REVIEW: ARTISTIC BRAVURA Ensemble Español's "Flamenco Passion" Program Superb

 Chi, IL Live Shows On Our Radar 

ENSEMBLE ESPAÑOL SPANISH DANCE THEATER’S 2024 “FLAMENCO PASSION” CONCERTS

SHOWCASE WORLD PREMIERES CREATED BY ACCLAIMED INTERNATIONAL ARTISTS AT THE NORTH SHORE CENTER JUNE 7-9

LaLupi with musicians Diego Alvarez, Jose Diaz El Chachito, Curio de Maria, 

Jose Moreno and Jose Alconchel.  Photo by Dean Paul

Exciting Premieres Include “Viejos Aires” / Flamenco Tango by Award-winning Choreographer Antonio Najarro 

“Resliencia” / Resilience and “El Bolero de Puerta de Tierra” by Former Principal Dancer with the National Ballet of Spain, Raquel Gomez; and 

“Compas de Seda” / Silk Rhythm by Flamenco Superstar La Lupi

Guest Review 

by Flo Mano

ARTISTIC BRAVURA 

Ensemble Espanol at North Shore Center for performing Arts opened to dramatic lighting, marigold costumes, and jazz fusion that gave a modern feel to "Sur",  choreographed by guest artist Raquel Gomez.

In her solo world premiere, "Resilencia", Raquel Gomez was impassioned. Her exceptional dancing within the perimeters of a movable geometric rectangle to square was impressive to see. I enjoyed the lighting from above by Dustin L. Derry.

“El Bolero de Puerta de Terra”, a world premiere, was a feather like flamenco on ballet slippers by the entire company, choreographed by Raquel Gomez, and inspired by Dame Libby‘s “Seguidillas”.

This piece was followed by Flamenco guitarist, Curro de Maria, with “Mi Andalusia”.

Jonathan Pacheco with Ensemble Espanol Company Dancers in Fantasia Suite Regional-Tribute to Juanjo Linares. Photo by Dean Paul

Folklore legend Juanjo Linares’ “Fantasia Suite Regional” depicted exerpts from Galicia-Extremadura & Valencia, individual & intertwining seamlessly!

A stupendous performance of "Chamberi" was perfection, by guest artist La Lupi. Her mastery commanded the utmost attention, as the audience collectively held its breath, so as not to miss a second. Every precision move in her “Batas de Cola” was hypnotic, as she effortlessly tossed & swayed her long train dress. I was struck by the intensity of her jaleo sounds and facial expressions.

The musicians' synchronized percussion-palmas-Spanish guitar and singing transported one to Andalusia.

“Pasion Oculta" was danced by 5 couples to Escala electronic string quartet “Requiem for a Tower” & “Palladio” flawlessly, to loud applause!

"Compas de Seda", another world premiere choreographed by La Lupi, featured stylized fans & shawls. Flamenco Guajiras is a melange of Andalusian-Canary island and Afro-Cuban palo dance, and an amazing  ensemble piece. Loved the fade to silhouettes. 

La Lupi was superb in her solo “A Silvetio”!!! 

The final dance was a world premiere of Flamenco Tango, “Viejos Aires”, by multitalented Argentinian guest Artist Antonio Najaro, choreographer/dancer/costume designer extraordinaire! Very Impressive!! Astounding even!!!

Ensemble Espanol is stretching beyond in this exquisite production! They will be performing at old Town school of music & NEIU. 

DO NOT MISS!! Imbibe dance!!!

Florence Manolis (AKA: Flo Mano) is a Greek American CPS elementary teacher/librarian, hairdresser, and theater/dance/film fanatic who catches hundreds of Chicago shows annually. She volunteers at numerous film venues and theaters and has called Chicago home since she immigrated here from Greece in early elementary school. 

Jonathan Pacheco and Samantha Micklewright in Viejos Aires by Antonio Najarro. 

Photo by Casey Mitchell

Popular Works from Ensemble Español’s Repertoire in the Traditional and Contemporary Genres Complete the Program

Ensemble Español Spanish Dance Theater, in residence at Northeastern Illinois University, brings their popular “Flamenco Passion” performances to the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd., 7:30 p.m. Friday, June 7 and Saturday, June 8 and 3 p.m. Sunday, June 9. These performances are part of the company’s 48th multi-faceted American Spanish Dance and Music Festival (June 7-15).

“Flamenco Passion” program highlights include the world premiere of “Viejos Aires” / Flamenco Tango as reset on Ensemble Español by Antonio Najarro, award-winning choreographer and former artistic director of the National Ballet of Spain, choreographer of Disney movie "WISH.

” Najarro’s work features a fusion of Spanish classical style and Argentinean Tango and displays the sensuality, passion and elegance of Buenos Aires.

Additional world premieres include “Resliencia” / Resilience and “El Bolero de Puerta de Tierra” (Escuela Bolera) choreographed by Raquel Gomez, former principal dancer and Rehearsal Director of the National Ballet of Spain; and the Cuban influenced dance “Compas de Seda” / Silk Rhythm choreographed by Flamenco superstar La Lupi, to an original music composition by Curro de Maria.Works from Ensemble Espanol’s repertoire included in the program include “Sur” by Raquel Gomez (2015); “Fantasia Suite Regional” choregraphed by Juanjo Linares and Nana Lorca (1977) and “Pasion Oculta” /Hidden Passion choreographed by Ensemble Español Artistic Director Irma Suarez Ruiz (2019).Joining the members of Ensemble Español in performance will be guest dancer/choreographers includingRaquel Gomez, La Lupi and Antonio Najarro; and featured musicians including José Díaz “El Cachito”(singer), José Alconchel and Curro de Maria (guitarists); Diego “El Negro” Alvarez and José Moreno (percussionists).

“Every ‘Flamenco Passion’ festival performance is meant to entertain and highlight the timeless yet ever-evolving art that is Flamenco as performed by Chicago’s premiere Spanish dance company Ensemble Español,” says Executive Director and Associate Artistic Director Jorge Perez. “We also pride ourselves in our record of collaborating with some of the most exciting voices in Flamenco, Escuela Bolera, Classical and Folkloric as we maintain our important role as active participants in the continue evolution of this exciting music and dance form,” says Ruiz, Ensemble Español Artistic Director.

The “Flamenco Passion” performances are part of Ensemble Español’s 48th American Spanish Dance and Music Festival which also features these related events:

● VIP-Pre-Opening Night Reception: Preceding the Saturday, June 8 performance there will be a “Meet

the Artists” VIP Pre-Opening Night Reception in the North Shore Center on the 2nd level. Tickets are

$65 (includes VIP seating for that evening’s performance). To purchase tickets and for more information

visit NorthShoreCenter.org/ee/ or call 847.673.6300.

