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Showing posts with label American Theater Company. Show all posts
Showing posts with label American Theater Company. Show all posts

Monday, March 21, 2016

OPENING: MIDWEST PREMIERE OF KILL FLOOR at ATC 3/25-5/1

Chi, IL LIVE Shows On Our Radar:

AMERICAN THEATER COMPANY PRESENTS THE 
MIDWEST PREMIERE OF KILL FLOOR
MARCH 25 – MAY 1, 2016
Written by Abe Koogler; Directed by Jonathan Berry

Opening soon, American Theater Company's Midwest Premiere of Kill Floor, a contemporary drama written by Abe Koogler and directed by Jonathan Berry, being presented March 25 - May 1, 2016  



The cast, all making their ATC debuts, includes: Audrey Francis (as Andy), Sol Patches (B), Eric Slater (Rick), Darci Nalepa (Sarah), and Louie Rinaldo (Simon).

Kill Floor takes place in a small town in 2003. Following a long incarceration, a mother returns to her hometown to restart her life. After securing a job at the local slaughterhouse, the challenges of re-entry unfold as she reunites with her teenage son, a staunch vegetarian. Koogler’s thought provoking, surprising and moving search for connection in modern America had its World Premiere at New York’s LCT3/Lincoln Center Theater in October 2015.

Said newly named ATC Artistic Director Will Davis: “I'm thrilled to be joining ATC as the company begins work on Abe Koogler's Kill Floor. I had the pleasure of listening to this play develop in Austin where Abe and I were both in grad school.  Even then it was clear to me that Abe was in the midst of writing a deeply moving and difficult new play that beautifully illustrates what it feels like to never have enough. Kill Floor takes a close up look at what it means to be the working poor in our country and this lens puts the piece in deep conversation with ATC’s mission question: What does it mean to be an American?” 

Performance schedule
Previews: Friday and Saturday, March 25 and 26 at 8 p.m., and Sunday, March 27 at
2 p.m.

Regular Run: March 31- May 1: Thursdays and Fridays at 8 p.m.; Saturdays at 2 and 8 p.m.; Sundays at 2 p.m.

Single tickets for Kill Floor at American Theater Company, 1909 W. Byron Street, range from $38-$48 and are available by calling the ATC box office at 773-409-4125, or visiting www.atcweb.org.


About American Theater Company
American Theater Company (ATC) challenges and inspires its community by exploring stories that ask the question, "What does it mean to be an American?" ATC’s Ensemble includes Patrick Andrews, Kareem Bandealy, Jaime Castañeda, Kelly O’Sullivan, Tyler Ravelson, and Sadieh Rifai.

American Theater Company is partially supported by a grant from the Illinois Arts Council, a state agency, and CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events, the Lloyd A. Fry Foundation, Polk Bros. Foundation, the MacArthur Fund for Arts and Culture at Prince, and the Shubert Foundation.



Thursday, February 18, 2016

CONGRATS TO WILL DAVIS, NEW ARTISTIC DIRECTOR OF AMERICAN THEATER COMPANY


AMERICAN THEATER COMPANY NAMES
WILL DAVIS ITS NEW ARTISTIC DIRECTOR

DIRECTOR OF FORTHCOMING MEN ON BOATS AT PLAYWRIGHTS HORIZONS
TO CONTINUE ATC’S COMMITMENT TO NEW WORKS



Following a six-month national search, American Theater Company’s (ATC) Board of Directors has named Will Davis its new artistic director, effective immediately. Currently based in New York, Davis is a director and choreographer known for physically adventurous new works, including the recently announced Off-Broadway run of Jaclyn Backhaus’ Men on Boats this summer (a coproduction of Playwrights Horizons and Clubbed Thumb), and two past productions of Colossal by Andrew Hinderaker, for which Davis won a Helen Hayes award for outstanding direction. The appointment at ATC marks a return to Chicago for Davis, who holds a BFA in Theatre Studies from DePaul University and served as assistant director for ATC’s 2006 production of William Inge’s The Dark at the Top of the Stairs.

Davis succeeds ATC’s Interim Artistic Director Bonnie Metzgar, who has held the post since the unexpected passing of ATC’s longtime Artistic Director PJ Paparelli last May. Davis will collaborate with Metzgar to finalize plans for the company’s 2016-17 Season.

“After a thorough and thoughtful national search, I'm extremely thrilled to welcome Will to ATC and the Chicago theater community,” says ATC Board President Art Cunningham. “His passion, artistic excellence and creative vision align perfectly with our goal of producing cutting-edge work that both challenges and entertains. We're very fortunate to have someone of Will's caliber drive ATC forward and build upon our artistic and educational achievements.”

“It is a great privilege to join the ATC family and to be entrusted with leading the company forward,” says Davis. “ATC’s mission to answer the question ‘What does it mean to be an American?’ invites us to make work aimed straight at the heart of the present moment, and provides a vital touchstone for us as citizens and art makers. I intend to deepen this conversation and ask what we are making, how we are making it, and who we are making it for. I feel a great resonance with the company’s staff and board, and I look forward to asking these questions together, lifting up ATC's legacy and strengthening its reputation as a hub for ambitious and excellent works for the American theater.”

Davis will be among the distinguished guests at ATC’s 2016 gala, the Xanadu-inspired affair A Million Lights Are Dancing on April 8, 2016. Remaining productions in ATC’s Season 31: The Legacy Season are the regional premiere of Abe Koogler’s Kill Floor under the direction of Jonathan Berry (March 25-May 1, 2016), following its world premiere at New York’s LCT3/Lincoln Center Theater, and the musical comedy Xanadu, with music and lyrics by Jeff Lynne and John Farrar and book by Douglas Carter Beane, directed by Lili-Anne Brown (May 27-July 17, 2016).

Will Davis is a director and choreographer focused on physically adventurous new work. Recent projects include: Men on Boats by Jaclyn Backhaus for Clubbed Thumb's Summerworks, which will receive a remount at Playwrights Horizons in July; Orange Julius by Basil Kreimendahl; Mike Iveson’s Sorry Robot for PS122’s COIL Festival; and two productions of Colossal by Andrew Hinderaker for Mixed Blood Theater and the Olney Theatre Center, for which he won a Helen Hayes award for outstanding direction. Davis has developed, directed and performed his work with New York Theatre Workshop, Clubbed Thumb, the New Museum, the Olney Theatre Center, the Alliance Theatre, the Playwright's Realm, the Fusebox Festival, New Harmony Project, the Orchard Project, the Ground Floor Residency at Berkeley Rep, Performance Studies International at Stanford University, and the Kennedy Center. He is an alum of the Soho Rep Writer/Director Lab and the NYTW 2050 Directing Fellowship. Davis is currently an artist-in-residence at BAX (Brooklyn Art Exchange) where he is developing a new work inspired by William Inge's Picnic. He holds a BFA in Theatre Studies from DePaul University and an MFA in Directing from UT Austin.


About American Theater Company
American Theater Company (ATC) challenges and inspires its community by exploring stories that ask the question, "What does it mean to be an American?" ATC’s Ensemble includes Patrick Andrews, Kareem Bandealy, Jaime Castañeda, Kelly O’Sullivan, Tyler Ravelson, and Sadieh Rifai.

American Theater Company is partially supported by a grant from the Illinois Arts Council, a state agency, and CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events, the Lloyd A. Fry Foundation, Polk Bros. Foundation, the MacArthur Fund for Arts and Culture at Prince, and the Shubert Foundation.

