REVIEW: The Outsider Now Playing Through February 22 at Oil Lamp Theater

ChiIL Live Shows On Our Radar: 

Oil Lamp's Finding the Funny in Political Theatre 

OIL LAMP THEATER’S 2026 SEASON KICKS OFF WITH 

THE OUTSIDER

NOW PLAYING THROUGH FEBRUARY 22, 2026

DIRECTED BY SCOTT WESTERMAN

A Comedy of Campaign Chaos Kicks Off the New Season

REVIEW

By Bonnie Kenaz-Mara

In the weird microcosm that is Chicago Theatre, you can catch both The Outsider and The Outsiders playing this February. Lest you get confused, the first to open, Oil Lamp Theatre's political comedy, is a laugh out loud slice of hilarious human nature. What a welcome break from the alternating tragedy and absurdist theatre our actual US politics so often descend into these days.  

We were charmed and amused by Ned Newley, a guy too smart, genuine, and nice to be governor. He's been running everything efficiently for years, behind the scenes, while the corrupt governor playboy takes credit for his work and goofs off. When the camera shy, bumbling 2nd in command becomes governor by default, the pr team runs triage and hilarity ensues. Newbie Newley won our hearts, and while the jokes and physical comedy provided a welcome breath of fresh laughter, there's depth and truth to this tale too. It's about time we take another look at slickness over substance; image over integrity, and start picking politicians with brains and a moral compass, over social media fluff that polls well. 

The entire cast brought a high energy, playful vibe to the production, that's well worth a trek to suburban Glenview. Even my husband, a location sound engineer, who's done plenty of political press junkets over the decades, thought it was quite funny and spot on. He's run audio for Joe Biden (ABC: World News Tonight) and George W Bush (CNN),  as well as lots of local politicians, so he found the crew bits particularly funny. 

The Outsider's got our vote! Three out of three stars. ★★★ Recommended. 

Kudos also to Oil Lamp on their recent expansion with the SPARK CENTER, which offers arts education for all ages with a focus on youth. In September 2025, Oil Lamp launched Light The Way, a transformative fundraising campaign designed to expand arts education, strengthen essential staff and establish a larger performance venue. Here at ChiIL Live Shows, we've been covering Oil Lamp for years and we're excited to see what's next for this intrepid, suburban storefront. We hope they'll continue with the beloved, free chocolate chip cookies from Misericordia, in their new lobby, too. 

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).

Oil Lamp Theater’s first production of its 2026 season, The Outsider, written by Paul Slade Smith and directed by Scott Westerman, is now playing through February 22 at Oil Lamp Theater, 1723 Glenview Road. The running time, including the intermission, is two hours and 15 minutes. The performance schedule is Thursdays and Fridays at 7:30 p.m., Saturdays at 3 and 7:30 p.m. and Sundays at 3 p.m. There will be additional Wednesday performances Jan. 28 and Feb. 11 at 11 a.m. and 3 p.m. and Feb. 18 at 7:30 p.m. There will be an understudy performance on Wednesday, Feb. 4 at 7:30 p.m.Tickets are on sale now for $30 for previews and $55 for the run at OilLampTheater.org.

When the sitting governor gets kicked out of office for, you guessed it, corruption, it’s time for someone new to take the throne… uh...the role. And the polls are in, it's time for an outsider. Enter bumbling brainiac Ned Newley. With bright ideas and hope in his eyes, he’s the perfect candidate - on paper. It will take a team of dedicated pollsters, campaign coordinators and more notecards than one can count, to turn him into a poised politician who can expertly avoid questions like it's his job. This knee-slappingly hilarious play will have the audience reaching across the aisle to share a laugh. Audiences may even find a renewed sense of hope for politics…okay maybe not… but they'll at least enjoy an absolutely hysterical and highly entertaining break from the news.

The cast of The Outsider includes (in alphabetical order) Andrew Bosworth (he/him, Arthur Vance); Sara DiPasquale (she/her, Rachel Parsons); Kenneth D. Johnson (he/him, A.C. Petersen); Michael Morrow (he/they, Dave Riley); Melody Rowland (she/her, Paige Caldwell); William Ryder (he/him, Ned Newley) and Jenna Steege (she/they, Louise Peakes) with understudies Sam Fain (he/they, U/S Ned Newley and U/S Arthur Vance); Stanley King (he/him, U/S A.C. Petersen); Megan Kueter (she/her, U/S Paige Caldwell and U/S Rachel Parsons); Sean Price (he/him, U/S Dave Riley), and Amy Yulish (she/her, U/S Louise Peakes).

The production team includes Scott Westerman (he/him, director); Sara Segneri (she/her, stage manager); Connor Windle (she/her, production manager); Rose Leisner (she/her, company manager); Spencer Donovan (he/him, scenic designer); Ellen Markus (she/her; properties designer); Janelle Smith (she/they; costume designer); Rachel D. Hemm (she/her, lighting designer); Alex Trinh (he/him, sound designer) and Andy Cahoon (he/him, technical director).

ABOUT PAUL SLADE SMITH, Playwright

Paul Slade Smith is an actor and playwright living in Brooklyn, New York with his wife, actress Erin Noel Grennan. He received a Helpmann Award nomination for his performance as “Willy Wonka” in the Australian premiere of the Broadway musical Charlie and the Chocolate Factory. ​Stateside, his acting credits include: the original Broadway casts of Charlie and the Chocolate Factory, Finding Neverland and the 2018 Lincoln Center revival of My Fair Lady; U.S. national tours of Wicked (“Doctor Dillamond”), My Fair Lady (“Jaime”) ​and The Phantom of the Opera; and productions at American Repertory Theatre, The Goodman, Steppenwolf, Chicago Shakespeare Theater, ​Alabama Shakespeare Festival, Paper Mill Playhouse, The Goodspeed, Geva Theatre Center, Asolo Repertory and Theatre Under the Stars in Houston, Texas. His TV credits include NBC's “The Blacklist” and “The Other Two” and “The Gilded Age”, both on HBO. He is the award-winning author of three plays: Unnecessary Farce, The Outsider and Theatre People, or the Angel Next Door.

ABOUT SCOTT WESTERMAN, Director

Scott Westerman is the founding artistic director of Go To Productions, a 501©3 nonprofit which develops projects that explore the nexus between live theatre and film. He created and directed the web series “Hamlet & Ophelia” which won Best Picture at the New York Film Awards, Best Web Series at the LA Film Awards and Best Mobile Series at the 2022 New Media Film Festival. Westerman has directed stage productions for The Artistic Home, Citadel Theatre, ChiArts, City Lit Theatre, Chimera Theatre Company, Beyond This Point, Barter Theatre, Stage Left Theatre, The Smithsonian Institution, American Theatre Company (Bridge) and Reverie Theatre Company. He is a member of the Screen Actors Guild, an ensemble member with The Artistic Home, represented by Gray Talent Group and a teaching artist with Lookingglass Theatre, Writers Theatre and Filament Theatre. He has an MFA from The Shakespeare Theatre Academy. As an actor, he has worked with Steppenwolf Theatre, Writers Theatre, Chicago Shakespeare Theatre, Lookingglass, Northlight Theatre, The Shakespeare Theatre Company and Ford’s Theatre in DC, Everyman Theatre in Baltimore, the Warehouse Theatre in South Carolina and the Barter Theatre in Virginia to name a few. On camera credits include “Chicago Fire,” “Machine Gun Preacher” and “Prison Break.”


