Court Theatre Presents A Raisin in the Sun January 31 – March 2, 2025

ChiIL Live Shows On Our Radar

Court Theatre presents

A Raisin in the Sun

Written by Lorraine Hansberry

Leon Savage, Untitled; courtesy of the South Side Community Art Center

Directed by Senior Artistic Producer Gabrielle Randle-Bent

January 31 – March 2, 2025

Court Theatre – under the continuing leadership of Executive Director Angel Ysaguirre, with interim artistic leadership from Senior Artistic Producer Gabrielle Randle-Bent and Senior Managing Producer Heidi Thompson Saunders – is thrilled to present Lorraine Hansberry’s masterpiece A Raisin in the Sun, winner of a Pulitzer Prize, Tony Award nominee for Best Play, and the first play written by a Black woman to be produced on Broadway. This production will run January 31 – March 2, 2025 at Court Theatre, 5535 S. Ellis Ave. 

The cast of A Raisin in the Sun includes Shanesia Davis (Lena Younger/Mama); Brian Keys (Walter Lee Younger); Kierra Bunch (Ruth Younger); Martasia Jones (Beneatha Younger); Jeremias Darville (Travis Younger, alternating); Di'Aire Wilson (Travis Younger, alternating); Elliot Charles Johnson (Joseph Asagai); Charles Andrew Gardner (George Murchison); Julian Parker (Bobo); Vincent Teninty (Karl Lindner); and J. Nicole Brooks (Mrs. Johnson).

The creative team includes Andrew Boyce (scenic design); Raquel Adorno (costume design); Maximo Grano De Oro (lighting design); Willow James (sound design); Khalid Long, PhD (production dramaturg); Becca McCracken, CSA (casting); Kate Ocker (production stage manager); and Jaclynn Joslin (assistant stage manager).

Lorraine Hansberry’s A Raisin in the Sun is a stunning portrayal of a family’s fight for dignity and the right to dream. As the Youngers await their recently deceased patriarch’s life insurance check, they allow themselves to imagine a bigger life – a life with room to breathe – until those plans are thrown into jeopardy. Hansberry’s language rings as wise and prescient as ever in her moving answer to Langston Hughes’s question, What happens to a dream deferred?

Staged sixty years after Lorraine Hansberry’s passing, Senior Artistic Producer Gabrielle Randle-Bent (Antigone) brings Hansberry’s masterpiece home to Chicago’s vibrant South Side and Court’s stage for the very first time.

Accompanying this production of A Raisin in the Sun is a suite of public programs, including:

●      Community Reads Series, presented in partnership with Chicago Public Library at the Blackstone Branch

○      Community Reads Social at the Blackstone Branch of the Chicago Public Library (4904 S. Lake Park Avenue)

○      Community Reads Book Club at the Blackstone Branch of the Chicago Public Library (4904 S. Lake Park Avenue)

○      Community Reads Post-Show Conversation at Court Theatre (5535 S. Ellis Avenue)

●      Agora Conversation – A Dream Deferred: Black Mobility and Housing – at the National Public Housing Museum, presented in partnership with the National Public Housing Museum (625 N Kingsbury Street)

●      Let’s Talk About Art at the Hyde Park Art Center, presented in partnership with the Hyde Park Art Center (5020 S. Cornell Avenue)

●      Bushman Screening and Lecture at the Reva and David Logan Center for the Arts, presented in partnership with the University of Chicago’s Film Studies Center (915 E 60th Street)

Tickets to A Raisin in the Sun are available now, and can be purchased by calling the Box Office at (773) 753-4472 or online at  www.CourtTheatre.org. Information about the public programming offerings will be available online at  www.CourtTheatre.org.

A Raisin in the Sun is sponsored by Bel Brands USA, Mesirow, and Gustavo Bamberger and Martha Van Haitsma. A Raisin in the Sun is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com.

Featuring: Shanesia Davis (Lena Younger/Mama); Brian Keys (Walter Lee Younger); Kierra Bunch (Ruth Younger); Martasia Jones (Beneatha Younger); Jeremias Darville (Travis Younger, alternating); Di'Aire Wilson (Travis Younger, alternating); Elliot Charles Johnson (Joseph Asagai); Charles Andrew Gardner (George Murchison); Julian Parker (Bobo); Vincent Teninty (Karl Lindner); and J. Nicole Brooks (Mrs. Johnson).

Creatives: Andrew Boyce (scenic design); Raquel Adorno (costume design); Maximo Grano De Oro (lighting design); Willow James (sound design); Khalid Long, PhD (production dramaturg); Becca McCracken, CSA (casting); Kate Ocker (production stage manager); and Jaclynn Joslin (assistant stage manager).

 

Dates:             

Previews:                   January 31 – February 7, 2025

Press Opening:       February 8, 2025 at 7:30pm

Regular Run:             February 9 – March 2, 2025

 

Schedule:       

Wed/Thurs/Fri:           7:30 p.m.

Sat/Sun:                     2:00 p.m. & 7:30 p.m.

 

Accessible Performances:       

ASL Interpretation on March 1, 2025 at 12:30pm

Touch Tour on March 2, 2025 at 12:30pm

Audio Description and Open Captioning on March 2, 2025 at 2:00pm

                     

Location:  Court Theatre, 5535 S. Ellis Ave.

 

Tickets:           

$42.00 – $72.00 Previews

$58.00 – $90.00 Regular Run

Student, group, and military discounts available

 

Box Office:      

Located at 5535 S. Ellis Avenue, Chicago; (773) 753-4472 or www.CourtTheatre.org.

Court Theatre reimagines classic theatre to illuminate our current times. In residence at the University of Chicago and on Chicago’s historic South Side, we engage our audiences with intimate and provocative experiences that inspire deeper exploration of the enduring questions that confront humanity and connect us as people.

Court Theatre and TimeLine Theatre Company Present Falsettos November 8 – December 8, 2024

 ChiIL Live Shows On Our Radar

Court Theatre and TimeLine Theatre Company present

Falsettos

Music and Lyrics by William Finn

Book by William Finn and James Lapine

Directed by Nick Bowling, TimeLine Theatre Associate Artistic Director

November 8 – December 8, 2024

Court Theatre (under the continuing leadership of Executive Director Angel Ysaguirre, with interim artistic leadership from Associate Artistic Director Gabrielle Randle-Bent and Managing Director Heidi Thompson Saunders) and TimeLine Theatre Company (under the leadership of Artistic Director PJ Powers and Executive Director Mica Cole) are thrilled to present William Finn and James Lapine’s Falsettos, a tribute to family and its many forms; a playful interrogation of faith and identity; and a celebration of the beauty, complexity, and necessity of love. This production will run November 8  – December 8, 2024 at Court Theatre, 5535 S. Ellis Ave. 

The cast of Falsettos includes Stephen Schellhardt (Marvin); Jack Ball (Whizzer); Sarah Bockel (Trina); Charlie Long (Jason, alternating); Eli Vander Griend (Jason, alternating); Jackson Evans (Mendel); Sharriese Hamilton (Dr. Charlotte); and Elizabeth Stenholt (Cordelia).

The creative team includes Otto Vogel (music director); William Carlos Angulo (movement director); Arnel Sancianco, with Associate Lauren Nichols (scenic design); Theresa Ham (costume design); Maggie Fullilove-Nugent and Josiah Croegaert (lighting design); Stephanie Farina and Sarah Ramos (sound design); Deborah Blumenthal (production dramaturg); Becca McCracken, CSA, with Associate Celeste M. Cooper (casting); Kate Ocker (production stage manager); and Katrina Herrmann (assistant stage manager). 

Marvin has left his wife, Trina, for his male lover; Trina has married Marvin’s therapist; and their son, Jason, is grappling with his parents’ divorce and his looming bar mitzvah. Everyone’s world has been upended and now they must explore what their new lives may hold. Featuring a sung-through score and set against the backdrop of the AIDS epidemic, Falsettos is a humorous and heartbreaking web of ex-spouses, co-parents, new lovers, and the lesbians next door.

TimeLine Theatre Associate Artistic Director Nick Bowling (The Lehman Trilogy) returns to Court Theatre – where he began his career almost thirty years ago – with this celebratory musical. Groundbreaking in its depiction of queerness, Falsettos shines with ingenuity and contemporary relevance.

