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Showing posts with label A Red Orchid Theatre. Show all posts
Showing posts with label A Red Orchid Theatre. Show all posts

Wednesday, May 30, 2018

TICKETS ON-SALE TODAY AT NOON: IONESCO'S VICTIMS OF DUTY REMOUNT VIA RED ORCHID THEATRE

Chi IL Live Shows On Our Radar:
                                                           
A RED ORCHID THEATRE ANNOUNCES CASTING FOR
VICTIMS OF DUTY
BY EUGENE IONESCO
DIRECTED BY SHIRA PIVEN


FEATURING ORIGINAL CAST MEMBERS
ENSEMBLE MEMBERS MICHAEL SHANNON AND GUY VAN SWEARINGEN
PLUS KAREN ALDRIDGE, RICH COTOVSKY AND ENSEMBLE MEMBER MIERKA GIERTEN

July 11 – August 5, 2018

**TICKETS ON-SALE WEDNESDAY, MAY 30 AT NOON**

Here at ChiIL Live Shows we're so very excited for this remount for too many reasons to count. I've adored Ionesco since my college intro to his Theatre of the Absurd began with Rhinoceros. I'm also quite fond of Shira Piven's work, Michael Shannon, Guy Van Swearingen (original cast members)... and the rest of this cast of Chicago's finest. A Red Orchid Theatre is at it again, bringing vividly stunning works and star power to their intimate Old Town storefront. This is where theatre gets real. Don't miss this! Book ASAP. This run is sure to sell out.

A Red Orchid Theatre presents a special summer engagement of Victims of Duty by Eugene Ionesco and directed by Shira Piven. Victims of Duty runs July 11 – August 5, 2018 at A Red Orchid Theatre, 1531 N Wells in Chicago.

The cast of Victims of Duty includes original cast members Ensemble Members Michael Shannon (The Detective) and Guy Van Swearingen (Choubert), as well as Karen Aldridge (Madeleine), Rich Cotovsky (Nicolas D’eu), and Ensemble Member Mierka Gierten (The Lady).

Much of the original 1995 team come together to revisit Ionesco's absurd masterpiece. Choubert, the archetypal bourgeois everyman, and his wife Madeleine are spending a quiet evening at home when the Detective arrives to enlist their help in finding the previous tenant. A roller-coaster ride of high comedy and horrific tragedy as Choubert examines his past present and future in a quest to find out where Mallot could be hiding.

“Victims of Duty was the very first show I ever saw at A Red Orchid,” says Artistic Director Kirsten Fitzgerald. “I am not entirely sure Ionesco's investigation of a life made logical sense to me at the time, but it made perfect emotional sense and was viscerally stunning.  So much so, that I knew I needed to work with these people in this space.  That was 1996.  With many of the originals returning (including Director Shira Piven, Production Designer Danila Korogodsky, and actors Guy Van Swearingen and Michael Shannon) the investigation promises to go even deeper.”

In addition to Director Shira Piven, the creative of Victims of Duty includes Danila Korogodsky (Production Designer), Ensemble Member Mike Durst (Lighting Designer), and Brando Triantafilou (Sound Designer).

Tickets, priced at $50, will go on-sale Wednesday, May 30 at noon and may be purchased at the A Red Orchid Theatre Box Office (1531 N. Wells Ave, Chicago) by calling (312) 943-8722, or online www.aredorchidtheatre.org.


About the Artists

EUGENE IONESCO (Playwright) was a Romanian-born French playwright. He studied in Bucharest and Paris, where he lived from 1945. His first one-act antiplay, The Bald Soprano (1950), inspired a revolution in dramatic techniques and helped inaugurate the Theatre of the Absurd. He followed it with other one-act plays in which illogical events create an atmosphere both comic and grotesque, including The Lesson (1951), The Chairs (1952), and The New Tenant (1955). His most popular full-length play, Rhinoceros (1959), concerns a provincial French town in which all the citizens are metamorphosing into rhinoceroses. Other plays include Exit the King (1962) and A Stroll in the Air (1963). He was elected to the Acadmie Franaise in 1970.



SHIRA PIVEN (Director) is a director of both stage and film.  She was the child of theatre people and established herself originally as an actress and stage director in Chicago in the 90's.  Shira has directed numerous stage productions, many of them original adaptations, in New York, Chicago, LA, and Washington D.C. She was the director and a founding member of Burn Manhattan spontaneous theatre, a groundbreaking group performing entirely improvised physical theatre throughout New York City.  In Los Angeles Shira developed and directed the plays Little and All Cake No File at the Actor’s Gang Theatre and Fully Loaded at UCB Theatre. Her first foray into film combined live theatre with film sequences in Water's show Death of a Judge in 2003.  Shira completed her second feature film, Welcome To Me, starring Kristen Wiig in 2015. Her first feature Fully Loaded won the audience favorite feature award at Palm Beach International Film Festival as well as best feature at both The River's Edge International and Carmel Art and Film Festivals. It was also featured at the Boston, San Luis Obispo, Talking Pictures and Newport Beach film festivals and released by Starz. She also directed a short documentary The Beast and The Angel that premiered at the Lincoln Center Film Society and aired on PBS.



MICHAEL SHANNON (The Detective) is a founding member of A Red Orchid Theatre. He directed the world premiere of Traitor by Brett Neveu earlier this year and made his directing debut here with Ionesco’s Hunger and Thirst. He has been seen on stage at A Red Orchid in Pilgrim’s Progress, Simpatico, Mistakes Were Made, Gagarin Way, Mr. Kolpert, BUG, 'Tis Pity She's a Whore, The Killer, The Persecution of Arnold Petch, Canus Lunis Balloonis, Victims of Duty, and Drinking in America. Elsewhere around Chicago, he has worked at Steppenwolf, Lookingglass, Northlight, Famous Door (RIP), and the Next Lab, birthplace of Killer Joe, in which he originated the role of Chris Smith and performed it a gillion times all over God's green earth. Mike currently lives in NYC where he Performed in Ionesco's The Killer with Theatre for a New Audience and made his Broadway debut in Grace at the Cort Theatre. He also played Astrov in Annie Baker's adaptation of Uncle Vanya at Soho Rep, directed by Sam Gold.  Film credits include Groundhog Day, Chicago Cab, The Ride, Jesus' Son, Cecil B. Demented, Tigerland, Pearl Harbor, 8 Mile, Bad Boys II, Kangaroo Jack, Grand Theft Parsons, The Missing Person, Zamboni Man, Revolutionary Road, My Son My Son What Have Ye Done?, Shotgun Stories, Take Shelter, Mud, Machine Gun Preacher, Premium Rush, The Iceman, Man of Steel, 99 Homes, Free Held, Elvis & Nixon, The Shape of Water, Fahrenheit 451 and more. On TV: Boardwalk Empire, and the recent miniseries Waco. 



GUY VAN SWEARINGEN (Choubert) is founding Artistic Director and Ensemble Member of A Red Orchid Theatre where he has appeared in over a dozen productions, including Traitor, The Nether, Red Handed Otter, The Sea Horse (Jeff Nomination), Simpatico (Jeff Nomination) and the World Premiere of The Opponent (which was also produced at 59E59 in NYC).  Regional credits include Simpatico at the McCarter Theatre, The Sign in Sidney Brustein’s Window at the Goodman Theatre, the World Premiere of Taking Care and a revival of The Time of Your Life at Steppenwolf (which transferred to Seattle Rep and A.C.T.) and Eleven Rooms of Proust (a Lookingglass/About Face/Goodman Theatre collaboration).  Other local theatres he’s appeared with include Defiant, Plasticene, Famous Door and Mary Arrchie.  Film credits include Captive State (2018 release), The Dilemma, The Merry Gentleman, Take Shelter, Public Enemies, The Weatherman, Ali, Janie Jones and The Unborn. TV credits include Chicago Fire (NBC), Boss (STARZ), Sirens (USA), Detroit 1-8-7 (ABC), Gifted Hands: The Ben Carson Story (TNT), The Beast (A&E), Turks and Early Edition (CBS). 



