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Showing posts with label Bottom Lounge. Show all posts
Showing posts with label Bottom Lounge. Show all posts

Monday, October 7, 2013

INCOMING: This Tuesday Marky Ramone's Blitzkrieg With Andrew W. K. on Vocals at Double Door (21+) #OriginalPhotos

Chi, IL live shows on our radar.  We've shot Marky Ramone's Blitzkrieg at AAA Social Club as part of Riot Fest and last year at Bottom Lounge.  

Note the venue change to Double Door and come on out this Tuesday. Tickets purchased for Metro will be honored.



Now they're back with Andrew W. K. on vocals.




Tuesday Double Door Show Details


AM Productions and Double Door Present
Marky Ramone's Blitzkrieg with Andrew W.K. on Vocals
FIGO, Porn and Chicken
Tuesday, October 8, 2013
Doors: 7:30 pm / Show: 8:30 pm
$25.00


*NOTE CHICAGO VENUE CHANGE FROM METRO TO DOUBLE DOOR

This event is 21 and over
Tickets purchased for the Metro will be honored.
Marky Ramone's Blitzkrieg with Andrew W.K. on Vocals


Andrew W.K. will be joining Marky Ramone's Blitzkrieg as the lead singer for their 2013 world tour. The punk drumming icon and his band will be fronted by the king of partying for a high-octane performance of more than THIRTY of Marky's classic fan-favorite songs! These will include songs that took him from the halcyon stage of CBGB's to touring around the world. From the celluloid halls of Rock 'n Roll High School to the Rock & Roll Hall Of Fame, Ramone's career has taken him far and wide, earning him a Grammy Lifetime Achievement Award, an MTV Lifetime Achievement Award, and immortalizing his handprints on the Hollywood Rock Walk.

Speaking on how he chose Andrew W.K. as his singer, Ramone said, "I first met Andrew through a mutual friend and he told me about his party philosophy, which has also always been my exact take on life. We went into the rehearsal studio and it just clicked. We had so much fun that we wanted to invite everyone to the party. I've said before and I will say it again, these songs are too good not to be played live!!!"

W.K. echoed Ramone's sentiment, saying, "When Marky Ramone asks you to be his singer, you don't even think about it. It's an automatic, YES. I was intimidated by the magnitude of the opportunity – freaked out and overwhelmed – but I was also completely determined and focused – it's something I had to do. Even just the first rehearsal felt like an odyssey, but that's how you can tell the experience is changing your life. I've never had a more rewarding, humbling, orchallenging invitation than this, and I'm serving the gods via this incredible sound Marky and his band created. There's never been better rock 'n' roll music made than this, and I will give everything I have to do it justice." 

The historic pairing will kick-off their world tour in New York City on May 3rd, 2013 at Andrew's very own venue, Santos Party House, in downtown Manhattan.

Currently, Marky Ramone hosts his own weekly satellite radio show "Punk Rock Blitzkrieg," which is broadcast nationally via Sirius/XM Faction. He has also entered the culinary realm with the release of his highly successful Marinara Pasta Sauce, based on his Great Grandfather's recipe. Marky Ramone's Marinara Pasta Sauce has wowed such mainstream media outlets as the Wall Street Journal, Food Network Magazine and the New York Post. The sauce is even served and sold at world renowned chef Daniel Boulud's New York City restaurant, DBGB Kitchen & Bar.

Andrew W.K. has been a constant figure in national media ever since his 2000 debut, and in recent years he's been spreading his message of positive partying and high-energy entertainment with even greater intensity. His singular ability to straddle both mainstream media and fringe culture has made him an instantly recognizable modern pop icon. An example of his lasting influence is the recent 10th Anniversary Deluxe release of his landmark debut album, I Get Wet, the world tour of which sold out dates across the U.S., Europe, Australia and Japan. Most recently, Energizer Personal Care announced Andrew W.K. as the face of Playtex's new product, Fresh + Sexy Wipes. Andrew continues to surprise, confound, and engage his audience with an expanding array of energetic and enthusiastic entertainment.

FIGO

It's been a crazy ride for New York's FIGO. The band, which doubles their live electronic punk rock carnage with a strictly bangers DJ and remix crew, has rocked crowds across North America, Europe, and Asia, touring relentlessly on the local club circuit to sharing stages with the likes of The Crystal Method, Ladytron, Cut Copy, The Faint, Skrillex, The Presets, 2ManyDJs, Eric Prydz, and several others. They've crushed major music festivals along the way, including Identity, Summerburst, Detour, Amsterjam, I Love This City, Camp Bisco, South By Southwest, and more.

