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Tuesday, November 20, 2012

ACT OUT EXTENDED: The Opponent at Red Orchid




DUE TO POPULAR DEMAND, A RED ORCHID THEATRE EXTENDS THE OPPONENT NOW THRU DECEMBER 15 

A Red Orchid Theatre proudly announces new performance dates for the world premiere production of Ensemble Member Brett Neveu’s The Opponent, directed by fellow Ensemble Member Karen Kessler. Due to high ticket demand, the production is now extended through Saturday, December 15, 2012 at A Red Orchid Theatre, 1531 N. Wells. Tickets for the two-week extension are now on sale through the box office, (312) 943-8722 and www.aredorchidtheatre.org.

“We are thrilled that the first show of our 20th Anniversary Season warrants extending,” says Artistic Director Kirsten Fitzgerald.  “This is particularly rewarding as a world premiere work from Ensemble Member Brett Neveu, featuring our Founding Artistic Director and Ensemble Member Guy VanSwearingen.”

Accomplished playwright and Ensemble Member Brett Neveu takes a look at the hard world of boxing from the perspective of small time gym owner Tre and the young up-and-comer Donell. They come from different worlds, they barely understand each other, but in the ring anything is possible. Questions of loyalty and life’s dreams are put to the test in this explosive world premiere that promises to pull some punches and fearlessly land the others. The Opponent was originally developed through Center Theatre Group's Writers' Workshop.

The Opponent features A Red Orchid’s Founding Artistic Director and Ensemble Member Guy Van Swearingen with Kamal Angelo Bolden.
The creative team includes Joey Wade (Set Designer), Myron Elliott (Costume Designer), Mike Durst (Lighting Designer), Joe Court (Sound Designer), Toni Kendrick (Prop Designer), John Tovar (Fight Director), Al Ortiz (Boxing Trainer), Kate DeVore (Dialect Coach), Christa Van Baale (Stage Manager), Chelsea Mead Jackson (Assistant Director), and Rick Julien (Technical Director).

Title:                The Opponent
Written by:                    Brett Neveu
Directed by:      Karen Kessler
Dates:                Regular Run:              October 25 – December 2, 2012 (No performance November 22)

Extension:                    Through Saturday, December 15, 2012            

Schedule:         Thursdays:                   8:00 p.m.
                        Fridays:                        8:00 p.m.
                        Saturdays:                    8:00 p.m.         
Sundays:                      3:00 p.m.
Location:          A Red Orchid Theatre, 1531 N. Wells Ave.
Tickets:             $15 previews, $25-$30 regular run.  ($25 Thurs, $30 Fri-Sun)
Box Office:       Located at 1531 N. Wells Ave, Chicago, (312) 943-8722; or online www.aredorchidtheatre.org

About The Artists:

BRETT NEVEU (Playwright) is an Ensemble Member at A Red Orchid where his play Megacosm had its world premiere just last year. Other recent productions include4 Murders with SkyPilot Theatre and twentyone with The Side Project. Past work includes productions with The Royal Court Theatre, Writers’ Theatre, The House Theatre, The Inconvenience, The Goodman Theatre, The Royal Shakespeare Company, TimeLine Theatre Company, A Red Orchid Theatre and American Theatre Company. Brett is a 2012 Sundance Institute Ucross Fellow and the recipient of the Ofner Prize for New Work, the Emerging Artist Award from The League of Chicago Theatres, an After Dark Award for Outstanding Musical (Old Town with Strawdog Theatre Company) and has developed plays with companies including The New Group, The Goodman Theatre, Steppenwolf Theatre, Victory Gardens and Chicago Dramatists. Brett is a member of The Playwrights’ Union and an alumni member of the Center Theatre Group’s Playwrights’ Workshop as well as Chicago Dramatists. Brett has been commissioned by The Royal Court Theatre, Manhattan Theatre Club, Steppenwolf Theatre Company, The Goodman Theatre, TimeLine Theatre Company, Writers’ Theatre, Strawdog Theatre and has several of his plays published through Broadway Play Publishing, Dramatic Publishing and Nick Hern Books. Brett has taught at DePaul University, Second City Training Center and currently teaches at Northwestern University. His movie, Christmas Bytes, will begin production in 2013.