Saturday, April 11, 2015

OPENING: The Project(s) by ATC #Theatre #Chicago

American Theater Company announces
the world premiere of
The Project(s)
A documentary play on Chicago’s public housing
from the writer of columbinus

April 24–May 24, 2015

American Theater Company (ATC) announced today casting for the third world premiere in its 30th Anniversary season: The Project(s), a documentary play about the history of public housing in Chicago, April 24-May 24, 2015. Conceived, co-written and directed by ATC Artistic Director PJ Paparelli and co-written by Joshua Jaeger, The Project(s) ensemble cast includes Linda Bright Clay, Stephen Conrad Moore, Omar Evans, Kenn E. Head, Joslyn Jones, Penelope Walker, Anji White and Eunice Woods. Single tickets for The Project(s) range from $38-$48 and are now on sale at the ATC box office at 773-409-4125 or www.atcweb.org.



The Project(s) innovatively combines documentary theater with a cappella music, body percussion and stepping to create a provocative examination of the successes and failures of public housing that poses the question, “What is America’s responsibility to its poor?” From 2010 until 2014, Paparelli conducted over 100 interviews with scholars, historians, and former and current residents of Chicago’s public housing, including Cabrini-Green, Robert Taylor Homes, Wentworth Gardens and Ida B. Wells Homes. The Project(s) interweaves verbatim material with a cappella music, body percussion, and stepping with choreography by Jakari Sherman, artistic director of Washington, DC-based Step Afrika!, the nation’s only professional dance company devoted to stepping. Paparelli previously conceived, co-wrote and directed the critically-acclaimed documentary play columbinus that premiered its third act at ATC, toured to ArtsEmerson in Boston in 2013, and has been produced around the country and internationally.


The Project(s) received two development opportunities at the Orchard Project, a national new play development retreat in New York; a Jentel Artist Residency in Wyoming, and a MacArthur International Connections Fund grant, through which Paparelli travelled to the United Kingdom to workshop the play at Citizens Theatre in Glasgow and the Lyric Hammersmith in London, in addition to interviewing public housing residents and city officials in Scotland. ATC also partnered with Howard University in Washington, DC, for a five-week workshop integrating stepping and body percussion.

Performance schedule for The Project(s):
Previews: Friday, April 24 at 8 p.m.; Saturday, April 25 at 8 p.m.; Sunday, April 26 at 2 p.m.
Press opening: Tuesday, April 28 at 7 p.m.
Regular run: April 30 through May 24: Thursdays and Fridays at 8 p.m.; Saturdays at 2 p.m. and 8 p.m.; Sundays at 2 p.m.

The Project(s) was commissioned and developed by a generous grant from The Chicago Community Trust.

Additional grant support for The Project(s) was provided by the John D. and Catherine T. MacArthur Foundation. The Project(s) was developed through residencies with The Orchard Project; Jentel Artist Residency Program; Citizens Theatre Company, Glasgow, Scotland; Sheridan College & the Wyoming Theater Festival; and the Howard University Department of Theatre Arts.

Bios

PJ Paparelli (Director/Co-Writer/Artistic Director) is in his eighth season as Artistic Director of American Theater Company. He last directed ATC’s critically acclaimed world premiere of The Humans. Additional ATC directing credits include Hair, Sons of the Prophet, columbinus (Five Jeff Nominations), The Catholic Rep: Doubt & Agnes of God, The Original Grease (Jeff Award for Best Musical), Escape, The Amish Project, Distracted, Yeast Nation (the new musical from the writers of Urinetown), Hedwig and the Angry Inch, The Black & White Rep: True West (Caucasian & African American casts), and the regional premiere of Speech & Debate (Jeff Nomination). His ATC writing credits include columbinus and Every Year is This Year, which was co-written by Maria Irene Fornes for ATC’s The Silver Project.

Joshua Jaeger (Co-Writer) served as the 2012 Artistic Projects Fellow at American Theater Company. During that time, he co-produced the 10X10 and Big Shoulders festivals of new short plays, and sat on ATC's Literary Circle. He assisted in producing Steppenwolf Theatre Company's inaugural After Party, a multi-disciplinary late-night series presented in tandem with the annual Garage Rep. Joshua has dramaturged and assistant directed for TimeLine Theatre Company, Victory Gardens and Chicago Dramatists. Alongside his work in theatre, Joshua performs as a percussionist with the international touring artist Angel Olsen. His drumming may be heard on her current release, "Burn Your Fire for No Witness."

Linda Bright Clay (Ensemble) is a native Chicagoan with credits at Victory Gardens (Dame Lorraine), Goodman Theatre (Joe Turner's Come and Gone) and Chicago Theatre Company (Home), winning a Black Theatre Alliance award for best performance. She has also worked at the Madison Repertory Theatre (Having Our Say and Permanent Collection), and in a program piece with Writers Theatre (For My Brothers...). Film credits include Seven Psychopaths, Halfway, Just Married, The Night Before the Morning After and Original Gangstas. TV series work includes the local Emmy-nominated television special "Martin Luther King Suite." Local and national TV and voice-over commercials include Sears, U.S. Bank, United Healthcare, Crest and McDonald's. Linda obtained both her B.A. and M.A. in Theatre at Northern Illinois University, and co-directed the Black Theatre Workshop there for three years. She has also directed and assisted at various theaters, educational and social service institutions in the Chicagoland area.

Stephen Conrad Moore (Ensemble) is a native of Kansas City, MO, currently living and working in New York City. Recent NY premieres include ANTHEM: An Original Musical at the NY International Fringe Festival, Ni**er/Fa**ot at the HERE Arts Center, and Ajax in Ajax in Iraq with the Flux Theatre Ensemble. Other NY credits include: Bone Orchard Theatre Company, The Civilians, Classical Theatre of Harlem, Columbia Stages, Company Cypher, Full Stop Collective, The Lark Theatre, Manhattan Theatre Works, The Playwright’s Theatre, Red Fern Theatre and Working Man's Clothes. Regional credits: Arizona Theatre Company, The Ensemble Company for the Performing Arts, Hope Repertory Theatre, Kansas City Repertory Theatre, O'Neill Theatre Center, Philadelphia Theatre Company, Shakespeare Theatre in D.C., Virginia Stage Company, Yale Repertory Theatre. Internationally, he appeared in a festival of The Lion King in Hong Kong. Film and TV credits: Margaret (dir. Kenneth Lonergan), Wedding Daze (dir. Michael Ian Black), The Painting, Yield and Sesame Street. Mr. Moore is a graduate of the Yale School of Drama.

Omar Evans (Ensemble) was born and raised in Philadelphia, PA. He studied acting and received his BFA from Marymount Manhattan College, and is a member of Theater for a New Generation. Omar’s theater credits include Freefall, Bombity of Errors, Pvt. Wars, Corner Wars; television credits include Law and Order: Criminal Intent, Law and Order: SVU, Third Watch; film credits include Carlito’s Way: Rise to Power, Explicit Ills, Blackout and Light and the Sufferer.

Kenn E. Head (Ensemble) returns to American Theater Company. He is a veteran of the Chicago theater scene and was last seen as Sissy NaNa in Airline Highway at Steppenwolf Theatre Company, where he has appeared in numerous other productions. Additional Chicago credits include: Fish Men and The Convert (Goodman Theatre); Spunk and the critically acclaimed Invisible Man (Court Theatre); Romeo and Juliet (Chicago Shakespeare Theater); The Lost Boys of Sudan (Victory Gardens Theater); The Overwhelming (Next Theater); and Seven Guitars (Congo Square Theatre) where they garnered the coveted Jeff Award for Ensemble as well as Best Play. He has also worked at Yale Repertory Theatre. Television credits include ER and Early Edition as well as various commercials.

