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Wednesday, February 7, 2018

OPENING: BREACH: a manifesto on race in america through the eyes of a black girl recovering from self-hate at Victory Gardens Theater Through March 11th, 2018

ChiIL LIVE Shows On Our Radar:

Victory Gardens Theater Presents
BREACH: a manifesto on race in america through the eyes of a black girl recovering from self-hate
By Antoinette Nwandu
Directed by Lisa Portes


February 9 – March 11, 2018
Running Time: 2:10, including a 15-minute intermission.

Victory Gardens Theater continues its 43rd season with BREACH: a manifesto on race in america through the eyes of a black girl recovering from self-hate, written by Antoinette Nwandu and directed by Lisa Portes. BREACH runs February 9 – March 11, 2018. 


I'll be out for the press performance on Friday, February 16th, so check back soon for my full review. 

In Antoinette Nwandu’s “love letter to black women,” Margaret uproots her life, including her dead-end job and fizzling relationship, after finding out that she is unexpectedly expecting. She finds support and humor from her sassy and sharp Aunt Sylvia and her new friendship with Carolina, a pregnant cleaning lady at her office. BREACH is a smart comedy about friendship, motherhood, and family, and tackles the mother of all challenges: learning to love yourself.

Schedule: 
Previews: February 9 – 15, 2018
Regular run: February 17 – March 11, 2018

Tuesdays - Fridays:  7:30pm 


Saturdays: 3:00pm; 7:30pm
Sundays: 3:00pm

Accessible Performances:
Word for Word (open captioning): Friday, February 23 at 7:30pm, Saturday, February 24 at 3:00pm, and Wednesday, February 28 at 2:00pm

ASL Interpreted: Friday, February 23 at 7:30pm

Audio Description/Touch Tour: Friday, February 23 at 7:30pm (Touch tour at 6:00pm), Sunday, March 4 at 3:00pm (Touch tour at 1:30pm)

Location: 
Victory Gardens Theater is located at 2433 N. Lincoln Avenue, 
in the heart of Chicago’s Lincoln Park neighborhood

Tickets:


Previews: $15 - $45 
Regular run: $15 - $60

Box Office: The Box Office is located at 2433 N. Lincoln Avenue, Chicago.
773.871.3000; www.victorygardens.org.

BREACH features Caren Blackmore (Margaret), Linda Bright Clay (Aunt Sylvia), Karen Rodriguez (Carolina), Al’Jaleel McGhee (Rasheed) and Keith D. Gallagher (Nate).

The creative team includes Linda Buchanan (scenic design), Samantha C. Jones (costume design), Heather Gilbert (lighting design), Thomas Dixon (sound design), Alec Long (properties). The dramaturg is Skyler Gray and the stage manager is Tina M. Jach.

"Antoinette Nwandu is one of the most exciting and imaginative voices in our field." said Artistic Director Chay Yew. "When I read BREACH, I knew our Chicago audiences needed to experience this gifted author who deftly fuses immediate contemporary social issues into a powerful, deeply personal play."

About the Artists
Antoinette Nwandu (Playwright) is a New York-based playwright. In June 2017, Steppenwolf presented the World Premiere of her Jeff Award-winning play Pass Over, a mashup of Waiting for Godot and the biblical Exodus story in a modern urban setting. Antoinette is currently under commission from Echo Theater Company, Colt Coeur, and Audible; her plays have been supported by MacDowell, the Sundance Theater Lab, IGNITION Fest, the Cherry Lane Mentor Project (mentor: Katori Hall), the Kennedy Center, Page73, Ars Nova, PlayPenn, Space on Ryder Farm, Southern Rep, The Flea, Naked Angels, Fire This Time, and The Movement Theater Company. Honors include spots on the 2016 and 2017 Kilroys lists, the Paula Vogel Playwriting Award, the Lorraine Hansberry Playwriting Award, the Negro Ensemble Company’s Douglas Turner Ward Prize, and a Literary Fellowship at the Eugene O’Neill Playwrights Conference. Antoinette is an alum of the Ars Nova Play Group, the Naked Angels Issues PlayLab, and the Dramatists Guild Fellowship.  Education: Harvard, The University of Edinburgh, Tisch School of the Arts.

