OPENING: Miss Holmes Returns at Lifeline Theatre August 26–October 16th, 2022

 ChiIL Live Shows On Our Radar

Lifeline Theatre Kicks Off 40th Anniversary Season with

Highly Anticipated 

Miss Holmes Returns

Performances with Open Captioning on September 17 and October 7

Performance with Touch Tour and Audio Description on October 2

The production runs approximately 2 hours with an intermission. The novel will be on sale in the lobby. 

Attached image caption: (L to R): Katie McLean Hainsworth as Sherlock Holmes and Mandy Walsh as Dr. Dorothy Watson; in Lifeline Theatre’s “Miss Holmes Returns.” Photography by Suzanne Plunkett

Lifeline Theatre presents Miss Holmes Returns, written by ensemble member Christopher M. Walsh and directed by Lifeline ensemble member Elise Kauzlaric.  Ensemble member Christopher M. Walsh, adaptor of 2016’s Miss Holmes, teams up with ensemble member Elise Kauzlaric (Northanger Abbey [2017 Non-Equity Jeff Award: New Work-Musical], Emma, A Wrinkle in Time) in a return to the Holmes universe with the next iteration of his invigorating update to one of literature’s favorite detectives.  Miss Sherlock Holmes and Dr. Dorothy Watson are back on the case! After a string of successes in assisting Scotland Yard, a seemingly clear-cut murder case finds itself at the detective’s feet. The powers that be know for certain the murderer was a young woman of immigrant heritage, but Holmes and Watson aren’t as sure. Can they find the truth before the authorities catch and convict their suspect? The game is afoot in this provocative Midwest premiere sequel to the hit play Miss Holmes, based on familiar characters from the works of Sir Arthur Conan Doyle. I'll be out for the press opening on September 4th, so check back shortly after for my full review.

Miss Holmes Returns runs August 26–October 16 at Lifeline Theatre, 6912 N. Glenwood Ave. (free parking and shuttle; see below.) Opening night is Tuesday, Sept. 6 at 7:30 p.m. (Previews are Fridays, Aug. 26 and Sept. 2 at 7:30 p.m.; Saturdays, Aug. 27 and Sept. 3 at 7:30 p.m.; and Sunday, Aug.28 at 2:30 p.m.).  Regular performance times (September 9 – October 16) are Fridays at 7:30 p.m., Saturdays at 2:30 and 7:30 p.m., and Sundays at 2:30 p.m.

Ticket prices are $45 for regular single tickets, $25 for previews, $35 for seniors and active/retired military personnel (with ID), $15 for students (with ID), with group rates for 8 or more available upon request. Tickets may be purchased visiting www.lifelinetheatre.com or at the Lifeline Theatre Box Office, 773.761.4477. 

Accessible Performances: The Saturday, September 17, 2:30 p.m. performance and the Friday, October 7, 7:30 p.m. performances will feature open captioning for patrons who are deaf or hard-of-hearing. The Sunday, October 2, 2:30 p.m. performance will feature a pre-show touch tour of the set at 1:00 p.m. and live audio description for patrons who are blind or have low vision. For more information about Lifeline’s accessibility services, please contact our Accessibility Coordinator at 773.761.4477 x703 or at access@lifelinetheatre.com.

The complete cast and production team for Miss Holmes Returns includes:

CAST:  Lifeline ensemble members Katie McLean Hainsworth (Sherlock Holmes) & Chris Hainsworth (Mycroft Holmes/Dock Worker); with guest artists Linsey Falls (Inspector Geoffrey Lestrade), Tommy Malouf (Adam Worthington/Daniel Burke), Julie Partyka (Josephine Butler), Vinithra Rajagopalan (Priya Singh), Annie Slivinski (Mrs. Hudson/Mrs. Wiggins), Mandy Walsh (Dr. Dorothy Watson), & Hilary Williams (Olive McGann); with understudies Daniel Dauphin, Laura Fudacz, Alex Hultman, Jean Marie Koon, & Elise Soeder

PRODUCTION TEAM: Lifeline ensemble members Alan Donahue (Scenic & Properties Designer), Diane Fairchild (Lighting Designer), Elise Kauzlaric (Director & Dialect Coach), Maren Robinson (Dramaturg) & Christopher M. Walsh (Adaptor); with guest artists Amelia Ablan (Production Manager), Olivia Ash (Asst. Stage Manager/COVID Compliance Officer), Eric Backus (Sound Designer), Morgan Gire (Stage Manager), Christina Gorman (Violence Designer), Emily McConnell (Costume Designer), & Harrison Ornelas (Technical Director)

Celebrating its 40th season, Lifeline Theatre continues to explore, interpret, and reimagine books and other literary works to create stories that move us beyond the margins of our own lives. Lifeline Theatre – Big Stories, Up Close.

Lifeline Theatre’s programs are partially supported by The Bayless Family Foundation; Carol Oppenheim + Jerome Lamet Charitable Fund; Elizabeth F. Cheney Foundation; a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events; Gaylord and Dorothy Donnelley Foundation; Lloyd A. Fry Foundation; Illinois Arts Council Agency; MacArthur Fund for Arts and Culture at Prince; The Polk Bros. Foundation; Rogers Park Social; The Saints; S&C Electric Company Fund; The Shubert Foundation; and the annual support of businesses and individuals.

