The World Premiere of NOTES & LETTERS Via Underscore Theatre Company May 10 – 28, 2022 at the Richard Christiansen Theater

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Tenth Anniversary Season!

Underscore Theatre Company Presents the World Premiere of

NOTES & LETTERS

Book, Music & Lyrics by Annabelle Lee Revak

 Directed by Leah Geis

Music Direction by Anna Wegener

Choreography by Ebrin R. Stanley

May 10 – 28, 2022 at the Richard Christiansen Theater

Underscore Theatre Company celebrates its tenth anniversary season with the world premiere of Notes & Letters featuring book, music and lyrics by Annabelle Lee Revak (she/her), based on letters Revak’s great-great grandfather Joe Loula sent to his family upon his immigration to Chicago from Eastern Europe. Originally slated to open in the spring of 2020, the musical is directed by Leah Geis (she/they), with music direction by Anna Wegener (she/her) and choreography by Ebrin R. Stanley (he/him). Notes & Letters will play May 10 – 28, 2022 at the Richard Christiansen Theater, 2433 N. Lincoln Ave. in Chicago’s Lincoln Park neighborhood. Tickets are currently available at victorygardens.org, by calling (773) 871-3000 or in person at The Biograph Theater Box Office, 2433 N. Lincoln Ave. in Chicago. I'll be out for the press opening Thursday, May 12th, so check back soon for my full review. 

The cast includes Katy Campbell (she/her), Caitlin Dobbins (she/her), Sam Martin (he/him) and Michael Mejia (they/them). Understudies include Aaron Reese Boseman (he/him), Nate Hall (he/him), Jamie Redwood (she/her) and Jasmine Robertson (she/her).

Notes & Letters follows Joe’s journey from war-torn Prague to Williams Piano Shop in Chicago in 1917. He quickly befriends the owner Charlie, his girlfriend Nora and composer Olivia. The foursome become inseparable – until World War I hits the U.S. Businesses, relationships and lives are put to the test. Based on a true story and set to a jazz-contemporary score, four young people struggle to make choices amid complete chaos.

Comments Underscore Artistic Director Whitney Rhodes, "We are proud and grateful to complete the development process we've been on with Notes & Letters now for over four years. Annabelle has written a charming and heartfelt story that is ultimately about friendship in times of complex outside change. While the show is set in the early 1900s, the themes are so present and alive in this moment. Its catchy score will leave you humming and the honest storytelling will leave you hopeful – which I think we all crave as we return to the theater. I'm grateful that Leah, Anna and Ebrin have all stayed with the project and am thrilled to welcome many new faces to our production team to work alongside a few of our stalwart designers. Plus, Notes & Letters had its very first workshop reading at the Richard Christiansen Theater, so this is a true full circle moment."

The production team includes Rebekah Clark (scenic design, they/she), Christina Leinicke (costume design, she/her), Benjamin Carne (lighting design, he/him), Timothy McNulty (sound design, he/him), Kathryn Healy (props design, she/her), Aaron Jamieson Roberts (dramaturg, he/him), Lauren Peters (production manager, she/her), Ben Lipinski (technical director, he/him) and Abby Teel (stage manager, she/her).

Cast (in alphabetical order) Katy Campbell (Olivia, she/her), Caitlin Dobbins (Nora, she/her), Sam Martin (Joe, he/him) and Michael Mejia (Charlie, they/them). Understudies: Aaron Reese Boseman (he/him), Nate Hall (he/him), Jamie Redwood (she/her) and Jasmine Robertson (she/her).

Location: Richard Christiansen Theater, 2433 N. Lincoln Ave, Chicago

Dates: Previews: Tuesday, May 10 at 7:30 pm and Wednesday, May 11 at 7:30 pm

Press performance: Thursday, May 12 at 7:30 pm (also open to the general public).

Regular run: Friday, May 13 – Saturday, May 28, 2022

Curtain Times: Fridays and Saturdays at 7:30 pm; Sundays at 2 pm. Please note: there will be added performances on Wednesday, May 25 at 7:30 pm and Saturday, May 28 at 2 pm.

Tickets: $32 general admission. Discounts (available via telephone or in person at the box office): $25 preview performances, $28 group, $27 senior, $22 military/first responder, $20 industry, $15 student. Tickets are currently available at victorygardens.org, by calling (773) 871-3000 or in person at The Biograph Theater Box Office, 2433 N. Lincoln Ave. in Chicago.

 PHOTO CREDIT: The cast of Underscore Theatre Company’s world premiere of Notes & Letters includes (top, l to r) Katy Campbell, Caitlin Dobbins, Sam Martin and Michael Mejia (bottom, l to r) Aaron Reese Boseman, Nate Hall, Jamie Redwood and Jasmine Robertson.

About the Artists:

Annabelle Lee Revak (Book, Music and Lyrics, she/her) is a musical theatre composer, lyricist, playwright and music director. Her shows include Train on Fire (MTFest UK 2022); Notes & Letters (Underscore Theatre Company, Chicago Musical Theatre Festival); Windsong, a folk opera (Flatiron Arts); Starfall (Music Institute Chicago); and The Voodoo Queen (Breaking and Entering, Co-writer Aaron Cooper). Columbia College Chicago (BA Musical Theatre/BA Music Composition) and University of Wolverhampton (MA Research in the Performing Arts). @annabelleleerevak annabelleleerevak.com

Leah Geis (Director, she/they) is thrilled to finally stage Notes and Letters after the theatre's prolonged break! Originally from rural Nebraska, Leah freelanced primarily in musical theatre as a director and stage manager for five years before making the move to Chicago. As a director, Leah has developed new works that focus on women and LGBT+ topics at both Pride Arts and Otherworld Theatre. Stage management credits include Proxy (Underscore Theatre), Always...Patsy Cline (Firebrand Theatre) and Little Women (Brown Paper Box Co.) Leah is grateful for patrons who supported the arts through the pandemic and for coming back out as soon as we could safely open our doors again. IG: @leahrgeis. leahgeis.com

Anna Wegener (Music Director, Performance Pianist, she/her) returns to Underscore Theatre after Music Directing Ripped! with Underscore Develops in 2021 and several Tiny Storefront Concerts. She teaches, directs and performs in the Chicago-area. Recent shows include Guys and Dolls and Something Rotten (Theatre Nebula), Beauty and the Beast (MOS) and The Things I Could Never Tell Steven (PrideArts). Thanks to the production team, cast, crew, and the audience! A special thank you to Annabelle Revak for creating this incredible world to live in during each performance. 88keysacc.com

Ebrin R. Stanley (Choreographer & Artistic Consultant, he/him) was born and raised in Houston, TX. He graduated from the University of South Dakota with a B.F.A in Musical Theatre in 2017 and a minor in Dance. Ebrin has directed and choreographed many productions for the Children's Museum of Houston. In December 2017, Ebrin was given the chance to co-write, direct and choreograph Home for the Holidays, a children's musical in Houston. In January 2018, he starred in the world premiere of Dead Meat, a workshop performance written by Paige Zubel. Later that year, he landed the role of Hercules Mulligan/James Madison in Hamilton: An American Musical (Chicago). In 2019, Ebrin arranged two medleys that were performed at the hit music festival, Lollapalooza. Performing his original music all over Chicago, Ebrin got the chance to headline his first concert “The Reality of Love and Life with Ebrin R. Stanley” in February 2020. He has produced music for artists from New York, Houston and Chicago. During the Pandemic, Ebrin has had the privilege of composing an original score for the award-winning web series Neighbors, which is streaming now on Broadstream. He has since returned to Hamilton with the opening company in Los Angeles. Ebrin would like to thank his family for always supporting him and God for always blessing him. Remember that All Black Lives Matter. Instagram: @ebrinrstanley Twitter: @ebrinrstanley Music can be found on all streaming platforms under the name Ebrin R. Stanley.

About Underscore Theatre Company

Founded in 2011, Underscore Theatre Company is a team of producing artists dedicated to exploring stories of power and resonance through a musical lens; fostering the development of new musicals; and bolstering Chicago’s role as a national leader in musical theatre. Since its creation, Underscore has produced or co-produced 65 new mainstage and workshop musicals in Chicago. Underscore is proud to be Chicago's home for new musicals. underscoretheatre.org

Underscore Theatre Company recognizes its accountability to the systems that have failed our communities of Black, Indigenous and People of Color. We are grateful for the work of those behind the “We See You, White American Theatre” vision for laying the groundwork of what a more equitable industry can be and are committed to being a part of the change. We align with their principles and are holding ourselves accountable to anti-racism practices as a part of our current strategic planning process supporting the development of new musical theater. 

