The World Premiere of NOTES & LETTERS Via Underscore Theatre Company May 10 – 28, 2022 at the Richard Christiansen Theater

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Tenth Anniversary Season!

Underscore Theatre Company Presents the World Premiere of

NOTES & LETTERS

Book, Music & Lyrics by Annabelle Lee Revak

 Directed by Leah Geis

Music Direction by Anna Wegener

Choreography by Ebrin R. Stanley

May 10 – 28, 2022 at the Richard Christiansen Theater

Underscore Theatre Company celebrates its tenth anniversary season with the world premiere of Notes & Letters featuring book, music and lyrics by Annabelle Lee Revak (she/her), based on letters Revak’s great-great grandfather Joe Loula sent to his family upon his immigration to Chicago from Eastern Europe. Originally slated to open in the spring of 2020, the musical is directed by Leah Geis (she/they), with music direction by Anna Wegener (she/her) and choreography by Ebrin R. Stanley (he/him). Notes & Letters will play May 10 – 28, 2022 at the Richard Christiansen Theater, 2433 N. Lincoln Ave. in Chicago’s Lincoln Park neighborhood. Tickets are currently available at victorygardens.org, by calling (773) 871-3000 or in person at The Biograph Theater Box Office, 2433 N. Lincoln Ave. in Chicago. I'll be out for the press opening Thursday, May 12th, so check back soon for my full review. 

The cast includes Katy Campbell (she/her), Caitlin Dobbins (she/her), Sam Martin (he/him) and Michael Mejia (they/them). Understudies include Aaron Reese Boseman (he/him), Nate Hall (he/him), Jamie Redwood (she/her) and Jasmine Robertson (she/her).

Notes & Letters follows Joe’s journey from war-torn Prague to Williams Piano Shop in Chicago in 1917. He quickly befriends the owner Charlie, his girlfriend Nora and composer Olivia. The foursome become inseparable – until World War I hits the U.S. Businesses, relationships and lives are put to the test. Based on a true story and set to a jazz-contemporary score, four young people struggle to make choices amid complete chaos.

Comments Underscore Artistic Director Whitney Rhodes, "We are proud and grateful to complete the development process we've been on with Notes & Letters now for over four years. Annabelle has written a charming and heartfelt story that is ultimately about friendship in times of complex outside change. While the show is set in the early 1900s, the themes are so present and alive in this moment. Its catchy score will leave you humming and the honest storytelling will leave you hopeful – which I think we all crave as we return to the theater. I'm grateful that Leah, Anna and Ebrin have all stayed with the project and am thrilled to welcome many new faces to our production team to work alongside a few of our stalwart designers. Plus, Notes & Letters had its very first workshop reading at the Richard Christiansen Theater, so this is a true full circle moment."

The production team includes Rebekah Clark (scenic design, they/she), Christina Leinicke (costume design, she/her), Benjamin Carne (lighting design, he/him), Timothy McNulty (sound design, he/him), Kathryn Healy (props design, she/her), Aaron Jamieson Roberts (dramaturg, he/him), Lauren Peters (production manager, she/her), Ben Lipinski (technical director, he/him) and Abby Teel (stage manager, she/her).

Cast (in alphabetical order) Katy Campbell (Olivia, she/her), Caitlin Dobbins (Nora, she/her), Sam Martin (Joe, he/him) and Michael Mejia (Charlie, they/them). Understudies: Aaron Reese Boseman (he/him), Nate Hall (he/him), Jamie Redwood (she/her) and Jasmine Robertson (she/her).

Location: Richard Christiansen Theater, 2433 N. Lincoln Ave, Chicago

Dates: Previews: Tuesday, May 10 at 7:30 pm and Wednesday, May 11 at 7:30 pm

Press performance: Thursday, May 12 at 7:30 pm (also open to the general public).

Regular run: Friday, May 13 – Saturday, May 28, 2022

Curtain Times: Fridays and Saturdays at 7:30 pm; Sundays at 2 pm. Please note: there will be added performances on Wednesday, May 25 at 7:30 pm and Saturday, May 28 at 2 pm.

Tickets: $32 general admission. Discounts (available via telephone or in person at the box office): $25 preview performances, $28 group, $27 senior, $22 military/first responder, $20 industry, $15 student. Tickets are currently available at victorygardens.org, by calling (773) 871-3000 or in person at The Biograph Theater Box Office, 2433 N. Lincoln Ave. in Chicago.

 PHOTO CREDIT: The cast of Underscore Theatre Company’s world premiere of Notes & Letters includes (top, l to r) Katy Campbell, Caitlin Dobbins, Sam Martin and Michael Mejia (bottom, l to r) Aaron Reese Boseman, Nate Hall, Jamie Redwood and Jasmine Robertson.

About the Artists:

Annabelle Lee Revak (Book, Music and Lyrics, she/her) is a musical theatre composer, lyricist, playwright and music director. Her shows include Train on Fire (MTFest UK 2022); Notes & Letters (Underscore Theatre Company, Chicago Musical Theatre Festival); Windsong, a folk opera (Flatiron Arts); Starfall (Music Institute Chicago); and The Voodoo Queen (Breaking and Entering, Co-writer Aaron Cooper). Columbia College Chicago (BA Musical Theatre/BA Music Composition) and University of Wolverhampton (MA Research in the Performing Arts). @annabelleleerevak annabelleleerevak.com

Leah Geis (Director, she/they) is thrilled to finally stage Notes and Letters after the theatre's prolonged break! Originally from rural Nebraska, Leah freelanced primarily in musical theatre as a director and stage manager for five years before making the move to Chicago. As a director, Leah has developed new works that focus on women and LGBT+ topics at both Pride Arts and Otherworld Theatre. Stage management credits include Proxy (Underscore Theatre), Always...Patsy Cline (Firebrand Theatre) and Little Women (Brown Paper Box Co.) Leah is grateful for patrons who supported the arts through the pandemic and for coming back out as soon as we could safely open our doors again. IG: @leahrgeis. leahgeis.com

Anna Wegener (Music Director, Performance Pianist, she/her) returns to Underscore Theatre after Music Directing Ripped! with Underscore Develops in 2021 and several Tiny Storefront Concerts. She teaches, directs and performs in the Chicago-area. Recent shows include Guys and Dolls and Something Rotten (Theatre Nebula), Beauty and the Beast (MOS) and The Things I Could Never Tell Steven (PrideArts). Thanks to the production team, cast, crew, and the audience! A special thank you to Annabelle Revak for creating this incredible world to live in during each performance. 88keysacc.com

Ebrin R. Stanley (Choreographer & Artistic Consultant, he/him) was born and raised in Houston, TX. He graduated from the University of South Dakota with a B.F.A in Musical Theatre in 2017 and a minor in Dance. Ebrin has directed and choreographed many productions for the Children's Museum of Houston. In December 2017, Ebrin was given the chance to co-write, direct and choreograph Home for the Holidays, a children's musical in Houston. In January 2018, he starred in the world premiere of Dead Meat, a workshop performance written by Paige Zubel. Later that year, he landed the role of Hercules Mulligan/James Madison in Hamilton: An American Musical (Chicago). In 2019, Ebrin arranged two medleys that were performed at the hit music festival, Lollapalooza. Performing his original music all over Chicago, Ebrin got the chance to headline his first concert “The Reality of Love and Life with Ebrin R. Stanley” in February 2020. He has produced music for artists from New York, Houston and Chicago. During the Pandemic, Ebrin has had the privilege of composing an original score for the award-winning web series Neighbors, which is streaming now on Broadstream. He has since returned to Hamilton with the opening company in Los Angeles. Ebrin would like to thank his family for always supporting him and God for always blessing him. Remember that All Black Lives Matter. Instagram: @ebrinrstanley Twitter: @ebrinrstanley Music can be found on all streaming platforms under the name Ebrin R. Stanley.

About Underscore Theatre Company

Founded in 2011, Underscore Theatre Company is a team of producing artists dedicated to exploring stories of power and resonance through a musical lens; fostering the development of new musicals; and bolstering Chicago’s role as a national leader in musical theatre. Since its creation, Underscore has produced or co-produced 65 new mainstage and workshop musicals in Chicago. Underscore is proud to be Chicago's home for new musicals. underscoretheatre.org

Underscore Theatre Company recognizes its accountability to the systems that have failed our communities of Black, Indigenous and People of Color. We are grateful for the work of those behind the “We See You, White American Theatre” vision for laying the groundwork of what a more equitable industry can be and are committed to being a part of the change. We align with their principles and are holding ourselves accountable to anti-racism practices as a part of our current strategic planning process supporting the development of new musical theater. 