● Free Ethnic Dance & Music Symposium 2024 at NEIU (June 10-12) Topics include: “The Complexities of Covering Ethnic Dance & Music” and “Arts Economic Ecosystem: The New Workforce Development Plan to Build Strong Community” (June 10); :Ethnic Arts Crossing Genres” and “Expanding Flamenco Musical Language” (June 11) and “It’s a Family Affair Ethnic Art, Oral Traditions, Art as a Way of Life” and “From Flamenco to Tap and All That Jazz” (June 12). All sessions take place at NEIU, 5500 N. St. Louis Ave. Admission is free, but reservations are requested. For more information and to register visit ensembleflamencopassion.org/symposium.

● Festival Spanish Dance Classes at Northeastern Illinois University Dance Studios NEIU, 5500 N. St. Louis Avenue (June 10-15) Over 100 Spanish dance and music classes in Flamenco, Classical, Escuela Bolera and Folklore. Single class rate $35. For more class information and registration visit ensembleflamencopassion.org/classes or email at Patricia Mendez at patricia.mendez@eesdt.org.

● Concerts at Old Town School of Folk Music, 4544 N. Lincoln Ave. –“Flamenco to Tap and All That Jazz” with Wendy Clinard, Bril Barrett, Diego "El Negro" Álvarez, José Moreno, José Diaz "Cachito", José Manuel Alconchel, 8 p.m. June 13; “Duende Flamenco” with La Lupi, Nino de los Reyes, Curro de María, Diego "El Negro" Álvarez, José Moreno and José Diaz "Cachito" 8 p.m. June 15. Tickets: $30.

For tickets visit oldtownschool.org/concerts.

About Ensemble Español Spanish Dance Theater 

Ensemble Español, founded in 1976 by Dame Libby Komaiko, is the premiere Spanish dance company and center in the U.S. with a professional and unique residency at Northeastern Illinois University, Chicago. Under the artistic direction of Irma Suarez Ruiz and executive leadership of Jorge Perez, the Ensemble continues its mission of preservation, presentation and promotion of Spanish dance and culture which also includes the exploration of the country’s history in the; Flamenco, Folkloric, Classical and Escuela Bolera styles and identifies its influence on Latin American art and dance in both traditional and contemporary formats. They forge ahead as the leaders in Spanish dance and culture with a commitment to our communities, via performances, education, school residencies, academic university programs, festivals and tours. They remain committed to their roots in education and mission of educational, artistic, and social development. Their incredibly rich history includes serving over 30,000 students annually, training over 90 company dancers, training over 160 Youth Company dancers from ages 12 to 18, over 90 international guest artists and musicians from Spain and the Americas, over 2,600 scholarships awarded to talented aspiring dancers, musicians and educators, tours and residencies of U.S., including Hawaii, Mexico, Puerto Rico, Costa Rica, Poland, Australia, Canada, China and Spain. For more information on concerts, performances, classes and residencies, visit EnsembleEspanol.org.

Ensemble Español Spanish Dance Theatre in residence at Northeastern Illinois University is grateful to thefollowing 48th Season Festival Partners and Sponsors: Northeastern Illinois University, Interim President, Katrina Bell-Jordan, Ph.D., NEIU Department of Music and Dance, Caerus Foundation, Hurvis Foundation, Illinois Arts Council, Chicago Department of Cultural Affairs, Microsoft, Eugene Jarvis and Sasha Gerritson, Salme and Michael Steinberg, Sonia Florian,Estate of Gregory Ragsdale and the Ragsdale Family, FourStar Branding, The Nest, Jaleo by Jose Andres, Atzimba Catering and Events, Stonewolf Studios, Clinard Dance Theater, Instituto Cervantes, International Latino Cultural Center, Negocios Now, HMS Media and Chicago Dance Supply.

Special thank you to the Northeastern Illinois University Board of Trustees, NEIU Foundation, the North Shore Center for the Performing Arts and festival official hotel sponsor, Holiday Inn & Suites Chicago North Shore and O’Hare.

Ensemble Español Spanish Dance Theater 

“Flamenco Passion” Performances 

at the North Shore Center for the Performing Arts in Skokie, June 7-9

Act 1

“Sur” / South (2015)

Choreographer and Costume Designer: Raquel Gomez, Guest Artist

Music: David Dorantes, Pianist and Composer

Costume Production: Luz Creations Lighting Designer: Original concept by Nathan Tomlinson

Lighting design reimagined in 2023 by Dustin L. Derry

Dancers: Company

Raquel Gomez created this work that reaches back to the traditions of the Escuela Bolera (classical Spanish style) from the 18th Century, as it simultaneously embraces contemporary Flamenco music. “’Sur’ proves…that something with so much tradition and such deep cultural roots…can be current and keep its deepest history.” (Raquel Gomez)

Raquel Gomez performing her work Resiliencia. Photo by Dean Paul

“Resiliencia” / Resilience (Clasico Español), WORLD PREMIERE

Choreographer, Costume Design, Dancer: Raquel Gomez, Guest Artist

Music: Joni Fuller

Lighting Design: Dustin L. Derry

“The ability of the human spirit to overcome the obstacles that life challenges us with. It does not matter how much life challenges us with, what matters is how strong we become every time we get up.” (Raquel Gomez)

“El Bolero de Puerta de Tierra” (Escuela Bolera), WORLD PREMIERE

Choreographer: Raquel Gomez, inspired by Antonio Ruiz

Music: Isaac Albeniz (1860-1909)

Costume Design: Raquel Rodriguez Ruiz-Medrano

Costume Production: Luz Creations

Lighting Design: Dustin L. Derry

Dancers: Sammi Micklewright, Abigail Mosquera, Jonathan Pacheco, Irene Sivianes Fernandez, Martina Wensell

“My inspiration when putting together this choreography was the great teacher and dancer Antonio Ruiz. Ruiz was one of the first major artists to implement classical ballet in Spanish dance companies. This style and choreography requires great technical experience and artistry of classical ballet. My second inspiration was Ensemble Español’s beautiful and elegant choreography, ‘Seguidillas,’ performed by Dame Libby Komaiko. The work was set in 1977 by former artistic director of the National Ballet of Spain, Nana Lorca, to the Spanish zarzuela (light opera) music of ‘El Nino Judío’ by Pablo Luna.” (Raquel Gomez)

“Mi Andulicia”

Flamenco Guitarist: Curro de Maria

“Fantasia Suite Regional”

- Tribute to Juanjo Linares (1977)

Choreography by Nana Lorca, former artistic director of the National Ballet of Spain and (1984-2000): Juanjo Linares

Music: Traditional; Fernando Arias, Milladoiro, M. Padilla, Ginet, Guidi & Caserio

Costume Design: Juanjo Linares

Lighting Design: Dustin L. Derry

Dancers: Company

Maestro Juanjo (Sept.1933 -Nov. 2009) created 25 works for the full company from 1984 through 2000. As Spain’s foremost authority on folklore, Juanjo’s detail to the style, customs and celebration of the people of each region in Spain made him the legendary master on this art form. Now Ensemble Español honors his legacy by presenting excerpts from the regions of Galicia, Extremadura, and Valencia. Ensemble Espanol’s Irma Suarez Ruiz and Jorge Pérez have both performed and been a part of Juanjo’s works with the Ensemble Español since his first residency to Chicago in 1984.