Land Acknowledgement: Chicago is the traditional homeland of over a dozen different tribes including the Council of Three Fires: the Ojibwe, Odawa and Potawotami nations, as well as the Miami, Ho-Chunk, Fox, and the Illinois Confederacy of the Peoria and Kaskaskia nations. In 1830 Congress forcibly stripped these tribes of their land by passing the Indian Removal Act which led to relocation, poverty, and starvation.

 

CANCELED: FIRST FOLIO THEATRE PRESENTS Jane Austin’s EMMA From March 26th to April 24th, 2022

Canceled as of 3/29

Jane Austin’s EMMA

Running time: 2 hours with 1 intermission

First Folio Theatre has been a longtime favorite of ours here at ChiIL Live Shows. We adore their ritzy digs at Mayslake Peabody Estate and can't wait to see Jane Austin’s EMMA in this historic setting. Check back soon after the opening for my full review.

First Folio Theatre (Mayslake Peabody Estate, 31st St. & Rt. 83) is thrilled to present Jane Austen’s EMMA by Phil Timberlake, previewing March 23rd, 24th, and 25th, opening March 26th, and running through April 24th, 2022. Come revel in Austen’s most joyous and light-hearted romantic comedies as young Emma Woodhouse seeks to prove her skills at matchmaking, in one of Jane Austen’s most delightful works! A refreshing take on this classic novel, patrons will love following the residents of Highbury in their trials and tribulations while they weather the force of nature that is Emma.

From Jeff Nominated playwright Phil Timberlake, Jane Austen’s EMMA follows Miss Emma Woodhouse, a young woman of England’s landed gentry with perhaps too much time on her hands. Good-hearted Emma cannot resist inserting herself into the love lives of her neighbors, leaving a muddle of passions and a tangle of heartbreak in her wake. After successfully playing matchmaker for her governess, she sets her sights on finding a suitable marriageable match for her new friend, the young and impressionable Miss Harriet Smith. Unfortunately, the more Emma continues to meddle in the lives of Harriet and the other residents of Highbury, the more things go awry, until Emma is forced to reckon with not only the disastrous effects of her meddling in the love lives of others, but also face the surprising desire of her own heart.

Jane Austen’s EMMA, written by Phil Timberlake, and directed by Rachel Lambert, features Vero Maynez as Emma and an ensemble that includes Bradley Halverson, Dina Monk, Ethan Miles Perry, and Nate Santana. The artistic team includes Scenic Design by Angela Weber Miller, Lighting Design by Garret Bell , Original Music by Christopher Kriz, Sound Design by Eric Backus, Costume Design by Zach Wagner, Properties Design by Wendy Ann, Vocal Design by Sammi Grant, Dramaturgy by Kaeli Meno and Intimacy & Movement Design by Maureen Yasko. Sarah West is the Stage Manager.

To ensure patrons’ heath and security, as well as the safety of performers and staff, First Folio will require proof of full vaccination status including booster for all audience members, as well as performers, backstage crew, and theater staff, for all performances through April 2022. No exceptions will be allowed for this policy. Masks will also be required for audiences inside the theater.

Opening on March 26th, 2022, EMMA runs through April 24th, 2022, with special Preview Performances on March 23rd, 24th and 25th. All performances will take place at historic Mayslake Hall, located at 1717 W 31st St., off Rt. 83 in Oak Brook. First Folio is easy to get to from the East-West Tollway (I-88) or the Stevenson Expressway (I-55). Free parking is available on the grounds. Preview tickets are $29. Regular priced tickets are $49 Wednesdays and Thursdays (seniors are $44), and $59 on Fridays through Sundays (seniors are $54). Student prices are $20 for all performances. Season subscriptions and individual tickets may be purchased by calling the box office at 630-986-8067 or online at www.firstfolio.org.

Irish Theatre of Chicago Presents MOLLY SWEENEY March 31 – May 8, 2022 at The Chopin Theatre

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Irish Theatre of Chicago Presents

MOLLY SWEENEY

By Brian Friel

Directed by Ensemble Member Siiri Scott

March 31 – May 8, 2022 at The Chopin Theatre

 

Irish Theatre of Chicago is pleased to return to the Chicago stage with Brian Friel’s moving play Molly Sweeney, directed by Ensemble Member Siiri Scott, playing March 31 – May 8, 2022 at The Chopin Studio Theatre, 1543 W. Division Street in Chicago. Tickets go on sale shortly at www.irishtheatre.org. I'll be out for the press opening April 2nd so check back soon for my full review. 

Molly Sweeney features ensemble members Matthew Isler*, Robert Kauzlaric* and Carolyn Kruse*.

*Denotes Irish Theatre of Chicago ensemble member

Blind since birth, Molly knows the world through touch, sound, taste and smell. When her hopeful husband and ambitious doctor propose restoring her sight, everyone begins to understand things may not be as they appear. Brian Friel, Ireland's master storyteller, brings us a riveting contemporary drama about the unexpected consequences of a medical miracle. 

The production team for includes Jessica Baldinger (scenic design), Louise Gregory (costume design), Smooch Medina (lighting design), Agata Pacia (sound design) Evan Sposato (production design), Parick Starner (production manager) and Jen Bukovsky* (stage manager).

COVID protocols: To ensure the health and safety of artists, audiences and staff, proof of vaccination and masking is required at all performances. These protocols are subject to change based on evolving guidance from Actors’ Equity Association, the City of Chicago, the State of Illinois and the CDC.

 

Location: The Chopin Studio Theatre, 1543 W. Division Street in Chicago

Dates: Previews: Thursday, March 31 at 7 pm and Friday, April 1 at 7 pm

Press performance: Saturday, April 2 at 7 pm

Regular run: Sunday April 3 – Sunday, May 8, 2022. Please note: there will not be a performance on Sunday, April 17 (Easter).

Curtain Times: Thursdays, Fridays and Saturdays at 7 pm; Sundays at 4 pm.

Tickets: Preview $25. Regular run $40. Seniors/students $5 off. Tickets are currently available at www.irishtheatre.org.

CREATIVE BIOGRAPHIES:

Brian Friel (Playwright) wrote The Enemy Within (1962); Philadelphia, Here I Come! (1964); The Loves of Cass McGuire (1966); Lovers (1967); Crystal and Fox (1968); The Mundy Scheme (1969); The Gentle Island (1971); The Freedom of the City (1973); Volunteers (1975); Living Quarters (1977); Aristocrats (1979); Faith Healer (1979); Translations (1980); a translation of Three Sisters (1981); The Communication Cord (1982); an adaptation of Turgenev’s novel Fathers and Sons (1987); Making History (1988); Dancing at Lughnasa (1990); The London Vertigo (1991); an adaptation of A Month in the Country (1992); Wonderful Tennessee (1993); and Molly Sweeney (1994). Dancing at Lughnasa premiered at the Abbey Theatre, transferred to London’s West End, and then went on to Broadway, where it won three 1992 Tony Awards, including Best Play. The play has been performed around the world, including national tours in Ireland, England and Australia. His plays have been performed extensively in Dublin at the Abbey, Gate, and Olympia theatres, and in many West End theatres in London. New York productions include Philadelphia, Here I Come! (Helen Hayes, 1965); The Loves of Cass McGuire (Helen Hayes, 1966); The Mundy Scheme (Royale, 1969); The Freedom of the City (Alvin, 1974); Faith Healer (Longacre, 1979); Lovers (Lincoln Center, 1986); Aristocrats (MTC, 1989); Dancing at Lughnasa (Plymouth, 1991); Wonderful Tennessee (Plymouth, 1993); Philadelphia, Here I Come! (Roundabout, 1994) and Translations (Plymouth, 1995). In 1992, Faith Healer was revived by King’s Head Theatre, London, and transferred to the Wyndham in the West End; and A Month in the Country opened at the Gate Theatre in Dublin. Molly Sweeney opened at the Gate Theatre and transferred to the Almeida Theatre in London. Born in Omagh, County Tyrone, in Ireland in 1929, Mr. Friel began writing short stories for "The New Yorker" in 1959 and subsequently published two collections: "The Saucer of Larks" and "The Gold in the Sea." His first radio plays were produced by the BBC, Belfast, in 1958. In 1989, BBC Radio devoted a six-play season to his work, the first living playwright to be so distinguished. He co-founded Field Day Theatre Company in Derry, Ireland, where Translations, The Communication Cord and Making History premiered. 