“This is Marvin’s story, a man coming out of the closet in the late 1970s,” explains Director and TimeLine Associate Artistic Director Nick Bowling. “The production celebrates a time of adventure and self-expression, set against the sexual revolution, the disco era, and the very first days of the AIDS epidemic. In writing about Marvin, William Finn and James Lapine have created one of the very first musicals celebrating a ‘normal’ gay life, which, of course, turns out to be equally flawed and fabulous.” 

“We are proud to present Falsettos together,” share Court Executive Director Angel Ysaguirre, TimeLine Artistic Director PJ Powers, and TimeLine Executive Director Mica Cole in a joint statement. “This city has a remarkably supportive, expansive, and uniquely literary theatre community, so a collaboration between two of Chicago’s most dramaturgically rich companies simply makes sense. Court reimagines classic theatre to illuminate our current times. TimeLine explores stories that connect history with the sociopolitical issues of today. Falsettos is a natural intersection of our complementary and mission-driven organizations. We can’t wait for you to join us in Falsettoland.”

Individual tickets and Court subscription packages including this production are on sale now. Tickets and subscriptions can be purchased by calling the Court Box Office at (773) 753-4472 or online at CourtTheatre.org. 

FlexPass subscriptions for TimeLine’s 2024/25 season, including Falsettos, are also available; details at TimeLineTheatre.com.

Falsettos is presented by arrangement with Concord Theatricals. www.concordtheatricals.com.

About the Artists

WILLIAM FINN (Music, Lyrics, Book) received two Tony Awards—Best Book of a Musical (with James Lapine) and Best Original Score—for Falsettos. He has also written and composed In Trousers, March of the Falsettos, and Falsettoland (Outer Critics Circle Award for Best Musical, two Los Angeles Drama Critics Awards, two Drama Desk Awards, the Lucille Lortel Award and Guggenheim Fellowship in Playwriting), and The 25th Annual Putnam County Spelling Bee, which won two Tony Awards, ran more than 1,000 performances on Broadway, has been produced nationally and internationally, and is currently one of the most performed musicals in the United States according to Theatre Communications Group. 

JAMES LAPINE (Book) is a leading American theatrical director, librettist, and playwright. Among Lapine’s most notable works is Sunday in the Park with George, created in collaboration with Stephen Sondheim. It won two Tony Awards, numerous Drama Desk Awards, and the 1985 Pulitzer Prize for Drama. Lapine and Sondheim collaborated again on Into the Woods (Tony Awards for Best Book and Best Score). He collaborated with William Finn on March of the Falsettos and Falsettoland (Tony Awards for Best Book and Best Score), which were later presented on Broadway as Falsettos. In 2011, he was inducted into the Theater Hall of Fame.

NICK BOWLING (Director, TimeLine Associate Artistic Director) was the founding Artistic Director and is now Associate Artistic Director and a Company Member of TimeLine Theatre, where he has directed more than 30 productions. With Falsettos, he returns to Court Theatre, where he served as Associate Artistic Director nearly 30 years ago alongside then Artistic Director Charles Newell, to make his Court directorial debut. Assorted directing credits at TimeLine include The Lehman Trilogy (with Vanessa Stalling); Oslo; Campaigns, Inc.; The History Boys; and many others. Other Chicago credits include 1776 (Marriott), A Christmas Story (Paramount), Guys and Dolls (Northwestern University), A Catered Affair (Porchlight), and others. Bowling is the recipient of eight Jeff Awards for Outstanding Direction.

OTTO VOGEL (Music Director) is a music director and conductor hailing from New Hampshire. A recent graduate from Northwestern’s Bienen School of Music, he earned his bachelor’s degree in Voice and Opera Performance. While at Bienen, his highlights from behind the baton included The Prom and The Dolphin Show’s Kinky Boots. He made his professional debut as a music director this summer with Marriott Theatre’s Don’t Let the Pigeon Drive the Bus! He has also directed two one-act operas and assistant conducted Chicago Fringe Opera’s production of Fizz & Ginger.

WILLIAM CARLOS ANGULO (Movement Director) is a director, choreographer, playwright, and arts educator from Chicago. His work centers the creation of culture, using music and dance to explore, express, and celebrate third-culture identity. Theater credits include MTC, Roundabout, Bushwick Starr, Ars Nova, Goodman, Steppenwolf, Chicago Shakespeare, Ford’s Theatre in DC, The Muny, PCLO, and more. He is a proud member of Stage Directors and Choreographers Society (SDC) and the Alliance of Latine Theatre Artists (ALTA), and he currently serves as Director of Education for Dance Lab New York where he mentors emerging choreographers. Current commissions: LIMÓN2, Lincoln Center, and Portland Center Stage.

JACK BALL (Whizzer) is making his Court and TimeLine Theatre debut! Chicago area credits: Little Shop of Horrors (Paramount); The Coast Starlight (Milwaukee Rep); Hansel and Gretel (Broadway in Chicago); Hit the Wall (Inconvenience); Dunsinane (RSCo/Natl. Theatre of Scotland at Chicago Shakespeare). Broadway: The Book of Mormon. TV: Chicago P.D., Chicago Fire; Chicago Justice; Somebody, Somewhere; and Sirens. Film credits include Henry Gamble’s Birthday Party, Room Six, What Rhymes with Magdalena, Kill the Monsters, and An Acceptable Loss. 

SARAH BOCKEL (Trina) is making her Court and TimeLine Theatre debut! Chicago area credits: Into The Woods and Cinderella (Paramount); Parade (BoHo); Into The Woods (The Hypocrites). Broadway: Beautiful: The Carole King Musical. North American Tour: Beautiful and Tina: The Tina Tour Musical. Regional: Beautiful (Ogunquit Playhouse). TV: The Equalizer. She is a graduate of Illinois Wesleyan University and is represented by Stewart Talent. 

JACKSON EVANS (Mendel) is making his Court and TimeLine Theatre debut! Chicago credits: The Full Monty, Beauty and the Beast (Jeff Nomination – Performer in a Supporting Role), School of Rock (Paramount); Guys and Dolls (Drury Lane); Anything Goes (Jeff Nomination – Performer in a Supporting Role, Porchlight); Ride the Cyclone (Chicago Shakespeare); Fiddler on the Roof (Lyric); Boys in the Band (Windy City Playhouse). Touring: The Realish Housewives (The Second City). Film: Christmas is Canceled. TV: Paper Girls, Chicago P.D., Sirens. 

SHARRIESE HAMILTON (Dr. Charlotte) is making her Court and TimeLine Theatre debut! Credits include: The Nacirema Society, Wonderful Town (Goodman); It Came from Outer Space, Pericles (Chicago Shakespeare); Emmet Otter’s Jug-band Christmas (Studebaker); Rock of Ages, James and the Giant Peach (Drury Lane); A Gentleman’s Guide to Love and Murder, How to Succeed in Business Without Really Trying (Porchlight); Thaddeus and Slocum (Lookingglass); Rock of Ages (Mercury); Passing Strange, The Wild Party (Bailiwick); Come from Away (Broadway National/Australian Tour). TV: Chicago Fire, Empire.

CHARLIE LONG (Jason, alternating) is thrilled to be making his Court and TimeLine Theatre debut! Recent credits include Charlie Bucket in Charlie and the Chocolate Factory (Paramount); Billy Elliot, School of Rock, The Sound of Music (Paramount); The Music Man (Marriott); and Matilda (The Fireside). He is represented by Paonessa Talent Agency. 

STEPHEN SCHELLHARDT (Marvin) is making his Court and TimeLine Theatre debut! Chicago credits include Fun Home, Charlie and the Chocolate Factory, Into the Woods (Paramount); The Full Monty, Little Women, Cabaret (Marriott); The Hot Mikado (Drury Lane). National Tours: Altar Boyz. International credits: Persuasion (Chamber Opera Chicago). Stephen is a Jeff Award-winning artist and proud graduate of Carnegie Mellon University’s School of Drama. 

ELIZABETH STENHOLT (Cordelia) is so happy to make her Court and Timeline Theatre debut with this beautiful show! Elizabeth is a recent Jeff Award-winner for her role as Medium Alison in Fun Home at Paramount Theatre. Some of her other Chicago credits include Grease, Shrek, A Christmas Carol (Drury Lane); The Wizard of Oz, Fun Home (Paramount); Peter Pan: A Musical Adventure (Chicago Shakespeare); Airline Highway, Love Kills (Steppenwolf); Arcadia, TREVOR the musical (Writers). 