Joslyn Jones (Ensemble) has previously appeared in: The Delany Sisters: The First Hundred Years (Fleetwood Jourdain Theatre); Once On This Island (Marriott Lincolnshire); 12 Ophelias (Trap Door); Weekend (TimeLine Theatre); Bourbon At The Border (Eclipse Theatre); Escape (Live Bait); Flyin’ West and Raisin (Court Theatre); Spunk (Court Theatre’s Artist in School Program); Bee-Luther-Hatchee (University of Illinois at Urbana-Champaign); Fabulation: Or, the Re-Education of Undine (Next Theatre); Relevant Hearsay (MPACCT: Theater on the Lake); Bee-Luther-Hatchee and Smokey Joe's Café (Open Door Repertory); Meshuggah Nuns! (Chicago Jewish Theatre); The Kurt Weil Revue: Songs of Darkness and Light (Theo Ubique); To Kill A Mockingbird (Metropolis Performing Arts Centre). She is a graduate of the 2002 Class of The School at Steppenwolf. Understudy credits: Head of Passes and Carter’s Way (Steppenwolf Theatre Company); The Snow Queen (Victory Gardens Biograph); and Crumbs from the Table of Joy (Goodman Theatre).

Penelope Walker (Ensemble) most recently worked with Erasing the Distance theater company in Will You Stand Up? She has appeared in the last 10 seasons of A Christmas Carol at Goodman Theatre. Other Goodman credits include The StoryCrowns and Wit. She has also worked at Chicago Dramatists, Northlight Theatre, Lookingglass Theatre Company, Steppenwolf Theatre Company, Next Theatre Company, Ma'at Production Association of Afrikan Centered Theatre, Rivendell Theatre Ensemble and Chicago Theatre Company. She created and has performed her solo piece How I Jack Master Funked the Sugar in My Knee Caps! across Chicago. Regional credits include Alliance Theatre, Arena Stage, Hartford Stage and the Alley Theatre. Film and television credits include Severed TiesSomething Better Somewhere Else and Boss.

AnJi White (Ensemble) returns to American Theater Company, where she last appeared in RENT. Recently she was seen in Collaboraction's remount of Forgotten Future as Felicia Tate. Other Chicago credits include Mud, River, Stone (Eclipse Theatre), ITHAKA (Infusion Theatre) and Soul Samurai (Infusion Theatre). She’s understudied for Timeline's production of A Raisin in the Sun, Clybourne Park (Steppenwolf Theatre); and Regina Taylor's Trinity River Plays (Goodman Theatre).

Eunice Woods (Ensemble) makes her American Theater Company debut. She is a proud Acting Ensemble member of Barrel of Monkeys. Other Chicago acting credits include: Dessa Rose (Bailiwick Chicago); Hey! Dancin'! Hey! Musical (The Factory Theater); The True History...of Julia Pastrana (Tympanic Theatre Company); Raskol (Vintage Theater Collective); Miami Nice (Gorilla Tango Theatre); and The Rose Parade (Body Project Ensemble & VOTC). She holds a BFA in Theatre Arts from Boston University.

About American Theater Company

American Theater Company (ATC) challenges and inspires its community by exploring stories that ask the question, "What does it mean to be an American?" ATC’s Ensemble includes Patrick Andrews, Kareem Bandealy, Jaime Castañeda, Kelly O’Sullivan, Tyler Ravelson, and Sadieh Rifai.


American Theater Company is partially supported by a grant from the Illinois Arts Council, a state agency, and CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events, the Lloyd A. Fry Foundation, Polk Bros. Foundation, the MacArthur Fund for Arts and Culture at Prince, and the Shubert Foundation.

Tuesday, September 3, 2013

ACT OUT: Save The Dates--Fall Theatre On Our Radar

Mark your calendars and hang on for the ride.   Chi-town is theatre town and this fall is full of great season openers.   Here are just a few productions of note, that are high on our must see list.   Check back with ChiIL Live Shows like we vote in Chi, IL... early and often, for the heads up on great upcoming theatre, music and more. 

ChiIL Live Shows Phone Photo Theatre Montage 2012/13
Here's just a smattering of what we saw and reviewed this past season:

  


AMERICAN THEATER COMPANY

It’s a Wonderful Life: The Radio Play                                                 
Adapted from the Frank Capra film
Directed by ATC Artistic Director PJ Paparelli
Dates: November 22-December 29, 2013
Location:          American Theater Company, 1909 W Byron St., Chicago
Box Office:       1909 W Byron St., Chicago; 773.409.4125; www.atcweb.org

Bedford Falls, 1948.  After ten years, American Theater Company will revise its annual holiday production of Frank Capra’s beloved story of one man’s affect on his community.  This year’s production-- directed for the first time by ATC’s Artistic Director PJ Paparelli-- will include new Foley sound effects and commercial breaks in the style of a traditional 1940’s radio play.

Subscriber Only Event
The Wizard of Oz: The Radio Play
By L. Frank Baum
Adapted by Frank Gabrielson
With Music and Lyrics of the MGM score by Harold Arlen and E. Y. Harburg
Directed by ATC Artistic Director PJ Paparelli
Dates: November 8-10, 2013
Location:          American Theater Company, 1909 W Byron St., Chicago
Box Office:       1909 W Byron St., Chicago; 773.409.4125; www.atcweb.org

Kansas. 1939.  L. Frank Baum’s unforgettable story of a little girl’s journey over the rainbow to discover the true meaning of home is told for the first time in over 60 years as a radio play.  This unique telling of America’s most beloved movie includes a tour-de-force of live Foley sound effects and powerful ensemble acting that celebrates this heartwarming tale of the life lessons learned over the rainbow.  Note: This limited engagement is for ATC subscribers only and not open to the general public.

We'll be reviewing all of Broadway in Chicago's offerings again this season, at The Oriental, Cadillac Palace, Broadway Playhouse, Auditorium Theater and more.






BLACK ENSEMBLE THEATER
It’s All-Right To Have A Good Time (The Story of Curtis Mayfield)
Produced, written and directed by Jackie Taylor
Directed by Jackie Taylor
September 14 – October 20, 2013
Previews begin September 14, 2013
Opening: Sunday, September 22, 2013 at 3:00 p.m.
Location:          Black Ensemble Theater Cultural Center, 4450 N. Clark Street. Valet parking available.
Tickets:            $55 on Wednesdays, Thursdays, and Saturday matinees;
$65 on Fridays, Saturday evenings, and Sunday matinees.
A 10% discount is available for students, seniors, veterans and groups.
Box Office:       Buy online at www.ticketmaster.com or call (773) 769-4451

Black Ensemble’s tribute to Chicago’s own music legend Curtis Mayfield is the story of a musical giant who is equally celebrated as a singer, song writer and record producer.  From the anthemic music of The Impressions like “Gypsy Woman,” “I’m So Proud,” “Choice of Colors” to movie hits like “Super Fly,” The Curtis Mayfield Story will bring to vibrant life the rare musical genius that was Curtis Mayfield. Mayfield’s timeless music is known and celebrated all over the world, and he is the winner of the Grammy Legend Award (1994), the Grammy Lifetime Achievement Award (1995) and a double inductee into both The Rock and Roll Hall of Fame (1991, 1999) and the Grammy Hall of Fame.

Chicago’s Golden Soul
Written and Directed by Black Ensemble Theater Founder and CEO Jackie Taylor
November 16, 2013 – January 5, 2014
Previews: November 16, 17, 22, 23
Opening: Sunday, November 24, 2013 at 3:00 p.m.
Location:          Black Ensemble Theater Cultural Center, 4450 N. Clark Street. Valet parking available.
Tickets:            $55 on Wednesdays, Thursdays, and Saturday matinees;
$65 on Fridays, Saturday evenings, and Sunday matinees.
A 10% discount is available for students, seniors, veterans and groups.
Box Office:       Buy online at www.ticketmaster.com or call (773) 769-4451

First produced in 1998, this wonderful treasure of a production is a tribute to the music that put Chicago on the map as a national musical force. This Chicago celebration brings back the music of Jerry Butler, the Chi-Lites, Gene Chandler, Barbara Acklin and many, many more in this rollicking tribute to the music that made Chicago famous.