Lisa Portes (Director) returns to Victory Gardens where she directed Slingshot by Kia Korthron, A Little Bit Not Normal by Arlene Malinowski, and Undone by Andrea Thome for IGNITION. Other Chicago credits include: Steppenwolf: This is Modern Art by Idris Goodwin and Kevin Coval, Goodman: Ghostwritten by Naomi Iizuka; Northlight: Permanent Collection by Thomas Gibbons; Timeline: Concerning Strange Devices from the Distant West by Naomi Iizuka; Next Theatre: In the Blood by Suzan-Lori Parks and Far Away by Caryl Churchill. Recent regional credits: Disgraced (Cincinnati Playhouse), Glass Menagerie (CalShakes). NYC credits: Wilder (Playwrights Horizons). Upcoming: Native Gardens (Denver Center). Awards: 2016 SDC Zelda Fichandler Directors Award. Lisa heads the MFA Directing program at The Theatre School at DePaul University.

Caren Blackmore (Margaret) makes her Victory Gardens debut. Chicago Credits; Beyond Caring (Lookingglass Theatre), Electra and Jitney! (Court Theatre), The MLK Project: The Fight For Civil Rights (Writers Theatre), SPILL (TimeLine Theatre) and The Joe Tex Story (Black Ensemble Theater). Also has worked with; Pegasus Players, Stockyards Theatre Project, Theatre Wit, Loop Players, Congo Square Theatre Company, ETA Creative Arts and MPAACT. Attended Freedom Theatre of Philadelphia and is a graduate of Oberlin College and the Eugene O'Neill National Theatre Institute.

Linda Bright Clay (Aunt Sylvia) is a native Chicagoan, member of Actors’ Equity and SAG-AFTRA, and has been a professional actor for over 30 years. Her theatre credits include A Wonder in My Soul, The House That Will Not Stand (Victory Gardens); the BTAA and Jeff Award winning production of The Project(S) at the American Theatre Co, also reprising her roles this year in The Project(S) with American Theatre Co.’s American Mosaic education program, and touring with the production; For My brothers…(Writers Theatre Commissioned work); Having Our Say and Permanent Collection at Madison Rep; Home (BTAA Best Actress Award), Having Our Say, Top Hat all at Chicago Theatre Co; Joe Turner’s Come And Gone at the Goodman, Dame Lorraine at Victory Gardens; The Gold Shop, Crossing Against the Red Light at Chicago Cultural Center’s “People’s Choice Award,” Ain’t Supposed To Die A Natural Death, Checkmates at eta. Linda’s film and TV work include Nothing Like Thanksgiving, Halfway garnering critical acclaim in festivals, and Seven Psychopaths. Her short films include, 3:04 am, Flickering Blue, Just Married, and The Night Before The Morning After. Linda also recently appeared in the television series, "Empire."

Karen Rodriguez (Carolina) makes her Victory Gardens debut. Chicago credits include: The Rembrandt (Steppenwolf Theatre Company), The Way She Spoke (Greenhouse Theater Center), Hookman (Steep Theatre), good friday (Oracle), Blue Skies Process (Goodman Theatre), Romeo and Juliet (Teatro Vista). Film & TV: "Chicago Justice."