MORE FROM FROM OIL LAMP THEATER

Poor Behavior
April 10 – May 10, 2026

By Theresa Rebeck
Directed by Lauren Katz
Preview Performances: Friday, April 10 at 7:30 p.m. and Saturday, April 11 at 3 p.m.
Opening Night: Saturday, April 11 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday, April 15 at 11 a.m and 3 p.m.; Wednesday, April 22 at 7:30 p.m.; Wednesday April 29 at 11 a.m. and 3 p.m.; and Wednesday May 6 at 7:30 p.m.

A visit from old friends takes an unexpected turn when a bombshell accusation throws niceties out the window. Hospitality turns to havoc. Sanity shatters into shambles. Manners take a backseat as two couples are pushed to their limits during a weekend in the country. Will they be able to pick up the pieces over wine and muffins or will their poor behavior leave them irrevocably broken? Find out in this sharp-witted play by acclaimed playwright Theresa Rebeck.

The Last 5 Years
June 5 – July 5, 2026

Book, music and lyrics by Jason Robert Brown
Directed by Christina Ramirez
Music Directed by Amy Branahl
Preview performances: Friday, June 5 at 7:30 p.m., Saturday June 6 at 3 p.m.
Opening Night: Saturday, June 6 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday, June 10 at 11 a.m. and 3 p.m.; Wednesday June 17 at 7:30 p.m.; Wednesday, June 24 at 11 a.m. and 3 p.m.; and Wednesday July 1 at 7:30 p.m. There are no performances on Saturday July 4.

Straight from Broadway, Jason Robert Brown’s musical masterpiece The Last Five Years comes to Oil Lamp Theater. This widely beloved show takes audiences on the romantic rollercoaster of Jamie and Cathy as they fall in and out of love over the last five years. Told from each individual’s perspective – one chronologically and one backwards – audiences will be swept into the unique storytelling and find an anti-love story full of humor and heart. Hailed as a powerful and intimate production, this Drama Desk Award-winner for Outstanding Music is not to be missed.

I Love You Because
August 14 – September 13, 2026

Book and Lyrics by Ryan Cunningham
Music by Joshua Salzman
Directed by Scott Shallenbarger
Music Directed by Aaron Kahn
Preview Performances: Friday, Aug. 14 at 7:30 p.m. and Saturday Aug. 15 at 3 p.m .
Opening Night: Saturday, Aug. 15 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday Aug. 19 at 11 a.m. and 3 p.m.; Wednesday, Aug. 26 at 7:30 p.m.; Wednesday September 2 at 11 a.m. and 3 p.m.; and Wednesday September 9 at 7:30 p.m.

Modern dating is a mess. Sometimes to find Mr. Right you need to find Mr. Wrong even if that means seeing someone stuck on their ex, awkward encounters of the intimate kind and lots of horrible coffee dates. Opposites attract in this feel-good musical that will transport audiences into the heart of your favorite guilty pleasure rom-com. Created by acclaimed musical team Ryan Cunningham and Joshua Salzman and inspired by Jane Austen’s gold-standard romance novel “Pride and Prejudice,” this delightful musical will make you fall head over heels.

Dial M for Murder
October 2 – November 1, 2026\

Adapted by Jeffrey Hatcher from the original play by Frederick Knott
Directed by Daniel King
Preview Performances: Friday, Oct. 2 at 7:30 p.m. and Saturday Oct. 3 at 3 p.m.
Opening Night: Saturday, Oct. 3 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday, Oct. 7 at 11 a.m. and 3 p.m.; Wednesday Oct. 14 at 7:30 p.m.; Wednesday Oct. 21 at 11:00 a.m. and 3 p.m. and Wednesday, Oct. 28 at 7:30 p.m.

Alfred Hitchcock’s adored, chilling thriller gets a modern twist that no one will see coming. A murderous misstep begins a high-stakes hunt for the real criminal as time is quickly running out. This captivating, heart-racing play leaves audiences on the edge of their seats while the mystery of the year unravels before their eyes. Will the clues unlock the right person, or will an innocent victim pay the price? The suspense is to die for…

*All productions, dates, creatives, etc. are subject to change.


ABOUT OIL LAMP THEATER

Oil Lamp Theater is a professional nonprofit performing arts organization in Glenview, Illinois, welcoming over 10,000 patrons annually from more than 225 communities—41% from Glenview and others from across the North Shore and Chicago. Since establishing its intimate 60-seat home in downtown Glenview in 2012, Oil Lamp has grown into a cultural beacon, earning recognition as “Best Live Theatre in the North Shore” for four consecutive years.

With more than 70 productions to date, Oil Lamp is known for its dynamic Mainstage season, special events and its resilience during the pandemic, when it innovated with drive-in performances and outdoor productions. Today, the theatre continues to foster connection, broaden horizons and illuminate the human condition through professional theater and year-round programming.

In addition to its productions, Oil Lamp recently expanded with the SPARK CENTER, which offers arts education for all ages with a focus on youth. These process-driven classes inspire a lifelong love of the arts while equipping students with creativity, confidence and critical life skills.

In September 2025, Oil Lamp launched Light The Way, a transformative fundraising campaign designed to expand arts education, strengthen essential staff and establish a larger performance venue with the goal of staying in downtown Glenview. Building on its roots as a scrappy storefront, Oil Lamp is evolving into a more robust organization—without losing the intimacy and warmth that define its theater experience. Oil Lamp Theater hopes this announcement inspires excitement throughout the community. Interested community members are invited to learn more by reaching out to the theater and staying tuned as additional news is shared in the near future. For information or to support the campaign go to OilLampTheater.org/Light-the-Way or reach out to Oil Lamp at light-the-way@oillamptheater.org.

Production photo credit: Gosia Matuszewska - GosiaPhotography.com for Oil Lamp Theater’s The Outsider, now playing through February 22 at Oil Lamp Theater, 1723 Glenview Road in Glenview.

REVIEW: Laura Heit: The Matchbox Shows Now Playing Through January 25th, 2026

ChiIL Live Shows On Our Radar

Chicago Puppet Fest presents: 

Laura Heit: The Matchbox Shows

Laura Heit's unmatched!  

We adored this wonderfully weird production. Think that late night, tiny, tabletop puppet fun might be your jam? This show has fire, wind, human created foley noises, and even puppet porn worthy of a 12 year old boy in a bathroom stall. She even becomes her own sequined backdrop with a delightful interplay of light, motion, and projection. 

Portland, Oregon based Heit has 25 years of practice making miniature magic and has perfected her niche craft in a big way. Not one to be boxed in, this microcosm contains dreams, odd stories, and wickedly creative, delightful absurd scenarios. The art is so bad it's good. And her DIY vibe is also inspiring and makes me want to go home and make an entire mini world of oddities in the service of storytelling. Worth the admission price to see the teeny news helicopter with the pinwheel propellor! Recommended. 