CHICAGO SHAKESPEARE THEATER
Cyrano de Bergerac                                                                              
By Edmond Rostand
Translated and Adapted for the stage by Anthony Burgess
Directed by Penny Metropulos
September 24 – November 10, 2013
Location:          Chicago Shakespeare's Courtyard Theater, 800 East Grand Avenue, Chicago
Tickets:            $48-$78
Box Office:       312.595.5600 or www.chicagoshakes.com

The stars have aligned to reunite the actor-director team behind our wildly popular production of The Madness of George III. The illustrious Harry Groener, who took home the Best Actor Jeff Award for his turn as King George, will play the nobleman whose gift for romance is shadowed by his all-too-prominent nose. Director Penny Metropulos takes the helm of this enduring masterwork that speaks as directly to the heart today as it did more than 100 years ago. Featuring some of the most clever, touching lines ever written, this homage to poetry, love and panache reminds us that sometimes what you seek is right under your, well…nose.

The Table                                                                                             
October 16-27
World’s Stage Upstairs Theatre
In Blind Summit Theatre’s The Table, a cantankerous puppet with a cardboard head is having an existential crisis—on a table. Blind Summit Theatre, founded by Mark Down and Nick Barnes, is reinventing puppetry for modern adult audiences and pioneering new methods of performing with puppets. Pushing the boundaries of puppetry in their own productions and in international collaborations, they have created puppetry for Anthony Minghella, Complicite, and Danny Boyle’s Olympic Opening Ceremony. Their work is inspired by Bunraku puppetry in which three puppeteers combine to operate one beautifully crafted puppet, communicating through finely detailed movement and gesture. The Table will be performed in the Upstairs Theater at Chicago Shakespeare from October 16-27th, 2013.

COURT THEATRE
The Chicago premiere
The Mountaintop
By Katori Hall
Directed by Ron OJ Parson
Featuring David Alan Anderson (Dr. Martin Luther King, Jr.) and Lisa Beasley (Camae)
September 5 - October 6, 2013
Location:          Court Theatre, 5535 S. Ellis Ave. in Chicago
Tickets:            $35-$45 previews, $45-$65 regular run
Box Office:       5535 S. Ellis Avenue, Chicago; (773) 753-4472 or online www.CourtTheatre.org

Winner of the Laurence Olivier Award for Best New Play
On the eve of his assassination, a weary Dr. Martin Luther King Jr. returns to his lonely hotel room in Memphis. Restless, he begins to work on his next speech when he’s suddenly interrupted by the arrival of a young hotel maid named Camae. The two strike up an unlikely conversation and as the hour grows late and Dr. King’s fate presses closer, Camae reveals that she is more than she appears. The Mountaintop offers a beautiful and powerful meditation on mortality, destiny, and the liminal space where the material meets the divine. Resident Artist Ron OJ Parson will direct this revelatory new portrayal of Dr. King.

An Iliad                                                                                               
By Lisa Peterson and Denis O’Hare
Directed by Charles Newell
November 13 - December 8, 2013
Featuring Timothy Edward Kane
Location:          Court Theatre, 5535 S. Ellis Ave. in Chicago
Tickets:            $35-$45 previews, $45-$65 regular run
Box Office:       5535 S. Ellis Avenue, Chicago; (773) 753-4472 or online www.CourtTheatre.org

Winner of an OBIE Award and the Joseph Jefferson Award for Best Solo Performance
Timothy Edward Kane returns to reprise his jaw-dropping, award-winning performance in this highly anticipated revival of Artistic Director Charles Newell’s critically acclaimed 2011 production. A one-man adaptation of Homer’s Iliad created by Lisa Peterson and Denis O’Hare (TV’s True Blood), An Iliad returns Homer’s epic poem to the voice of the lone poet as he recounts a story of human loss and folly that echoes across three millennia of war and bloodshed. An Iliad will once again illuminate this ancient classic by taking a harrowing look at the human cost of war.

LOOKINGGLASS THEATRE
World Premiere                                                                                 
The North China Lover
Adapted and Directed by Ensemble Member Heidi Stillman
Based on the novel by Marguerite Duras
Featuring Ensemble member Tracy Walsh, Walter Owen Briggs, Amy J. Carle, Tim Chiou, Deanna Dunagan, Rae Gray, JJ Phillips and Allison Torem
October 6 – November 10, 2013
Previews: September 25 – October 4, 2013

Location:          Lookingglass Theatre Company, located inside Chicago's historic
Water Tower Water Works, 821 N. Michigan Ave. at Pearson.  
Prices:             $28-$70
Box Office:       located at Water Tower Water Works, 821 N. Michigan Ave.

You never forget your first lover. The affair plays like a moving picture over and over in your mind: passionate, consuming, secret, taboo.

Fade in: the seamy French Quarter of Southern Indochina in the 1930s where the 14-year-old impoverished schoolgirl who will someday be French novelist Marguerite Duras is about to meet and captivate a wealthy 27-year-old Chinese aristocrat.

With the older Duras as our guide, The North China Lover transports us on a provocative and haunting journey of awakening and sacrifice, revealing the delicate and indelible effect of life on art.

MILLION DOLLAR QUARTET                                        
Book by Floyd Mutrux and Colin Escott
Directed by Eric Schaeffer and Floyd Mutrux
Location:          Apollo Theater, 2540 N. Lincoln Ave in Chicago 
Tickets:            $25 - $85
via the Apollo Theater box office, 2540 N. Lincoln Ave in Chicago,
by calling (773) 935-6100 or through Ticketmaster
Website:           Milliondollarquartetlive.com
Tickets on sale through January 5, 2014

On December 4, 1956, an auspicious twist of fate brought Johnny Cash, Jerry Lee Lewis, Carl Perkins and Elvis Presley together. The place was Sun Records’ storefront studio in Memphis.  The man who made it happen was Sam Phillips, the “Father of Rock ’n’ Roll,” who discovered them all. The four legends-to-be united for the only time in their careers for an impromptu recording that has come to be known as one of the greatest rock jam sessions of all time. 

Featuring a treasure trove of the greatest rock ’n’ roll, gospel, R&B and country hits from these music legends, including “Blue Suede Shoes,” “Fever,” “Sixteen Tons,” “Who Do You Love?,” “Great Balls of Fire,” “Ghost Riders,” and “Whole Lotta’ Shakin’ Goin’ On,” Million Dollar Quartet captures the infectious spirit, freewheeling excitement and thrilling sounds of a singular moment when four of the music industry’s most extraordinary talents, all in their creative prime, came together for one of the most memorable nights in music history. 



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We'll also be reviewing at The Goodman & Steppenwolf again this season.


NORTHLIGHT THEATRE
4000 Miles                                                                                           
By Amy Herzog
Directed by Kimberly Senior
Featuring Emjoy Gavino (Amanda/Lily), Caroline Neff (Bec), Josh Salt (Leo Joseph-Connell) and Mary Ann Thebus (Vera Joseph)
September 13 – October 20, 2013
Location:          Northlight Theatre, 9501 Skokie Blvd, Skokie
Tickets:            $25-$72
Tickets for those 25 and under are $15, any performance, (subject to availability)
Box Office:       9501 Skokie Blvd, Skokie; 847.673.6300; northlight.org

At the end of an arduous cross-country bike trip, a rudderless 21 year-old seeks refuge in his elderly grandmother’s West Village apartment.  These two outsiders face ideological differences, but ultimately find their way together in “a beautifully rendered portrait” (The New York Times) of a cross-generational relationship.

4000 Miles was a Pulitzer Prize Finalist; Time Magazine's #1 Play of 2012; the winner of the Obie Award, Best New Play (2012); and received The New York Times Outstanding Playwright Award (2012).