KAREN KESSLER (Director) is a member of the ensemble of A Red Orchid Theatre who just directed the critically acclaimed remount of Wrens by Anne McGravie for Rivendell Theatre Ensemble. Most recently for Red Orchid, Karen directed the Midwest premiere of Louis Slotin Sonata and previously directed the Midwest premiere of Pumpgirl by Irish playwright Abbie Spallen, the Chicago premiere of Sarah Kane’s Blasted; the US premiere of Gagarin’s Way by Gregory Burke (a play that won an After Dark award for Outstanding Ensemble) and the Midwest premiere of Mr. Kolpert by David Gieselmann. Other Chicago credits include: Collaboraction’s Sketchbook 2009 –Who Put the Dead Bird in My Mailbox? by Sarah Hammond; the US Premiere of Roddy Doyle’s War for Seanachai Theatre; A Going Concern, This Lime Tree Bower, Remembrance, A Mislaid Heaven, and the award winning Early and Often for Famous Door; the Midwest premiere of Sam Shepard’s The God of Hellat the Next Theatre; The Trestle at Pope Lick Creek, Hamlet and Cyrano de Bergerac for Rivendell Theatre; and the Midwest premiere of Steve Martin’s The Underpants for Noble Fool Productions. Credits outside of Chicago include: Glengarry Glen Ross for the Northern Stage Ensemble in Newcastle-upon-Tyne, England;Macbeth for the Notre Dame Shakespeare Festival; Measure for Measure for Connecticut Repertory Theatre; the world premiere of a new adaptation of The Three Musketeers, Scapin, Macbeth, A Midsummer Night’s Dream, The Taming of the Shrew, and All’s Well That Ends Well at the Illinois Shakespeare Festival; and The Merry Wives of Windsor and The Complete History of American (Abridged)for Idaho Repertory Theatre. Karen is an Associate Professor of Directing and Shakespeare at Ball State University in Indiana.

GUY VAN SWEARINGEN (Tre) is a founding Ensemble Member and former Artistic Director at A Red Orchid Theatre.  He was last seen at A Red Orchid in The New Electric Ballroom.  Other credits include The Time of Your Life (Steppenwolf, Seattle Rep, A.C.T.), Taking Care (Steppenwolf), Eleven Rooms of Proust (Lookingglass),Come Like Shadows (Plasticene), Cleansed (Defiant Theatre) and Beyond Mozambique (Mary-Arrchie).  Other A Red Orchid appearances include Blasted, The Seahorse, Bug, Gagarin Way, The Caine Mutiny Court-Martial, The Cut, Tis’ Pity She’s a Whore, The Questioning of Nick³, Victims of Duty, The Killer, Cops, The Removalists and The Connection.   Television credits include episodes of Chicago Fire, Underemployed, Detroit 1-8-7, The Beast, Gifted Hands: The Ben Carson Story, Early Edition and TURKS.   Film work includes: The Dilemma, Take Shelter, Janie Jones, Public Enemies, The Merry Gentleman, Mad Dog & Glory, The Negotiator, Ali, The Weatherman and Adam Rapp’s independent film Blackbird.

KAMAL ANGELO BOLDEN (Donell) makes his A Red Orchid Theatre debut with The Opponent.  Most recently he was seen at Court Theatre as Youngblood in August Wilson's Jitney, at the Goodman Theatre as Tony in Paul Oakley Stovall's Immediate Family, and as Black Man/Actor 2 in the world premiere of We Are Proud to Present... at Victory Gardens Theater.  Since leaving Nashville for Chicago three years ago, Kamal has originated the roles of Jackie Robinson in the Chicago Children's Theatre's world premiere of Jackie and Me, and Chad Deity in Victory Gardens Theatre's world premiere of The Elaborate Entrance of Chad Deity. He has also worked with Actors Theatre of Louisville (The Elaborate Entrance of Chad Deity) and won a Black Theatre Alliance Award for Best Leading Actor for his work in Athol Fugard’s The Island at Remy Bumppo Theatre.  Kamal has appeared in many independent films and national commercials, and has made guest appearances onBOSS, Lights Out, and The Row.  He holds a B.S. in Business Administration-Entrepreneurship from Bradley University and is a proud Artistic Associate of Erasing the Distance.