Siiri Scott (Director) is the Head of Acting and Directing at the University of Notre Dame. After over 25 years in the classroom and multiple teaching awards, she trains advanced students in acting, voice, dialect and movement and teaches international masterclasses on acting pedagogy. She received her MFA in Acting from The Theatre School at DePaul University before she began working professionally. An actor and director, she has worked in regional theatre and television in Chicago, Milwaukee, Seattle and Los Angeles. Siiri is a member of two theatre companies and performs Japanese Noh with Theatre Nohgaku and directs/produces with Irish Theatre of Chicago. She directed the Jeff-nominated production of My Brilliant Divorce, The Weir and Pineapple for ITC, and she produced the Notre Dame tours for the company. A classically trained performer, she keeps herself in the game as a voice actor and works on both commercials, installations and educational software, and is an award-winning narrator of over 80 audiobooks. Publications include the chapter "Vulnerability in Performance" in The Pedagogy of Vulnerability and she is co-editing an anthology for Routledge, titled “Stanislavsky & Race,” which examines inclusivity and equity in the training and application of the Stanislavsky System in the U.S. and abroad.

Irish Theatre of Chicago (formerly Seanachaí Theatre Company) is supported in part by The Richard H. Driehaus Foundation, the Illinois Arts Council, The Arts Work Fund,The National Endowment for the Arts, and The Grainger Foundation. 

 

OPENING: Issac's Eye via Redtwist Theatre March 20 Through April 24, 2022

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R E D T W I S T  T H E A T R E  P R E S E N T S

Isaac's Eye

by Lucas Hnath

Directed by Rinska Carrasco-Prestinary

Long before the infamous apple landed, Sir Isaac Newton was a backcountry experimenter, hoping to make the discovery of a lifetime. When the Royal Society’s prestigious academic Robert Hooke appears on the scene, Isaac thinks it’s his shot at the scientific big-time -- provided he can prove his own hypothesis. 

Part historical drama, part contemporary satire, Isaac’s Eye will have you rolling in the aisles – alongside all those apples.

Opens Sunday, March 20, 2022 at 3pm

Runs Thurs, Fri, Sat at 7:30pm; Sun at 3pm, through April 24, 3:00pm

C A S T

Josh Servantez* (Isaac Newton)

Michael Sherwin* (Robert Hooke)

Brooke Reams (Catherine)

Jackie Seijo (Dying Man/Actor)

P R O D U C T I O N

Rinska Carrasco-Prestinary (Director), Lucas Hnath (Playwright), Jonathan Berg-Einhorn (Scenic Designer), Elizabeth Niemcsyk (Costume Designer), Cat Davis, (Lighting Designer), AJ Morley (Props Designer), Jeff Brain (Technical Director), Alyssa Flasch (Production Manager), Corbin Paulino (Stage Manager), Jen Poulin (Assistant Director), Shariba Rivers* (Casting Director), Jose Jimenez* (Graphic Designer), Lauren Thompson* (Resident Production Manager), Alyssa Victoria Flasch (Box Office Manager), Annette Galeas, Johnny Garcia*, Amanda Grissom & Eric Eilersen (Box Office Associates), Charlie Marie McGrath* (Producing Artistic Director)

* Denotes Redtwist Staff or Company Member

P R E V I E W S

mar 17 - 19

preview tickets only $15

thurs – sat @ 7:30pm

O N S T A G E

mar 20 - apr 24

tickets start at $35

thurs – sat @ 7:30pm

sun @ 3pm

BUY TICKETS

SENIORS + STUDENTS GET $5 OFF

William Shakespeare’s ALL’S WELL THAT ENDS WELL at Chicago Shakespeare Theater April 22–May 29, 2022

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Chicago Shakespeare Theater announces cast and creative team

William Shakespeare’s

ALL’S WELL THAT ENDS WELL

directed by Shana Cooper

in the Courtyard Theater, April 22–May 29, 2022

Featuring Alejandra Escalante, Dante Jemmott, Ora Jones, Francis Guinan, Emma Ladji, Mark Bedard, Elizabeth Ledo, William Dick, Patrick Agada, Casey Hoekstra, Joseph Aaron Johnson, Jeff Kurysz, Pablo David Laucerica, and Tanya Thai McBride

Chicago Shakespeare Theater announces the cast and creative team for the upcoming production of William Shakespeare’s All’s Well That Ends Well, staged by acclaimed director Shana Cooper. No challenge can match the power of a determined woman. In love with a young man who does not return her affection, the resourceful Helena will go to any length to turn her visions of romance into reality—only to discover that happy endings are never quite as simple as they seem in fairy tales. Shakespeare’s rarely seen dark comedy is brought to new life in the uniquely intimate setting of the Courtyard Theater, April 22–May 29, 2022.

"The beautiful thing about All’s Well That Ends Well is that it’s about these transitional moments in life—about growing up and growing older—in the midst of profound loss and major shifts in the world… and I think we’re all in that space," shared director Cooper. "It’s ultimately a joyful ride through the intricacies of self-exploration and self-discovery."

Director Shana Cooper is known for her visceral approach to both classical texts and new works, often infusing movement and music to complement the muscularity of language. A company member at the acclaimed Woolly Mammoth Theatre Company, Cooper has directed at leading companies, including Oregon Shakespeare Festival, Seattle Rep, and Yale Repertory Theatre. She notably staged the world premiere of Terra Firma off-Broadway in 2019. Her work has most recently been seen in Court Theatre’s The Lady from the Sea.

Appearing as Helena is Alejandra Escalante, a veteran of seven seasons at Oregon Shakespeare Festival. In addition to credits at American Players Theatre and Guthrie Theater, Escalante has also notably appeared at Goodman Theatre as Isabella in Measure for Measure and in featured roles in 2666, The Upstairs Concierge, and Song for the Disappeared. Portraying Bertram, the young nobleman at the center of Helena’s affection, is Dante Jemmott—who recently made an acclaimed debut as Romeo in R+J at the Stratford Festival in 2021. 

Esteemed performer Ora Jones is Bertram’s mother, the Countess of Roussillon. Jones has appeared on Broadway as Madame de Volanges in Les Liaisons Dangereuses and Mrs. Phelps in Matilda the Musical, both on Broadway and in the first national tour. Her notable Chicago Shakespeare roles include Katherine of Aragon in Henry VIII, Queen Charlotte in The Madness of George III, and Maria in Twelfth Night. Francis Guinan portrays the ailing King of France. An ensemble member since 1979, Guinan has appeared in more than 40 productions at Steppenwolf Theatre Company. He made his Chicago Shakespeare debut in the world premiere of The Book of Joseph.

Emma Ladji is Helena’s accomplice, Diana. With multiple credits at Chicago Shakespeare, Writers Theatre, and Goodman Theatre, Ladji has also been an artist-in-residence at Links Hall and presented work at the New Now Festival in Amsterdam. Appearing as Parolles is Mark Bedard, who has performed off Broadway in Julius Caesar and A Midsummer Night’s Dream in addition to seven seasons at Oregon Shakespeare Festival. Jeff Award-winner Elizabeth Ledo plays Lavache, the clown of the Countess’s court. An artistic associate of About Face Theatre and recipient of the Lunt-Fontanne Fellowship, Ledo has memorably appeared at Chicago Shakespeare as Puck in A Midsummer Night’s Dream, Phoebe in As You Like It, and Myrtle in The King’s Speech. William Dick is Lafew. Highlights of Dick’s long theatrical career include Blind Date and Father Comes Home from the Wars (Parts 1, 2, and 3) at the Goodman Theatre; We All Went Down to Amsterdam at Steppenwolf; and A Midsummer Night’s Dream, The Merry Wives of Windsor, and Henry VIII at Chicago Shakespeare. 

The company also includes Patrick Agada (Second Lord Dumaine), Casey Hoekstra (First Lord Dumaine), Joseph Aaron Johnson (Rinaldo), Jeff Kurysz (First Soldier), Pablo David Laucerica (Ensemble), and Tanya Thai McBride (Mariana).

Award-winning choreographer Stephanie Martinez is the production’s Movement Designer. In addition to being the founder and artistic director of contemporary dance company PARA.MAR, Martinez has devised original creations for Joffrey Ballet, Ballet Hispánico, and Luna Negra Dance Theater, among others. Joining Cooper and Martinez on the creative team are Scenic Designer Andrew Boyce, Costume Designer Raquel Barreto, Lighting Designer Adam Honoré, Sound/Composition by Paul James Prendergast, and Hair & Make-up Designer Richard Jarvie. The team also includes Magic Consultant Nate Dendy (who memorably appeared as Ariel in Aaron Posner and Teller’s production of The Tempest at Chicago Shakespeare in 2015), Verse Coach Gregory Linington, Assistant Director Mallory Metoxen, Assistant to the Movement Designer Noelle Kayser, Intimacy Director Sarah Scanlon, and Casting by Bob Mason. The stage management team features Katrina Herrmann as Stage Manager and Kate Ocker as Assistant Stage Manager. Katie Lupica and Manna-Symone Middlebrooks are Assistants to the Director.

