Photo Feature and Review: Crane Wives at Chicago's Thalia Hall 6-29-24

ChiIL Live Shows On Our Radar

INDIE/ALT ROCK BAND

THE CRANE WIVES

LIVE AT THALIA HALL IN CHICAGO, IL ON JUNE 29, 2024

All Photos by Dugan Kenaz-Mara ©2024 

Guest Review

by Dugan Kenaz-Mara

It was almost exactly two years ago that one of my best friends introduced me to the Crane Wives’ music. He played me “Curses” and I put it into my playlist immediately. From that point I slowly gathered more of their music for myself, discovering all throughout that many of my friends loved their songs. I started noticing it in the background music of our lives - during car rides and hangouts - and began feeling how much emotion their songs brought into every space they touch. I’m happy to report that the emotions The Crane Wives pump into their music are felt tenfold live. 

The best part of the show was undoubtedly the community the performers have cultivated. There was a strong queer presence in the crowd, with multiple members showing pride flags and folding fans. I particularly loved that everyone was able to bond even when the band wasn’t on stage. During the changeover between the opener and headliner, an audience member pulled up pictures of a pride flag and a UK flag, which the rest of the audience cheered or booed respectively. They also sang along to ‘Red Wine Supernova’ by Chappell Roan and traded friendship bracelets. 

One of the lead vocalists recounted a story about how the band had, years ago, performed at a nearby restaurant for an audience of 3. The same restaurant where they dined before this concert. She emphasized how much the band appreciates their audience and the immense support they receive, and it was evident the audience's impact on the band is as immense as the Crane Wives' on their fans. Eagle-eyed fans might even be able to spot friendship bracelets around the bands’ wrists, highlighting further the bond between audience and performer.

In comparison to other live concerts I’ve had the pleasure to shoot, the audience was near the top of my list for energy and enthusiasm. The entire audience belted along to favorite songs like “Take Me To War” and “Steady Steady” during the set, sharing wholeheartedly in the Feminine Rage release session that the band created space for. 

Chicago Set list:

Nobody

Allies or Enemies

Take me to War

Empty Page

The Well

Queen of Nothing

Never Love an Anchor

Daydreamer

Scars

Steady Steady

The Moon Will Sing

Arcturus Beaming

Bitter Medicine

The Hand That Feeds

Tongues and Teeth

Curses

How to Rest

The Crane Wives performed not one, but two currently unreleased songs from their upcoming album Beyond Beyond Beyond, coming September of this year. “Scars” and “Bitter Medicine” were like treats for the audience, prompting them to explore grief and vulnerability in a safe space. These songs were complimented by their newest release “Arcturus Beaming”, which explores hope and healing—imagining a better future while holding space for distress. Something I’m sure all of us can use a little of right now. 

Dugan Kenaz-Mara is a designer, photographer, educator, and recent graduate of 

Northwestern University.

Crane Wives 

NORTH AMERICAN SUMMER TOUR STARTS JUNE 5: GET TICKETS HERE

ANNOUNCE LUSH FIFTH STUDIO ALBUM

BEYOND BEYOND BEYOND

DUE OUT SEPTEMBER 6

PRE-ORDER THE LP HERE

"The Crane Wives charmed us again this year with its harmony-laced folk-rock..polished sound and dynamic energy..proves just how much fun the band is having with its music.”

"The Crane Wives are a four-piece band that have an uncanny ability at crafting goose-bump inducing three-part harmonies.”

"They’re an impeccable band with incredibly tight instrumentation and harmonies that, paired with an inclination for catchy hooks and scintillating lyricism, make a strong case for their burgeoning popularity.”

Grand Rapids, Michigan based indie rock band The Crane Wives announce their self-produced, rousing fifth studio album Beyond Beyond Beyond due out September 6 and available for pre-order now. Alongside the announcement, the band shares the first taste with anthemic, empowering track and lyric video “Arcturus Beaming” out now. Plus, The Crane Wives will embark on a summer tour across North America kicking off tomorrow in Milwaukee, WI. See a full list of dates below and get tickets now here. Their first project since 2016, Beyond Beyond Beyond sees the band evolve into a guitar-driven, self-assured group who is unafraid to experiment and explore new territory.

Beyond Beyond Beyond, the fifth studio record by The Crane Wives, explores the mixture of fear, joy, and deep vulnerability that occurs when a person is on the cusp of changing the course of their life. The eleven track album is a circular journey that asks heavy questions of the listener: Am I strong enough to change? Am I brave enough to take the risk? Do I deserve the chance to be happy? It offers the listener momentum to move forward, a guide through dark spaces with shimmery other-worldly melodies and an encouraging push to venture forth into the unknown. 