KAREN ALDRIDGE (Madeleine) is a critically acclaimed theater artist consistently starring in productions at Chicago's most prestigious theaters such as The Goodman Theatre, Steppenwolf Theatre and Chicago Shakespeare Theatre. Karen originated the role of "Mrs. Phelps" in Matilda on Broadway.  She also toured around the world in Le Costume with the Theatre des Bouffes du Nord. Karen has been nominated for two Joseph Jefferson Awards.  On television, Karen has appeared in a recurring role as "Dr. Kendra" on NBC's CHICAGO FIRE and as "Dr. Ella Harris" in the Golden Globe winning series BOSS.  Other television & film credits include CBS' Blue Bloods, CBS' Unforgettable and Ron Howard's THE DILEMMA.  



RICH COTOVSKY (Nicolas D’eu) directed the very first show at A Red Orchid Theatre in 1993.  He was the founder and Artistic Director of Mary Arrchie Theatre Company for all of it’s 30 years.  Cotovsky has performed in or directed more than 50 productions at Mary-Arrchie and other theaters, along with the occasional film, television, and commercial gig. Among his favorites: a record-setting run as the Hellcab cabbie and the role of Arthur in Mary-Arrchie's 2012 production of Tracy Letts's Superior Donuts, which he workshopped and understudied at Steppenwolf.  Though Rich and Guy and Mike have collaborated many times, this is the first time they will share the stage outside of the occasional late-night talk show at Mary Arrchie’s Abby Hoffman Died for our Sins festival.


MIERKA GIRTEN (The Lady) is an ensemble member at A Red Orchid, where she has been seen in over thirteen productions, including The Room, The Mutilated, Simpatico, Red Handed Otter, Mud Blue Sky and Abigail’s Party among others. Mierka was honored to reprise her role in Simpatico last fall with A Red Orchid at The McCarter Center in Princeton NJ.   She played Maria Callas in Master Class at The Human Race Theatre Company in Dayton Ohio.  Additionally, she has worked with The Hypocrites, Rivendell Theatre, Porchlight Music Theatre, Cobalt Ensemble, Apple Tree, Provision, Strawdog, Circle Theatre, American Blues, Mary-Arrchie, Live Bait, Roadworks, Steppenwolf and The Goodman. She played Esther in Mistakes Were Made both here at A Red Orchid and in the Off-Broadway Barrow Street Theatre production with friend Mike Shannon. Her voice can be heard on national broadcast and web commercials.

DANILA KOROGODSKY (Production Designer) is a director and stage designer. He is the Artistic Director of Pokoleniy Theater in St. Petersburg, Russia and serves as the head of set design at California State University, Long Beach.  Born into a theatrical family, his father Zinovy Korogodsky, a Stanislavsky prize winner, was one of the most important directors and theater pedagogues in Soviet Union. His mother, Liah Danilina, was a playwright. Danila grew up and was educated in the Soviet Union. He graduated from Leningrad Theater Academy in 1977 as a stage and costume designer, and after graduation worked as a resident designer at the Leningrad TYS (Theater for Young Spectators) - a premier company for young audiences in the Soviet Union. During that time he also worked as a freelance designer for theaters around the country designing more than 80 productions for various companies such as Baku Youth Theater, Tallin Drama Theater, Leningrad Comedy Theater, Novy Drama Theater, Mossoviet Theater, Ilkhom Theater, and Tashkent. In 1989 he was invited to design a show at Honolulu Theater for Youth. Since then he has worked in the United States as a stage designer and design professor. He designed more than 250 productions in the United States and around the world. He also started designing for the opera, and has worked with Chicago Lyric Opera, Opera Bielefeld and Opera Dessau in Germany, Opera Nantes in France, The Spoleto Festival and Opera Theater of Pittsburgh. Other theatrical design work has been with NYC Japan Society, A Noise Within, Actors Gang, Pittsburgh Playhouse, Minneapolis Children Company, ACT, Wheelock Theater, and more.  At Pokoleniy Theater in St. Petersburg, Russia. He has directed Without Lear based on King Lear by Shakespeare, Far Away on Lake Tchad, The Table, Peter-Burg, Songs of Love and Death, The Light Bulb all conceived and developed by the company, which were well received by the Russian and international press. He developed a project based on a play by Maxim Gorky The Summer Folks, which opened in Theater Pokoleniy in October 2012.

Dates:
Previews: July 11-14, 2018
Wednesday, July 11 at 7:30 p.m.
hursday, July 12 at 7:30 p.m.
Friday, July 13 at 7:30 p.m.
Saturday, July 14 at 3:00 p.m. and 7:30 p.m.
Press Performances: Saturday, July 14 at 3:00 p.m. and 7:30 p.m.
Opening:Sunday, July 15 at 7:00 p.m. 

Regular Run:
July 17 – August 5, 2018           
Tuesday, July 17 at 7:30 p.m.
Thursday, July 19 at 7:30 p.m.
Friday, July 20 at 7:30 p.m.
Saturday, July 21 at 3:00 p.m. and 7:30 p.m.
Sunday, July 22 at 3:00 p.m.
Wednesday, July 25 at 7:30 p.m.
Thursday, July 26 at 7:30 p.m.
Saturday, July 28 at 3:00 p.m. and 7:30 p.m.
Sunday, July 29 at 3:00 p.m. and 7:30 p.m.
Tuesday, July 31 at 7:30 p.m.
Wednesday, August 1 at 7:30 p.m.
Friday, August 3 at 7:30 p.m.
Saturday, August 4 at 3:00 p.m. and 7:30 p.m.
Sunday, August 5 at 3:00 p.m.

Schedule:
Tuesdays:7:30 p.m. (July 17 & 31)
Wednesdays: 7:30 p.m. (July 11 & 25)
Thursdays: 7:30 p.m. (July 12, 19 & 26)
Fridays: 7:30 p.m. (July 13 & 20 and August 3)
Saturdays: 3:00 p.m. (July 21 & 28 and August 4)
and 7:30p.m. (July 14, 21 & 28 and August 4)
Sundays:
3:00 p.m. (July 22, 29 and August 5)

Location: A Red Orchid Theatre, 1531 N. Wells Ave.
Tickets: $50
Box Office: Located at 1531 N. Wells Ave, Chicago, (312) 943-8722; or online www.aredorchidtheatre.org

Concluding our 25th season of ambitious and powerful storytelling, we continue to champion A Red Orchid Theatre’s Red League, which is a gift $1k or more, and the Founders Circle, which is a gift of $5k or more annually for a three-year pledge. These donors represent a community of our most committed and impactful cultural investors. Every profound and shocking moment on our stage is made possible through their critical annual contributions. Their philanthropic leadership fosters the development of raw and relevant work, creates a platform for our talented ensemble to reach new audiences, and ensures that A Red Orchid Theatre remains a source for honest, compassionate, and aesthetically rigorous theatre.


About A Red Orchid
A Red Orchid Theatre has served as an artistic focal point in the heart of the Old Town community of Chicago since 1993 and was honored with a 2016 MacArthur Award for Creative and Effective Institutions. Over the past 25 years, its Resident Ensemble has welcomed into its fold an impressive array of award-winning theatre artists with the firm belief that live theatre is the greatest sustenance for the human spirit. A Red Orchid is well known and highly acclaimed for its fearless approach to performance and design in the service of unflinchingly intimate stories. In addition to its professional season, the company is also committed to a Youth Project and hosts The Incubator (providing artists with space and time to explore new work, new forms and new artistic collaborations).

