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Showing posts with label Lincoln Hall. Show all posts
Showing posts with label Lincoln Hall. Show all posts

Friday, February 15, 2013

Nick Waterhouse Photo Recap #originalshowshots #R&B



ChiIL Live Shows caught Nick Waterhouse LIVE at Lincoln Hall 10/10/12 above and again at Metro on Valentine's Day 2013.






Nick Waterhouse is old school R & B with a modern twist, and he puts on an excellent, memorable live show.  We especially dug the dual saxaphones with the keyboard player doubling on the 2nd sax.   The whole band knows how to bring it.  








We bought tickets to the Metro show instead of working Valentine's Day, so I didn't shoot last night.   But we have our 10/10 shots from Lincoln Hall for you.

 




Both shows were too sweet to ignore, and we highly recommend you keep an ear out for their next swing through town.





His debut is my husband's absolute favorite 2012 release and pretty high on my own list as well, despite the wide variety of genres we review and enjoy personally.   Nick Waterhouse is truly one to watch.

Check out his main site here.




Everything about Nick Waterhouse started with a single 45. Nick Waterhouse, who signs his own name across a righteous and exhilarating part of American music with this debut LP, snapped together from sessions traded for rent money and desperate favors and succeeding through strange luck, particular personality and a vision that would not crack. 



When he made that first 45 by himself, he was hoping less to launch a musical career than to bury the possibility with dignity. In his suburban hometown, there’d never been music like this, and when he moved to the big city for school, no one could be bothered to care about music like this, so he recorded his song simply to prove that he could record his song. 








That “Some Place” 45 on his own label Pres—put together with something barely more than a pick-up band of 20-something kids sold half its press in a single night in the winter of 2010, and so made itself known to the people who needed to know, in that quiet nighttime way certain records have done for decades.




By mid-2011, he was signed to a label and after three more swoops through engineer Mike McHugh’s studio the Distillery, where of course powerful spirits are made, he’d found Time’s All Gone.



Amazon says:   Nick Waterhouse is the New Breed - An R&B fanatic who combines an uncanny old-school sensibility and with a charged, contemporary style. Having just turned 25, he joins the ranks of similar acts and producers of recent times - Mark Ronson, Amy Winehouse, Sharon Jones, Mayer Hawthorne, Aloe Blacc et al -- that are all moving forward into the past, yet all quite different. 

For Waterhouse, his muse is the over-modulated sound of vintage '50s R&B and Rebel Rock n' Roll. His take on such a time-honored tradition evokes the back-alley thrill of New Orleans, Detroit and Memphis in their heyday. He combines an astute attention to detail recording on all vintage equipment with an honest desire to match the emotional impact of the music that inspires him.              

Monday, February 4, 2013

INCOMING: Graveyard at Lincoln Hall THIS TUESDAY #metal





$15.00
Tuesday, February 05 2013
8:00 PM | 21+


We dig Swedish metal and although we haven't caught them live before, Graveyard sounds like our kind of people!   Can't wait to check 'em out live tomorrow night.   I've been to Orebro, Sweden and still have a friend from there I've known almost all my life and consider family.   


Here's what Lincoln Hall's site says about the band:  From the combination of being a great live act and having the ability to write and record great songs the future is looking really bright for Graveyard. The band is standing on a solid foundation of classic rock but Graveyard is more than just your average rockband. The band's open mind towards adapting and bringing in different musical influences - from everything in between hard rock, rock, blues, folk and jazz – makes the band stand out in the crowd. And the good thing for a band like Graveyard is that ……. you don’t have to put a label on being great.


Here's what Graveyard says:
   
Background…..

Graveyard was formed in Gothenburg 2007. Joakim and Rikard played together in a band called Norrsken nack in Örebro. First Joakim moved to Gothenburg, then Axel and then Rikard. Joakim, Axel and a bunch of other guys started a band called Albatros, which Rikard soon joined. On guitar! 

After a while they decided that they wanted to take a different direction musically, and play more straight forward rock, so they started Graveyard. With that said it didn’t take long before things started to happen for Graveyard and before we knew it we were about to record and release our first album. (released on Transubstans in Europe and Tee Pee in North America). During the recording of the first album guitarist Truls Mörck left the band and was replaced by Jonatan. 

After the release of the first album we did what most ordinary rockband do to promote ourselves and our albums – extensive touring in crappy vans all across Europe and the US. And now that we have got our second album Hisingen blues out (Nuclear Blast  and Universal in Sweden) we are believe it or not excited to bring the new songs out to the public. By doing this we will hopefully get to see some of our favorite places again and also visit other countries and continents to which the first album didn’t take us – cos no matter how much fun it is to write and record albums it’s is in the live environment that we feel totally at home as a band.