Chicago Shakespeare strives to make its facility and performances accessible to all patrons through its Access Shakespeare programs. Accessible performances for All’s Well That Ends Well include:

Open-captioned Performances – Wednesday, May 18, 2022, at 1:00 p.m. and 7:30 p.m.

A text display of the words and sounds heard during a play, synced live with the action onstage.

ASL Duo-interpreted Performance – Friday, May 20, 2022, at 7:30 p.m.

All dialogue and lyrics are translated into American Sign Language by two certified interpreters.

Audio-described Performance – Sunday, May 22, 2022, at 2:00 p.m

A program that provides spoken narration of a play’s key visual elements for patrons who are blind or have low vision.

More information on the production at www.chicagoshakes.com/allswell or on social media at #cstAllsWell.

All’s Well That End’s Well is presented April 22–May 29, 2022, in Chicago Shakespeare’s Courtyard Theater. Single tickets ($49–$90) are on sale now. Special discounts are available for groups of 10 or more. For more information or to purchase tickets, contact the Box Office at 312.595.5600 or visit the Theater’s website at www.chicagoshakes.com. 

Chicago Shakespeare’s most up-to-date health protocols can be found at www.chicagoshakes.com/health.

ABOUT CHICAGO SHAKESPEARE THEATER

A Regional Tony Award recipient, Chicago Shakespeare Theater produces a year-round season—featuring plays, musicals, world premieres, family productions, and theatrical presentations from around the globe—alongside nationally recognized education programming, each year serving tens of thousands of students, teachers, and lifelong learners. Founded in 1986, the Theater’s onstage work has expanded to as many as twenty productions and 650 performances annually. Dedicated to welcoming the next generation of theatergoers, one in four audience members is under the age of eighteen. As a nonprofit organization, Chicago Shakespeare works to embrace diversity, prioritize inclusion, provide equitable opportunities, and offer an accessible experience for all. On the Theater’s three stages at its home on Navy Pier, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare is a multifaceted cultural hub—inviting audiences, artists, and community members to share powerful stories that connect and inspire.

WORLD PREMIERE OF DOUG WRIGHT’S GOOD NIGHT, OSCAR AT GOODMAN THEATRE MARCH 12 – APRIL 17, 2022

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EMMY AWARD-WINNER SEAN HAYES IS OSCAR LEVANT, WITH EMILY BERGL, PETER GROSZ, BEN RAPPAPORT, ETHAN SLATER, TRAMELL TILLMAN AND JOHN ZDROJESKI

***LISA PETERSON DIRECTS THE NEWEST PLAY BY THE PULITZER-PRIZE WINNING AUTHOR OF I AM MY OWN WIFE AND WAR PAINT IN THE ALBERT THEATRE MARCH 12 – APRIL 17, 2022***

This spring, the nostalgia of 1950s late-night talk-shows takes the stage in the world premiere of Good Night, Oscar—Pulitzer Prize-winning playwright Doug Wright’s exploration of the nexus of humor and heartbreak, the ever-dwindling distinction between exploitation and entertainment, and the high cost of baring one’s soul for public consumption. 

Emmy Award-winning and Tony Award-nominated actor Sean Hayes leads the cast of seven as Oscar Levant—character actor, pianist and wild card. Director Lisa Peterson’s production also features Emily Bergl (June Levant), Ben Rappaport (Jack Paar), Peter Grosz (Bob Sarnoff), Ethan Slater (Max Weinbaum), Tramell Tillman (Alvin Finney) and John Zdrojeski (George Gershwin). Good Night, Oscar appears March 12 – April 17; opening night is Monday, March 21. Tickets ($25 - $98, subject to change) are now available at GoodmanTheatre.org/Oscar or by phone at 312.443.3800. The Goodman is grateful for the support of JP Morgan Chase & Co. (Lead Corporate Sponsor) and Winston & Strawn LLP (Corporate Sponsor Partner); in addition, Good Night, Oscar is the recipient of an Edgerton Foundation New Play Award.

“We are thrilled to produce the world premiere of this incredible new play by Doug Wright—an author I’ve long admired for illuminating his characters’ personal truths while infusing their stories with humor and wit. And we welcome director Lisa Peterson, who tackles classics and new works with equal vivacity and skill; her versatility makes her a perfect fit for Doug’s psychologically rich and highly theatrical new play,” said Artistic Director Robert Falls. “And we warmly welcome this stellar cast—led by Emmy Award-winning actor Sean Hayes, best known for his masterful portrayal of Jack McFarland on the NBC sitcom Will & Grace. Sean has stepped elegantly between the screen and stage for many years, receiving a Tony Award nomination for Best Leading Actor in a Musical for his role in Promises, Promises, and appearing in films such as The Bucket List, The Three Stooges and Pixar’s Monster’s University. I am delighted that Sean, who grew up in Glen Ellyn, makes his Goodman debut playing the brilliant and achingly human Oscar Levant.”

Halfway into the 20th century finds Americans glued to their TVs as Jack Paar’s amusing and always unpredictable banter echoes across living rooms. One night, he is joined by the equally unbridled pianist and character actor Oscar Levant. During an evening of witty one-liners—“there’s a fine line between genius and insanity; I have erased this line”—Oscar lays bare the necessity of insanity in the making of brilliant work and the cost he is willing to pay to entertain the masses in an episode that Paar’s audience, and the rest of America, won’t soon forget. 

“I’m very excited to be back at the Goodman for a third time, with another play about a character plucked from history,” said playwright Doug Wright, whose previous work at the Goodman includes the musical War Paint (2016) and I Am My Own Wife (2005), for which he earned the Pulitzer Prize. “I hope Chicago audiences find Oscar Levant as irascible, lovable, infuriating and unexpectedly moving as I have during the process of writing about him.”

THE COMPANY OF GOOD NIGHT, OSCAR

Oscar Levant…….Sean Hayes 

June Levant…….. Emily Bergl 

Jack Paar………….Ben Rappaport 

Bob Sarnoff………Peter Grosz 

Max Weinbaum.. Ethan Slater 

Alvin Finney………Tramell Tillman 

George Gershwin…John Zdrojeski

Understudies for this production include Sam Bell-Gurwitz—Max Weinbaum/George Gershwin; Daniel Cantor—Bob Sarnoff/Jack Paar; Chiké Johnson—Alvin Finney; Tiffany Scott–June Levant; and David Turner—Oscar Levant.

Set Design by Rachel Hauck

Costume Design by Emilio Sosa

Lighting Design by Ben Stanton and Carolina Ortiz Herrera 

Sound Design by Andre Pluess

Wig, Hair & Makeup by J. Jarad Janas

Casting is by Stephen Kopel. Dramaturgy is by Jacqueline Lawton. Kimberly McCann is the Production Stage Manager and Mario Wolf is the Stage Manager.

ENHANCED AND ACCESSIBLE PERFORMANCES

Visit  Goodmantheatre.org/Access  for more information about Goodman Theatre’s accessibility efforts.

Touch Tour and Audio-Described Performance: Saturday, April 9, 12:30pm Touch Tour; 2pm performance – The action/text is audibly enhanced for patrons via headset. NOTE: Touch Tours for the 2021/2022 Season will not have access to the stage due to current health and safety protocols, but will feature alternate pre-show sensory introductions.

ASL-Interpreted: Friday, April 15 at 8pm – An American Sign Language interpreter signs the action/text as played.

Open-Captioned: Saturday, April 16 at 2pm – An LED sign presents dialogue in sync with the performance.

Spanish Subtitles: Saturday April 16 at 8pm. 

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. 

Led by Artistic Director Robert Falls and Executive Director Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earner two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

As a cultural and community organization invested in quality, diversity and community, Goodman Theatre is committed to using the art of theater for a better Chicago. Goodman Theatre’s Action Plan for Inclusion, Diversity, Equity, Anti-Racism and Access (IDEAA) was born out of the belief that progress means action, which includes building on the decades-long commitment to using art, assets and resources to contribute to a more just, equitable and anti-racist society.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Rebecca Gilman, Dael Orlandersmith, Henry Godinez, Steve Scott, Kimberly Senior, Chuck Smith, Regina Taylor and Mary Zimmerman. Jeff Hesse is Chairman of Goodman Theatre’s Board of Trustees, Fran Del Boca is Women’s Board President and Craig McCaw is President of the Scenemakers Board for young professionals. 