“Chamberí” (Flamenco Caracoles) (2023)

Choreographer & Dancer : La Lupi, Guest Artist

Music: Curro de Maria & Pedro Medina

Musicians: Curro de Maria, Jose Alconchel, guitarists; Jose Diaz El Cachito, singer; Diego “El Negro” Alvarez, percussionist; José Moreno, singer, percussionist

Costume Design: La Lupi & Enrique Vicent

Lighting Design: Carlos Rodriguez

Chamberí, the oldest train station in Madrid. The cante por Caracoles, conceived by the singer D. Antonio

Chacón, pays tribute to the city as a key point for Andalusian artists who arrived and left for the capital. Madrid, with its open arms, welcomed these artists in a warm and hospitable way.

“Pasion Oculta”/ Hidden Passion (2019)

Choreographer and Costume Designer: Irma Suarez Ruiz, Artistic Director

Music: Escala

Costume Production: Luz Creations

Lighting Design: Dustin L. Derry

Dancers: Company

This Flamenco contemporary work, set on five couples of Ensemble Español Company dancers by artistic director, Irma Suarez Ruiz, portrays the hidden passions of love and desire. Ruiz set this sensual work to two songs by the all-female electronic string quartet, Escala: “Requiem for a Tower” and “Palladio.”

Act 2

“Compas de Seda” / Silk Rhythm, WORLD PREMIERE

Choreographer & Costume Designer: La Lupi, Guest Artist

Music Composition: Curro de Maria

Costume Design & Production: Enrique Vicent

Lighting Design : Dustin L. Derry

Dancers: Nalanie Molina, Sammi Micklewright, Abigail Mosquera, Irene Sivianes Fernandez, Maria Lujan,

Catherine Beza, Jose Torres, Juan Carlos Castellon, Luis Beltran, Jonathan Pacheco, Sergio Rojas, Miguel Conde

This work, in the Flamenco Guajiras palo/style dance, is based on the sung genre of Cuban music, a poetic art with music. A guajira is simply a song for voice and guitar with a series of similar letras. It became popular in the western and central regions of Cuba in the 17th century and consolidated as a genre in the 18th century. It has Andalusian and Canary Islands origins, and it integrated African elements in Cuba. The Flamenco guajira is the adaptation to Melos Flamenco of the Cuban point, the peasant point, a genre that brings together a series of songs called Guajiros that are grown in the rural areas of the island of Cuba.

“Duende Flamenco”

Music: Curro de Maria, Jose Alconchel, guitarists; Jose Diaz El Cachito, singer; Diego “El Negro” Alvarez, percussionist; José Moreno, singer, percussionist

Lighting Design: Dustin L. Derry

“A Silverio” (2022)

Choreographer and Dancer: La Lupi

Music: Curro de Maria and Livio Gianola

Costume Design: Enrique Vicent

Lighting Design: Tito Osuna

“…a bravura showcase of Flamenco Abandolaos and Serrana styles” (WTTW).

“Viejos Aires” / Flamenco Tango, WORLD PREMIERE

Choreographer, Dancer, Costume Designer: Antonio Najarro, Guest Artist

Music: Astor Piazzolla (1921-1992)

Costume Production: Enrique Vicente

Lighting Design: Dustin L. Derry

Dancers: Section 1: “Otoño Porteno” - the Company; Section 2: “Fuga y Misterio” - Antonio Najarro, Guest Artist

Antonio Najarro performs a solo in his Viejos Aires. Photo by Dean Paul

Section 3: “Viejos Aires” – the Company

“Choreographing my creation 'Viejos Aires' on the Ensemble Español dancers represented a personal reunion with the repertoire of my own dance company. ‘Viejos Aires’ has a choreography that has given me numerous successes throughout its presentation and performances in the best theaters around the world. Irma and Jorge’s invitation to set this work on the Ensemble Español as part of their extensive repertoire was exciting. I wanted to merge two very different styles in terms of technical elements: Argentinean tango and Spanish dance, including my own personal style. In Ensemble Español, I clearly saw a company with great desire and enthusiasm to assimilate, face and interpret this complex work. ‘Viejos Aires,’ from my point of view, is a timeless passionate choreography that speaks from the heart to the heart. (Antonio Najarro)

REVIEW: World Premiere of Otherworld's GARTERS: A QUEER IMMERSIVE ROMANTASY PLAY A Perfect Pick For Pride Month

ChiIL Live Shows On Our Radar 

 OTHERWORLD THEATRE'S WORLD PREMIERE OF

GARTERS: A QUEER IMMERSIVE ROMANTASY PLAY

(18+)

From l to r Chloe Basset, Kylie Carrol, Bruce Holtman, Quinton Walker - Photo by Nadir Waxali

Evocative Theatrical Journey Explores Themes of Romance, Gender Identity, 

and Representation

GARTERS is thoughtfully crafted for mature audiences aged 18 and older; viewer discretion is advised. 

 

May 31 - July 7, 2024

Guest Review

by Dugan Kenaz-Mara

In Garters we follow the tale of the knight Sir Yvain on not his, not her, but their quest to retrieve a magical object for their king. Garters does an excellent job of exploring and explaining the nonbinary identity in a way that elucidates some of the struggles nonbinary people face. The play also uses a butterfly motif as a representation of gender and calls attention to the existence of the chimera butterfly - a naturally nonbinary animal - to easily lead people with no knowledge of gender identities into the conversation. If you’re looking for a performance during pride month, Garters is a perfect pick. 

