julianne Hough and Mary J. Blige.

“This show has been on my bucket list since I first saw it when I was living in New York City and would use my outdated student ID to snag a $25 ticket to the show,” said director Amber Mak. “As a self-proclaimed rule follower, this show allowed me to indulge in my fantasies of being a spontaneous, care-free rocker and groupie. So I invite you to leave the heaviness of the world and the crazy ride we have been on for the past two years behind. Get a drink and escape to the Sunset Strip of L.A. in the ‘80s where big hair and rock ruled. Let’s Rock Aurora!”

Principal cast members for Paramount’s new staging of Rock of Ages are Melody A. Betts (Justice/Mother), Shea Coffman (Lonny), Taylor DiTola (Sherrie), Nick Druzbanski (Franz), Carisa Gonzalez (Regina), Karl Hamilton (Dennis), Kieran McCabe (Drew) and Josh Scholl (Stacee Jax/Father). The ensemble includes Lexie Bailey, Max J. Cervantes, Maeve Cosgriffe, Shantel Cribbs, Andres J. DeLeon, Alley Ellis, Michael Ferraro (Drew at some performances), Paige Hauer, Christopher John Kelley, Maggie Malaney, Trey Mendlik, David Sajewich, Charlie Ward, Natalie Welch and Travis Austin Wright.

The band members, performing live, on stage, are Kara Kesselring (conductor/keyboard), Dan Peters (guitar one), Scott Tipping (guitar two), Janis Wallin (bass) and Jim Widlowski (drums).

 The full production team is Amber Mak, director and co-choreographer; Annie Jo Fischer, co-choreographer; Kory Danielson, music director/supervisor; Kara Kesselring, conductor/associate music director; Jeffrey D. Kmiec, scenic designer; Theresa Ham, costume designer; Greg Hofmann, lighting designer; Adam Rosenthal, sound designer; Mike Tutaj, projection designer; Katie Cordts, wig, hair and makeup designer; Jesse Gaffney, properties designer; Ethan Deppe, electronic music designer; Jerry Galante, fight choreographer; Susan Gosdick, dialect coach; Sara Reinecke, associate director; Charlie Ward, associate choreographer; Kailey Rockwell, associate conductor; Sean McNeely, orchestra contractor; Maegan Burnell, stage manager; and Mary Zanger, assistant stage manager. 

Rock of Ages performance schedule and ticket information

Previews start Wednesday, April 13, 2022, at 7 p.m. Press opening is Friday, April 22, at 8 p.m. Rock of Ages runs through May 29. Show times are Wednesdays at 1:30 p.m. and 7 p.m.; Thursdays at 7 p.m.; Fridays at 8 p.m.; Saturdays at 3 p.m. and 8 p.m.; Sundays at 1 p.m. and 5:30 p.m. (exception: No 1:30 p.m. matinee on Wednesday, April 13). Tickets are $36 to $79. 

Paramount Theatre is located at 23 E. Galena Blvd. in downtown Aurora. For tickets and information, visit paramountaurora.com, call (630) 896-6666, or stop by the Paramount box office Monday through Saturday, 10 a.m. to 6 p.m. 

Breaking down barriers to live theater: 

Paramount introduces Pay What You Can events

Paramount Theatre is offering two Pay What You Can performances of Rock of Ages on Thursday, April 14, at 7 p.m., and Saturday, April 16, at 3 p.m.

Both days, starting at 10 a.m., visit the Paramount Theatre box office in-person to request tickets. Customers will be asked how much they’d like to pay and will simply pay what they can. Limit four tickets per person. Offer not valid toward previous purchases. Online or phone purchases are not permitted. Paramount’s Pay What You Can program is part of the theater’s new program, REACH (Resources Expanding the Arts and Connecting Humanity).

Access Services

If you require wheelchair or special seating or other assistance, please contact the box office at (630) 896-6666 or boxoffice@paramountarts.com in advance

Paramount offers assistive listening devices free of charge at all performances. Check in at the coat room before the show to borrow a listening device.