Detroit '67
By Dominique Morisseau
Directed by Ron OJ Parson
Featuring Tyla Abercrumbie (Chelle), Cassandra Bissell (Caroline), Kamal Angelo Bolden (Lank), Coco Elysses (Bunny) and Kelvin Roston, Jr. (Sly)
November 8 – December 15, 2013
Location:          Northlight Theatre, 9501 Skokie Blvd, Skokie
Tickets:            $25-$72
Tickets for those 25 and under are $15, any performance, (subject to availability)
Box Office:       9501 Skokie Blvd, Skokie; 847.673.6300; northlight.org

It’s 1967 and the world is changing around Chelle and Lank, who run an after-hours club in the basement of their late parents’ house.  Tensions mount when the siblings discover that their dreams have diverged, their tight-knit community is threatened by the arrival of an outsider, and the city around them erupts in violence. The music of Motown fuels this riveting new play set in America’s Motor City.

The Northlight production marks the Midwest premiere of Detroit ’67, which recently completed an acclaimed run in New York with the Public Theatre in conjunction with the Classical Theatre of Harlem and the National Black Theatre. Ron OJ Parson will make his Northlight directing debut with this powerful and Motown-infused production.

PROFILES THEATRE


Midwest Premiere
In God’s Hat
By Rhett Rossi
Directed by Artistic Director Joe Jahraus
Featuring Co-Artistic Director Darrell W. Cox as Roy, Larry Neumann, Jr. as Mitch with John Victor Allen and Bruce Cronander.
August 29 - October 13, 2013
Previews: August 23 - 28, 2013
Location:          Profiles Theatre, The Main Stage, 4139 N. Broadway
Tickets:            $20 previews, $30 - $40 regular run
Box Office:       www.profilestheatre.org or (773) 549-1815

In God's Hat examines the extremes of humanity and the love of family as well the contempt for it. For nearly a decade, estranged brothers Roy and Mitch found themselves kept apart by prison bars and a nefarious history. On the day of Mitch's release, he is shocked to see Roy waiting for him, unsure of his intentions. Together they travel down a desolate road stopping at the only lodging around - a fleabag motel where confrontation and tension manifest themselves through darkly comical situations. In the end, the brothers must confront both the past and present as some secrets are revealed and new ones must be kept.

Produced off-Broadway by the Apothecary Theatre Company, Rhett Rossi’s critically acclaimed play In God’s Hat premiere in July 2010. His other plays include the one-man show Burnt, first performed by the Present Company Theatorium and From Red to Black, runner up for the Laurents/Hatcher Prize, which received a reading at South Coast Rep. Rossi currently lives in Brooklyn and recently developed a pilot for HBO about minor league hockey.

Midwest Premiere
Wrecks
By Resident Artist Neil LaBute
Directed by Guest Artist Jason Gerace
September 26 – November 17, 2013
Previews: September 27 – October 2, 2013
Location:          Profiles Theatre, The Alley Stage, 4147 N. Broadway
Tickets:            $20 previews, $30 - $40 regular run
Box Office:       www.profilestheatre.org or (773) 549-1815

Edward Carr, an ordinary man, an adoring father of four and a successful business owner, sees his world shattered by the death of his beloved wife JoJo. Through his grief, he picks through his past, piecing together the story of his life, like the wrecks of the cars he so lovingly restores. In this fiercely passionate, unflinching and concise powerhouse of a play, LaBute explores the boundaries of love, and the extent of what society accepts as opposed to what the heart desires.

Commissioned and produced by the Everyman Palace Theatre in Cork, Ireland as part of the city's Capital of Culture program, Wrecks premiered in 2005. In 2006, it received its American debut at the Public Theatre in New York, followed by an extended run. Both productions, directed by Neil LaBute, starred Ed Harris as Edward Carr.


Return of the Seasonal Favorite
Hellcab                                                                                                 
By Will Kern
Directed by Artistic Director Darrell W. Cox
November 14 – January 12, 2014
Previews: November 8 - 13, 2013
Location:          Profiles Theatre, The Main Stage, 4139 N. Broadway
Tickets:            $20 previews, $30 - $40 regular run
Box Office:       www.profilestheatre.org or (773) 549-1815

Presented last season for its 20th Anniversary, Profiles remounts their acclaimed production for the holidays. Hellcab portrays the story of a cab driver during the longest night of his life as he transports a bizarre and mysterious array of customers through the gritty streets of Chicago. Playwright Will Kern draws from personal experience as a former cab driver to create this alternately frightening, hilarious and poignant journey. Throughout his long shift, the eclectic collection of passengers includes a trio of drug-addicts, a born-again couple, a smug lawyer, and a randy duo on their way to a motel. Set during a bitter cold Christmas Eve, Hellcab presents a rear-view image mirroring the passing parade of humanity.

First produced as a late-night show by Famous Door Theatre in 1992, the play, originally scheduled for twelve performances, ended up running for over nine years, becoming one of the longest running shows in Chicago theatre history. Hellcab, performed all over the U.S. and abroad, including Scotland, Israel, Singapore, and Ireland, won numerous awards, including a Fringe First at the Edinburgh Festival and later adapted for the screen by Kern in 1998.


VICTORY GARDENS THEATER
The Co-World Premiere of
Appropriate
By Branden Jacobs-Jenkins
Directed by Gary Griffin
In association with Actors Theater of Louisville
Featuring Cheryl Graeff, Leah Karpel, Kirsten Fitzgerald, Keith Kupferer and Stef Tovar
November 8-December 8, 2013
Opening: Friday, November 15, 2013 at 7:30 p.m.
Location:              2433 N Lincoln Avenue, in the heart of Chicago’s Lincoln Park neighborhood
Tickets:                 $20 - $40 previews, $20 - $50 regular run
Box Office:            2433 N. Lincoln Avenue, Chicago, 773.871.3000, victorygardens.org

When the Lafayettes descend upon a crumbling Arkansan plantation to liquidate their dead patriarch's estate, his three adult children collide over clutter, debt, and a contentious family history. But after a disturbing discovery surfaces among their father's possessions, the reunion takes a turn for the explosive, unleashing a series of crackling surprises and confrontations. Acclaimed director Gary Griffin (Chicago Shakespeare Theater's Sunday in the Park with George and Follies) directs a potent and exciting play about the trouble with inheritance, memory loss, and the art of repression.  Appropriate was developed and workshopped through Victory Gardens' IGNITION New Play Festival in 2012. 

Appropriate was developed, in part, at Vineyard Arts Project, Ashley Melone, Founder and Artistic Director; the 2012 Sundance Institute Theatre LAB at the Sundance Resort; and Victory Gardens Theater, Chicago, Illinois, Chay Yew, Artistic Director, as part of IGNITION 2012.


WRITERS THEATRE
The Midwest Premiere of                                                          
THE OLD MAN AND THE OLD MOON
A New Play with Music
By PigPen Theatre Co.
Directed by Associate Artistic Director Stuart Carden and PigPen Theatre Co.
Featuring PigPen Theatre Co. - Alex Falberg, Ben Ferguson, Curtis Gillen, Ryan Melia, Matt Nuernberger, Arya Shahi and Dan Weschler.
September 3 – November 10, 2013
Location:          Writers’ Theatre, 325 Tudor Court, Glencoe
Tickets:            $35 - $75          
Box Office:       376 Park Avenue, Glencoe; 847-242-6000 or online at www.writerstheatre.org.

The Old Man and the Old Moon creates an epic new mythology, centered on a man whose job is to collect spilled light to refill the leaking moon.  When his wife unexpectedly leaves home in pursuit of much-needed adventure, he abandons his post to follow her, throwing the world into chaos as he searches for his lost love, his fading memory and, ultimately, himself.

A blend of resonant storytelling, spirited indie-folk music and inventive puppetry creates a theatrical experience that will win audiences over with its wit, style and depth of emotion.

Writers’ Theatre is thrilled to collaborate with the young men of PigPen Theatre Co., who bring the story of The Old Man and the Old Moon to such brilliant, vibrant life that its New York production earned a coveted spot on multiple “Best of the Year” lists.

The Old Man and The Old Moon premiered in New York City, at the Gym at Judson and was produced by: Britt Lafield/BKL Productions, SoHo Playhouse, Inc., Aaron Glick, Ronnie Planalp/Deborah Taylor, and The PigPen Company.