Jenny Hoppes and Kira Nutter - Photo by Nadir Waxali

Before seeing the show, there are a few things to take note of. First, it is rated R for sexual content. There is a bed placed at the center of the audience, and despite being obscured slightly by a veil, the audience members closest to it are mere inches from actors getting intimate. In a similar vein, the rest of the audience is incredibly close to the action. The house is tiny, with approximately 23 seats in 2 rows, meaning the actors (and their swords) get fairly close. The ensemble also talks to the audience during transitions between acts. Finally, because of the close nature of the seats, accessibility may be a concern for some people. We noticed that the seats at the end of the back row were high up without a step, and the gentleman next to us had trouble getting to it. Of course, the front row is still a great option and asking others to move may have helped make an easier path to those seats, but it is still worth noting. 

Garters is a story full of fantasy tropes that features the plentiful twists and turns that come with the genre. There’s a sprinkle of murder, a dash of espionage, and more disguises than you can count. 

The plot has just enough fantasy worldbuilding to make you feel like you’re actually a part of the world. We learn slowly throughout the show of the secret connections between characters, the folk tales that the people of the land heard growing up, the different occupations and lifestyles in each region of the journey, and most importantly the existence and importance of magic in the world. I loved how the magic brought morality questions into the story that we don’t face in real life. After all, if you can’t rule a kingdom without magic, should you really rule at all?

Yvain played by Kira Nutter - Photographer Parrish Davis-Sauls

A definite highlight of the show was the stage combat. Thanks to the intimate space, all of the action was easily visible and the audience got to feel like they were in the heart of it. One fight involves the entire cast, and utilizes swords, staves, and a rope for clever combat that you don’t get to see often. 

An additional fun tidbit is that there was a raffia fan laid out on each seat for the audience to use. They could be used as actual fans if the theater got too hot, but were also perfect for hiding your face from an intimate moment or talkative actor. 

Otherworld Theatre Company, the premier sci-fi and fantasy live theatre production company in North America, presents their world premiere mounting of playwright Natalie Zutter’s GARTERS: A QUEER IMMERSIVE ROMANTASY PLAY, running May 31 - July 7, 2024 at the theatre’s storefront location at 3914 N. Clark St. Tickets ($27 with some pay-what-you-can tickets available for each performance) available at www.otherworldtheatre. 

Dugan Kenaz-Mara is a designer, photographer, educator, and recent graduate of 

Northwestern University.

L to r Jenny Hoppes and Kira Nutter - Photo by Nadir Waxali

Once, two girls disguised themselves as boys to train to become knights. Seven years later, an unconventional knight and a worldly whore fallen on hard times meet at a brothel in the middle of nowhere and embark on an epic quest. Inspired by the works of Tamora Pierce and Jacqueline Carey, GARTERS is an epic fantasy play about the limited roles available to women and nonbinary folks in quest stories, and what happens when they don’t get to be the hero but don’t want to be the damsel. Experience an evocative theatrical journey exploring themes of romance, gender identity, and LGBTQ+ representation, thoughtfully crafted for mature audiences aged 18 and older.

GARTERS performances will be held Fridays and Saturdays at 7 p.m., and Sundays at 2 p.m. Tickets are $27 and can be purchased at www.otherworldtheatre; there are a limited number of Pay-What-You-Can tickets available for each performance. 

Hedy played by Jenny Hoppes- Photographer Parrish Davis-Sauls

Written By: Natalie Zutter

Directed By:  Blake Hood

Cast: Kira Nutter (Sir Yvain), Jenny Hoppes (Hedy), Jerome Michael Jones (Varic), Lauren Miller (Lady Dagomar), Chloe Basset (Lady Clotilda), Bruce Holtman (Innkeeper), Quinton Walker (Bandit), and Kylie Carroll (Laundress)

Production Team: Abbey Schnell (Stage Manager), Parrish Davis-Sauls (Costume Designer), Blake Hood & Tiffany Keane Schaefer (Set Designers), Sam Campos (Fight Director), Becca Schwartz (Intimacy Director), and Jake Mayer (Media Designer), Schnell & Hood (Lighting Designers)

Dates: May 31 - July 7, 2024

Press Opening: Friday, May 31, 2024 at 7 p.m.

Schedule: Fridays and Saturdays at 7 p.m., Sundays at 2 p.m.

Location: Otherworld Theatre, 3914 N. Clark St.

Tickets: General Admission: $27 with a limited number of pay-what-you-can tickets available for each performance. GARTERS is thoughtfully crafted for mature audiences aged 18 and older; viewer discretion is advised.

Box Office: www.otherworldtheatre.

ABOUT OTHERWORLD THEATRE COMPANY

Otherworld Theatre Company (3914 N. Clark St.) was founded in 2012 to bring a theatrical experience to the science fiction and fantasy genre. The Company’s work celebrates the depth of human imagination by engaging spectators in high quality storytelling. Otherworld Theatre Company stages original works in its pay-what-you-can Chicago, Illinois venue, presents virtual programming online, and produces immersive Live-Action Role Playing events through its partner company, Moonrise Games. For more information: www.otherworldtheatre.org

REVIEW: Neo-Commedia VIVA LA MORT Via The Conspirators Well Worth The Visit at Otherworld Theatre

ChiIL Live Shows On Our Radar 

THE CONSPIRATORS PRESENT

VIVA LA MORT

MAY 16 - JUNE 9, 

AT OTHERWORLD THEATRE

It’s the Conspirators, but With Music! 

A Pop-Icon Returns to Her Hometown to Wreak Havoc on Her Aging Ex

A happy eighth marriage

Photo by Candice Conner, Oomphotography

(left to right) Liam Ouweleen, Libby Conkle

Directed by Wm. Bullion, Lighting by Mike McShane, Costumes by Kit Medic

Guest Review

by Dugan Kenaz-Mara

Viva la Mort was one of the most unique plays I have had the pleasure of reviewing. The show takes up a ton of space, despite being in such a small room. With a high-stakes story, a mood that changes from comedy to tragedy on a dime, and crazy features like killer wolverines and dancing lobsters, it’s a performance that’s sure to delight. 

The first thing that needs mentioning is the style. And not just any style, “The Style”. The Conspirators are known for their neo-commedia techniques: Punctuating every beat with a live percussionist, staring down the audience, and turning emotion up to 11. Most striking is their intense face makeup, which is used to evoke a heightened character in the way a Commedia dell’Arte mask does. I would describe this style as “how it would feel if mimes were allowed to scream”. With the heavy stylizing, it can be a bit tricky to wrap your head around the story at the beginning. On stage, there is always a lot going on, but once you recognize ‘The Style’, it fades into the piece and does a lot to heighten the experience, heightening both the chaos and the order in the characters’ predestination.