About A Red Orchid
Since 1993 A Red Orchid Theatre has been an artistic mainstay of the Chicago theatre community; known and praised for its powerful ensemble, creative design and its gripping, intimate productions.  The resident Ensemble maintains the conviction that passionately committed theatre will draw passionately committed audiences, and the 2012-2013 subscription season promises to bring Ensemble and audience even closer together.

A Red Orchid Theatre is: Lance Baker, Dado, Jennifer Engstrom, Kirsten Fitzgerald, Joseph Fosco, Steve Haggard, Mierka Girten, Larry Grimm, Karen Kawa, Karen Kessler, Danny McCarthy, Brett Neveu, Michael Shannon, Guy Van Swearingen, Doug Vickers, Natalie West and Craig Wright.

Monday, November 19, 2012

ONLY AVAILABLE UNTIL MIDNIGHT TONIGHT They Might Be Giants' BRAND NEW HOLIDAY BUNDLE


Less than 500 orders left!
Ships by December 3 in plenty of time for the holidays!

http://theymightbegiants.com/holiday2012/ 
Give it all as a generous gift--break it up--or just TREAT YOURSELF! 

We have made it our mission to make this year's Holiday Bundle the most awesome ever. Everything is brand new and only available here! From from a brand new TMBG DVD to a bundle exclusive NEVER to be repeated all available at for real FIFTY PERCENT SAVINGS this is a truly a special offer. That's right--it's easily $90 worth of new stuff bundled together at the insane price of $45 plus shipping. 

This is also the perfect gift--it looks extravagant and will arrive in time for Christmas with no fancy rush shipping. Treat yourself, or treat a friend, but TONIGHT IS IT. DON'T MISS OUT!



EVERY BRAND NEW HOLIDAY BUNDLE INCLUDES....

This pre-release exclusive--the brand new DVD compilation 

THEM AIN'T BIG EYE ANTS

This disc won't be available anywhere else online until December. The disc spotlights TMBG videos from 2001-2012. Award winning animations and future classic TMBG rock videos, including clips from Home Movies and Homestar Runner, and TUBTHUMPING!

Includes: When Will You Die?, The Mesopotamians, Tubthumping, Bastard Wants to Hit Me, Can't Keep Johnny Down (Fan Version), With the Dark, Electronic Istanbul, Alphabet of Nations, Damn Good Times, Anaheim, We Live In A Dump, Spoiler Alert, Cloisonné, I'm Impressed,
You Probably Get That a Lot, Experimental Film, Can't Keep Johnny Down, Shadow Government, Taste the Fame (from Home Movies), Asbury Park, Los Angeles, I'm All You Can Think About, Read a Book, 200 Sbemails.
Regular price: $20



EVERY BRAND NEW HOLIDAY BUNDLE INCLUDES....

For any TMBG fan, design fan, sci-fi fan or card player,
this custom deck of playing cards is a special event…

They Might Be Giants new 

PARANORMAL, MYTH, HOAX and LEGEND PLAYING CARDS

It's not exactly a secret They Might Be Giants LOVES playing cards. We have been thinking about a custom deck of card for YEARS and finally The Offices of Paul Sahre and illustrator Merman have made all our dreams come true. This deck of playing card is far beyond a generic deck with the words They Might Be Giants in Ariel plastered across the back. This deck is totally custom--and revolves around four brand new sets of face cards-- Paranormal, Myth, Hoax and Legend.



EVERY BRAND NEW HOLIDAY BUNDLE INCLUDES....

THE DRINKY CROW NEW YEAR'S T-SHIRT!

Everybody loves Drinky Crow. And everybody loves black t-shirts. Join Drinky in his race to his personal rock bottom! Available in S, M, L, XL, XXL, XXXL and women's S, M, L and XL



EVERY BRAND NEW HOLIDAY BUNDLE INCLUDES....

The brand new They Might Be Giants
STAINLESS TRAVEL MUG

We surveyed Facebook and Twitter followers and, by overwhelming demand, the idea of a proper travel mug came to be. This mug is ready for work, play and TRAVEL! It is deluxe stainless-steel with a stainless liner that will keep your coffee, tea or Isish coffee hot hot hot. It's simple but elegant swirling TMBG logo is a happy relief from it's uber-corporate coffee business alternatives.