The musical plan and an important piece of the puzzle …..

When we started the band we did so without a plan ever to come this far – but with that said we started Graveyard with the ambition and intention to take it as far as we could. Graveyard as a band wasn’t gonna be about mocking around in the rehearsal room, cos we knew what we wanted to do and that we also had the musical skills and the dedication to write and record great songs that could and would take us places. 


All ready from the start we knew what kind of music we wanted to play and how we wanted it to sound.  About our sound it’s one thing to write and rehearse songs but it’s a totally different thing to go into a studio and get the right production to back them up. In this area we really struck gold when we met Don Alsterberg. Don has produced both our albums and has done an amazing job. The thing with Don was that he right from the start really understood us as individuals and as a band, and managed to take our creative vision and put it into a production that really brings out the best of both Graveyard as a band and our songs. The production sometimes goes even beyond what we had it sounding like in our minds and it doesn’t get much better than that. But don’t think that we are happy with Hisingen and that’s it, in this department both Graveyard and Don are ready and can’t wait to get started on the next album. We just need to get a “little” bit of touring done before we get started – so as far as the bands “one year plan” goes there will be no rest for the wicked.

Summary and no future? ….

To sum it up and end the story of Graveyard this far we would like to once again inform the reader that we don’t really have a plan except to keep on doing what we do in the best way that we can. And on this note we would like to be a little bit non-Swedish and add that we’re really proud of what we have done as a band this far. Without a grand plan there are still a couple of things that we can say and guarantee about the future, and that is that we will probably be around for as long as we feel that we have the musical creativity and the drive to keep on pushing ourselves in our songwriting, in the studio and live. So with that said all you fans of Graveyard can just keep your fingers crossed, buy our albums and come to our shows and time will tell how long this circus will continue. Cos we don’t know, can’t tell and don’t care too much about the future – we’re just here to entertain and provide the world with some great music according to our book.


All for now and keep supporting good music!
Joakim, Rikard, Axel and Jonatan – aka GRAVEYARD


Thursday, January 24, 2013

CHI, IL LIVE SHOWS ON OUR RADAR: Red Wanting Blue & Van Ghost at Lincoln Hall on 2/1



Just a reminder that Red Wanting Blue will be in Chicago on 2/1 at Lincoln Hall with local Chi town favs Van Ghost opening.




$15.00
Friday, February 01 2013
8:30 PM | 18+



ChiIL Live Shows has shot Van Ghost a zillion times over the years, everywhere from Summer Camp Music Festival, to Chicago Bluegrass and Blues Fest, Northcoast Music Fest, The House of Blues and local street fests.   




More on Red Wanting Blue

Check out their recent features with Chicago friends at WBEZ and Audiotree:

 They've also been rockin' the national scene:



Thursday, January 10, 2013

TNK: Snowmine, Freelance Whales & Hundred Waters at Lincoln Hall 1/19/13 #TNK



                     
                                                 SNOWMINE
Photo Credit: Emily Raw


ChiIL Live Shows will be there for Snowmine...will YOU?!   We'll be shooting stills and we'll have a photo filled recap for you shortly thereafter.

Just because it's January in Chi, IL, that's no reason not to have a music fest!   The annual Tomorrow Never Knows fest is back to thaw your frozen soul.   ChiIL Live Shows will be covering the fest and shooting stills of some of our top picks.   Check out our recommendations and get outta the house and hear some great bands.





Snowmine will be playing Lincoln Hall next Saturday, January 19th with Freelance Whales and Hundred Waters for the Tomorrow Never Knows festival.

The Brooklyn-based band blends afrobeat with electro-acoustic pop that melds into catchy, upbeat songs that always keep the room dancing. They craft a unique show by incorporating a special interactive app, Colorbeast, which takes sound from the live show and filters it into vibrant visuals in real time. 

XPN comments on this experience declaring, "Brooklyn’s Snowmine envelope you in their intricate layers of texture and atmosphere."  

You can listen to tunes from their 2011 album, Laminate Pet Animal, as well as their great follow-up single, "Saucer Eyes" here. They have just finished their sophomore record, to be released this year and will be performing songs from the upcoming LP for the first time.  