A Red Orchid Theatre is: Lance Baker, Kamal Angelo Bolden, Dado, Mike Durst, Jennifer Engstrom, Kirsten Fitzgerald, Joseph Fosco, Steve Haggard, Mierka Girten, Larry Grimm, Karen Kawa, Karen Kessler, Danny McCarthy, Shade Murray, Brett Neveu, Michael Shannon, Guy Van Swearingen, Doug Vickers and Natalie West.

Wednesday, April 4, 2018

OPENING: 33 To Nothing Rocks A RED ORCHID THEATRE Through May 27, 2018

Chi IL Live Shows On Our Radar:


A RED ORCHID THEATRE 
CONTINUES 2017-2018 SEASON WITH
33 TO NOTHING
by GRANT JAMES VARJAS




DIRECTED BY TYRONE PHILLIPS 
MUSIC DIRECTION BY JOHN CICORA
FEATURING ENSEMBLE MEMBER STEVE HAGGARD WITH AARON HOLLAND, JEFF KURYSZ, 
AMANDA RAQUEL MARTINEZ AND ANNIE PRICHARD

April 6 - May 27, 2018


As a rock and theatre lover, I'm super stoked for the opening of A Red Orchid Theatre's next production, 33 to Nothing, which takes place during a real-time band practice! I'll be out for the press performance on Saturday, April 14th, so check back soon for my full review.

A Red Orchid Theatre continues its 2017-2018 Season with 33 to Nothing by Grant James Varjas, directed by Tyrone Phillips with music direction by John Cicora. The production features Ensemble Member Steve Haggard (Bri) with Aaron Holland (Gray), Jeff Kurysz (Barry), Amanda Raquel Martinez (Taylor) and Annie Prichard (Alex). 33 to Nothing runs April 6 – May 27, 2018 at A Red Orchid Theatre, 1531 N Wells in Chicago.

Taking place during a real-time band practice, 33 to Nothing is a play that rocks hard and breaks hearts.  Feeling the incessant call of adulthood, individuals begin to question their role in the ensemble. Ultimately begging the question: to break up or to build stronger?  An anthem of forgiveness, loyalty and resilience when your world is being torn by the seams.


“Consider the people that made you feel like THIS is what you were meant to do; whatever THIS is,” notes Artistic Director Kirsten Fitzgerald. “Perhaps it was their love, some mutual admiration, an actual accomplishment or common fight. Grant's honesty, Tyrone's curiosity and their shared relentless compassion make me feel like 33 to Nothing is the current THIS that we were all meant to do. I am so excited for these artists and our audiences alike to consider what they are meant to do and how this shifts throughout our lives.” 

About the Artists
GRANT JAMES VARJAS is the playwright and composer of 33 To Nothing. His play Accidentally, Like A Martyr was produced by A Red Orchid Theatre in 2015. His work has also been seen in Chicago as part of Headline Theatre Project 3, Bechdel Fest 2016, and Sick By Seven (A Red Orchid Theatre Incubator). His plays have been produced in New York City (Wild Project NYC; Paradise Factory; Planet Connections Festival) where he was nominated for a GLAAD award for Best Play. Grant has worked extensively developing work and acting with Moises Kaufman's Tectonic Theater Project, and is on the board of Tom Noonan's Paradise Factory Theatre.

TYRONE PHILLIPS (Director) is the founding artistic director of Chicago's Definition Theatre Company, which recently produced the Chicago Premiere of An Octoroon by Branden Jacobs-Jenkins. Directing credits include: the critically acclaimed Byhalia, Mississippi (remounted to open the Steppenwolf 1700 Theatre); Dontrell Who Kissed the Sea (Illinois Theatre); Dutchman (Definition Theatre Company); The MLK Project (Writers Theatre); Amuze Bash (Pavement Group); The Tempest, Lord of the Flies, Our Town, and We the People (Niles North Theatre). Assistant directing credits include: TREVOR the musical, Parade, and The Mystery of Love and Sex (Writers Theatre). Mr. Phillips is a graduate of the University of Illinois Urbana-Champaign. He also studied abroad at Shakespeare’s Globe and was an emerging professional resident at the Milwaukee Repertory Theater, where he worked on A Raisin in the Sun, The Mountaintop, and Clybourne Park. Mr. Phillips was named one of the Chicago Tribune's “Hot New Faces of 2015” and Newcity's “Players 2016: The Fifty People Who Really Perform for Chicago.” 

JOHN CICORA (Music Director) has Musical Director/Composition/Programming and or Performance credits in: BlockOut, BSide Studio, Chicagoland, Fly Honey Show, Hit The Wall, The Little Things, Standing Room Only, and A Little Bit Louder Now. Through The Inconvenience he has worked within a variety of processes in order to develop a fluid system of assimilating music into the proper context for the given project. His band, Nootka Sound, focuses on his original compositions and plays regularly in Chicago. He is the Musical Director for The Cooke Book: The Music Of Sam Cooke, as well as a keyboardist/guitarist in the Talking Heads Tribute: This Must Be The Band. He has signed publishing/licensing deals with Penguin Publishing and Warner Bros, and recorded two records with Vanguard Records.

ANNIE PRICHARD (Alex/Bass) makes her A Red Orchid Theatre debut. Chicago Credits include The Skin of our Teeth (Remy Bumppo), Another Bone (RedTwist- Jeff nomination: Actress, supporting role), A day in the Death of Joe Egg (Stage Left), American Hero (First Floor), Another Kind of Love (Infusion), Kinfolk (New Colony), Crime Scene (Collaboraction), Counterfeiters, The Whole World is Watching (Dog & Pony); Ride (Under the Rug), Complicated (Three Oaks Festival) The Altruists, Pleasant Dreams (Two Lights). Annie earned an MFA in acting from the Theatre School at DePaul and is proudly represented by Innovative Artists and NV Talent. 

STEVE HAGGARD (Bri/Guitar) – A Red Orchid credits:  3C, Sender, The Mutilated, Accidentally Like A Martyr, The Aliens, Kimberly Akimbo and The Mandrake.  Chicago credits: The Importance of Being Earnest, DOUBT, Old Glory, The Subject was Roses, Our Town (Writers); Tribes (Steppenwolf);  Funnyman, Season’s Greetings and She Stoops to Conquer (Northlight); Wasteland (Timeline);  Alias Grace and Winter (Rivendell); King Lear, As You Like It and Romeo and Juliet (Chicago Shakespeare).  He has worked regionally at Indiana Rep, Milwaukee Rep and American Players Theatre. Steve is an ensemble member of A Red Orchid Theatre.  He is a graduate of The Theatre School at DePaul University and represented by Stewart Talent.  

AMANDA RAGUEL MARTINEZ (Tyler/Guitar) is ecstatic to make her Red Orchid Theatre debut! Most recently she was seen at Pasadena Playhouse and Skirball Center in the Hypocrites' adaptation of Pirates of Penzance. Chicago credits include: Cinderella at the Theater of Potatoes, Hypocrites, For the Love Of, Pride Films and Plays, Big Lake, Big City, Lookingglass Theatre Company, As You Like It and Love, Loss and What I Wore, First Folio Theatre, Even Longer and Farther Away, The New Colony, and El Stories: The Holiday Train, Waltzing Mechanics. Regional Credits include: Kitty Hawk, Adrienne Arsht Center, Pirates and The Mikado at Olney Theatre Center, Generation Sex, Teatro Luna. 

AARON HOLLAND (Gray/Piano) makes his AROT debut. Recent credits include: SPAMILTON (Royal George), Madagascar!, Seussical! (Chicago Shakespeare Theater), The Legend of Georgia Mcbride (Cardinal Stage), Wonderful Town, A Christmas Carol (Goodman Theatre), Xanadu!, Hair (ATC), She Loves Me, Sister Act! (Marriott Theatre), The Color Purple (Mercury Theater), Goodnight Moon, Dot & Ziggy (Chicago Children’s Theatre), Passing Strange (Baliwick Chicago). TV: Chicago Med (NBC), APB (Fox). Mr. Holland received the Kingsley Colton Award at The Kennedy Center in 2003 and holds a BFA in Theatre-Performance from Virginia Commonwealth University. 

