Pages

Showing posts with label Writers Theatre. Show all posts
Showing posts with label Writers Theatre. Show all posts

Monday, February 27, 2017

OPENING: The Scene at Writers Theatre

Chi, IL LIVE Shows On Our Radar:

Writers Theatre presents
The Scene
Written by Theresa Rebeck
Directed by Kimberly Senior

February 22 – April 2, 2017



Here at ChiIL Live Shows, I'm elated to see another female playwright/director combo tipping the scales a bit more equitably in Chicago's still male dominated theatre scene. We'll be out to review at the press opening and can't wait to check it out. We've been wowed by Kimberley Senior's past directing and we're looking forward to experiencing Theresa Rebeck's work as well

Writers Theatre, under the leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, continues its 2016/17 season with The Scene, written by Theresa Rebeck and directed by Kimberly Senior. The production runs February 22 – April 2, 2017 in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe.

What starts off with an amusing exchange at a hip Manhattan party quickly turns into something more complex. When close friends Charlie and Lewis meet Clea, a determined young woman making her mark on the New York scene, it sets them off on an emotional roller coaster. This provocative comedy-drama explores the dark edges of commitment and the struggles of balancing authenticity with ambition.

WT Resident Director Kimberly Senior, who recently directed the Pulitzer Prize-winning Disgraced on Broadway and who has helmed past WT hits The Letters, Hedda Gabler, The Diary of Anne Frank and Marjorie Prime, takes on Theresa Rebeck’s wickedly biting and often hilarious play about the search for the ever elusive “place-to-be,” and the three old friends whose lives are irrevocably changed when they discover how fragile the foundations of their relationships really are.

Senior is the recipient of the 2016 Special Non-Equity Joseph Jefferson Award for her Chicago career achievements as a trail blazer, champion and role model for emerging artists.

“I saw The Scene in its premiere at Actors Theatre of Louisville and fell in love with the play right there and then,” said Artistic Director Michael Halberstam.  “We explored getting the rights, but at that time it was Broadway bound and indeed, if it had not been for a cast scheduling conflict, it likely would have enjoyed a triumphant transfer. A decade later it has lost none of its bite and is ripe for revival. Kimberly Senior and I separately developed relationships with Theresa Rebeck, and both of us admire her tremendously. In a casual conversation about potential projects for this season we both suggested The Scene and Le Voila! The great challenge of the play is the character of Clea, and Kimberly has found a remarkable Clea for the Writers Theatre production in Deanna Myers. Smart, charismatic, vibrant and gifted, Deanna brings a fresh and contemporary take on the character and is matched in prowess by her fellow cast members: the powerful and poised Charin Alvarez (who, like Deanna, will be making her WT debut) and two Writers Theatre favorites, the talented and engaging La Shawn Banks and Mark Montgomery. Kimberly has also assembled a terrific team of designers to create the world in which word and the artist come together to tell this relevant and important story."

Prices: Prices for all performances range from $35 - $80. Purchase early for best prices.

Box Office: The Box Office is located at 325 Tudor Court, Glencoe;847-242-6000; www.writerstheatre.org

The cast of The Scene includes: Charin Alvarez (Stella), La Shawn Banks (Lewis), Mark L. Montgomery (Charlie) and Deanna Myers (Clea).

The creative team includes: Brian Sidney Bembridge (Scenic Designer), Nan Zabriskie (Costume Designer), Sarah Hughey (Lighting Designer), Richard Woodbury (Original Music & Sound Designer), and Scott Dickens (Properties Master). Bobby Kennedy is the Dramaturg and David Castellanos is the Production Stage Manager.

This marks the fifth show for director Kimberly Senior at Writers Theatre where she previously directed Marjorie Prime, The Diary of Anne Frank, Hedda Gabler, and The Letters. Senior recently directed the Broadway production of Disgraced which ran at the Lyceum Theatre during the 2014-2015 season. Disgraced was nominated for the 2015 Tony Award for Best Play and was awarded the 2013 Pulitzer Prize for Drama.

ABOUT THE ARTISTS

Kimberly Senior (Director) returns to Writers Theatre, where she is a Resident Director, after directing Marjorie Prime, The Diary of Anne Frank, Hedda Gabler and The Letters. Other Chicago credits include: Support Group for MenDisgraced, and Rapture, Blister, Burn (Goodman Theatre);  Discord4000 Miles, and The Whipping Man (Northlight Theatre); WantThe North Plan (Steppenwolf); InanaMy Name is Asher LevAll My Sons, and Dolly West's Kitchen (TimeLine Theatre); Disgraced (American Theatre Company); The Great God Pan, After the RevolutionMadagascarThe Overwhelming, and The Busy World is Hushed (Next); Waiting for Lefty (American Blues); Old TimesTheConquest of the South PoleUncle VanyaCherry OrchardThree SistersFuddy Meers, and Knives in Hens (Strawdog); Cripple of InishmaanBug, and The Pillowman (Redtwist Theatre); Thieves Like Us (The House Theatre); among others. New York Credits: Disgraced (2013 Pulitzer Prize, Broadway); Chris Gethard's Career Suicide (Judd Apatow Productions); Engagements (Second Stage Uptown); The Who and The What, and Disgraced (Lincoln Center Theater 3). Regional: Sex with Strangers (The Geffen Playhouse); Disgraced (Mark Taper Forum, Berkley Repertory Theatre, Seattle Repertory Theatre); The Who and The What (La Jolla Playhouse); Little Gem (City Theatre); Games AfootMurder on the Nile, and A Few Good Men (Peninsula Players); Mauritius (Theatre Squared, Fayetteville, AR).  Kimberly also directed Chris Gethard's Career Suicide for HBO/Funny or Die which will air May 6 on HBO.  Kimberly was awarded the prestigious Alan Schneider Award at the 2016 TCG Conference.  She is also a 2013 Finalist for the SDCF Joe A. Callaway Award. She is the recipient of the 2016 Special Non-Equity Joseph Jefferson Award for her Chicago career achievements as a trail blazer, champion and role model for emerging artists.