CABARET ZAZOU’s Premier Production Luminaire To Open September 7, 2022

ChiIL Live Shows On Our Radar

CABARET ZAZOU’S INAUGURAL PRODUCTION

LUMINAIRE 

NEW VARIETY SHOW FROM THE PRODUCERS OF SMASH HIT TEATRO ZINZANNI 

TO MAKE WORLDWIDE DEBUT IN CHICAGO’S THEATRE DISTRICT THIS FALL

Directed By Prolific Choreographer Dreya Weber

Featuring Acclaimed Chicago Favorite Performers Frank Ferrante and Liv Warfield, 

Luminaire to Premiere September 7 at Cabaret ZaZou on Randolph

Here at ChiIL Live Shows, we're elated to hear that our friend and favorite MC, Frank Ferrante, will once again be gracing the Spiegeltent in Chicago's Cambria Hotel for a brand new show! We loved Teatro ZinZanni and were lucky to get to review both the original opening and the fabulous post-pandemic remount. The food is fantastic, and having an antique tent indoors makes for a truly magical setting for a world class show. This is not your parents' stodgy dinner theatre fare. My son and daughter studied circus arts from the age of 9, and as a family, we've covered the top touring circus acts in the world from 2008 to the present. Although we're losing some favorite Chicago natives in the new lineup, like Duo Rose Trapeze and Bethany Thomas as Madame Z, I'm eager to see this worldwide debut and I'm sure the acts will be breathtaking.

Randolph Entertainment LLC, producer of the fan favorite Teatro ZinZanni Chicago, announced CABARET ZAZOU’s premier production, Luminaire will open on September 7, 2022. The new, groundbreaking, immersive variety dinner show, will make its worldwide debut in a vintage Spiegeltent on the 14th floor of the Cambria Hotel in the heart of Chicago’s Theatre District. Luminaire is directed by Dreya Weber, and stars critically acclaimed performers Frank Ferrante and Liv Warfield as they lead an international cast of exceptional entertainers. Sassy, sexy, and sultry, Luminaire is designed to dazzle and delight audiences with stunning cirque acts, interactive comedy, captivating vocalists, and a stellar band, complimented by a delicious multi-course meal.

Luminaire will star Frank Ferrante, an award-winning actor, comedian, and director best known for his interactive stage comedy, including The Caesar in Teatro ZinZanni, which earned him a Chicago Tribune nod as a top ten performer of the year in 2019, and his PBS national television program Frank Ferrante’s Groucho. The production will also star singer, songwriter, and producer Liv Warfield. Her achievements include a critically acclaimed hit solo album - The Unexpected, a Soul Train Music Award for Best Contemporary Jazz Performance, and performing as part of Prince’s New Power Generation. Liv Warfield has toured with some of music’s biggest names, bringing her unique voice and style to audiences around the world. Luminaire is directed by Dreya Weber, whose aerial design and choreography credits include Magic Mike Live in addition to aerials for Katy Perry, Taylor Swift, Britney Spears, Rihanna, Madonna, Cher, Michael Jackson, Christina Aguilera, Kylie Minogue, and Pink’s 2010 Grammy Awards performance of “Glitter in the Air”. Dreya brings in her unique death-defying grace to dazzle Cabaret ZaZou audiences.

“Cabaret ZaZou’s extraordinary antique Spiegeltent is a dream environment in which to create a show. Add world-class artists at the absolute top of their games and you have a recipe for a phenomenal entertainment experience. I am thrilled to be shepherding this production,” said Weber.

Luminaire also features an extraordinary cast of performers including Broadway star and Grammy nominee James Harkness from New York City, master juggler Viktor Kee from the Ukraine, thrilling contortionist Ulzii Mergen from Mongolia, and the highly acclaimed Hand to Trapeze Trio Trio Vertex from England. On the bandstand is music director Chuck Webb (bass), Jon Negus (woodwinds), Jose Martinez (drums), and new to the ensemble this fall are Theodis Rodgers (piano) and Phil Seed (guitar).

TICKET INFORMATION

Tickets range from $125 - $210 with special VIP tickets available. “Show Only” tickets are $75. Special preview pricing of $99 available for performances September 7-11. Individual tickets are available by visiting CabaretZaZou.com or by calling 312.488.0900. Tickets are available for groups of 10 or more by calling Broadway in Chicago at 312.977.1710 or emailing GroupSales@BroadwayInChicago.com.

ABOUT RANDOLPH ENTERTAINMENT, LLC

Randolph Entertainment is a partnership of 25 mostly Chicago-based individuals who share in the vision of bringing an extraordinary entertainment experience to Chicago. The partnership is committed to being a good neighbor and contributor to Chicago’s vibrant cultural community. Stanley Feig, a veteran of the entertainment industry with a career spanning several decades, manages the partnership. Randolph Entertainment introduced Chicago to Teatro ZinZanni and is proud to continue with their new spectacle CABARET ZAZOU’s Luminaire.

For more information, visit www.cabaretzazou.com

Facebook @CabaretZaZou ● Instagram @CabaretZaZou

REVIEW: Sister Act at Metropolis Performing Arts Centre On Stage Through August 27th, 2022

ChiIL Live Shows On Our Radar 

Sister Act 

at Metropolis Performing Arts Centre 

in Arlington Heights

Review:

By Guest Critic Catherine Hellmann

“This is a beautiful theater! Everything here looks new,” marveled my sister and burgeoning theater critic. We made the trek to Arlington Heights for a performance of Sister Act. Having been raised in a big Catholic family and attending parochial schools, we knew the topic would be something we could relate to. (Well, ok, beides being a nightclub singer hiding in a convent from her murderous boyfriend…) Natalie “Nat” Renee Savoy has a blast as Deloris Van Cartier, the singer-in-disguise-as-a-nun. She seems more comfortable in the role of Sister Mary Clarence (“patron saint of prisoners!”) than as Deloris, even if she does want to accessorize her black and white habit.  :-) 

Monsignor O’Hara (Christopher Johnson, having fun in the role) convinces Mother Superior (a great Lauren Miller) that Deloris will be joining the order. Mother isn’t thrilled and questions the decision. Father reminds her that she took a Vow of Charity. 