 
 

EVERY BRAND NEW HOLIDAY BUNDLE INCLUDES.... THIS EXCLUSIVE
Reprints of 1980s TMBG SHOW FLIERS 
and first publicity photo from the mid-80s

These fifteen black and white 8 1/2" x 11" fly posters span the early performance years of the band from '85 to '90 when TMBG routinely bombed lower Manhattan's street lights with these scrappy pieces of folk art. Direct from Flansburgh's archives. The posters are enclosed in a manilla envelope designed by The Offices of Paul Sahre with a cardboard stiffener to safely make the trip via USPS. These reprints are a bundle exclusive, and while some remainders might be sold off at live shows, do not expect to see these again.

Also included is 8 x 10 glossy black and white photo reproduction of the bands very first promotion photo! Haunting!
THIS ITEM IS A BUNDLE EXCLUSIVE AND WILL NOT BE AVAILABLE AGAIN.

The BRAND NEW HOLIDAY BUNDLE ends tonight 
or when we reach 2500 orders (less than five hundred orders left!)
http://theymightbegiants.com/holiday2012/


Black Tusk Video Interview With ChiIL Live Shows and More #metal



ChiIL Mama caught up with self proclaimed "Swamp Metal" band, Black Tusk, for an interview in the basement of Reggie's Rock Club--Chicago 6/21/12.   They were on tour with Municipal Waste, and we'll have our original interview with Municipal Waste, along with our live show footage and stills, up in the very near future.








Check out our LIVE show photos from Black Tusk at Reggies Rock Club 6/2012 here.  Footage coming soon.











Check out our past Black Tusk show shots from their last two gigs at Ultra Lounge here.






Black Tusk just came back through town Saturday 11/17 and killed it at Subterranean, opening for another favorite of ours, Red Fang.   

Check back with ChiIL Live Shows like we vote in Chi, IL...early and often.   We'll have original stills and live show footage from Sub T up very soon.    It was a rager indeed!


Check out our video interview with Red Fang & original LIVE pit photos from their tour opening for Mastodon at The Riv 11-11-11 right here.





Red Fang Hank is Dead official video


Click here for official web sites:

Red Fang
Black Tusk
Municipal Waste

LEAGUE OF CHICAGO THEATRES LAUNCHES STOREFRONT PLAYWRIGHT PROJECT




Got the "Write Stuff"?   You could be a playwright under glass.   If you can't be one, see one in the first Storefront Playwright Project.   We've heard of loads of storefront theatres...but storefront playwrights are a new concept entirely.   Check out a work in progress as the solitary art of writing becomes a public display of art.

In the inaugural Storefront Playwright Project, the League of Chicago Theatres will provide window space at Expo 72 for emerging and established playwrights to work on a current writing project in view of the public in collaboration with the Department of Cultural Affairs and Special Events.  From a large screen in a window facing the sidewalk, the public will be able to read what the playwright is writing and watch the creation of the next great Chicago play in real time. The Storefront Playwright Project will take place at Expo72 located at 72 E. Randolph St. in downtown Chicago, December 4 – 22, 2012, Tuesdays through Saturdays, from 10 a.m. to 6 p.m.

The Storefront Playwright Project aims to support the playwriting community, increase awareness of emerging and established playwrights, and encourage audiences to engage more deeply with Chicago theatre and the creative process of writing a new play for the theatre. The League of Chicago Theatres will collect contact information from interested visitors who want updates on future developments of the playwrights’ work.

“We were invigorated by the success of Write Out Front: A Playwright Happening in New York and decided to sponsor a similar program in Chicago,” says Deb Clapp, Executive Director of The League of Chicago Theatres.  “Chicago is the home to more world premiere plays than any other city.  The Storefront Theatre Project gives us the opportunity to support our playwrights while giving visibility to playwrights, the art of playwriting and the active new play scene in Chicago.”   

Playwrights selected for the project will receive a stipend of $50 per day for a four hour time slot (10 a.m. – 2 p.m. or 2 p.m. – 6 p.m.) and will be promoted through on-site signage and social media, as well as on ChicagoPlays.com.  Participating playwrights already include Philip Dawkins, Sarah Gubbins, Ike Holter, RandallColburn, Elaine Romero, Doug Post, Reginald Edmund and Emilio Williams.  Interested playwrights should contact ben@chicagoplays.com for more information.