ELI VANDER GRIEND (Jason, alternating) is honored to make his Court and TimeLine debut. Eli was last seen as Bruce in Matilda the Musical (Fireside Dinner Theatre). Chicago credits include Billy Elliot, School of Rock (Paramount); and A Christmas Carol (Metropolis). Eli is a member of the ETC Tap Company. He trains in tap, ballet, contemporary, and hip-hop at Extensions Dance Center in Chicago. He is represented by Talent X Alexander. 

Production Cast and Creatives

Featuring: Stephen Schellhardt (Marvin); Jack Ball (Whizzer); Sarah Bockel (Trina); Charlie Long (Jason, alternating); Eli Vander Griend (Jason, alternating); Jackson Evans (Mendel); Sharriese Hamilton (Dr. Charlotte); and Elizabeth Stenholt (Cordelia).

Creatives: Otto Vogel (music director); William Carlos Angulo (movement director); Arnel Sancianco, with Associate Lauren Nichols (scenic design); Theresa Ham (costume design); Maggie Fullilove-Nugent and Josiah Croegaert (lighting design); Stephanie Farina and Sarah Ramos (sound design); Deborah Blumenthal (production dramaturg); Becca McCracken, CSA, with Associate Celeste M. Cooper (casting); Kate Ocker (production stage manager); and Katrina Herrmann (assistant stage manager). 

 

Dates:           

Previews: November 8 – 15, 2024

Press Opening: November 16, 2024 at 7:30pm

Regular Run: November 17 – December 8, 2024

 

Schedule:

Wed/Thurs/Fri: 7:30 p.m.

Sat/Sun: 2:00 p.m. & 7:30 p.m.

 

Accessible Performances:

ASL Interpretation at 2:00pm on December 7, 2024

Touch Tour at 12:30pm, Audio Description at 2:00pm on December 8, 2024

Open Captioning at 2:00pm on December 8, 2024 

Location:      Court Theatre, 5535 S. Ellis Ave.

 

Tickets:        

$42.00 – $72.00 Previews

$58.00 – $90.00 Regular Run

Student, group, and military discounts available

Box Office:    Located at 5535 S. Ellis Avenue, Chicago; (773) 753-4472 or www.CourtTheatre.org.

Court Theatre reimagines classic theatre to illuminate our current times. In residence at the University of Chicago and on Chicago’s historic South Side, we engage our audiences with intimate and provocative experiences that inspire deeper exploration of the enduring questions that confront humanity and connect us as people

TimeLine Theatre Company presents stories inspired by history that connect with today’s social and political issues. Our collaborative organization produces provocative theatre and educational programs that engage, entertain and enlighten.

The Gospel at Colonus Via Court Theatre May 12 – June 11, 2023

ChiIL Live Shows On Our Radar 

Court Theatre presents 

The Gospel at Colonus 

Adaptation and Original Lyrics by Lee Breuer 

Adapted Lyrics by Lee Breuer and Bob Telson 

Music by Bob Telson 

Directed by Mark J.P. Hood and Marilyn F. Vitale Artistic Director Charles Newell 

With Associate Director TaRon Patton 

May 12 – June 11, 2023 

Court Theatre - under the continuing leadership of Charles Newell, Marilyn F. Vitale Artistic Director, and Angel Ysaguirre, Executive Director - is overjoyed to present the fourth and final production of its 2022/23 season: The Gospel at Colonus. Featuring Lee Breuer’s adaptation and original lyrics, adapted lyrics by Lee Breuer and Bob Telson, and music by Bob Telson, this exuberant, celebratory musical will be directed by Mark J.P. Hood and Marilyn F. Vitale Artistic Director Charles Newell, with Associate Director TaRon Patton and Associate Music Director Mahmoud Khan. The Gospel at Colonus runs May 12 – June 11, 2023 at Court Theatre, 5535 S. Ellis Ave. I'll be out for the press opening, Saturday, May 20th, so check back soon for my full review. 

The cast of The Gospel at Colonus includes Kelvin Roston Jr. (Oedipus); Timothy Edward Kane (Creon); Aeriel Williams (Antigone); Kai A. Ealy (Polyneices); Ariana Burks (Ismene); Mark Spates Smith (Theseus); Shari Addison (Choragos/Soloist); Eric A. Lewis (Choragos); Juwon Tyrel Perry (The Friend/Chorus); Jessica Brooke Seals (Evangelist/Chorus); Jerica Exum (Chorus); Shantina Lowe (Chorus); Isaac Ray (Chorus); Eva Ruwé (Chorus); and Cherise Thomas (Chorus).  

The music team will be led by director Mark J.P. Hood, who is also serving as the production’s Music Director, and Mahmoud Khan (Associate Music Director). 

The creative team includes John Culbert (scenic design); Raquel Adorno (costume design); Keith Parham (lighting design); Sarah Ramos (sound design); Cristin Carole (movement design); Wenke (Coco) Huang (production dramaturg); Gabrielle Randle-Bent (Oedipus Trilogy dramaturg); Becca McCracken (casting); Kate Ocker (production stage manager); and Natalie Cohen (assistant stage manager).  

Soulful and stirring, The Gospel at Colonus reimagines the story of Oedipus as the centerpiece of an African American Pentecostal church service. A redemptive celebration, this one-of-a-kind theatrical event breathes new life into a classic myth with a score of powerful gospel music. A bold collaboration from an extraordinary team of artists led by Mark J.P. Hood and Charles Newell, The Gospel at Colonus builds upon the strengths and experiences of its artists to bring this smash hit to life with new clarity on Chicago’s South Side. 

Individual tickets are on sale now. Tickets are available by calling the Box Office at (773) 753-4472, or online at CourtTheatre.org. 

Dates:           

Previews: May 12 – 19, 2023 

Press Opening: May 20, 2023 at 7:30pm 

Regular Run: May 21, 2023 – June 11, 2023 

  

Schedule:

Wed/Thurs/Fri: 7:30 p.m.

Sat/Sun: 2:00 p.m. & 7:30 p.m. 

  

Accessible 

Performances:   Audio description on June 10, 2023 at 2:00pm/Touch Tour at 12:30pm  

Open captioning on June 11, 2023 at 2:00pm  

ASL interpretation on June 11, 2023 at 7:30pm  

 

Location: Court Theatre, 5535 S. Ellis Ave. 

Tickets:        

$28.50-$66 previews

$40.50-$82 regular run

Student, group, and military discounts available 

Box Office: Located at 5535 S. Ellis Avenue, Chicago; (773) 753-4472 or www.CourtTheatre.org. 

Court Theatre is the Tony Award-winning classic theatre of the University of Chicago. 

SAVE THE DATES: The Lady from the Sea Via Court Theatre February 4 – March 6, 2022

ChiIL Live Shows On Our Radar:

Court Theatre continues Season with

The Lady from the Sea

Chaon Cross, Samuel Taylor. Photo by Michael Brosilow 

By Henrik Ibsen

Translated by Richard Nelson

Directed by Shana Cooper

February 4 – March 6, 2022

Court Theatre, under the continuing leadership of Charles Newell, Marilyn F. Vitale Artistic Director, and Angel Ysaguirre, Executive Director, continues its 2021/22 season with The Lady from the Sea by Henrik Ibsen, translated by Richard Nelson, and directed by Shana Cooper. The Lady from the Sea runs February 4 – March 6, 2022 at Court Theatre, 5535 S. Ellis Ave. The press opening is Saturday, February 12, 2022 at 7:30pm.

When a sailor returns to fulfill their promise, a lighthouse keeper’s daughter must choose between her landlocked marriage and the mesmerizing allure of the sea. Hailed as a watershed moment in Ibsen’s writing, The Lady from the Sea dissects issues of duty, marriage, and agency with raw emotion and disarming resonance.

Canceled in March of 2020 due to the coronavirus pandemic, The Lady from the Sea makes a triumphant return to Court’s stage in a new translation from playwright Richard Nelson starring Chaon Cross. Director Shana Cooper injects Nelson’s text with a visceral physicality that thrillingly reflects and refracts Ibsen’s structure and characterization.