Theresa Rebeck was a finalist for the 2004 Pulitzer Prize for Drama for her play Omnium Gatherum.

Theresa Rebeck (Playwright) is a widely produced playwright throughout the United States and abroad. New York productions of her work include Dead Accounts (Music Box Theatre); Seminar (Golden Theatre); Mauritius (Biltmore Theatre in a Manhattan Theater Club Production); The Scene, The Water’s Edge, Loose Knit, The Family of Mann and Spike Heels (Second Stage); Bad DatesThe Butterfly Collection and Our House (Playwrights Horizons); The Understudy (Laura Pels Theater in a Roundabout Theatre Company production); and View of the Dome (New York Theatre Workshop). Omnium Gatherum (co-written, finalist for the Pulitzer Prize in 2003) was featured at the Humana Festival, and had a commercial run at the Variety Arts Theatre. Her newest work, Poor Behavior premiered at the Mark Taper Forum in Los Angeles in 2011. Dead Accounts, commissioned by the Cincinnati Playhouse, premiered January 2012. Seminar ran on Broadway.

All of Ms. Rebeck’s past produced plays are published by Smith and Kraus as Theresa Rebeck: Complete Plays, Volumes I, II III, and IV and in acting editions available from Samuel French or Playscripts. Ms. Rebeck’s other publications are Free Fire Zone, a book of comedic essays about writing and show business. She has written for American Theatre magazine and has had excerpts of her plays published in the Harvard Review. Rebeck’s first novel, Three Girls and Their Brother, was published by Random House/Shaye Areheart Books in April 2008. Her second novel, Twelve Rooms With A View, was published by Random House/Shaye Areheart Books in May of 2010. Both novels are available online and at booksellers everywhere.

In television, Ms. Rebeck has written for Dream On (HBO, FOX), Brooklyn Bridge (CBS), L.A. Law (NBC), American Dreamer (NBC), Maximum Bob (ABC), First Wave (Syfy, Space), and Third Watch (NBC). She was the creator of the NBC drama Smash.  She has been a writer/producer for Canterbury’s Law (FOX), Smith(CBS), Law and Order: Criminal Intent (NBC, USA, MyNetworkTV) and NYPD Blue (ABC). Her produced feature films include Harriet the Spy, Gossip, and the independent features Sunday on the Rocks and Seducing Charlie Barker, an adaptation of her play, The Scene. Awards include the Mystery Writers of America’s Edgar Award, the Writer’s Guild of America award for Episodic Drama, the Hispanic Images Imagen Award, and the Peabody, all for her work on NYPD Blue. She has won the National Theatre Conference Award (for The Family of Mann), and was awarded the William Inge New Voices Playwriting Award in 2003 for The BellsMauritius was originally produced at Boston’s Huntington Theatre, where it received the 2007 IRNE Award for Best New Play as well as the Elliot Norton Award. Other awards include the PEN/Laura Pels Foundation Award, the Athena Film Festival Award, an Alex Award, a Lilly Award and in 2011 she was named one of the "150 Fearless Women in the World" by Newsweek.

Rebeck is originally from Cincinnati and holds an M.F.A. in Playwrighting and a Ph.D. in Victorian Melodrama, both from Brandeis University. She is a proud board member of the Dramatists Guild, a Contributing Editor to the Harvard Review, an Associate Artist of the Roundabout Theatre Company, a Playwright Adviser and Board Member of the LARK and has taught at Brandeis University and Columbia University.

Charin Alvarez (Stella) returns to Writers Theatre where she previously appeared in the reading of Saint Joan in collaboration with The Chicago Inclusion Project. Theatre credits include 2666Pedro ParamoEl Nogalar, Dollhouse and Electricidad (Goodman Theatre), MojadaOedipus El ReyAnna in the Tropics andA Park in the House (Victory Gardens Theatre), In the time of the ButterfliesOur Lady of the UnderpassI put the fear of Mexico in ‘emDreamlandia, and Another Part of the House (Teatro Vista), Water by the Spoonful (Court Theatre), Work of Art (Chicago Dramatists) The Clean House (Remy Bumppo), What We Once Felt (About Face Theatre) Kita & Fernanda (16th Street Theatre), Esperanza Rising (Chicago Children’s Theatre), Two Sisters and a Piano (Apple Tree Theatre), Generic Latina (Teatro Luna) and La Casa de Bernarda Alba (Aguijon Theatre). Television credits include Shameless (Showtime), Chicago Fire (NBC), Chicago Code and Mob Doctor (FOX), and Boss (Starz). Film credits include Rooftop WarsArc of a BirdWere the World MineChicago OvercoatFirst and Only LessonEric’s HaircutDogwalkerRogers ParkOlympia: Manual on how to live your lifeSignature MoveEn Algun LugarPrincess Cyd, and Single File.

La Shawn Banks (Lewis) returns to Writers Theatre where he previously appeared in Isaac's Eye, The Liar, Travels With My Aunt, Old Glory, The Turn of the Screw, The Duchess of Malfi and To The Green Fields Beyond. Favorite Chicago productions include Short Shakespeare! Twelfth Night (Chicago Shakespeare Theatre), Le Switch (About Face Theatre), The Wheel (Steppenwolf Theatre Company) and A Year With Frog and Toad (Chicago Children's Theatre). Favorite regional productions include Around The World In 80 Days (Indiana Repertory Theatre), A Streetcar Named Desire, The Island, Edward Albee's Seascape, Troilus and Cressida, The Critic and Of Mice and Men (American Players Theatre). Television credits include Chicago Justice, Chicago PD (NBC), Shameless (Showtime) and The Exorcist (FOX). Film credits include The Merry Gentleman (directed by Michael Keaton) and Surprise Me!.