Land Acknowledgement: Chicago is the traditional homeland of over a dozen different tribes including the Council of Three Fires: the Ojibwe, Odawa and Potawotami nations, as well as the Miami, Ho-Chunk, Fox, and the Illinois Confederacy of the Peoria and Kaskaskia nations. In 1830 Congress forcibly stripped these tribes of their land by passing the Indian Removal Act which led to relocation, poverty, and starvation.

 

WORLD PREMIERE OF DOUG WRIGHT’S GOOD NIGHT, OSCAR AT GOODMAN THEATRE MARCH 12 – APRIL 17, 2022

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EMMY AWARD-WINNER SEAN HAYES IS OSCAR LEVANT, WITH EMILY BERGL, PETER GROSZ, BEN RAPPAPORT, ETHAN SLATER, TRAMELL TILLMAN AND JOHN ZDROJESKI

***LISA PETERSON DIRECTS THE NEWEST PLAY BY THE PULITZER-PRIZE WINNING AUTHOR OF I AM MY OWN WIFE AND WAR PAINT IN THE ALBERT THEATRE MARCH 12 – APRIL 17, 2022***

This spring, the nostalgia of 1950s late-night talk-shows takes the stage in the world premiere of Good Night, Oscar—Pulitzer Prize-winning playwright Doug Wright’s exploration of the nexus of humor and heartbreak, the ever-dwindling distinction between exploitation and entertainment, and the high cost of baring one’s soul for public consumption. 

Emmy Award-winning and Tony Award-nominated actor Sean Hayes leads the cast of seven as Oscar Levant—character actor, pianist and wild card. Director Lisa Peterson’s production also features Emily Bergl (June Levant), Ben Rappaport (Jack Paar), Peter Grosz (Bob Sarnoff), Ethan Slater (Max Weinbaum), Tramell Tillman (Alvin Finney) and John Zdrojeski (George Gershwin). Good Night, Oscar appears March 12 – April 17; opening night is Monday, March 21. Tickets ($25 - $98, subject to change) are now available at GoodmanTheatre.org/Oscar or by phone at 312.443.3800. The Goodman is grateful for the support of JP Morgan Chase & Co. (Lead Corporate Sponsor) and Winston & Strawn LLP (Corporate Sponsor Partner); in addition, Good Night, Oscar is the recipient of an Edgerton Foundation New Play Award.

“We are thrilled to produce the world premiere of this incredible new play by Doug Wright—an author I’ve long admired for illuminating his characters’ personal truths while infusing their stories with humor and wit. And we welcome director Lisa Peterson, who tackles classics and new works with equal vivacity and skill; her versatility makes her a perfect fit for Doug’s psychologically rich and highly theatrical new play,” said Artistic Director Robert Falls. “And we warmly welcome this stellar cast—led by Emmy Award-winning actor Sean Hayes, best known for his masterful portrayal of Jack McFarland on the NBC sitcom Will & Grace. Sean has stepped elegantly between the screen and stage for many years, receiving a Tony Award nomination for Best Leading Actor in a Musical for his role in Promises, Promises, and appearing in films such as The Bucket List, The Three Stooges and Pixar’s Monster’s University. I am delighted that Sean, who grew up in Glen Ellyn, makes his Goodman debut playing the brilliant and achingly human Oscar Levant.”

Halfway into the 20th century finds Americans glued to their TVs as Jack Paar’s amusing and always unpredictable banter echoes across living rooms. One night, he is joined by the equally unbridled pianist and character actor Oscar Levant. During an evening of witty one-liners—“there’s a fine line between genius and insanity; I have erased this line”—Oscar lays bare the necessity of insanity in the making of brilliant work and the cost he is willing to pay to entertain the masses in an episode that Paar’s audience, and the rest of America, won’t soon forget. 

“I’m very excited to be back at the Goodman for a third time, with another play about a character plucked from history,” said playwright Doug Wright, whose previous work at the Goodman includes the musical War Paint (2016) and I Am My Own Wife (2005), for which he earned the Pulitzer Prize. “I hope Chicago audiences find Oscar Levant as irascible, lovable, infuriating and unexpectedly moving as I have during the process of writing about him.”

THE COMPANY OF GOOD NIGHT, OSCAR

Oscar Levant…….Sean Hayes 

June Levant…….. Emily Bergl 

Jack Paar………….Ben Rappaport 

Bob Sarnoff………Peter Grosz 

Max Weinbaum.. Ethan Slater 

Alvin Finney………Tramell Tillman 

George Gershwin…John Zdrojeski

Understudies for this production include Sam Bell-Gurwitz—Max Weinbaum/George Gershwin; Daniel Cantor—Bob Sarnoff/Jack Paar; Chiké Johnson—Alvin Finney; Tiffany Scott–June Levant; and David Turner—Oscar Levant.

Set Design by Rachel Hauck

Costume Design by Emilio Sosa

Lighting Design by Ben Stanton and Carolina Ortiz Herrera 

Sound Design by Andre Pluess

Wig, Hair & Makeup by J. Jarad Janas

Casting is by Stephen Kopel. Dramaturgy is by Jacqueline Lawton. Kimberly McCann is the Production Stage Manager and Mario Wolf is the Stage Manager.

ENHANCED AND ACCESSIBLE PERFORMANCES

Visit  Goodmantheatre.org/Access  for more information about Goodman Theatre’s accessibility efforts.

Touch Tour and Audio-Described Performance: Saturday, April 9, 12:30pm Touch Tour; 2pm performance – The action/text is audibly enhanced for patrons via headset. NOTE: Touch Tours for the 2021/2022 Season will not have access to the stage due to current health and safety protocols, but will feature alternate pre-show sensory introductions.

ASL-Interpreted: Friday, April 15 at 8pm – An American Sign Language interpreter signs the action/text as played.

Open-Captioned: Saturday, April 16 at 2pm – An LED sign presents dialogue in sync with the performance.

Spanish Subtitles: Saturday April 16 at 8pm. 

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. 

Led by Artistic Director Robert Falls and Executive Director Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earner two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

As a cultural and community organization invested in quality, diversity and community, Goodman Theatre is committed to using the art of theater for a better Chicago. Goodman Theatre’s Action Plan for Inclusion, Diversity, Equity, Anti-Racism and Access (IDEAA) was born out of the belief that progress means action, which includes building on the decades-long commitment to using art, assets and resources to contribute to a more just, equitable and anti-racist society.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Rebecca Gilman, Dael Orlandersmith, Henry Godinez, Steve Scott, Kimberly Senior, Chuck Smith, Regina Taylor and Mary Zimmerman. Jeff Hesse is Chairman of Goodman Theatre’s Board of Trustees, Fran Del Boca is Women’s Board President and Craig McCaw is President of the Scenemakers Board for young professionals. 

JOFFREY ACADEMY’S WINNING WORKS RETURNS TO MUSEUM OF CONTEMPORARY ART March 18-20, 2022

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JOFFREY ACADEMY’S WINNING WORKS 

RETURNS TO MUSEUM OF CONTEMPORARY ART, FEATURES FOUR WORLD PREMIERES

March 18-20, 2022 at the MCA’s Edlis Neeson Theater

The Joffrey Academy of Dance, Official School of The Joffrey Ballet, presents four world premieres in the culmination of Joffrey’s national call for ALAANA (African, Latinx, Asian, Arab and Native American) artists to submit applications for the Joffrey Academy’s Winning Works Choreographic Competition. This year’s Competition winners—Audrey Baran, Joffrey Company Artist Edson Barbosa, Taylor Carrasco, and Derick McKoy, Jr.—each have choreographed an original work created on the Joffrey Academy Trainees and Studio Company. 

Winning Works returns to in- person performances for the first time since 2019 at the Museum of Contemporary Art Chicago Edlis Neeson Theater (220 E. Chicago Avenue) Friday, March 18 at 7:30 pm, Saturday, March 19 at 2:00 PM and 7:30 pm, Sunday, March 20 at 2:00 pm. Tickets for Winning Works are $30 and available for purchase at joffrey.org/winningworks.