OPENING: LAST NIGHT IN KARAOKE TOWN MARCH 25 - APRIL 30th, 2022

 ChiIL Live Shows On Our Radar 

THE FACTORY THEATER ANNOUNCES ITS LIVE RETURN OF 

THE 2020 HIT 

LAST NIGHT IN KARAOKE TOWN,

MARCH 25 - APRIL 30

The Factory Theater is Back with America’s First-Ever Tribute to Cleveland 

in a Return to Stage Remount of its Acclaimed Comedy 

Written by Mike Beyer and Kirk Pynchon and directed by Kim Boler

The Factory Theater,1623 W. Howard St., is pleased to announce the LIVE return of its hit production, Last Night in Karaoke Town, March 25-April 30. Written by Mike Beyer and Kirk Pynchon and directed by Kim Boler, the original run was ended during its run in spring 2020 due to COVID and the Factory is thrilled to remount the only known tribute to Cleveland in the history of American theater this fall to relaunch its space and to welcome its audiences back to Howard Street. Previews are Friday, March 18 and Saturday, March 19 at 8 p.m. and Sunday, March 20 at 3 p.m. 

The regular performance schedule is Fridays and Saturdays at 8 p.m. and Sundays at 3 p.m. Tickets for Last Night in Karaoke Town are $10 - $25 and may be purchased through the Box Office by calling 866-811-4111 or by visiting TheFactoryTheater.com. 

One of Cleveland’s oldest karaoke bars may have to close its doors forever, unless its long-time proprietor can convince the new building owner not to change it into a cider bar. With a neighborhood slowly gentrifying around them, the longtime patrons embark on a plan to keep their beloved watering hole intact. It all comes down to one final night, where the beer flows freely and the karaoke soars higher than Steve Perry’s vocals on “Don’t Stop Believin’.” 

Last Night in Karaoke Town during its original run was Jeff nominated and garnered rave reviews, including Katy Walsh of TheFourthWalsh.com who said “It’s a fun evening—Cleveland-style!” and Amy Munice of PictureThisPost.com who called it "A collection of diverse personalities that bond around music, shots and beer for whom you instantly feel affection." In addition to being Chicago Reader Recommended, Max Maller said Last Night in Karaoke Town is “A raucous showdown between the dual opposing forces of innovation and authenticity.”

The Cast for the 2022 Production includes Wendy Hayne* (Diana), Ashley Yates* (Shannon), Genna Ellis* (Audrey), Gabriella Fernandez* (Lily), Abbie Warhus* (Fran), Jillian Leff* (Shawn), Brittney Brown* (Evelyn), Vic Kuligoski+ (Brad), Michael Jones+ (Ted), Bob Pantalone+ (Miles), Chase Wheaton-Werle+ (Kenny), Amber Washington* (Avery), Hilary Sanzel* (Diana U/S), Tuesdai B. Perry*^ (Avery U/S), Theresa Liebhart* (Lily/Audrey U/S), Lizzy Mosher* (Fran/Evelyn/Shawn U/S), Marshall Kious+ (Ted/Miles U/S), Marisa Lerman* (Shannon U/S).

Pronoun Key: + (he/him/his); * (she/her/hers); ^ (they, them, theirs). = (any with respect)

ABOUT MIKE BEYER

Mike Beyer is a current ensemble member at the Factory Theater and has been with the company since its inception. He is the author/co-author of several past Factory plays, including White Trash Wedding and a Funeral (with Bill Havle), Hey! Dancin’! (with Kirk Pynchon), Hey! Dancin’! Hey! Musical! (also with Kirk Pynchon), Dirty Diamonds, and Herb Stabler: Wandering Spirit. Beyer has also appeared in several Factory productions, and makes his home in Chicago. 

ABOUT KIRK PYNCHON

Kirk Pynchon is a Factory Theater emeritus ensemble member, having been with the Factory since the early '90s. Over the years he has written several successful plays for the Factory, including Man Card, Poppin' and Lockdown, Poppin' and Lockdown 2: Dance the Right Thing, Hey! Dancin'! (with Mike Beyer), and Hey! Dancin'! Hey! Musical! (also with Mike Beyer). Pynchon lives in Los Angeles and is the Managing Editor of a small media firm. He is also a co-host of the indie podcasts Music Raygun and Nostalgicast.

ABOUT KIM BOLER 

Kim Boler has been an ensemble member of the Factory Theater since 2015 and will be making her Chicago directorial debut with Last Night in Karaoke Town. She has also appeared as an actor in numerous Factory productions: Zombie Broads, Jenny & Jenni, The Last Big Mistake and Fight City.

ABOUT THE FACTORY THEATER

For more than 25 years, the Factory has created its shows from scratch, doing exactly the kind of theater they wanted to do. From writing workshops to the closing night bash, Factory shows are a unique experience that fits its exacting standards: original, bold, and full-tilt. Its shameless ensemble are ambassadors of a good time, making certain that Chicago remains heartily entertained.

OPENING: LA CAGE AUX FOLLES STARRING “RUPAUL DRAG RACE’S” GINGER MINJ* VIA MUSIC THEATER WORKS MARCH 10 - APRIL 3, 2022

ChiIL Live Shows On Our Radar  

MUSIC THEATER WORKS ANNOUNCES CAST FOR LA CAGE AUX FOLLES STARRING “RUPAUL DRAG RACE’S” GINGER MINJ*, MARCH 10 - APRIL 3, 2022

AT THE NORTH SHORE CENTER FOR THE PERFORMING ARTS 

Tickets Now on Sale for the Spring 2022 Production that is so Much Fun, it will be Hard to Keep Anything Straight, Directed by Producing Artistic Director Kyle Dougan+/^ and Music Directed by Kyra Leigh*, Choreography by Christopher Chase Carter+ and Costumes by “Project Runway’s” Justin LeBlanc+

Pronoun Key: + (he/him/his); * (she/her/hers); ^ (they, them, theirs). = (any with respect)

Music Theater Works is proud to announce the cast for its spring production of the Tony-Award winning La Cage Aux Folles,  music and lyrics by Jerry Herman+, book by Harvey Fierstein+, directed by Producing Artistic Director Kyle Dougan+/^ and music directed by Kyra Leigh* with choreography by Christopher Chase Carter+. La Cage Aux Folles performance schedule includes a preview performance Thursday, March 10 at 1 p.m. with press opening Friday, March 11 at 8 p.m. The running time is currently two hours and 40 minutes including one 15-minute intermission. The performance schedule is Wednesdays at 1 p.m., Fridays at 8 p.m. Saturdays at 2 and 8 p.m. and Sundays at 2 p.m. Tickets are now on sale at $19.50 - $106 with Meet and Greet with Ginger Minj options and discounted 2022 subscriptions at MusicTheaterWorks.com.

The winner of six Tony Awards including Best Musical, Best Score, Best Book and Best Revival of a Musical, La Cage Aux Folles is a night full of belly-laughs. Based on the hit French farce that also inspired West End and international productions and Hollywood’s “The Birdcage,” this Broadway smash has a hilarious book by Harvey Fierstein (Torch Song Trilogy and Kinky Boots) and a score by the king of show tunes, Jerry Herman (Hello, Dolly! and Mame).  With “RuPaul’s Drag Race” headliner, Ginger Minj*, as “Albin” and costumes by “Project Runway” designer Justin LeBlanc+, The Music Theater Works rendition of this classic is guaranteed to be one of the most entertaining productions of the year. The theatre will be transformed into La Cage’s elegant St. Tropez nightclub complete with an onstage bar and surprises at every turn. And when a non-traditional family’s future in-laws come for a visit, La Cage shines the spotlight on family, love, commitment and drag as the truth comes out in the wildest of ways. 

The cast of La Cage Aux Folles includes Ginger Minj*, (Albin); Jason Richards+ (Georges); Christopher Ratliff+, (Jean-Michel); Dane Strange+, (Jacob); Thomas E. Squires+, (Dindon/Renaud); Caron Buinis*, (Marie Dindon/Mme. Renaud); Honey West*, (Jacqueline/Albin understudy); Anthony Whitaker+, (Francis); Darryl D’Angelo Jones+, (Tabarro); Daniel Hurst+, (Chantel); Matthew Weidenbener+, (Hanna); Gabe Kohlbeck+, (Mercedes); Brian Selcik+, (Bitelle), Isaiah Engram+, (Angelique) , Jordon Taylor* (Phaedra) and Alicia Berneche*, (Marie Dindon and Jacquline understudy); Ariel Triunfo* (Anne/Cagelle understudy) and Riley Vogel+ (Jean Michel /Cagelle understudy).