Al’Jaleel McGhee (Rasheed) makes his Victory Gardens debut. Recent theatre credits include: Paradise Blue (Timeline), Blues for an Alabama Sky (

Keith D. Gallagher (Nate) makes his Victory Gardens debut. Chicago credits include: Beyond Caring (Lookingglass Theatre Company); Mary Page Marlowe, Marie Antoinette (Steppenwolf Theatre Company); The Gospel of Franklin, Man in Love (Steppenwolf First Look); Awake and Sing, The Lieutenant of Inishmore (Northlight Theatre Company); Shining City (Goodman Theatre); Tracks (TUTA Chicago); Arcadia (Court Theatre); The Real Thing (Remy Bumppo Theatre Company). Regional: Macbeth (Denver Center for the Performing Arts), A Raisin in the Sun (Geva Theatre Center), The Gospel According to James (Indiana Repertory Theatre), The Lieutenant of Inishmore (The Repertory Theatre of St. Louis), Shining City (Huntington Theatre Company). T.V.: "Empire," "Chicago Fire," "Chicago P.D.," "Detroit 187."

Full Performance Schedule
Previews for BREACH are February 9 – 15, 2018. Previews are $15-$45. The Press opening is Friday, February 16 at 7:30pm. Regular performances run February 17 – March 11, 2018: Tuesday — Friday at 7:30pm; Saturday at 3pm and 7:30pm; Sunday at 3pm.  Regular performances are $15-$56.

Victory Gardens has partnered with mobile theater ticketing app TodayTix to offer free tickets for the first preview of BREACH. Free Tickets will be available via TodayTix mobile lottery, launching one week before the first preview on Friday, February 2, 2018. Winners will be notified by email and push notification between 12:00pm and 3:00pm on the day of the first preview, Friday, February 9, 2018. To enter, download the TodayTix app on your iOS or Android device.

Performances are at the Victory Gardens Theater, 2433 N Lincoln Avenue, in the heart of Chicago's Lincoln Park neighborhood. For tickets and information, call the Victory Gardens Box Office, 773.871.3000, email tickets@victorygardens.org, or visit www.victorygardens.org. Ask the Box Office about student tickets ($15), senior, and Access. For group discounts, call 872.817.9087.

Public Programs
Public Programs is an event series designed to enhance your experience by exploring themes and issues within Victory Gardens’ productions. Connecting our theater to the world beyond the stage and rehearsal room, Public Programs bridge ideas, provoke dialogue, and deepen the relationship between our audiences and our productions. Public Programs are composed of three distinct tracks:

SALON: A post-show performance series bringing local artists, students, and/or organizations into the conversation of the play through their own work. 

PANEL: A post-show conversation with community leaders, playwrights, activists, artists, and educators. These panels use the play's themes to ignite a conversation about our world and the people in it. 

CELEBRATION: Pre- and post-show events celebrating the themes of the play through art, food, and community. 

AFTERWORDS
After every performance of BREACH (unless otherwise noted)
Join us for one of our intimate post-show conversations. Led by members from the Victory Gardens community—artistic affiliates, artistic staff, and community partners— reflect on what you’ve seen and share your response.

Backstage at the Biograph: BREACH
Wednesday, January 24 at 7:00pm
How many roles do you play throughout the day? Who are you with your family and friends? With your co-workers? Online? Jeff Award-winning playwright Antoinette Nwandu’s world-premiere play BREACH explores these very questions. Join us for an exclusive glimpse into the rehearsal process as the cast shares a scene from the production during one of their very first rehearsals. Then, participate in an interactive workshop on performing stories from your own life, facilitated by performance scholar and artist Dr. Raquel Monroe. Afterwards, celebrate with appetizers from Olive Mediterranean Grill!

PANEL: THE INJUSTICE SYSTEM
Post-Show Conversation
Saturday, February 10 at 9:00pm
Made possible by the support of The David Rockefeller Fund 
The United States has less than 5% of the world’s population yet we are home to almost 25% of the world’s prisoners. It’s no secret that the criminal justice system in this country needs work, but what is being done to change it? What are the re-entry resources available to people once they complete their sentences? Join us after the evening performance of BREACH for a conversation with notable formerly incarcerated activists in Chicago about how we can make our justice system truly just.