Deanna Myers (Clea) makes her Writers Theatre debut. Recent Chicago credits include: You on the Moors Now (The Hypocrites), the Chicago and Miami Productions of The Hammer Trinity (The House Theatre), SideShow (Porchlight Music Theatre), the New Stages Production of King of the Yees and The White Snake (Goodman Theatre), The Golden Dragon (Sideshow Theatre) and The Three Musketeers (Lifeline Theatre). Television credits include Chicago Fire (NBC) and The Drunk. Film credits include The Drunk. Deanna is a proud company member at Barrel of Monkeys, where she finds her favorite young playwrights among the students of CPS schools, and is a perpetual student at the Actors Gymnasium.

Mark L. Montgomery (Charlie) returns to Writers Theatre where he previously appeared in Hedda Gabler, The Letters and The BeatsMark has appeared in more than a dozen productions with Chicago Shakespeare Theater including Twelfth Night, Troilus and Cressida and Rose Rage: Henry VI Parts 1, 2 and 3. Other Chicago credits include Camino Real, Stage Kiss, A Christmas Carol (Goodman Theatre), Fascination (About Face Theatre), WantThe Time of Your Life (Steppenwolf Theatre), In the Next Room or the Vibrator Play, Equivocation (Victory Gardens), Cat on a Hot Tin Roof (Apple Tree Theatre), and In the Belly of the Beast: Letters from Prison (The Journeymen Theater Company) as well as shows with Remy Bumppo and Northlight Theatre, among others. New York credits include The Seagull, Mamma Mia! (Broadway), Macbeth (The Public), The Runner Stumbles (The Actors Company Theatre) and The Madras House (Mint Theater Company). Regional credits include Julius Caesar (American Repertory Theater and French tour) and Emma (Cleveland Playhouse). Television credits include Boss (Starz), Law & Order (NBC) and Guiding Light (CBS).

This is the first Theresa Rebeck play to be produced at 
Writers Theatre.  
Cast members Charin Alvarez (Stella) 
and Deanna Myers (Clea) will be appearing at 
Writers Theatre for the first time.



AUDIENCE ENGAGEMENT
Accessible Performances
ASL-Interpreted performance: Friday, March 31, 2017 at 7:30pm
Open-Captioned performance: Saturday, April 1, 2017 at 7:30pm

Sunday Spotlight—Sunday, March 19, 2017
Are you curious about the world that surrounds your favorite plays? Sunday Spotlight offers access to the finest speakers, scholars and cultural leaders. This one-hour event extends the conversation on our stages by featuring an expert in an area connected to the play. Seating is limited. RSVP is required. Save the date!

The Making of… Series—Monday, March 27, 2017 at 6:30pm
Writers Theatre will once again host its popular The Making of… Series, providing insight into a different aspect of creating the productions seen on our stages. Enjoy a short and lively presentation by our actors, designers or other experts who will walk you through the process of preparing for and executing a production. The Making of… events are FREE and open to the public. Seating is limited. RSVP is required.

Post Show Conversation: The Word
Join us after every Tuesday evening performance (excluding previews and extensions) for a 15-minute discussion of the play, facilitated by a member of the WT Artistic Team.

Post Show Conversation: The Artist
Join us after every Wednesday evening performance (excluding previews and extensions) for a 15-minute talk-back featuring actors from the production, facilitated by a member of the WT Artistic Team.

Pre-Show Conversation: Up Close
Join us at 6:45pm before every Thursday evening performance (excluding previews and extensions) for a 15-minute primer on the context and content of the play, facilitated by a member of the WT Artistic Team.

For more information about Writers Theatre Audience Enrichment programs visit writerstheatre.org/events.

RIDE METRA TO WRITERS THEATRE
In an effort to promote taking public transit to the Theatre, Writers Theatre launched a new promotion in 2013. Any audience member who purchases a ticket to a Writers Theatre production and rides Metra’s Union Pacific North Line to the Theatre may snap a photo of themselves on the train and post it to their Facebook or Instagram page or their Twitter feed with a tag of @WritersTheatre and #[the title of the show], and upon showing the post at the Writers Theatre Box Office, receive $5 in cash to put toward the cost of your fare as a thank you for going green.

This promotion is available for a limited time only, and may end without warning. Ticket must have been paid for in advance. Not valid on comp tickets. More information available at writerstheatre.org/metra

WRITERS THEATRE PARTNERS
Writers Theatre is pleased to recognize BMO Harris Bank as the 25th Anniversary Season Sponsor for the 2016/17 season. ComEd is the Official Lighting Sponsor of the season. The Elizabeth F. Cheney Foundation provides Foundation Support and the Artists Council Sponsors are Gail and Tom Hodges. Additional support for The Scene provided by the Director’s Society Sponsors, Cindy and David Knapp, Michael and Christine Pope, Craig and Linda Umans, and Sallyan Windt.

For more information about Writers Theatre’s 2016/17 Partners, visit writerstheatre.org/our-supporters.

ABOUT WRITERS THEATRE
For 25 years, Writers Theatre has captivated Chicagoland audiences with inventive interpretations of classic work, a bold approach to contemporary theatre and a dedication to creating the most intimate theatrical experience possible.

Under the artistic leadership of Michael Halberstam and the executive leadership of Kathryn M. Lipuma, Writers Theatre has grown to become a major Chicagoland cultural destination with a national reputation for excellence, being called the top regional theatre in the nation by The Wall Street Journal. The company, which plays to a sold-out and discerning audience of more than 60,000 patrons each season, has garnered critical praise for the consistent high quality and intimacy of its artistry—providing the finest interpretations of both classic and contemporary theatre in its two intensely intimate venues. 

In February 2016, Writers Theatre opened a new, state-of-the-art facility. This established the company's first permanent home—a new theatre center in downtown Glencoe, designed by the award-winning, internationally renowned Studio Gang Architects, led by Founder and Design Principal Jeanne Gang, FAIA, in collaboration with Theatre Consultant Auerbach Pollock Friedlander. The new facility has allowed the Theatre to continue to grow to accommodate its audience, while maintaining its trademark intimacy. The new facility resonates with and complements the Theatre’s neighboring Glencoe community, adding tremendous value to Chicagoland and helping to establish the North Shore as a premier cultural destination.