For patrons who are deaf or hard of hearing, Rock of Ages will be presented on Friday, May 27, at 8 p.m. with two certified sign interpreters translating all dialogue and lyrics into American Sign Language. Patrons can purchase single tickets with special seating for this performance for $30 with the code ASLPARAMOUNT.

Paramount Theatre’s Covid-19 commitment to and safety and protocol

Paramount Theatre has followed, and will continue to follow, the requirements of the State of Illinois and the Kane County Health Department. Therefore, Paramount is following the guidance of the State of Illinois and recommends, but no longer requires, masks, proof of vaccination or negative COVID test for patrons effective February 28, 2022. Mask wearing is strongly encouraged, but will be optional. For complete details, please read Paramount’s full Covid Policy.

Paramount’s new BOLD Series, launched in March 

in the newly renovated Copley Theatre

After two years of waiting, Paramount Theatre is launching its new BOLD Series, bringing a new, four-show subscription series and a new type of live theater – fearless, unexpected and thought provoking – to the heart of Aurora’s downtown entertainment district.

Just as exciting, Paramount is lifting the curtain on its new home for its BOLD Series, the newly remodeled Copley Theatre, right across the street from Paramount at 8 E. Galena Blvd., in the North Island Center. Following a two-year, $2 million, top-to-bottom renovation, the Copley is an intimate, state-of-the-art theater with 165 comfortable new seats and a modern new lobby bar, ready to attract more audiences to downtown Aurora.

Paramount’s inaugural BOLD production is Sweat, winner of the 2017 Pulitzer Prize for Drama, nominated for a Tony Award for Best Play and a landmark achievement of American theater. Lynn Nottage’s acclaimed modern-day drama about life in an American Rust Belt town being battered by the constant threat of company shutdowns runs at the Copley March 9-April 24, 2022. Check out my full review here: http://chiilliveshows.com/2022/02/opening-lynn-nottages-pulitzer-prize.html

Following Sweat, Paramount’s BOLD Series continues with Hand to God by Robin Askins, a darkly humorous shocker told Sesame Street meets Exorcist style, puppets included, May 25-July 10; the Tony Award-winning musical Fun Home, book by Lisa Kron, music by Jeanine Tesori, based on the graphic novel by Alison Bechdel, August 3-September 18; and BULL: a love story, Nancy García Loza’s world premiere drama about a Mexican-American man who returns to Chicago to find a family who has moved on and a neighborhood he no longer recognizes, October 5-November 20.

Four-show subscriptions are on sale now from $134-$148. That’s buy two shows, get two shows free. Single tickets to individual performances are $67-$74. To purchase subscriptions, single tickets or for more information, visit ParamountAurora.com, call (630) 896-6666, or stop by the Paramount box office, 23 E. Galena Blvd., Aurora, Monday through Saturday, 10 a.m. to 6 p.m.

About Paramount Theatre

Paramount Theatre, 23 E. Galena Blvd., is the center for performing arts and education in Aurora, the second largest city in Illinois. The beautiful,

1,843-seat theater, graced with a strong 1930s Art Deco influence and original Venetian décor, nationally known for its high-quality productions, superb acoustics and historic grandeur, has been downtown Aurora’s anchor attraction since 1931.

After launching its own Broadway Series in 2011, Paramount Theatre grew to be the second largest subscription house in the U.S. Before Covid, more than 41,000 subscribers from all over Chicagoland and the Midwest were enjoying Paramount’s critically acclaimed, 2019-20 Broadway-caliber productions. In addition, Paramount also presents an array of internationally known comedians, music stars, dance events and family shows annually.

Paramount Theatre is one of four live performance venues programmed and managed by the Aurora Civic Center Authority. ACCA also oversees downtown Aurora’s newly renovated 165-seat Copley Theatre, home to Paramount’s new BOLD Series, along with the Paramount School of the Arts, RiverEdge Park, the city’s 6,000-seat outdoor summer concert venue, and Stolp Island Theatre, an immersive space opening in summer 2023. 