Snowmine don't just want to create music that you hear. They want to make music that you feel, that is in every breath, every corner and settles deep within the heart.
The Brooklyn quintet formed out of a longtime friendship between bassist Jay Goodman, drummer Alex Beckmann, and lead singer/composer Grayson Sanders. They soon met guitarist Austin Mendenhall after his then recent move from the DC jazz scene, and finally invited their old friend, guitarist Calvin Pia, to complete the five-piece.
Sanders, the son of an opera singer and oil painter, discovered a voracious appetite for Classical and IDM music at an early age. A zealous disciple of Stravinsky, Ravel, Bartok, Ligeti and Autechre, he spent the better part of his adolescent life in a bedroom, hunched over manuscript paper or staring at a computer screen. By the time he was 22, he had written five full symphonic premiers, including a recent modern orchestral cover of Bjork’s “Cover Me.”
These classical influences can be found throughout their music, while also combining elements of classic afrobeat, electro-acoustic soundscapes and early 20th Century orchestrations.
Snowmine self-released and self-produced their debut LP, Laminate Pet Animal, in May 2011 to much critical acclaim and solidified their presence in the hearts of loyal fans across the country, playing grandiose performances with chamber orchestras, installation art gallery shows and just about anything in between.
The band has spent the summer hard at work recording their new LP to be released in early 2013. Recorded in Germano Studios in Manhattan and Doctor Wu's in Brooklyn, the new record promises to build on the band's distinguished, textual and rich sound.
Right now one thing is certain. Next year is going to be a very, very busy one for the band.
Tour Dates /
01/15 - Brillobox - Pittsburgh, PA *
01/16 - MOTR Pub - Cincinnati, OH
01/17 - The Bishop - Bloomington, IN
01/18 - Maintenance Shop - Ames, IA
01/19 -Tomorrow Never Knows Festival -  Lincoln Hall - Chicago, IL ^
01/22 - Chronic Town - State College, PA
01/23 - Great Scott - Boston, MA
01/24 - Glasslands - Brooklyn, NY
03/06 - The Camel - Richmond, VA
03/07 - Local 506 - Chapel Hill, NC
03/08 - Savannah Stopover Music Festival - Savannah, GA
03/09 - Drunken Unicorn - Atlanta, GA 
 
* with Bear In Heaven 
^ with Freelance Whales & Hundred Waters


Links /



Saturday, November 10, 2012

Oberhofer With Matt & Kim LIVE at Congress Theater TONIGHT #originalvideointerview #showshots


ChiIL Live Shows original Oberhofer LIVE show shots from Lincoln Hall 3-27-12




ChiIL Live Shows caught up with Oberhofer at their March 2012 album release show at Chicago's own Lincoln Hall.   Check out our back alley interview with 3 of the band members.   This interview will serve as a Time Capsule too--a window into the beginning of a rising rock band......Oberhofer.


   

When we first saw Oberhofer LIVE at Lincoln Hall, it was their 1st show after their March 2012 album release. 



  


Quotes /
"Expansive instrumentation and charming, unpredictable song structures" Billboard
"The rising phenom Brad Oberhofer, the songwriter and front man for this band, sings with such a youthful urgency that sometimes he can’t contain it, and lets it out in yelps. He has a natural pop sensibility and the wisdom to toy with unconventional instruments." The New Yorker
"A newly sophisticated musical playground." SPIN 
"It's a credit to Oberhofer to take such small moments and build them into such a feeling of importance." Consequence of Sound
"It's a visceral, hook-laden, and often beautiful teenage dream." Under The Radar 
"Oberhofer's debut album, Time Capsules II, has the feel, the scope and the grandiloquence of a musical." The Guardian 
"Time Capsules II is that kind of album: a buffet of familiar confections designed for easy digestion, painstakingly dressed and seasoned to demand repeat consumption" CMJ




We ran into friends of ours there--industry insiders who worked for Spin for years, and raved that Oberhofer was one of their favorites from SXSW 2011.  






Check 'em out for yourselves tonight at The Congress Theater opening for Matt & Kim.  All ages.