The La Cage Aux Folles production team includes Producing Artistic Director Kyle A. Dougan+/^, (director); Kyra Leigh*, (music director); Christopher Chase Carter+, (choreography); Tommy Novak^, (assistant director); Scott Davis*, (scenic design); Justin LeBlanc+, (costume design); Andrew Meyers+, (lighting design) and Hayley E. Wallenfeldt*, (props design). 

Health Safety Procedure:

ALL GUESTS will be required to wear a face mask regardless of vaccination status and to present their photo ID with proof of full vaccination from COVID-19 with an approved vaccine.

Please visit https://www.musictheaterworks.com/health-safety-procedures/ for more information.

 

ABOUT GINGER MINJ*, “Albin”

Long before she held court as a finalist on season 7 of “RuPaul’s Drag Race,” Ginger Minj reigned as The Comedy Queen of The South from her homebase in Orlando, Florida. The self-professed “nicest bitch you’ll ever meet” cites classic funny ladies Carol Burnett, Lucille Ball and Dolly Parton as her idols. “Anyone who can pile three wigs on their head, squeeze their body into a beaded and rhinestoned gown and serve humor alongside the glamour is my hero,” says Minj. That’s why she coined the term “Glamour Toad'' to describe her unique persona. 

In 2016, Ginger released her debut album, “Sweet Tea,” which was soon followed by years spent touring the world and performing showtunes for Broadway royalty on national television. With more than 200,000 global streams, Ginger Minj went on to star in the 2018 Netflix feature film, “Dumplin’” (Jennifer Anniston, Dove Cameron) and in June 2021 released her sophomore album “Gummy Bear,” which peaked at #2 on the iTunes Comedy Album Charts. She then followed up in September 2021 with her third studio album, “Double Wide Diva,” which peaked at #10 on the iTunes Country Album Charts.

Ginger Minj was a finalist of Season 6 of “RuPaul’s Drag Race All Stars” and is continuously working on exciting projects to come in 2022 including a new book entitled “Southern Fried Sass” which tells her life story through stories and family recipes.

ABOUT PRODUCING ARTISTIC DIRECTOR KYLE DOUGAN+/^, director

Kyle Dougan worked as casting associate and events manager for Music Theater Works, and rejoined the company in 2018 as Producing Artistic Director Designate, following a two-year stint in academia. He relocated to Chicago in 1999, after completing his Masters in Musical Theatre at Goldsmiths, University of London, where he produced and directed a workshop of new musicals. He also stage managed a series of new musicals with Perfect Pitch: New Musicals at Trafalgar Studios. In the Chicago area Kyle has directed, associate-directed and assistant-directed shows for Chamber Opera Chicago, Theatre at the Center, Big Noise Theater and The Music Theatre Company. He has served as artistic producer of a series of new musicals with Midwest New Musicals, as executive director of FWD Theatre Project and as co-owner of Style Theatrical Casting, a professional casting company in Chicago.

ABOUT KYRA LEIGH*, music director

Kyra Leigh is thrilled to be making her debut with Music Theater Works! Chicago acting credits include Porchlight Revisits Nunsense (Porchlight Music Theatre}; The Things I Could Never Tell Steven (American debut at PrideArts);Love Serving Love (Valiant Theatre); Sundown, Yellow Moon (Raven Theatre); music directing credits include HeadOver Heels (Kokandy Productions); She’s also composed Transfigure, a full concept album.

CHRISTOPHER CHASE CARTER+, choreographer

Christopher Chase Carter is the artistic director of Mercury Theater Chicago. Before moving to Chicago, Carter studied in Michigan, where he began his theater career performing, directing and choreographing award-winning community and college productions. He attended Grand Valley State University achieving his bachelor of arts while on scholarship. After graduating, Carter became an active participant in the Chicago dance and theater community. In 2019, he directed and choreographed the pilot production of “Scottsboro Boys'' working closely with Musical Theater International (MTI) and Susan Stroman at the International Thespian Festival. He followed that up by directing a history-making production of “Legally Blonde” at Northwestern University. He has been honored with many scholarships throughout his career. In 2005, he moved to Los Angeles where he was awarded a scholarship to the Debbie Allen Dance Academy. After training at DADA, he returned to Michigan to finish his degree. He was one of four dancers chosen for a scholarship to study abroad in Kingston, Jamaica to further his training and education at The Edna Manley School. After graduating, this inspired Cater to start his own scholarship, The Christopher Carter Arts Scholarship, to help underprivileged artists pursue their dreams. With a true passion for creativity and art, Carter is excited about the future of theater and looks forward to being part of the evolution of performance and artistry.

ABOUT MUSIC THEATER WORKS

Music Theater Works is a resident professional not-for-profit music theater founded in 1980. During its 40-year history it has presented more than 150 productions and intimate presentations. Music Theater Works is a professional theater company whose mission is to present works for the musical stage including historic repertoire, revitalizing the Golden Age of Broadway and earlier works, celebrating the Great American Songbook and introducing modern classics. The company uses collaborations among theaters, other artistic disciplines, social service agencies, local business, educational institutions and others to create music theater for the 21st century.

Audiences know that at Music Theater Works they will experience musical theater, which is often unavailable on the stages of commercial theaters and opera houses, in beautiful, colorful modern productions with professional artists and live orchestra.

Music Theater Works is proud to announce the cast for its spring production of the Tony-Award winning La Cage Aux Folles,  music and lyrics by Jerry Herman+, book by Harvey Fierstein+, directed by Producing Artistic Director Kyle Dougan+/^ and music directed by Kyra Leigh* with choreography by Christopher Chase Carter+. La Cage Aux Folles performance schedule includes a preview performance Thursday, March 10 at 1 p.m. with press opening Friday, March 11 at 8 p.m. The running time is currently two hours and 40 minutes including one 15-minute intermission. The performance schedule is Wednesdays at 1 p.m., Fridays at 8 p.m. Saturdays at 2 and 8 p.m. and Sundays at 2 p.m. Tickets are now on sale at $19.50 - $106 with Meet and Greet with Ginger Minj options and discounted 2022 subscriptions at MusicTheaterWorks.com.

La Cage Aux Folles performance schedule is 

Preview: Thursday, March 10 at 1 p.m.

Press Night: Friday, March 11 at 8 p.m.

Saturday, March 12 at 2 p.m.

Saturday, March 12 at 8 p.m.

Sunday, March 13 at 2 p.m.

Wednesday, March 16 at 1 p.m.

Friday, March 18 at 8 p.m.

Saturday, March 19 at 2 p.m.

Saturday, March 19 at 8 p.m.

Sunday, March 20 at 2 p.m.

Wednesday, March 23 at 1 p.m.

Friday, March 25 at 8 p.m.

Saturday, March 26 at 2 p.m.

Saturday, March 26 at 8 p.m

Sunday, March 27 at 2 p.m.

Wednesday, March 30 at 1 p.m.

Friday, April 1 at 8 p.m.

Saturday, April 2 at 2 p.m.

Saturday, April 2 at 8 p.m.

Sunday, April 3 at 2 p.m.

Chicago premiere of Stand Up If You’re Here Tonight Via American Blues Theater at Theater Wit March 18 – April 9, 2022

 

ChiIL Live Shows On Our Radar 

American Blues Theater announces

Stand Up If You’re Here Tonight

written and directed by John Kolvenbach

featuring American Blues Artistic Affiliate Jim Ortlieb

March 18-April 9, 2022

**American Blues Theater honors healthcare workers, first responders, educators & support staff, and military personnel with complimentary and deeply discounted tickets. American Blues proudly supports NAMI Chicago and SAMHSA.**

American Blues Theater, under the continued leadership of Artistic Director Gwendolyn Whiteside, announces the Chicago premiere of Stand Up If You’re Here Tonight, written and directed by John Kolvenbach, featuring American Blues Theater Artistic Affiliate Jim Ortlieb. Stand Up If You’re Here Tonight runs March 18-April 9, 2022 at Theater Wit,1229 W. Belmont Ave. Tickets are available at (773) 975-8150 and www.americanbluestheater.com. I'll be out for the press performance March 19th. In the meantime check back early and often.

“You’ve tried everything. Yoga. Acupuncture. Therapy. You floated in salt water in the pitch black dark. You juiced, you cleansed, you journaled, you cut, you volunteered. You got a mattress that fitted itself to your fetal form. You ate only RINDS for three days and nights. You reached out, you looked within. You have tried. And yet here you are.”