Paramount Theatre continues to expand its artistic and institutional boundaries under the guidance of Tim Rater, President and CEO, Aurora Civic Center Authority; Jim Corti, Artistic Director, Paramount Theatre; a dedicated Board of Trustees and a devoted staff of live theater and music professionals.

For the latest updates, visit ParamountAurora.com or follow @ParamountAurora on Facebook, Instagram or Twitter.

CHRISTONE “KINGFISH” INGRAM BRINGS 662: JUKE JOINT LIVE TOUR TO CHICAGO'S VIC THEATRE Sunday, March 27, 2022

ChiIL Live Shows On Our Radar 

Grammy Award Nomination:

Best Contemporary Blues Album: 662

“Exceptional album...astonishing creativity.”

662 #1 Blues Album Of 2021

—MOJO

“Christone “Kingfish” Ingram has already made his mark as one of the best, and undoubtedly most exciting, blues guitarists in the world.”

—Guitar World

“Ingram plays guitar with dramatic, searing tone and sure-handed authority. And that's just in the studio; he's even scarier live.”

—NPR Music

Christone “Kingfish” Ingram will celebrate the release of his Grammy-nominated Alligator Records album, 662, with a live performance at The Vic Theatre in Chicago on Sunday, March 27, 2022. Ingram’s headlining tour, entitled Christone “Kingfish” Ingram Presents 662: Juke Joint Live, has already taken the 23-year-old guitarist, vocalist and songwriter across the U.S. and Europe, with many more dates to come. In addition to the Grammy nomination (his second in two years), 662 was named the #1 Best Blues Album of 2021 by UK tastemaker magazine, MOJO. Rolling Stone declared, “Kingfish is one of the most exciting young guitarists in years, with a sound that encompasses B.B. King, Jimi Hendrix and Prince.”

Check out the video for Long Distance Woman

Concert information is as follows:

Date: Sunday, March 27, 2022

Venue: The Vic Theatre

Address: 3145 N. Sheffield Ave.

City: Chicago, IL 

Phone: 773-472-0449

Showtime: 7:30pm

Ticket price: $38.50

Get your tickets HERE 

Upon its July 2021 release, 662 debuted at #1 on the Billboard Blues Chart, and it's remained on the chart ever since. NPR's Morning Edition ran a 7-minute feature on release day. Buddy Guy called him “the next explosion of blues.” 662 was recorded in Nashville and co-written and produced by Grammy-winner Tom Hambridge. It features 13 songs (and one previously released bonus track) displaying many sides of Ingram’s personality, as well as his one-of-a-kind guitar and vocal skills. 

According to Ingram, "662 is an ode to my roots, a nod to the area where I was born and raised. The title track, 662, encompasses how a small corner of the earth influenced my view of life and music. It also points to the growth I have had since my debut album. As much as I have been fortunate to get 'Outside Of This Town' (the title of his breakout single from his 2019 Grammy-nominated debut album, Kingfish), I do want people to know that the '662' will always be a major part of who I am."

Since the release of Kingfish, Ingram has quickly become the defining blues voice of his generation. From Clarksdale, Mississippi to stages around the world, the young musician has already headlined two national tours (Fish Grease I & II) and performed with friends including Vampire Weekend, Jason Isbell and Buddy Guy (with whom he appeared on Austin City Limits). He was interviewed by Sir Elton John on his Apple Music podcast Rocket Hour, and recently released songs with Bootsy Collins and Bobby Rush. In January 2021, Ingram was simultaneously on the covers of both Guitar World and DownBeat magazines, and graced the cover of Living Blues in late 2020. NPR Music says Ingram’s playing is “astounding…it’s almost like he's singing through the guitar.”

On 662, Ingram creates contemporary blues that speaks to his generation and beyond, delivering the full healing power of the music. No Depression calls Ingram, “a young bluesman with an ancient soul and a large presence in the here-and-now.” Living Blues says, “By any measure, Kingfish is one of the brightest new stars of his generation.”