Laura Heit also has two nights of shorts playing at Music Box Theatre, which I was unable to get press tickets to review, and a free looping exhibition on the 4th floor of The Fine Arts Building which we loved. Check her out. 

Exhibitions at The Puppet Hub
“Two Ways Down” by Laura Heit

An immersive shadow puppet and hand-drawn animated installation, by visiting puppet artist Laura Heit. Taking inspiration from the Hieronymus Bosch work, Garden of Earthly Delights, this fantastical piece reflects on the momentary nature of life using thrown shadows from tabletop dioramas and reflected and refracted animated projections to create a fleeting world where human-animal hybrids, specters, and body parts morph and flit across the walls.

Laura Heit: The Matchbox Shows

* 25th Anniversary of The Matchbox Shows *

Laura Heit walks on stage with a glass of wine wearing a sequined tube top. She takes her place behind a table and begins to bring to life her miniature cabaret. Playing the part of Miniature raconteur, sequined pyromaniac, Laura Heit performs teeny tiny puppet shows inside matchboxes. 

A dead boyfriend, a sausage fairy, a tiger whisperer, a perfectionist, a bath-loving ghost, and many others play their parts in these uncanny micro plays. The miniature stages come to life with crankies, fire, and pop-up paper engineering. The puppet shows are simultaneously projected on a screen behind the table making the little tiny details of this portable variety show larger than life.

Event Details

Dates/Times:
Thursday, January 22 at 8 p.m.
Thursday, January 22 at 10 p.m.
Friday, January 23 at 8 p.m.
Friday, January 23 at 10 p.m.
Saturday, January 24 at 8 p.m.
Saturday, January 24 at 10 p.m.
Sunday, January 25 at 8 p.m.

Location:
Constellation
3111 N. Western Ave.

Cost:
$25 Regular
$20 Students and Seniors

Ages: 13 and up
Running Time: 50 mins

REVIEW: DUNGEONS & DRAGONS The Twenty Sided Tavern Playing Broadway In Chicago’s Broadway Playhouse Through September 28, 2025

ChiIL Live Shows On Our Radar

ALL-NEW PRODUCTION OF

DUNGEONS & DRAGONS THE TWENTY-SIDED TAVERN

D&D: The Twenty-Sided Tavern national tour, 2025. Photo by André Chung.

Pictured: (clockwise from top left) RJ Christian, Alex Stompoly, R. Alex Murray, Madelyn Murphy, William Champion, Diego F. Salinas, Conner Marx, Cassidy Sledge, Jasmin Malave.

DUNGEONS & DRAGONS THE TWENTY-SIDED TAVERN RETURNS TO CHICAGO 

FOR SEVEN WEEKS ONLY THROUGH SEPTEMBER 28

PLAYING AT BROADWAY IN CHICAGO’S BROADWAY PLAYHOUSE AT WATER TOWER PLACE

Conner Marx, photo credit Bronwen Sharp

GUEST REVIEW

By Dugan Kenaz-Mara

Seeing The Twenty Sided Tavern is any nerd’s dream. I would know, as I found no less than 13 of my friends and acquaintances in the audience on the night I saw the performance. The production was able to bring together performers from the Renaissance Faire, professional Dungeon Masters, convention cosplayers, and actors. But it also welcomed in those who had never played D&D before. At the top of the show, the actors asked how many people had never played the role-playing game, and approximately a third of the patrons raised their hands. As an experienced player, it worried me a little because I know the rules can be very dense, but miraculously, the whole audience was engaged and enthusiastic the entire time!

For those who know nothing about the show, the Twenty Sided Tavern is a live-action, acted-out version of a short single-session game of Dungeons and Dragons. Like a regular game of D&D, the production has a few players, each acting as a character in the game. The story is narrated and led by a dungeon master, and most of the actions the characters take are decided by a roll of the dice. Unlike a normal game, though, the audience gets a say in how the story plays out. Each audience member receives a randomly assigned color that corresponds to a player, who they help decide on actions. Then, when a player comes to a point where they need to make a decision, they will throw out two cleverly-worded options and let the audience vote on them. This way of making decisions brings out the genius of the show – the two options throw a layer of obscurity on the decision, allowing everyone to engage, not just those who know the rules. 

Madelyn Murphy, Photo credit Bronwen Sharp

But it’s not just through voting on your phone that the audience gets to help. The show is also filled with mini games. Some are virtual, like a quick-time tapping game that requires the audience to collectively hit a certain number of taps to succeed. Some others are physical, like a game of “uh oh block fall down” (legally distinct from Jenga) that 3 audience members get to participate in on stage. There were even some riddles thrown in as well. 

Alex Stompoly, Photo credit Bronwen Sharp

Twenty Sided Tavern does a great job of structuring its games to account for those who love and hate audience interaction. I was able to participate in the performance without ever needing to say a word or stand up in front of an audience of people. I especially enjoyed one section where they allowed each person to vote whether or not they would feel comfortable going on stage to read some lines. 

Part of the joy of an improvised show like this one is that every show is completely different from the previous one. On top of the random chance from dice rolls and audience challenges, there are also elements of classical improvisation. The audience gets to vote on which character each player gets to perform as, and they get to throw out suggestions of items that the players might find for loot. 

Alex Stompoly, Conner Marx, Photo credit Bronwen Sharp

They also get to name some of the non-player characters which can lead to interesting choices in and of themselves. For example, the wizard NPC was named “Saint Bernard” and because of that the entire show the DM played him as a dog, rather than a human wizard. On top of that, the cast gathered mad-libs-style suggestions before the show that were used in the final scene, which also has its own rippling consequences. The previous night’s outcome determined how good or bad some situations were for the current performance. The skilled improvisers are also able to flawlessly include jokes and pop-culture references to the things that happen on stage in a way no scripted show could hope to. 

To that point, it was truly spectacular to see the show in Chicago. The cast has various deep ties to the city that let them pursue niche references in their comedy. At one point, thanks to the roll of a 100-sided die, the actors were required to pander to the city, so you may also be lucky enough to get loads of very specific Chicago jokes if you see it before the show heads off on the rest of its tour. 

Thanks to the high-energy, creative cast and clever design, the show is infinitely rewatchable. They seem to be prepared for any occasion. Armed with a video-screen set that can change to different locations at will, and a fun costume and prop pile positioned on-stage, the actors are ready for anything. The show I saw featured giraffe horns, a graduation cap, a horse, and a red Beanie Baby that was a suspiciously close representation of a half-eaten hotdog character that spawned from an audience suggestion. 

The Twenty Sided Tavern is truly a unique experience. I highly recommend seeing it while you have the chance. ★★★★ Four out of four stars.

Dugan Kenaz-Mara is a designer, photographer, educator, and graduate of Northwestern University's theatre program.

PERFORMANCE SCHEDULE

Performances are Tuesday through Thursday at 7:00 p.m., Fridays at 7:30 p.m., Saturdays at 2:00 p.m. & 7:30 p.m., and Sundays at 1:00 p.m. and 6:30 p.m.

TICKET INFORMATION

Individual tickets for DUNGEONS & DRAGONS The Twenty-Sided Tavern are on sale now and range from $50.00 - $70.00 with a select number of premium tickets available. Additional fees apply for online purchases. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing GroupSales@BroadwayInChicago.com. For more information, visit www.BroadwayInChicago.com. 