Find Writers Theatre on Facebook at Facebook.com/WritersTheatre or follow @WritersTheatre on Twitter. For more information, visit www.writerstheatre.org.





Thursday, September 15, 2016

REVIEW: Writers Theatre Wows With New Adaptation of Julius Caesar Through October 16th

Chi, IL LIVE Shows On Our Radar:

Writers Theatre opens its 25th Anniversary season with a new adaptation of William Shakespeare’s 
Julius Caesar

Adapted and Directed by Artistic Director Michael Halberstam 
and Scott Parkinson

Now Playing Through October 16, 2016

All Photos By Michael Brosilow 


Hail Caesar indeed! Writers Theatre's hybrid of this classic is well deserving of praise. Michael Halberstam and Scott Parkinson work their magic adapting and directing a stellar cast. I've seen a number of theaters attempt Julius Caesar set in present day dress and sets, and as period pieces, yet never both. Writers Theatre deftly merges past and present day politics, style and technology in a compelling mash up that has space for cell phones, emojis and selfies alongside iambic pentameter and togas. Highly recommended.



With an imposing wall of seven Stonehenge-like columns, vaguely suggestive of both ruins and Roman Doric Columns. The show begins with a montage of natural disasters and powerful storms, portent of things to come. The set is impressive in scope, yet deceptively simple. Writers Theatre makes excellent use of the entire set as screens, projecting impressive, ever changing backdrops that add much to the production.

This production is not without humor, particularly with the infusion of cell phones and slogans "Make Rome Great Again".  Yet it's true strength lies in the intensity. Caesar's death scene in slow motion with ribbons of blood was powerful and poetic, and the energy of the mob scenes is brilliant. Scott Parkinson (Adaptor, Director, Cassius), Kareem Bandealy (Brutus), Madrid St. Angelo (Julius Caesar), and Arya Daire (Portia/Decia/Soothsayer) are true standouts and masters at their craft. The cast more than does justice to Shakespeares' infamous, age old phrases, with timely relevance and modern storytelling techniques. Writers Theatre has given Chicago a gift with this stunning new adaptation. This is truly a must see for the fall season. 



Writers Theatre, under the leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, opens its 25th Anniversary Season with a new adaptation of Shakespeare’s Julius Caesar, directed and adapted by Artistic Director Michael Halberstam and Scott Parkinson. The show runs September 7 – October 16, 2016 in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe. 
**25th Anniversary For Writers Theatre’s** 
**400th Anniversary of Shakespeare's Death**

Shakespeare’s masterpiece of power and conspiracy, friendship and betrayal, stands as the greatest political drama ever written. Caesar has made Rome the world’s most powerful Empire through his brilliant military strategies, and upon his return from the wars the citizens of Rome wish to abandon the Republic and crown him king. When his fellow senators decide that his advancement must be halted, they come to a brutal and extreme solution: the great man must fall. 

With a newly streamlined adaptation by Michael Halberstam and Scott Parkinson that is both epic in scale and arrestingly intimate, this fresh and innovative look at the text will immerse audiences in the struggle for global supremacy, raising important questions about the responsibilities of a citizenry when confronting radicalism and tyranny.

Schedule: 
Tuesdays – Fridays: 7:30pm
(with 3:00pm Wednesday matinees on September 21 and 28)
Saturdays: 3:00pm (except September 10) and 7:30pm
Sundays: 2:00pm and 6:00pm (except September 11, 25 and October 2)

Run Time: 1:45 (no intermission)

Location: Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe

Prices: Prices for all performances range from $35 – $80
Purchase early for best prices      
             
Box Office: The Box Office is located at 325 Tudor Court, Glencoe;

847-242-6000; www.writerstheatre.org

“Caesar has been on my bucket list of passion projects for some years,” says Artistic Director Michael Halberstam. “But the way I have wanted to stage it has always been beyond the capabilities of our venues. That is, until now! Now that we finally have a home where the sophistication of our theatres matches the sophistication of our artistic ambitions we can take a serious look at a play that has never been more relevant. We are in the heart of an election season unlike any in my lifetime and, therefore, I cannot think of a better time to explore Shakespeare’s remarkable play about global politics, world power and the nuances and grayness of great political movements. Scott Parkinson’s considerable knowledge of the play and his expertise with the language has made him an ideal collaborator in manifesting an adaptation that seeks to streamline the play and lift the relationship between Brutus and Cassius, creating an actor-driven realization of the political landscape in which they find themselves.”

The cast includes: Kareem Bandealy (Brutus), Christine Bunuan (Calphurnia/Metella Cimber), Arya Daire (Portia/Decia/Soothsayer), Sydney Germaine (Cinna/Octavius Caesar), Matt Hawkins (Caius Ligarius/Lepidus), Thomas Vincent Kelly (Mark Antony/Trebonius), Julian Parker (Cobbler/Caska), Scott Parkinson (Cassius) and Madrid St. Angelo (Julius Caesar).

Creative team: Courtney O’Neill (Scenic Designer), Mara Blumenfeld (Costume Designer), Jesse Klug (Lighting Designer), Rob Milburn and Michael Bodeen (Original Music and Sound Design), Mike Tutaj (Projections Designer), Breon Arzell (Movement Director) and Bobby Kennedy (Dramaturg). David Castellanos is the Production Stage Manager.


                   
ABOUT THE ARTISTS
William Shakespeare (Playwright) was born in Stratford-upon-Avon in 1564. He rose to fame in London as a playwright, actor and partner in a company of players known as the Lord Chamberlain’s Men. King James I, after ascending to the throne in 1603, would eventually patron the group, thereby changing the name to The King’s Men. During Shakespeare’s career, he wrote 38 plays, 154 sonnets and several other famous epic poems. There are many apocryphal plays thought to be Shakespeare’s and he alone is credited with contributing close to 2,000 words to the English language. He is without question the most highly regarded and studied playwright in the history of literature. In 1613, Shakespeare is said to have retired to the place of his birth. It is believed that he died there on his birthday, April 23, 1616. Past WT productions of Shakespeare’s plays include Hamlet, As You Like It, Othello and Richard II.