“After the COVID-related cancellation in 2020 and a virtual presentation in 2021, it is especially meaningful that Winning Works will return in all its glory to the Museum of Contemporary Art in 2022,” said Ashley Wheater MBE, The Mary B. Galvin Artistic Director of The Joffrey Ballet. “These young, emerging choreographers prove that there is no limit to the level of artistic expression one can possess.”

“It has been over a decade of exceptional work and brilliant artistry for Winning Works,” said Greg Cameron, President & CEO of The Joffrey Ballet. “I am in awe of the creativity presented during the past two difficult years has demonstrated an admirable tenacity among artists. May we celebrate this homecoming to the MCA as a new beginning.”

Joffrey’s Abbott Academy Director Raymond Rodriguez added: “There is nothing more gratifying than seeing the works of rising stars danced by our incredible Joffrey Academy Trainees and Studio Company. Much like our beautiful city of Chicago, the backgrounds of these choreographers and the works they’ll be premiering on stage are diverse, rich, and dynamic.”

About the Program

 Audrey Baran

Audrey Baran’s world premiere Porcelain is a contemporary piece that explores the stigmatization of Asian Americans as well as the objectification and fetishization of Asian American women.

Baran is a Filipino-American dance performer, maker, and educator based in Charlotte, North Carolina. She holds an MFA in Dance from Hollins University and a BA in Dance from the University of North Carolina at Charlotte, where she is the Visiting Assistant Professor of Dance. She is the founder/artistic director of

Baran Dance and apprentice company BD2 and on the faculty of Charlotte Ballet Academy. Baran has presented work through Sites in the City, FEMMEfest, the National Dance Educators Organization Conference, Bill Evans Somatic Dance Conference, the North Carolina Dance Festival, Tobacco Road Dance Productions, Triangle Dance Project, Ladyfest CLT, Charlotte Dance Festival and numerous self- produced productions. She was the 2019 UNCC Department of Dance Distinguished Alum, an inaugural recipient of the Creative Renewal Fellowship from the Arts and Science Council, a selected choreographer for Charlotte Ballet’s Innovative: Direct from the LAB 2021 and has received recognition for her work from the Movies by Movers Festival, Charlotte Emerging Dance Awards, and Carolina Arts & Theatre Awards. Baran is also a 500-hour Registered Yoga Teacher and thrives on sharing her love of movement and mindfulness throughout the Queen City and beyond.

Edson Barbosa, Recipient of the Zach Lazar Winning Works Fellowship

Edson Barbosa’s world premiere On the Same Boat is a neo-classical piece inspired by the observations he has made of the relationships surrounding him, danced by seven women and seven men.

Barbosa has been a company artist with The Joffrey Ballet since 2014. He was raised in Rio de Janeiro, Brazil, and began his training in ballet, jazz, and tap at age 10 at Grupo Cultural de Dança, Ilha, with Patricia Marques. He was voted Best Male Dancer at the Festival de Danca de Joinville in 2012 — the largest dance competition by number of dancers, as documented by Guinness World Records. He received a full scholarship to study at the Miami City Ballet, Stuttgart Ballet, Washington Ballet, The Harid Conservatory, and Princess Grace Academy. He was also a Top 12 finalist at the Youth America Grand Prix in New York in 2010 and 2012, Top 6 finalist at the Beijing International Ballet Invitational for Dance Schools in China, and performed at the Opening Ceremony as a guest artist at the Danzamerica in Argentina.

Barbosa was a prize winner at the prestigious Prix de Lausanne in Switzerland, where he was voted the best male dancer of the 40th edition in 2012, receiving a scholarship to be a trainee at the San Francisco Ballet School under the direction of Patrick Armand. While in the school he worked in contemporary workshops with Antoine Vereecken and Wayne McGregor. Throughout his career, he has had the opportunity to perform lead roles in ballets choreographed by renowned artists in the dance world, such as Gerald Arpino, Val Caniparoli, Alexander Ekman, Jiří Kylián, Parrish Maynard, John Neumeier, Annabelle Lopez Ochoa, Justin Peck, Myles Thatcher, Helgi Tomasson, Stanton Welch and Christopher Wheeldon.

Taylor Carrasco

Taylor Carrasco’s contemporary piece Not Now, But Now explores the feelings of anxiety people have become accustomed to during this unprecedented time, and how running from and running toward, can often be one in the same.

“When I was three, my sister was six and in ballet like every other little girl,” said Carrasco. “My parents would bring me to her classes and I would try to dance with them from the hallway. They assumed I’d like it, enrolled me in class and I never stopped.” Carrasco trained with the School of American Ballet and New Mexico Ballet Company and has taken summer intensives with Boston Ballet, Pacific Northwest Ballet, and Ballet Chicago. He joined Cincinnati Ballet Second Company – CB2 in the 2014-2015 Season and was promoted to Apprentice for the 2015-2016 Season. Carrasco was then promoted to Corps de Ballet for the 2017-2018 Season. He has had three of his ballets performed by the main company of Cincinnati Ballet, with two of them being created for the The Kaplan New Works Series in 2018 and 2019. Carrasco’s favorite dancing memories thus far are tied to dancing with his sister. He says that “sharing the stage with family is the best experience.”

Derick McKoy Jr.

Derick McKoy Jr.’s world premiere Road of Flames mixes ballet and contemporary movement to create a piece about pushing towards one’s north star, and the flame that builds when people pursue their passions in love, careers, and families.

McKoy (he/him) originally from Miami, Florida, is a graduate Glorya Kaufman BFA Scholar of the Ailey/Fordham BFA Program in Dance. McKoy started his official training under Luctricia Welters and after a year, joined her dance company, Jubilee Dance Theater, as an apprentice. He furthered his training at Hubbard Street Dance Chicago, Arts Umbrella, BalletX, Ballet Hispanico, Springboard Danse Montreal, under scholarships, as well as NW Dance Project’s LAUNCH.

McKoy has performed with Nimbus Dance, directed by Samuel Pott, Jeremy McQueen’s The Black Iris Project, and on seasons 1 and 2 of the hit tv-show POSE on FX.

His choreographic work has been described as “authentic,” “dramatic,” and “important.” His developing collection of works have been performed at the Ailey Citigroup Theater, Ailey Studio Theater, Martha Graham Center of Contemporary Dance, Ades Performance Space, Youth American Grand Prix, the Nimbus Arts Festival, and the Jamaica Dance Festival.

He has performed works by Alvin Ailey, Matthew Rushing, Crystal Pite, Jiri Kylian, Nacho Duato, Annabelle Lopez Ochoa, Dawn Marie Bazemore, Sharon Eyal, Alejandro Cerrudo, Marco Goecke, Adam Barruch and others.

He was also a part of a dance feature of The Ailey School on the talk show Conan. He has also had the opportunity to perform in Ailey’s 2017 Spirit Gala at Lincoln Center at the David Koch Theater and for the groundbreaking ceremony of the Vessel at Hudson Yards. 

He started McKoy Dance Project as a way to add his own contributions to the dance. MDP aims to be a strong, but sensitive new voice in the contemporary dance world. The company was founded with five pillars in mind: to create jobs, to inspire and touch, to give purpose, to create leaders, and to heal.

To date, the Joffrey has raised more than $150,000 to support ALAANA choreographers and the presentation of their work for the 2022 Winning Works competition. That number continues to grow, emphasizing the Joffrey’s commitment to diversity, equity, and inclusion in the field of dance. The Joffrey is proud of the fact that Winning Works provides complete financial assistance—housing, travel, and work stipend—to all winners. Additionally, the Joffrey does not require an application fee for those interested in applying for the Winning Works competition.

Former winners of the Winning Works competition include Jeffrey Cirio (2016), current Lead Principal Dancer with the English National Ballet, Chanel DaSilva (2020), featured choreographer on the Joffrey’s fall 2021 program Home: a Celebration, Amy Hall Garner (2011), internationally known choreographer based in New York City, Stephanie Martinez (2015), a featured choreographer on the Joffrey’s winter program The Times Are Racing, and Claudia Schreier (2018), Ballet Master to Juilliard President Damian Woetzel.

Ticket Information

Tickets for Winning Works at the Museum of Contemporary Art Chicago’s Edlis Neeson Theater are $30 and can be purchased at joffrey.org/winningworks. Performances take place on Friday, March 18 at 7:30 PM, Saturday, March 19 at 2:00 PM and 7:30 PM, Sunday, March 20 at 2:00 PM.