Beyond Beyond Beyond is an electric departure from the Crane Wives’ previous releases, prominently highlighting the lead guitar work of songwriters and singers Kate Pillsbury and Emilee Petersmark. Drummer Dan Rickabus contributes darker, stormy and dynamic rhythms to this record, while bassist Ben Zito creates narrative movement in the songs with his rooting, counter-melodic approach. The album is self-produced by the four-piece collaboration, and engineered & mixed by Zito at his studio, Centennial Sound. The band invited guest violinist Samantha Cooper and guest cellist Jordan Hamilton to help portray a distinct emotional voice. The album was mastered by Heba Kadry. The band’s longtime collaborator, visual artist Rebecca Green returned to create her fifth piece of album artwork for the project.

Rickabus shares that the band collaborated like never before throughout the album creation process. “We tried to challenge ourselves to shake loose from our old patterns and explore what is possible between the four of us. Those brave experiments mean even more to me when I think about the lyrical content of the album. The album begins with inner-conflict, and moves through a very human process of growth toward a bold belief in possibility, and an attempt to create change. So, that sense of creative experimentation really resonates.”   

“Arcturus Beaming” is a triumph of curiosity and bravery, expressing a journey to uncharted spaces through swooping vocals and anthem-esque rhythms. With an exhilarating determination, Kate Pillsbury’s evocative lyrics invite the listener to wonder what is possible beyond their preconceived notions and norms. The song’s building energy culminates in a realization of personal empowerment. “Nothing will change until I change.”

Watch: "Arcturus Beaming" (Official Lyric Video)

Vocalist and guitarist Kate Pillsbury shares the track was born while she found herself moving through a crucial healing process as she learned to listen to herself, be gentle with herself and take actions to mitigate her problems. “‘Arcturus Beaming’ is about holding grief and gratitude simultaneously as I have stumbled forward through the pain. In an era when it’s justifiably easy for many of us to gravitate toward doom and gloom, 'Arcturus Beaming' is about holding strong to a radical imagining of a better future, and doing the work to cultivate that future, which I believe requires healing ourselves on an individual level so that we can be fortified in the work required to heal our communities.” 

This summer, The Crane Wives will captivate audiences throughout North America. First through the Midwest, including an already sold out show in Madison, WI, then to Toronto, Ottawa and Montreal, down the East Coast, including another sold out show in Hamden, CT, and concluding in their home state in Ann Arbor, Michigan. See a full list of dates below and get tickets now.

The Crane Wives formed in 2010 and have captivated audiences across hundreds of stages around the U.S. since. The band has built a global community and has amassed over 1M Spotify monthly listeners and 100M total streams with their unparalleled, spirited live show, evocative lyricism and glimmering harmonies. The group has shared stages with The Avett Brothers, Lake Street Dive, Rusted Root, The Dead South, Joseph, and more. In 2017, they won JBL’s “Best American Band Contest” and were named one of Paste Magazine's “12 Michigan Acts You Should Be Listening To Now,” Featured by Michigan Radio and NPR’s “All Songs Considered”, the band has been the recipient of several local accolades such as the WYCE Best Rock/Pop album for their 2016 full-length studio record, Foxlore. Now, in 2024, The Crane Wives prepare to enter an all-new, dynamic phase of their artistic identity where they learn to trust themselves, dive deeper lyrically and take sonic risks like never before.

"Arcturus Beaming," is a sweeping, healing journey of self-improvement where the group balances grief and gratitude at once. Beyond Beyond Beyond, the lush fifth LP by The Crane Wives is due out September 6 and available for pre-order now. Don't miss The Crane Wives live this summer across North America with tickets on sale now here. Connect with the rising rockers now on Instagram, Facebook, Twitter/X and YouTube.

The Crane Wives

Live Across North America

Summer 2024

06/05 - Turner Hall - Milwaukee, WI

06/06 - Majestic Theatre - Madison, WI (SOLD OUT)

06/07 - Amsterdam Bar & Hall - St Paul, MN

06/08 - Englert Theatre - Iowa City, IA

06/09 - Slowdown - Omaha, NE

06/11 - Recordbar - Kansas City, MO

06/13 - Rose Music Hall - Columbia, MO

06/14 - Delmar Hall - St Louis, MO

06/15 - Hi-Fi Annex - Indianapolis, IN

06/29 - Thalia Hall - Chicago, IL

07/15 - Axis Club - Toronto, ON

07/16 - Club Saw - Ottawa, ON

07/17 - La Sala Rosa - Montreal, QC

07/19 - Higher Ground Ballroom - Burlington, VT

07/20 - State Theatre - Portland, ME

07/21 - Royale - Boston, MA

07/23 - Lark Hall - Albany, NY

07/24 - Space Ballroom - Hamden, CT (SOLD OUT)

07/26 - Levon Helm Studio - Woodstock, NY

07/27 - Iron Works - Buffalo, NY

07/28 - Mr Small’s - Pittsburgh, PA

08/15 - The Black Sheep - Colorado Springs, CO  (SOLD OUT)

08/16 - Washington’s - Fort Collins, CO

08/17 - Gothic Theatre - Denver, CO

08/18 - Strings Pavilion - Steamboat Springs, CO

08/20 - Soundwell SLC - Salt Lake City, UT  (SOLD OUT)