So begins a new play by Olivier-nominated playwright John Kolvenbach in its Chicago premiere. American Blues Theater Artistic Affiliate Jim Ortlieb delivers a tour-de-force performance as a man desperate for connection, bent by isolation, and deeply in love with the audience itself.

Artistic Director Gwendolyn Whiteside comments, “We’re thrilled to present the Chicago premiere of John Kolvenbach’s latest work. He brilliantly captured our shared pandemic experience and given an injection of hope. We couldn’t be happier by the return of Artistic Affiliate Jim Ortlieb to our stage.”

 The creative team includes Michael Trudeau* (scenic / lighting design / TD), Rachel West* (master electrician), and Shandee Vaughan* (SM & Production Manager).

*Denotes Artistic Affiliate of American Blues Theater

About the Artists 

John Kolvenbach and Jim Ortlieb previously worked together Boston on Half ’n Half ’n Half (now titled The Marriage Play), for which Jim was awarded a 2012 IRNE Award for best lead actor. Most recently, they worked together on Stand Up If You’re Here Tonight, which opened in the summer of 2021 at The Harbor Stage and, simultaneously, in Los Angeles with VS. and Circle X.

John Kolvenbach he/him (playwright / director) On the West End: Love Song (Olivier nomination, Best New Comedy, directed by John Crowley) and On an Average Day (with Woody Harrelson and Kyle MacLachlan, also directed by Mr. Crowley.) Love Song premiered at Steppenwolf in 2006, directed by Austin Pendelton. It has been produced in New York, Zurich, Melbourne, Sydney, Wellington, Seoul and Rome. There have been over fifty productions in the U.S. Average Day was produced in Los Angeles by VS. (with Johnny Clark and Stef Tovar) and in Chicago by VS. and Route 66. Average Day has been produced in Tel Aviv, Buenos Aires, and Lisbon. Goldfish premiered at South Coast Repertory, then at the Magic Theatre in San Francisco, directed by Loretta Greco. The play was done in repertory with Mrs. Whitney, which was directed by the author. Most recently, Reel to Reel received its premiere at the Magic. Sister Play received its premiere at The Harbor Stage Company and at the Magic, both productions directed by the author. Stand Up If You’re Here Tonight opened in the summer of 2021 at The Harbor Stage and, simultaneously, in Los Angeles with VS. and Circle X. Other plays include: Fabuloso (premiered at WHAT, subsequent productions in San Juan and Zurich, in Spanish and Swiss German), Bank Job (Amphibian Stages) and Marriage Play or Half ‘n Half ‘n Half (Merrimack Rep.) Film: Clear Winter Noon, an original screenplay, was selected for the Blacklist in 2008.

 Artistic Affiliate Jim Ortlieb returns to American Blues Theater where he previously appeared in the title role in Scapin.

Jim Ortlieb he/him (Man) is a proud Artistic Affiliate of American Blues Theater and a member of the rare breed of middle-class actors. After studying with William Esper and Kathryn Gately at Rutgers University, Jim was invited by Lois Hall to teach in Chicago at Lois Hall Studio, a mainstay of professional studios in the 1980s. It was because of Lois that Jim Ortlieb was welcomed into the Chicago theater community.

When she retired, Jim renamed the school, Chicago Actors Project, which remained vibrant until 1989. During the ‘80s and onward, Jim acted with many Chicago theaters, including The Goodman (Candide), Pheasant Run (Sorrows of Stephen), Organic (M the Murderer), Wisdom Bridge (Only Kidding), Northlight (All in the Timing), and Steppenwolf (Picasso at the Lapine Agile, The Man Who Came to Dinner), Touchstone (Racing Demon, Indiscretions), Gare St. Lazare Players (Hughie), Bailiwick (An Uncertain Hour by Nick Patricca) and as a member of American Blues Theater he played the title role in Scapin. Ortlieb’s new found family of Chicago artists lead him all over the world. When Bob Meyer of the Gare St. Lazare Players moved to Europe to spend more time with his son, Charlie, Jim traveled there to collaborate on numerous productions with Bob and the extensive group of expatriated English speaking artists in Paris, Ireland, and England such as Hughie, The Homecoming, Faith Healer, and Requiem for a Heavyweight. Malcolm Ewen brought Jim to the Weston Playhouse in Vermont where he did Guys and Dolls, The Mikado, Candide, and Tartuffe. In the midst of the IATSE strike in 1999, Jim, his wife and two children moved to Los Angeles where they have lived ever since. Other acting credits include on Broadway in Aaron Sorkin’s The Farnsworth Invention, Of Mice and Men with James Franco and Chris O’Dowd directed by Anna Shapiro, and Guys and Dolls with Lauren Graham and Oliver Platt, the first National Tour of Billy Elliot the musical for two years in Chicago and in Toronto. In 2012 Ortlieb was nominated for an IRNE award for his lead performance in Half ’n Half ’n Half (now titled The Marriage Play) by John Kolvenbach. That relationship continues through today with Stand Up If You’re Here Tonight! His film and TV credits include: Drunkboat with John Malkovich and John Goodman and directed by Bob Meyer, Flatliners, Home Alone, A Mighty Wind, Contagion, Chain Reaction, The Onion Movie, Latter Days, Bug, and Magnolia. His television credits include Station 19, American Horror Story, 911: Lone Star, How to Get Away With Murder, Grey’s Anatomy, West Wing, The Closer, Roswell, Six Feet Under, Gabriel’s Fire, and The Shield. Jim has done more than 75 commercials and voiceovers in his 45 years as an actor all of which has helped pay the bills. Both of Jim’s daughter returned to Chicago where they both graduated from DePaul University. Grainne (grahn-yah) Ortlieb, a Theatre School grad, remains in Chicago with the community the whole family calls home.

Schedule:   

Dates: March 18 – April 9, 2022                 

Thursdays: 7:30pm

Fridays: 7:30pm

Saturdays: 4:30pm (except, no show March 19) and 7:30pm

Sundays: 2:30pm

Additional performance on Wednesday, April 6 at 7:30pm.

 Location: Theater Wit, 1229 W Belmont Ave in Chicago

 Ticket prices: $25-$45, plus $2.75 Theater Wit venue fees

Box Office: Buy online at www.americanbluestheater.com or (773) 975-8150

Group Sales discounts and Blue Card Memberships available now by calling (773) 654-3103 or visiting  www.americanbluestheater.com.

 

About American Blues

Winner of the American Theatre Wing’s prestigious National Theatre Company Award, American Blues Theater is a premier arts organization with an intimate environment that patrons, artists, and all Chicagoans call home. American Blues Theater explores the American identity through the plays it produces and communities it serves.

 

The diverse and multi-generational artists have established the second-oldest professional Equity Ensemble theater in Chicago. As of 2022, the theater and artists received 221 Joseph Jefferson Awards and nominations that celebrate excellence in Chicago theater and 40 Black Theatre Alliance Awards. The artists are honored with Tony Award and Pulitzer Prize nominations, Academy Awards, Golden Globe Awards, Emmy Awards and numerous other accolades.

OPENING: Rolling World Premiere of In Every Generation April 2 – May 1, 2022 at Victory Gardens Theater

 

ChiIL Live Shows On Our Radar

Victory Gardens Theater Presents

the National New Play Network Rolling World Premiere of

In Every Generation

By Ali Viterbi

Directed by Devon de Mayo

April 2 – May 1, 2022

Victory Gardens Theater continues its 2021/22 Mainstage Season with the world premiere of In Every Generation, written by Ali Viterbi and directed by Devon de Mayo. This is a National New Play Network Rolling World Premiere by Victory Gardens, the Olney Theatre Center (MD), and San Diego Repertory Theatre (CA). In Every Generation runs April 2 – May 1, 2022 at Victory Gardens Theater, 2433 N. Lincoln Avenue. I'll be out for the press opening April 8th so check back soon for my full review. Tickets are on sale now and available by phone at 773.871.3000 or online at www.victorygardens.org.

Each Passover, for four millennia, we ask: why is this night different from all other nights? And each year, the Levi-Katz clan has answered, while struggling with questions of race and religion that never seem to get resolved. The family finds strength in tradition (vegan brisket or no); but each year of celebration brings more pressing questions about the future: if trauma is generational, then must we be defined by it? Will we ever be free? Written by Ali Viterbi, In Every Generation was the 2019 winner of the National Jewish Playwriting Contest, and will have its world premiere at Victory Gardens, staged by Devon de Mayo (If I Forget, Victory Gardens).

The In Every Generation cast includes Eli Katz (Valeria), Sara Lo (Dev), Esther Fishbein (Yael), Paul Dillon (Davide), and Carmen Roman (Paola), with casting by The Chicago Inclusion Project.