About the Joffrey Studio Company

The Joffrey Studio Company consists of dancers who show exceptional promise and a desire to join the Joffrey or another organization’s main company. The individualized training and performance opportunities allow students to expand their technique and artistry while offering a unique insight into the life of a professional dancer, including performing on some of the most prestigious stages around the country. Academy alumni have gone on to dance with companies around the world, including The Joffrey Ballet, American Ballet Theatre, English National Ballet, Dresden Semperoper, Atlanta Ballet, Oregon Ballet Theatre, Kansas City Ballet and more.

About the Joffrey Academy Trainees

The Joffrey Academy Trainee Program is a full-time, one-to-two-year program for students preparing for a professional dance career. Through meticulous training, Trainees focus on artistic excellence, rehearsing, and performing classical and contemporary works from The Joffrey Ballet’s extensive repertoire, as well as works by world-renowned choreographers.

The Joffrey Ballet gratefully acknowledges the generous support of Winning Works Sponsors Pritzker Foundation, Wilson Garling Foundation, William Blair with Joffrey Board Member Rita Spitz, and BMO Harris Bank. William Blair is the premier global boutique with expertise in investment banking, investment management, and private wealth management.

For more information on the Joffrey Academy of Dance, Official School of The Joffrey Ballet and its programs please visit joffrey.org/academy. Connect with the Joffrey on Facebook, Twitter, Instagram, and LinkedIn.

OPENING: Black Ensemble Theater's World Premiere of Jackie Taylor’s It’s Just Like Coming to Church March 12-April 24, 2022

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BLACK ENSEMBLE THEATER BEGINS

2022 FOUR PLAY SEASON OF EXCELLENCE: THE SEASON OF HEALINGS WITH 

IT’S JUST LIKE COMING TO CHURCH

(WELCOME TO THE CHURCH OF YOU)

 

Black Ensemble Theater’s Founder and CEO Jackie Taylor kicks off the 2022 Season of Excellence: The Season of Healings with the world premiere of Jackie Taylor’s It’s Just Like Coming to Church (Welcome to The Church of YOU). The production runs March 12-April 24, 2022. I'll be out for the opening Sunday, March 20th so check back soon for my full review.

 

It’s Just Like Coming to Church is written and directed by Jackie Taylor and stars Dawn Bless (Preach) and Vincent Jordan (Deacon Jones). The Choir of the Griots is MJ Rawls (Michelle), Ciarra Stroud (Leah), Noelle Klyce (Maven) and Deshaun Peters (Will). The live band is Music Director Robert Reddrick (drums), Adam Sherrod (piano), Glenn Lowe (guitar) and Wayne Jones (bass).  

 

This joyous and uplifting story helps us understand the power of forgiveness, self-love, and faith as we move through the trials and tribulations that life brings.

 

It’s Just like Coming to Church features music of many different genres including gospel, spiritual, soul, jazz, hip-hop, and blues. The story is uplifting and inspiring and the music will touch the soul. If you need a healing, this is the place to be.

Tickets are available at www.blackensemble.org, (773) 769-4451 and at the Black Ensemble Theater Box Office, 4450 N. Clark Street in Chicago. Performances are Fridays at 7:00 p.m., Saturdays at 3:00 and 7:00 p.m. and Sundays at 3:00 p.m. Tickets for previews (March 13, 14, 18 and 19) are $50 and tickets for the regular run, March 20-April 24, are $55.

 

Due to the challenges and uncertainties that have been brought about by the pandemic, Black Ensemble Theater is proceeding slowly, cautiously, and carefully. Mainstage shows will run 90 minutes and will be performed without an intermission. There will not be any food or drinks served. Masks are mandatory and must be worn at all times in the theater.

 

Jackie Taylor states, “We are in a time of challenges from which we need a healing—and healing is what the 2022 Four Play Season of Excellence is all about. Through these outstanding plays, the spirit of the music, the hope and faith experienced thru our stories—for this season Black Ensemble Theater is in the healing business!” 

The 2022 Season includes four World Premiere musicals showcasing the power of healing, each featuring different journeys and a variety of musical genres including gospel, spiritual, soul, jazz, hip-hop, blues, the sounds of the Harlem Renaissance, and more. All performances will be held at the Black Ensemble Theater Cultural Center, 4450 N. Clark Street in Chicago. The remainder of the 2022 season is:

 

Grandma’s Jukebox

Written and Directed by Michelle Bester

May 29 – June 26, 2022

Previews: May 21, 22, 27 and 28

The spirit of Grandma B. lives on! Without her the family feels lost until they start playing her old jukebox. Through the music from the jukebox, the family comes to understand and accept the power of healing.

 

My Brother Langston

Written and Directed by Rueben Echoles

August 21 – September 18, 2022

Previews: August 13, 14, 19 and 20

We are in the apartment of Langston Hughes where he entertains prolific and profound legends of the time. On this fascinating journey, accompanied by outstanding music from the Harlem Renaissance, we come to understand why Langston Hughes was considered one of the greatest poets and civil rights leaders of his time and why his poetry continues to speak to us today. His work is a tapestry for healing.

 

Blue Heaven

Written and Directed by Daryl Brooks

October 30 – November 27, 2022

Previews: October 22, 23, 28 and 29

We are in what looks like a performance venue where four great blues legends – Big Momma Thornton, Howlin’ Wolf, Muddy Waters and Stevie Ray Vaughn – are reminiscing about the ups and downs of their careers while waiting for the “new guy” to show up. They are eager to give him advice about meeting – ‘The Boss.’ The new guy – B.B. King – arrives and what ensues is a blues concert that is heaven sent! Blue Heaven will touch the soul with its musical healing powers.   

 

In addition to Black Ensemble Theater’s regular season, a number of special events will be presented during the year, including:

 

Black Ensemble’s BPI (Black Playwrights Initiative) Presents:

The Black Playwrights Festival

April 25 – May 1, 2022

 

Black Ensemble Theater Presents:

Fridays on the Green (A Musical Celebration)

Fridays in July (July 1, 8, 15, 22 and 29, 2022)

 

Black Ensemble’s BPI (Black Playwrights Initiative) Presents:

Sex in the Summer in the City Summer Series

August 23 – 27, 2022

 

Black Ensemble’s Christmas Cabaret

December 10, 11, 17 and 18, 2022

 

Black Ensemble Theater  

Founded in 1976, by the phenomenal producer, playwright and actress Jackie Taylor, Black Ensemble Theater is the only African American theater located in the culturally, racially, and ethnically diverse north side Uptown community. Through its Four Play Season of Excellence, The Black Ensemble Theater dazzles audiences locally, nationally, and internationally with outstanding original musicals that are entertaining, educational, and uplifting. The Black Ensemble Theater has produced more than 100 productions and employed over 5,000 artists. 

 

The mission of the Black Ensemble Theater Company is to eradicate racism and its devastating effects upon society through the theater arts. For more information on the Black Ensemble Theater Company, visit www.BlackEnsembleTheater.org or call 773-769-4451. 

World Premiere of Lifeboat Productions' THE BLACK KNIGHT at City Lit Theater February 26 - April 2, 2022

ChiIL Live Shows On Our Radar  

Lifeboat Productions presents

THE BLACK KNIGHT

By Angeli Primlani Directed by Brian Pastor

A world premiere theatrical performance February 26 - April 2

“Trust. Love. Survive.”

Lifeboat Productions presents the world premiere of The Black Knight by Angeli Primlani, on stage at City Lit Theater in Edgewater, from February 26 - April 2.

Tickets are $38.00 and can be purchased at www.lifeboatchicago.com. 

The Black Knight is a timely tale of love, trust, and resistance set in Nazi-Occupied Prague. This intimate character study examines the nature of love and trust in a culture where everyone is assumed to be under surveillance. Three friends, Albrecht, Kathi and Fritz, all grew up together in Nazi Germany. As the war begins they scatter in very different directions. When they encounter each other again in Prague in 1941, they must decide whether and how much they can trust each other, and if their bonds of affection and love are stronger than war.

Originally slated to open in 2020 before being shut down by the pandemic, the 2022 premiere features the return of much of the cast and production team, including Lifeboat Company member Gary Henderson as Albrecht, who also performed the role in Accidental Shakespeare Company’s staged reading at Stage 773 during Chicago Theater Week 2017.

“I’ve seen a lot of principled people in my life side with the bullies, only to wake up too late – after everything they thought they were protecting was lost,” said Henderson. “This play is not just a cautionary tale, it’s a talisman against the darkness.”