The cast of The Lady from the Sea includes Chaon Cross (Ellida), Gregory Linington (Dr. Wangel), Tanya Thai McBride (Bolette), Will Mobley (Lyngstrand), Angela Morris (Hilda), Kelli Simpkins (A Stranger), Samuel Taylor (Arnholm), and Dexter Zollicoffer (Ballested),

The creative team includes Erika Chong Shuch (Choreography), Andrew Boyce (Scenic Design), Linda Roethke (Costume Design), Paul Toben (Lighting Design), Andre Pluess (Sound Design), and Becca McCracken (Casting). Erin Albrecht is the production stage manager.

Individual tickets are on sale and available by calling (773) 753-4472, or online at www.CourtTheatre.org.

The Lady from the Sea is sponsored by Sidley Austin Foundation and Elizabeth F. Cheney Foundation.

 

About the Artists

RICHARD NELSON (Translator) His plays include The Gabriel Plays (Women Of A Certain Age, What Did You Expect?, Hungry), Oblivion, Nikolai And The Others, The Apple Family Plays (That Hopey Changey Thing, Sweet And Sad, Regular Singing), Farewell To The Theatre, Conversations In Tusculum, Frank’s Home, How Shakespeare Won The West, Rodney’s Wife, Franny’s Way, Madame Melville, Goodnight Children Everywhere (Olivier Award Best Play), The General From America, New England, Two Shakespearean Actors (Tony Nomination, Best Play), Some Americans Abroad (Olivier Nomination, Best Comedy), and others. His musicals include James Joyce’s The Dead (with Shaun Davey, Tony Award Best Book of a Musical), and My Life With Albertine (with Ricky Ian Gordon). He has adapted and/or translated numerous classical and contemporary plays; his films include Hyde Park On Hudson (Roger Michell, director, Focus Features), Ethan Frome (Miramax Films) and Sensibility And Sense (American Playhouse). He is an honorary associate artist of the Royal Shakespeare Company, a recipient of the Academy Award in Literature from the American Academy of Arts and Letters, and the PEN/Laura Pels “Master Playwright” Award.

SHANA COOPER (Director) is a company member at Woolly Mammoth Theatre Company in Washington, D.C., where her directing credits include The Nether and HIR by Taylor Mac. Other directing credits include The Unfortunates (A.C.T., San Francisco); American Night, Romeo and Juliet (Yale Repertory Theatre); Straight White Men (Studio Theater, Washington D.C.); The Unfortunates (World Premiere Musical), Julius Caesar, Love’s Labor’s Lost (Oregon Shakespeare Festival); Venus In Fur (Seattle Rep, Arizona Theatre Company), The Taming of the Shrew, Romeo and Juliet, A Midsummer Night’s Dream (California Shakespeare Theater); A Midsummer Night’s Dream (Playmakers Rep); Camino Real (New York University MFA Program); Three Sisters (The Studio/New York); and The Whale Play, Twelfth Night Parking Lot Project (New Theater House). Shana was the Associate Artistic Director of the California Shakespeare Theater (2000-2004), and also a Cofounder of New Theater House with Yale School of Drama alumni (2008-present). Awards include: 2014 U Grant (Funded by The Melon Foundation and administered by TCG), 2010 Princess Grace Award, Julian Milton Kaufman Memorial Prize in Directing (Yale School of Drama), Drama League Directing Fellow, TCG Observership Grant, OSF Phil Killian Directing Fellow, and G. Herbert Smith Presidential Scholarship. She is an Assistant Professor in the Theatre Department at Northwestern University.

CHAON CROSS (Ellida) returns to Court Theatre, where her credits include: The Hard Problem, One Man Two Guvnors, Proof , Uncle Vanya, The Glass Menagerie, Scapin, The Romance Cycle, and Phèdre. Other Chicago credits include: Macbeth, Red Velvet, As You Like It, Private Lives, Cymbeline, Troilus and Cressida, The Two Noble Kinsmen, and The Taming of the Shrew (Chicago Shakespeare); Macbeth (Lyric Opera of Chicago); Life Sucks, Brothers Karamazov (Lookingglass Theatre); Cyrano (Court Theatre and Redmoon Theatre); Grace (Northlight Theatre); The Wheel, The Cherry Orchard (Steppenwolf Theatre Company). Regional credits include Lady Windermere in Lady Windermere’s Fan(Milwaukee Repertory Theater) and Elizabeth Bennett in Pride and Prejudice (The Cleveland Playhouse). She has also appeared in productions with Frump Tucker, Shattered Globe Theatre, TimeLine Theatre Company, Theatre at the Center, First Folio Shakespeare Festival, and TheatreHikes. TV credits: The Exorcist (FOX), Chicago Fire (NBC), Boss (Starz), and Detroit 1-8-7 (ABC). Film: Widows, My Dog Skip (Warner Bros). Before moving to Chicago, Ms. Cross toured the US and Canada for two years with American Shakespeare Center.

GREGORY LININGTON (Dr. Wangel) Makes his Court Theatre debut. Chicago: Goodman Theatre, Northlight Theatre. New York: Brooklyn Academy of Music and Joe’s Pub. Regional: Milwaukee Repertory Theatre, Berkeley Repertory Theatre, Seattle Repertory Theatre, Yale Repertory Theatre, Ford’s Theatre, Arena Stage, Shakespeare Theatre DC, Theater J, Kennedy Center, Shakespeare Center LA, CTG and PCPA. A 12-year company member of the Oregon Shakespeare Festival he is also a five-year company member of Misery Loves Company in Prague. Film and television credits include Innocent Sleep, Harrison’s Flowers; Station Eleven, Chicago PD, Grey’s Anatomy, Shameless, Major Crimes, and The West Wing. 

TANYA THAI MCBRIDE (Bolette) is pleased to make her debut at Court Theatre. Chicago theater credits: Stop.Reset. (Goodman Theatre); The White Snake (Goodman Theatre); Twilight: Los Angeles 1992 (The Other Theatre Co.); Yellow Face (Silk Road Rising); and punkplay (Pavement Group at Steppenwolf Garage), among others. Regional: The White Snake (The Old Globe, Guthrie Theater, McCarter Theatre, Berkeley Repertory and Oregon Shakespeare Festival), A Midsummer Night’s Dream and The Heart of Robin Hood (Oregon Shakespeare Festival). TV: Chicago PD, Chicago Fire. Tanya holds an MFA from The Ohio State University.

WILL MOBLEY (Lyngstrand) is pleased to make his Court Theatre debut. Chicago credits include: The Wickham’s: Christmas at Pemberley (Northlight); The Winter’s Tale U/S (Goodman); Ragtime (Marriott); My Fair Lady (Lyric Opera); SS! Twelfth Night (Chicago Shakespeare Theatre); Days Like Today, Antony and Cleopatra (Writers). Regional credits include: Miss Bennett: Christmas at Pemberley (Theatre Squared); The Legend of Georgia McBride (Cardinal Stage Company); The Hound of the Baskervilles, A Christmas Carol, Other Desert Cities (Indiana Repertory Theater); Other Desert Cities (Arizona Theatre Company); A View From the Bridge, The Two Gentlemen of Verona, Hamlet, Antony and Cleopatra, Twelfth Night, Richard III, The Admirable Crichton, The Taming of the Shrew, The Critic and Of Mice and Men (American Players Theatre); A Midsummer Night’s Dream (tour), Macbeth, The Merchant of Venice and Great Expectations (Utah Shakespeare Festival); and The Lieutenant of Inishmore (Artists Repertory Theatre). Will is also a member of the Chicago band The Winchesters.

ANGELA MORRIS (Hilda) is thrilled to make her Court debut. Chicago credits include Twilight Bowl – Jeff Nomination Best Ensemble (Goodman Theatre); Hang Man (The Gift Theatre); The Hamlet Project (The Collective); and Horatio (A Beautiful Fight Productions). Regional credits include The Comedy of Errors (John F. Kennedy Center for the Performing Arts). Television/Film credits include Chicago Fire; Two in the Bush: A Love Story; and the award-winning shorts “SPACEMAN.,” “Trash,” and “My Best Girl,” which she also co-wrote. She voices the main character (and others) in the video game Perception. 