“I take it back!” she yells. 

The women’s choir at the convent is terrible; it’s laughable and impressive how bad their singing is. To describe the atrocious choir, Mother Superior says, “There are no words.” Sister Mary Clarence is given the challenge by Mother Superior of improving the choir; Deloris is to use her talents as a performer to elevate their singing. Under her guidance, the sisters bond, the Church’s finances turn around, the two “bachelors who liked the ‘gothic look’ of the church” and want to buy it end up declining, and an offer is extended to sing for the Pope. Sister Mary Clarence is making her mark. 

The breakout role was Sister Mary Robert played by understudy Athena Kopulos. She was so sweet and charming as the very shy novice who finds her voice and her courage. I love when understudies get a shot and shine. 

We assumed we’d recognize the songs from the Whoopie Goldberg movie. But all the songs were unfamiliar, penned by Alan Menken (“Little Mermaid,” “Little Shop of Horrors,” and “Newsies”) and Glenn Slater. Of course, the songs help with the characterizations and move the plot along. 

The choreography by Jen Cupani was clever and fun. The costumes were perfect by Sara Morrison; I especially liked the sparkled nun costumes at the end of the show. 

Sadly, I also want to address performance etiquette. An audience member next to me asked at intermission if children are allowed into the theaters in Chicago. I said most venues prohibit children under five. It’s very rare to hear a baby in the theater. But there was a toddler who kept making noise during the performance; I kept waiting for parents to remove her, but they never did. Plus, cell phones went off at least three times during the show. Ugh. It is so frustrating and distracting. I admire when the actors are able to continue on without being thrown off. 

The cast looked like they were having such a great time, which adds to the atmosphere. 

After the show, we had a delectable dinner at Carlos & Carlos Restaurant. Lobster ravioli, fresh bread with butter and olive oil, shrimp scampi, generous pours of wine. We enjoyed our lovely day in the ‘burbs. 

Catherine Hellmann loves her family, theater, and a good Chardonnay. 

HIT BROADWAY MUSICAL 

SISTER ACT 

MAKES A JOYFUL NOISE

AT METROPOLIS THIS SUMMER

 

Musical comedy smash Sister Act brings the hit film of the same name to life onstage at Metropolis Performing Arts Centre through August 27, 2022.

 

Based on the hit film, Sister Act is the musical smash that has audiences jumping to their feet. Featuring music by Tony and Oscar winner Alan Menken, this uplifting comedy was nominated for five Tony Awards. When wannabe diva Deloris Van Cartier witnesses a crime, she’s put in protective custody where she won’t be found: a convent! Disguised as a nun, Deloris finds herself at odds with her rigid new lifestyle. On a mission to bring new life into the church, Deloris introduces disco moves and powerhouse singing to the choir. The group’s unexpected popularity attracts newfound attention – blowing her cover. Sister Act brings a unique mix of Motown, soul, funk, and disco to the stage. A sparkling tribute to the power of friendship with glorious music and dazzling dance numbers, Sister Act is a reason to rejoice.

 

COVID Protocols: Metropolis COVID protocols continue to evolve as federal and state mandates relax and conditions improve. For current information on COVID protocols visit Metropolis’ website. Metropolis thanks you in advance for helping to provide the safest environment possible for the return to live indoor entertainment.

 

Regular Run Performances of Sister Act are July 21 – August 27, 2022. Tickets are $40 and can be purchased online at MetropolisArts.com, via phone at 847.577.2121, or via email at customerservice@metropolisarts.com. The Metropolis Box Office is currently open Monday-Saturday 12:00-4:00pm. On performances Monday through Saturday, the Box Office will remain open from noon through at least the start of the performance. On Sunday performances, the Box Office will open one hour prior to show time.

 

Metropolis’ cast for Sister Act includes Henry Allan (Pablo; Ensemble), Justine Cameron (Sister Mary Robert), Jonathan Cortez (Curtis; Ensemble), Valerie Gorman (Sister Mary Theresa), Natalie Henry (Sister Mary Patrick; Ensemble), Mary Heyl (Sister Mary Martin-Of-Tours; Ensemble), Bob Hussey (Joey), Christopher Johnson (Monsignor O’Hara; Ensemble), Ania Martin (Tina; Nun; Ensemble), Natalie Mattson (Nun; Ensemble), Kedar Miller (Eddie), Lauren Miller (Mother Superior), Amber Parker (Michelle; Nun; Ensemble), Tuesdai B. Perry (Nun; Ensemble), Barb Rieger (Nun; Ensemble), Natalie “Nat” Renee Savoy [they/them] (Deloris Van Cartier), Michelle Tibble (Sister Mary Lazarus; Ensemble), and Brenden Zwiebel (Ernie; Ensemble). Understudies include internal members of the cast, Athena Kopulos and Daniel Rausch.

 

Sister Act has Music by Alan Menken; Lyrics by Glenn Slater; Book by Cheri Steinkellner & Bill Steinkellner; with Additional Book Material by Douglas Carter Beane. Directed by Sade’ May, Assistant Directed by Mikee Parangalan, Music Directed by DeMario Tribett, Choreographed by Jen Cupani. Designers are Jenna Houck (Scenic Designer), Patrick McGuire (Properties Designer), Christopher Moore II (Lighting Designer), David Moreland (Technical Director), and Sara Morrison (Costume Designer). Metropolis Production Manager is Chris Causer.

  

Supporting Show Sponsor for Sister Act is HKM Architects + Planners; Costume Sponsor is Marty Pfister & Maria Bradley; Season Costume Storage Sponsor is Jennifer Burnidge, State Farm, CLU, CHFC; Season Paint Sponsor is Marc Poulos Painting. Metropolis Performing Arts Centre is partially supported by grants from the Illinois Arts Council Agency and Ecolab Foundation.