Mort sees Viva for the first time in decades

Photo by Candice Conner, Oomphotography

(front left to right) Andrew Bosworth, Libby Conkle, Justin Ly

(back left to right) Dakota Norman, Mitchell Jackson, Corin Wiggins, Eva Andrews, 

Lex Mann Turner, and Madison Rivers

I would recommend looking over the plot of Friedrich Dürrenmatt’s “The Visit” if you don’t know that play already. Since this show is adapted from it, I found that knowing the basic plot was fairly helpful in following the story through its many stylistic layers. 

One thing that caught me by surprise was the quality of the music in the play. Viva la Mort is presented as a play with music, and my preconception was that it would be worse quality than a musical where actors would be chosen specifically for their singing abilities. I was pleasantly surprised when the first solo song occurred. Then, at the top of act 2 when everyone jumped in for a jaunty tune (The Barbecue Song) I was sold. The audience was bopping along and the energy was soaring, easily transporting the viewers back to the world of the show. 

The show had quite a few sneaky pop-culture references in it, but didn’t try too hard to point them out, and the comedy in it was strange and intriguing. The performance struck a balance of being self-contained and consistent within the world of the story and going off the rails with the chaos. It never took itself too seriously and broke the 4th wall multiple times, including having a character talk to the percussionist. I loved how even these moments of being ‘out of the play’ were still impactful by highlighting how much work went into the play’s style. When everyone breaks character for a moment it emphasizes how heavily the actors are invested. 

The technical elements were similarly great for the space provided. I loved how drastically the set, costumes, and lights changed alongside the characters as their situation evolves throughout the performance. Viva’s costumes were definitely a highlight, constantly showcasing her personality and extravagance despite changing over and over again. 

VIVA!

Photo by Candice Conner, Oomphotography

Libby Conkle as Viva

Viva la Mort was a high-energy experience, sure to bring you laughter, excitement, and a healthy dose of questioning your morality, all at the same time. 

Dugan Kenaz-Mara is a designer, photographer, educator, and recent graduate of 

Northwestern University.

 Is there still love between us, after all these years?

Photo by Candice Conner, Oomphotography

(left to right) Libby Conkle as Viva, Andrew Bosworth as Mort

The Conspirators are proud to present Viva la Mort, written by Sid Feldman and directed by Wm. Bullion, at the Otherworld Theatre, 3914 N. Clark St., May 16 - June 9. Press opening is Friday, May 17 at 7 p.m. and the regular performance schedule is Thursdays - Sundays at 7 p.m. Tickets are $30 and may be purchased online with student and senior discounts available. Information and tickets can also be found at www.otherworldtheatre.org. 

Viva, a superstar singer, Michigander and pop-icon (whose career spans four decades), returns to her hometown and to her just-as-aging ex, Mortenson Miller. Is the return out of generosity or revenge? Content Warning: songs, style, and possibly killer wolverines. Performed—with songs!—in The Conspirators’ inimitable style. 

“Viva la Mort is a bit of a departure for us,” said director Wm. Bullion. “I mean, you WILL laugh, but you may also cry or be terrified!” “While most of our recent work has been clearly political and satirical in nature,” added writer Sid Feldman, “this piece appears on the surface to be more of a traditional narrative. It does have political implications—but they are more disguised.”

The cast of Viva la Mort includes Eva Andrews (she/her, Police Chief Finkle); Andrew Bosworth (he/him, Mortenson “Sonny” Miller); Libby Conkle (she/her, Viva); Amy Delgado (she/they, ensemble/swing); Mitchell Jackson (he/him, Mayor Finkle); Justin Ly (they/them, Fritz); Dakota Norman (he/him, Bishop Miller); Liam Ouweleen (he/him, Johnny/Konnie/Lonnie/Mort US); Madison Rivers (they/she, Howard); Mary Spencer (she/her, Ellen Howard Miller/Eleanor Miller); Madeline Torem (Beatrix/ensemble); Lex Mann Turner (he/they, Howard); Tess Vincent (she/her, ensemble/swing); Christine Watt (she/her, Viva US); and Corin Wiggins (they/he/she, High School Dean Finkle)

The production crew includes: Wm. Bullion (he/him, director); Sid Feldman (he/him, playwright, producer and style coach); Amee Binder (she/her, choreographer); Mary Spencer (she/her, music director); Tommi Zender (he/him, arranger); Duke Mushroom (he/him, arranger); Christine Watt (she/her, dramaturg); Eric Luchen (he/him, scenic designer); Jonathan Berg-Einhorn (he/him, assoc. scenic designer); Mike McShane (he/him, lighting designer); Kit Medic (they/them, costume designer); Sebby Woldt (they/them, sound designer), Leo Bassow (he/him, props designer); Libby Beyreis (she/her, Violence Consultant) and Matthew Bonaccorso (he/him, stage manager).

ABOUT WM. BULLION (Director, Artistic Director)

Wm. Bullion is a veteran tragicomedian, director and actor on the fringe of the Chicago theater fringe and beyond. Bullion is an emeritus member of The Factory Theater, for whom he directed Prophet$ and Born Ready. He started Sliced Bread Productions in 1988 and put up some solid work before it folded in 2008. He co-founded the Conspirators in 2016 and has proudly directed their oeuvre, including The Ineptidemic; Accidental Death of a Black Motorist; The Deckchairs, or Make the Titanic Great Again and The Resistible Rise of Herr Helmut Drumpf—but he was a fool to think starting another theater group in Chicago is a viable, sustainable idea. Yet, here we are, getting grants and making stuff for YOU.

ABOUT SID FELDMAN (Playwright/Style Coach, Producing Director)

Sid Feldman co-founded The Conspirators and has written plays, adaptations, screenplays, reviews and essays. He has produced plays, concerts and events for numerous organizations including New Crime and Sliced Bread Productions (also with Wm. Bullion).

ABOUT THE CONSPIRATORS

The Conspirators are a (still relatively new) theater and performance collective in Chicago dedicated to provoking thought and action through dynamic, immediate theater art. The Conspirators work exclusively in a style of neo-Commedia called “The Style”—a highly theatrical performance mode developed by movie stars Tim Robbins and John Cusack from the techniques of Ariane Mnouchkine, Commedia dell’Arte, Bugs Bunny cartoons and punk rock, as historically performed by New Crime Prod. (R.I.P.) and The Actors’ Gang. The company also offers Style workshops to interested performers of all calibers.