08/21 - Treefort Music Hall - Boise, ID

08/23 - Wonder Ball Room - Portland, OR  (SOLD OUT)

08/24 - South Sound Block Party - Olympia, WA

08/29 - Sonic Lunch - Ann Arbor, MI

Beyond Beyond Beyond (LP) Tracklist

01. Scars

02. Bitter Medicine

03. Higher Ground

04. Predator

05. Say It

06. Mad Dog

07. Arcturus Beaming

08. Time Will Change You

09. Black Hole Fantasy

10. Red Clay

11. River Rushing

The Crane Wives Bio

Born of the 2010’s folk boom and now comfortably stationed in their rock and roll era, The Crane Wives epitomize the evolving sound of the indie genre. Having performed hundreds of shows on stages across the country, they gravitate toward high-energy melodies while their lyrics extol the shadow side of the human condition, delving into mythology and themes of darkness and inner conflict. The band has amassed over 1 million monthly listeners on Spotify, racking up over 100 million streams on their most popular songs and accumulating listenership from far-flung corners of the US to the UK, Australia, Germany, Brazil, Poland, Mexico, and the Philippines.

Winners of the JBL’s “Best American Band Contest” in 2017 and named one of Paste Magazine's “12 Michigan Acts You Should Be Listening To Now,” The Crane Wives have 5 full-length albums under their belts and have performed over 600 shows across the US, sharing stages with acts such as The Avett Brothers, Lake Street Dive, Rusted Root, The Dead South, Joseph, and many more. Featured by Michigan Radio and NPR’s “All Songs Considered”, the band has been the recipient of several local accolades such as the WYCE Best Rock/Pop album for their last full-length studio record, “Foxlore.”

The pulse of the Crane Wives, Ben Zito (bass) and Dan Rickabus (drums) create a groovy backdrop integral to the band’s sound, while co-leads Emilee Petersmark and Kate Pillsbury duel on electric guitar and strongly-belted vocals. The band softens the blows of their emotional candor with soulful three-part vocal harmonies, like a 21st century Cerberus, the hound of Hades reimagined as an emotional support animal. To date, they have released five full length albums, including their 2020 live album, “Here I Am.” 

Their new album, Beyond Beyond Beyond arrives September 6th.

For more information on The Crane Wives, please visit: Website | Instagram | YouTube | TikTok | Facebook | Twitter/X | Soundcloud | Bandcamp

All Photos by Dugan Kenaz-Mara ©2024

INCOMING: The Inspector Cluzo To Play Chicago's Subterranean May 20th, 2024

Chi, IL Live Shows On Our Radar

INDEPENDENT FRENCH BLUES-ROCK DUO/ORGANIC FARMERS

The Inspector Cluzo

ON FIRST-EVER NORTH AMERICAN HEADLINE TOUR

ACCLAIMED LATEST ALBUM, HORIZON,

AVAILABLE NOW VIA THE BAND’S OWN FTBP RECORDS 

Here at ChiIL Live Shows, we caught The Inspector Cluzo opening for CLUTCH in Chicago at Concord Music Hall, a few years back. They put on an excellent live show and we can't wait to see them again this May, on their first-ever North American headline tour. We adore this DIY blues-rock duo from Gascony, France. Don't miss this!

Running A Family Farm Tour 2024 gets underway May 1 at The Basement in Nashville, TN and then travels the continent through the month. Highlights include an eagerly awaited festival appearance at Atlanta, GA’s Shaky Knees (May 4) as well as stops at such renowned venues as Oklahoma City, OK’s Diamond Ballroom (May 10), Chicago, IL’s Subterranean (May 20), and New York City’s Mercury Lounge (May 27). For complete details and ticket information, please visit www.theinspectorcluzo.com.

 

THE INSPECTOR CLUZO: RUNNING A FAMILY FARM TOUR 2024

MAY

1 – Nashville, TN – The Basement

2 – Chapel Hill, NC – Local 506

4 – Atlanta, GA – Shaky Knees *

7 – Austin, TX – The Ballroom

10 – Oklahoma City, OK – Diamond Ballroom

12 – Denver, CO – The Other Side

13 – Omaha, NE – Reverb

15 – Des Moines, IA – XBK

17 – Kansas City, MO – Encore

19 – Detroit, MI – Pike Room

20 – Chicago, IL – Subterranean

21 – Indianapolis, IN – Hi-Fi

23 – Buffalo, NY – Electric City

24 – Montreal, QC – Cabaret Foufs

27 – New York, NY – Mercury Lounge

* Festival Appearance

The Inspector Cluzo – Laurent (guitar, lead vocals) and Mathieu (drums) – have earned worldwide applause and attention for their elemental brand of hard-working blues rock ‘n’ roll and uniquely self-sufficient approach. Since coming together in 2008, the fully independent duo has released nine albums via their own FTBP Records, including last year’s acclaimed Horizon. Produced by 6x GRAMMY® Award-winner Vance Powell (Jack White, Chris Stapleton, Phish), the album earned them the cover of Rolling Stone France as well as a four-starred rave, and named by Classic Rock as one of “The 50 Best Albums of the Year.” 