 

Sister Act is the final show of The Metropolis 2021-2022 subscription series. The 2022-2023 subscription series includes Cabaret (September 15 - October 22, 2022), The Legend of Georgia McBride (January 26 – March 4, 2023), Ragtime (May 4 – June 10, 2023), and Xanadu (July 13 – August 19, 2023).

 

Metropolis is located in the heart of Chicago’s northwest suburbs in downtown Arlington Heights at the intersection of Campbell and Vail Avenue (111 West Campbell Street). Street parking is available. Due to Arlington Alfresco, there is modified street access and parking on West Campbell Street. Please allow extra time for arrival before your show. Free parking is available in the public garage behind the theatre. For more information about Metropolis and a complete performance schedule, visit MetropolisArts.com or call the Box Office at 847.577.2121.

 

Metropolis Performing Arts Centre provides professional entertainment and arts education, enriching our community.

Elizabeth Mazur Levin New Artistic Director For Oil Lamp Theater

Oil Lamp Theater is excited to announce the appointment of Elizabeth Mazur Levin as its Artistic Director. A veteran of the “North Shore’s Hidden Gem” since 2012, Mazur Levin brings a fresh yet experienced perspective to Oil Lamp’s evolving artistic mission. A staple of the Glenview community since 2012, the 60-seat Oil Lamp Theater produces six shows a season, with a strong emphasis on exploring the themes of love and relationships. 

“I am tremendously excited to be stepping into the role of Artistic Director,” said Mazur Levin. “I have worked at many theaters, and what struck me about working at Oil Lamp right from the beginning was its commitment to creating a warm and inviting theatrical experience, not only for the patrons, but the artists as well.”

Mazur Levin is no stranger to Oil Lamp. She acted in the very first production of the theater when it settled down in Glenview. Her directing credits include Now & Then, Bad Dates, Beau Jest, Love, Loss, and What I Wore, It’s a Wonderful Life: A Live Radio Play (2017 & 2020), Motherhood Out Loud, and two seasons of On the Road—Oil Lamp’s touring series. Now she will lead the artistic team in selecting works for its six-show season, as well as strengthening and evolving the artistic identity of Oil Lamp Theater.

"It's funny, while we haven't known each other for more than a few years, it has felt like we've known each other most of our lives,” said Jay Pastucha, Oil Lamp Theater’s Executive Director. “I believe that feeling stems from the trust I have in her, the confidence I have in her artistic vision, and the passion she has for Oil Lamp Theater.”

A Chicago actor herself, Mazur Levin has performed all over the Midwest as well as the East Coast.  She holds degrees in theater from Miami University (B.F.A. and B.A.) and Loyola University Chicago (M.Ed.). 

When discussing her vision for the future, Mazur Levin was quick to reference Oil Lamp Theater’s unique aesthetic and intimate atmosphere.

“I love walking into our space and providing an excellent artistic experience for both the theater goer and the artist,” she said. “As Artistic Director, I plan to take my years of experience here to meld the past with the future. I am committed to providing a season that not only entertains, but tells stories with, about, and from a variety of viewpoints. We want our audiences to think, engage, and feel in a shared theatrical experience.”

Oil Lamp Theater was originally founded in February 2005, and in March 2012, became a non-profit and established residence at a unique and intimate venue in downtown Glenview. The venue seats 60 and provides a warm and welcoming atmosphere for over 10,000 patrons per year to enjoy professional theater and entertainment. Between its famed complimentary cookies, delicious drinks at our bar, inviting and comfortable lobby, and top-tier productions, an evening at Oil Lamp Theater proves this venue is where theater feels like home.

World Premiere Comedy Chagall In School Via Grippo Stage Company at Theater Wit August 26 - October 8th, 2022

ChiIL Live Shows On Our Radar

GRIPPO STAGE COMPANY PRESENTS A WORLD PREMIERE COMEDY BY PLAYWRIGHT JAMES SHERMAN, 

CHAGALL IN SCHOOL,

AUGUST 26 - OCTOBER 8, AT THEATER WIT

 Left to Right -  John Drea (Marc Chagall) and Warren Duncan (Kazimir Malevich) 

Photo by James Sherman

Directed by Georgette Verdin, this New Comedy is Inspired by the Real Story of Famed Artist Marc Chagall

Previews Begin Friday, Aug. 26

  Pronoun Key: + (he/him/his); * (she/her/hers); ^ (they, them, theirs); = (any with respect)

Grippo Stage Company is proud to present Chagall In School, a world premiere comedy by James Sherman (Beau Jest, The God of Isaac, The Ben Hecht Show) and directed by Georgette Verdin.  The play is inspired by the real story of the famed artist, Marc Chagall. Performances will take place August 26 - October 8, at Theater Wit, 1229 W. Belmont Ave. Preview performances will be Friday, Aug. 26 at 8 p.m. Saturday, Aug. 27 at 8 p.m. Sunday, Aug. 29 at 2 p.m.,Thursday, Sept. 1, Friday, Sept. 2 and Saturday, Sept. 3 at 8 p.m. and Sunday, Sept. 4 at 2 p.m. I'll be catching opening night, Sept. 6th, so check back soon after for my full review. The performance  schedule is Thursdays -  Saturdays at 8 p.m. and Sundays at 2 p.m. Tickets are now on sale  from $38 - $42 and information is available at 773.975.8150 or at www.theatrewit.org.

It’s 1920, a few years after the Bolshevik Revolution in Russia and Marc Chagall is asked to head a school for artists in his Russian hometown of Vitebsk. By gathering together other noted artists of the time including Yuri Pen, Vera Ermolaeva and El Lissitsky and with the support of his loving wife, Berta, Chagall endeavors to realize his dream of a free school for anyone who wishes to explore their artistic aspirations. His goals are quickly complicated by the clash of personalities and differences between these artists, as well as Chagall’s own inherent inability to take on the role of a stern administrator. When the most impressive artist of the time, Kazimir Malevich, arrives to join the faculty, the artistic soul of the school and Chagall’s own future as an artist are contested.