PANEL: A CONVERSATION WITH ANTOINETTE NWANDU  
Post-Show Conversation
Tuesday, February 13 at 9:00pm
From IGNITION to our mainstage, Victory Gardens has been working with Antoinette on the development of this play for two years. How does a new play go from a public reading to world premiere? Join playwright Antoinette Nwandu and dramaturg Skyler Gray as they discuss her work and the evolution of BREACH from Victory Gardens’ 2016 IGNITION Festival lineup to its first full production as part of Victory Gardens’ 2017-2018 Season.

PANEL: YOUR BODY, YOUR CHOICE
Post-Show Conversation
Thursday, February 15 at 9:00pm
Made possible by the support of The David Rockefeller Fund 
Reproductive health care is a basic human right for women. In today’s political climate, such care is not always a guarantee. What is being done in Chicago and around the country to ensure all women have access to the services they need? Join us after the evening performance of BREACH for a discussion with representatives from Planned Parenthood and other reproductive health centers in the city.

CELEBRATION: #BLACKGIRLMAGIC
Pre-Show Celebration
Saturday, February 17 at 6:30pm
Celebrate the tenacity, beauty and creativity of Black women in Antoinette Nwandu’s BREACH, in Chicago, and around the world! For this very special public program, join us for pre-show #blackgirlmagic healing and spiritual self-love rituals. Additionally, experience free food, live art and performances in the lobby that highlight the power and potency of #blackgirlmagic.

SALON: COLLEGE NIGHT: SHIFTING IDENTITIES
Post-Show Performance
Wednesday, February 21 at 9:00pm
In BREACH, Margaret puts on a different persona depending on whether she’s around Nate, Rasheed, or her Aunt Sylvia. When the identity you project changes so frequently, how do you know who’s really you? Join us for a pre-show celebration in the lobby with free drinks and pizza. Then, stick around after the evening performance of BREACH for free post-show scenes exploring the different masks we all wear written, directed, and performed by college artists from DePaul University, Northwestern University, Loyola University, and Columbia College.

CELEBRATION: 2ND ANNUAL BLACK BEAUTY FESTIVAL
Pre-Show Festival featuring Black beauty & wellness products
Saturday, February 24 starting at 12:00pm
Sunday, February 25 starting at 12:00pm
Victory Gardens Theater believes that Black is beautiful and we know that you do too. Beauty is such an essential part of Black culture. Join us for an expo of local Black owned and operated beauty and wellness products as we celebrate Antoinette Nwandu’s BREACH.

SALON: CODE SWITCH
Post-Show Performance
Saturday, March 3 at 9:00pm
For many people of color, being adaptable is a necessary skill for everyday life. Certain circles require specific adjustments to behavior and language in order to better “fit in.” How does this continual need to code-switch affect people who just want to be true to themselves? After the evening performance of BREACH, join us for a night of spoken word by poets of color as they discuss intersecting identities and the constant balancing act between living truthfully and fitting in.

PANEL: WHEN THE SENTENCE DOESN’T END 
Post-Show Conversation
Wednesday, March 7 at 9:00pm
Made possible by the support of The David Rockefeller Fund.

After having paid their debt to society, many men and women find themselves hampered by societal and legal barriers that make it difficult get out of the prison loop and not be stigmatized by their past. Join us and our panel of legal and legislative experts as we discuss why Rasheed's story in BREACH is the exception, not the norm, and what we can do to change that.

A full and updated schedule of special events, post-show discussions, and presentations centered on performances of BREACH is available at www.victorygardens.org. All events are free and open to the public.  For more information, call 773.871.3000 or visit the Victory Gardens website.