The Midwest Premiere of
PORT AUTHORITY
By Conor McPherson
Directed by William Brown
Featuring Patrick Clear (Joe), Rob Fenton (Kevin) and John Hoogenakker (Dermot)
October 29, 2013 – February 16, 2014
Location:          Books on Vernon, 664 Vernon Avenue, Glencoe
Tickets:            $35 - $70          
Box Office:       376 Park Avenue, Glencoe; 847-242-6000 or online at www.writerstheatre.org.

Featuring Patrick Clear (Joe), Rob Fenton (Kevin) and John Hoogenakker (Dermot)

Acclaimed playwright Conor McPherson (The Seafarer, Shining City, Dublin Carol) crafts a series of interconnected monologues that explore the heart and soul of three generations of Irishmen.

A young man escapes his parents’ house to share digs with two alcohol-soaked friends and a mesmerizing young woman; a middle-aged laborer lands a dream job that he’s not remotely qualified for; and a widower receives a mysterious package that touches a hidden part of his memory. 

The lightly interlocking stories of these three men at three different stages of life weave together a tale that is both spirited and moving in its portrait of ordinary lives.

Directed by Writers’ Theatre favorite William Brown (The Liar, A Little Night Music, Heartbreak House), Port Authority revels in the rough lyricism of McPherson’s language and the poignancy of these stories of lost love, big dreams and the consequences of even our smallest choices.



Check back early and often for the latest on our favs at The House Theatre and Hypocrites.


Monday, May 13, 2013

ACT OUT OPENING: SPEECH & DEBATE AT ATC




AMERICAN THEATER COMPANY CONCLUDES 2012-2013 SEASON 
WITH THE REPRISE OF
SPEECH & DEBATE
Written by Stephen Karam
Directed by Artistic Director PJ Paparelli

Oregon. 2007. In the midst of controversy and scandal three misfit teens form their high school's first debate club. This hilarious and touching comedy walks the fine line between adolescence and adulthood. ATC Artistic Director PJ Paparelli remounts his 2008 critically-acclaimed production, written by columbinus co-author and 2012 Pulitzer Prize finalist Stephen Karam.

American Theater Company concludes 2012-2013 Season with a revised remount of Speech & Debate, written by Stephen Karam, and directed by Artistic Director PJ Paparelli.  Speech & Debate will run May 10 – June 23, 2013, at American Theater Company, 1909 W Byron St, Chicago, IL.  

Speech & Debate is a quick-witted and timely comedy that tells the story of three misfits who team up to expose their teacher's online secrets while forming their high school's first Speech and Debate club.  With a searing script by columbinus co-writer Stephen Karam, Artistic Director PJ Paparelli remounts this hysterical yet touching tale of three teens' quest for fame and free speech.  Under newly-appointed Artistic Director PJ Paparelli’s direction, Speech & Debate made its Chicago Premiere at ATC in 2008 to critical and popular success, garnering 3 Jeff Award nominations for Best Mid-Size Play, Best Director, and Best Actress for Sadieh Rifai’s portrayal of Diwata. 

This production replaces the previously announced restored & revised Hair, which has been moved to Spring 2014.

"Stephen Karam’s Speech & Debate was my first show in Chicago and the first time I worked with Ensemble member Sadieh Rifai – and there are not two funnier artists to collaborate with then Stephen & Sadieh,” Says Paparelli.  “It is a unique theatrical experiment to produce this play right after our work together on columbinus.  Both of Karam’s plays are searches for identity-- one extreme tragedy, one extreme comedy-- but both speak directly to American adolescent experience."

The production will feature original cast member Sadieh Rifai reprising her original role (Diwata), as well as Patrick Riley (Howie), Janet Ulrich Brooks (teacher/reporter), and Will Allan (Solomon) in their ATC debuts.  

The creative team of Speech & Debate includes William Boles (Set Designer), Sally Dolembo (Costume Designer), Jesse Klug (Lighting Designer), Scotty Iseri & Lindsay Jones (Original Sound Design)
Andrew Wheatley (Sound Designer), Rasean Davonte Johnson (Projection Design).  Deborah Chesterman is Stage Manager. 

Sadieh Rifai (Diwata) is an ensemble member at American Theater Company where she has performed in columbinus, The Catholic Rep: Doubt and Agnes of God, The Amish Project, The Original Grease, Welcome to Arroyo’s, Hedwig and the Angry Inch, Distracted, and Speech and Debate for which she won an After Dark Award for Outstanding Performance. 
Other credits include The Piano Teacher (Next Theater), Merchant of Venice (Silk Road Theatre), Ski Dubai (Steppenwolf Theatre First Look) and understanding the role of Johanna Monevata in August: Osage County (Steppenwolf Theatre). Sadieh is a graduate of The School at Steppenwolf.  Film credits include: the award winning The Wise Kids (New Fest, Out Fest and NYC LGBT Film Festival) and the feature film Nate and Margaret. She’s also a recurring character in the mockumentary Bad Sides, which was recently a finalist in the Chicago Comedy TV Pilot Competition. Sadieh was most recently awarded the Princess Grace Theater Award. 

Will Allan (Solomon) is making his American Theater Company debut with Speech & Debate. His recent Chicago credits include The Whale (Victory Gardens); Good People, The March, and A Separate Peace (Steppenwolf); The Seagull and Dartmoor Prison (Goodman); The History Boys (TimeLine Theatre - Jeff Award for Ensemble and Production); The Goat Or, Who Is Sylvia? (Remy Bumppo - Jeff Award for Production); and Romeo and Juliet and Much Ado About Nothing (First Folio). Will is an Associate Artist with TimeLine Theatre Company, a graduate of North Central College in Naperville, Illinois, and this fall, he will begin working toward his M.F.A. in Acting at the Yale School of Drama. 

William Patrick Riley (Howie) is very excited to be making his Chicago theatre debut at American Theater Company. Regional credits: The Tempest (Hartford Stage); Ah, Wilderness! (Arena Stage); Hoover Comes Alive! (La Jolla Playhouse); Measure for Measure (A Noise Within). Other credits include: The Tempest, Twelfth Night, As You Like It (Shakespeare Santa Cruz); The Seagull, Camino Real, The Misanthrope, As You Like It (UCSD). Recent TV credits include appearances on Chicago Fire, Torchwood, 90210 and the HULU series Pretty/Tough. He is the co-founder and former Artistic Director of Lonesome No More! Theatre in Los Angeles, where he most recently directed a highly acclaimed production of Spring Awakening. Education: MFA, University of California, San Diego. 

Janet Ulrich Brooks (reporter/teacher) was recently seen at Victory Gardens in Failure: A Love Story and Jacob & Jack. She is a TimeLine Company Member and has appeared there in more than 10 productions, most recently A Walk in the Woods and All My Sons. Other credits include South of Settling (Steppenwolf Theatre), Ten Chimneys (Northlight Theatre), The Original Grease (American Theater Co.), Pony (About Face Theatre), The Seagull and A True History of the Johnstown Flood (Goodman Theatre). Other Chicago credits include Golda’s Balcony (Pegasus Players, Non-Equity Jeff Award – Outstanding Solo Performance) and work with Strawdog Theatre, Steppenwolf for Young Adults, Writers' Theatre and Collaboraction. Janet's film credits include Fools, Conviction, Polish Bar, I Heart Shakey, and One Small Hitch, and her television credits include Boss, Underemployed, The Chicago Code and The Playboy Club.

Synopsis:
Speech & Debate is a quick-witted and timely comedy that tells the story of three misfits who team up to expose their teacher's online secrets while forming their high school's first Speech and Debate club.  With a searing script by columbinus co-writer Stephen Karam, Artistic Director PJ Paparelli remounts this hysterical yet touching tale of three teens' quest for fame and free speech.  Under newly-appointed Artistic Director PJ Paparelli’s direction, Speech & Debate made its Chicago Premiere at ATC in 2008 to critical and popular success, garnering 3 Jeff Award nominations for Best Mid-Size Play, Best Director, and Best Actress for Sadieh Rifai’s portrayal of Diwata. 