KELLI SIMPKINS (A Stranger) THEATER: Off Broadway: MCC Theater: Charm | Union Square Theater: The Laramie Project. REGIONAL: About Face Theater: The Gulf, Bull in a China Shop, The Secretaries, The Kid Thing (Jeff Award nomination), Pony | American Theater Company: We’re Gonna Be Okay, Men on Boats, T., Celebrity Row | Victory Gardens: Cocked | Goodman Theatre: Teddy Ferrara | Steppenwolf Theatre: Good Boys and True, Fair Use, One Arm | Denver Center: The Laramie Project | Berkeley Rep: The People’s Temple, The Laramie Project | Guthrie Theater: The People’s Temple | La Jolla Playhouse: Think Like Girls, The Laramie Project. FILM: Slice, Chasing Amy, A League of Their Own | TV: Proven Innocent, Chicago Fire, Patriot, Betrayal, The Laramie Project (Emmy nomination– Ensemble Writing), Law & Order: CI. AWARDS: 3ARTS Award (2013). OTHER: Tectonic Theater Project: company member, teaching artist and original creator/performer – The Laramie Project | About Face Theater: Artistic Associate. 

SAMUEL TAYLOR (Arnholm) is co-founder of the Back Room Shakespeare Project and teaches Shakespeare at the University of Chicago. Samuel is also owner & operator of Long Table Pancakes. Chicago credits include Mr. & Mrs. Pennyworth, Thaddeus & Slocum, Lookingglass Alice, and Peter Pan at Lookingglass; The Hot L Baltimore at Steppenwolf Theatre Company; Marnie & Phil at The Actors Gymnasium; Hunchback at Redmoon; and 9 shows at Chicago Shakespeare Theatre. Regional credits include work at American Players Theatre, Actors Theatre of Louisville, Syracuse Stage, and the Guthrie Theater. On Camera credits include recurring roles on Boardwalk Empire and Crisis.

DEXTER ZOLLICOFFER (Ballested) appeared at Court Theatre in Electra, Water by the Spoonful, and The Mystery Cycle: Creation and Passion. Dexter appeared in Charm for Northlight Theatre (Jeff Award for Actor in a Principal Role and a nomination for Ensemble). Other theatre credits include: The Little Foxes, Dartmoor Prison, The Odyssey, Blues for an Alabama Sky, and A Christmas Carol at Goodman; To Kill a Mockingbird, A Lesson Before Dying, and Pudd’nhead Wilson at Steppenwolf; Relatively Close, Knock Me a Kiss and The Sutherland at Victory Gardens; and The Overwhelming at Next Theatre. Regionally, Mr. Zollicoffer appeared in Blues for an Alabama Sky at Alabama Shakespeare Festival, The Odyssey at McCarter Theatre Center, and Seattle Repertory Theatre, Our Country’s Good at Berkeley Repertory Theatre, The Recruiting Officer and Our Country’s Good at Madison Repertory Theatre, Voice of Good Hope at BoarsHead Theater, and Permanent Collection at Indiana University Northwest. On television, Mr. Zollicoffer has been seen on Chicago Fire, Chicago Med, Detroit 1-8-7, and the upcoming feature, Who Gets the Dog. He is an administrator at The Theatre School at DePaul University where he received best director, best ensemble, and Special Jury Prize nominations for his original work, Ma Fille, Ma Naturelle at the 6th annual International Theatre Festival of University Theatre in Tangier, Morocco. He is a 2011-12 recipient of the Spirit of DePaul award given by DePaul’s Office of Mission and Values.

Chaon Cross, Lady from the Sea, credit: Michael Brosilow

Dates:             Previews:            February 4 – 11, 2022

                       Press Opening:   Saturday, February 12, 2022 at 7:30pm

                       Regular Run:       February 13 – March 6, 2022

           

Schedule:        Wed/Thurs/Fri:    7:30 p.m.

Sat/Sun:              2:00 p.m. & 7:30 p.m.

Location:         Court Theatre, 5535 S. Ellis Ave.

Tickets:           $28.50-$66 previews

                    $37.50-$84 regular run

Box Office:      Located at 5535 S. Ellis Avenue, Chicago; (773) 753-4472 or www.CourtTheatre.org.

 

Court Theatre  is the professional theatre of the University of Chicago, dedicated to innovation, inquiry, intellectual engagement, and community service. Court endeavors to make a lasting contribution to classic American theatre by expanding the canon of translations, adaptations, and classic texts. The theatre revives lost masterpieces; illuminates familiar texts; explores the African American theatrical canon; and discovers fresh, modern classics. Court engages and inspires its audience by providing artistically distinguished productions, audience enrichment activities, and student educational experiences.

ChiIL Live Shows On Our Radar: Fall 2021 Theatre Favorites in Chicago

ChiIL Live Shows on our radar

Mask up and see some shows! Photo credit: Milan Pejnovich 

Pictured: Milan Pejnovich, Bonnie Kenaz-Mara (ChiIL Mama), Catherine Hellmann, Deb Frels

The ghost lights have been on 24/7 as stages across the US went dark for over 18 months, while covid ravaged our country. It's not over yet, but with vax cards in hand and masks on faces, we are finally able to gather in person again. Treat yourself! There are many stellar shows on stage in Chicago this fall and we've never been happier to gather with friends and family for a change of scene and some epic story telling. Here are just a few of our favorites. 

Photo credit: B Kenaz-Mara

CHICAGO MAGIC LOUNGE

5050 N. Clark St., Chicago, IL 60640

312-366-4500

https://www.chicagomagiclounge.com/

Music & Magic

Mondays at 7:00pm

Tickets: General Admission $20

Photo credit: B Kenaz-Mara

The Showcase

Tuesdays at 7:00pm

Tickets: Standard: $35; Front Row: $40

Luis Carreon and Paige Thompson, August 10-August 31.

 

Photo credit: B Kenaz-Mara

The Signature Show

Thursdays-Sundays at 7:00pm, Fridays and Sundays at 10pm 

Tickets: $50-$55 (Standard); $65-$75 (Premium, includes 654 Club admission)

Featuring Special Guest Nick Diffatte

654 Club features Luis Carreon 

Special Guest Nick Diffatte is quickly becoming one of the most talked about and in-demand young comic magicians working today. His unique brand of entertainment seamlessly blends dry humor, quick wit, and incredible skill. His performances are presented with perfect comedic timing and a deadpan delivery that has kept audiences laughing uncontrollably all over the country for over 14 years. Most recently, Nick has been seen in a residency at the Planet Hollywood Casino in Las Vegas, The World Famous Magic Castle in Hollywood, luxury cruise lines and “The Late Late Show with James Corden” on CBS.

 

CHICAGO SHAKESPEARE THEATER

800 E. Grand Ave., Chicago, IL 60611

312-595-5600

www.chicagoshakes.com

As You Like It

By William Shakespeare

Adapted & directed by Daryl Cloran

Conceived by Daryl Cloran and the Bard on the Beach Shakespeare Festival

In the Courtyard Theater

Regular Run: October 16 – November 21, 2021 

 

Photo credit: B Kenaz-Mara

Set in the ‘60s, the exuberant celebration of love features nearly 20 musical numbers from The Beatles songbook, performed live onstage, including “She Loves You,” “I Want to Hold Your Hand,” “Let It Be,” and “Here Comes the Sun.” The company includes Melanie Brezill (Celia) Adam Wesley Brown (Forest Lord/Hymen), Tony Carter (Oliver), Austin Eckert (Charles the Wrestler/Amiens), Lachrisa Grandberry (Audrey), Kevin Gudahl (Duke Senior/Duke Frederick), Heidi Kettenring (Phoebe), Kayvon Khoshkam (Touchstone), Kieran McCabe (Forest Lord), Steven Pringle (Adam/Sir Oliver Martext), Liam Quealy (Orlando), Lakeisha Renee (Rosalind), and Nancy Voigts (Corin).