JEFF KURYSZ (Barry/Drums) makes his A Red Orchid debut. Other Chicago credits include: Support Group for Men (GoodmanTheatre); The Legend of Georgia McBride (Northlight Theatre) Shakespeare in Love (Chicago Shakespeare Theatre) Romeo and Juliet (Backroom Shakespeare Project); Julius Caesar (Brown Paper Box Co.); As You Like It, Much Ado About Nothing (The Arc Theatre); Year of the Rooster, R+J: The Vineyard (Red Theater); Romeo and Juliet (Teatro Vista); One Came Home (Lifeline Theatre); All My Sons (Eclectic Theatre Co.); Amadeus (Boho Theatre); Regional credits include: Richard III,Twelfth Night and The Tempest (Arkansas Shakespeare Theatre). Television credits include Crisis (NBC). He is a graduate of The School at Steppenwolf.

Dates:
Previews: 
April 6-8 & 12-14, 2018
Red Night:
Friday, April 20, 2018 at 8:00 p.m.
Regular Run: April 21 – May 27, 2018

Schedule:
Thursdays: 8:00 p.m.
Fridays: 8:00 p.m.
Saturdays: 3:00 p.m. and 8:00 p.m.  
Sundays: 3:00 p.m. 

Location:
A Red Orchid Theatre, 1531 N. Wells Ave.

Tickets: $15-$25 previews, $30-$35 regular run.  ($30 Thurs, $35 Fri, Sat, Sun)

Box Office:
Located at 1531 N. Wells Ave, Chicago, (312) 943-8722; or online www.aredorchidtheatre.org 

With our 25th season of ambitious and powerful storytelling, we are thrilled to announce the launch of A Red Orchid Theatre’s Red League. At $1k or more, The Red League represents a donor community of our most committed and impactful cultural investors. Every profound and shocking moment on our stage is made possible through their critical annual contributions. Their philanthropic leadership fosters the development of raw and relevant work, creates a platform for our talented ensemble to reach new audiences, and ensures that A Red Orchid Theatre remains a source for honest, compassionate, and aesthetically rigorous theatre.

About A Red Orchid at 25
A Red Orchid Theatre has served as an artistic focal point in the heart of the Old Town community of Chicago since 1993 and was honored last year with a 2016 MacArthur Award for Creative and Effective Institutions. Over the past 24 years, its Resident Ensemble has welcomed into its fold an impressive array of award-winning actors, playwrights and theatre artists with the firm belief that live theatre is the greatest sustenance for the human spirit. A Red Orchid is well known and highly acclaimed for its fearless approach to performance and design in the service of unflinchingly intimate stories. In addition to its professional season, the company is also committed to an OrKids (youth) project and hosts The Incubator (providing artists with space and time to explore new work, new forms and new artistic collaborations).

A Red Orchid Theatre is: Lance Baker, Kamal Angelo Bolden, Dado, Mike Durst, Jennifer Engstrom, Kirsten Fitzgerald, Joseph Fosco, Steve Haggard, Mierka Girten, Larry Grimm, Karen Kawa, Karen Kessler, Danny McCarthy, Shade Murray, Brett Neveu, Michael Shannon, Guy Van Swearingen, Doug Vickers and Natalie West.


Monday, February 26, 2018

OPENING: Robert Falls' New Adaptation of Henrik Ibsen’s An Enemy of the People at Goodman Theatre

ROBERT FALLS DIRECTS A NEW ADAPTATION OF AN ENEMY OF THE PEOPLE,
HENRIK IBSEN’S TIMELESS MASTERPIECE, APPEARING MARCH 10 – APRIL 15 AT GOODMAN THEATRE


***PHILIP EARL JOHNSON AND SCOTT JAECK LEAD THE 14-MEMBER CAST ALONG WITH CHICAGO FAVORITES
DAVID DARLOW, ALLEN GILMORE, LARRY NEUMANN, JR., LANISE ANTOINE SHELLEY AND MORE***

Here at ChiIL Live Shows, it was our great pleasure to catch Goodman Theatre's world premiere production of Blind Date, directed by Goodman Theatre Artistic Director Robert Falls. We can't wait for March 19th, for the press opening of Falls new adaptation of Henrik Ibsen’s An Enemy of the People. Both are all too timely, thought provoking political dramas. There's been a whole lot of Ibsen going on this year on stage in Chicago's storefront scene, and this larger budget, main stage production should crown them all. We particularly enjoyed Brett Neveu's acclaimed Traitor, based on An Enemy of the People, at A Red Orchid, earlier this year. I'm eager to see a full staging of the original so soon after AROT's modern day adaptation.

Nearly 150 years after Ibsen’s masterpiece first thrilled audiences, it “is startling how current the play's ideas feel" (The New York Times) as it examines the complexities of corruption, greed and destruction of the environment and remains “a play so necessary, so exhilarating to experience." (The Village Voice) Falls directs his adaptation, based on a translation by Eleanor Marx-Aveling, with a cast featuring Philip Earl Johnson as Thomas Stockmann, doctor and chief medical officer of the baths; Scott Jaeck as Peter Stockmann, Thomas’ older brother and town mayor; Lanise Antoine Shelley as Katherine, Thomas’ wife; Rebecca Hurd as Thomas’ daughter, Petra. Rounding out the cast are Jesse Bhamrah (Billing), David Darlow (Morten Kiil), Allen Gilmore (Aslaksen), Aubrey Deeker Hernandez (Hovstad), Larry Neumann, Jr. (The Drunk) and Carley Cornelius, Arya Daire, Guy Massey, Roderick Peeples and Dustin Whitehead as townspeople. The design team includes Todd Rosenthal (set), Ana Kuzmanic (costumes), Robert Wierzel (lights), Richard Woodbury (sound and original music). Alden Vasquez is the production stage manager. 

An Enemy of the People appears in the Goodman’s Albert Theatre March 10 – April 15. Tickets ($25 - $80; subject to change) are now on sale at GoodmanTheatre.org/Enemy, by phone at 312.443.3800 or at the box office (170 North Dearborn).

“Any theater artist will inevitably confront the genius of 19th century Norwegian playwright Henrik Ibsen and I’m thrilled to take on this challenge with an incredible ensemble of actors and designers,” said Artistic Director Robert Falls. “I was compelled to adapt and direct An Enemy of the People both by our country’s political tumult and by the play’s complex treatment of myriad topics—from how we view our fellow humans, to public good versus individual rights, to the pitfalls of democracy. Though the play was written nearly 150 years ago, I find its themes remarkably fresh and the questions it raises just as perplexing as they must have been to 19th century audiences.”

When a water contamination crisis puts their community in peril, two brothers—Dr. Stockmann (Johnson) and Mayor Stockmann ( Jaeck)—face off in a battle of political ambitions and moral integrity. Triggered by the criticism and controversy of his earlier plays—A Doll’s House (1879) and Ghosts (1882)—Ibsen authored An Enemy of the People as a partial response to his critics. He felt angry that his discussion of what he considered important was being scrutinized and determined to examine the underbellies of marriage, sex and middle class society.

Falls’ staging of An Enemy of the People is the latest in the Goodman’s six-decade history of producing Ibsen and works inspired by the writer’s plays. Most recently, Falls directed the 2005 world premiere of Dollhouse, a modern-day take on Ibsen’s A Doll’s House, adapted by Goodman Artistic Associate Rebecca Gilman. Previous Ibsen works at the Goodman also include Arthur Miller’s adaptation of An Enemy of the People (1980), A Doll’s House (1973), Hedda Gabler (1962) and The Master Builder (1953). Following this production, Falls will remount his Lyric Opera of Chicago production of Mozart’s Don Giovanni for the Dallas Opera (April 2018), and this summer, he will direct Stacy Keach as Ernest Hemingway in the return of Jim McGrath’s Pamplona.