CHICAGO PREMIERE OF WHITE BY DEFINITION ENSEMBLE MEMBER JAMES IJAMES in Steppenwolf’s 1700 Theater from March 10 – April 10, 2022

ChiIL Live Shows On Our Radar   

DEFINITION THEATRE PRESENTS

THE CHICAGO PREMIERE OF  

WHITE

BY DEFINITION ENSEMBLE MEMBER JAMES IJAMES,

DIRECTED BY ERICKA RATCLIFF

Definition Theatre opens its 10th anniversary season with the Chicago premiere of WHITE by ensemble member James Ijames and directed by Ericka Ratcliff. Produced in partnership with Steppenwolf Theatre Company’s LookOut Series, WHITE will run in Steppenwolf’s 1700 Theater from March 10 – April 10, 2022. I'll be out for the press opening March 17th so check back shortly after for my full review. Tickets are on sale now and may be purchased at steppenwolf.org or in person at the Steppenwolf Theatre Company box office.

“After much anticipation, we are elated to present this incredible piece of theatre from Definition ensemble member James Ijames,” shared Artistic Director Tyrone Phillips. “I am also looking forward to collaborating with director and Chicago theatre treasure Ericka Ratcliff, who is embarking on this new journey with us. Much like America V2.1, the theatrical film production Definition released in fall 2021, WHITE invites the audience to grapple with themes of power and authorship. This hilarious, thought-provoking piece holds our society accountable to artists as it is asks, ‘Who is allowed to create art? And how do we decide what creative work is worth?’”

Gus is a painter expecting his big break with a prestigious contemporary art museum in 'The New America' exhibition. When he's told by the museum's new curator that "white dudes" aren't a part of New America, he enlists the help of Vanessa, a black actress, and together they create Balkonae Townsend, a bold, young radical artist to serve as the face of his work. But when things start to spiral out of control, Gus is left to deal with the mess he created and Vanessa must come to terms with her own agency as an artist. Audacious and bitingly funny, WHITE explores white privilege, racial politics and the fine line between appropriation and opportunity.

*The cast of WHITE includes ensemble member Carley Cornelius with Jonathan Allsop, Kierra Bunch, and Niko Kourtis. 

The production team for WHITE includes Joey Stone (Associate Director), Yeaji Kim (Scenic and Projections Designer), Rea Brown (Costume Designer), Levi Wilkins (Lighting Designer), Willow James (Sound Designer), Lonnae Hickman (Properties Designer), Gaby Labotaka (Intimacy Director), Kayla Menz (Assistant Intimacy Director), JQ (Original Composition), ensemble member Jared Bellot (Dramaturg), Evan Sposato (Technical Director), Emmy Weldon (Assistant Lighting Designer), AJ Links (Casting Director), Ariel Beller (Floor Manager), Julie Jachym (Production Stage Manager), and Jennifer Aparicio (Production Manager).

Previews:  Thursday, March 10 at 8:00pm; Friday, March 11 at 8:00pm;

Saturday, March 12 at 3:00pm; Saturday, March 12 at 8:00pm;

and Wednesday, March 16 at 8:00pm

Regular run:  March 18 – April 10, 2022

Ticket prices: $20 - $40

Box Office:  Ticket orders will be processed at steppenwolf.org and in person at Steppenwolf 

   

                

ABOUT DEFINITION THEATRE

Definition Theatre is a culturally diverse theater dedicated to telling language-driven, relationship-oriented, socially relevant stories about and created with underrepresented communities in Chicago. Our ensemble is a collective of artists, art administrators, educators, and designers who prioritize working towards and representing a more equitable theatre industry.

Definition has built its reputation on work that reflects its unique voice. It shared the words of Academy Award- Winner Tarell Alvin McCraney in The Brothers Size; it grooved with Amiri Baraka’s whirlwind story of a chance meeting on a train in Dutchman. In partnership with, The New Colony staged the world premiere of Byhalia, Mississippi, which starred Academy Award nominee ensemble member Kiki Layne. In association with the Goodman Theatre, Definition staged the Chicago premiere of Branden Jacobs-Jenkins’ An Octoroon, a subversive take on race in America that captivated audiences. Most recently, Definition sent us all to the moon with ensemble member James Ijames’s Moon Man Walk, explored the challenges of America’s public-school system through Nilaja Sun’s No Child… and highlighted the first- generation experience in the world premiere of Sam Kebede’s ETHIOPIANAMERICA.