The full cast includes John Drea+, (Marc Chagall); Yourtana Sulaiman*, (Berta Chagall); Fred Wellisch+,(Yuri Pen); Peter Ferneding+, (Alexander Romm); Daniella Rukin*, (Vera Ermolaeva); Myles Schwarz+, (El Lissitzky); David Lipschutz+, (David Yackerson); Warren Duncan+, (Kazimir Malevich); Hannah Green* (U/S Berta & Vera); Levi Smith+, (U/S Alex & Kazimir & David)

 

ABOUT GEORGETTE VERDIN (Director)

Georgette Verdin is a Cuban-American director, arts educator and the 2022 Michael Maggio Directing Fellow at Goodman Theatre. Since 2015, she's served as the managing artistic director of Interrobang Theatre Project, an award-winning storefront theater known for its gutsy productions tackling socially-relevant issues. Select directing credits include: the world premiere of SPAY by Madison Fiedler (Rivendell Theatre Ensemble), This Wide Night by Chloë Moss (Shattered Globe Theatre/Interrobang Theatre Project), Tribes by Nina Raine (Western Michigan University), the U.S. premiere of Out of Love by Elinor CookGrace and Recent Tragic Events by Craig Wright, as well as the 2016 Yale Drama Series winner, Utility by Emily Schwend (Interrobang Theatre Project).

Verdin has also worked with Lookingglass Theatre, Facility Theatre and Chicago Dramatists, among others. She holds a Bachelor of Arts in Theatre Performance from McNeese State University in Lake Charles, LA and a Master in Directing from the Chicago College of Performing Arts at Roosevelt University. She is a 2021 recipient of a 3Arts Make-A-Wave grant and an associate member of Stage Directors and Choreographers Society. For more, visit georgetteverdin.com.

ABOUT JAMES SHERMAN (Playwright)

James Sherman is a Chicago playwright, whose works include Magic Time, The God of Issac, Mr. 80%, The Escape Artist, Beau Jest, This Old Man Came Rolling Home, Jest a Second!, Romance in D, From Door to Door, The Old Man’s Friend, Affluenza!, Half and Half, Relatively Close, Jacob and Jack and The Ben Hecht Show. Sherman began his professional career as a writer and performer with The Second City in the early 1970s. He received an M.F.A. degree from Brandeis University and a Masters Degree in Library and Information Science from Dominican University.  In 1985, he began his long association with the Tony Award-winning Victory Gardens Theater in Chicago and was a founding member of the Victory Gardens Playwrights Ensemble. Sherman currently teaches playwriting and improvisation at Columbia College Chicago and DePaul University.  He has been a teacher of playwriting and acting on the faculties of The Second City Training Center, Chicago Dramatists Workshop, Victory Gardens Theater and as a visiting professor (2001) in Seoul, South Korea at the Korean National University of the Arts. His published works have been seen in the United States, Canada, Mexico, South America, England, Germany, Austria, Turkey, South Africa, Australia, China and Korea.   

 

ABOUT GRIPPO STAGE COMPANY

Grippo Stage Company, a 501 (c) (3) public charity, produces new plays and revivals of classic works of theater in the Chicago metropolitan area. Previous productions include The Ben Hecht Show (world premiere) written and performed by James Sherman; Confessions of a P.I.M. P. (co-production with Dennis Zacek), written and performed by Tony Award-winning actor Andre De Shields and The God of Issac (Chicago revival) by James Sherman. Grippo Stage currently partners with pianist/actor/author Hershey Felder to present streaming shows from Florence, Italy.  Upcoming for May of 2023 is Shaw vs. Tunney (world premiere) by Douglas Post, based on The Prizefighter and the Playwright by Jay R. Tunney, which depicts the deep relationship between Irish playwright George Bernard Shaw and Gene Tunney, the American World Heavyweight boxing champion.

Grippo Stage Company is proud to present Chagall In School, a world premiere comedy by James Sherman (Beau Jest, The God of Isaac, The Ben Hecht Show) and directed by Georgette Verdin.  The play is inspired by the real story of the famed artist, Marc Chagall. Performances will take place August 26 - October 8, at Theater Wit, 1229 W. Belmont Ave. Preview performances will be Friday, Aug. 26 at 8 p.m. Saturday, Aug. 27 at 8 p.m. Sunday, Aug. 29 at 2 p.m.,Thursday, Sept. 1, Friday, Sept. 2 and Saturday, Sept. 3 at 8 p.m. and Sunday, Sept. 4 at 2 p.m. Opening night is Tuesday, Sept. 6 at 8 p.m. The performance  schedule is Thursdays -  Saturdays at 8 p.m. and Sundays at 2 p.m. Tickets are now on sale  from $38 - $42 and information is available at 773.975.8150 or at www.theatrewit.org.

 

REVIEW: Ken Ludwig’s “Dear Jack, Dear Louise” Now Playing at Northlight Theatre Through August 7, 2022

Northlight Theatre Presents 

Ken Ludwig’s “Dear Jack, Dear Louise”

Now Playing Through August 7, 2022

directed by Jessica Fisch

featuring Casey Hoekstra and Sarah Price

The run time is 1:45, including intermission

REVIEW

By Guest Critic Catherine Hellmann

“Why the hell didn’t we write this show?” asked my sister when I explained the premise. Two young people in World War ll, a Jewish doctor witnessing the horrors of battle and an aspiring actress/dancer trying to get her big break onto Broadway, begin a letter-writing correspondence at the encouragement of their fathers who knew each other in the old country. Our mom was a WWll Army nurse who cared for our dad when he got deathly ill with spinal meningitis, and they began a correspondence when she shipped out from the States. Our dad always said their romance was indebted to the U.S. Army Mail System. (Unlike Ludwig’s parents, whose mom destroyed their letters, our family still has our Dad’s. We gave his Army story letters to my son who is a Social Studies teacher.) 