ABOUT THE PLAYWRIGHT AND DIRECTOR
HENRIK IBSEN (Playwright, 1828 - 1906) was born in Skien, Norway, Ibsen was apprenticed at age 15 to an apothecary, a situ­ation he detested. He wrote poetry to escape his misery and at 20 attended the univer­sity in Christiania (now Oslo). Within a short time his plays were being published and produced at the Christiania Theatre. In 1851, he was appointed to the theater at Bergen, where he served as director, designer and resident playwright. After six years learning his craft in Bergen, Ibsen moved back to Christiania, again working as a theater manager and artistic advisor. Plays from this period, such as The Vikings at Helgeland (1858) and Loves Comedy  (1862), stirred up contro­versy on their first appearances. In 1864, Ibsen applied to the govern­ment for a poet's stipend; when it was refused, he exiled himself from Norway. The injustice he felt at this denial helped propel his two early masterpieces, the verse dramas Brand (1866) and Peer Gynt (1867). Ibsen spent most of his years of exile in Germany, though he frequently spent months at a time in Italy. He returned briefly to Norway for the publication of his huge epic Emperor and Galilean (1873). He published A Doll's House in 1879, followed by Ghosts (1881), An Enemy of the People (1882), The Wild Duck (1884), Rosmersholm (1886), The Lady from the Sea (1888), Hedda Gabler (1890),  The Master Builder (1892), Little Eyolf (1894) and John Gabriel Borkman (1896). When We Dead Awaken, Ibsen's last play and a grand culmination of his themes, appeared in 1900. He returned to Christiania in 1891 to live out his life and died in 1906 after suf­fering a physical and mental breakdown.

ROBERT FALLS (Goodman Theatre Artistic Director) previously directed at the Goodman the world premiere of Rogelio Martinez’s Blind Date. He also partnered with Goodman Playwright-in-Residence Seth Bockley to direct their world premiere adaptation of Roberto Bolaño’s 2666 (Jeff Award for Best Adaptation). Additional recent productions include The Iceman Cometh for the Brooklyn Academy of Music, Rebecca Gilman’s Luna Gale for the Center Theatre Group in Los Angeles, Measure for Measure and the world and off-Broadway premieres of Beth Henley’s The Jacksonian. Among his other credits are The Seagull, King Lear, Desire Under the Elms, John Logan’s Red, Jon Robin Baitz’s Three Hotels, Eric Bogosian’s Talk Radio and Conor McPherson’s Shining City; the world premieres of Richard Nelson’s Frank’s Home, Arthur Miller’s Finishing the Picture, Eric Bogosian’s Griller, Steve Tesich’s The Speed of Darkness and On the Open Road and Rebecca Gilman’s A True History of the Johnstown Flood, Blue Surge and Dollhouse; the American premiere of Alan Ayckbourn’s House and Garden; and the Broadway premiere of Elton John and Tim Rice’s Aida. Falls’ honors for directing include, among others, a Tony Award (Death of a Salesman), a Drama Desk Award (Long Day’s Journey into Night), an Obie Award (subUrbia), a Helen Hayes Award (King Lear) and multiple Jeff Awards (including a 2012 Jeff Award for The Iceman Cometh). For “outstanding contributions to theater,” Falls has been recognized with such prestigious honors as the Savva Morozov Diamond Award (Moscow Art Theatre), the O’Neill Medallion (Eugene O’Neill Society), the Distinguished Service to the Arts Award (Lawyers for the Creative Arts), the Illinois Arts Council Governor’s Award and induction into the Theater Hall of Fame.

TICKETS, DISCOUNTS AND SPECIAL EVENTS
Tickets ($25-80; subject to change) – GoodmanTheatre.org/Enemy; 312.443.3800; Fax: 312.443.3825; TTY/TDD: 312.443.3829
Box Office Hours –12noon - 5pm; on performance days, the box office remains open until 30 minutes past curtain
MezzTix – Half-price day-of-performance mezzanine tickets available at 10am online (promo code MEZZTIX) 
$10Tix – Student $10 day-of tickets; limit four, with valid student ID (promo code 10TIX)

Group Sales are available for parties 10 ; 312.443.3820
Gift Certificates – Available in any amount; GoodmanTheatre.org/GiftCertificates

ARTIST ENCOUNTER –March 11 at 5pm | Goodman Theatre
Tickets are $10 for general public; free for Goodman Members. Join Artistic Director Robert Falls for an in-depth conversation about the play. GoodmanTheatre.org/Enemy

ACCESSIBILITY AT THE GOODMAN
Touch Tour,  April 7 at 12:30pm – A presentation detailing the set, costume and character elements.
Audio Described Performance, April 7 at 2pm – The action/text is audibly enhanced for patrons via headset.
ASL Interpreted Performance, April 11 at 7:30pm – Professional ASL interpreter signs the action/text as played. 
Open Captioned Performance,  April 14 at 2pm – An LED sign presents dialogue in sync with the performance.
Visit GoodmanTheatre.org/Access for more information about Goodman Theatre’s accessibility efforts.

ABOUT GOODMAN THEATRE
AMERICA’S “BEST REGIONAL THEATRE” (Time magazine), Goodman Theatre is a premier not-for-profit organization distinguished by the excellence and scope of its artistic programming and civic engagement. Led by Artistic Director Robert Falls and Executive Director Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics (celebrated revivals include Falls’ productions of Death of a Salesman and The Iceman Cometh). Goodman Theatre artists and productions have earned two Pulitzer Prizes, 22 Tony Awards, over 160 Jeff Awards and many more accolades. In addition, the Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle” and its annual holiday tradition A Christmas Carol, which celebrated its 40th anniversary this season, has created a new generation of theatergoers. The Goodman also frequently serves as a production partner with local off-Loop theaters and national and international companies by providing financial support or physical space for a variety of artistic endeavors.

Committed to three core values of Quality, Diversity and Community, the Goodman proactively makes inclusion the fabric of the institution and develops education and community engagement programs that support arts as education. This practice uses the process of artistic creation to inspire and empower youth, lifelong learners and audiences to find and/or enhance their voices, stories and abilities. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of such programming, most offered free of charge, and has vastly expanded the theater’s ability to touch the lives of Chicagoland citizens (with 85% of youth participants coming from underserved communities) since its 2016 opening.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. David W. Fox, Jr. is Chair of Goodman Theatre’s Board of Trustees, Cynthia K. Scholl is Women’s Board President and Justin A. Kulovsek is President of the Scenemakers Board for young professionals.

Join the conversation on Facebook, Twitter or Instagram #EnemyChi

Wednesday, January 3, 2018

OPENING: The World Premiere of Brett Neveu's Traitor, an adaption of Ibsen's An Enemy of the People at A Red Orchid

Chi, IL LIVE Shows On Our Radar:

A RED ORCHID THEATRE CONTINUES
2017-2018 SEASON WITH
THE WORLD PREMIERE OF
TRAITOR
an adaption of Ibsen's An Enemy of the People
by ensemble member Brett Neveu


Directed by Ensemble Member Michael Shannon
Featuring Ensemble Members Dado, KIRSTEN FITZGERALD, Larry Grimm, 
Guy Van Swearingen and Natalie West
 Lighting design by Ensemble Member Mike Durst

January 5 - February 25, 2018

We're beyond excited for AROT's latest, the World Premiere of Traitor, an adaptation of Heinrich Ibsen’s An Enemy of the People. We've long enjoyed Ibsen's insightful and timeless works, as well as the prolific, often macabre stylings of Chicago's own contemporary playwright, Brett Neveu. With Michael Shannon on board as director and a powerhouse cast, this is sure to be one to see. ChiIL Live Shows will be catching one of the press openings on January 13th, so check back soon for our full review.