 

Remember This: The Lesson of Jan Karski

By Clark Young and Derek Goldman

Directed by Derek Goldman

Starring David Strathairn

In The Yard at Chicago Shakespeare

Press Opening: November 4, 2021 at 7:45pm

Regular Run: November 5 – November 14, 2021

 

Academy Award-nominated actor David Strathairn takes the stage in a tour-de-force solo performance, Remember This: The Lesson of Jan Karski. Best known for acclaimed performances in Good Night, and Good Luck, Nomadland, and Lincoln, Strathairn takes on the role of real-life World War II hero Jan Karski. After surviving the devastation of Poland by Nazi Germany, Karski swears allegiance to the Polish Underground and risks his life to carry the first eyewitness reports of the Holocaust to the White House, where his warnings are met with inaction and disbelief. Strathairn captures the remarkable life of the self-described “insignificant, little man” who spoke truth in the halls of power in a timely story of moral courage.

 

Q Brothers Christmas Carol

Written by Q Brothers Collective (GQ, JQ, Jax, Pos)

Directed by GQ and JQ

Developed with Rick Boynton

In The Yard at Chicago Shakespeare

Preview Performances: December 8 – December 9, 2021

Press Opening: December 10, 2021 at 7pm

Regular Run: December 11 – December 23, 2021

 

The Theater’s raucous and irreverent holiday tradition returns in a special limited engagement in The Yard at Chicago Shakespeare. Created and performed by Chicago hip hop sensations the Q Brothers Collective (GQ, JQ, Jax, and Pos) and developed with Creative Producer Rick Boynton, this wildly entertaining 80-minute reinterpretation of the Charles Dickens classic mashes up hip hop with contemporary musical styles ranging from reggae and dancehall music, to dubstep and epic rock ballads—all underscored with beats spun live at the turntables by DJ Supernova

COURT THEATRE

5535 S. Ellis Avenue, Chicago, IL 60637

(773) 753-4472

www.courtheatre.org

 

Photo credit: B Kenaz-Mara

The Tragedy of Othello, The Moor of Venice

by William Shakespeare

Directed by Charles Newell and Gabrielle Randle-Bent

Featuring Kelvin Roston, Jr as Othello

Regular Run: October 17 - November 21, 2021

In addition to live performances, a digital version will be available to stream on-demand.

 

Photo credit: B Kenaz-Mara

Othello—the noble general, husband, scholar, and traveler—fights for his life, right to love, and position in society. When Othello’s closest confidant objects to his actions, their brotherhood is shattered, provoking a series of tragic events for Othello and everyone around him.

Co-directors Charles Newell and Gabrielle Randle-Bent helm this theatrical examination of humanity and tragedy in Shakespeare’s fraught and famous work. Through scenic design that place audiences in the middle of the action, this telling grapples with how complex notions of race, gender, and complicity at the heart of the play’s murderous events speak to a world on the brink of change.

 

DRURY LANE THEATRE

Drury Lane Theatre

100 Drury Lane

Oakbrook Terrace, IL 60181

(630) 530-8300

http://drurylanetheatre.com

 

Photo credit: B Kenaz-Mara

Forever Plaid

Written and Originally Directed and Choreographed by Stuart Ross 

Musical Continuity Supervision and Arrangements by James Raitt

Originally Produced by Gene Wolsk

Directed and Choreographed by Paul Stancato

With Music Direction by Valerie Maze

Preview Performances: September 17 – September 22, 2021

Press Opening: Thursday, September 23 at 8:00 p.m.

Regular Run: September 24 – November 7, 2021

 

Photo credit: B Kenaz-Mara

On the way to their first big gig, tragedy strikes Forever Plaid, a “guy group” specializing in barbershop quartet harmonies and pitch-perfect melodies. Forever Plaid begins when the guys are given the chance to perform from the afterlife. This smash hit musical is a nostalgic homage to the music of the ‘50s and includes hits such as “Three Coins in the Fountain” and “Love is a Many-Splendored Thing.”

The cast of Forever Plaid features Brian Eng (Sparky), Michael Ferraro (Frankie), Yando Lopez (Jinx) and A.D. Weaver (Smudge).

MERCURY THEATER

3745 N Southport Ave, Chicago, IL 60613

(773) 325-1700

www.mercurytheaterchicago.com

 

Sister Act                                                                                                 

Book by Bill and Cheri Steinkellne, and Douglas Carter Beane

Directed by Reneisha Jenkins

Music Direction by Diana Lawrence

Choreography by Christopher Chase Carter

Featuring Chicago Legends Alexis J. Roston (Deloris) and Hollis Resnik (Mother Superior)

Preview Performances: November 5 – November 10, 2021

Press Opening: November 11, 2021 at 7:30pm

Regular Run: November 12, 2021 – January 9, 2022

This feel-good musical comedy is based on the hit 1992 film that has audiences jumping to their feet!  Featuring original music by Tony and Oscar winner, Alan Menken (Newsies, Beauty and the Beast, Little Shop of Horrors), this uplifting musical was nominated for five Tony Awards, including Best Musical.  When disco diva, Deloris Van Cartier, witnesses a murder, she is put in protective custody in the one place the cops are sure she won't be a found: a convent! Disguised as a nun, she finds herself at odds with both the rigid lifestyle and uptight Mother Superior. Using her unique disco moves and singing talent to inspire the choir, Deloris breathes new life into the church and community but, in doing so, blows her cover.  Sister Act is reason to rejoice!

 

 

NORTHLIGHT THEATRE

9501 Skokie Blvd in Skokie, IL 60077

(847) 673-6300

http://www.northlight.org/

 

Songs for Nobodies

By Joanna Murray-Smith

Directed by Rob Lindley

Music Direction by Andra Velis Simon

Featuring Bethany Thomas

Preview Performances: September 23 – September 30, 2021

Press Opening: October 1, 2021at 8pm

Regular Run: October 2 – October 31, 2021

 

This tour-de-force performance celebrates the iconic work of Judy Garland, Patsy Cline, Billie Holiday, Edith Piaf and Maria Callas. Share in the unexpected encounters between these legendary divas and the ordinary women whose lives were changed by their brush with fame. Featuring such favorites as “Come Rain or Come Shine,” “Crazy,” and “Ain’t Nobody’s Business If I Do,” Songs for Nobodies illuminates the power of song to share a story, heal a heartbreak, and inspire a dream.

 

The World Premiere of

Mr. Dickens’ Hat

A Play with Music

By Michael Hollinger

Directed by David Catlin

Music Direction by Chuck Larkin

Preview Performances: November 26 – December 2, 2021

Press Opening: December 3, 2021 at 8pm

Regular Run: December 4, 2021 – January 2, 2022

 

In a cozy Victorian shop sits the hat of Charles Dickens, who once used it to carry water to the victims of a train wreck (that’s true!). When a pair of bumbling thieves plots to steal it (that’s imaginary!), young Kit sets out to foil their plan, save the hat, and free her father from debtors’ prison. Filled with a host of colorful characters, constables, and carolers, this warm winter’s tale with original music brings to life the universal lesson: “Beneath our hats, we are all the same.”

 

THE SECOND CITY

Mainstage

1616 N. Wells Street, Chicago

312-337-3992

www.secondcity.com

The Second City presents its 109th Mainstage revue

Happy to Be Here*

Press Opening: September 30, 2021 at 7pm

You’re gonna want to sit down for this news. We’re warming up the bentwood chairs and ready to invite you back inside our theater! Join humans on stage making humans in the audience laugh as we toast being together again. Our Mainstage performances are a celebration of our resilience, our relationships, and our mutual need to get back into the habit of making eye contact. We’ve been pushed apart both physically and politically for way too long…now it’s time to enjoy some good, clean (or at the very least...ultra-hygienic) togetherness.

ChiIL out in Chi, IL, mask up, and see some shows! As always, check back with ChiILLiveShows.com (adult) and ChiILMama.com (family friendly) early and often for original reviews, arts and entertainment news, photo filled recaps, giveaways, and more. See you out there!

OPENING: The World Premiere of Augie March at Court Theatre May 9 – June 9, 2019

ChiIL Live Shows on our radar

Court Theatre concludes 64th Season with

The World Premiere of

The Adventures of Augie March

a play by David Auburn, adapted from the novel by Saul Bellow

directed by Charles Newell, Marilyn F. Vitale Artistic Director

May 9 – June 9, 2019

Court Theatre, under the leadership of Charles Newell, Marilyn F. Vitale Artistic Director, and Executive Director Angel Ysaguirre, concludes its 2018/19 season with the World Premiere of The Adventures of Augie March, a play by David Auburn, based on the novel by Saul Bellow, and directed by Charles Newell. The Adventures of Augie March runs May 9 – June 9, 2019 at Court Theatre, 5535 S. Ellis Ave. 