The cast is Casey Hoekstra (Jack) and Sarah Price (Louise). All Production Photos by Michael Brosilow

“Dear Jack, Dear Louise” is a charmer. From the initial letter in 1942 when their dads suggest they “get acquainted in a social way,” we get to know these two young people just as they get to know each other through their letters. Initially, Jack is stationed in Oregon, and Louise is in NYC. We cheer for their budding romance and the hope that they finally get to meet in person and overcome the huge obstacles in their way. 

But we know that they do, because their future son is the playwright. 

Both Casey Hoekstra as Jack and Sarah Price as Louise are wonderful. Jack is reserved; he oversees amputations and skin grafts on a regular basis in his grueling work. Sarah is upbeat, sassy, ambitious, and swears a lot when she’s mad. These penpals blossom from friends to a deep caring for each other. By the time they meet in person, they know each other deeply through their words, which seems quaint but a lot more “real” than the Internet dating of modern times. When there is a lull in their literary conversation because of career interruptions or other priorities, the patience they have to practice seems unfathomable to us in the world of texting and instant messages.

I loved all the time period references. Louise is auditioning for “Arsenic and Old Lace” on Broadway. She adores a production of “Oklahoma!” starring Celeste Holm as Ado Annie. Her favorite performers are Ethel Merman, Ginger Rogers, Katharine Hepburn, and Rosalind Russell. Louise’s costumes by Izumi Inaba evoke the flattering styles of the 1940’s. And the fun soundtrack includes “Night and Day” by Cole Porter, “For Me and My Gal,” and “It Had to Be You.”    

I assumed that Ludwig borrowed and pieced together sections of his parents’ letters, but he had to create all the dialog from scratch. Since his mother must have felt the letters were too “intimate,” she didn’t save them for her sons. Knowing this background fact makes Ludwig’s entertaining script all the more impressive. The two characters interact through their letters without actually interacting together. I wondered how this was going to work theatrically, (would it just be a lot of back and forth letter reading like a vocal tennis game?), but it does so beautifully.    

One other factual aspect of the backstory is that Jack’s mother was one of 13 girls, so Jack had 12 aunts! Louise goes to Pennsylvania from New York to meet the family, which results in her brave recap of facing a dozen potential critics. Louise describes Jack’s family as appearing “out of a Norman Rockwell painting if Norman Rockwell painted Jews.” 

At our parents’ 50th wedding anniversary party, Dad gave an awesome speech where he said our mom “took special care of me because she told me later,’I didn’t want you to die on my watch.’ And she’s still taking care of me because I am not dead yet!” 

Luckily, for my six siblings and I, and for Ken Ludwig and his brother, that military postal service was efficient and reliable! None of us would be here if it wasn’t for the powerful correspondence between Paul and Mildred and for Jack and Louise. 

Catherine Hellmann is the youngest of seven children and a teacher like her dad. (But he had the GI Bill to pay for college.) Her kids are teachers and a librarian, so apparently this literary stuff is hereditary. 

Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, continues its 2021–2022 season with Ken Ludwig’s Dear Jack, Dear Louise by Ken Ludwig.  The production runs July 7 – August 7, 2022 at Northlight Theatre, 9501 Skokie Blvd in Skokie. 

When two strangers meet by letter during World War II, a love story begins. U.S. Army Captain Jack Ludwig, a military doctor stationed in Oregon, begins writing to Louise Rabiner, an aspiring actress and dancer in New York City, hoping to meet her someday if the war will allow. But as the war continues, it threatens to end their relationship before it even starts.  

Two-time Olivier Award-winning playwright Ken Ludwig tells the poignant story of his own parents’ unlikely courtship during World War II.

The creative team includes Yeaji Kim (Scenic Design), Izumi Inaba (Costume Design), Jackie Fox (Lighting Design), Eric Backus (Sound Design), and Lonnae Hickman (Props). The production stage manager is Rita Vreeland.

**A reminder that masks are required at all times at the theater.  Safety protocols are available here: https://northlight.org/health-safety/**

Featuring: Casey Hoekstra (Jack) and Sarah Price (Louise).

Creative Team: Yeaji Kim (Scenic Design), Izumi Inaba (Costume Design), Jackie Fox (Lighting Design), Eric Backus (Sound Design), and Lonnae Hickman (Props). The production stage manager is Rita Vreeland.

Schedule: 

Regular run: July 16-August 7, 2022

Tuesdays: 7:30pm (July 12 and August 26 only)

Wednesdays: 1:00pm and 7:30pm

Thursdays: 7:30pm 

Fridays: 8:00pm

Saturdays: 2:30pm (except July 9) and 8:00pm

Sundays: 2:30pm; and 7:00pm (July 10 and 24 only)

A Touch Tour. Open Captioning and Audio Described performance will be held on Saturday, July 30 at 2:30pm. A Relaxed performance for individuals with sensory sensitivity will be held Sunday, July 24 at 7:00pm.

Location:

Northlight Theatre is located at the North Shore Center for the Performing Arts, 9501 Skokie Blvd, Skokie

Tickets:

Previews: $30-$61

Regular run: $30-$89

Student tickets are $15, any performance (subject to availability)

Box Office: The Box Office is located at 9501 Skokie Blvd, Skokie. 847.673.6300; northlight.org

Northlight Theatre aspires to promote change of perspective and encourage compassion by exploring the depth of our humanity across a bold spectrum of theatrical experiences, reflecting our community to the world and the world to our community.