Ensemble members include: Owais Ahmed, Jared Bellot, Carley Cornelius, Ari Craven, Danielle Davis, Martasia Jones, Slick Jorgensen, Kristy Hall, James Ijames, Kiki Layne, Kelson Michael McAuliffe, Neel McNeill, Sophiyaa Nayar, Karyn Oates, Alexandra Oparka, Julian Parker, Tyrone Phillips, Jacqueline Rosas, Christopher Sheard, and Dujon Smith. Artistic Advisory Board members include: director May Adrales, Steppenwolf ensemble member Alana Arenas, actress Shannon Cochran, Erica Daniels, actor Brandon Dirden, actor Jason Dirden, director Pam Mackinnon, Equity Quotient CEO Keryl McCord, professor JW Morrissette, director Ron OJ Parson, professor/lighting designer Kathy Perkins, Tony Award-winning actress and stage director Phylicia Rashad, and Goodman Theatre director in residence Chuck Smith. Tyrone Phillips is the Artistic Director and Neel McNeill is the Executive Director. For additional information, visit definitiontheatre.org and @definitiontheatre on Facebook and Instagram #stayinit

ABOUT STEPPENWOLF’S LOOKOUT SERIES

LookOut is Steppenwolf’s performance series that presents the work of artists and companies across genre and form, emerging artists and performance legends, quintessential Chicago companies and young aspiring ensembles, familiar Steppenwolf faces and new friends. Patrick Zakem and Lauren Steinberg are the Producers for the series. For more information, visit steppenwolf.org/lookout. Steppenwolf’s 1700 Theater is a flexible and intimate venue connected to Steppenwolf’s own Front Bar: Coffee and Drinks at 1700 N Halsted St., an inviting space to grab a drink, have a bite, or meet up with friends and collaborators, day or night.

 

World Premiere of Lifeboat Productions' THE BLACK KNIGHT at City Lit Theater February 26 - April 2, 2022

ChiIL Live Shows On Our Radar  

Lifeboat Productions presents

THE BLACK KNIGHT

By Angeli Primlani Directed by Brian Pastor

A world premiere theatrical performance February 26 - April 2

“Trust. Love. Survive.”

Lifeboat Productions presents the world premiere of The Black Knight by Angeli Primlani, on stage at City Lit Theater in Edgewater, from February 26 - April 2.

Tickets are $38.00 and can be purchased at www.lifeboatchicago.com. 

The Black Knight is a timely tale of love, trust, and resistance set in Nazi-Occupied Prague. This intimate character study examines the nature of love and trust in a culture where everyone is assumed to be under surveillance. Three friends, Albrecht, Kathi and Fritz, all grew up together in Nazi Germany. As the war begins they scatter in very different directions. When they encounter each other again in Prague in 1941, they must decide whether and how much they can trust each other, and if their bonds of affection and love are stronger than war.

Originally slated to open in 2020 before being shut down by the pandemic, the 2022 premiere features the return of much of the cast and production team, including Lifeboat Company member Gary Henderson as Albrecht, who also performed the role in Accidental Shakespeare Company’s staged reading at Stage 773 during Chicago Theater Week 2017.

“I’ve seen a lot of principled people in my life side with the bullies, only to wake up too late – after everything they thought they were protecting was lost,” said Henderson. “This play is not just a cautionary tale, it’s a talisman against the darkness.”

Katherine Wettermann as Kathi, who was also part of the 2020 cast. “I was immediately drawn to Kathi’s strong sense of self – especially during this time period, when women had little to no rights. Love becomes a test to Kathi’s independence, and she quickly learns the dire impact her decisions have on those around her,” said Wettermann.

During the pandemic and lockdown, the Lifeboat team watched helplessly as this story about the rise of fascism became even more relevant to our modern world. The current cast and director Brian Pastor heavily workshopped this final script, with significant research support from dramaturg Rabbit Seagraves and actor Gary Henderson. It became clear that the manipulation of a national emergency, and the everyday heroism of ordinary people in response, echoes in the world we live in now.