Michael Halberstam (Adapter, Director) is the co-founder and artistic director of Writers Theatre. He has directed over 35 productions for the company, including Not About Heroes (starring Nicholas Pennell), Private Lives, Look Back In Anger, Candida, The Father, Crime and Punishment, Benefactors, The Seagull, The Duchess of Malfi, Othello, The Savannah Disputation, the world premiere musical A Minister’s Wife, Rosencrantz and Guildenstern Are Dead, She Loves Me, The Real Thing, Hamlet, Sweet Charity, Days Like Today, Isaac’s Eye, Arcadia and Death of a Streetcar Named Virginia Woolf: A Parody (which he co-directed with Stuart Carden). Halberstam has appeared in numerous Writers Theatre productions, including Richard II (title role), Loot and Misalliance. Previously, he spent two years at The Stratford Festival in Ontario and performed in Timon of Athens, The Knight of the Burning Pestle (title role), Much Ado About Nothing and As You Like It. Halberstam’s other Chicago acting credentials include productions with Wisdom Bridge Theater, Court Theatre and Chicago Shakespeare Theater. Elsewhere he directed The Gamester (Northlight Theatre), A Man for All Seasons (Peninsula Players Theatre), Hamlet (Illinois Shakespeare Festival), Candida (Jean Cocteau Repertory in New York), Ten Little Indians (Drury Lane Theatre), a highly acclaimed revival of Crime and Punishment, which Writers Theatre produced off-Broadway at 59E59 Theaters in New York City, Enchanted April and State of the Union (Milwaukee Repertory Theater). In 2011 he directed A Minister’s Wife at Lincoln Center Theater, and also directed the west coast premiere at San Jose Repertory Theatre in 2013. His forays into opera have included The Rape of Lucretia (Chicago Opera Theater), Francesca da Rimini featuring the Chicago Symphony Orchestra conducted by Christoph Eschenbach and Le Freyshutz, a Berlioz adaptation of the Weber opera conducted by Christoph Eschenbach in its North American Premiere (Ravinia Festival). He spent two and a half years teaching Shakespeare at The Theatre School at DePaul University and has received awards for excellence in theater management and/ or artistic achievement from The Chicago Drama League, The Arts & Business Council, Chicago Lawyers for the Creative Arts and The Chicago Associates of the Stratford Festival. He also received the 2010 Zelda Fichandler Award, the 2013 Artistic Achievement Award from the League of Chicago Theatres, and was named Chicago Tribune's 2013 "Chicagoan of the Year" for Theater. He currently serves on the board of the Arts Club of Chicago.

**Scott Parkinson’s 10th production with Writers Theatre**

Scott Parkinson (Adaptor, Director, Cassius) returns to Writers Theatre where he previously appeared in Arcadia, Hedda Gabler, Hamlet, Crime and Punishment, The Doctor’s Dilemma, Booth, Candida, The Glass Menagerie and Marriage and Bears. Chicago credits include 16 productions at Chicago Shakespeare Theater, including the title role in Richard II, the Fool in King Lear, Caesar in Antony & Cleopatra and Speed in The Two Gentlemen of Verona. Other Chicago credits include Puck in A Midsummer Night’s Dream, Guys and Dolls (Court Theatre), Angels in America (The Journeymen), Northlight Theatre, Goodman Theatre, title roles in Hamlet and Richard III, Iago in Othello (Shakespeare on the Green). Regional credits include An Iliad, Cock (Studio Theatre), Angelo in Measure for Measure, Cassius in Julius Caesar, The Persians (Shakespeare Theatre Company), Mercutio in Romeo and Juliet, Treplev in The Seagull (The Old Globe), The School for Scandal (Mark Taper Forum), Hartford Stage and La Jolla Playhouse. Off-Broadway credits include Hamlet (Classic Stage Company), You Belong to Me (Ensemble Studio Theatre), Stage Manager in David Cromer’s Our Town, Orson’s Shadow (Barrow Street Theatre), The Third Story (MCC Theater), Rose Rage and Crime and Punishment. National tours include The 39 Steps. Broadway: The Coast of Utopia (Lincoln Center Theater). Featured interviews include North American Players of Shakespeare.


Kareem Bandealy (Brutus) has appeared at Writers Theatre in Hamlet, The Caretaker and Heartbreak House. Chicago credits include A Christmas CarolRock 'N' RollGas for Less and King Lear (Goodman Theatre), The Wheel (Steppenwolf Theatre Company); Oklahoma! (Paramount Theatre) The Good Book, The Illusion (Court Theatre), Moby DickThe Little PrinceBig Lake Big CityBengal Tiger at the Baghdad ZooThe Last Act of Lilka KadisonPeter Pan, Blood Wedding (Lookingglass Theatre Company), Short Shakespeare! A Midsummer Night’s Dream, Edward II, Short Shakespeare! Romeo and Juliet (Chicago Shakespeare Theater), Blood and Gifts (TimeLine Theatre Company), Othello (The Gift Theatre) and many others. Regional credits include The Merry Wives of WindsorThe Three Musketeers, The Tempest (Illinois Shakespeare Festival), Love’s Labour’s Lost (Notre Dame Summer Shakespeare), Julius Caesar, Stuff Happens (Pittsburgh Irish & Classical) and four seasons at Orlando Shakespeare Theater. He has appeared in several films including The Merry Gentleman directed by Michael Keaton. Television credits include Chicago Fire (NBC). He is an artistic associate of Lookingglass Theatre Company and a recipient of the 2011 3Arts Artist Award. 