The Conspirators present the world premiere of Viva la Mort, written by Sid Feldman and directed by Wm. Bullion, at the Otherworld Theatre, 3914 N. Clark St., May 16 - June 9. The press opening is Friday, May 17 at 7 p.m. and the regular performance schedule is Thursdays - Sundays at 7 p.m. Tickets are $30 and may be purchased online with student and senior discounts available. Information and tickets can also be found at www.otherworldtheatre.org. 

For more show info, go to www.ConspireWithUs.org and follow The Conspirators on Facebook and Instagram.

 

(Conspirators_Viva_4) Viva’s newest video drop

Photo by Candice Conner, Oomphotography

Libby Conkle as Viva

Directed by Wm. Bullion, Choreography by Amee Binder, Lighting by Mike McShane, 

Costumes by Kit Medic

REVIEW: What the Elf? At Second City Chicago

ChiIL Live Shows On Our Radar

What the Elf?

Review 

by Catherine “Land of Misfit Toys” Hellmann, Guest Critic 

Second City shows can be rather hit-or-miss. Like Forrest Gump’s proverbial box of Advent chocolates, you never know just quite what you’re gonna get…I was sort of hoping that What the Elf? was going to be a hilarious sendup of my beloved movie, Elf. 

It’s not. But--it is very entertaining as an absurd collection of goofy holiday sketches with a very talented cast of six: three women and three men who deliver an exuberant collection of strange, oddball, occasionally touching, and frequently funny scenes. 

The show begins with a funny tribute song about Chicago scenes like The Bean and traditions like “Don’t Eat Ketchup on Your Hot Dog.” My first favorite sketch was a funny song by Javid Iqbal called “The Muslim Song” with lyrics that he “can’t wait to eat with you” at the end of Ramadan. 

Two “identical twin” elves appeared (never mind that they are different genders) to interact with the crowd with gift suggestions for those hard-to-buy-for loved ones on your list. Bill Letz’s over-the-top energy was incredible in every scene he inhabited. When told that one woman’s fiance loves “The Bears, wine, and his iPad,” the twins advise that she needs to get him “some other interests for Christmas.” The fiance was sitting right there, which made it even funnier, especially after a couple drinks. Another guest with a tough-to-buy-for relative was told: ”Get him a fucking flashlight or something.” 

One of our absolute favorite sketches was a game-show-like premise to guess “Which one is NOT an Elf?” One sweet-looking character, played by the very talented Jenelle Cheyne, had a surprise Satan voice, accompanied by her contorted face and hands, that was hysterical. The final summary was: “Don’t trust someone because they say things with conviction and have a platform.” Wise message. ;-) 

Before intermission, there was a wonderfully choreographed dance number from The Nutcracker performed in office chairs. That was a hoot! 

Scrooge and Jacob Marley did a wonderful sketch using audience suggestions that worked beautifully into the dialogue. Very funny results using lines of dialogue from movies and song lyrics, like the Bruce Springsteen line of “Tramps like us, baby we were born to run!” on Scrooge’s gravestone. (You couldn’t predict an awesome moment like that!) And “You shook me all night long!” very inappropriately said to sweet, innocent Tiny Tim. This is what improv was made for! 

Jenelle Cheyne had some marvelous audience interaction as a poor, hungry orphan begging for food from the front row. Someone gave her a lime, which she scoffed as “wet citrus.” She persuaded a woman to give her a coat and another lady her cell phone; those items she planned to sell on Ebay!

One of the highlights of the evening had to be the wives of the Three Wise Men dishing about their husbands. “For three wise men, our husbands can be morons!” That was a very inspired scene with their gossiping how Joseph was a carpenter who “must be good with his hands!” and how Mary “should have had a birth plan” before she gave birth in a manger! What was Mary thinking not getting a hotel reservation?! 

There was a bonus Act III with more of the pure improv and joy that has made Second City famous. It’s worth sticking around. 

Whether you live in town or the ‘burbs, if you're hanging at home for the holidays, or need to entertain out of town guests, What the Elf? is sure to please every adult on your list this holiday season.

Catherine Hellmann has a birthday near Christmas and has always felt rather ripped off. But at least she’s on vacation from school. Santa would put her on the naughty list based on swearing alone…  

What the Elf?

It’s just not the holidays without hot cocoa…and hot takes! Make merry at The Second City with this original sketch, variety, and improv celebration of the season. After all, what better time to look back and laugh at 2022? Let’s toast to the best…and roast all the rest. 

Thursdays – Saturdays at 8pm

Sundays at 7pm 

The Best of Holidays 

We guarantee yule laugh a whole latke as The Second City unwraps the most wonderful time of the year in our nut-cracking-est, jingle-bell-ing-est revue ever! Celebrate over sixty years of sketches, songs, and comedic conviviality as the next generation of comedy superstars perform our greatest holiday hits. 

Mondays at 8pm

Saturdays at 3pm 

Holiday Improv Brunch

From uproarious laughter to limitless libations, The Second City’s Holiday Improv Brunch is the gift that keeps on giving! Bring your band of merrymakers as we scramble together two of everyone’s favorites, comedy and brunch, for a scrumptiously seasonal breakfast with a totally improvised experience from the city’s finest. 

Sundays at noon

 

REVIEW: Queer Eye: The Musical Parody Now Playing at The Second City in Chicago

 ChiIL Live Shows On Our Radar

Queer Eye: The Musical Parody

at The Second City in Chicago 

REVIEW:

By Catherine Hellmann, Guest Critic 

My older daughter and I loved to watch the original “Queer Eye” when she was in high school. She’s now been finished with grad school about ten years. Yeah, we’re talking 2003. I’m wondering why bother to skewer an outdated show? Well, a new “Queer Eye” debuted in 2018 with a different cast who are mimicked perfectly in this funny production at Second City. My cynicism was won over. The talented cast have high energy, fun dance moves, and great voices which add to their over-the-top performances and drive the momentum of the show. I’ve been dragging my new-to-Chicago sister to a LOT of theater, and she said this was one of her favorites. 

The poor sap (victim!) being made over is “Sam,”(Bryson Howard) who lives in his mom’s basement, was breastfed until he was 9 (ewww…), plays “Fortnite,” and “is unemployed but an aspiring puppetteer.” This prize of manhood is adored by his childhood friend Claire, played with goofy enthusiasm by Bridget Adams-King (who has an astounding voice). Of course, Sam is too clueless to realize that Claire has a tremendous crush on him. (hysterical puppet scene a la “Avenue Q” late in the show).      

While being made over, Sam # 1 transforms into Sam # 2, played by the charismatic Jordan Dell Harris. One of the big improvements is switching out Sam’s ugly t-shirt; even his mother tells him,”This shirt says, ‘You’re a virgin.’”