Playwright Angeli Primlani (pictured above) worked in Prague, Czech Republic as a journalist in the 1990s and wrote about the reassertion of the neo-Nazi movement there. “At the time this story was my very personal obsession. I thought it would bore anyone who wasn’t a giant history nerd,” she said. “Instead I spent the last few years watching the US follow a similar dark path to Germany’s. These characters are like GenZ now, old enough to understand what is happening, too young to have any control over events that would shape all of their destinies.”

Primlani directed the 2017 staged reading as Accidental Shakespeare Company’s former Artistic Director. That cast’s wonderful work brought the show to the attention of Managing Director Ursula Gruber.

Gruber expressed her passion for the complexity and authenticity of the script, “When I first read an early draft of Angeli’s script in 2004, I was taken aback by the similarities with my grandmother’s life in Essen, Germany. As we workshopped the play over the last few years, we have been deeply moved by the stories of audience members who shared their own connections to the narrative. As a queer woman with both Jewish and German heritage, I am thrilled to finally bring this script to a larger audience.”

Director Brian Pastor joined the team in 2021, around the time that their adaptation of RFK’s memoir of The Cuban Missile Crisis, Thirteen Days, premiered on the City Lit stage. An honors history major at Northwestern, Brian brings a vast amount of experience to the table, having served as a producer, director, actor and playwright in Chicago for nearly two decades. Brian’s punk-laced production of Gross Indecency: The Three Trials of Oscar Wilde for Promethean Theatre Ensemble gave us a glimpse of how small acts of resistance can create lasting change. Of The Black Knight, Brian says, “After Gross Indecency and Thirteen Days, I became enchanted with this idea that small, brave choices can add up to something much bigger. In those previous shows, the agents of change were people with power and influence. I really wanted to examine what kind of progress could be made when ordinary people choose to do the next right thing. This show allows us to imagine how we might learn to slay giants by having enough people choose to pick up a stone.”

Lifeboat Productions is devoted to the idea of Hopepunk Theater. In a world where meanness and toughness is valued, kindness and affection is the most punk thing one can embrace. The Black Knight’s message of resistance and love as the best weapons against facism has remained an extremely hopepunk theme. Many of the cast and production team members identify with historically marginalized groups and cultures, informing the ways the various characters both belong to and are excluded from the mainstream.

Cast:

Katherine Wettermanm as Kathi Gary Henderson as Albrecht Mac Westcott as Fritz

Matt Rosin as Forster

Jared Dennis as Schellenberg

Erin Stewart as Marta / Driver / Pear lady Rafael López as Honza

Brooks Whitlock as Burger

Ben Terpstra as Officer

Cast bios can be found at:

https://www.hopepunkchicago.com/black-knight-bios/#cast

Production team bios can be found at:

https://www.hopepunkchicago.com/black-knight-bios/#production

Production Team:

Director: Brian Pastor

Scenic Design: Jeremiah Barr

Intimacy Design: Courtney Abbott

Stage Manager: Kristen Jett

Props Design: Cat Cefalu

Lighting Design: Benjamin Dionysus Sound Design: Amber Cell and Cheri Tatar Costume Design: Kelsey Denvir Dramaturgy: Rabbit Seagraves

Performance Dates:

Preview Friday, February, 25 7:30 pm

February 26 - April 3, Thursdays - Saturdays 7:30 pm, Sundays 2:30 pm

Location:

City Lit Theater

1020 W Bryn Mawr Ave, Chicago, IL 60660

In the Edgewater Presbyterian Church

CTA Red Line stop: Bryn Mawr

Parking and transportation information at www.lifeboatchicago.com/plan-your-trip City Lit Theater is Wheelchair Accessible

      

About Lifeboat Productions:

Lifeboat Productions is an ensemble theater company that promotes hopepunk narratives of resistance and optimism weaponized against the prevailing cultural narrative of anger and despair. Lifeboat Productions was formed in 2020 by a group of actors, designers, and writers who needed something to believe in.