After releasing their first single, "PLAZA," via Calcium Records with remixes from EDM heavyweights Tommie Sunshine and Stephen Cole, followed by their own remixes of Justice, Ladytron, and A Place To Bury Strangers, FIGO's debut EP, Put It All On Black, was released independently in 2012. The release has received critically – acclaimed reviews and nods from RCRDLBL, FILTER Magazine, The New York Post, NME Magazine, Brooklyn Vegan, URB Magazine, and many others, with comparisons to anyone from The Misfits and Iggy & The Stooges, to Nitzer Ebb, Soulwax, and Kasabian. Keeping true to their signature electro-punk vs. dance sound, FIGO has since collaborated with and remixed artists as diverse as K'Naan, The Boxer Rebellion, and NERVO, for labels such as AM Octone, Astralwerks, and Mute.

In a recent collaboration, FIGO hooked up with Doc Nasty to take on dancefloor dracula Drop The Lime's stupid-funky cover of Bruce Springsteen's "State Trooper", out now as an official remix on Ultra Records. In signature FIGO style, the flip-script of Drop The Lime's dark and gritty cut takes grimy punk riffs spun with bits of electro-house and reverb, and voila, you've got raw dance-core in all its crunchy, bass-battered glory. FIGO shows no sign of slowing down in 2013: in addition to their Ultra Records release, this October they'll be packing up their musical mayhem and traversing the U.S. on a full live tour supporting legendary punk-rocker Marky Ramone with notorious party-rocker Andrew W.K.

Porn and Chicken

A Party. DJs. Music Makers. Trouble Makers. A Lifestyle.


Venue Information:
Double Door
1572 N Milwaukee Ave
Chicago, IL, 60622






















Friday, August 30, 2013

NCMF Ticket Winners Announced - Dirty Dozen Brass Band/ Van Ghost- Did YOU Win?



Congrats to ChiIL Live Shows' ticket winners out of 105 entries.   All 3 of you won a pair of tickets to Dirty Dozen Brass Band/ Van Ghost at Bottom Lounge this Sunday--doors at 10pm. Your names will be on the guest list at the door for this official North Coast Music Fest after show.   Click here for full show details.   


  • Tim W.
  • Blythe B.
  • Sherry C.
Check your in box.   We will private e-mail winners today.   Please E-mail us at zbluesun@gmail.com to confirm you got the word about your win.

Didn't win this time?   Tickets are still available for purchase.   Show is 17+.

Enjoy!



Thursday, August 29, 2013

FLASH GIVEAWAY-- 3 FREE Pairs of Tickets To Dirty Dozen Brass Band & Van Ghost at Bottom Lounge THIS Sunday #NCMF13


ChiIL out with ChiIL Live Shows and enter here through midnight TONIGHT 8/29 to win a pair of tickets to this official North Coast Music Fest after show!  (3 pairs available/ $24 value each). 17+
Click the Rafflecopter link below to enter.   

**a Rafflecopter giveaway**

Disclosure:  Thanks to NCMF and Bottom Lounge for kicking us review & giveaway tickets for our readers. 


Bottom Lounge
The Dirty Dozen Brass Band
featuring Van Ghost
Sunday, Sep 01, 2013 10:00 PM CDT 
Bottom Lounge
, Chicago, IL
17 years and over






Call me old school, but I still dig bands that play INSTRUMENTS, and Dirty Dozen Brass Band can PLAY.   Don't get me wrong, I do my best work on a silver Macbook Pro.   And I've got nothing against DJs.   Still, there's nothing like some down n dirty R&B and New Orleans brass to get your groove on to!

Whether you scored tickets to the sold out North Coast Music Festival or not, anyone can go to the after shows.   And even better, ChiIL Live Shows can get you there for FREE!   We're your music source in Chi, IL and beyond.   

Check back with ChiIL Live Shows like we vote in Chi, IL... early and often for great giveaways, free downloads, original content video band interviews, pit photos, tour coverage, music reviews and more.

*Click here for some of our past original photo filled coverage on local Chicago favs, Van Ghost.

*Click here to check out Dirty Dozen Brass Band via their YouTube Channel.


To describe how the Dirty Dozen Brass Band has arrived at its 35th Anniversary, trumpet player Gregory Davis employs a tried-and true New Orleans-centric analogy: “It ends up being like a pot of gumbo – you drop in a little okra, drop in a little shrimp, you drop in some crabs. Before you know it, you’ve mixed in all these different ingredients and you’ve got a beautiful soup. That was our approach to music early on and it still is today.”

Baritone sax player Roger Lewis — who, like Davis, has been with the combo since its inception in 1977 — echoes that sentiment: “It’s a big old musical gumbo, and that probably made the difference, separating us from other brass bands out of New Orleans. It put a different twist on the music. We were not trying to change anything, we were just playing the music we wanted to play and not stay in one particular bag.”