Young Augie March is a product of the Great Depression: plucky, resourceful, searching for love, and striving to grow up and away from home. Through odd jobs and encounters with unique characters, Augie explores what it takes to succeed in the world as a true individual.

A novel, written by Nobel Prize-winner Saul Bellow, is adapted for the stage by Pulitzer Prize-winning playwright David Auburn. Bellow was a University of Chicago faculty member for three decades, and his experiences in the city of Chicago and at the University are at the heart of his writing. The Adventures of Augie March is an epic coming-of-age story that bridges continents and stages of life, exuding the endearing confidence of a boy taking in a complex world.

“Staging an epic story such as The Adventures of Augie March is a thrilling challenge that has called upon the insight and diverse talents of a team of designers and collaborators that includes ambitious playwright David Auburn, artistic collective Manual Cinema, and Thusnelda Mercy and Pascal Merighi, former dancers in Pina Bauch’s internationally-acclaimed dance company and founders of the dance company merighi / merci,” comments Charlie Newell. “Having such an accomplished patchwork of creatives involved is heightening the picaresque qualities of Bellow’s novel in truly exciting ways.”

The cast of The Adventures of Augie March features Patrick Mulvey as Augie March with ensemble members Sebastian Arboleda, Aurora Real de Asua, Chaon Cross, Kai Ealy, Marilyn Dodds Frank, Neil Friedman, John Judd, Abby Pierce, Brittney Love Smith, Luigi Sottile, Stef Tovar, and Travis Turner.

The creative team includes John Culbert (scenic and lighting design), Sally Dolembo (costume design), Andre Pluess (sound design), Drew Dir and Manual Cinema (puppet design), Erin Kilmurray (movement consultant), Eva Breneman (dialect design), Nora Titone (resident dramaturg), Erin Albrecht (production stage manager), and Kate Ocker (assistant stage manager).

Tickets, priced $50-$74 ($38-$52 for previews), are available at the Court Theatre box office (5535 S. Ellis Avenue, Chicago), by calling (773) 753-4472, or online at www.CourtTheatre.org.

About the Artists

SAUL BELLOW (1915-2005) was a Nobel laureate in literature and one of the most influential American novelists of the 20th Century. A member of the University of Chicago faculty for more than 30 years, Bellow centered his fictional universe in Chicago, his hometown. Bellow, the Raymond W. and Martha Hilpert Gruner Distinguished Service Professor in the Committee on Social Thought and the Department of English at UChicago authored more than a dozen critically acclaimed novels and works of nonfiction, including Herzog, Humboldt’s Gift, Mr. Sammler’s Planet and The Adventures of Augie March. One of the most honored American writers of his era, Bellow won the 1976 Nobel Prize for literature, a Pulitzer Prize, three National Book Awards, and a Presidential medal. Bellow taught at UChicago from 1962 to 1993 in the Committee on Social Thought and attended the College in the 1930s.

DAVID AUBURN (Playwright) Plays include The Adventures of Augie March, based on the Saul Bellow novel (Court Theatre 2019); Lost Lake (Manhattan Theatre Club 2014); The Columnist (MTC/Broadway 2012); and Proof (2001 Pulitzer Prize, Tony Award, New York Drama Critics Circle Award). Films include The Girl in the Park (writer/director), Georgetown, and The Lake House. Stage directing credits include Long Day's Journey into Night (Court Theatre, Chicago); The Petrified Forest, Cat on a Hot Tin Roof, Anna Christie, A Delicate Balance,Period of Adjustment, Sick (all Berkshire Theatre Group); and the Off-Broadway world premiere of Michael Weller’s Side Effects (MCC). A former Guggenheim Fellow, he lives in New York City.

CHARLES NEWELL (Director / Marilyn F. Vitale Artistic Director) has been Artistic Director of Court Theatre since 1994, where he has directed over fifty productions. Recent Court highlights include All My Sons; The Hard Problem; Man in the Ring; and Satchmo at the Waldorf. Charlie has also directed at Goodman, Guthrie Theater, Arena Stage, John Houseman’s The Acting Company, Lyric Opera, Chicago Opera Theater, Glimmerglass, and Opera Theatre of St. Louis. Awards received include the SDCF Zelda Fichandler Award, the TCG Alan Schneider Award, and the League of Chicago Theatres’ Artistic Achievement Award. Charlie has been nominated for sixteen Jeff Awards, winning four times.

SEBASTIAN ARBOLEDA (Talavera) is a Colombian-American actor, writer, and director. Recent credits include: Curve of Departure (Studio Theatre); Amy and the Orphans, A Midsummer Night’s Dream, Blood Wedding (Yale School of Drama) and directing Teatro Vista’s Community Outreach production of Romeo and Juliet. He is making his Chicago debut with Court Theatre. He received his MFA from Yale School of Drama MFA.

AURORA REAL DE ASUA (Mimi/Esperanza) is making her Court Theatre debut. Other Chicago credits include: Pipeline (Victory Gardens); The Wolves (Goodman); Dracula, You on the Moors Now (Hypocrites); The Firebirds Take the Field (Rivendell); and Rosencrantz and Guildenstern Are Dead (MPAC). She has also worked with Chicago Shakespeare Theater and Lookingglass. Film credits include: Knives and Skin; Working Man. She graduated with a BA in Theatre from Northwestern University and is proudly represented by Gray Talent.

CHAON CROSS (Rebecca/Thea/Tillie/Charlotte) has previously appeared at Court Theatre in Photograph 51, The Hard Problem, One Man Two Guvnors, Proof, Uncle Vanya, The Glass Menagerie, Scapin, The Romance Cycle, and Phèdre (Court Theatre). Other Chicago credits include: Sweat (Goodman Theatre); Macbeth, Red Velvet, As You Like It, Private Lives, Cymbeline, Troilus and Cressida, The Two Noble Kinsmen, The Taming of the Shrew (Chicago Shakespeare); Macbeth (Lyric Opera of Chicago); Life Sucks, Brothers Karamazov (Lookingglass Theatre); Cyrano (Court Theatre and Redmoon Theatre); Grace (Northlight Theatre); The Wheel, The Cherry Orchard (Steppenwolf Theatre Company). TV credits include: The Exorcist (FOX), Chicago Fire (NBC), Boss (Starz), Detroit 1-8-7 (ABC). Film credits include: Widows, My Dog Skip (Warner Bros).

MARILYN DODDS FRANK (Grandma Lausch/Italian Woman/Caligula/Mrs. Magnus) previously worked with Court Theatre on Electra by Sophocles, directed by Nicholas Rudall. Other Chicago productions include work with Goodman, Lookingglass, Steppenwolf, Teatro Vista, Latino Chicago, A Red Orchid, Next, Piven, Remains, Rivendell, Victory Gardens, New Criminals, Shaw Chicago. New York credits include Superior Donuts on Broadway, and The Clean House at Lincoln Center. She appeared in the original productions of Conduct of Life, The Mothers, Hunger, and What of the Night. Recent movies include Knives and Skin, Slice, and Mom and Dad.

KAI EALY (Padilla/FiveProperties/Jacinto) is working with Court Theater for the first time. He studied acting in Alabama before moving to Chicago to pursue his career. Kai was last seen in Cardboard Piano (Timeline Theater). Other Chicago credits include: Shiller’s Mary Stuart (Chicago Shakespeare Theater); Franklinland (Jackalope Theater); Two Mile Hollow (First Floor Theater') 30th Annual Young Playwrights Festival (Pegasus Theater Chicago); Migration (eta Creative Arts Foundation). Television credits include Chicago Fire (NBC). Kai is represented by Paonessa Talent Agency.

NEIL FRIEDMAN (Kreindle/Moulton/Bulba/Mr. Magnus) returns to Court Theatre. Chicago credits include: Goodman Theatre, Theatre at the Center, Court Theatre, Chicago Shakespeare Theater, Steppenwolf, and Peninsula Players. Regional credits include: The People’s Light Theatre; The Fulton Theatre; Utah Shakespeare Festival; Capitol Repertory; The New Victory Theater; Flat Rock Playhouse; Coconut Grove Playhouse; The Clarence Brown Theatre; Children’s Theatre Company of Minneapolis; Austria’s Vienna English Theatre, Adirondack Theatre Festival; Arrow Rock Lyceum Theatre, and The Arts Garage. Neil is a proud recipient of a Joseph Jefferson Award.