Christine Bunuan (Calphurnia/Metella Cimber) is thrilled to make her debut at Writers Theatre. She was most recently seen in Chimerica at TimeLine Theatre Company. Her other credits include the first national tour of The 25th Annual Putnam County Spelling Bee (David Stone Productions), Avenue Q (Mercury Theater Chicago), Frederick (Chicago Children’s Theatre), A Christmas Carol (Goodman Theatre), Kafka on the Shore (Steppenwolf Theatre Company), Jade Heart (Chicago Dramatists) and many more. This December she will be performing her solo cabaret show called Christmas at Christine’s (Silk Road Rising). Special thanks to Stewart Talent, her family and the love of her life, Sean. christinebunuan.com


Arya Daire (Portia/Decia/Soothsayer) is delighted to be making her Writers Theatre debut. Chicago credits include Samsara and Disconnect (Victory Gardens Theater), Principal Principle (Stage Left Theatre), Rudolph The Red-Nosed Reindeer: The Musical (Emerald City Theatre), Much Ado About Nothing (Rasaka Theatre Company) and The 25th Annual Putnam County Spelling Bee (Beverly Arts Center). Television credits include A Christmas Carol—The Concert (PBS holiday special, Emmy Award-nominated) and Chicago Fire (NBC). Arya received her B.S. in Radio/TV/Film and English Literature at Northwestern University. Warmest of thanks to my mom and dad, friends, Michael Halberstam, Stephen Schellhardt, Cheryl Graeff, Ross Lehman, Jeremy Sonkin and an inspiring cast and crew. Arya is represented by Stewart Talent.

Sydney Germaine (Cinna/Octavius Caesar) makes their Writers Theatre debut in Julius Caesar. They were recently seen as Puck in A Midsummer Night's Dream (First Folio Theatre), as Minnie Fay in The Matchmaker (Goodman Theatre), the world premiere of Zipped and Pelted by Lucas Baisch (2015 Chicago Fringe Festival), as well as a couple of web series about queer life (Afternoon Snatch and In Real Life). They have a background in fire breathing, aerial arts and other forms of circus, as well as burlesque. They are represented by Gray Talent.

Matt Hawkins (Caius Ligarius/Lepidus) returns to Writers Theatre where he previously appeared as Stanley Kowalski in A Streetcar Named Desire. Matt is a Chicago-based director, actor and fight choreographer. He is a Founding Member of The House Theatre of Chicago and an Artistic Associate with Strawdog Theatre Company. He is on the music theatre faculty at Northwestern University and is also an adjunct lecturer at Loyola University Chicago. He holds a B.F.A. in Acting from Southern Methodist University and an M.F.A. in Directing from The University of Iowa. He has been nominated for 12 Joseph Jefferson Awards and has received five. This upcoming year he will direct Going to a Place Where You Already Are (Redtwist Theatre) and choreograph violence for The Great Gatsby, Urinetown (Northwestern University); Tug of War: Civil Strife, Short Shakespeare! Romeo and Juliet and Shakespeare in Love (Chicago Shakespeare Theater). He is married to actress Stacy Stoltz. 

Thomas Vincent Kelly (Mark Antony, Trebonius) returns to Writers Theatre where he previously appeared in Look Back in Anger. Chicago credits include Hotspur in Henry IV, part 1, Pistol in Henry IV, part 2 and Henry V (Chicago Shakespeare Theater), A Touch of the Poet, Zoot Suit (Goodman Theatre), Berowne in Love’s Labour’s Lost, Hildy Johnson in The Front Page, Almost Blue and Coriolanus (Next Theatre), Christian in Cyrano de Bergerac (Rivendell Theatre Ensemble), and as a founding member of Irish Theatre of Chicago (formerly Seanachai Theatre Company) he played Joe Hynes in Scenes from the Big Picture, Anton Chekhov in Chekhov in Yalta and Charlie Doyle in And Neither Have I Wings to Fly. Regional credits include Good People, A Steady Rain (Alliance Theatre), A Steady Rain (Guthrie Theater), The Wind Cries Mary (San Jose Repertory Theatre and East/West Players), Bell, Book and Candle, Opus, (Ensemble Theatre), Eastville (Connecticut Repertory Theatre), As You Like It, Hamlet (American Players Theatre) and Shakespearean festivals in Utah, Florida, Illinois and Idaho. Television credits include Criminal Minds: Suspect Behavior (CBS), Law & Order: Los Angeles (NBC), Saving Grace (TNT), The Closer (TNT), 24 (FOX), Without a Trace (CBS) and numerous other guest appearances. Tom is a proud member of Actors’ Equity Association and Screen Actors Guild-American Federation of Television and Radio Artists. thomasvincentkelly.com

Julian Parker (Cobbler, Caska) returns to Writers Theatre where he previously appeared in Hamlet and the reading of Saint Joan in collaboration with The Chicago Inclusion Project. Chicago credits include GenesisDutchmanThe Brothers’ Size (Definition Theatre Company); Prowess (Jackalope Theatre); Hairy Ape (Joseph Jefferson Award—Actor in a Principal Role, Oracle Productions), Charm (Northlight Theatre), The Royale (American Theater Company); Gospel of Franklin (First Look Series—Steppenwolf Theatre Company); BlackTop Sky (Garage Repertory—Steppenwolf Theatre Company); Head of Passes (understudy—Steppenwolf Theatre Company). Television credits include Chicago P.D. (NBC). Julian is a Founding Member and Casting Director of Definition Theatre Company. He received his B.F.A. from the University of Illinois Urbana-Champaign. Represented by Grossman & Jack Talent. 

Madrid St. Angelo (Julius Caesar) makes his Writers Theatre debut in Julius Caesar. He is an award-winning and Joseph Jefferson Award-nominated actor. A graduate of New York's Neighborhood Playhouse and the New School for Acting, he trained under Sanford Meisner and William Alderson. He is a member of Actors' Equity Association, Screen Actors Guild-American Federation of Television and Radio Artists, Guild of Italian American Actors and Hispanic Organization of Latin Actors. Chicago credits include Steppenwolf Theatre Company, Goodman Theatre, Victory Gardens Theater, Silk Road Rising, Vitalist Theatre and UrbanTheater Company. Television credits include ER (NBC), Boss (Starz) and Chicago Fire (NBC). He is represented by Paonessa Talent (commercial, film/television/theatre) and Grossman & Jack Talent (voiceover).