An appetite for musicological adventure, a commitment to honor tradition while not being constrained by it, and a healthy sense of humor have brought the world-traveling Dirty Dozen Brass Band to this remarkable juncture in an already storied career. To celebrate its 35th, the band is releasing Twenty Dozen, the septet’s first studio release in six years. The new album, cut at the Music Shed in New Orleans, reunites the band with producer Scott Billington, who helmed DDBB’s first major-label release, Voodoo, in 1989. 

It’s a resolutely upbeat effort that seamlessly blends R&B, jazz, funk, Afro-Latino grooves, some Caribbean flavor, and even a Rihanna cover. Twenty Dozen mirrors in flow and feel a vibrant DDBB live set. The disc reaches an exuberant peak with a medley of New Orleans staples, including a particularly high-spirited rendering of “When the Saints Go Marching In.” The final track – or, as Lewis puts it, “the after-party” – is an audience encore favorite, the ribald “Dirty Old Man,” with Lewis doing an outstanding job in the title role. 

Twenty Dozen, says Lewis, is “classic Dirty Dozen. It’s got something for your mind, body, and soul. We’re gonna get you one way or another.”

Disclosure:  Thanks again to NCMF and Bottom Lounge for kicking us review & giveaway tickets for our readers. 

Also check out these Fri/Sat night NCMF after shows at Bottom Lounge:




Tuesday, August 27, 2013

INCOMING: Dirty Beaches at Empty Bottle 9/12 & Beacon at Bottom Lounge 9/18

Two incredible acts, Beacon and Dirty Beaches, are coming through Chicago this fall and they're rumored to be some serious standouts for the season.   So check 'em out live while you can.

With a Best New Music on Pitchfork for his outstanding new double record Drifters/Love Is The Devil, Dirty Beaches has again proven to be one of the most innovative and compelling artists today, and will be playing on Thursday, September 12th at Empty Bottle with a full band. Heard recently in an interview on NPR's All Things Considered, they call Alex Zhang Hungtai's compositions "washy, dreamy rock music that often feels nostalgic" while Pitchfork see it as "both sprawling and detailed, a sonic travelogue that takes the textural aspects of his work to impressionistic heights." In a recent interview with Stereogum, they write that the record is "equal parts beautiful, heartbreaking, and (occasionally) terrifying," an apt description for his fascinating new video for "Casino Lisboa."

Beacon and Shigeto will be co-headlining a fantastic tour this summer, playing Bottom Lounge on Wednesday, September 18th with support from Nightmoves. A Brooklyn-based male duo, Beacon released their debut album, The Ways We Separate, on Ghostly earlier this spring to much acclaim, with Pitchfork writing, "Mullarney's voice is light, but it's grounded with an earnestness that is strengthened with each new instrumental flourish." An intoxicating blend of R&B and electronic grooves, The Ways We Separate captures smooth, sensual rhythms and lays them atop silky vocals and deep basslines, coming together into what Exclaim call "one of the most compelling and authentic-sounding albums of the year." Having toured with How To Dress Well, Gold Panda and Matthew Dear, Beacon put on a stellar live show and are sure to impress alongside Shigeto's vivid, beat-heavy electronic sound.



DIRTY BEACHES
Photo Credit: Anna Zelikova

North American Tour Dates 2013 /
09.04.13 - Societe des Arts Technologiques - Montreal, QC #
09.05.13 - Church of Boston - Boston, MA # 
09.06.13 - Bowery Ballroom - New York, NY #
09.08.13 - Rock & Roll Hotel - Washington, DC #
09.09.13 - Johnny Brenda's - Philadelphia, PA #
09.11.13 - The Garrison - Toronto, ON # 
09.12.13 - Empty Bottle - Chicago, IL #
09.13.13 - Firebird - St. Louis, MO # 
09.14.13 - Exit In - Nashville, TN # 
09.15.13 - Bottletree - Birmingham, AL # 
09.17.13 - The Mohawk - Austin, TX # 
09.19.13 - Rhythm Room - Phoenix, AZ # 
09.20.13 - Echo - Los Angeles, CA # % 
09.21.13 - The Void - San Diego, CA # % 
09.22.13 - Bottom of the Hill - San Francisco, CA # %
09.24.13 - Mississippi Studios - Portland, OR # %
09.25.13 - Barboza - Seattle, WA # % 
09.26.13 - Biltmore Cabaret - Vancouver, BC # % 
* with Heathered Pearls, Xray Eyeballs 
^ with Heathered Pearls & Eola (collaboration), Porcelain Raft, Andy Boay 
# with Sisu
% with Chasms

Alex Zhang Hungtai, AKA Dirty Beaches, started off as a one man band in 2005 in Montreal. A trans-pacific nomad and genre hopping sound smith, his past releases include drone instrumentals, film scores and a fascination with dissecting popular american music like blues, rockabilly, soul, RNB, and hip hop, often rendering them to the point where its no longer recognizable.