Or as the fashionista (Tina Arfaee) sings: “Straight men’s clothes bring me to tears. They look like they haven’t shopped in years.” 

There are ongoing jokes that the home makeover guy has to perform the most work, with Eddie Ledford as Bobby nearly having a nervous breakdown about needing to redo an entire living space. The other members of the “Fab Five” get off pretty easy with their tasks, especially the “Culture” guy, Karamo (Evan Tyrone Martin). My daughter and I always pondered exactly what the hell his role contributed. Here, Karamo sings how he doesn’t know what to do when it’s his segment. (“I got nothin’!”) 

My sister’s favorite Fab Five was the grooming/hairdresser Jonathan, played with relish by Evan Starkweather. His comic timing and reactions were spot-on. They were funny as he delivered them, but I later watched an episode of the new “Queer Eye,” and he is channeling the hairdresser on the show. (“Are we about to bond?”) 

My personal fave was the food guy, Antoni, played by the adorable (and hot!) Dominic Rescigno. He confesses that he is the “eye candy” of the show and asks when can he take his shirt off? Loved his cooking segment in his “Kiss the Cok” apron! (and avocado puppets!) 

Dakota Hughes got a huge cheer from the crowd with her rousing song imploring Sam to move out of her house! She and Adams-King both had two roles with lots of back-and-forth costume changes. One of the funniest bits was when their characters asked where their other characters were and made a hasty excuse of, “Uhhhh…She’s busy.” 

None of the show is possible without the tremendous talent of Music Director/Composer/Lyricist/Orchestrator Heidi Joosten. She keeps it all together. I could hardly believe she was the only instrumentalist. 

After the show, I walked my sis around so she could see the informal museum that celebrates all the talent that has rolled through Second City. All those famous faces that have created a huge legacy In Chicago. We’re lucky this theater is here. 

Catherine Hellmann could use a makeover, but who has time between teaching teenagers and attending theater?  

Legendary Chicago comedy institution The Second City is excited to present Queer Eye: The Musical Parody. Co-created and co-written by Second City Mainstage ensemble member Evan Mills and Heidi Joosten, the show will be co-directed by Mills and Stephen Schellhardt, who is also choreographer. Joosten, the composer, lyricist and orchestrator for the show, will fill the role of musical director. Cast members include Bridget Adams-King, Tina Arfaee, Jordan Dell Harris, Bryson Howard, Dakota Hughes, Eddie Ledford, Evan Tyrone Martin, Dominic Rescigno, and Evan Starkweather. Shannon Golden-Starr is stage manager.

Inspired by the hit Netflix show Queer Eye, Second City audiences will follow everybody's fave Fab Five as they help an Average Joe manifest their full potential through aggressive self-love, laugh-out-loud comedy, and more songs than you can handle, henny! Watch a two-act "episode" of the show we all thought we knew... until now. Queer Eye: The Musical Parody features all the avocados, plenty of pompadours, and maybe even a puppet or two. Say "YASS, and" to this hilarious experience where things just keep on getting better...and funnier! 

Tickets for Queer Eye: The Musical Parody start at $39.00 and are available by phone at 312-337-3992 or online at secondcity.com. The show schedule is as follows beginning May 26, 2022: Thursdays-Saturdays at 8pm; Sundays at 7pm in UP Comedy Club.

About the Artists

Bridget Adams-King (“Claire/Rachel”) (she/her) is thrilled and so grateful to be making her Second City debut! Some of the theaters she has previously worked with include Chicago Shakespeare Theater, Kokandy Productions, Northlight Theatre, and Griffin Theatre. She is a two-time Jeff-nominated performer for her portrayal of “Kate” in If/Then at Brown Paper Box Co. and “Lucy Parsons” in Underscore Theatre Company’s 2018 production of Haymarket: A New Folk Musical. She has also appeared in an episode of NBC’s hit show Chicago PD. She is repped by Gray Talent Group. @badamsking www.bridgetadamsking.com 


Tina Arfaee (“Tan”) (they/any) has been writing and performing in Chicago since 2012, most notably at The Annoyance Theater with Matt Damon Improv. With MDI, she wrote and starred in the web series In-Diana. She has also appeared on an episode of Chicago Fire, Centered the web series, and short film The Sweatshirt. Tina is a graduate of The Second City/NBC Universal Bob Curry Fellowship. She is repped by Big Mouth Talent. @tinatwocats

Shannon Golden-Starr (Stage Manager) (She/They) CHICAGO: I, Banquo, Short Shakespeare: The Comedy of Errors, Q Brothers' Christmas Carol, Shakespeare in the Parks production of A Midsummer Night’s Dream (Chicago Shakespeare Theatre), Frankenstein, Act(s) of God, Plantation!, Hard Times, Moby Dick, Thaddeus and Slocuum: A Vaudeville Adventure (Lookingglass Theatre Company); The Very Hungry Caterpillar, Frederick (Chicago Children’s Theatre); The King of the Yees, Uncle Vanya, Carlyle, Soups Stews and Casseroles: 1976, Feathers and Teeth (Goodman Theatre); The Mutilated, Simpatico (A Red Orchid Theatre); This Wonderful Life (American Blues Theater); Betrayal (Raven Theatre).

Jordan Dell Harris (“Sam #2”)  (he/him) is making his Second City debut! He was last seen onstage as “Donald” in Windy City Playhouse’s The Boys in the Band (Jeff Award winner, Best Ensemble). Other Chicago credits include work with Goodman Theatre, Raven Theatre, Griffin Theatre, The Story Theatre, BoHo Theatre and more. TV credits include 4400 (CW) and Next (Fox).  www.JordanDellHarris.com 

Bryson Howard (“Sam #1”) (he/him) is a Chicago transplant from South Carolina by way of Nashville, TN, and Paris, France. After four and a half years of performing improv and scripted comedy around Chicago, the city thankfully has not yet rejected the transplant. He has been fortunate enough to perform in several shows at The Annoyance Theatre; he was part of the cast of The Queer Eye: The Musical Parody at the Playground Theater; he is an ensemble member of Baby Wants Candy, and he can be found performing improv at various venues in Chicago with his comedy partner Cassidy Russell. Twitter: @BrysonHoward. Instagram: @BrysonDallasHoward.

Dakota Hughes (“Bev/Executive Producer”) (They/Them) is ecstatic to make their Second City debut! Dakota is a Los Angeles native and graduate of Columbia College Chicago, where they earned a BFA in Musical Theatre Performance. Some favorite credits include Kinky Boots, Cinderella (Paramount Theatre), American Idiot (The Hypocrites), Lizzie (Firebrand), Thrones! The Parody Musical! (The Apollo Theater), and [title of show] (Open Door Rep).