**Kareem Bandealy, Julian Parker and Scott Parkinson return to the stage together at Writers Theatre in Julius Caesar, having previously appeared together on the WT stage in Hamlet. Of the cast of nine, four will be appearing at Writers for the first time: Christine Bunuan, Arya Daire, Sydney Germaine and Madrid St. Angelo.**



AUDIENCE ENRICHMENT

Accessible Performances
ASL-Interpreted performance: Saturday, October 15 at 7:30pm
Open-Captioned performance: Sunday, October 16 at 2:00pm

Post Show Conversation: The Artist
Join us after every Wednesday evening performance (excluding previews and extensions) for a 15-minute talk-back featuring actors from the production, facilitated by a member of the WT Artistic Team.

Post Show Conversation: The Word
Join us after every Tuesday evening performance (excluding previews and extensions) for a 15-minute discussion of the play, facilitated by a member of the WT Artistic Team.

Sunday Spotlight—Sunday, October 2, 2016
This one-hour event will follow the matinee performance and feature an expert in a field related to the themes or setting of Company, moderated by a member of the WT Artistic Team. Seating is limited. RSVP is required.

The Making of… Series—Monday, October 17, 2016
Writers Theatre will once again host its popular The Making of… Series, providing insight into a different aspect of creating the productions seen on our stages. The Making of… events are FREE and open to the public. Seating is limited. RSVP is required.

For more information about Writers Theatre Audience Enrichment programs visit writerstheatre.org/events


RIDE METRA TO WRITERS THEATRE
In an effort to promote taking public transit to the Theatre, Writers Theatre launched a new promotion in 2013. Any audience member who purchases a ticket to a Writers Theatre production and rides Metra’s Union Pacific North Line to the Theatre may snap a photo of themselves on the train and post it to their Facebook page or Twitter feed with a tag of @WritersTheatre and #[the title of the show], and upon showing the post at the Writers Theatre Box Office, receive $5 in cash to put toward the cost of your fare as a thank you for going green.

This promotion is available for a limited time only, and may end without warning. Ticket must have been paid for in advance. Not valid on comp tickets. More information available at writerstheatre.org/metra



WRITERS THEATRE PARTNERS
Writers Theatre is pleased to recognize BMO Harris Bank as the 25th Anniversary Season Sponsor for the 2016/17 season. Northern Trust and NES Rentals will serve as Major Corporate Sponsors for Julius Caesar and ComEd will be the Official Lighting Sponsor of the season. Additionally, Writers Theatre is grateful to the following individuals and organizations for their support of Julius Caesar: Maryellen and Richard Keyser as Artists Council Sponsors; and Carol and Joel Honigberg, Kirkland & Ellis LLP, Seth Traxler and Jessica Aspen and an anonymous donor as Director’s Society Sponsors.

For more information about Writers Theatre’s 2016/17 Partners, visit writerstheatre.org/our-supporters.

ABOUT WRITERS THEATRE
For 25 years, Writers Theatre has captivated Chicagoland audiences with inventive interpretations of classic work, a bold approach to contemporary theatre and a dedication to creating the most intimate theatrical experience possible.

Under the artistic leadership of Michael Halberstam and the executive leadership of Kathryn M. Lipuma, Writers Theatre has grown to become a major Chicagoland cultural destination with a national reputation for excellence, being called the top regional theatre in the nation by The Wall Street Journal. The company, which plays to a sold-out and discerning audience of more than 60,000 patrons each season, has garnered critical praise for the consistent high quality and intimacy of its artistry—providing the finest interpretations of both classic and contemporary theatre in its two intensely intimate venues. 

In February 2016, Writers Theatre opened a new, state-of-the-art facility. This established the company's first permanent home—a new theatre center in downtown Glencoe, designed by the award-winning, internationally renowned Studio Gang Architects, led by Founder and Design Principal Jeanne Gang, FAIA, in collaboration with Theatre Consultant Auerbach Pollock Friedlander. The new facility has allowed the Theatre to continue to grow to accommodate its audience, while maintaining its trademark intimacy. The new facility resonates with and complements the Theatre’s neighboring Glencoe community, adding tremendous value to Chicagoland and helping to establish the North Shore as a premier cultural destination.

Find Writers Theatre on Facebook at Facebook.com/WritersTheatre or follow @WritersTheatre on Twitter. For more information, visit www.writerstheatre.org.


**This production is the 1st Shakespearean work performed in Writers Theatre’s new theatre center. Among his many directorial credits, Michael Halberstam previously directed Hamlet (2012) and Othello (2007), along with Tom Stoppards’ Rosencrantz and Guildenstern Are Dead (2009).**

Friday, February 26, 2016

OPENING: Tom Stoppard's Arcadia Inaugural Offering at Writers Theatre's New Digs

Writers Theatre inaugurates new theatre center with
Arcadia
By Tom Stoppard
Directed by Artistic Director Michael Halberstam

EXTENDED: New dates added, due to popular demand!
Now playing March 16, 2016 – May 1, 2016

Arcadia is first production at Writers Theatre’s new home designed by Studio Gang Architects


Writers Theatre, under leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, presents the first production in their new home, Arcadia, written by Tom Stoppard, directed by Michael Halberstam. The production, which begins performances on March 16, 2016 has already been extended by one week, and will now play through May 1, 2016 in the Alexandra C. and John D. Nichols Theatre in Writers Theatre’s new theater center at 325 Tudor Court, Glencoe. 
                        