His latest release, Drifters/Love Is The Devil, is a double LP that chronicles the musician's life on the road over the past 2 years, as we follow him down the rabbit hole through the labyrinths of Berlin, Belgrade, Paris, and many other cities through heartbreak, rebirth and masochistic existential self reflection.

Recorded between Montreal and Berlin in the winter of 2012, the double LP is separated only by aesthetics, as they are tightly woven together thematically as one conceptual piece. If 2011's Badlands was an exercise in exorcising past ghosts in a semi-fictional world, then Drifters/Love Is The Devil is a reflection on the fragility of reality. One, of the surface world in which he explores the night life of bright neon temptations dwelling in hedonistic irresponsible values, and the other of the inner world, one of remorse and lovelorn tragedies.
As stated by the artist himself, "the most honest piece of music I've ever written." Drifters/Love Is The Devil is out now on ZOO MUSIC.


"Drifters/Love is the Devil is a pair of poignant records. Hungtai’s ideas swing rapidly from beautiful to chaotic to completely atonal...Fortunately, Hungtai has let us into his world, no matter what darkness we might find there." Consequence of Sound

"The gloomy and beautiful tracks on Love is the Devil may be pointing a way forward for Dirty Beaches, they may have been conceived as a spiritual complement to Drifters, or they may just be a temporary detour; whatever their intent though, their presence is a welcome addition to the Dirty Beaches catalog." Paste

Links /



Drifters Tracklisting /
01. Night Walk
02. I Dream In Neon
03. Belgrade
04. Casino Lisboa
05. ELLI
06. Aurevoir Mon Visage
07. Mirage Hall
08. Landscapes In The Mist 
Love Is The Devil Tracklisting /
01. Greyhound At Night
02. This Is Not My City
03. Woman
04. Love Is The Devil
05. Alone At The Danube River
06. I Don't Know How To Find My Way Back To You
07. Like The Ocean We Part
08. Berlin 

Quotes /
"Both sprawling and detailed, a sonic travelogue that takes the textural aspects of his work to impressionistic heights." Pitchfork

"Washy, dreamy rock music that often feels nostalgic." NPR

"Ambitious new double album, Drifters/Love Is The Devil, stylishly reflects the dislocation of the road more traveled, hovering on the edge of dread...the oblique confessionals and elegiac atmosphere belie a certain cinematic grandeur." Interview Magazine

"A double album steeped in grainy nostalgia that ventures further into the heart of film noir...an Oscar-worthy soundtrack waiting to happen." NYLON

"Drifters sees Hungtai dabble in spartan post-punk, rickety industrial and devil-at-the-crossroads blues. Love Is The Devil, meanwhile, is an instrumental song-suite, alternately redolent of Angelo Badalamenti and Forest Swords." FACT

"This double album is really good, and Alex Zhang Hungtai rules." VICE

"It's a demanding, damn good and rewarding listen, one that squeezes your heart and head through shaking fingers." Filter

"Laying down a rattling, distortion-heavy foundation while the man spits semi-intelligible venom from a mouth that seems caught in a permanent rockabilly sneer. There are echoes of both Tonetta and Brian Eno, with hints of the utter nothing that awaits us at the end of this crushing existence." SPIN



BEACON
Photo Credit: Will Calcutt

Press /
"Mullarney’s voice is light, but it's grounded with an earnestness that is strengthened with each new instrumental flourish." Pitchfork

"Massagingly minimal R&B." FADER

"Mullarney’s slight tenor neatly fits Gossett’s knack for electronic groove." Consequence of Sound

"Beacon manage to craft one of the most compelling and authentic-sounding albums of the year." Exclaim!

"They fuse the deceptively sweet melodies of R&B with an intoxicating undercurrent of darkness." KEXP