The League of Chicago Theatres’ Storefront Playwright Project is based upon Write Out Front: A Playwright Happening, created by playwright Micheline Auger.  Write Out Front was held at New York’s Drama Bookshop, from August 13 to September 1, 2012, and hosted 71 playwrights, over the three-week/142-hour period.

About Chicago theater
Chicago theater is the leader in the U.S. with more than 250 theaters throughout Chicagoland, comprising a rich and varied community ranging from storefront, non-union theaters to the most renowned resident theaters in the country, including 5 which have been honored with Regional Tony Awards, and the largest touring Broadway organization in the nation. Chicago’s theaters serve 5 million audience members annually and have a combined budget of more than $250 million. Chicago produces and/or presents more world premieres annually than any other city in the nation. In 2009-10 alone Chicago theater companies produced more than 130 world premiere productions and adaptations. Each year Chicago theaters send new work to resident theaters across the country, to Broadway, and around the world. 

About The League of Chicago Theatres
The League of Chicago Theatres is an alliance of theaters which leverages its collective strength to promote, support and advocate for Chicago's theater industry locally, nationally and internationally. The League of Chicago Theatres Foundation is dedicated to enhancing the art of theater in the Chicago area through audience development and support services for theaters and theater professionals.

About The Department of Cultural Affairs and Special Events
The Department of Cultural Affairs and Special Events (DCASE) is dedicated to supporting Chicago’s arts and culture community. This includes fostering the development of Chicago’s nonprofit arts sector, independent working artists and for-profit arts organizations demonstrating the City of Chicago’s commitment to celebrating the arts.

For a comprehensive list of Chicago productions, visit the League of Chicago website, www.chicagoplays.com.  Discounted tickets are available at www.hottix.org.

ACT OUT EXTENDED: The Odd Couple at Northlight



Due to overwhelming demand
Northlight Theatre adds a week of performances of
The Odd Couple

written by Neil Simon and directed by BJ Jones
featuring an all-Chicago cast of the City’s best comedic actors

Now running through December 16, 2012



Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, announces a one-week extension of Neil Simon’s The Odd Couple, featuring comic actors Tim Kazurinsky and Marc Grapey as the famously mismatched roommates.  The comedy, directed by Artistic Director BJ Jones will play at Northlight Theatre, 9501 Skokie Blvd in Skokie, through December 16, 2012.

When recently-failed marriages lead famously mismatched roommates Oscar and Felix into sharing an apartment, Felix’s finicky habits and Oscar’s slovenly ways make for a disastrous yet side-splittingly funny combination in this beloved comedy by Neil Simon.  The Chicago cast of comic actors includes Tim Kazurinsky (Felix), Marc Grapey (Oscar), Bruce Jarchow (Roy), Peter DeFaria (Murray the Cop), William Dick(Vinnie), Molly Glynn (Cecily), Katherine Keberlein (Gwen) and Phil Ridarelli (Speed)

“We are thrilled that tickets are in such high demand,” says BJ Jones.  “This is a distinguished ensemble of Chicago's great comedic actors giving such rich and colorful portrayals in Neil Simon’s finest and funniest script.  Audiences have been loving this show.”

Title:                      The Odd Couple
Written by:              Neil Simon
Directed by:            Artistic Director BJ Jones   
Featuring:                   Tim Kazurinsky, Marc Grapey, Bruce JarchowWilliam Dick, Molly GlynnPeter DeFariaKatherine Keberlein and Phil Ridarelli         
Dates:                         through December 16, 2012
          Schedule:                Tuesdays: 7:30pm (except November 27 and December 11)
Wednesdays: 1:00pm (except December 12), and 7:30pm (except November 21)
                                      Thursdays: 7:30pm (except November 22)
                                      Fridays: 8:00pm
                                      Saturdays: 2:30pm (except December 15), and 8:00pm
Sundays: 2:30pm, and 7:00pm (except November 18, December 9 and December 16).
Location:                     Northlight Theatre is located at the North Shore
                             Center for the Performing Arts, 9501 Skokie Blvd,
                             Skokie.
Tickets:                  $25-$72
                             Student tickets are $15, any performance,
(subject to availability)
Box Office:              The Box Office is located at 9501 Skokie Blvd, Skokie.
                                    847.673.6300; northlight.org

Northlight Theatre aspires to promote change of perspective and encourage compassion by exploring the depth of our humanity across a bold spectrum of theatrical experiences, reflecting our community to the world and the world to our community.