Title: Speech & Debate
Written by: Stephen Karam
Directed by: Artistic Director PJ Paparelli
Featuring: Sadieh Rifai, Will Allan, Patrick Riley, and Janet Ulrich Brooks  
Dates: May 10 – June 23, 2013 
Press Performance: Monday, May 13, 2013 at 7pm
Schedule:      Thursdays & Fridays: 8:00pm  
Saturdays: 2:00pm & 8:00pm
Sundays: 2:00pm
Location: American Theater Company, 1909 W Byron St., Chicago
Tickets: Previews: $33 
Regular run: Thurs, Sat matinees, Sun matinees $38
Fri & Sat evenings $43
Opening night including post-show reception $50
Box Office: The Box Office is located at 1909 W Byron St., Chicago; 
773.409.4125; www.atcweb.org

AMERICAN THEATER COMPANY
American Theater Company is an ensemble of artists committed to producing new and classic American stories that ask the question, “What does it mean to be an American?”  
American Theater Company is supported by a CityArts Program 2 Grant and a Cultural Outreach Program Grant from the City of Chicago Office of Tourism & Culture, Lloyd A. Fry Foundation, Illinois Arts Council, Pauls Foundation, Polk Bros. Foundation, The Shubert Foundation, and the generous support of Prince Charitable Trusts and Barbara Kipper.

Tuesday, January 8, 2013

ACT OUT OPENING: American Theater Company announces the world premiere of the revised version of columbinus



World premiere of the revised version of columbinus Opens at ATC
WRITTEN BY STEPHEN KARAM AND PJ PAPARELLI
DRAMATURGY BY PATRICIA HERSCH
CONCEIVED AND DIRECTED BY ARTISTIC DIRECTOR PJ PAPARELLI

American Theater Company announces the world premiere of the revised version of columbinus, written by Stephen Karam and PJ Paparelli, with dramaturgy by Patricia Hersch, and conceived and directed by Artistic Director PJ Paparelli.  The 2013 production will premiere material devised from recent interviews with survivors of the Columbine High School Shootings, families of victims and residents of Littleton, Colorado. The new material includes never-before-released information on the shooters and their families and first-hand accounts of both the Columbine and Aurora shootings.  

Columbinus will run February 1  – March 10, 2013, at American Theater Company, 1909 W Byron St, Chicago, IL. 

  • Co-writer Stephen Karam’s play Sons of the Prophet was a 2012 Pulitzer Prize finalist.


Littleton, Colorado. 1999.  Two teenagers devastate a community and shock the country when they walk into their suburban high school and kill twelve students and one teacher.  Based on interviews with teenagers across the country and survivors and community members in Littleton, this haunting drama takes a hard look at modern teenagers through the lens of the most infamous high school shooting in American history. 

  • PJ Paparelli returned to Littleton, Colorado earlier this year to conduct additions interviews with the families of victims.    Information was discussed openly for the first time, mainly due to previous restrictions as a result of court cases.  The new script contains new and revised scenes based on the interviews, and including current events.  


“Folks who didn’t want to talk before because of lawsuits or their healing process, have now all opened up,” said Paparelli about the recent interviews.  “I was shocked at what I heard and I am glad that theater will be the vehicle to get this information out to the world.”

Several survivors who are featured in the documentary play will travel to Chicago to work with the cast and attend Opening Night.

  • Victims’ families will be attending columbinus throughout the run.  Additional information will be available soon about post-show discussions in conjunction with visitors from Littleton.


Paparelli continues, “The events in Newtown have saddened and, frankly, angered our entire company as well as those survivors from Columbine with whom we have been working with so closely on this project.  While the nation mourns, a passionate dialogue has begun about the larger issues of gun control, mental health treatment, and ultimately, the unanswerable question of, “why?”.  Our interviewees in Colorado and our artistic team hope that columbinus will be forum for Chicagoans to further that dialogue, which is exactly why teenagers from Chicago Public School are at the center of that dialogue, as they work on the play in classrooms around the city.”

Over 1000 ninth grade students in Chicago Public Schools English classes will have a first-hand experience with columbinusThrough ATC’s American Mosaic program and in conjunction with the city-wide initiative to address violence in the schools, Now Is The Time, ATC teaching artists will collaborate with classroom teachers to lead students in a performance-based study of the play.  Through American Mosaic, ATC hopes to strengthen reading competency and comprehension, spark interest in reading and lead and inspire meaningful conversation about solutions to violence.


Schedule:         Thursdays & Fridays: 8:00 p.m .
Saturdays: 2:00 p.m. & 8:00 p.m.                     
Sundays: 2:00 p.m.      
                                                            
There will be an additional performance on Tuesday, February 5 at 7 p.m.

Location:                                  American Theater Company, 

                                                  1909 W Byron St., Chicago

Tickets:                      Previews: $33
Regular run: 
Thurs, Sat matinees, Sun matinees $38
Fri & Sat evenings $43

Opening night including post-show reception $50

*As part of Chicago Theater Week, a limited number of $15 tickets will be available for all performances February 14 – 17, 2013.

Box Office:                 The Box Office is located at 

                                      1909 W Byron St., Chicago

773.409.4125; www.atcweb.org

  • columbinus was a critical success when it premiered in 2005 in a co-production with Round House Theatre in DC and Perseverance Theater and then Off-Broadway at the New York Theatre Workshop in 2006. 



columbinus features Matt Bausone (Freak/Eric Harris), Rob Fenton (Prep), Eric Folks (Loner/Dylan Klebold), Leah Karpel (Faith), Aaron J. Nelson (Jock), Kelly O’Sullivan (Perfect), Tyler Ravelson (AP), andSadieh Rifai (Rebel).

The creative team for columbinus includes William Boles (Scenic Designer), Jesse Klug (Lighting Designer), Mac Vaughey (Associate Lighting Designer), Sally Dolembo (Costume Designer), Andre Pluess(Sound Designer) and Martin Desjardins (Original Sound Designer) and Mike Tutaj (Projection Designer).  Michael Leibenluft is the Assistant Director, Rick Combs is the Technical Director, G. Max Maxin IV is the Properties Master, and Katie Klemme is the Stage Manager. 

ABOUT THE ARTISTS

PJ PAPARELLI (Conceiver, Co-Writer, Director) is the author of Any Year is This Year a documentary play in partnership with Maria Irene Fornes (ATC’s Silver Project); Raven Odyssey (Perseverance Theater) a documentary style play on Alaska Native Raven stories; and columbinus (New York Theatre Workshop). columbinus was nominated for 2 Lucille Lortel Awards, 5 Helen Hayes Awards, and has had over 150 productions around the world.  He is in his sixth season as Artistic Director of American Theater Company where his directing credits include The Original Grease (2011 Jeff Award Best Musical), The Catholic Rep, The Amish Project, Escape, Distracted, Yeast Nation by the writers of Urinetown, Hedwig and the Angry Inch, True West (Caucasian & African American versions), and Speech & Debate (2008 Jeff Nomination Best Director). From 2004-2007 he was the Artistic Director of Perseverance Theater in Juneau, Alaska and from 1998-2004 he was the Associate Director of the Shakespeare Theatre Company in Washington, DC.  Regional directing credits include Romeo and Juliet (The Folger), a collaboration with Terrence McNally on a new version of Corpus Christi at Source Theatre (2003 GLAAD Media Award), Romeo and Juliet(Shakespeare Festival of St. Louis), Twelfth Night at Shakespeare Santa Cruz (2005 Newsweek’s Top Five summer productions), The Merchant of Venice (American Shakespeare Center), Action (Circle Rep) andTrue West in Russian at the Moscow Art Theatre School. PJ has directed and/or taught Shakespeare at The Juilliard School, Bread Loaf School of English at Middlebury College, North Carolina School of the Arts, University of Alaska-Southeast, UNC at Chapel Hill, Catholic U, U of Pennsylvania, and Johns Hopkins.  He holds a BFA in directing from Carnegie Mellon and graduate studies in acting at the Moscow Art Theatre School.  He was in residency last summer at The Orchard Project in NY, developing a documentary play on Chicago’s Public Housing.