Co-Headlining Fall 2013 Tour with Shigeto /
08.29.13 - Brighton Music Hall - Boston, MA * 08.30.13 - Johnny Brenda’s - Philadelphia, PA * 08.31.13 - Bowery Ballroom - New York, NY * 09.03.13 - Brillobox - Pittsburgh, PA * 
09.04.13 - U Street Music Hall - Washington, DC * 09.05.13 - Asheville Music Hall - Asheville, NC * 09.06.13 - NV - Knoxville, TN * 
09.07.13 - Cosmic Charlie’s - Lexington, KY * 09.08.13 - Zanzabar - Louisville, KY * 
09.10.31 - Mahall’s - Lakewood, OH * 
09.11.13 - Bug Jar - Rochester, NY * 
09.12.13 - Le Belmont - Montreal, QC * 
09.13.13 - The Garrison - Toronto, ON * 
09.14.13 - Laneway Festival - Rochester Hills, MI ! 
09.18.13 - Bottom Lounge - Chicago, IL # 
09.19.13 - Miramar Theatre - Milwaukee, WI # 
09.20.13 - The Frequency - Madison, WI # 
09.21.13 - 7th Street Entry - Minneapolis, MN # 
09.22.13 - Bourbon Theatre - Lincoln, NE # 
09.23.13 - Larimer Lounge - Denver, CO # 
09.25.13 - Kilby Court - Salt Lake City, UT # 
09.27.13 - Decibel Festival (The Crocodile) - Seattle, WA @ 
09.28.13 - Electric Owl - Vancouver, BC # % 
09.29.13 - Holocene - Portland, OR # % 
10.02.13 - The Jambalaya - Arcata, CA # 
10.03.13 - The Independent - San Francisco, CA # 
10.04.13 - Echoplex - Los Angeles, CA # 
10.05.13 - Casbah - San Diego, CA # %

* with Heathered Pearls 
! with Matthew Dear, ADULT., Heathered Pearls 
# with Nitemoves 
@ with Lusine,  Dauwd,  Nitemoves 
% with Phaeleh


The Ways We Separate
Tracklisting /
01. Bring You Back
02. Feeling's Gone
03. Between The Waves
04. Drive
05. Overseer
06. Late November
07. Studio Audience 
08. Headlights
09. Anthem
10. Split In Two

Thomas Mullarney and Jacob Gossett, aka Brooklyn duo Beacon, introduced themselves to the world with the No Body and For Now EPs, both released last year on Ghostly International. The EPs were united by minimalist, R&B-influenced instrumentation, and also by a lyrical theme, with both serving as meditations on the darkness that underpins the most intense of human emotions: love.

The duo's debut album The Ways We Separate both consolidates and develops these ideas. The album focuses, as the title suggests, on the idea of separation — both within the context of relationships and in a more intimate, psychological sense. As Mullarney explains, "The narrative contained inside The Ways We Separate deals with two kinds of separation: one where two entities grow apart, and the other where we grow apart from ourselves. Over the course of a relationship, the two sometimes happen together, one being the result of the other."

Desires, passions and regrets are central to the songs on The Ways We Separate, which take a variety of perspectives to construct a nuanced reflection on the album's central theme. 'Between the Waves' draws a clever analogy between relationships and soundwaves falling out of phase: "I know all the ways we separate/ Where we start to fade at different frequencies." 'Overseer' catalogues a parting of the ways with discomfiting clarity: "Isn't it fine?/ Taking it slow?/ Watching you watch me walk out your door." And album closer 'Split in Two' explores how the extremes of love and loss can take you far away from being the person you thought you were, making explicit the connection between the two ideas of separation: "What I'd do for you?", sings Thomas Mullarney, "Split myself in half/ Divided into two."

Musically, The Ways We Separate finds Beacon working with a richer sonic palette than ever before —as Gossett says, "The production on this album is much more expansive than anything thing we’ve done thus far. We spent a lot of time exploring new gear and experimenting with how to pull a wide range of sound out of various instruments. Some of the key sonics that shaped this LP are analogue synthesis, lots of heavily processed guitar work, and vocal layering/processing." While the abiding mood remains that of late-night introspection, the production draws from elements of hip hop and a wide gamut of electronic music, marrying intricate beats and subtle textures to honeyed pop melodies that belie the album's conceptual depth. Rarely has bleakness sounded so pretty — this is a record that's deceptively, compellingly beautiful, an exploration of a place both discomfiting and darkly seductive.


Links /


Thursday, August 22, 2013

MONSTER MAGNET Announce New Album! Confirm First North American Tour in Over 10 Years! Debut New Song

This takes me back!   Can't wait for the fall tour.   Monster Magnet was one of our favs to see live, "back in the day".  
  
MONSTER MAGNET is back!  The band has confirmed an October 15th North American release date for their new album entitled Last Patrol via Napalm Records.  Today MONSTER MAGNET has unveiled the artwork and tracklisting for Last Patrol.  Dave Wyndorf and Phil Caivano produced Last Patrol, while Evil Joe Barresit mixed the album with additional production duties handled by Matt Hyde.  The artwork was created by Johun Sumrow with consultation coming from Chris Ryall and designs by Ryan Clark for Invisible Creatures Inc.  The album will be available as a Limited Edition CD, standard CD, 2LP and digital format.