Now in its 38th season, the organization has mounted nearly 200 productions, including over 40 world premieres.  Northlight has earned 151 Joseph Jefferson Award nominations and 28 Awards.  As one of the area’s premier theatre companies, Northlight is a regional magnet for critical and professional acclaim, as well as talent of the highest quality.

The Exclusive Production Sponsor is BMO Harris Bank.

Northlight is supported in part by generous contributions from The Allyn Foundation; Arts Midwest; Blackman Kallick Bartelstein, LLP; BMO Harris Bank; Draft FCB; the Elizabeth F. Cheney Foundation; ComEd, An Exelon Company; Edgerton Foundation for New American Plays Award; Ernst & Young; Evanston Community Foundation; Gand Music & Sound; The Homestead Hotel; Illinois Arts Council, a state agency; The Irving Harris Foundation; The Joyce Foundation; Kirkland & Ellis Foundation; The John D. and Catherine T. MacArthur Foundation; Madison Dearborn Partners; Melvoin Award for Playwriting; Modestus Bauer Foundation; North Shore Center for the Performing Arts Foundation; Nuveen Investments; The Offield Family Foundation; The Pauls Foundation; Pioneer Press; Quince at the Homestead; Daniel F. and Ada L. Rice Foundation; Room & Board; Sanborn Family Foundation; Shubert Foundation; Skokie Fine Arts Council; Sullivan Family Foundation; Target; and Tom Stringer Design Partners.

Title:                      The Odd Couple
Written by:              Neil Simon
Directed by:            Artistic Director BJ Jones   
Featuring:                   Tim Kazurinsky, Marc Grapey, Bruce JarchowWilliam Dick, Molly GlynnPeter DeFariaKatherine Keberlein and Phil Ridarelli         
                    
         
                                                Regular run: November 10 – December 9, 2012
          Schedule:                         Tuesdays: 7:30pm (except November 27 and December 11)
Wednesdays: 1:00pm (except December 12), and 7:30pm (except November 21)
                                      Thursdays: 7:30pm (except November 22)
                                      Fridays: 8:00pm
                                      Saturdays: 2:30pm (except December 15), and 8:00pm
Sundays: 2:30pm, and 7:00pm (except November 18, December 9 and December 16).
Location:                     Northlight Theatre is located at the North Shore
                             Center for the Performing Arts, 9501 Skokie Blvd,
                             Skokie.
Tickets:                  $25-$72
                             Student tickets are $15, any performance,
(subject to availability)
Box Office:              The Box Office is located at 9501 Skokie Blvd, Skokie.
                                    847.673.6300; northlight.org

CHI, IL Live Shows On Our Radar: 3 Multicultural Favs




Sones de México Ensemble, 13 B'ak'tun (all ages)


Tour Appearance
12/01/2012, Sat 
Chicago, IL 


1328 W. Morse Ave. 
Show: 7:00 pm & 10:00 pm 

Advance General Admission = $20 Day of Show General Admission = $25 VIP guaranteed seat = $35 

Under 18 = $15 Groups of 10 or more = $15 per person Boxoffice: (773) 381-4551 or maynestage.com $5 valet parking available. 

Ask about dinner packages.

It’s not the end of the world, but a turn of the wheel. December 21, 2012 marks the beginning of a new era according to the Mayan calendar, that mathematically elegant achievement that has been misread by doomsayers worldwide, and means the end of one of the cycles of the Mayan calendar, the b’ak’tun (approximately 394 solar years).



Henry Cole & the Afro-Beat Collective, Roots Before Branches (18+)

Tour Appearance
12/13/2012, Thu 
Chicago, IL 


1328 W. Morse Avenue 
Tix: $25-$15, Doors Open: 6:30 pm, Show: 8:00 pm 
Ph: 773.381.4554  

Quicksilver Puerto Rican drummer Henry Cole knows how Wayne Shorter might have jammed with Fela Kuti. Or what Miles would have done if only he’d gone Afro-Caribbean with his rock-jazz hybrids. He hears how jazz can grab the rootsy sounds of bomba, plena, and Cuban rumba, and sparkle with electro sheen and rock energy.