Founded in 1974, the organization has mounted over 220 productions, including more than 40 world premieres. Northlight has earned 208 Joseph Jefferson Award nominations and 36 Awards, as well as ten Edgerton Foundation for New Play Awards. As one of the area’s premier theatre companies, Northlight is a regional magnet for critical and professional acclaim, as well as talent of the highest quality.

Northlight is supported in part by generous contributions from Allstate Insurance; the Paul M. Angell Family Foundation; BMO Harris Bank; Bulley and Andrews; Byline Bank; The Elizabeth F. Cheney Foundation; CoBank; ComEd, An Exelon Company; Eckenhoff Saunders; Evanston Arts Council; Evanston Community Foundation; Lloyd A. Fry Foundation; Full Circle Foundation; The Gross Foundation; Gruman Butkus Associates; John R. Halligan Fund; Illinois Arts Council, a state agency; Illinois Humanities; Katten Muchin Roseman LLP; Kirkland & Ellis Foundation; The John D. and Catherine T. MacArthur Foundation;  Modestus Bauer Foundation; National Endowment for the Arts; Niles Township; NorthShore University HealthSystems; Northwestern University; The Offield Family Foundation; The Pauls Foundation; PNC Bank; Polsinelli; Ralla Klepak Trust for the Performing Arts; Room & Board; Sanborn Family Foundation; The Saints Foundation; Dr. Scholl Foundation; The Shubert Foundation, Inc.; The Harold and Mimi Steinberg Charitable Trust; The Sullivan Family Foundation; and Tom Stringer Design Partners.

REVIEW: Priscilla, Queen of the Desert, the Musical Now Playing at Mercury Theater Through September 11, 2022

ChiIL Live Shows On Our Radar

Priscilla Queen of the Desert

Based on the film “The Adventures of Priscilla, Queen of the Desert” by Stephan Elliot

Featuring legendary cabaret chanteuse Honey West as Bernadette

and Josh Houghton as Tick/Mitzi

Now Playing Through September 11, 2022

Review 

By Guest Critic Catherine Hellmann

Credit for All Production Photos, Brett Beiner Photography

“It’s raining men! Hallelujah!”  So opens this exuberant production. The audience was as stoked as the cast on opening night. After a crazy/frustrating couple years, delays, and  rumors that the historic Mercury Theater was closing, Priscilla was finally here! Hallelujah, indeed. 

“Hey, I know a lot of these songs!” declared my excited, easygoing sister. Of all the theater I have been dragging her to (like 3-5 shows a week), Teresa proclaimed this fun musical was one of her favorites. It is a crowd-pleaser with a very familiar score, such as “Girls Just Wanna Have Fun,” “I Say a Little Prayer,” “Thank God I’m a Country Boy,” and “Shake Your Groove Thing.” The rendition of the absurd “MacArthur Park” of the “cake left out in the rain” is an absolute hoot. 

I was excited to finally see the famous Honey West perform; she is perfect as the mature drag queen, Bernadette. Josh Houghton is wonderful as Tick/Mitzi. And Shaun White as Adam/Felicia is hilarious and bitchy; his lip-synch of “Sempre Libre” from Verdi’s opera La traviata is a highlight with his facial expressions and gestures. (Boy, I hate when drag queens have better legs than I do…) The three “divas” who act as a chorus are also standouts, especially Jessica Brooke Seals’ vocals. (“How do they change their costumes so fast?” my sis marveled.) Ayana Strutz has a dance number that made the audience gasp at her astounding flexibility! 

“Priscilla” is actually the name of the RV which the trio of drag queens take on their long journey. The scenic design by Jonathan Berg-Einhorn is truly inspired. The small stage of Mercury is limited, but the pink RV divided into decorated parts is clever and imaginative. How do you find an RV full of drag queens? “Follow the glitter.” 

The costumes by Robert Kuhn must be mentioned. (Ensembles in the audience made for great people-watching as well.) No diva worth her high heels can be complete without fabulous gowns. One of Mitzi’s dresses is covered in flip flops, which was my favorite. And the wigs by Keith Ryan are also inventive and fun.

Although this is an amusing and outrageous show, there are poignant moments and a strong message of acceptance. One of the drag queens asks why do they put up with insults and abuse every night? “So we feel like real women?” Hmmm…they get it. And there are also unabashed examples of prejudice and gay bashing in the show which remind us of the courage required to be so open about their “True Colors.” 

So, hobble on your stilettos and drape those feather boas and head out to catch “Priscilla.” You won’t want to miss this wild ride.

Catherine Hellmann is an educator, mom of educators, and theater junkie. She also loves reading and Chicago. And reading about Chicago. 

Mercury Theater Artistic Director Christopher Chase Carter, Managing Director Kristi J. Martens and Executive Producers Walter Stearns and Eugene Dizon announce the cast and creative team for the much-anticipated production of the summer, Priscilla Queen of the Desert. The musical features a book by Stephan Elliot and Allan Scott and is based on the film “The Adventures of Priscilla, Queen of the Desert” by Stephan Elliot. This production is directed and choreographed by Artistic Director Christopher Chase Carter, with music direction by Executive Producer Eugene Dizon. Priscilla, Queen of the Desert runs July 15 – September 11, 2022 at Mercury Theater Chicago, 3745 N. Southport Avenue. 