Heidi Joosten (Music Director/Composer/Lyricist/Orchestrator) (she/her) is thrilled and grateful to be making her Second City debut with this show that is so near and dear to her heart. A multi-hyphenate performing artist, Heidi has collaborated on over 100 new theatrical, comedic, and concert works in the Chicagoland area since her arrival in 2014. Notable writing credits include: Queer Eye: the Musical Parody (The Second City), Saint Hildegard: the Rupertsberg Tour (Theo Ubique), Micro (Music Theatre of Madison), and The Bone Harp (Underscore Theatre Company). Joosten is a highly-sought after composer with over 200 works to her name, and her award-winning music has been performed across the United States, Canada, Europe and Australia. Heidi holds a Bachelors of Music from the University of Wisconsin-Eau Claire and Masters of Music from Roosevelt University - Chicago College of Performing Arts. Proud member of ASCAP and the Dramatists Guild. www.heidijoosten.com

Eddie Ledford (“Bobby”) (he/him) is a Chicago-based actor, singer and comedian. He is a graduate of The Second City’s Conservatory, an ensemble member of the queer comedy group Baby Wine, and has performed in theaters, festivals and digital projects around the city including The Annoyance, Rhino Fest, Chicago Sketch Fest, Ordinary Peepholes, Commercial Appeal and web series Guilty. He originated the role of “Bobby” in the show’s initial run at The Playground Theatre and is very happy and grateful to reprise it at The Second City. Instagram: @_eddele

Evan Tyrone Martin (“Karamo”) (he/him) is excited to be making his Second City debut! Most recently, Evan could be seen in Blues In The Night at Porchlight Music Theatre opposite Broadway star Felicia P. Fields. Regional credits: “Jim” in Roundabout Theatre's digital reading of Zora Neale-Hurston's musical SPUNK (directed by Lili-Ann Brown); The Black Clown (Ensemble) at American Repertory Theater/Lincoln Center's 2019 Mostly Mozart Festival; Hair (“Hud”) at Mercury Theater; Jesus Christ Superstar (“Jesus,” BTAA Nomination) at Paramount Theatre; Dreamgirls (“Curtis,” BTAA Nomination) and Far From Heaven (“Raymond,” Jeff nomination) at Porchlight Music Theatre; and The Little Mermaid (“King Triton”) at Arkansas Rep. Evan has worked with Godspeed, Arkansas Shakes, Chicago Shakes, Chicago Humanities Festival, and many others. He also toured starring in the hit revues Unforgettable: Falling in Love with Nat King Cole and An Unforgettable Nat King Cole Christmas. Next up, Evan will play “Mister” in The Color Purple at the legendary MUNY in St. Louis. Instagram: @3vanMart1n. He is repped by Paonessa Talent.

Evan Mills (Co-Director/Writer/Creator)( He/Him) is incredibly grateful to be co-directing the original musical he wrote with his writing partner Heidi Joosten, Queer Eye: The Musical Parody. He is currently an ensemble member in The Second City’s 110th Mainstage Revue and was previously an ensemble member of The Second City Mainstage revue Together at Last. Evan has toured with Second City’s RedCo and is a recipient of the Bob Curry Fellowship Program. He spent a summer in Washington D.C., performing at the Kennedy Center in Generation Gap and has also performed at the Chicago Symphony Orchestra with The Young Person’s Guide to the Orchestra. He has been featured in the Break Out Comedy Festival, LA Laughter Comedy Fest, and the Comedy Central Showcase. You can check out his original music on Spotify (“A Little Bit Alexis” cover and “Sissy Boy”) and follow him on all social media platforms @awkvanmills.


Dominic Rescigno (“Antoni”) (he/him) is experiencing a dream come true doing this show with these people on this stage. He is a graduate of Second City’s Comedy Studies program and is currently finishing the Conservatory. He has performed for Lyric Opera of Chicago, The Onion, ClickHole, Walt Disney World, and starred in Chicago's long-running comedy Tony N' Tina's Wedding. His two webseries The Dominics and Dominic Tonight! have been critically ignored.  www.dominicrescigno.com | @dominicrescigno

Stephen Schellhardt (Co-Director/Choreographer) (he/him) is thrilled to be a part of the Queer Eye: A Musical Parody family. He is a Jeff Award-winning director and actor, as well as choreographer, producer, educator, and casting director. In Chicago, Stephen has worked with the Marriott Theater, Writers Theatre, Drury Lane Theatre, Mercury Theater, Chicago Shakespeare Theater, About Face Theatre, Northlight Theatre, Chicago’s Lyric Opera, The Goodman Theatre, Porchlight Music Theatre, Ravinia Festival, Northwestern University, and BoHo Theatre, where he served as a company member and Artistic Director for six years. National tours include Altar Boyz. International credits include Jane Austen’s Persuasion at The Royal Winchester Theatre in England and the Shanklin Theatre on The Isle of Wight (Chamber Opera Chicago). From 2014-2017, Stephen served as Associate Producer and Casting Director at Writers Theatre in Glencoe before becoming a visiting professor at Northwestern University and then moving to The Chicago College of Performing Arts, where he now holds the title of Head of Musical Theatre. Stephen is a graduate of Carnegie Mellon University’s School of Drama and a proud member of the Actors Equity Association.  

Evan Starkweather (“Jonathan”) (he/they) is a Chicago-based performer and writer making their Second City debut. They were last seen performing karaoke at a bar in New Orleans during Mardi Gras, but before that, they wrote and performed numerous sketch and musical variety shows at The Annoyance, The Playground, and The Second City Training Center. They are a graduate of The Second City Conservatory, and their music video “Platonic Gay Best Friend” has been featured on Funny or Die. @evanspelledellen

About The Second City

The Second City opened its doors in 1959 as a small comedy cabaret and has since grown to become the world’s most influential name in improv and comedy. Second City's stages, Touring Companies, and Training Centers across North America have proudly been the launch pad for many of the funniest names on the planet, including John Belushi, John Candy, Steve Carell, Stephen Colbert, Chris Farley, Tina Fey, Keegan-Michael Key, Eugene Levy, Tim Meadows, Bill Murray, Mike Myers, Suzy Nakamura, Catherine O’Hara, Amy Poehler, Gilda Radner, Sam Richardson, Joan Rivers, Amber Ruffin, Jason Sudeikis, and Steven Yeun, among many more.