A Red Orchid Theatre continues its 2017-2018 Season with the World Premiere of Traitor, an adaptation of Heinrich Ibsen’s An Enemy of the People, written by Ensemble Member Brett Neveu and directed by Ensemble Member Michael Shannon. The production features Ensemble Members Dado, Kirsten Fitzgerald, Larry Grimm, Guy Van Swearingen and Natalie West, with Jacob Alexander, Mary Jo Bolduc, Missi Davis, Kristin Ellis, Nation Henrickson, Frank Nall and Steve Walker, featuring lighting design by Ensemble Member Mike Durst. Traitor runs January 5 - February 25, 2018 at A Red Orchid Theatre, 1531 N. Wells. Press are invited to attend one of two final previews on Saturday January 13 at 3pm or 8pm. 

In this world premiere adaptation of Heinrich Ibsen's An Enemy of the People, a small, North Chicago suburb finds the town's restart button with an investment in a newly opened charter school. After issues with the school grounds are discovered by its head of sciences, Dr. Stock, a quest to inform and correct is met with support. But suspicion and rancor mount as truths bubble to the surface. A play that mirrors our vital, absurd and often hilarious political times.

The creative team includes John Musial (scenic design), Christine Pascual (costume design), Ensemble Member Mike Durst (lighting design), Brando Triantafilou (sound design) and Christa Van Baale (stage manager). The assistant director is Kyle Stoffers. 


Dates:

Previews: January 5 - 13, 2018
Press Performances: Friday, January 12 at 8pm; Saturday, January 13, 2018 at 3pm and 8pm
Red Night: Friday, January 19, 2018 at 8pm 
Regular Run: January 20 – February 25, 2018

Schedule: 
Thursdays: 8:00 p.m.

Fridays: 8:00 p.m.
Saturdays: 3:00 p.m. and 8:00 p.m.  
Sundays: 3:00 p.m.     

Location: A Red Orchid Theatre, 1531 N. Wells Ave.
Tickets: $15-$25 previews, $30-$35 regular run.  ($30 Thurs, $35 Fri, Sat, Sun)
Box Office: Located at 1531 N. Wells Ave, Chicago, (312) 943-8722; or online www.aredorchidtheatre.org 

With our 25th season of ambitious and powerful storytelling, we are thrilled to announce the launch of A Red Orchid Theatre’s Red League. At $1k or more, The Red League represents a donor community of our most committed and impactful cultural investors. Every profound and shocking moment on our stage is made possible through their critical annual contributions. Their philanthropic leadership fosters the development of raw and relevant work, creates a platform for our talented ensemble to reach new audiences, and ensures that A Red Orchid Theatre remains a source for honest, compassionate, and aesthetically rigorous theatre.



About A Red Orchid at 25
A Red Orchid Theatre has served as an artistic focal point in the heart of the Old Town community of Chicago since 1993 and was honored last year with a 2016 MacArthur Award for Creative and Effective Institutions. Over the past 24 years, its Resident Ensemble has welcomed into its fold an impressive array of award-winning actors, playwrights and theatre artists with the firm belief that live theatre is the greatest sustenance for the human spirit. A Red Orchid is well known and highly acclaimed for its fearless approach to performance and design in the service of unflinchingly intimate stories. In addition to its professional season, the company is also committed to an OrKids (youth) project and hosts The Incubator (providing artists with space and time to explore new work, new forms and new artistic collaborations).

A Red Orchid Theatre is: Lance Baker, Kamal Angelo Bolden, Dado, Mike Durst, Jennifer Engstrom, Kirsten Fitzgerald, Joseph Fosco, Steve Haggard, Mierka Girten, Larry Grimm, Karen Kawa, Karen Kessler, Danny McCarthy, Shade Murray, Brett Neveu, Michael Shannon, Guy Van Swearingen, Doug Vickers and Natalie West.

Thursday, September 28, 2017

OPENING: WALLACE SHAWN'S EVENING AT THE TALK HOUSE TO KICK OFF A RED ORCHID THEATRE 2017-2018 SEASON 9/29-11/19/17

Chi, IL LIVE Shows On Our Radar:

A RED ORCHID THEATRE OPENS
2017-2018 SEASON WITH
EVENING AT THE TALK HOUSE
BY WALLACE SHAWN
DIRECTED BY ENSEMBLE MEMBER SHADE MURRAY

September 29 – November 19, 2017

Cast of Evening at the Talk House. Photo by Mike Hari

Here at ChiIL Live Shows we've long been fans of Wallace Shawn's acting, and we're eagerly anticipating seeing his writing performed in the capable hands of another favorite of ours, A Red Orchid. We can't wait to catch the press opening of what's described as an ultra-dark comedy. Check back soon for our full review. 

A Red Orchid Theatre opens its 2017-2018 Season with Wallace Shawn’s Evening at the Talk House, directed by Ensemble Member Shade Murray. The production runs September 29 – November 19 2017, at A Red Orchid Theatre, 1531 N. Wells. 

Remember when you felt you could do anything, when there was still nothing to fear? Evening at the Talk House is a reunion at your favorite club, where old friends cozy up, raise a glass and remember gentler times when culture had value and terror wasn't the every day. This ultra-dark comedy invites us all to celebrate the 10th anniversary of the opening night of Robert's under-appreciated masterpiece, Midnight in a Clearing with Moon and Stars.  

Director and Ensemble Member Shade Murray notes, “set in the gossipy world of theatre folk, Evening at the Talk House suggests that in our jittery and uneasy time, words just might speak louder than action. It’s a smart and juicy play filled with accusations, innuendo, alternative facts and guilt by association. It's like the Algonquin Round Table meets The Crucible."

The cast of Evening at the Talk House includes Ensemble Members Lance Baker (Robert), Kirsten Fitzgerald (Annette), Doug Vickers (Ted), and Natalie West (Nellie), with Miguel Nunez (Tom), Sadieh Rifai (Jane), Noah Simon (Bill), and HB Ward (Dick).

The creative team includes Claire Chrzan (Lighting Director), Mary O’Dowd (Props Designer), Brando Triantafillou (Sound Designer), and Myron Elliott (Costume Designer). The stage manager is S.G. Heller.

Dates:               
Previews: September 29 – October 7, 2017
Red Night: Friday, October 13, 2017 at 8 p.m.
Regular Run: October 12 – November 19, 2017          

Schedule:          
Thursdays: 8:00 p.m.
Fridays: 8:00 p.m.
Saturdays: 3:00 p.m. and 8:00 p.m.
Sundays: 3:00 p.m.

Location: A Red Orchid Theatre, 1531 N. Wells Ave.

Tickets: $15-$25 previews, $30-$35 regular run.  ($30 Thurs, $35 Fri, Sat, Sun)Box Office: Located at 1531 N. Wells Ave, Chicago, (312) 943-8722; or online www.aredorchidtheatre.org

About the Artists
Wallace Shawn (Playwright) is an actor, voice actor, playwright, essayist and comedian. Recognizable to most of the world as a character actor: he made a memorable debut in Woody Allen’s Manhattan (1979) and, since then, has appeared in movies as diverse as The Bostonians and The Princess Bride and on the popular television series Gossip Girl. He has also starred in two films made with his longtime collaborator, André Gregory: My Dinner with André and Vanya on 42nd Street, which were directed by Louis Malle. Shawn’s first play, Four Meals in May, was written when he was still at Oxford. Following a trio of early works—The Family Play, The Hotel Play, The Hospital Play—Shawn’s first professional production came in 1975 with Our Late Night, directed by Gregory. Since then, he has written several other plays: A Thought in Three Parts, Marie and Bruce, Aunt Dan and Lemon, The Fever, The Designated Mourner, Grasses of a Thousand Colors and Evening At the Talk House. He has also adapted Machiavelli’s The Mandrake and Brecht’s Threepenny Opera.