2017/18 Women’s 
Series Major 
Production Sponsors: Janice Miller 

2017/18 Women’s 
Series Production 
Sponsors: Doris Conant; Marcelle McVay and Dennis Zacek; Jeffrey Rappin and Penny Brown; Jane M Saks, Nathan Cummings Foundation; and Bill and Orli Staley Foundation 

Major Production Sponsor: The Venturous Theater Fund of Tides Foundation

Playwright’s Society Sponsor: Anonymous; Capital Group Private Client Services; 
Janice Feinberg, Joseph and Bessie Feinberg Foundation; 
PNC Financial Services Group; and William M. Weiss Foundation

Major Season Support: Alphawood Foundation, Paul M. Angell Family Foundation, Illinois Arts Council Agency, John D. and Catherine T. MacArthur Foundation, Prince Charitable Trust, The REAM Foundation, Shubert Foundation, The Venturous Theater Fund of the Tides Foundation, and Wallace Foundation 

Travel Sponsor: Southwest Airlines 

About Victory Gardens Theater
Under the leadership of Artistic Director Chay Yew and Managing Director Erica Daniels, Victory Gardens is dedicated to artistic excellence while creating a vital, contemporary American Theater that is accessible and relevant to all people through productions of challenging new plays and musicals.  Victory Gardens Theater is committed to the development, production and support of new plays that has been the mission of the theater since its founding, set forth by Dennis Začek, Marcelle McVay, and the original founders of Victory Gardens Theater.

Victory Gardens Theater is a leader in developing and producing new theater work and cultivating an inclusive Chicago theater community. Victory Gardens’ core strengths are nurturing and producing dynamic and inspiring new plays, reflecting the diversity of our city’s and nation’s culture through engaging diverse communities, and in partnership with Chicago Public Schools, bringing art and culture to our city’s active student population.  

Since its founding in 1974, the company has produced more world premieres than any other Chicago theater, a commitment recognized nationally when Victory Gardens received the 2001 Tony Award for Outstanding Regional Theatre. Located in the Lincoln Park neighborhood, Victory Gardens Biograph Theater includes the Začek-McVay Theater, a state-of-the-art 259-seat mainstage and the 109-seat studio theater on the second floor, named the Richard Christiansen Theater.

Victory Gardens Ensemble Playwrights include Luis Alfaro, Philip Dawkins, Marcus Gardley, Ike Holter, Samuel D. Hunter, Naomi Iizuka, Tanya Saracho and Laura Schellhardt. Each playwright has a seven-year residency at Victory Gardens Theater. 

For more information about Victory Gardens, visit www.victorygardens.org.  Follow us on Facebook at Facebook.com/victorygardens, Twitter @VictoryGardens and Instagram at instagram.com/victorygardenstheater/

Victory Gardens Theater receives sustaining support from the Doris Duke Charitable Foundation, Joyce Foundation, John D. and Catherine T. MacArthur Foundation, Andrew W. Mellon Foundation, The REAM Foundation, Shubert Foundation, Venturous Theater Fund of the Tides Foundation, and Wallace Foundation. It receives major funding from Crown Family Philanthropies, Lloyd A. Fry Foundation, and Polk Bros. Foundation. Major funders also include: Allstate Insurance, Alphawood Foundation, Paul M. Angell Family Family Foundation, Edgerton Foundation, Exelon, Field Foundation of Illinois, Illinois Arts Council Agency, David Rockefeller Fund, Bill and Orli Staley Foundation, Harold and Mimi Steinberg Charitable Trust, Time Warner Foundation Inc., Virginia B. Toulmin Foundation. Additional funding this season is provided by: Alliance Bernstein, Charles H. and Bertha L. Boothroyd Foundation, Capital Group Private Client Services, Elizabeth F. Cheney Foundation, The Chicago Foundation for Women, ComEd, Nathan Cummings Foundation, Golden Country Oriental Foods, John R. Halligan Charitable Fund, ITW, JCCC Foundation, Mayer Brown LLP, The McVay Foundation, Metropolitan Capital Bank & Trust, National Endowment for the Arts, Negaunee Foundation, Roberta Olshansky Charitable Fund, Origin Ventures, Pauls Foundation, PNC Financial Services Group, Prince Charitable Trusts, Seabury Foundation, Charles & M.R. Shapiro Foundation, Wrightwood Neighbors Association. In-kind support is provided by:  Dimo’s Pizza, Fiesta Mexicana, Italian Village Restaurants, Southwest Airlines, Suite Home Chicago and Whole Foods Market. This project is partially supported by an Incent Ovate Grant from the City of Chicago Department of Cultural Affairs & Special Events.