Schedule: Tuesdays - Fridays: 7:30pm (with select 3:00pm Wednesday matinees)
Saturdays: 3:00pm and 7:30pm
Sundays: 2:00pm and 6:00pm

Prices: Tickets start at $35. Purchase early for best prices     
Box Office:  The Box Office is located at 325 Tudor Court, Glencoe; 
847-242-6000; www.writerstheatre.org

In the heart of a 19th century English country estate awash in secret desires, illicit affairs and professional rivalries, a brilliant young student proposes an earthshaking scientific theory. Two hundred years later at that same estate, academic adversaries Hannah and Bernard race to unravel the enticing mysteries left behind in a heated battle for intellectual and sexual dominance.

Part detective story and part comedy of manners, Tom Stoppard's elegant, time-jumping masterpiece forges a complex comedy of wit, romance, poetry, sex and scientific theory, introducing characters whose lives and passions intersect across the centuries.

Directed by Artistic Director Michael Halberstam, who previously helmed WT’s hit productions of Stoppard’s The Real Thing, Rosencrantz and Guildenstern Are Dead and Rough Crossing Arcadia serves as an ideal first production in Writers Theatre’s new home, serving as bridge between the Theatre’s celebrated past and its exciting future.

*Arcadia marks the 100th production in Writers Theatre history and the first production at the Theatre’s new home at 325 Tudor Court, Glencoe. It will be staged in the 250-seat Alexandra C. and John D. Nichols Theatre, designed by Studio Gang Architects, led by Founding Design Principal Jeanne Gang.*

“I cannot think of a more fitting way to embrace our new home than with a production of Tom Stoppard’s beautiful ode to the past, the present and the future,” said Artistic Director Michael Halberstam. “It is a play that stands at the core of our mission to focus on intimate engagements with text and artist. It takes advantage of the epic canvass that our beautiful new Nichols theatre can encompass while highlighting the intimate relationship that can be articulated between audience and actor. Our cast and production team is rooted firmly in Chicago and embodies the remarkable breadth of artistry that lies at the heart of our very unique and exciting community."

*In 2006, the Royal Institution of Great Britain named Arcadia one of the best science-related works ever written.*

The cast of Arcadia includes Greg Matthew Anderson (Septimus Hodge), Chaon Cross (Lady Croom), Kate Fry (Hannah Jarvis), Torrey Hanson (Jellaby), Nathan Hosner (Capt. Brice, RN), Callie Johnson (Chloë Coverly), Scott Parkinson (Bernard Nightingale), Gabriel Ruiz (Richard Noakes), Alistair Sewell (Gus Coverly/Agustus Coverly), Christopher Sheard (Valentine Coverly), Elizabeth Stenholt (Thomasina Coverly) and Rod Thomas (Ezra Chater).

The designers are Collette Pollard (Scenic Designer), Rachel Anne Healy (Costume Designer), John Culbert (Lighting Designer), Josh Schmidt (Sound Designer) and Scott Dickens (Properties Master).  The Stage Manager is David Castellanos, and the Dialect Coach is Eva Breneman.


 

Saturday, September 14, 2013

REVIEW: Catch PigPen Theatre's Charming and Magical Production of The Old Man and The Old Moon at Writers Theatre

We caught opening night of The Old Man and The Old Moon and were completely charmed!   This is good, old fashioned, down home music and story telling at it's best.   The fantastical shadow puppet elements are particularly effective, as are the recycled art puppets.   I've never seen a plastic bottle and mop with so MUCH canine personality.   Utterly awesome!   I also adored the way the troupe rallied together to become THE BOAT.   Look out Redmoon.   You have some talented competition in town!



The original score is an integral and excellent part of the whole production, with the musicians playing an active role on stage instead of relegated to the wings. The writing is superb as well.   There were plenty of universal truths for the plot and characters to strike a chord... longing for adventure, comforts of a home base, fears and chaos of natural disasters.    It's easy to take someone you love for granted until they're gone.   And it's easy to let the minutia of work get in the way of having adventures, keeping promises and spending time with family.   We love the idea of the moon and letting its waxing and waning take its course instead of rushing to keep it full every day.   What a great analogy to following in life!

This show is aimed at adults but fine for all ages.  



Click here to check out our past coverage for full show details.   

Dates:              First performance: September 3, 2013
                                   
                       Closing performance: November 10, 2013
           
            Schedule:         Tuesdays: 7:30pm
                                   Wednesdays: 7:30pm (with select 2:00pm matinees)
                        Thursdays & Fridays: 8:00pm 
                                   Saturdays: 4:00pm and 8:00pm
                        Sundays: 2:00pm and 6:00pm
             
                        Location:          Writers Theatre, 325 Tudor Court, Glencoe
                        Prices:              Prices for all performances range from $35 - $70
                                                Purchase early for best prices   
           
Box Office:       The Box Office is located at 376 Park Avenue, Glencoe;
                        847-242-6000; www.writerstheatre.org




Also, if you're 21+ check out PigPen Theatre Co. in residency at Schubas.   Click here our prior coverage on all the residency/album release details.


We got an advance press copy of their upcoming album and will be reviewing it right before the release.




Coinkidink alert:  We do love odd coincidences.   In the microcosm of the Chicago theatre world what are the odds of two productions playing simultaneously that feature dirigibles?!   

Check out the OTHER dirigible play, Babes With Blades' awesome Bo Thomas and the Case of the Sky Pirates.   Click here for ChiIL Live Shows' Review.

The cast interviews posted in the lobby were an amusing read and we found more than a few coinkidinks there, too.  Gotta love theatre peeps and improvisers.   They give creative, off the cuff answers!     

  • I've been to Chagrine Falls and know the falls of which they speak.  Much to my chagrine--they're tiny!   
  • Back in the day, my sister and I both went out with guys from Chagrine Falls that we met in Portland & Cincinnati respectively (who turned out to know each other).   They used to go over the falls on dares for fun as teen agers.

    • I'd just finished watching the "Princess Bride" movie with the kids right before I left for The Old Man and The Old Moon
    • a long time friend of mine who is now a college theatre prof/set designer is also an alum of this troupe's college, 

    Google Analytics