Broadway in Chicago and DUNGEONS & DRAGONS The Twenty-Sided Tavern are thrilled to announce the launch of the North American Tour of DUNGEONS & DRAGONS The Twenty-Sided Tavern begins performances today with an all-new production playing at Broadway In Chicago’s Broadway Playhouse at Water Tower Place (175 E. Chestnut St., Chicago) for seven weeks only through September 28. For more information, visit www.BroadwayInChicago.com.

As previously announced, Anjali Bhimani and Aabria Iyengar will join the North American Tour cast for select performances during the tour’s official opening run at Chicago’s Broadway Playhouse. Award-winning global stage and screen actress, Anjali Bhimani, will join the Tavern from August 12 – 24, and world-renowned Dungeon Master, Aabria Iyengar, will join from August 26 – September 7.

Award-winning voiceover artist Erika Ishii will join the Tavern in the role of “Might” from September 9 – September 14. Actor, writer, and director Damien Haas will appear in a special guest role on September 16 and join in the role of “Might” from September 17 – September 21. Celebrated circus performer and social media personality Jack Lepiarz (“Jacques ze Whipper”) will join the Tavern as “Mischief” from September 23 – September 28.

Anjali Bhimani, Aabria Iyengar, Erika Ishii, Damien Haas, and Jack Lepiarz will join cast members all direct from the recent ground-breaking New York City production, including Will Champion, RJ Christian, Jasmin Malave, Conner Marx, R. Alex Murray, Madelyn Murphy, Diego F. Salinas, Cassidy Sledge and Alex Stompoly.

DUNGEONS & DRAGONS, the World’s Greatest Roleplaying Game®, introduces DUNGEONS & DRAGONS The Twenty-Sided Tavern. This award-winning immersive theater experience takes audiences beyond the tabletop and onto the stage where each performance combines comedy, emotion, and thrilling moments to deliver a unique narrative shaped by the audience.

Conner Marx, Photo credit Bronwen Sharp

DUNGEONS & DRAGONS The Twenty-Sided Tavern has captivated audiences worldwide since premiering in New York City in May 2024, before making its international debut at the iconic Sydney Opera House in December 2024. During the recent New York engagement, DUNGEONS & DRAGONS The Twenty-Sided Tavern received rave reviews. TimeOut NY hailed “★ ★ ★ ★!  Whether or not you know much about D&D going in, it’s an adventuring party you won't want to miss.”  Variety noted, “a cacophony of huzzahs from the crowd, for the nail-biting and thrilling Twenty-Sided Tavern!” Nerdist stated that DUNGEONS & DRAGONS The Twenty-Sided Tavern is, “RIP-ROARINGLY FUNNY.” Rolling Stone called it, “a show that weaves the UNPREDICTABILITY of improv and the game itself into a feat of controlled chaos.”

NYC Production of D&DTST, Diego F. Salinas, photo credit Bronwen Sharp2

DUNGEONS & DRAGONS The Twenty-Sided Tavern was created by David Carpenter and co-produced by David Carpenter and Showpath Entertainment Ltd under license by Hasbro and Wizards of the Coast.

TheTwentySidedTavern.com 

Follow The Twenty-Sided Tavern on Instagram, TikTok, and Facebook.

Join the party on Discord!

SPECIAL GUEST BIOS

ANJALI BHIMANI (Special Guest) is an award-winning actor whose career spans across Broadway, feature films, television, video games, animation, and digital content. Anjali is a globally recognized talent in the gaming industry, perhaps best known for her roles as Symmetra in Overwatch and Rampart in Apex Legends, the Grammy-nominated Stray Gods, the Fallout series, Starfield , and many more. Anjali is a familiar face in the world of tabletop roleplaying games, appearing in wildly popular series like Critical Role and their side campaigns Exandria Unlimited and Candela Obscura and Dimension 20’s The Ravening War.

AABRIA IYENGAR (Special Guest) is a storyteller, performer, writer and podcaster, and a trailblazing force in the world of liveplay tabletop role-playing games. In addition to her groundbreaking roles as both player and gamemaster on prominent TTRPG platforms Critical Role and Dimension 20 , she is the author of the comic book THE FADE with artist Mari Costa, and co-founder of the acclaimed podcast Worlds Beyond Number. A sought-after collaborator and guest, Aabria has contributed her talents as a performer to a diverse range of projects, from Apple TV's Mythic Quest to the hit game, Starfield.

ERIKA ISHII (Special Guest, Might) (all pronouns) is a notorious figure in games, animation, and comedy. This October 2025 will play the titular lead in the much-anticipated Ghost of Yōtei and already available, they star as Rook in Dragon Age: The Veilguard, Sektor in Mortal Kombat 1, Valkyrie in Apex Legends. Erika is considered an especially chaotic regular cast member on comedy streamer Dropout’s shows including “Dimension 20,” Game Changer,” and “Make Some Noise.” They have appeared with Critical Role, hosted Marvel red carpets, and will soon join a star-studded cast in Muppets Take Scripthatten at the Bell House in Brooklyn. Erika is the proud co-creator of the record-breaking narrative play and storytelling collective Worlds Beyond Number along with Aabria Iyengar, Brennan Lee Mulligan, and Lou Wilson.

DAMIEN HAAS (Special Guest, Might) is a voice actor, sketch comedian, and lifelong fan of all things gaming. He's known for such voice roles as Laios in “Delicious in Dungeon,” Kiyoka Kudou in “My Happy Marriage,” Shez in “Fire Emblem: Three Hopes,” Heller in “Starfield,” Van Arkride in “Trails Through Daybreak 1&2,” Ryoga in “Ranma 1/2,” and many others. When he's not just a disembodied voice, he can be found streaming on Twitch multiple times per week or being an internet clown on the YouTube channel Smosh. @damienhaas

JACK LEPIARZ (Special Guest, Mischief) famously known as “Jacques Ze Whipper,” is a celebrated circus performer and social media personality. Renowned for his whip-cracking stage shows at Renaissance festivals, Jack has captivated over three million fans online. @jacqueszewhipper

CAST BIOS

Will Champion (he/him) is making his National Tour debut! Repped by Buchwald for Animation and VO, Will was recently featured as the voice of Vision and Starfox in Marvel’s WHAT IF…? An Immersive Story. Other notable credits include Edward in Stephen King’s I Know What You Need (SDCC Film Fest.), the voice of Tiberius in Barbarians (Netflix), and the current DM over at the “Bards of New York” D&D podcast. Love to Emily, Calzone, and his family! @willthechamp

RJ Christian rolled really well and is excited to join the D&DTST family on tour. RJ Contributed Music and Lyrics to the Ratatouille TikTok Musical and can be heard as Macgyver on the Macgyver the Musical Cast Album. RJ is the cofounder and resident composer for The Hearty Meal Theatre company. He’s repped by Hells Kitchen Agency.

Jasmin Malave is a lifelong nerd and longtime immersive actor, and is absolutely tickled to be making her National Tour debut with something as on brand as D&DTST!  RomCom lovers can check out her podcast Shenanigans Ensue, and gamers can hear her voice in The Unbeatable Path. Outside interests include re-reading Chekhov, video games with friends, tending her many plants, and eating nice things.