Katherine Wettermann as Kathi, who was also part of the 2020 cast. “I was immediately drawn to Kathi’s strong sense of self – especially during this time period, when women had little to no rights. Love becomes a test to Kathi’s independence, and she quickly learns the dire impact her decisions have on those around her,” said Wettermann.

During the pandemic and lockdown, the Lifeboat team watched helplessly as this story about the rise of fascism became even more relevant to our modern world. The current cast and director Brian Pastor heavily workshopped this final script, with significant research support from dramaturg Rabbit Seagraves and actor Gary Henderson. It became clear that the manipulation of a national emergency, and the everyday heroism of ordinary people in response, echoes in the world we live in now.

Playwright Angeli Primlani (pictured above) worked in Prague, Czech Republic as a journalist in the 1990s and wrote about the reassertion of the neo-Nazi movement there. “At the time this story was my very personal obsession. I thought it would bore anyone who wasn’t a giant history nerd,” she said. “Instead I spent the last few years watching the US follow a similar dark path to Germany’s. These characters are like GenZ now, old enough to understand what is happening, too young to have any control over events that would shape all of their destinies.”

Primlani directed the 2017 staged reading as Accidental Shakespeare Company’s former Artistic Director. That cast’s wonderful work brought the show to the attention of Managing Director Ursula Gruber.

Gruber expressed her passion for the complexity and authenticity of the script, “When I first read an early draft of Angeli’s script in 2004, I was taken aback by the similarities with my grandmother’s life in Essen, Germany. As we workshopped the play over the last few years, we have been deeply moved by the stories of audience members who shared their own connections to the narrative. As a queer woman with both Jewish and German heritage, I am thrilled to finally bring this script to a larger audience.”

Director Brian Pastor joined the team in 2021, around the time that their adaptation of RFK’s memoir of The Cuban Missile Crisis, Thirteen Days, premiered on the City Lit stage. An honors history major at Northwestern, Brian brings a vast amount of experience to the table, having served as a producer, director, actor and playwright in Chicago for nearly two decades. Brian’s punk-laced production of Gross Indecency: The Three Trials of Oscar Wilde for Promethean Theatre Ensemble gave us a glimpse of how small acts of resistance can create lasting change. Of The Black Knight, Brian says, “After Gross Indecency and Thirteen Days, I became enchanted with this idea that small, brave choices can add up to something much bigger. In those previous shows, the agents of change were people with power and influence. I really wanted to examine what kind of progress could be made when ordinary people choose to do the next right thing. This show allows us to imagine how we might learn to slay giants by having enough people choose to pick up a stone.”

Lifeboat Productions is devoted to the idea of Hopepunk Theater. In a world where meanness and toughness is valued, kindness and affection is the most punk thing one can embrace. The Black Knight’s message of resistance and love as the best weapons against facism has remained an extremely hopepunk theme. Many of the cast and production team members identify with historically marginalized groups and cultures, informing the ways the various characters both belong to and are excluded from the mainstream.

Cast:

Katherine Wettermanm as Kathi Gary Henderson as Albrecht Mac Westcott as Fritz

Matt Rosin as Forster

Jared Dennis as Schellenberg

Erin Stewart as Marta / Driver / Pear lady Rafael López as Honza

Brooks Whitlock as Burger

Ben Terpstra as Officer

Cast bios can be found at:

https://www.hopepunkchicago.com/black-knight-bios/#cast

Production team bios can be found at:

https://www.hopepunkchicago.com/black-knight-bios/#production

Production Team:

Director: Brian Pastor

Scenic Design: Jeremiah Barr

Intimacy Design: Courtney Abbott

Stage Manager: Kristen Jett

Props Design: Cat Cefalu

Lighting Design: Benjamin Dionysus Sound Design: Amber Cell and Cheri Tatar Costume Design: Kelsey Denvir Dramaturgy: Rabbit Seagraves

Performance Dates:

Preview Friday, February, 25 7:30 pm

February 26 - April 3, Thursdays - Saturdays 7:30 pm, Sundays 2:30 pm

Location:

City Lit Theater

1020 W Bryn Mawr Ave, Chicago, IL 60660

In the Edgewater Presbyterian Church

CTA Red Line stop: Bryn Mawr

Parking and transportation information at www.lifeboatchicago.com/plan-your-trip City Lit Theater is Wheelchair Accessible

      

About Lifeboat Productions:

Lifeboat Productions is an ensemble theater company that promotes hopepunk narratives of resistance and optimism weaponized against the prevailing cultural narrative of anger and despair. Lifeboat Productions was formed in 2020 by a group of actors, designers, and writers who needed something to believe in.

OPENING: World Premiere of Wife of a Salesman Via Writers Theatre March 3 – April 3, 2022

 Writers Theatre continues its 2021/22 Season with

the world premiere of

Wife of a Salesman

by Eleanor Burgess

directed by Jo Bonney

featuring Kate Fry, Amanda Drinkall and Rom Barkhordar

March 3 – April 3, 2022

Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Interim Artistic Director Bobby Kennedy, continues its 2021/22 Season with the world premiere of Eleanor Burgess’s Wife of a Saleman, directed by Jo Bonney, and in association with Milwaukee Repertory Theater. Wife of a Salesman runs March 3, 2022 – April 3, 2022 in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe. 

An iconic drama. An imagined meeting. A recentering of where “attention must be paid.” What if a 1950s housewife from a particularly well-known American play drove from Brooklyn to Boston to confront her husband’s mistress? Would the encounter be explosive? Or would the two women discover they have more in common than one might assume? Taking inspiration from Arthur Miller’s Death of a Salesman, this world premiere play imagines how a potentially combustible confrontation brings themes of marriage, duty and division to the surface—and the ways in which the world has, and hasn’t, changed across generations.

Playwright Eleanor Burgess (The Niceties) brings her gift for sharp dialogue and spirited debate to Wife of a Salesman, influenced by interviews with her grandmothers in addition to the work of Arthur Miller. Staged in the intimate Alexandra C. and John D. Nichols Theatre, this world premiere co-presentation with Milwaukee Rep is sure to be the must-see theatrical event of the spring!

Wife of a Salesman was commissioned and developed through Writers Theatre’s Literary Development Initiative, in joint partnership with Milwaukee Repertory Theatre.

Interim Artistic Director Bobby Kennedy [he/him] comments, “We are proud to continue Writers Theatre's 30th Anniversary Season with the world premiere of Wife of a Salesman. This play, commissioned and developed in partnership with Milwaukee Repertory Theatre, connects both the past and future of live theatre. Having staged dozens of productions of theatrical classics over the years, it is exciting to now be a place where fresh voices are creating original work in dialogue with dramatic tradition. Eleanor Burgess has written a new play that brilliantly and passionately carves out space for women in a familiar narrative where little existed previously, making a call for attention to be paid not only in the mid-century era defined by male writers like Arthur Miller but in our own time as well. I’m thrilled to be giving this play its debut staging, and to be working with Jo Bonney, one of the foremost directors of new plays, for the first time. With a cast and design team full of both returning artists and newcomers, this production brings the past and future together to create something I think audiences will find extraordinarily refreshing and poignant.”

Kate Fry returns to Writers Theatre where she previously performed in A Minister’s Wife, Oh Coward, The Letters, Hedda Gabler, Marjorie Prime, and Arcadia. Rom Barkhordar performed at WT more than 20 years ago at Books on Vernon in Incident at Vichy and Fallen Angels.

The cast is Kate Fry (The Wife), Amanda Drinkall (The Mistress), Rom Barkholder (Jim/The Radio) with Dekyi Rongé (Angela/The Radio) and Karmann Bajuyo (The Radio). The understudies are Heather Chrisler (The Mistress/Violet), Stacy Stoltz (The Wife/Heather) and Keith Kupferer (Jim).

The creative team for Wife of a Salesman includes Jo Bonney (Director), Heather Gilbert (Lighting Designer), Courtney O’Neill (Scenic Designer), Raquel Adorno (Costume Designer), Sarah Espinoza (Sound Designer), Rae Watson (Properties), Kate DeVore (Vocal Coach) and Courtney Abbott (Violence Designer). The stage manager is Katie Klemme.

 

About the Artists

Writers Theatre previously produced Eleanor Burgess’ play The Niceties in its 19/20 season. Scenic Designer Courtney O’Neill and Lighting Designer Heather Gilbert worked on that production as well.