Last year also saw The Inspector Cluzo starring in their own full-length documentary, Running A Family Farm, showcasing their extraordinary work as professional organic farmers in the Gascony region of France. The duo’s Lou Casse Farm (“The Oak” in Gascon) is a 15-hectare family farm building the agriculture of the future via Agro-Ecology, that is to say without chemicals, non-polluting, creating biodiversity, and fighting against climate change. Filmed over three years, the film – which follows the band’s 2015 documentary, Rockfarmers - presents an intimate look at the daily life and inner workings of Lou Casse, highlighting issues like global warming and the uncertain future facing family farms around the globe. 

Along with running Lou Casse (as well as their own label and E-shop), The Inspector Cluzo have lit up countless stages around the work, performing more than 1200 gigs in 67 countries spanning North American runs supporting bands like Clutch and EELS to international festival appearances including Lollapalooza (France, Brazil, Chile), Japan’s Fujirock, South Korea’s Pentaport, the UK’s Download Festival, and France’s own Hellfest, to name only a few. As with Lou Casse, The Inspector Cluzo adhere to organic principles on stage and in the studio, guided by strong convictions and deep passion for the natural and true sound of the blues.

REVIEW: Victory Gardens Theater To Stream Final Five Live Performances of Queen of the Night March 9–13, 2022

ChiIL Live And Streaming Shows On Our Radar   

Victory Gardens Theater to live-stream

Queen of the Night

with an innovative pilot program

Five live performances to be streamed

March 9–13, 2022

REVIEW: 

By Bonnie Kenaz-Mara

Here at ChiIL Live Shows we're loving the trend of theatres live streaming part of their run for those out of town or otherwise unable to sit indoor with a crowd. I caught opening night and Terry Guest (Ty) and André Teamer (Stephen) are wonderful in this poignant LGBTQ parenting adventure. 

Gay, young adult, Ty is hilariously out of his element in the wilderness with his father, but trying to embrace the experience and unpack some baggage. His father, Stephen doesn't stoop to the usual cliche of working class father of a gay son. 

Though they have a complicated and somewhat negative past history, he has evolved and is trying hard to bond with his adult son. I also love the intimacy of Victory Gardens Theater's 109 seat, upstairs Richard Christiansen Theater, named for beloved, long time Chicago critic, who passed away in January at age 90. Shout out to the set designer and sound designer for creating a delightful, overgrown wilderness that's exciting to escape to. 

Parenting children who don't turn out like you is complicated. Divorce and remarriage is difficult. Bridging not only the generation gap but the chasm between gay and heteronormative cultural can be daunting. Navigating relationships with your biological family as adults can be intense, and Queen of the Night explores this all too human experience in a tender, funny, heartfelt way. There's something especially dynamic and compelling about a 2 person show, and Queen of the Night nails it. Recommended. 

Bonnie is a Chicago based writer, theater critic, photographer, videographer, actress, artist and Mama. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 

Victory Gardens Theater, in partnership with Assemble Stream, will live-stream the final five performances of its critically acclaimed production of Queen of the Night. The pilot program includes cameras that have been mounted in the theater and throughout the set for superior live-stream capabilities and making the live performance simultaneously available to patrons at home and in the theater. This is the first program of its kind in Chicago.

"We are excited to be partnering with Assemble this season especially after watching their work on Lynn Nottage’s Clyde’s on Broadway. With livestream performances, we will be able to reach a broader audience than ever before, and share work by Chicago artists with theater-lovers around the world who may never have the opportunity to visit Victory Gardens in person," comments Artistic Director Ken-Matt Martin.

A divorced father and his queer son head to the woods of southeastern Texas to relive the camping trips of earlier, easier days. But even without cell service, certain things are inescapable. Playwright travis tate explores masculinity and queerness through the lens of multi-generational Blackness, offering a hilarious, heart-rending family portrait about reckoning with the wilderness of a shared past, while facing an uncertain future.

Written by travis tate and directed by Victory Gardens Artistic Director Ken-Matt Martin, Queen of the Night features Terry Guest (Ty) and André Teamer (Stephen). The live-stream performance options will be available March 9-12, 2022 at 7:30pm Central, and March 13, 2022 at 3pm Central. Streaming tickets are $24 and can be purchased at https://victorygardens.assemblestream.com/.

SEASON ANNOUNCEMENT: Victory Gardens Theater 2021/2022 Season to Include 3 Mainstage Productions, a New Reading Series, and a New Play Festival

Save The Dates:

ChiIL Live Shows On Our Radar

Victory Gardens Theater announces plans for the 2021/2022 Season

Victory Gardens Theater announces their 2021/2022 Season, which will be presented in-person at the Biograph Theater in Lincoln Park. The season will feature three mainstage productions: Queen of the Night by travis tate, the World Premiere of In Every Generation by Ali Viterbi, and the Regional Premiere of cullud wattah by Erika Dickerson-Despenza.