STEPHEN KARAM (Co-Writer) is the author of Sons of the Prophet (2012 Pulitzer Prize Finalist and winner of the Drama Critics Circle, Outer Critics Circle & Lucille Lortel Awards for Best Play).  Other plays includeSpeech & Debate, the inaugural production of Roundabout Underground and the regional premiere at American Theater Company; columbinus (New York Theatre Workshop); Girl on Girl (Brown/Trinity Playwrights Rep); and Emma (a modern, musical version of Jane Austen’s novel), performed by students of the Professional Performing Arts High School in NYC in association with Waterwell.  He wrote the libretto for Dark Sisters, an original chamber opera with composer Nico Muhly (co-produced by Gotham Chamber Opera, MTG and Opera Company of Philadelphia). Stephen has been a guest teacher at Brown University, NYU, University of Scranton, The New School and is a 2012 writer-in-residence at the Fieldston School in NYC. A MacDowell Colony Fellow, Stephen grew up in Scranton, PA and is a graduate of Brown University.  He is the recipient of the inaugural Sam Norkin Off-Broadway Drama Desk Award and the Dramatists Guild’s Hull-Warriner Award for Sons of the Prophet.

PATRICIA HERSCH (Dramaturg) is the author of the critically acclaimed book A Tribe Apart: Journey into the Heart of American Adolescence. Considered the "first report from the home front" the year it was released, both Amazon.com and The Wall Street Journal named it one of the top 10 books in parenting, families and work. As lecturer, consultant, writer and youth advocate, she tours the country bridging the gap between adolescents and the adult world around them. Immediately following the Columbine shootings, she was called upon to address a special meeting of the COPS (Community Oriented Police in the Schools) program at the Department of Justice in Washington, D.C., and a Speak Out Forum for Youth convened by MTV and the National Association of Attorneys General and to keynote a conference of Educational Writers Association on Violence in the Schools. A former contributing editor to Psychology Today, she has been published in The Washington Post, USA Today, The Baltimore Sun and other newspapers and magazines. Her new book A Passion of Their Own: The Adolescent Quest for Connection will include some of her experiences working on columbinus.

MATT BAUSONE (Freak/Eric Harris) is making his American Theater Company debut in columbinus. He is a recent graduate of Illinois State University.

ROB FENTON (Prep) makes his second appearance with American Theater Company. Rob moved to Chicago to be in Timeline Theatre's production of The History Boys and was last seen with TheMASSIVE in their production of Macbeth. Rob is a founding ensemble member of The Alluvium Group. He has also worked with Dog and Pony, Griffin, Mary Arrchie, The Neo-Futurists, Sinnerman Ensemble, Signal Ensemble, and Steppenwolf Theatre companies.


ERIC FOLKS (Loner/Dylan Klebold) is a New York based actor where he is a company member at the Flea Theater. At the Flea he has appeared in the world premieres of JOB by Thomas Bradshaw, Just Cause by Zack Russel, and The Wundelsteipen and Other Difficult Roles for Young People by Nick Jones. He has also played a slew of roles in #serials@theflea, the Flea's raucous late-night episodic play competition. Other Credits: Almost, Maine (New London Barn Playhouse), Fiddler on the Roof (New London Barn Playhouse), and A Man of No Importance (Gallery Players, Brooklyn). Eric is a graduate of Otterbein University.

LEAH KARPEL (Faith) has appeared in Chicago in The Glass Menagerie, The Hot L Baltimore (Steppenwolf Theatre); We Are Proud to Present... (Victory Gardens Theatre); Punk Rock (Griffin Theatre); Neighborhood 3: Requisition Of Doom (Strawdog Theatre Company); and Feet Of Clay (Last Match Theatre).  Regional credits include Ten Chimneys (Milwaukee Rep); Half And Half (Penguin Rep); The Play About My Dad (CollaborationTown); and Evanston: A Rare Comedy (HERE Arts/PS 122).  She will be seen next in The Whale at Victory Gardens Theatre.  Leah received her BFA from Boston University and is a graduate of The School At Steppenwolf.

AARON J. NELSON (Jock) has worked with Disney, Estee Lauder, The Chicago Bulls, Six Flags, Profiles’ Theatre, and The World Literacy Crusade. He is also a songwriter and producer under his musical alias “Apollo.” Aaron received his Bachelors of Arts in Arts, Entertainment, and Media Management from Columbia College Chicago in 2012.

KELLY O’SULLIVAN (Perfect) has appeared in Hesperia (Writers Theatre), The Seagull (Goodman Theatre), Honest, Good Boys and True, The Crucible, and 100 Saints You Should Know (Steppenwolf Theatre),Freshly Fallen Snow (Chicago Dramatists), The Lieutenant of Inishmore (Northlight Theatre), Jon (Collaboraction Theatre), Boom (Next Theatre), The Dark at the Top of the Stairs (American Theater Company), The Glory of Living (Profiles Theatre), and Mr. Marmalade -Jeff Nomination Principal Actress in a Play (Dog & Pony Theatre), My Wonderful Day- Barrymore Nomination Outstanding Supporting Actress (The Wilma Theatre) and the Ojai Playwrights Conference.  Her film and TV credits include In Memoriam, Battleground, and The Mob Doctor.  Kelly is a graduate of Northwestern University and The School at Steppenwolf.

TYLER RAVELSON (AP) has previously appeared at American Theater Company in It’s A Wonderful Life: The Radio Play, The Original Grease (Jeff Award: Best Musical) and Rent, directed by David Cromer. Most recently, he was seen in the Goodman Theatre’s Sweet Bird of Youth, also directed by David Cromer. Other Chicago credits include The Nutcracker and Girls vs. Boys at The House Theatre, Talk Radio at State Theatre Chicago, and The Hundred Dresses at Chicago Children’s Theatre. Regional credits include Frank Galati’s production of Twelve Angry Men at The Maltz Jupiter Theater in Florida. A Massachusetts native, he is a 2009 BFA graduate of Roosevelt University’s Theatre Conservatory.

SADIEH RIFAI (Rebel) is an ensemble member at American Theater Company where she has performed in The Catholic Rep: Doubt and Agnes of God, The Amish Project, The Original Grease, Welcome to Arroyo’s, Hedwig and the Angry Inch, Distracted, and Speech and Debate for which she won an After Dark Award for Outstanding Performance. Other credits include The Piano Teacher (Next Theater), Merchant of Venice(Silk Road Theatre), Ski Dubai (Steppenwolf Theatre First Look) and understanding the role of Johanna Monevata in August: Osage County (Steppenwolf Theatre). Sadieh is a graduate of The School at Steppenwolf.  Film credits include: the award winning The Wise Kids (New Fest, Out Fest and NYC LGBT Film Festival) and the feature film Nate and Margaret. She’s also a recurring character in the mockumentary Bad Sides, which was recently a finalist in the Chicago Comedy TV Pilot Competition. Sadieh was most recently awarded the Princess Grace Theater Award.

AMERICAN THEATER COMPANY
American Theater Company is an ensemble of artists committed to producing new and classic American stories that ask the question, “What does it mean to be an American?” 

American Theater Company is supported by a CityArts Program 2 Grant from the City of Chicago Department of Cultural Affairs and Special Events; Illinois Arts Council, a state agency; Shubert Foundation; Lloyd A. Fry Foundation; Polk Bros. Foundation; Pauls Foundation; Elizabeth F. Cheney Foundation, and Prince Charitable Trusts.

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