Eleanor Burgess (Writer) is a playwright whose plays include The Niceties, Start Down, Chill and These Dying Generations. Her work has been produced at Manhattan Theatre Club, McCarter Theatre Center, Geffen Playhouse, Huntington Theatre Company, the Alliance Theatre, the Contemporary American Theatre Festival, Merrimack Repertory Theatre, Portland Stage Company and Centenary Stage, and developed with The New Group, New York Theatre Workshop, Ensemble Studio Theatre, Alley Theatre, Writers Theatre, Milwaukee Rep, Salt Lake Acting Company, the Hermitage Artists Retreat, the Lark Play Development Center and the Kennedy Center/NNPN MFA Playwrights Workshop. She’s also been a member of the Dorothy Strelsin New American Writers Group at Primary Stages, Page 73's writers' group Interstate 73, The Civilians’ R&D Group, and New York Theatre Workshop’s 2050 Fellowship. Originally from Brookline, Massachusetts, she studied history at Yale College and Dramatic Writing at NYU/Tisch.

 Director Jo Bonney is an award-winning director known internationally for her work on world premiere plays.

Jo Bonney (Director) has directed premieres of plays by: Alan Ball, Hilary Bettis, Eric Bogosian, Hammaad Chaudry, Culture Clash, Eve Ensler, Jessica Goldberg, Isaac Gomez, Danny Hoch, Ione Patricia Lloyd, Neil LaBute, Warren Leight, Martyna Majok, Lynn Nottage, Dan O'Brien, Dael Orlandersmith, Suzan-Lori Parks, Darci Picoult, John Pollono, Will Power, David Rabe, Jose Rivera, Seth Zvi Rosenfeld, Christopher Shinn, Diana Son, Universes, Naomi Wallace, Michael Weller. Productions of plays by: Caryl Churchill, Nilo Cruz, Anna Deavere Smith, Charles Fuller, Lisa Loomer, Paul Lucas, Carey Perloff, Lanford Wilson. Productions directed at: ART, Boston; PS 122; The Public Theater NYC; NYTW; Second Stage; Goodman Theatre; La Jolla Playhouse; MCC, NY; Geffen Playhouse; Williamstown Festival; McCarter Theater; Playwrights Horizons; Arena Stage; CTG, LA; Signature, NY; Long Wharf; The New Group; CSC; Humana Festival; Almeida, London; Edinburgh Festival; The Market Theatre, Johannesburg; The Baxter, Cape Town SA, Cine 13, Paris. She is the recipient of two Obie Awards for Sustained Excellence of Direction, Lucille Lortel Best Musical and Lucille Lortel Best Revival, Drama Desk nomination for Direction of By the Way, Meet Vera Stark, and Alliance and Lilly Award. Audelco Award for Father Comes Home from the Wars. Outer Critics Circle Award nomination for Cost of Living. Editor of Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century (TCG).

Kate Fry (The Wife) is happy to be back at Writers, where she has performed in A Minister’s Wife, Oh Coward, The Letters, Hedda Gabler, and Marjorie Prime. Elsewhere in the Chicago area she has worked with Court Theatre (over a dozen productions including The Belle of Amherst, Electra, Mousetrap); Northlight Theatre (Outside Mullingar, The Beauty Queen of Leenane, Mother of the Maid); Goodman Theatre (The Winter’s Tale, Ah, Wilderness!), Chicago Shakespeare Theatre (As You Like It, Taming of the Shrew, Love’s Labor’s Lost, The Merchant of Venice, Henry IV parts 1 and 2—also at the Royal Shakespeare Company) and Victory Gardens (In the Next Room, or the Vibrator Play). Elsewhere, she has worked with Center Theatre Group in Los Angeles, McCarter Theatre Center, Repertory Theatre of St. Louis, and Lincoln Center. Film/TV includes episodes on Boss, Empire, Proven Innocent, and Chicago PD. She is the recipient of 4 Joseph Jefferson Awards, the Sarah Siddons award for Chicago’s Leading Lady, the After Dark Award, and Chicago Tribune’s actress of the year. Kate is married to actor/teacher Timothy Edward Kane. They have two sons.

Amanda Drinkall (The Mistress) makes her Writers Theatre debut. She was most recently seen as Desdemona in The Tragedy of Othello at Court Theatre. Other Chicago credits include: Venus in Fur, A Winter’s Tale, Measure for Measure, Continuity, Bernhardt/Hamlet, and Ah, Wilderness! (Goodman Theatre); Mary Page Marlowe (Steppenwolf Theatre Company); King Charles III (Chicago Shakespeare Theatre); White Guy on the Bus, Funnyman, By the Water (Northlight Theatre); Southern Gothic (Windy City Playhouse); Significant Other (About Face Theatre); Dutchman (American Blues Theatre); Pygmalion (Oak Park Festival); Rest (Victory Gardens), The Last Train to Nibroc (Haven Theatre-Jeff Award-Best Actress), Great Expectations (Strawdog), Pride and Prejudice (Lifeline); and more than 20 shows with The Back Room Shakespeare Project, where she is a Partner. As an ensemble member of Red Tape Theatre, her favorite credits include: hamlet is dead. no gravity, The Skriker, Brand, and Pullman, WA. Regional credits: Sheltered (Alliance Theatre); My Father’s War (TheatreSquared), Michigan Shakespeare Festival’s The Comedy of Errors and Romeo and Juliet and North Carolina Shakespeare Festival’s King Lear and Much Ado About Nothing. Film/TV credits include: The View From Tall, Christmas...Again?! (Disney Channel), Chicago Med (NBC), Bobby & Iza (NBC). Ms. Drinkall is represented by Gray Talent Group and is married to actor Gage Wallace.

Rom Barkhordar (Jim/The Radio) is VERY happy to be making a return to Writers Theatre after a 21-year hiatus, where he appeared in Incident at Vichy and Fallen Angels. Chicago credits include: Acts of God, Around the World in 80 Days (Lookingglass Theatre); Yasmina’s Necklace, Ruined (u/s) (Goodman Theatre); The Elephant Man, Homebody/Kabul (u/s)(Steppenwolf Theatre Company); The Who and the What (Victory Gardens Theatre); Mosque Alert, Night over Erzinga (Silk Road Rising); Pravda, Halcyon Days, Not About Nightingales (Timeline Theatre). Regional: Proof (Kitchen Theatre); Disgraced (Virginia Stage Co.); The Who and the What (Huntington Theatre) Around the World in 80 Days (Kansas City Rep.) (Centerstage Theatre). Film: Canal Street, Abi, Roundabout American. Television: Proven Innocent, Chicago Med., Chicago Justice, Mind Games, Chicago Fire, Boss, The Beast.

Cast: Kate Fry (The Wife), Amanda Drinkall (The Mistress), Rom Barkholder (Jim/The Radio) with Dekyi Rongé (Angela/The Radio) and Karmann Bajuyo (The Radio). The understudies are Heather Chrisler (The Mistress) Stacy Stoltz (The Wife) and Keith Kupferer (Jim).

Creative team: Heather Gilbert (Lighting Designer), Courtney O’Neill (Scenic Designer), Raquel Adorno (Costume Designer), Sarah Espinoza (Sound Designer), Rae Watson (Properties), Kate DeVore (Vocal Coach) and Courtney Abbott (Violence Designer). The stage manager is Katie Klemme.

 

Dates:              

First performance: Thursday, March 3, 2022

Press opening: Friday, March 11, 2022 at 7:30pm

Closing performance: Sunday, April 3, 2022

 

Schedule:        

Wednesdays: 3:00pm and 7:30pm

Thursdays: 7:30pm

Fridays: 7:30pm

Saturdays: 3:00pm and 7:30pm

Sundays: 2:00pm and 6:00pm

 

Location: The Alexandra C. and John D. Nichols Theatre, 325 Tudor Court, Glencoe

             

Prices:              

Prices for all performances range from $35 - $90

Purchase early for best prices                                   

Box Office:       

The Box Office is located at 325 Tudor Court, Glencoe;

847-242-6000; www.writerstheatre.org 

 WRITERS THEATRE 2021/22 SEASON

The Writers Theatre season began with Dishwasher Dreams, written and performed by Alaudin Ullah, directed by Chay Yew, and produced in association with Hartford Stage. Following Wife of a Salesman, is the Chicago premiere of Athena, written by Gracie Gardner, choreographed by Steph Paul, and directed by Jessica Fisch. The season concludes with the world premiere of Pearl’s Rollin’ with the Blues, a musical revue created by Felicia P. Fields and Ron OJ Parson and directed by Parson.