Top row: travis tate, Ali Viterbi, Erika Dickerson-Despenza

Bottom row: Ken-Matt Martin, Devon de Mayo, Lili-Anne Brown 

In addition to the mainstage season, Victory Gardens presents the evolution of the Ignition Festival of New Plays, now renamed the Ignition New Play Program, sponsored by The Pritzker Pucker Family Foundation. The Ignition New Play Program consists of two events for the 2021/22 season: the Ignite Chicago reading series, offering free readings of new works between October 2021 and July 2022, and the 20/50 Festival in June 2022, featuring 3 new works by playwrights over 50, staged by VG Directors Inclusion Initiative Fellows.

Top row: Nygel D. Robinson, Brian Quijada, Ada A.

bottom row: Nicholas Pilapil, Gage Tarlton, Rhiana Yazzie

“We have lost so much in the past 18 months, and I don’t take for granted that those of us still living are blessed to have survived,” says Victory Gardens Artistic Director Ken-Matt Martin. “The pandemic has left many of us wondering, ‘How do we move forward?’ All of these plays feature families dealing with the fallout of situations beyond their control—much like the last 18 months we all just endured. These families move forward with love, humor, joy, and a commitment to healing long-held hurts. I am hopeful this season inspires those who see it to do the same.”

The Ignition New Play Program will include the 20/50 Festival and a yearlong new play reading series, Ignite Chicago. The 20/50 Festival will feature 3 playwrights over age 50, and all plays will be staged by the Directors Inclusion Initiative Fellows. Ignite Chicago readings will take place not only at Victory Gardens’ home in Lincoln Park, the Biograph Theater, but at partner locations throughout the city, to bring new plays into Chicago’s many

communities. “It was important to me to not only continue but expand the Theater’s commitment to new play development as we reopen, and credit goes to Roxanna Conner for her instrumental work in redeveloping Ignition for the future,” added Ken-Matt Martin.

“We’ll be offering more resources and opportunities for our Ignite Chicago playwrights, as well as creating a new festival devoted to those often overlooked in our industry: the veterans, and the next generation of up-and-coming artists. By bringing these two groups together, it creates a wonderful opportunity for collaboration and learning between artists who might not otherwise have the opportunity to create together,” shares Acting Managing Director Roxanna Conner.

Flex Passes to the 2021/22 Season are currently on sale at victorygardens.org or by phone at 773.871.3000, and offer 20% savings over single ticket prices. Single tickets will go on sale later this fall, and range from $29-$62. Registration for Ignition New Play Program events will be available at victorygardens.org approximately one month before each event.

In conjunction with a coalition of member theatres of the League of Chicago Theatres, Victory Gardens has new attendance policies in place for the duration of the COVID-19 pandemic. Attendees to all in-person events will be asked to show proof of vaccination or negative COVID-19 test within the last 72 hours, and must remain masked for the duration of their time at the Biograph.

In addition to its onstage work, Victory Gardens has invested in inclusion, diversity, equity, accessibility, and anti-racism (IDEAA) projects over the past year. The outcome of this work has been numerous adjustments to artistic practices and policies, as well as new initiatives designed to make IDEAA an integral part of the Theater’s daily work. For full details on changes and projects to date, visit victorygardens.org/idea. 

Queen of the Night

By travis tate

Directed by Ken-Matt Martin

Saturday, January 29, 2022 - Sunday, March 13, 2022

Press Openings: Friday, February 4 and Saturday, February 5, 2022

A divorced father and his queer son head to the woods of southeastern Texas to relive the camping trips of earlier, easier days. But even without cell service, certain things are inescapable. Playwright travis tate explores masculinity and queerness through the lens of multi-generational Blackness, offering a hilarious, heart-rending family portrait about reckoning with the wilderness of a shared past, while facing an uncertain future. Staged

by Victory Gardens Artistic Director Ken-Matt Martin, Queen of the Night will kick off the 2021/22 Season.

The Queen of the Night design team includes: Sydney Lynne (Scenic), Rueben D. Echoles (Costumes), Sim Carpenter (Lights), and G Clausen (Sound).

World Premiere

In Every Generation

By Ali Viterbi

Directed by Devon de Mayo

Saturday, April 2, 2022 - Sunday, May 1, 2022

Press Opening: Friday, April 8, 2022

Each Passover, for four millennia, we ask: why is this night different from all other nights? And each year, the Levi-Katz clan has answered, while grappling with questions of race and religion that never seem to get resolved. The family finds strength in tradition (vegan brisket or no); but each year of celebration brings more pressing questions about the future: if trauma is generational, then must we be defined by it? Will we ever be free? Written by Ali Viterbi, In Every Generation was the 2019 winner of the National Jewish Playwriting Contest, and will have its world premiere at Victory Gardens, staged by Devon de Mayo (If I Forget, Victory Gardens).