In support of Last Patrol, MONSTER MAGNET will be embarking on a full-blown North American Tour!  Although the band has toured Europe relentlessly over the past decade, this is MONSTER MAGNET's first full North American tour in over 10 years!  The band is eager to hit the road in the states for the first time in what seems like forever.  Prepare to hear MONSTER MAGNET classics and new cuts from Last Patrol for the first time live! Support will come from Prosthetic Records artist Zodiac.  The tour is scheduled to kick off November 14th in Grand Rapids, MI and will run through December 14th in New York, NY.

Frontman and MONSTER MAGNET mastermind Dave Wyndorf checked in with his thoughts about Last Patrol:

"Last Patrol is a return to our roots in terms of vibe and recording style. It's full-on psychedelic space-rock with a 60's garage feel, recorded almost exclusively with vintage guitars, amps and effects in our hometown of Red Bank, NJ. The songs are a kind of Space-Noir, tales of cosmic revenge, peaking libidos, alienation and epic strangeness. It's a weird trip through the back alleys of a dark, retro-future, which not by coincidence very much resembles my own life. (laughs) The lyrics aren't fantasy really, rather a recounting of my musings on, observations of and general emotional reaction to my life and environment during a 1 week writing period in February of 2013. But I tend to use the vernacular and imagery of science fiction and surrealism to express myself and that's where these lyrics get trippy. There's also our cover version of Donovan's "Three Kingfishers" which I thought fit the mood of the album."

"Last Patrol was produced by Phil Caivano and myself with an effort to bring a home grown feel to the whole affair. We had been doing smaller projects out of Phil's "Studio 13" recording space and I really felt comfortable there so it was the natural choice on where to record the next full-scale Monster Magnet album. Phil and I grew up together and have a shared love of some very particular vintage music and styles. And everybody in the band played their asses off on this one."

The first song from Last Patrol is receiving its exclusive premiere courtesy of The Obelisk.  Check out the song entitled "The Duke (Of Supernature)" HERE.

Last Patrol Tracklisting:
1)    I Live Behind the Clouds
2)    Last Patrol
3)    Three King Fishers
4)    Paradise
5)    Hallelujah
6)    Mindless Ones
7)    The Duke (Of Supernature)
8)    End of Time
9)    Stay Tuned 

MONSTER MAGNET North American Tour:
11/14: Grand Rapids, MI @ Intersection
11/15: Detroit, MI @ St. Andrews
11/16: Chicago, IL @ Bottom Lounge
11/17: Minneapolis, MN @ Mill City Nights
11/19: Denver, CO @ Marquis Theater
11/20: Salt Lake City, UT @ Urban Lounge
11/22: Seattle, WA @ Neumos
11/23: Vancouver, BC @ Rickshaw Theater
11/24: Portland, OR @ Hawthorne Theater
11/26: San Francisco, CA @ The Independent
11/27: Los Angeles, CA @ House of Blues
11/29: Tempe, AZ @ Club Red
11/30: Albuquerque, NM @ Launch Pad
12/2: Austin, TX @ Red 7
12/3: Houston, TX @ Fitzgeralds
12/4: Dallas, TX @ Trees
12/6: Atlanta, GA @ Masquerade
12/7: Charlotte, NC @ Amos Southend
12/8: Baltimore, MD @ Baltimore Sound Stage
12/10: Toronto, ON @ Lee's Palace
12/12: Boston, MA @ Sinclair
12/13: West Chester, PA @ The Note
12/14: New York, NY @ Bowery Ballroom

For More Info Visit:

Tuesday, December 11, 2012

TONIGHT: Eluveitie at Bottom Lounge (17+)



Tickets are extremely low, so check ahead if you slacked off and didn't get yours yet.  ChiIL Live Shows will be there shooting stills and we'll be bringing you a video interview with lead singer, Chrigel along with our show shots.



We dig a good metal mash up....metal with strings and traditional folk instruments or a sax playing frontman like Chicago's own Yakuza.    So we can not wait to hear Eluveitie LIVE.


Bottom Lounge
TUESDAY, DECEMBER 11, 2012 - 8:00PM
Doors 7:00 PM / Show 8:00 PM
17 & Over, valid ID required for entry.