REVIEW: Sneak Peek at Underscore Theatre Company's CHICAGO MUSICAL THEATRE FESTIVAL Through February 16th

Chi, IL LIVE Shows On Our Radar:
This is NOT Your Parents' Musical Theatre Fest

Underscore Theatre Company Presents
The 4th Annual
CHICAGO MUSICAL THEATRE FESTIVAL
February 6 – 16, 2018 at Greenhouse Theater Center

 Liberators-2 (pictured) The cast of LIBERATORS: AN AMERICAN MUSICAL, part of the 4th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.

Review:
It was my great pleasure to catch the press “Sneak Preview,” featuring a sampling of songs from the 2018 Festival. The diverse offerings for 2018 range from impassioned immigrant stories and historical sagas to irreverently raunchy gay dating comedies. Several of the shows have unusual personifications and one even features sock puppets. All in all, this is NOT your parents' musical theatre fest. These new shows all push the traditional boundaries of the genre in exciting ways. Standouts from the medley of offerings in the press preview were THE BALLAD OF LEFTY & CRABBE -- a vaudeville adventure with fun potential, GRINDR The Opera-- a high energy ribald parody that left us wanting more, MUSICAL THERAPY-- a clever premise full of sock puppets and psychology, and finally haunting vocals of “TRU”. Do note, this run of TRU is already completely sold out.


Some of our favorite full productions from the past year, like CiviliTy of Albert Cashier': A stunningly spectacular true tale about a trans soldier, sprung from past years of the fest. Since its inception in 2014, the CHICAGO MUSICAL THEATRE FESTIVAL has brought 35 new musical to Chicago stages! Come check out these fledgeling forays into new musical territory so you can claim you saw it first. 



 Discount tickets available at Chicago Theatre Week! Check it out. 


The 4th annual Festival takes place during the League of Chicago Theatres’ annual Chicago Theatre Week, with discounted tickets available to all Theatre Week performances!



Underscore Theatre Company is pleased to present its 4th annual CHICAGO MUSICAL THEATRE FESTIVAL, created to showcase and support the growing field of musical theatre creators from Chicago and beyond. This year’s Festival, featuring full productions of seven new musicals plus two staged readings, will play February 6 – 16, 2018 at the Greenhouse Theater Center, 2257 N. Lincoln Ave. in Chicago. Each full production will receive at least four performances during the Festival. Single tickets are currently available at www.cmtf.org. 

The festival provides much-needed artistic resources for emerging composer/lyricist teams to have their work supported, explored and most importantly – performed!

Production Schedule & Tickets:

Curtain times: Tuesdays, Wednesdays & Thursdays at 8 pm; Fridays at 7:30 pm & 10 pm; Saturdays at 12 pm, 3 pm & 8 pm; Sundays at 12 pm, 3 pm & 6 pm. For a detailed scheduled of productions, please visit www.cmtf.org.

Tickets: $20 ($15 during Chicago Theatre Week). Tickets are currently available at www.cmtf.org.



The full line-up for the 4th annual CHICAGO MUSICAL THEATRE FESTIVAL includes:


(left to right) Vi Tran, Michael Van Pham, Carolyn Plurad and Diana Lee in THE BUTCHER'S SON, part of the 4th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.


THE BUTCHER'S SON
Book, Music & Lyrics by Vi Nhan H. Tran
Directed by Mackenzie Goodwin Tran, Music Direction by Ben Byard 
Cast: Todd Aulwurm, Jennifer Cheung, Carolyn Plurad, Diana Lee, Vi Tran and Michael Van Pham


(left to right) Carolyn Plurad and Vi Tran in THE BUTCHER'S SON, part of the 4th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.