Tickets On Sale Now for Comedian DAVE ATTELL at The Den Theatre August 18 – 20, 2022

ChiIL Live Shows On Our Radar 

The Den Theatre Announces Comedian

DAVE ATTELL

August 18 – 20, 2022 on The Heath Mainstage

My family ChiILin' with Dave Attell in Alaska in 2002

My husband, Dug, of Dug Production Sound, Inc worked on Insomniac with Dave Attell for 4 seasons and traveled the world with him on the international specials. Fun times! Dug even makes cameo appearances in many of the episodes. 

Our whole family tagged along on the Insomniac Alaska shoot, pictured above, when our son, Dugan was one. Dave ended up sitting next to our toddler for dinner one night and was a great sport when our kid decided to hand feed Dave his Mexican food. We still love to catch Dave Attell and his irreverent humor when he comes through town, and can't wait to see him in August. Tickets are on sale now for his 3 night run in Chicago at The Den Theatre. Don't miss this!

The Den Theatre is pleased to announce comedian Dave Attell for five stand-up performances August 18 – 20, 2022 on The Heath Mainstage, 1331 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood. Tickets ($18 - $40) are currently available at www.thedentheatre.com or by calling (773) 697-3830.

 

Dave Attell is a stand-up comedian, actor and writer, best known as the host of Comedy Central's Insomniac with Dave Attell, which gave him a cult following. He can next be seen in the Hulu series Life & Beth alongside Amy Schumer, Michael Rapaport and Michael Cera. He also appears on Bumping Mics with Jeff Ross, currently streaming on Netflix and HBO’s Crashing with Pete Holmes. His stand-up series, Dave Attell’s Comedy Underground and his one-hour special, Road Work, were featured on Comedy Central and Road Work is now streaming on Netflix.

 

His film credits include Chris Rock’s cult film Pootie Tang, Funny People, Scary Movie 4 and Los Enchiladas and the Amy Schumer films Trainwreck and I Feel Pretty. His television credits include The Simpsons, Difficult People, Bob’s Burgers, Arrested Development, The Jim Gaffigan Show, The Jim Norton Show, Inside Amy Schumer, Louie, Ed, Everybody Loves Raymond and Tough Crowd with Colin Quinn. He was named one of the “25 Funniest People in America” by Entertainment Weekly Magazine. When not on the road, Attell makes regular appearances at the Comedy Cellar in New York City.

 

Performance Schedule

 

Thursday, August 18 at 8 pm

Friday, August 19 at 7 pm & 9:15 pm

Saturday, August 20 at 7 pm & 9:15 pm

Tickets: $30 regular seating ($20 obstructed view); $50 front row VIP table seating; $40 VIP table seating; $35 mezzanine table seating. All ticket prices include cocktail service with a two-drink minimum.

 

The Den currently requires proof of vaccination for all guests, staff and performers and adheres to all CDC, state and local safety guidelines. Additionally, masking is required for all guests during performances. For the most current information on The Den’s COVID guidelines, visit thedentheatre.com/covid19-policy.

 

About The Den Theatre

 

Artistic Director Ryan Martin opened The Den in 2010 in the Wicker Park neighborhood with a single theatre space. Now celebrating its tenth year, The Den is a multi-level live entertainment venue that boasts five intimate and unique theaters ranging from 50 – 300 seats. The first floor houses The Den’s Haven Lounge – a full-service coffee shop and bar where neighbors, audiences and like-minded culture hounds gather to drink, eat, talk, read, watch, think, listen and live. Currently, The Den is home to five resident theatre companies including Broken Nose Theatre, ComedySportz Chicago, First Floor Theater, Haven and The New Coordinates (formerly The New Colony). Hundreds of other companies and artists from Chicago and beyond have called The Den home – from national names to local stars, The Den consistently plays host to a lineup of exciting and diverse talent. As a building created for interdisciplinary arts, The Den has accommodated a wide variety of programming, including plays, musicals, film screenings, live music, dance, improv and stand-up comedy, seminars and speaking engagements. For additional information, visit www.thedentheatre.com.