Eluveitie – New Wave Of Folk Metal …
While Eluveitie always belonged to the fastly growing European folk metal scene, they always brought some fresh wind into it: Eluveities sound is authentic, traditional Celtic folk music combined in a unique way with modern styled melodic death metal. With their new Album “Everything Remains (as it never was)” they have managed to deepen every aspect of their already inimitable style and maybe more than ever can only be described by their own description “The New Wave Of Folk Metal”. 
Originally formed by mastermind Chrigel Glanzmann in Winter 2002/2003 as a mere studio project, the first MCD “Vên” was recorded in spring 2003 – already unique in it’s way of having folkmusic on an equal footing with the metal sound. . The self-financed MCD was ardently received by scene and press and sold out within a few months. In 2004 Eluveitie signed to the Dutch label Fear Dark Records, which released a re-mastered (and partly re-recorded) version of “Vên”, and continued as a “real” band, playing gigs together with bands such as Finntroll, Amon Amarth, Korpiklaani, Ensiferum and many others while touring Europe and playing many festivals & openairs. 
Although some line-up changes still had to happen, Eluveitie grew into being a band and developed their very own style. In late 2005 Eluveitie was finally ready to enter the studio again and record their first full-lenght album “Spirit”, which was again released through Fear Dark Records. Furthermore a videoclip for the Song “Of Fire, Wind & Wisdom” was produced in Summer 2006, directed by Martin Schäppi, Merlin Sutter & Chrigel Glanzmann / Eluveitie. With “Spirit” Eluveitie went a big step forward, presenting a completely new style of Folk Metal to the scene – starting a new wave of Folk Metal! While the album was turning out to be a huge success, the band toured their asses off again. 
Yet whilst touring and playing many festivals like the Graspop Metal Meeting (Belgium) or Summerbreeze Open Air (Germany), Eluveitie already began to work on new material for the succesive album. Finally in Fall 2007 the new album “Slania” was recorded in different studios in Sweden, Switzerland & Liechtenstein, produced, mixed & mastered by Jens Bogren (Amon Amarth, Opeth & more) at the Fascination Street Studios in Orebrö/SE (www.fascinationstreet.se). Having recorded nothing less than the perfection of their very own style, Eluveitie now was in the lucky Situation to receive many offers from almost every known label in metal music & ended up signing with the well-known German record company Nuclear Blast Records, where a new home was found under perfect conditions…. 
After some talks & the production of a new videoclip (again produced & directed by Merlin Sutter & Martin Schäppi) a release date was set for february 2008. “Slania” turned out to become a breakthrough (chart entries in Switzerland: #35 and Germany: #72) and the band was getting busy taking over the world in 2008 – with appearances at most of the bigger european summer festivals as well as two USA/Canada tours and three European tours within only 12 (!) months. 
But never being lazy, Eluveitie worked out new material while touring and was ready to enter the studio again in December 2008! Their follow-up album to “Slania” should become something special – for it is the bands first purely acoustic album (and part I of a two-pieced acoustic concept). “Evocation I – the arcane dominion” was released in April 2009 and turned out to become a real gem of folkmusic and again became a huge success (#20 in the swiss album charts). More tours all over Europe & North America followed as well as their first show in Russia. 
Now, after three full length albums and over 250 shows in over 30 countries, Eluvetie is ready to conquer the rest of the world & unleash their latest Masterpiece: When the first ten years of the new millenium have passed, Chrigel and his gang will present the perfect ELUVEITIE album. It has everything their fans and not-yet-fans are asking for: fascinating ancient melodies and stories, bonebreaking, heavy but still danceable death metal and huge choruses that will appeal to all kind of metalheads. „
"Everything Remains“ simply continues where "Slania“ left off taking the bands fresh and unique sound to the next higher level. And this album of course demanded the best treatment there is, so the band hired an army of legends to put the finishing touches to this masterpiece of folk metal: Tommy Vetterli (Kreator, Coroner, a.o.) to engineer and co-produce the album, Colin Richardson (Slipknot, Machine Head, Behemoth, Trivium, a.o.) to mix it and John Davis (U2, Led Zeppelin, Kaiser Chiefs, Arctic Monkeys, a.o.) for mastering duties. …and the new wave of folk metal goes on…
The last time Eluveitie came through Chi-Town and played Bottom Lounge, we shot their openers, Revocation (another of our favs), but had another show to shoot and had to split out and miss Eluveitie.   I made sure that wouldn't happen again!

ChiIL Live Shows--Revocation opening for Eluveitie at Bottom Lounge February 2012.

Check back with ChiIL Live Shows like we vote in Chi, IL...early and often, for LIVE Eluveitie show shots and our video interview with Chrigel.

Saturday, December 1, 2012

MIDNIGHT TONIGHT: Rev Peyton's Big Damn Band & Rosco Bandana at Bottom Lounge






Gulfport, Mississippi's Rosco Bandana have released their debut album Time To Begin on Hard Rock Records this fall and they're kicking off their December tour with Reverend Peyton’s Big Damn Band in Chicago this Saturday 12/01 at Bottom Lounge.






In 2011, the seven-piece band, Rosco Bandana, entered Hard Rock's international 'Hard Rock Rising: Global Battle of the Bands' competition and won among 12,000 entered bands. The band became the first group signed to Hard Rock Records. After winning the competition the group flew out to Los Angeles where they recorded their Americana inspired debut LP with producer Greg Collins (U2, Red Hot Chili Peppers, No Doubt).