Conner Marx is best known as Ben Meyer on NBC’s “New Amsterdam,” but notable nerd cred includes Resident Evil: Village, Marvel’s Midnight Suns, The Gamers: Hands of Fate, Mana Screwed, and Peter Adkison’s Chaldea. TV: “Z Nation” (SyFy), “NCIS” (CBS), “NCIS: LA” (CBS), “Criminal Minds” (CBS), “The Young and the Restless” (CBS), “Leverage” (TNT). Film: Eephus, If There’s a Hell Below, Lucky Them, Kimi. Regional: Jekyll & Hyde (NCRT), Twelfth Night (Pioneer Theatre Company), Stravinsky’s Firebird (LA Philharmonic). He is a graduate of the Experimental Theatre of Vassar College. @conner_marx

R. Alex Murray is a Brooklyn based actor, musician, comedian, and raconteur.  He's performed with D&DTST productions in Pittsburgh, Chicago, and NYC, and he is thrilled to be telling these tales with audiences nationwide. Off Broadway: Race: The Movie: The Play, D&DTST   Regional: Good Monsters, Go, Dog. Go. TV: "Boardwalk Empire" "Divorce" Socials: @ralexmurray 

Madelyn Murphy is an actor, improviser, and event host with a focus on genre storytelling and immersive theater. She is a founding member of the Chicago-based High Stakes Productions (highstakesproductions.org ), known for its original work blending improv, narrative, and spectacle. Her latest stage credit is the 15-month Off-Broadway run of The Twenty-Sided Tavern, where she made her New York debut as a professional nerd. She is reprising her role for the show’s upcoming national tour. Madelyn’s work has spanned new play development, longform improv, print, and commercials. She recently expanded into voiceover and video game performance, bringing her character-forward instincts to new platforms. Offstage, she’s a well-read chaos gremlin who is always down for a book recommendation, a niche beer menu, and a well-organized Google Drive. For Angela, Nick, and RMG. 

Diego F. Salinas is a Chicago-based actor and professional Dungeon Master making his off-Broadway debut with the talented D&DTST team. National Tours: Tomás and the Library Lady(Tomás), Maddi’s Fridge (Luis). Chicago: Drunk Shakespeare (Macbeth, Banquo), La Pinche India (Fernando). Diego is one half of the Dungeon Busters podcast. Rep: Shirley Hamilton Talent | Join my table: ForeverDM.xyz

Cassidy Sledge (she/they) is thrilled to be performing on tour with the Twenty Sided Tavern! Cassidy joined the company as one of the original cast members in its Off-Broadway run. While she may have gained a reputation for being a rather bloodthirsty Dungeon Master in New York City, it is no secret that she absolutely adores her fellow cast mates and has the time of her life rolling dice across the country with them. Previous favorite credits include Maria/Margaretta on the Broadway Asia international tour of The Sound of Music, Mortimer in The Fantasticks! at the Depot Theatre, and Sasha/Boblin in Here There Be Dragons at the Players Theatre in NYC. Fat shout out to Shelby, Carp, and the team, and big ol’ kisses to the fam and friends. Northwestern Alum. Go ‘cats! www.cassidysledge.com IG: @cassidysledge

Alex Stompoly, You, yes you! Thank you for being here and supporting live theatre! Original Off-Broadway: Dungeons and Dragons: The Twenty-Sided Tavern; Regional: The Play that Goes Wrong (Broadway World Award); The Cottage; The Holiday Channel Christmas Movie Wonderthon; The Violet Hour; All of Us (World Premier); The Comedy of Errors; Curtains; Into the Woods; Uncle Vanya; A Midsummer Night’s Dream; Tartuffe. All my love to my family for their unwavering support and to coffee my first and true love for getting me through the day. Want more? @astompoly alexstompoly.com

ABOUT DUNGEONS & DRAGONS THE TWENTY-SIDED TAVERN

At DUNGEONS & DRAGONS The Twenty-Sided Tavern, the audience is not just a viewer but the "fourth player, "influencing key decisions via Gamiotics , a browser-based software that allows you to vote on where the story will go — what characters appear, what experiences they explore, and more. With a cast of five actors and over 30 playable characters, audiences will experience an expansive fantasy world set in the Forgotten Realms, and face riddles, puzzles, combat, and more, to help shape the story. Laughter flows like ale and with the audience in full control and exciting reveals around every corner, no two shows are alike! For those seeking a more daring experience, there are opportunities to join the action onstage and test your strength (or dexterity, or wisdom, or charisma) through a variety of rollicking games, including trivia, charades, and the ever-popular Fantasy Beer Pong. Featuring behind-the-scenes talent from popular theatrical shows such as Dimension 20, Marvel’s Rogers: The Musical, Beavis and Butthead and more, DUNGEONS & DRAGONS The Twenty-Sided Tavern is the game you know and the experience you’ll love but bigger and better than ever.

ABOUT DAVID CARPENTER

David is the Executive Producer and Creator of DUNGEONS & DRAGONS The Twenty-Sided Tavern and the Founder and CEO of Gamiotics, Inc which is bringing gamification to the live entertainment experience. The platform allows for the next generation of live experience story-telling by putting agency into the audiences hands. A Tony-nominated Broadway producer, he has spent nearly 25 years working on and off-Broadway and is excited to bring a whole new way of interactive stories to the live stage. www.Gamiotics.com

ABOUT SHOWPATH ENTERTAINMENT LTD

As the Live Stage Production arm of The Path Entertainment Group, Showpath pushes the boundaries of exceptional theater in order to reach a global audience. With a sharp focus on an innovative range of largescale live stage productions which span international markets including North America, Australia, Asia and Europe. Showpath works with both existing titles and IP, such as The SpongeBob Musical, to develop, nourish and push the boundaries of world class live stage Productions.

ABOUT HASBRO

Hasbro is a leading games, IP and toy company whose mission is to create joy and community through the magic of play. With over 164 years of expertise, Hasbro delivers groundbreaking play experiences and reaches over 500 million kids, families and fans around the world, through physical and digital games, video games, toys, licensed consumer products, location-based entertainment, film, TV and more. Through its franchise-first approach, Hasbro unlocks value from both new and legacy IP , including MAGIC: THE GATHERING, DUNGEONS & DRAGONS, MONOPOLY, HASBRO GAMES, NERF, TRANSFORMERS, PLAY-DOH and PEPPA PIG, as well as premier partner brands. Powered by its portfolio of thousands of iconic marks and a diversified network of partners and subsidiary studios, Hasbro brings fans together wherever they are, from tabletop to screen. For more than a decade, Hasbro has been consistently recognized for its corporate citizenship, including being named one of the 100 Best Corporate Citizens by 3BL Media, a 2025 JUST Capital Industry Leader, one of the 50 Most Community-Minded Companies in the U.S. by the Civic 50, and a Brand that Matters by Fast Company. For more information, visit https://corporate.hasbro.com or @Hasbro on LinkedIn.