The cast of Priscilla Queen of the Desert is led by legendary cabaret chanteuse Honey West as Bernadette and Josh Houghton as Tick/Mitzi and features Heather J. Beck (Diva, US Marion, US Shirley), Lydia Burke (Diva, US Cynthia, US Miss Understanding), John Cardone (Ensemble, US Bernadette), Marcus Jackson (Jimmy, Frank, Ensemble, US Bob, Dance Captain), Brittany D. Parker (Marion, Shirley, Ensemble, US Diva), Darren Patin (Miss Understanding, Ensemble, US Adam/Felicia), Jason Richards (Bob, Ensemble), Jessica Brooke Seals (Diva), Gabriel Solis (Benji), and Ayana Strutz (Cynthia, Ensemble), Shaun White (Adam/Felicia) and Matthew Weidenbener (Young Bernadette). 

The creative team for Priscilla Queen of the Desert includes Christopher Chase Carter (director/choreographer), Eugene Dizon (music director), Jonathan Berg-Einhorn (scenic and props designer), Bob Kuhn (costume designer), Carl Wahlstrom (sound designer), Max Maxim (video designer), Rachel West (lighting supervisor), Will Hughes (scenic supervisor), Kathy Logelin (dialect director) and Keely Vasquez (casting associate). The production stage manager is Kristi J. Martens and the assistant stage manager is Katie-Sarah Phillips.

Based on the smash-hit movie, Priscilla is the heartwarming, uplifting adventure of a glamorous Sydney-based performing trio who take their show to the middle of the Australian outback. They hop aboard a battered old bus (nicknamed Priscilla) searching for love and friendship and end up finding more than they ever imagined. With a hit parade of dance floor favorites including “It's Raining Men," "I Will Survive," "Hot Stuff," "Boogie Wonderland," "Girls Just Wanna Have Fun," and "I Love The Nightlife" this wildly fresh and funny musical is a journey to the heart of fabulous!

Tickets for Priscilla Queen of the Desert, priced $39-$85, are on sale now at the box office, 3745 N. Southport Avenue in Chicago, www.MercuryTheaterChicago.com.

More About Priscilla, Queen of the Desert

Book by: Stephan Elliot and Allan Scott

Based on the film “The Adventures of Priscilla, Queen of the Desert” by Stephan Elliot

Directed and Choreographed by: Artistic Director Christopher Chase Carter

Music Direction by: Executive Producer Eugene Dizon

Featuring: Honey West (Bernadette) and Josh Houghton (Tick/Mitzi), as well as Heather J. Beck (Diva, US Marion, US Shirley), Lydia Burke (Diva, US Cynthia, US Miss Understanding), John Cardone (Ensemble, US Bernadette), Daniel Hurst (Young Bernadette, Ensemble, US Tick/Mitzi), Marcus Jackson (Jimmy, Frank, Ensemble, US Bob, Dance Captain), Brittany D. Parker (Marion, Shirley, Ensemble, US Diva), Darren Patin (Miss Understanding, Ensemble, US Adam/Felicia), Jason Richards (Bob, Ensemble), Jessica Brooke Seals (Diva), Gabriel Solis (Benji), and Ayana Strutz (Cynthia, Ensemble). Casting for the role of Adam/Felicia will be announced at a later date.

Creative Team: Christopher Chase Carter (director/choreographer), Eugene Dizon (music director), Jonathan Berg-Einhorn (scenic and props designer), Bob Kuhn (costume designer), Carl Wahlstrom (sound designer), Max Maxim (video designer), Rachel West (lighting supervisor), Will Hughes (scenic supervisor), Kathy Logelin (dialect director) and Keely Vasquez (casting associate). The production stage manager is Kristi J. Martens and the assistant stage manager is Daniel J. Hanson.

Dates: July 15 – September 11, 2022

Schedule:

Wednesdays: 7:30 p.m.

Thursdays: 7:30 p.m.

Fridays: 7:30 p.m.

Saturdays: 2 p.m. and 7:30 p.m.

Sundays: 2 p.m.

Location: Mercury Theater Chicago

3745 N. Southport Avenue, Chicago

Tickets: $39 – $85

Box Office: 3745 N. Southport Avenue in Chicago

www.MercuryTheaterChicago.com

COVID PROTOCOL: Mercury Theater Chicago follows the CDC and State of Illinois recommendations about maintaining a COVID safe environment. Any interaction with the public poses an inherent risk of exposure to COVID-19. By visiting Mercury Theater Chicago, it is understood that everyone voluntarily assumes all risks related to exposure.

All patrons will have to wear a mask throughout the performance when not actively eating or drinking regardless of vaccination status.

About Mercury Theater Chicago

The beautifully renovated Mercury Theater Chicago is in the heart of the Southport Corridor at 3745 North Southport Avenue, within a sophisticated neighborhood of restaurants and boutiques just steps from Wrigley Field. A delightful destination, Mercury Theater Chicago is a live-theater seating 280 people, adjoining Venus Cabaret Theater (seating 80). 

The building that houses the Mercury opened in 1912 as a silent film nickelodeon, named The Blaine Theatre after actor and former Senator and Secretary of State James G. Blaine. The Blaine became obsolete when talking pictures became popular nationwide in 1928. The building served a variety of uses until 1994, when it was purchased by theater producer Michael Cullen and transformed into a live theatre, named the Mercury Theatre.

In 2010 the building was sold again and reopened as Mercury Theater Chicago under the direction of Walter Stearns, a veteran theater director and producer. Mercury Theater Chicago's second performance space, Venus Cabaret Theater, offers a unique intimate theatrical experience complemented by specialty cocktails. Mercury Theater Chicago is thrilled to be part of the city's vibrant theatre community, boasting record-setting long runs, employing hundreds of artists and recognized with dozens of award nominations. Mercury Theater Chicago's team includes Christopher Chase Carter (Artistic Director), Walter Stearns and Eugene Dizon (Executive Producers), Kristi J. Martens (Managing Director) and Honey West (Cabaret Director). Visit www.MercuryTheaterChicago.com.