Rosco Bandana Announces December Tour
Time To Begin Out Now On Hard Rock Records



Click To Order Time To Begin oniTunes and Amazon now!
Tour Dates
12.01 - Bottom Lounge - Chicago IL*
12.02 - The Magic Bag - Ferndale, MI*
12.05 - The 8X10 - Baltimore, MD*
12.06 - Appalachian Brewing Company - Harrisburg, PA*
12.08 - Cafe 939 - Boston, MA*
12.09 - Mercury Lounge - New York, NY*
*with Reverend Peyton’s Big Damn Band



'Time To Begin' LP Tracklisting
01  Time To Begin
02  Woe Is Me
03  By And By
04  Radio Band Singer
05  Tender
06  Heartbreak Shape
07  Black Ol' Water
08  El Luna
09  Tangled Up
10  Long Way Down




The Mississippi septet Rosco Bandana are the product of teenage rebellion and its consequences; of lost love, false starts and, above all, lasting friendship. They're what happens when a group of kids take a chance on a long shot and – against all odds – it pays off.  There's also a Blur cover thrown in for good measure.

The group began – spiritually, if not specifically – when principle songwriter Jason Sanford, at that time acting in open and active defiance to his strict Christian upbringing, wandered into a tobacco store in a Gulfport mall to buy smokes and struck up a conversation with the kid working behind the counter. "He was like this real cool, hip, indie sorta character," Sanford explains, "and he ended up turning me on to people like Elliott Smith, Bright Eyes, Iron and Wine, Neutral Milk Hotel. That's kind of how it all started." His parents were wary of encouraging their son's budding interest. "They wanted to keep me in this tiny bubble," Sanford explains.

Sanford would stay up late at night, teaching himself how to play the guitar his father had given him. He certainly had plenty to write about. Just a few months earlier, Sanford's relationship with Emily Sholes had come to an end, and the heartbreak of that separation powered most of his early songs. At the same time, a childhood friend of Sanford's, Barry Pribyl Jr., had just moved back to Mississippi from Michigan, and his mother suggested he get in touch with his old friend soon after their return.

"At the time, I was into metal," Pribyl says. "So I went to this open mic night, and Jason was playing this honky-tonk stuff. I remember thinking, 'What the hell is this?'"

But the best friendships are built on compromise and the more Pribyl and Sanford started playing together, the more a specific sound started to emerge – one that blended a ragged bar-rock attitude of bands like Uncle Tupelo with a few mild nods toward the iconoclastic end of contemporary country, like Jamey Johnson. Their core in place, Pribyl and Sanford soon began looking to expand their lineup. "Jason started an open mic night at a wine bar," Pribyl said. "From there, we'd invite 10 or 15 people to come with us out to this abandoned house and we'd just jam. We sort of hand-picked the band from there." In the kind of romantic twist all great rock stories require, one of them was Jason's old flame Emily Sholes. Another was Jennifer Flint, whose fiery vocals serve as a scorching counterbalance to Sanford's down-home croon. "I first met Jason in 2006," says Flint. "He was in one of his first bands, and I honestly just fell in love with the way he wrote." Local attention inspired the band to enroll in a Battle of the Bands contest sponsored by Hard Rock, which they handily won, and they soon flew out to Los Angeles to work on their debut with acclaimed producer Greg Collins (U2, Red Hot Chili Peppers, No Doubt) at The Nook Studio.

The results are spellbinding. They turn Blur's "Tender" into a rousing, gospel-informed hymn, and work similar magic on their own compositions: "Time to Begin," the first song Sanford, Pribyl and Flint wrote together, hip-swivels like something off Exile on Main Street; the trembling, minor-key vocal melody of "El Luna" recalls bothElliott Smith and Abbey Road-era Beatles and "Woe is Me" is a rollicking country stomp in the vein of Steve Earle. "I was trying to write a real Depression Era-style country song," Sanford explains, "and so I tried to put myself in the mindset of what people back then were going through." Though it began as an attempt to channel the loose rootsiness of Old Crow Medicine Show, the result is a barnburner – a big, raucous number with a booming backbeat and deep-fried electric guitar. Whether loud and rowdy or quiet and contemplative, Rosco Bandana balance both extremes perfectly.

"It might sound cliché," Pribyl says, "but we're just these humble, good ol', down-to-earth Mississippi people. And when we play live, you can just see in our faces the joy of music."

"I want people to feel like they know us," says Flint. "I want them to feel like they can relate."

"I hope people get something honest out of our music," says Sanford. "I hope they're able to feel something, and to empathize with it when they hear the lyrics." He pauses, becoming momentarily philosophical. "You know, life and death is in the power of the tongue. And I want to put out music that's going to heal people."

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