Regional Premiere

cullud wattah

By Erika Dickerson-Despenza

Directed by Lili-Anne Brown

Saturday, June 11, 2022 - Sunday, July 17, 2022

Press Opening: Friday, June 17, 2022

Thanksgiving, 2016: Flint, Michigan has been without clean water for 936 days. Marion, a third-generation General Motors assembly line worker, worries over impending layoffs while struggling to fight the poison that floods her home—and her family's bodies. When her sister, Ainee, seeks restitution for lead poisoning, secrets bubble to the surface, threatening to capsize not only their family, but all of Vehicle City. Penned by award-winning playwright Erika Dickerson-Despenza, cullud wattah will be staged by Victory Gardens Resident Director Lili-Anne Brown (Lottery Day; School Girls: Or The African Mean Girls Play, Goodman Theatre).

The cullud wattah design team includes: Sydney Lynne (Scenic), Christine Pascual (Costumes), Jason Lynch (Lights), Trey Brazeal (Associate Lights), and Victoria Deiorio (Sound).

cullud wattah is sponsored by The Joseph and Bessie Feinberg Foundation.

Ignite Chicago Reading Series

Readings will take place at Victory Gardens Theater and partner locations to be announced. All readings are free to attend, but RSVPs will be required, as capacity for each reading is limited.

October 2021: Mexodus by Nygel D. Robinson & Brian Quijada

November 2021: Tokens of Promise by Ada A.

December 2021: The Bottoming Process by Nicholas Pilapil

February 2022: exercise your demons: a play on the trauma of a gay male body by Gage Tarlton

July 2022: Nancy by Rhiana Yazzie

20/50 Festival

June 2022 at Victory Gardens Theater

Featuring 3 new works by playwrights over age 50. Full details to be announced next year.

For complete details on the 2021/2022 Season and artists, Flex Passes, and the Ignition New Play Program, please visit victorygardens.org.

Victory Gardens Theater receives major funding from Allstate Insurance, Alphawood Foundation, Crown Family Philanthropies, Exelon Corporation, Illinois Arts Council, John D. and Catherine T. MacArthur Foundation, The Joyce Foundation, Lloyd A. Fry Foundation, Paul M. Angell Family Foundation, Polk Bros. Foundation, Prince Charitable Trusts, and The Shubert Foundation.

Victory Gardens also receives support from the City of Chicago Department of Cultural Affairs & Special Events, Coffman Law Offices, Conant Family Foundation, Golden Country Oriental Food, Goldman Sachs, a grant from the Illinois Arts Council Agency, Mayer Brown LLP, The Charles H. and Bertha L. Boothroyd Foundation, and The Charles and M.R. Shapiro Foundation.

About Victory Gardens Theater

Under the leadership of Artistic Director Ken-Matt Martin and Acting Managing Director Roxanna Conner, Victory Gardens is dedicated to artistic excellence while creating a vital, contemporary American Theater that is accessible and relevant to all people through productions of challenging new plays and musicals. Victory Gardens Theater is committed to the development, production and support of new plays, which has been the mission of the theater since its founding, set forth by Dennis Začek, Marcelle McVay, and the original founders of Victory Gardens Theater, and continued by former Artistic Director Chay Yew.

Victory Gardens Theater is a leader in developing and producing new theater work and cultivating an inclusive Chicago theater community. Victory Gardens’ core strengths are nurturing and producing dynamic and inspiring new plays, reflecting the diversity of our city’s and nation’s culture through engaging diverse communities, and, in partnership with Chicago Public Schools, bringing art and culture to our city’s active student population.  

Since its founding in 1974, the company has produced more world premieres than any other Chicago theater, a commitment recognized nationally when Victory Gardens received the 2001 Tony Award for Outstanding Regional Theatre. Located in the Lincoln Park neighborhood, Victory Gardens Biograph Theater includes the Začek-McVay Theater, a state-of-the-art 259-seat mainstage, and the 109-seat studio theater on the second floor, named the Richard Christiansen Theater.

For more information about Victory Gardens, visit www.victorygardens.org.  Follow us on Facebook at Facebook.com/victorygardens, Twitter @VictoryGardens, and Instagram @victorygardenstheater.

REVIEW: Chicago's Blue Man Group Takes The Stage For Live Shows Again

ChiIL Live Shows On Our Radar

Back In Blue: 

Chicago's Favorite Indigo Entertainers 

Return to Open Run at 

Briar Street Theatre

Photo by D. Kenaz-Mara

GUEST REVIEW:

By Dugan Kenaz-Mara

The Blue Man Group is back and it’s as wonderful as ever! After 15 or so months off from performing, The Blue Man Group has brought all of their loveable antics back to Briar Street Theater and has reignited the joy of seeing live theater. And they do it all safely too! Everyone was required to wear a mask and any audience member drawn onto the stage was given a face shield before interacting with the Blue Men. 