ABOUT WIZARDS OF THE COAST

Wizards of the Coast develops and publishes legendary games that inspire creativity, forge friendships and build communities of global fans. A division of Hasbro, a leading games, IP and toy company (NASDAQ: HAS), Wizards delivers premium experiences for gamers across tabletop, video games, and digital platforms based on both new and time-honored brands, including its best-known franchises MAGIC: THE GATHERING and DUNGEONS & DRAGONS, and from Hasbro’s unparalleled portfolio of thousands of iconic marks. Wizards’ diverse studio network includes first-party developers Archetype Entertainment, Invoke Studios, Atomic Arcade and Skeleton Key as well as co-venture and license partners. Headquartered in Renton, Washington, Wizards fosters world-class talent to create unforgettable play experiences on all platforms. To learn more about Wizards, visit https://company.wizards.com or Wizards of the Coast on LinkedIn.

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 25 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, The Auditorium, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place.

For more information and tickets, visit www.BroadwayInChicago.com.

Follow @BroadwayInChicago on

Facebook ● Instagram ● TikTok ● Bluesky ● YouTube

#broadwayinchicago

Review and Photo Feature: The Crane Wives at The Vic Theatre Chicago July 26, 2025

The Crane Wives

Beyond Beyond Beyond Album Release Tour

Closing Show at The Vic Theatre, Chicago 7/26/25 

Photo Credit for all: Dugan Kenaz-Mara for ChiIL Live Shows

GUEST REVIEW

By Dugan Kenaz-Mara

The Crane Wives, as always, put on a spectacular show for us at The Vic, closing out their Beyond Beyond Beyond Summer Tour 2025 with a sparkle. We’ve loved The Crane Wives and their music for years now, and seeing them in person again was such a treat. Last year, we reviewed their concert at Thalia Hall, and since then, they’ve brought us more of everything great they had to offer. They’ve upped the whimsy, showed us their care, and brought out many of the songs their fans have been waiting to hear live. 

Set List:

Scars

Arcturus Beaming

Never Love an Anchor

Allies or Enemies

Predator

Pretty Little Things

Take Me To War

Steady, Steady

The Moon Will Sing

The Hand That Feeds

Mad Dog

Queen of Nothing

Curses

Black Hole Fantasy

Tongues & Teeth

Encore:

Bitter Medicine

Sleeping Giants

One standout detail that set this performance apart from their previous show was the scenery. The stage was full of cutouts of trees, cattails, and forest creatures, setting a scene reminiscent of the cover of their 2015 album “Coyote Stories”. In a whimsically mysterious opening (that I didn’t catch photos of, working my way through the dense crowd before the performance) a masked individual went around placing lanterns across the stage. These lanterns illuminated the scenery and provided depth and ambiance to the stage environment. It felt like watching a scene in a play where everyone could be immersed in the story, rather than a band on a stage. The backdrop projection gave off enough light to silhouette the scenery nicely, and the shifting colors and images it displayed kept the stage from becoming dull whenever the musicians weren’t in motion. 

During a break between songs, one of the lead singers brought up the fact that they've been a band for 15 years and have been performing in Chicago for just as long. They were really appreciative towards their audience and you could feel the mutual love in the space. The crowd sang along to every word and was treated to a well-balanced mix of songs from the Crane Wives' newest album and old favorites from their previous albums. The band mentioned how happy they were to be able to break out their older songs for this tour, that they don't get the opportunity to play as much anymore. 

It’s also worth mentioning that although I don’t have any pictures, their opener Árný Margrét, an Icelandic soloist musician, is worth checking out. 

Truly, the most inspiring aspect of the concert was seeing the wonderful community the Crane Wives have cultivated. After the concert, I was able to talk to multiple friends who were there and all of them mentioned how lovely the community was and how everyone seemed to take care of each other. The musicians also took to social media after the show, reposting Instagram stories their fans had posted from the crowd. They definitely know how to make their supporters feel seen by fostering a sense of appreciation within their community. 

Gathered below are a few comments from friends who saw the show. They are lightly edited, but direct quotes:

"Immaculate vibes in the audience" -Kit M.

“I thought the crowd had a lovely community vibe. People taking care of each other, looking out for other people’s space, and being very in the moment together.” -Sam W. 

“I thought the concert was amazing, the vibe was awesome and the whole performance of the crane wives was high energy but still able to keep the calmness of some of the songs. The lights and projections were really cool and really well done. Also, it was really hard not to get a good view. It was just an amazing concert. 

The opener wasn’t really my vibe. She did awesome, and if she was my vibe, I would have loved her.” - Chase P.

“Funnily enough, I first listened to the crane wives through an online friend. They made a playlist for me that had “Metaphors” on it and I was like wait… this is so good?? I’ve always loved folksy acoustic music but I REALLY loved their sound. (Imagine my surprise the first show I saw them live that they had not one but TWO lead vocalists!) I just felt really seen by their lyrics. It made me want to keep pursuing music and songwriting late at night in my room with my guitar. :”-) 

They just have such an immersive discography and honestly I feel like I have a Crane Wives song for every single one of my own lil characters.” - Maja T

Dugan Kenaz-Mara is a designer, photographer, educator, and graduate of 

Northwestern University's theatre program.

Grand Rapids, MI-based indie rock band The Crane Wives (1.4m Spotify monthly listeners, 713.5k TikTok likes) are ready to charm live audiences once again, heading back out on the road this spring in support of their highly acclaimed new album Beyond Beyond Beyond, out everywhere now. 

Born of the 2010’s folk boom and now comfortably stationed in their rock and roll era, The Crane Wives epitomize the evolving landscape of indie folk. Their high-energy performances have been described as “charged with emotion and technical skill” (Blurred Culture), while their harmony-dense melodies support deeply resonant lyrics, exploring the vulnerable and the ugly sides of the human condition. The band has built a global community and has amassed over 1m Spotify monthly listeners and 100m total streams with their unparalleled, spirited live show, evocative lyricism and glimmering harmonies.

Featured by Michigan Radio and NPR’s “All Songs Considered," the band recently released their sixth full-length studio record, Beyond Beyond Beyond, to high praise, with Glasse Factory calling the album “a testament to the band’s ability to turn personal struggles into universally relatable anthems." 

Niner Times describes the new release as “angsty, haunting and gritty,” praising its departure from the more traditional folk sound of The Crane Wives’ previous records. Since its release in September 2024, Beyond Beyond Beyond has accrued over 7 million streams on Spotify.

The pulse of The Crane Wives is delivered by Ben Zito (bass) and Dan Rickabus (drums), creating a driving, dynamic backdrop while co-leads Emilee Petersmark and Kate Pillsbury establish expansive and gritty conversations between their electric guitars. A web of three-part harmony helps to soften the blow of their emotional candor, like a 21st century Cerberus, the hound of Hades reimagined as an emotional support animal.

The Crane Wives have 6 full-length albums under their belts and have performed over 600 shows across the US, sharing stages with acts such as The Avett Brothers, Lake Street Dive, Rusted Root, The Dead South, Joseph, and many more.