The In Every Generation creative team includes Andrew Boyce and Lauren Nichols (Scenic Design), kClare McKellaston (Costume Design), Heather Sparling (Lighting Design), Jeffrey Levin (Sound Design), Yeaji Kim (Projections Design), Caitlin McCarthy (Props Design), Courtney Abbott (Intimacy Design) and Adam Goldstein (Language and Dialect). The creative team also includes Kat Zukaitis (dramaturg), Adelina Feldman Schultz (Assistant Director), Casie Morell (Stage Manager) and Shandee Vaughan (Production Manager). Additional creatives to be announced.

About the Artists

ALI VITERBI (Playwright; she/her) is a playwright, television writer, and educator from San Diego. Her plays have been developed, produced, or commissioned by Geffen Playhouse, The Kennedy Center/National New Play Network, La Jolla Playhouse, Round House Theatre, San Diego Repertory Theatre, HERE Arts Center, The Barrow Group, and North Coast Repertory Theatre, among others. Her play In Every Generation won the 2019 National Jewish Playwriting Contest, and she has been a finalist for the O’Neill National Playwrights Conference and the Bay Area Playwrights Festival. Ali has developed TV projects with AMC and Anonymous Content. She was a member of the 2020/2021 Geffen Playhouse Writers’ Room, and she is the associate artistic director of the annual Lipinsky San Diego Jewish Arts Festival. Ali received her B.A. from Yale University and her M.F.A. in Playwriting from UC San Diego.

DEVON de MAYO (Director; she/her) Victory Gardens: If I Forget and Ignition Festival in 2016, 2017 and 2019. Chicago Credits: First Love is the Revolution (Steep Theatre); The Tasters, Laura and the Sea & The Scientific Method (Rivendell Theatre); Women Laughing Alone With Salad (Theatre Wit); The Burn (Steppenwolf Theatre); Harvey (Court Theatre); Sycamore (Raven Theatre); You on the Moors Now (The Hypocrites); Animals Out of Paper (Shattered Globe Theatre); You Can’t Take it With You and Lost in Yonkers (Northlight Theatre); Everything is Illuminated (Next); Roadkill Confidential, The Whole World is Watching, As Told by the Vivian Girls and The Twins Would Like to Say (Dog & Pony). Broadway: Resident Director under Stephen Daldry on The Audience. International: Guerra: A Clown Play (La Piara, Mexico). Devon received her MFA from Middlesex University in London and did further studies at the Russian Academy of Dramatic Arts in Moscow and the Indonesian Institute for the Arts in Bali.

Creative Team: Andrew Boyce and Lauren Nichols (Scenic Design), kClare McKellaston (Costume Design), Heather Sparling (Lighting Design), Jeffrey Levin (Sound Design), Yeaji Kim (Projections Design), Caitlin McCarthy (Props Design), Courtney Abbott (Intimacy Design) and Adam Goldstein (Language and Dialect). The creative team also includes Kat Zukaitis (dramaturg), Adelina Feldman Schultz (Assistant Director), Casie Morell (Stage Manager) and Shandee Vaughan (Production Manager).

Previews: April 2 – 7, 2022 

Press Performances:  Friday, April 8, 2022 at 7:30pm

Regular run:  April 9 – May 1, 2022 

 

Schedule:                   

Tuesday-Saturday 7:30pm (except April 2, April 12, April 16, April 19)

Wednesday: 2:00pm (April 20 only)

Saturday: 3:00pm (April 16 only)

Sunday: 3:00pm & 7:30pm (April 3 only)

 

Accessible Performances:            

Word for Word (open captioning): Wednesday, April 20, 2022 at 2:00pm; Friday, April 22, 2022 at 7:30pm; Saturday, April 23, 2022 at 7:30pm

ASL Interpretation: Friday, April 22, 2022 at 7:30pm

Audio Description/Touch Tour: Friday, April 22, 2022 at 7:30pm; Sunday, May 1, 2022 at 3:00pm (Touch Tour begins 90 minutes prior to showtime)

Location:   Victory Gardens Theater is located at 2433 N. Lincoln Avenue 

Tickets: $29 - $62

Box Office: The Box Office is located at 2433 N. Lincoln Avenue, Chicago.  773.871.3000; www.victorygardens.org. 

Victory Gardens Theater 2021/22 Mainstage Season

The Victory Gardens Theater 2021/22 Mainstage Season includes Queen of the Night by travis tate, directed by Ken-Matt Martin, January 29 - March 13, 2022; the National New Play Network Rolling World Premiere of In Every Generation by Ali Viterbi, directed by Devon de Mayo, April 2 - May 1, 2022; and the regional premiere of cullud wattah by Erika Dickerson-Despenza, directed by Lili-Anne Brown, June 11 - July 17, 2022.

Flex Passes to the 2021/22 Season are currently on sale at victorygardens.org or by phone at 773.871.3000, and offer 20% savings over single ticket prices. Single tickets for all three shows are on sale now at victorygardens.org and range from $29 to $62.

The Ignition New Play Program 

The Ignition New Play Program (formerly the Ignition Festival of New Plays) consists of two events for the 2021/22 season: the Ignite Chicago reading series, offering six free readings of new works between October 2021 and July 2022, and the 20/50 Festival in June 2022, featuring three new works by playwrights over 50, staged by VG Directors Inclusion Initiative Fellows. Ignite Chicago readings will take place not only at Victory Gardens’ home in Lincoln Park, the Biograph Theater, but at partner locations throughout the city, to bring new plays into Chicago’s many communities. 

 Upcoming Ignite Chicago readings include: 

●      April 2022: Primary Trust by Eboni Booth  

●      July 2022: Nancy by Rhiana Yazzie 

All readings are free to attend, but RSVPs will be required, as capacity for each reading is limited. Registration will be available at victorygardens.org approximately one month before each event. 

For complete details on the 2021/2022 Season and artists, Flex Passes, and the Ignition New Play Program, please visit www.victorygardens.org  

Victory Gardens Theater receives major funding from Bradshaw Family Foundation, Exelon Corporation, Illinois Arts Council, Lloyd A. Fry Foundation, Prince Charitable Trusts, Pritzker Foundation, The Small Business Administration, and The Joyce Foundation.

Victory Gardens also receives support from the Alphawood Foundation, Charles and M.R. Shapiro Foundation, John R. Halligan Charitable Fund,Mayer Brown LLP, TheNational Endowment for the Arts, thePritzker Pucker Family Foundation, the Pritzker Traubert Foundation, The Charles H. and Bertha L. Boothroyd Foundation, The Seabury Foundation, and The Venturous Theater Fund of Tides Foundation.

 

Victory Gardens Theater COVID-19 Attendance Policy

To protect the health of all who attend Victory Gardens productions, the following policies are in place for the 2021/22 Season: All audience members must be masked for the duration of their visit. Masks are available onsite if needed. All audience members ages 5+ must show proof of full COVID-19 vaccination; audience members ages 16+ must also show a valid photo ID at the door to be admitted to the theater. These policies follow state and local guidelines for safe operation during the COVID-19 pandemic, and are subject to change based on the current recommendations.

About Victory Gardens Theater

Under the leadership of Artistic Director Ken-Matt Martin and Acting Managing Director Roxanna Conner, Victory Gardens is dedicated to artistic excellence while creating a vital, contemporary American Theater that is accessible and relevant to all people through productions of challenging new plays and musicals. Victory Gardens Theater is committed to the development, production and support of new plays, which has been the mission of the theater since its founding, set forth by Dennis Začek, Marcelle McVay, and the original founders of Victory Gardens Theater, and continued by former Artistic Director Chay Yew.

Victory Gardens Theater is a leader in developing and producing new theater work and cultivating an inclusive Chicago theater community. Victory Gardens’ core strengths are nurturing and producing dynamic and inspiring new plays, reflecting the diversity of our city’s and nation’s culture through engaging diverse communities, and, in partnership with Chicago Public Schools, bringing art and culture to our city’s active student population.

Since its founding in 1974, the company has produced more world premieres than any other Chicago theater, a commitment recognized nationally when Victory Gardens received the 2001 Tony Award for Outstanding Regional Theatre. Located in the Lincoln Park neighborhood, Victory Gardens Biograph Theater includes the Začek-McVay Theater, a state-of-the-art 259-seat mainstage, and the 109-seat studio theater on the second floor, named the Richard Christiansen Theater.

For more information about Victory Gardens, visit www.victorygardens.org . Follow us on Facebook at Facebook.com/victorygardens, Twitter @VictoryGardens, and Instagram @victorygardenstheater.