Photo by D. Kenaz-Mara

Before the show even starts you get a fun experience! From the moment you enter the lobby, you might notice classical paintings lining the walls with a little extra blue thrown in. From there you’ll pass a giant blue face perfect for photo ops, before entering the actual theater bathed in blue light. Then the pre-show looping text helps set the chaotic funny mood for the upcoming show. How many twinkies does a Blue Man eat in his life? What bout the amount of toilet paper used in a day in the US? These questions and more are answered (sarcastically) before the show even starts. 

Photo by D. Kenaz-Mara

When the show begins, the audience is bombarded with spectacle after spectacle. From paint drums to musical pipes to Cap'n Crunch, there’s never a dull moment. I especially loved the design elements that went into making the show. The lighting design brought tons of colors to the black stage and out into the audience, the instruments and props were all super creative takes on normal items, and the set was able to change in an instant using their multitude of screens. In addition to that, all of the actors were fabulous too. The Blue Men were able to effortlessly connect to the audience without using words. From subtle gestures to knowingly blank stares, the Blue Men really tapped into human emotion which the viewers were able to recognize easily. They even brought that energy into their props, breathing life into instrumental pipes and controlling people using their signal light wands. 

One of their specialties is keeping the audience on the edge of their seats. When watching the show you never know when you specifically might be singled out. The pre-show announcements called out specific audience members, and the show stopped to call attention to people arriving late. There were also many points in the show where the Blue Men would venture out into the audience (sometimes via the aisles and sometimes climbing right over people’s heads) to pick an audience member to go on stage and help in the performance. But if you don’t get singled out you’ll still have the chance to participate. There are many moments scattered throughout the show where audience members will get to stand up, dance, scream out, and catch things thrown from the stage.

Photo by D. Kenaz-Mara

In the end, watching Blue Man Group was an exhilarating show and I would recommend it to anyone who loves to have fun and wants to have the experience of a lifetime. 

Dugan Kenaz-Mara is an actor, designer, and photographer studying theatre and psychology at Northwestern University. Contrary to popular belief, he is not a time traveler.

Blue Man Group Chicago. Photo credit Caroline Talbot Photography

Theatrical phenomenon Blue Man Group has made its long-awaited return to Chicago’s Briar Street Theatre! A dynamic combination of art, music, comedy and technology, Blue Man Group encourages audiences to reconnect with their inner (and outer) child in order to see the world through a new perspective.  

“For more than 20 years, Blue Man Group has established itself as one of the top entertainment destinations in Chicago,” said Mary Grisolano, Managing Director of Blue Man Group. “We are absolutely thrilled to return to the stage and welcome new and returning audiences to the Briar Street Theatre.”  

Blue Man Group originally debuted at the Briar Street Theatre in Chicago’s Lakeview neighborhood in 1997. Three bald and blue men explore today’s cultural norms with wonder, poking fun at the audience’s collective quirks and reminding them how much they all have in common. The show is continually refreshed with new music, stories, custom instruments and state-of-the-art technology.   

Blue Man Group Ticket Information

Blue Man Group Chicago ticket prices range from $49 – $89. Tickets can be purchased by visiting www.blueman.com. A full show schedule and pricing can also be found at www.blueman.com.  

Special rates are available for groups of 10 or more, varying from $57 – $70 per person. For groups of 10 or more, email chicagogroups@blueman.com to request information.  

2021 Performance Schedule: 

August  

Thursday, August 26 at 8 p.m. 

Friday, August 27 at 8 p.m. 

Saturday, August 28 at 5 and 8 p.m. 

Sunday, August 29 at 2 and 5 p.m.  

September 

Wednesday, September 1 at 8 p.m. 

Thursday, September 2 at 8 p.m. 

Friday, September 3 at 5 and 8 p.m. 

Saturday, September 4 at 5 and 8 p.m. 

Sunday, September 5 at 5 and 8 p.m. 

Wednesday, September 8 at 8 p.m. 

Thursday, September 9 at 8 p.m. 

Friday, September 10 at 8 p.m. 

Saturday, September 11 at 5 and 8 p.m. 

Sunday, September 12 at 2 p.m. 

Wednesday, September 15 at 8 p.m. 

Thursday, September 16 at 8 p.m. 

Friday, September 17 at 8 p.m. 

Saturday, September 18 at 5 and 8 p.m. 

Sunday, September 19 at 2 p.m. 

Wednesday, September 22 at 8 p.m. 

Thursday, September 23 at 8 p.m. 

Friday, September 24 at 8 p.m. 

Saturday, September 25 at 5 and 8 p.m. 

Sunday, September 26 at 2 p.m. 

Wednesday, September 29 at 8 p.m. 

Thursday, September 30 at 8 p.m. 

  

October 

Friday, October 1 at 8 p.m. 

Saturday, October 2 at 5 and 8 p.m. 

Sunday, October 3 at 2 p.m. 

Additional fall and holiday performances will be announced at a later date. 