Follow The Crane Wives:

Website | Instagram | Facebook | TikTok | Spotify | YouTube

REVIEW: Goodman's World Premiere of BUST Is a Boom; Now Playing Through May 18, 2025

ChiIL Live Shows On Our Radar 

World Premiere of 

BUST 

BY PULITZER PRIZE FINALIST ZORA HOWARD 

co-produced with Atlanta’s Alliance Theatre 

Now Playing Through May 18, 2025

(L-R) Renika Williams-Blutcher, Raymond Anthony Thomas, Ivan Cecil Walks, Caroline Clay, Bernard Gilbert and Victoria Omoregie. Credit HugoHentoff

REVIEW

By Bonnie Kenaz-Mara

Here at ChiIL Live Shows, we were so excited to catch opening night of the world premiere production of BUST at Goodman Theatre. In our current real life dystopia, black and brown people are increasingly unjustly arrested, attacked, and literally disappeared. This visually stunning show flips the script and makes disappearing a superpower, not a victimization, but at what cost to friends and family? Now that racism in the US no longer hides beneath a hood, BUST is more than timely. 

(L-R) Cecil Blutcher, Victoria Omoregie, Bernard Gilbert and Ivan Cecil Walks. Credit: JustinBarbin

It's not what you think: 

What's the first thing that comes to mind when you hear the word bust? Boobs... a takedown by the cops... a downturn in the economy? This BUST is a boom... a sudden increase. An increase in frequency or popularity. Without giving too many spoilers, this BUST is about busting past rage to a safe alternate reality. It's about busting open the very fabric of reality. It's a movement that starts as an accident and accelerates to intention, involving escalating numbers of people.

In an era where our government is actively trying to disappear DEI, black history, thought provoking social commentary, and the work of smart women, this laugh-out-loud new drama is an endangered species. We're thrilled to see a show with a plethora of juicy parts for black men and women who aren't just criminals, victims, period piece slaves, or dealing exclusively with racist trauma. This production is both written and directed by black women. The mere existence of BUST is subversive as hell, and we're here for it. 

(L-R) Raymond Anthony Thomas, Caroline Clay and Cecil Blutcher. Credit: JustinBarbin 

The heavy subject matter, focusing on the experiences of African Americans in the United States, includes themes of rage, police brutality, and institutionalized racism, but there's plenty of humor and playful fun to provide levity. They don't call it comic relief for nothin', and Zora Howard gets the balance right. Her characters and scenes are both comedic and suspenseful, providing both a hilarious, highly entertaining show, and a piece that will get under your skin and make you think.

(L-R) Mark Bedard and Jorge Luna. Credit: HugoHentoff

Howard is not only an award winning writer, director, and actor. This Harlem born and raised powerhouse is birthing a whole new genre of work she calls "Afrocurrentist". This new form of theater is both African American and relevant to contemporary issues. 

(L-R) Cecil Blutcher and Keith Randolph Smith. Credit:JustinBarbin

Special shout out to the excellent set design, sound design, and lighting. They made the time/space travel and new world building a wonder, and a delight to experience. This world premiere production had a pre-Goodman run with the same cast at Atlanta's Alliance Theatre, which may seem like it would be a simple transition to a new space. However, the stage dimensions, sight lines, and mechanics between the locations were quite different, so all those elements had to be reworked and changed for the Goodman run. Actors had to relearn new lighting cues, and the technical elements of the complicated visuals and set changes had to be redesigned. I'm still in awe of all the people on and off stage who collaborate and bring their own areas of creative expertise into play, in the service of storytelling. 

Proud mom moment: My son’s on run crew, helping make the magic happen, as he was for Goodman's Christmas Carol this past season. Kudos to the entire cast and crew for bringing this thought provoking piece to life, and to Lileana Blain-Cruz for expert directing. BUST is excellent storytelling, perfect for turbulent times. Don't miss this! Recommended. ★★★ Three out of four stars.

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).

**LILEANA BLAIN-CRUZ'S CAST FEATURES MARK BEDARD, CECIL BLUTCHER, CAROLINE CLAY, BERNARD GILBERT, CAITLIN HARGRAVES, JORGE LUNA, VICTORIA OMOREGIE, KEITH RANDOLPH SMITH, RAYMOND ANTHONY THOMAS, IVAN CECIL WALKS AND RENIKA WILLIAMS-BLUTCHER**

***THE WORLD-PREMIERE CO-PRODUCTION WITH ALLIANCE THEATRE IS PRODUCED IN ASSOCIATION WITH SONIA FRIEDMAN PRODUCTIONS, KHALIAH NEAL AND THOMAS SWAYNE*** 

Hell isn’t the only thing that breaks loose in BUST. A finalist for the Susan Smith Blackburn Prize and co-produced with Atlanta’s Alliance Theatre and produced in association with Sonia Friedman Productions, Khaliah Neal and Thomas Swayne, the cast for the world-premiere production features Mark Bedard, Cecil Blutcher, Caroline Clay, Bernard Gilbert, Caitlin Hargraves, Jorge Luna, Victoria Omoregie, Keith Randolph Smith, Raymond Anthony Thomas, Ivan Cecil Walks and Renika Williams-Blutcher. 

JustinBarbin: (L-R) Cecil Blutcher and Ivan Cecil Walks

BUST appears April 19 – May 18 (opening night is April 28 at 7pm). Tickets ($25 - $85; subject to change) are available at GoodmanTheatre.org/Bust or by phone at 312.443.3800. Goodman Theatre is grateful for the support of Allstate (Major Corporate Sponsor), the BOLD Theater’s Women’s Leadership Circle, an initiative of the Helen Gurley Brown Foundation (BOLD Ventures Grant), Laurents/Hatcher Foundation (Theater Development Grant), WBEZ Chicago (Media Sponsor) and The Elizabeth Morse Charitable Trust (Lead Funder of IDEAA Programming).

“BUST is absolutely unlike anything I’ve ever seen on a stage before. In one sit-down at the theater, this thrilling new play ranges from high comedy to transcendent drama—beginning in ways that feel familiar and moving to whole new worlds. Zora Howard’s masterful writing is in gifted hands with Lileana Blain-Cruz, one of the most sought-after directors working today,” said Artistic Director Susan V. Booth.

In BUST, Retta and Reggie are enjoying their usual evening on the porch when a longtime neighbor is pulled over by the police just before turning into his driveway. Everything goes as expected—until the unexpected happens. Humor, suspense and surrealism converge in this gripping exploration of what it costs to be Black and free.

"At its core, BUST is a meditation on rage," said playwright Zora Howard. "It asks, 'What if Black people could use the rage that we carry, with which we are in such constant and intimate relationship, for our own constructive and collective gain?' It is an offering—an invitation for all of us to consider how we might harness our rage, what we can move with it.”

(L-R) Raymond Anthony Thomas and Caroline Clay. Credit: JustinBarbin

Added Director Lileana Blain-Cruz, “There’s a real invitation at the center of this play to experience something new, to be part of a radical act of imagination. In BUST, the audience has the opportunity to recognize themselves in these characters. We get to simultaneously live inside their humanity and the absurdity of what it means to be alive in the world today.” 