The 2021/22 Season will see the company return to live performances and celebrate its 30th Anniversary, now firmly at home in its award-winning building at 325 Tudor Court in Glencoe, designed by Studio Gang Architects. Productions will be presented in two spaces in the theater complex including the 255-seat Alexandra C. and John D. Nichols Theatre as well as the Gillian Theatre, a 50 to 99-seat flexible theatre space. 

The theatre, along with over 60 other Chicago performing arts organizations, will require patrons to be fully vaccinated and masked when attending performances. Please visit https://www.writerstheatre.org/covid-safety for full details.

 

SEASON PACKAGES

Writers is offering a variety of Classic Subscriptions, which include a ticket to each production throughout the season and includes renewal into fixed seats on set dates once each run is announced.

Subscriptions include three familiar package types that all offer fixed seats to see all four WT productions this season, one ticket to each production. Subscriptions are made for those who are looking to set their schedule in advance and gain access to seating at the top of the Season.

For the 2021/22 Season, Writers will continue the Membership Program, which includes 4 tickets to be used throughout the season as the Member chooses.

There are two types of Memberships: The most flexible option to “Pay As You Go” after an up-front Membership fee, or the option to pay in full for 4 tickets to be used throughout the season (“Up Front Flex”). Memberships are designed for those who want the freedom and flexibility of a more adaptable package.

Classic Subscriptions range in price from $160 to $240. Customizable payment plans are available. A “Pay As You Go” Membership is $35 per ticket after a one-time $60 Membership fee, or patrons may opt for the “Up Front Flex” Membership for $200 up-front 

Season package subscribers receive exclusive benefits including complimentary ticket exchanges by phone and mail (upgrade fees may apply), access to special play readings and lectures, special “subscriber-rate” prices on additional tickets, a year subscription to The Brief Chronicle digital newsmagazine and more. For a complete list of benefits visit writerstheatre.org/join.

Season Packages are available online at www.writerstheatre.org, and at the Box Office by calling 847-242-6000.

Writers Theatre is pleased to welcome back BMO Harris Bank as the distinguished 2021/22 Season Sponsor, marking the Bank’s ninth consecutive year as season sponsor.

AUDIENCE ENGAGEMENT OPPORTUNITIES:

WT also offers Access Performances, including ASL-interpretation and Open Captioning on select dates for each production. Please visit writerstheatre.org/accessibility for more information.

Writers Theatre is also working with Erika Walker and Maylene Peña of the Walker Thomas Group on workplace culture and equity, diversity and inclusion initiatives. Additional information about this important and ongoing work can be found at writerstheatre.org/working-at-wt.

ABOUT WRITERS THEATRE 

Writers Theatre boldly looks to the future as it begins its 30th season. Having captivated audiences for years with its dedication to creating the most intimate theatrical experience possible, the theatre is now a major Chicagoland cultural destination with a national reputation for excellence, being called “America’s finest regional theater company” by The Wall Street Journal.

Since 1992, Writers Theatre has stayed true to its core values: valuing the power of the written word and uplifting the artists who bring that word to life. The company has produced over 120 productions—everything from inventive interpretations of classics to groundbreaking new work. In 2016, Writers Theatre opened a new, state-of-the-art facility designed by the internationally renowned Studio Gang Architects. The new facility has allowed the Theatre to accommodate its growing audience, while maintaining its trademark intimacy.

Writers Theatre now welcomes more than 60,000 patrons each season and has helped establish the North Shore of Chicago as a premier cultural destination. Through its Literary Development Initiative, which has been responsible for the nurturing and premiering of over two dozen world premieres, the theatre has established itself as a major originator of new theatrical works. Serving as an extension of the Writers Theatre mission, WT Education programs engage an average 10,000 students each year with active learning opportunities centered around the written word.

Pay What You Can World Premiere of THIS IS ONLY A TEST Via Broken Nose Theatre February 11 – March 12, 2022

 

ChiIL Live Shows On Our Radar 

World Premiere!

Broken Nose Theatre Presents

THIS IS ONLY A TEST

By Eric Reyes Loo

Directed by Toma Tavares Langston 

February 11 – March 12, 2022 at The Den Theatre

Broken Nose Theatre, one of Chicago’s premier Pay-What-You-Can theatre companies, is pleased to welcome back live audiences this winter with the world premiere of Eric Reyes Loo’s drama This Is Only a Test, directed by Toma Tavares Langston. This all-too-prescient view of the future our youth may be inheriting will play February 11 – March 12, 2022 at BNT’s resident home, The Den Theatre (2A), 1331 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood. Tickets are currently available at brokennosetheatre.com and thedentheatre.com. Tickets for all Broken Nose Theatre performances are “Pay-What-You-Can,” allowing patrons to set their own price. I'll be out for the press opening February 13th so check back soon for my full review.

Broken Nose Theatre adheres to all CDC, state and local safety guidelines. Additionally, masking is required for all guests during performances. For the most current information on The Den’s COVID guidelines, visit thedentheatre.com/covid19-policy.

 

The cast includes company members RjW Mays* with Zhanna Albertini, Graham Helfrick, Sophia Vitello, Christopher M. Walsh and Austyn Williamson. Understudies: Maureen Azzun, Jeremiah Davis, Tim Huggenberger, Audrey Michaela, Kiefer Otto and Toma Lynn Smith.

It could happen anywhere, at any time, and the faculty at Washington High have decided to take "being prepared" to a whole new level. Through a series of Active Shooter Drills, their students will be trained on how to fight back against intruders. But as they’re asked to quell violence by responding violently, four teenagers begin to wonder: if we’re so prepared, why do we feel even more unsafe? Directed by rising director Toma Tavares Langston (The Light; Hedwig and the Angry Itch), this brand-new play asks us to consider the moment when preparing for the worst tips over into a whole new breed of violence all its own.

Artistic Director E.M. Davis and Managing Director Rose Hamill comment, “When the ensemble first read Eric's darkly satirical play over three years ago, the terrifying but necessary questions it asked were immediately impossible to shake. And now, as we continue to stare into an uncertain future, the conversations it provokes feel all the more prevalent. What sort of world are we passing down to our children? If they can't even feel safe in their place of learning, what haven can we possibly offer them? And worse, when we place the promise of security in the kids' own ability to retaliate, how soon before we exacerbate the issue and push them to their breaking point? We're proud to be partnering with director Toma Tavares Langston to bring this highly original new play to Chicago audiences for its world premiere.”

The production team includes Jessie Baldinger (scenic design), Jessica Van Winkle (costume design), Conchita Avitia (lighting design), Hannah Foerschler (sound design), Charlotte Lastra (props design), Carly Cason (fight director), Sarah Scanlon (intimacy director), David Weiss* (dramaturg), Ben F. Locke* (assistant director), Rose Hamill* (production manager), Evan Sposato (technical director), Liz Gomez* (master electrician), Jac Pytlik (stage manager) and Becca Smith (assistant stage manager).

*Denotes Broken Nose Theatre company members

 

PRODUCTION DETAILS:

Cast (in alphabetical order): Zhanna Albertini (Selma), Graham Helfrick (Kramer), RjW Mays* (Woman), Sophia Vitello (Lenore), Christopher M. Walsh (Man) and Austyn Williamson (Wynn).

Understudies: Maureen Azzun, Jeremiah Davis, Tim Huggenberger, Audrey Michaela, Kiefer Otto and Toma Lynn Smith.

Location: The Den Theatre (2A), 1331 N. Milwaukee Ave., Chicago

Dates: Previews: Friday, February 11 at 7:30 pm and Saturday, February 12 at 7:30 pm

Opening: Monday, February 14 at 7:30 pm

Regular run: Thursday, February 17 – Saturday, March 12, 2022

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm

Industry night: Monday, February 28 at 7:30 pm

Understudy night: Wednesday, March 9 a 7:30 pm

Tickets: Pay-what-you-can. Tickets are currently available at brokennosetheatre.com and thedentheatre.com.