Shade Murray (Director) is an ensemble member and Associate Artistic Director of A Red Orchid Theatre, where he has directed the world premieres of Brett Neveu’s Pilgrim’s Progress and Ike Holter’s Sender, as well as productions of David Adjmi’s 3C, Marisa Wegrzyn’s Mud Blue Sky and The Butcher of Baraboo, Annie Baker’s The Aliens, Nick Jones’ Trevor, Mike Leigh’s Abigail’s Party and Kimberly Akimbo by David Lindsay-Abaire.  He also performed in the A Red Orchid production of The Mutilated.  Other directing credits include Steppenwolf Theatre Company, The House Theater, Steep Theater, Second City, Writers’ Theater and elsewhere.  Shade is a lecturer at University of Chicago and teaches at DePaul University and Acting Studio Chicago.
Lance Baker (Robert) has been an official ensemble member of A Red Orchid for around five thousand days, but before that he first appeared in The Grey Zone, directed by Dado in 2001. Since then, he's played the lead in Michael Shannon's directorial debut, Ionesco's Hunger and Thirst. Further AROT acting credits: The Mandrake, Becky Shaw, and The Mutilated. As a director at AROT: the world premiere of Brett Neveu's The Earl, the Chicago premiere of The Agony and the Ecstasy of Steve Jobs, and co-directed A Very Merry Unauthorized Children's Scientology Pageant.

Kirsten Fitzgerald (Annette) has been a member of the Artistic Ensemble at A Red Orchid since 2001. Her performances here at home include three world premieres by Brett Neveu; Pilgrim’s Progress, Weapon of Mass Impact and Four Murders. Other AROT performances include The Room, Mud Blue Sky, The Butcher of Baraboo, The New Electric Ballroom, Abigail's Party, The Sea Horse [Jeff Award], Pumpgirl, Mr. Bundy, The Killer and more. Other Chicago credits include Mary Page Marlowe, The Qualms, Clybourne Park, The Elephant Man, and A Streetcar Named Desire (Steppenwolf Theatre); Appropriate (Victory Gardens), and work with Defiant Theatre, Circle Theatre, Next, Remy Bumppo, Chicago Shakespeare Theatre, The Goodman, Shattered Globe, Famous Door, Plasticene and the Utah Shakespeare Festival among others. You can see her on the small screen now in The Exorcist (FOX) and other TV credits include Sirens (USA), Chicago Fire (NBC), ER (NBC) and Underemployed (MTV).

Miguel Nunez (Tom) makes his A Red Orchid Theatre debut. He was last seen in the rolling world premiere of Into The Beautiful North (16th Street Theatre) which he also Co-directed. Other selected Chicago credits include What Of The Night? (Cor/Stage Left); Bobby Clearly (Steep Theatre); The Play About my Dad (Raven Theatre); El Pasado Nunca Se Termina (Lyric Opera of Chicago/National Tour); Romulus (Oracle Theatre); Death and the Maiden, Oedipus El Rey (U/S Victory Gardens); PINKOLANDIA, Yasmina's Necklace (16th Street Theatre); The Three Musketeers, The Blue Shadow (Lifeline Theatre); I Put the Fear of Mexico In ‘em (Teatro Vista); The Ghost is Here (Vitalist Theatre). He is an artistic associate at 16th Street Theatre. Miguel has trained at Black Box in Chicago and at the National Theater University in Caracas, Venezuela. 

Sadieh Rifai (Jane) is new to A Red Orchid, but not to Chicago. Her credits include the world premiere of The Humans(Jeff Award nomination for Best Ensemble) at American Theater Company along with The Amish Project,Hedwig and the Angry Inch (co-production with About Face Theatre),The Original Grease, Columbinus, Doubt, Agnes of God and Speech and Debate(After Dark Award for Outstanding Performance). Other Chicago credits include Ski Dubai (Steppenwolf First Look), The Piano Teacher (Next Theatre) and Merchant of Venice (Silk Road Rising). Film credits include The Wise Kids, Nate and Margaret and Olympia. Television credits include Chicago Med and Amazon's Patriot in which she plays the recurring role of Mahtma El-Mashad. She is a graduate of the School at Steppenwolf and received the Princess Grace Award in 2011.

Noah Simon (Bill) has previously been seen on A Red Orchid’s stage in The Earl and Trevor. As a veteran of Chicago’s storefront theatre community, he’s worked with such companies as Goodman Theatre, ATC, Shattered Globe, Raven, Factory, Strawdog, Remy Bumppo, Red Twist, and appeared last winter in 16th Street Theatre’s critically acclaimed production of Blizzard ’67 by Jon Steinhagen. Noah and his three Blizzard castmates have been nominated for the 2017 Joseph Jefferson Award for Best Ensemble. Regionally, Noah has worked with Peninsula Players and Lakeside Shakespeare Theatre where he most recently played the role of Shylock in their production of The Merchant of Venice. Noah is a voiceover artist and is a proud member of SAG/AFTRA. He teaches acting and improvisation at Aurora University and Voiceover at Vagabond School of the Arts. He has a BA in Theatre from Butler University and an MFA in Acting from the Theatre School at Depaul University.

Doug Vickers (Ted) is an ensemble member at A Red Orchid Theatre, where he most recently appeared in The Nether. Some of his other favorite appearances at Red Orchid have been in Accidentally Like a Martyr, Simpatico, Four Murders, The Grey Zone, and Hunger and Thirst. Over the years at Red Orchid, he has also worked in administrative capacities in the areas of grant writing and production. Doug was the recipient of the Joseph Jefferson Award for The Best Man at Remy Bumppo Theatre (Best Cameo Performance). He has appeared at many other theatres around town including Chicago Shakespeare (Comedy of Errors), Next Theatre (R.I.P.) (U.N. Inspector, Turcaret the Financier) ,Court Theatre, Famous Door Theatre, Trap Door Theatre, and Hell in a Handbag. Regional: Illinois Shakespeare Festival  TV: Underemployed (MTV) He is from Evanston IL and he holds a Bachelors Degree in English from Northwestern University-School of Continuing Studies and has done graduate level work in English at NU as well.

HB Ward (Dick) has acted with many Chicago companies including Curious Theatre Branch, Prop Thtr, Collaboraction, DOG – a Theater Company, The Magpies, Teatro Vista, WNEP, Theater Oobleck, Tympanic Theatre, 16th Street Theater, Wildclaw Theatre, Trap Door Theatre, Next Theatre, Rivendell Theatre, The Side Project, Jackalope Theatre, American Blues Theater, Haven Theatre, Steppenwolf Theater, Timeline Theater, A Red Orchid Theater and Shattered Globe Theatre.  He has also acted in television, commercials, and films, including Stephen Cone’s In Memoriam.  He has understudied at Victory Gardens Theater and Goodman Theatre. He is represented by Paonessa Talent Agency.

Natalie West (Nellie) is an ensemble member at A Red Orchid Theatre where she last appeared in The Mutilated. Other AROT productions include Strandline, Mud Blue Sky, The Butcher of Baraboo and Abigail's Party. Over the years she has appeared in shows at The Goodman, Steppenwolf, Northlight and others. She is a former ensemble member of Remains Theatre. Natalie was a regular on the television show Roseanne as Crystal. Natalie is a recipient of three Jeff Awards for supporting actress for The Butcher of Baraboo, Abigail's Party at A Red Orchid and Life and Limb at Wisdom Bridge. She holds a MSW from Loyola University Chicago, a BA in Theatre at Indiana University and she attended Webber Douglas Academy in London.
 
Ticket Information
A Red Orchid continues the FLASHPASS. As always, FLASHPASS holders get reserved seats, ticket and date flexibility, no-fee ticket exchanges, discounts for friends & family tickets, and early access to events such as readings, panel discussions, and more. The Three-show FLASHPASS is $80 and includes one ticket to each of the 3 shows in our 25th Season, excluding Press Opening and Red Nights. The Three-show Red Night FLASHPASS is $150 and includes a ticket to each of the 3 show's Red Night Opening and post-show reception with the cast and creative team. The Preview Saver FLASHPASS is $50 and includes one ticket to a preview performance of each of the 3 shows in our 25th season. Add a ticket for the Summer Bonus, Victims of Duty, to any FLASHPASS at the time of purchase.  