The BUST cast features Mark Bedard (TV/HBO Max: The Gilded Age) as Tomlin/Jack, Cecil Blutcher (TV/Paramount+: The Game, Signature Theatre Co.: The Hot Wing King) as Trent, Renika Williams-Blutcher (Starz: P-Valley) as Krystal, Caroline Stefanie Clay (Broadway: The Little Foxes and Doubt) as Retta, Bernard Gilbert (TV/Showtime: The Chi, Goodman Theatre: How to Catch Creation) as Zeke, Caitlin Hargraves (Alliance Theatre: A Christmas Carol, TV/HBO Max: Mi Casa) as Ms. Pinto, Jorge Luna (TV/Netflix: Zero Day) as Ramirez, Victoria Omoregie (Alliance Theatre: Fat Ham, The Huntington Theatre: John Proctor is the Villain) as Paige, Keith Randolph Smith (Film: Malcolm X, Alliance Theatre: God of Carnage, National Theatre, London: Jitney) as Mr. Woods, Ray Anthony Thomas (Film: American Fiction, The Harbinger and Pariah) as Reggie, and Ivan Cecil Walks (The Huntington Theatre: K-I-S-S-I-N-G) as Boobie. Understudies include Jodi Gage, Cory Hardin, Gabrielle Lott-Rogers, Vernon Mina, Patrick Newson, Jr., Joseph Primes and Jazzy Rush.

Zora Howard (Playwright) is a Harlem-bred writer and director. Plays include STEW (2021 Pulitzer Prize Finalist; P73 Productions), THE MASTER’S TOOLS (Wiener Festwochen; WTF), HANG TIME (The Flea), THE MOTIONS, and GOOD FAITH. Her work has been developed at Ojai Playwrights Conference, Stillwright, Mercury Store, and Cape Cod Theatre Project, among others. In 2020, her feature film Premature, which she co-wrote with director Rashaad Ernesto Green, opened in theaters following its world premiere at the 2019 Sundance Film Festival. Howard is a Lilly Award and Helen Merrill Award recipient, a former MTC Judith Champion Fellow and Lark Van Lier New Voices Fellow and alumna of the P73 I-73 Writers Group. She is currently under commission from Seattle Rep and Chautauqua Theatre Company. zoramakes.com.

Lileana Blain-Cruz is a director from New York City and Miami. She is the recipient of the Drama League’s 2022 Founders Award for Excellence in Directing and is currently the resident director of Lincoln Center Theater. Blain-Cruz was named a 2021 Doris Duke Artist, a 2020 Lincoln Center Emerging Artist, and a 2018 United States Artists Fellow. Recent projects include: El Niño (Metropolitan Opera); The Skin of Our Teeth (Lincoln Center, Tony nomination); Stranger Love (LA Philharmonic); Flex (Lincoln Center, Audelco Award Nomination); Create Dangerously (Miami New Drama); White Girl in Danger (Vineyard / Second Stage); The Listeners (Opera Norway); Dreaming Zenzile (NYTW/National Black Theatre); Marys Seacole (LCT3, Obie Award); Wayne Shorter and esperanza spalding’s …(Iphigenia) (MASS MoCA, Arts Emerson, The Kennedy Center); Hansel and Gretel (a film for Houston Grand Opera); Afrofemononomy (PSNY); Anatomy of a Suicide (Atlantic Theater Company); Fefu and Her Friends (TFANA); Girls (Yale Rep.); Faust (Opera Omaha); Fabulation, Or the Reeducation of Undine (Signature Theatre); Thunderbodies and Revolt. She Said. Revolt Again. (Soho Rep.); The House That Will Not Stand and Red Speedo (New York Theatre Workshop); Water by the Spoonful (Mark Taper Forum/CTG); Pipeline (Lincoln Center); The Death of the Last Black Man in the Whole Entire World AKA The Negro Book of the Dead (Signature Theatre, Obie Award); Henry IV, Part One and Much Ado About Nothing (Oregon Shakespeare Festival); The Bluest Eye (The Guthrie); War (LCT3/Lincoln Center Theater and Yale Rep.); Salome (JACK); Hollow Roots (Under the Radar Festival at The Public Theater). Upcoming: Purple Rain. 

Full Company of BUST (in alphabetical order)

By Zora Howard

Directed by Lileana Blain-Cruz

Mark Bedard…Tomlin/Jack

Cecil Butcher…Trent

Caroline Clay…Retta

Bernard Gilbert…Zeke

Caitlin Hargraves…Ms. Pinto/Newscaster

Jorge Luna…Ramirez

Victoria Omoregie…Paige

Keith Randolph Smith…Mr. Woods

Raymond Anthony Thomas…Reggie

Ivan Cecil Walks…Boobie

Renika Williams-Blutcher…Krystal

Understudies for this production include Jodi Gage, Cory Hardin, Gabrielle Lott-Rogers, Vernon Mina, Patrick Newson, Jr., Joseph Primes and Jazzy Rush.

Creative Team

Associate Director…Malkia Stampley|

Set Designer…Matthew Saunders

Costume Designer…Dominique Fawn Hill

Lighting Designer…Yi Zhao

Associate Lighting Designer…Jonah Bobilin

Sound Designer…Mikaal Sulaiman

Ethnomusicologist…DJ Reborn

Special Effects Designer...Jeremy Chernick

Fight Choreographer...Rocio Mendez

Casting is by Jody Feldman, CSA and Lauren Port, CSA. shiku thuo is the Production Stage Manager.

ENHANCED AND ACCESSIBLE PERFORMANCES AT GOODMAN THEATRE

ASL-Interpreted Performance: Friday, May 9 at 7:30pm – Professional ASL interpreter signs the action/text as played.

Touch Tour* and Audio-Described Performance: Saturday, May 10, 12:30pm Touch Tour; 2pm performance – The action/text is audibly enhanced for patrons via headset.

Spanish-Subtitled Performance: Saturday, May 10 at 7:30pm – An LED sign presents Spanish-translated dialogue in sync with the performance.

Open-Captioned Performance: Sunday, May 11 at 2pm – An LED sign presents dialogue in sync with the performance.

Visit Goodmantheatre.org/Access for more information about Goodman Theatre’s accessibility efforts.

ABOUT ALLIANCE THEATRE

Founded in 1968, Alliance Theatre is the leading producing theater in the Southeast, reaching more than 165,000 patrons annually. The Alliance is led by Jennings Hertz Artistic Directors Tinashe Kajese-Bolden and Christopher Moses and Managing Director Mike Schleifer. The Alliance is a recipient of the Regional Theatre Tony Award® for sustained excellence in programming, education, and community engagement. In January 2019, the Alliance opened its new, state-of-the-art performance space, The Coca-Cola Stage at Alliance Theatre. Known for its high artistic standards and national role in creating significant theatrical works, the Alliance has premiered more than 140 productions including eleven that have transferred to Broadway. The Alliance education department reaches more than 90,000 students annually through performances, classes, camps, and in-school initiatives designed to support teachers and enhance student learning. The Alliance Theatre values community, curiosity, collaboration, and excellence, and is dedicated to representing Atlanta's diverse community with the stories we tell, the artists, staff, and leadership we employ, and audiences we serve. www.alliancetheatre.org

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Walter Artistic Director Susan V. Booth and Executive Director John Collins, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades.

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the unceded homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten and remains home to many Native peoples today. The Goodman is proud to have a relationship with Gichigamiin Indigenous Nations Museum. Located in Evanston, the Museum honors the survival and perseverance of Indigenous communities and promotes a greater understanding of Indigenous peoples: gichigamiin-museum.org.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.