About the Artists

Eric Reyes Loo (Playwright) spent his childhood crafting the perfect comeback during his sixteen years of Catholic school education, where his mother sent him to become a priest. He came out a theatre queen and loudmouth jokester instead. All of this gave him plenty of material as he turned to writing and producing theatre in New York and his native Los Angeles. Eric’s critically-acclaimed play Death and Cockroaches was produced by Chalk Repertory Theatre, where Eric is also a member of the Artistic Circle. In addition, Eric is a television writer/producer who has written on Guidance for AwesomenessTV/Hulu and A.J. and the Queen for Netflix. He also has numerous projects in development.

Toma Tavares Langston (Director) is a Chicago freelance theater director. Notable works include Hedwig and the Angry Inch (Theo Ubique – 2020 Jeff Nomination, Production – Musical) and The Light (The New Colony – 2018 Jeff Nomination, Director – Play). Toma was awarded a 2015 Victory Gardens Theater Director Inclusion Initiative fellowship. Other Chicago works include Sucker Punch (Victory Gardens, Assistant Director), 1980 or Why I'm Voting for John Anderson (Jackalope Theatre, Assistant Director), The Last Five Years, The Shadow Box, For Colored Girls Who Considered Suicide/When the Rainbow Is Enuf. He is currently pursuing his MBA in Public Administration at Southern New Hampshire University. Toma would like to give a special thanks to E.M., Rose, Eric and the Broken Nose Theatre crew for the opportunity to tell this impactful story. 

 

About Broken Nose Theatre

Broken Nose Theatre is a Pay-What-You-Can theatre company. Founded in 2012, BNT was the 2018 recipient of the Emerging Theater Award, presented by the League of Chicago Theatres and Broadway in Chicago. The company has produced and developed 30 full-length plays (including 12 Chicago or world premieres) and over 60 new short plays through our annual Bechdel Fest. We strive to spark conversation, cultivate empathy, and amplify underrepresented voices, and are committed to making new, exciting and relevant theatre that is economically accessible to all audiences. For more information, please visit brokennosetheatre.com. 

World Premiere of MARY ROSE Via Black Button Eyes Productions January 7 – February 12, 2022 at The Edge Theater

ChiIL Live Shows On Our Radar 

Black Button Eyes Productions Presents the World Premiere of

MARY ROSE

January 7 – February 12, 2022 at The Edge Theater

Book & Lyrics by Producing Artistic Director Ed Rutherford

Music & Lyrics by Jeff Bouthiette

Adapted from the Play by J.M. Barrie

Directed by Producing Artistic Director Ed Rutherford

Music Direction by Nick Sula

Choreography by Derek Van Barham 

Black Button Eyes Productions is pleased to conclude its 2021-22 season this winter with the world premiere musical Mary Rose, featuring book and lyrics by Producing Artistic Director Ed Rutherford, music and lyrics by Jeff Bouthiette, adapted from play of the same name by J.M. Barrie (Peter Pan), directed by Ed Rutherford with music direction by Nick Sula and choreography by Derek Van Barham. The eerie musical faerie tale will play January 7 – February 12, 2022 at The Edge Theater (mainstage), 5451 N. Broadway Ave. in Chicago’s Edgewater neighborhood. Tickets are currently available at maryrosemusical.eventbrite.com. 

Please note: Black Button Eyes will require proof of vaccination and masking at all performances. The entire cast and crew is vaccinated.

Mary Rose features Stephanie Stockstill as Mary Rose with Rosalind Hurwitz, Michael Reyes, Maxel Schingen, Jonathan Schwart, Maiko Terazawa and Kevin Webb. Understudies: Quinn Corrigan, Jessica Lauren Fisher and Joey Harbert.

PHOTO CREDIT: The cast of Black Button Eyes Productions’ world premiere musical Mary Rose includes (top, l to r) Rosalind Hurwitz, Michael Reyes and Maxel Schingen (bottom, l to r) Jonathan Schwart, Stephanie Stockstill, Maiko Terazawa and Kevin Webb.

This world premiere musical spins the tale of a haunted young woman named Mary Rose, and the mysterious supernatural connection between her, a manor house in Sussex and a misty island in the Scottish Highlands.

The production team includes Jeremiah Barr (scenic and properties design, technical director), Beth Laske-Miller (costume design), Liz Cooper (lighting design), Macy Kloville (sounds design), Elinor Keener (orchestrator) Carrie Hardin (dialect coach) and Cecilia Koloski (stage manager).

PRODUCTION DETAILS:

Location: The Edge Theater (mainstage), 5451 N. Broadway Ave., Chicago

Dates: Previews: Friday, January 7 at 7:30 pm and Saturday, January 8 at 7:30 pm

Press performance: Sunday, January 9 at 3 pm

Regular run: Thursday, January 13 – Saturday, February 12, 2022

Curtain Times: Thursdays, Fridays & Saturdays at 7:30 pm; Sundays at 3 pm.

Tickets: $30. Tickets are currently available at maryrosemusical.eventbrite.com. 

 

About the Artists:

Ed Rutherford’s (Book & Lyrics, Director) directing credits for Black Button Eyes include Dr. Horrible’s Sing-Along Blog (Jeff Recommended), Whisper House, Ghost Quartet (Jeff Nomination: Best Director of a Musical), Evil Dead the Musical (Jeff Nomination: Best Director of a Musical), his script Nightmares & Nightcaps: The Stories of John Collier, Nevermore, Shockheaded Peter, Amour, Goblin Market, and Coraline. He is an artistic associate with Promethean Theatre Ensemble, where he directed The Liar, his own adaptation of Peter S. Beagle's The Last Unicorn, Brecht’s The Caucasian Chalk Circle and the company's inaugural production, Christopher Durang’s Beyond Therapy. Directing with Brown Paper Box Co: The Baltimore Waltz. As an actor, he's performed with Drury Lane Oakbrook, Porchlight, Theater Wit and many others. A graduate of Northwestern's theater program, he also completed his MBA at Kellogg.

Jeff Bouthiette (Music & Lyrics) is a Chicago-based director, songwriter and performer, and currently serves as musical director for the Second City Mainstage. Jeff was also Head of the Music Program at the Second City Training Center for a decade. Jeff’s original musicals include Picture It! (MCL Chicago), Planted: A Song Cycle (Chicago Music Theatre Festival) and Miami Nice (Gorilla Tango). Previously with Black Button Eyes, Jeff has served as both actor (Mr. Bobo, Coraline) and musical director (Goblin Market).

Nick Sula (Music Director) is a pianist, arranger and award-winning music director for theater and cabaret. He is proud to return to Black Button Eyes Productions, where he was music director for Coraline, Amour, Nevermore and Jeff-nominated as music director for Ghost Quartet. Other music direction credits include productions with Porchlight Music Theatre, BoHo Theatre Ensemble, Pride Films and Plays, Chicago Theatre Workshop and Chicago Musical Theatre Festival. Nick performs with vocalists at venues such as Davenport’s Piano Bar, Petterino’s, Drew’s on Halsted, Victory Gardens and the Park West. He is an instructor, music director and vocal coach at the Chicago College of Performing Arts at Roosevelt University.

Derek Van Barham (Choreographer) is the Producing Artistic Director of Kokandy Productions, and a member of the Red Tape Theatre ensemble. Recent directing credits: Head Over Heels (Kokandy), The View Upstairs (Circle), Poseidon (Hell in a Handbag) and Taylor Mac’s A Walk Across America for Mother Earth (CCPA/Roosevelt). Black Button credits include Dr. Horrible’s Sing-Along Blog, Ghost Quartet, Evil Dead The Musical (Jeff nomination), Coraline the Musical, Goblin Market, Amour, Nevermore and Shockheaded Peter. He has also choreographed for The Plagiarists, Inappropriate Theatre, The Ruckus, Brain Surgeon Theatre and Salonathon. He was named one of Windy City Times 30 Under 30, recognizing individuals from Chicago's LGBTQ community. www.derekvanbarham.com

About Black Button Eyes Productions

The 2021-22 season continues Black Button Eyes Productions' mission to bring to Chicago premieres and seldom-seen works containing elements of fantasy, in which the magical and surreal invade reality. The company was founded in 2014 with the acclaimed Midwest premiere of the musical Coraline, followed by Goblin Market, Amour, Shockheaded Peter, Nevermore-The Imaginary Life and Mysterious Death of Edgar Allan Poe, the world premiere Nightmares and Nightcaps: The Stories of John Collier, the smash hit Chicago Storefront Premiere of Evil Dead the Musical, the Chicago premieres of the musicals Ghost Quartet and Whisper House, and most recently, Dr. Horrible's Sing-Along Blog.