Flashpasses may be purchased from the Box Office at 1531 N. Wells Street, Monday through Friday from 12 pm to 5 pm, by telephone during office hours by dialing (312) 943-8722, or online at www.aredorchidtheatre.org. Individual tickets will go on sale at a later date.

With our 25th season of ambitious and powerful storytelling, we are thrilled to announce the launch of A Red Orchid Theatre’s Red League.  At $1k or more, The Red League represents a donor community of our most committed and impactful cultural investors. Every profound and shocking moment on our stage is made possible through their critical annual contributions. Their philanthropic leadership fosters the development of raw and relevant work, creates a platform for our talented ensemble to reach new audiences, and ensures that A Red Orchid Theatre remains a source for honest, compassionate, and aesthetically rigorous theatre.

About A Red Orchid
A Red Orchid Theatre has served as an artistic focal point in the heart of the Old Town community of Chicago since 1993 and was honored this year with a 2016 MacArthur Award for Creative and Effective Institutions. Over the past 24 years, its Resident Ensemble has welcomed into its fold an impressive array of award-winning actors, playwrights and theatre artists with the firm belief that live theatre is the greatest sustenance for the human spirit. A Red Orchid is well known and highly acclaimed for its fearless approach to performance and design in the service of unflinchingly intimate stories. In addition to its professional season, the company is also committed to an OrKids (youth) project and hosts The Incubator (providing artists with space and time to explore new work, new forms and new artistic collaborations).

A Red Orchid Theatre is: Lance Baker, Kamal Angelo Bolden, Dado, Mike Durst, Jennifer Engstrom, Kirsten Fitzgerald, Joseph Fosco, Steve Haggard, Mierka Girten, Larry Grimm, Karen Kawa, Karen Kessler, Danny McCarthy, Shade Murray, Brett Neveu, Michael Shannon, Guy Van Swearingen, Doug Vickers and Natalie West.


Wednesday, April 26, 2017

REVIEW: Three's Company, 3C's Chaos at A Red Orchid Theatre

A Red Orchid's latest, 70's era jiggle show lampoon, Apartment 3C, is cringeworthy in the best way. Every character is fatally flawed, empty inside, and utterly recognizable. As we left the theatre, one patron practically ran over us, and couldn't exit fast enough. We overheard him mutter "Candidate for the worst play of the year." In my book, if a cast can evoke such a strong, visceral reaction, even a negative one, they're doing something right. If you're not disturbed by this production, you're not paying attention. 

All production photos by Michael Brosilow

3C brings to stage the familiar archetypes of the blonde bimbo, androgynous girl, and gay Vietnam vet, with fabulously funny, over the top caricatures, with dark undercurrents of alcoholism, sex addiction, closeted homosexuality, poverty, and more. The lecherous landlord and his flakey wife are also exaggerated and taken to the next disturbing level of actual molester, hitting on his young female and male tenants alike, and suicidal stress ball, too neurotic to stay on her meds, and depressed by her abusive train wreck of a marriage.


Jennifer Engstrom, Christina Gorman

The jokes are truly tasteless and offensive, as is the in your face abuse. And that's really the point. As a society, we've become immune to mild mannered sexism and gay bashing comedy, merrily laughing along, while these portrayals in real life and on popular shows seep into our collective unconscious causing bias among even the best intentioned. Come meet the shopping and sex addicted preacher's kid with an abusive past who just wants to feel beautiful and ends up more alone and unhappy than ever, the androgynous alcoholic who may be in love with her female roommate, the closeted gay boy forced to pretend to be a straight boy pretending to be a gay boy, the shallow swinger friend he's in love with, and the landlords from hell.


Steve Haggard, Lawrence Grimm

Sometimes it takes an over the top, black comedy to wake us up to how absurd and awful it truly is to stereotype others and treat them with an utter lack of respect, and how psychologically damaging it can be to hide your true self and not seek help for crippling issues. We live in a sick society when LGBT sexual identity, naïveté, mental illness, physical traits beyond our control, abusive marriages and addictions become the butt of jokes for our consumption. And not much has changed in four plus decades.


Sigrid Sutter, Nick Mikula


Sutter, Gorman, Engstrom, Mikula, Grimm (standing)

This show is well worth seeing, with high energy performances by the entire cast and creative directing choices by the infamous Shade Murray. Just don't let the disco dancing, psychedelic kaftan, and polyester suits lull you into expecting a lighthearted retro comedy. The first half was laugh out loud funny, with loads of innuendo and bumbling physical comedy, but it turns black fast. This show takes a while to process and it was still consuming my thoughts a day later. I was left musing whether the show would come across as even darker and more disturbing with a ubiquitous 70's sitcom laugh track. Come check out the California dystopian flashback that is 3C for yourself. Recommended. 




BY DAVID ADJMI
DIRECTED BY ENSEMBLE MEMBER SHADE MURRAY
APRIL 20 – JUNE 4, 2017

Inspired by 70’s sitcoms and the political incorrectness of "jiggle television," 3C is a hilarious and horrifying look at identity and what lies beneath the homogeneous perky veneer. Brad lands in L.A. to start a new life. A wild night of partying finds him passed out in Connie and Linda’s kitchen and the three strike a deal that raises the suspicions of the landlords. Complications spiral out of control, taking the show from farce to something... unexpected. 

Dates: 
Red Night Opening: Friday, April 28, 2017 at 8 p.m.

Regular Run: April 29 – June 4, 2017

Schedule:  Thursdays: 8:00 p.m.
 Fridays: 8:00 p.m.
 Saturdays: 8:00 p.m.  
                 Sundays: 3:00 p.m. (except April 23).

Location:A Red Orchid Theatre, 1531 N. Wells Ave.

Tickets: $30-$35 ($30 Thurs, $35 Fri, Sat, Sun)

Box Office: Located at 1531 N. Wells Ave, Chicago, (312) 943-8722; or online www.aredorchidtheatre.org 

The cast of 3C includes Ensemble Members Jennifer Engstrom (Mrs. Wicker), Lawrence Grimm (Mr. Wicker) and Steve Haggard (Terry), with Christina Gorman (Linda), Nick Mikula (Brad) and Sigrid Sutter (Connie). 
The creative team includes Sarah Fabian (Set Designer), Myron Elliott (Costume Designer), Rachel Levy (Lighting Designer), Brando Triantafillou (Sound Designer), Lydia Hanchett (Props Designer) and Jon Martinez (Choreography). The Production Stage Manager is Christa van Baale. 

About A Red Orchid
A Red Orchid Theatre has served as an artistic focal point in the heart of the Old Town community of Chicago since 1993 and was honored this year with a 2016 MacArthur Award for Creative and Effective Institutions. Over the past 23 years, its Resident Ensemble has welcomed into its fold an impressive array of award winning actors, playwrights and theatre artists with the firm belief that live theatre is the greatest sustenance for the human spirit. A Red Orchid is well known and highly acclaimed for its fearless approach to performance and design in the service of unflinchingly intimate stories. In addition to its professional season, the company also produces an annual OrKids (youth) project and hosts The Incubator (providing artists with space and time to explore new work, new forms and new artistic collaborations). 


A Red Orchid Theatre is: Lance Baker, Kamal Angelo Bolden, Dado, Mike Durst, Jennifer Engstrom, Kirsten Fitzgerald, Joseph Fosco, Steve Haggard, Mierka Girten, Larry Grimm, Karen Kawa, Karen Kessler, Danny McCarthy, Shade Murray, Brett Neveu, Michael Shannon, Guy Van Swearingen, Doug Vickers and Natalie West.


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