Emotion is what drives the psychedelic catchy pop rock tunes crafted by the oft-effervescent Brad Oberhofer. Drawing on influences ranging from Brian Wilson to Descartes, the 21 year old is fixated on the idea of making philosophically minded, energetic melodies that just make people smile.
“Music is this thing I just inherently do and psychologically, I have a desire to make as many people happy as possible. Music helps you think about stuff, it helps you feel, you know?”
With an unforgettable way of speaking directly from the heart, Brad Oberhofer’s songs have a pulse that form the very core of what makes Oberhofer, Oberhofer. To put it quite simply, a great rock & roll band.
Armed with a belief that you spend your entire life searching for the socially aware version of the 5 year old “you”, he tries to inject each song with the innocence felt by that same kid, sitting on the couch of his parents house playing the broken guitar he spent months teaching himself  how to play.
Referring to his songwriting as “a time capsule of exactly how I’m feeling at a particular moment”, each song on his forthcoming debut, Time Capsules II, is a clear, unrestrained look inside the head of Brad Oberhofer. “Gold” is a reflection on two magical weeks spent with a first love that inadvertently initiated his musical endeavors. “Away Frm U” is an upbeat song about saying goodbye to that love.
Like most of the impressive debut, the stand-out “I Could Go” shows that above all, his heart is on his sleeve in both his words and everything he creates, a trademark that suits his search for sincerity well.
After moving to Brooklyn from his hometown of Tacoma, Washington, to attend New York University, Brad quickly immersed himself in the indie rock community forming the 4 piece which is now quite simply, Oberhofer. Catching the attention of Glassnote Records, the band officially joined the labels’ roster over the summer of 2011. Brad recorded the debut album Time Capsules II with legendary producer Steve Lillywhite (U2, The Rolling Stones & Morrissey among others) in Brooklyn last fall and are on the road for the next, playing shows and festivals around the world.
One thing is certain – expect to see big things from this promising young band. It’s going to be quite a year for Oberhofer, the sky is truly the limit.



Remaining Tour Dates /


11/08 - Rave Ballroom - Milwaukee, WI *
11/09 - The Vogue - Indianapolis, IN *
11/10 - Congress Theater - Chicago, IL *
11/11 - Majestic Theatre - Detroit, MI *
11/13 - House of Blues - Cleveland, OH *
11/14 - Newport Music Hall - Columbus,    OH *
11/15 - Terminal 5 - New York, NY *
11/16 - House of Blues - Boston, MA *
11/17 - Wellmont Theatre - Montclair, NJ *
* with Matt & Kim

Time Capsules II | Tracklisting /
01. HEART
02. Landline
03. Away Frm U
04. I Could Go
05. Yr Face
06. oOoO
07. Cruisin' FDR
08. Gold
09. Haus
10. Homebro

Links /

Tuesday, October 9, 2012

PLAY LOCALLY: ChiIL Live Shows On Our Radar Tonight Through Friday

There's plenty of music and theatre openings this week around Chi-town.   Fall is the perfect season to get out and see shows.   Here are our top picks this week.

TONIGHT Tuesday, 10/9 



Adam Ashbach (music 21+/ $5-$8/Double Door)

After a period of relative quiet, Adam Ashbach (ex-band leader of Lollapalooza vets Musical Outfits) will make his return to the Chicago stage with a show at Double Door on Oct. 9 (supporting local garage poppers Jonny Rumble)

Check out all the details here at Double Door's main site.

Check out Adam's FB page here. 


After living in Brooklyn for a short time to pursue the artist’s dream, Adam Ashbach came home to Chicago in 2008 and recorded the well-received EP Puzzle Pieces at CRC and Studio Ballistico.

After playing only a few shows in support of the EP, Ashbach then took time off to reflect on life and everything other than music. But once again the music bug has bit and brought him back to familiar territory. He fell right back into Tim Sandusky's Studio Ballistico to collaborate on new music with all new musicians save for Jason Angelilli (his bass player and friend from grade school), who has become a stalwart writing companion.

Joining Adam and Jason in the studio, and rounding out the live show, is Neal O'Hara, Reid Muchow and Taras Horalewskyj. These talented musicians can be found playing out in multiple bands on any given night in Chicago. Their contagious desire has rubbed off on Ashbach. Eager to release his newest EP, Too Much Left To Write, Adam brought years of experience and what he likes to call "getting old" to the studio. For this go around, Adam is happy to be playing music for the joy leaving behind the drama of old bands and he is reveling in what is happening right now.


Wednesday, 10/10



Black Watch (theatre) at Broadway Armory.  National Theatre of Scotland in conjunction with Chicago Shakespeare Theatre






Nick Waterhouse (R & B music) at Lincoln Hall

ChiIL Live Shows will be there shooting stills.   This should be one sweet show you won't want to miss.  21+