JOHN JUDD (Basteshaw/Einhorn) returns to Court Theatre where he previously appeared in Gross Indecency, Lettice and Lovage, and All My Sons. He's also been seen at Steppenwolf, Goodman, Chicago Shakespeare, Lookingglass, Victory Gardens, A Red Orchid, About Face, Writer’s Theatre, Northlight, and others in Chicago. Off-Broadway credits include Barrow Street Theatre, 59E59th, and BAM. Regional credits include Berkeley Rep, The Old Globe, Beaver Creek Colorado Theatre Festival, Actor’s Theatre of Louisville, City Theatre Pittsburgh, Philadelphia Theatre Company, Westport Country Playhouse, McCarter Theatre, Williamstown Theatre Festival, Huntington Theatre, and Town Hall Theatre in Galway, Ireland.

PATRICK MULVEY (Augie) makes his Court Theatre debut. Originally from Illinois, he received his Bachelor's degree from the Royal Scottish Academy of Music and Drama. While in the UK, he starred on the BBC series River City and worked with the National Theatre of Scotland and the Globe Theatre in London. Chicago credits include: TimeLine Theatre, Goodman Theatre, and Broadway in Chicago. He made his Broadway debut as Tony in the nine-time Tony award-winning Billy Elliot the Musical. Other theatre credits include Cirque de Soleil's production of Baz Luhrmann: For the Record. Recent television credits include Empire, Chicago Fire, The Girlfriend Experience, and Fox’s Proven Innocent.

ABBY PIERCE (Stella/Lucy/Esther/Polish Woman) recently performed at Court Theatre in All My Sons. Abby recently directed Hopelessly Devoted at Piven Theatre and directed and co-wrote the award-winning short film Eat Your Heart Out. She is a teacher with Piven's EPIC program at Cook County Jail, which is going into its fourth year of classes. As an actor she has performed at Steppenwolf, Goodman, Ricardo Montalban, Lyric, Del Rey, Jackalope, Strawdog, and TimeLine Theatre. Film/TV credits include Proven Innocent, Chicago PD, Chicago Fire, Dreaming Grand Avenue, The Exquisite Corpse, and Workingman.

BRITTNEYLOVE SMITH (Stoney/Dingbat) is delighted to make her Court Theatre debut. She recently played Oddsee in Goodman’s critically acclaimed production of Father Comes Home From the Wars. BrittneyLove was Prix in Eclipse Theatre's production of Breath Boom (BTAA Best leading actress Nomination). She was Victoria in the Jeff winning production of Charm with Northlight Theatre. BrittneyLove played Salima in the Jeff nominated production of Ruined with Eclipse Theatre company (BTAA nomination Best Supporting Actor). She was in the feature film Gringo and is the lead of Web series Velvet. She is a voice over artist for several different podcast and audio books.

LUIGI SOTTILE (Simon/Jaworski) makes his Court debut. Luigi's Chicago credits include Familiar, Buena Vista (Steppenwolf); Hundreds and Hundreds of Stars (Goodman); Book Of Will (Northlight); Shakespeare in Love, Othello, The Tempest (Chicago Shakespeare Theatre). Some Regional Credits include: The Way of the World (Folger Theatre); Zombie the American (Woolly Mammoth); Sex with Strangers (Signature Theatre DC); A Christmas Carol (Milwaukee Rep); Three Sisters, Cyrano (Arden Theatre); Seminar (Philadelphia Theatre Co.); An Ideal Husband (Walnut Street Theatre); Angels in America, The Vibrator Play (Wilma Theater), The Cherry Orchard, Nathan the Wise (People's Light and Theatre). TV credits include: Chicago PD (NBC); It's A Man's World (YouTube Red).

STEF TOVAR (Clem/Oliver/Kellerman/Nails) is making his Court debut. Chicago credits include: Franz in Appropriate for Victory Gardens; Harold Hill in Paramount Theatre's The Music Man; Luther Billis in South Pacific for Marriott Theatre (Jeff nomination); and Noah in A Twist of Water for Route 66 Theatre Company, where he is the founder and co-artistic director. Film and television credits include: Proven Innocent (CBS); Chicago Fire (NBC); Contagion, directed by Steven Soderbergh, and Widows directed by Steve McQueen. Stef can be seen in TimeLine Theatre's upcoming production of Oslo this fall.

TRAVIS TURNER (Georgie/Frazer/Iggy) returns to Court Theatre after having previously appeared in Tartuffe, The Misanthrope, Porgy & Bess, Carousel, and Raisin. Recent Chicago: Short Shakespeare! A Midsummer Night’s Dream (Chicago Shakespeare); The Mystery of Love and Sex (Writer’s Theatre); Bootycandy (Windy City Playhouse); Thaddeus and Slocum (Lookingglass); The Flick (Steppenwolf); The Art of Falling (The Second City and Hubbard Street Dance); and The Upstairs Concierge (Goodman). Recent regional credits include: Goodnight, Tyler, and A Midsummer Night’s Dream (Alliance Theatre); Macbeth (Denver Center); and the upcoming production of East Texas Hot Links (Kenny Leon’s True Colors Theatre Company). He is a Northwestern University graduate.

Featuring: Patrick Mulvey as Augie March with ensemble members Sebastian Arboleda, Aurora Real de Asua, Chaon Cross, Kai Ealy, Marilyn Dodds Frank, Neil Friedman, John Judd, Abby Pierce, Brittney Love Smith, Luigi Sottile, Stef Tovar, and Travis Turner

Creative Team: John Culbert (Scenic and Lighting Design), Sally Dolembo (costume design), Andre Pluess (sound design), Drew Dir and Manual Cinema (puppet design), Erin Kilmurray (movement consultant), Eva Breneman (dialect design), Nora Titone (resident dramaturg), Erin Albrecht (production stage manager), and Kate Ocker (assistant stage manager)

Dates: Previews:  May 9 – May 17, 2019
Press Opening: Saturday, May 18, 2019 at 7:30pm
Regular Run: May 19 – June 9, 2019

Open Captioned Performance: Sunday, June 2 at 2:00pm
Audio Described Performance / Touch Tour: Saturday, June 1 at 2:00pm, Touch Tour 12:30pm

Schedule:     
Wednesdays: 10:30 a.m. (except May 15) and 7:30 p.m.
Thursdays: 7:30 p.m.
Fridays: 7:30 p.m.
Saturdays: 2:00 p.m. (except May 11 & 15) and 7:30 p.m.
Sundays: 2:00 p.m. and 7:30 p.m.

Location: Court Theatre, 5535 S. Ellis Ave.

Tickets: $38-$52 previews
$50-$74 regular run

Box Office: Located at 5535 S. Ellis Avenue, Chicago; (773) 753-4472
or www.CourtTheatre.org.




The Adventures of Augie March is sponsored by William D. and Diane S. Anderson, The Elizabeth F. Cheney Foundation, Lorna Ferguson and Terry Clark, and Michael Charles Litt. This production is supported in part by an award from the National Endowment for the Arts.

In support of Center for Classic Theatre research for this adaptation and production, the University of Chicago Neubauer Collegium for Culture and Society has appointed David Auburn a Visiting Fellow, resulting in collaboration with University faculty and scholars to enhance and inform the production.

Court Theatre’s 2018/19 season is dedicated to Court’s late Executive Director, Stephen J. Albert.

Court Theatre is the professional theatre of the University of Chicago, dedicated to innovation, inquiry, intellectual engagement, and community service. Functioning as the University’s Center for Classic Theatre, Court and its artists mount theatrical productions and audience enrichment programs in collaboration with faculty. These collaborations enable a re-examination of classic texts that pose the enduring and provocative questions that define the human experience. Court endeavors to make a lasting contribution to classic American theatre by expanding the canon of translations, adaptations, and classic texts. The theatre revives lost masterpieces; illuminates familiar texts; explores the African American theatrical canon; and discovers fresh, modern classics. Court engages and inspires its audience by providing artistically distinguished productions, audience enrichment activities, and student educational experiences.