Kodo 2013:  One Earth Tour

The Delicate, Powerful Breath of the Past:  Living Legend Tamasaburo Bando Leads Kodo, Finds Inspiration on Japan’s Sado Island

Tour Appearance
02/13/2013, Wed 
Chicago, IL (all ages)


220 South Michigan Avenue 
Show: 7:30 PM 
Ph: 312.294.3000 Single Tickets on sale Friday August 10, 2012.


The visceral intensity, the athleticism, of taiko drumming in the hands of a master group like Japan’s Kodo may feel like the polar opposite of kabuki theater’s controlled, nuanced performances. Yet when Kodo announced it had found a new Artistic Director in kabuki icon Tamasaburo Bando—often referred to simply as “Tamasaburo”—it made perfect sense.

They both draw on the deep well of traditional Japanese culture, rooted in a long lineage and sense of place that bring unflagging precision and profound personal commitment to their work. It runs through the explosive power of a giant booming drum stroke and through the most delicate of hand motions, though the harvest celebrations and demon dances to the most refined and urbane stages.

Now their joint labors are coming to America in early 2013, with a tour that will feature several re-envisioned and new pieces guided by Tamasaburo’s distinct aesthetic and deep experience.

Tamasaburo, known for his stunning, subtle onnagata (female roles), grew up in a kabuki family, steeped in the art form’s complex movements, visual language, and painstaking stagecraft. A performer since his early teens, the actor rose to prominence, winning a worshipful following worthy of a Hollywood star. He wowed arthouse fans by performing in films by revered European directors such as Andrzej Wajda. He was recently declared a Living National Treasure, one of the highest honors bestowed on prominent Japanese citizens.

Yet the master performer decided to devote himself to an artistic venture located in one of the remotest places in Japan—Sado, an island the size of Okinawa off Japan’s northwest coast—to work with the world’s preeminent drumming ensembles, Kodo.

“I have been visiting Sado Island regularly for the past ten years to work with Kodo, directing the performances, as well as appearing on stage alongside the ensemble,” Tamasaburo reflected in a recent statement about his work with Kodo. “Through my involvement with these productions, I realized the importance of confining yourself to one specific place to train. Getting away from the city where you are surrounded by technology, you face yourself, come face to face with your purest form. In the natural surroundings of Sado, you can experience a rare opportunity to get back in touch with your own soul and can even sometimes feel the concealed breath of ancient times on your own skin.”

Tamasaburo and Kodo have felt this breath on Sado. The island saw an influx of new inhabitants when gold was discovered during the Edo period, as well as several centuries of artists and intellectuals in exile, extraordinary men banished by Japan’s rulers for political reasons. “Many cultures in turn came to Sado on thousands of ships from all over Japan. That made the island’s culture very complex and interesting,” notes Kodo member Jun Akimoto, who has worked with the group for over a decade.

Though intimately tied to the cultural developments on the rest of Japan, remote Sado has retained an astounding level of traditional culture, roots that express themselves in everyday moments. Across the island, for example, foodways long forgotten elsewhere on Japan still thrive, from tiny home noodle parlors to the freshest of sushi. Prized sake is brewed from hand-planted and –harvested rice—agricultural practices learned by every Kodo apprentice to deepen their understanding of traditional culture.

On this unique foundation, Sado Island became a haven for artists seeking a different, more communal approach to creativity and tradition in the mid-20th century. Growing from a dedicated community of seekers, Kodo has developed its own way of life, trained hundreds of apprentices, built a remarkable arts village. In Kodo Village, not only do musicians gain intense discipline, commitment, and an enviable skill set; they also work in the fields, perfect their practice of the traditional tea ceremony, or help build sustainable and sleek furniture in the village’s workshop.

This organic totality of artistic vision attracted Tamasaburo, who happily set aside urban life for the quiet, almost magical remoteness of Kodo Village. The seasoned artist has grasped his new role as an opportunity to challenge himself, Kodo’s performers, and his audiences more deeply. Tamasaburo envisions Sado’s isolation as a way to connect with some of the performing arts’ most vital currents.

“Human beings cannot exist without nature,” he reflects. “That is why we use the arts to communicate nature, and it is only when we become free from impeding thoughts that we can become one with it. Facing the taiko, having acquired sufficient technique and control, players can forget their body, awareness, desires, hopes, and egos the moment they reach that state of oneness, and everyone who is present will share that indescribable sense of transcendence.”


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