  

About Blue Man Group 

Blue Man Group is a global entertainment phenomenon, known for its award-winning theatrical productions, iconic characters and multiple creative explorations. Blue Man Group performances are euphoric celebrations of human connection through art, music, comedy and non-verbal communication. Since debuting at New York’s Astor Place Theatre in 1991, the live show has expanded to additional domestic residencies in Boston, Chicago, and Las Vegas, an international residency in Berlin, and multiple North American and World tours, reaching more than 35 million people worldwide. Blue Man Group is universally appealing to a broad range of age groups and cultural backgrounds, and continually injected with new music, fresh stories, custom instruments and sensory stimulating graphics. Blue Man Group is owned and operated by Cirque du Soleil Entertainment Group. For more information, please visit www.blueman.com.  

Mercury Theater Chicago Grand Re-Opening Season to Include Diversity and Feel Good Fun

ChiIL Live Shows On Our Radar:

 

SISTER ACT

WOMEN OF SOUL

PRISCILLA QUEEN OF THE DESERT

CLUE

Here at ChiIL Live Shows, we've been reviewing at Mercury Theater for years, and we were devastated during the pandemic when it looked like they were going dark for good. Happily that's not the case and their upcoming season looks like a fun one. Check back with us early and often for updates. Tickets are on sale now for their first show opening November 5th through January 9th. We're crossing our fingers that Delta will be done with us by then and we can get back to in person theatre, with all the joy and energy of live performances. 

Artistic Director Christopher Chase Carter and Managing Director Shane Murray-Corcoran announced the 2021-2022 Mercury Theater Chicago season. Mercury Theater Chicago welcomes audiences back in November to its beautiful home in the Southport Corridor with the feel-good blockbuster hit SISTER ACT directed by Reneisha Jenkins, featuring Chicago favorites Alexis J. Roston and Hollis Resnik.  The season continues with a tribute to WOMEN OF SOUL, written and directed by Daryl D. Brooks.  A spectacular musical based on the movie PRISCILLA QUEEN OF THE DESERT, will celebrate PRIDE Month directed by Artistic Director Christopher Chase Carter and features Honey West; and the Chicago Premiere of the hilarious murder mystery CLUE, directed by Executive Producer Walter Stearns. 

“As Mercury Theater Chicago prepares for its joyous reopening, I am ecstatic and energized by the season we have assembled. Our goal was to program diverse productions that provide an entertaining experience for all as we gather together again,” comments Artistic Director Christopher Chase Carter.

Memberships and tickets for Sister Act are on sale now at www.MercuryTheaterChicago.com.

The Mercury Theater Chicago 2021/22 Season:

SISTER ACT November 5, 2021 to January 9, 2022

Music by Alan Menken, Lyrics by Glenn Slater

Book by Bill and Cheri Steinkellne, and Douglas Carter Beane

Directed by Reneisha Jenkins

Music Direction by Diana Lawrence

Choreography by Christopher Chase Carter

Featuring Chicago Legends Alexis J. Roston (Deloris) and Hollis Resnik (Mother Superior)

This feel-good musical comedy is based on the hit 1992 film that has audiences jumping to their feet!  Featuring original music by Tony and Oscar winner, Alan Menken (Newsies, Beauty and the Beast, Little Shop of Horrors), this uplifting musical was nominated for five Tony Awards, including Best Musical.  When disco diva, Deloris Van Cartier, witnesses a murder, she is put in protective custody in the one place the cops are sure she won't be a found: a convent! Disguised as a nun, she finds herself at odds with both the rigid lifestyle and uptight Mother Superior. Using her unique disco moves and singing talent to inspire the choir, Deloris breathes new life into the church and community but, in doing so, blows her cover.  Sister Act is reason to rejoice!

About Mercury Theater Chicago

The beautifully renovated Mercury Theater Chicago is in the heart of the Southport Corridor at 3745 North Southport Avenue, within a sophisticated neighborhood of restaurants and boutiques just steps from Wrigley Field. A delightful destination, Mercury Theater Chicago is a live-theater seating 280 people, adjoining Venus Cabaret Theater (seating 80). 

The building that houses the Mercury opened in 1912 as a silent film nickelodeon, named The Blaine Theatre after actor and former Senator and Secretary of State James G. Blaine. The Blaine became obsolete when talking pictures became popular nationwide in 1928. The building served a variety of uses until 1994, when it was purchased by theater producer Michael Cullen and transformed into a live theatre, named the Mercury Theatre.

In 2010 the building was sold again and reopened as Mercury Theater Chicago under the direction of Walter Stearns, a veteran theater director and producer. Mercury Theater Chicago is thrilled to be part of the city's vibrant theatre community, boasting record-setting long runs, employing hundreds of artists and recognized with dozens of award nominations. Mercury Theater Chicago's team includes Christopher Chase Carter (Artistic Director), Shane Murray-Corcoran (Managing Director), Walter Stearns and Eugene Dizon (Executive Producers) and Honey West (Cabaret Director). Visit www.MercuryTheaterChicago.com.