$14.00
Wednesday, October 10 2012
9:00 PM | 21+



  • Bio
    Nick Waterhouse is the New Breed – An R&B fanatic who combines an uncanny old-school sensibility with a charged, contemporary style. At just 25, He joins the ranks of a growing cabale of similar acts and producers of recent times – Mark Ronson, Mayer Hawthorne, the Daptone Crew et al – that are all moving forward into the past, yet all quite different. For Waterhouse, his muse is the over-modulated sound of vintage R&B, and his take on such a time-honored tradition evokes the back-alley thrill of New Orleans, Detroit and Memphis in their heyday. He combines an astute attention to detail with an honest desire to match the emotional impact of the music that inspires him.
    When asked to pinpoint the sound or style he strives for, Nick Waterhouse simply shrugs and responds, “American music. And I know that’s pretty general, but it is what it is. I have spent so much of my life immersed in this stuff, because I wanted to figure it out, [yet] all I figured out was that there was no plan.” In other words, whatever musical style Nick may choose to espouse, it’s not done because someone else did it, but done for the same reason someone else did it. “To me, [the music I play] is not a ‘type’ of music,” he emphasizes; “it IS music. The records I listen to ARE music. A record is a moment in time, and something recorded in 1955 is the same as something recorded in 2010.” Growing up in the Southern California, Waterhouse eschewed his surroundings and found emotional authenticity in the vintage wax of Ray Charles, Roy Head, Little Willie John and the whole panoply of American music, where feel so often trumps technique. After the sold out release of his own self-produced 45, the raunchy ‘Some Place’, and a string of exciting shows with his live group The Tarots, Nick went to work on his forthcoming full-length for Innovative Leisure – continuing an undeniably raw and rhythmic take on American music.
    His approach to production – entirely vintage analog equipment, open-reel tape machines, lacquer cutting machines, and even hand letter-pressed labels – has left a few fans wondering where and when he comes from; Long-lost deadstock Rhythm & Blues artifact? White or Black? New or old? It’s a fitting recall to the days of early Rock & Roll, when rhythms crossed the tracks and no-one was quite sure WHAT or WHO this music was. As LA Record bears witness, “You’ve gotta be one kind of maniac to produce like this, and a whole other kind to shout like this, and an even more frightening kind to make the first two maniacs work together. Nick pulling this all off simultaneously means preternatural powers in play”
    Career Highlights
    Current Tours
    Date
    Venue
    City
    State
    With
    Tue 10/09/12
    Detroit
    MI
    Allah-Las, Richie Wohlfeil
    Wed 10/10/12
    Chicago
    IL
    Allah-Las, DJ Misa
    Thu 10/11/12
    Minneapolis
    MN
    Allah-Las, Mike 2600
    Sun 10/14/12
    Seattle
    WA
    Allah-Las, Gred Vandy
    Mon 10/15/12
    Bellingham
    WA
    Allah-Las, DJ Yogoman
    Tue 10/16/12
    Vancouver
    BC
    Allah-Las, Jonny Grayston (of the East Van Soul Club)
    Wed 10/17/12
    Portland
    OR
    Allah-Las, DJ Beyonda
    Sat 10/20/12
    San Francisco
    CA
    Allah-Las, DJ Primo
    Sun 10/21/12
    Los Angeles
    CA
    Allah-Las, Aquarium Drunkard/Light In The Attic
    Fri 11/02/12
    Austin
    TX

    Mon 11/05/12
    Santa Fe Brewing Company
    Santa Fe
    NM

    Wed 11/07/12
    San Diego
    CA





Thursday 10/11



The Luck of Eden Hall at The Burlington
only $5 suggested donation

Rocket Miner | The Foreign Resort (Copenhagen, Denmark) | The Luck of Eden Hall

doors 9pm
Click here for The Burlington's main site
The Burlington is at Fullerton and Kimball in Logan Square


Friday



  • ChiIL Live Shows will be there for opening night and we'll have a full review up shortly.





October 12th - November 10th , 2012


Stephen Sondheim's ASSASSINS
CHICAGO 2012 

By examining and bringing together (in a dream-like way) the narratives of the assassinations and attempted assassinations of the US presidents during our national history, Composer Stephen Sondheim weaves together the pain that lies just beneath the surface of American consciousness – the pain of alienation, regret, and failure to achieve the “American Dream”. But in the end, who is responsible for that failure? Ourselves? Our Parents? Our Society? Our President?

And yet, in all this darkness there lies just the glimmer of hope. Each of these individuals, pushed by themselves and unseen forces to commit desperate and despicable acts, contain within them a certain sense of innocence. Buried deep in these stories is an overwhelming heart – yes, Assassins is a love story, oddly enough. A story about men and women so desperate to be heard and validated, so desperate to find love that they would do anything to get it – in a way, to achieve their manifest destiny. What’s more American than that?

Mixing dark humor with unforgettable musical numbers, and strong showcase roles for our talented cast of character actors, this show will be a wonderful way to get in the mood for the 2012 election season, no matter what your politics are!

For questions and box office issues, please contact: 
tickets@thegoforth.com
(312) 212-3470 
Running time: Approximately 90 minutes 

Tickets - $45  




Local reggae crew Akasha will be supporting Hawaii’s The Green @ Bottom Lounge on Friday, Oct. 12. (17+)

Click here for all the Akasha details on Bottom Lounge's home page.

Click here for Akasha's Main Site


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