Born in Vietnam and raised in southwestern Kansas, Vi Nhan H. Tran is torn between the mysterious secrets of his heritage and the waving wheat fields of his adopted home. A poignant and humorous folk musical memoir, The Butcher’s Son chronicles the Tran family’s escape from Vietnam, imprisonment by the Khmer Rouge and resettlement in the cattle country of America. Tran weaves a thrilling refugee story and All-American tale of how family stories become family lore and where one family's search for a home ends.

GRINDR The Opera
Book, Music and Lyrics by Erik Ransom
Directed by Rachel Klein, Music Direction by Oliver Townsend
Choreography by Rachel Klein and Shawn Quinlan
Cast: Connor Baty and Nathan Cooper. Additional casting to be announced.

Four gay men, seeking different types of connection, intersect to hilarious and calamitous results in this sung-through musical parody that puts the notorious gay hook-up app into the exaggerated world of opera. With musical styles ranging from contemporary pop to baroque, GRINDR The Opera is a daring, humorous look at the changing landscape of gay relationships, and the greatest catalyst for the shift: GRINDR.

IRON IRENE: A MUSICAL FABLE
Book by Liz Falstreau, Lyrics by Liz Falstreau and Ashley Flanagan, Music by Ashley Flanagan, Orchestration by Asher Carlson
Directed by Chris Causer, Choreography by Kira Christoforidis
Cast: Rena Ahmed, Luciana Bonifazi, Raymond Cleveland, Dylan Connelley, Casey Daniel, Liz Falstreau, Josh Greiveldinger, Tim Huggenberger, Josiah Robinson, Carly Sue Skankey, Maiko Terazawa and Elliot Watts

Set during the years following the American Civil War, Iron Irene tells the story of two sisters and their fight for family, equality and a better world. Upon the death of their parents, Cassie DeLanie is sent from her home in Milwaukee, Wisconsin to live in southwestern Wyoming with her sister, Irene. Together, the sisters must learn to adjust to this new world while still attempting to maintain the beliefs and identities of their childhood. Their adventures will lead them to Wyoming’s shining moment: being the first U.S. territory to grant women’s suffrage.


(pictured) The cast of LIBERATORS: AN AMERICAN MUSICAL, part of the 4th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.

LIBERATORS: AN AMERICAN MUSICAL
Book and Lyrics by Eric C. Jones, Music by Bradley Dean Whyte and Alex Winkler,
Orchestrations by Nate Weil
Directed by Allison Heinz, Music Direction by Samantha Westlake
Choreography by Jaime Raglow
Cast: Isabel Breanahan, Caitlin Dobbins, Shelby Edwards, Chris Furrer, Luke Halpren, Alex Iacobucci, Jillian Jocson, Kate Jordan, Natalie Kreft, Lynette Li, Cari Meixner, Emily Moon, Mike Movidio, Gage Peterson, Christopher Ratliff, Colton Schied, Kati Schwaber, Allison Taylor, Thomas Tong and Evan Wilhelm

 
(left to right) Caitlin Dobbins and Luke Halpern in LIBERATORS: AN AMERICAN MUSICAL, part of the 4th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.


 
(pictured) The cast of LIBERATORS: AN AMERICAN MUSICAL, part of the 4th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.

A powerful rock musical about forgiveness, restoration, the power of friendship and what it means to be a family. This moving tale intersects and moves back and forth throughout 70 years and tells the story through the viewpoints of three unlikely men from different religious and ethnic backgrounds who are connected through a priceless family heirloom: a gold pocket watch. From the start of WWII to post-911 America, the lives of these characters will forever be changed during the historic liberation of Buchenwald and Dachau. Liberators: An American Musical encourages you to believe that even the most unlikely person can make a difference.

MUSICAL THERAPY
Music and Lyrics by Joey Katsiroubas, Book by Dan Hass
Directed by Madison Smith, Music Direction by Joey Katsiroubas
Choreography by Katelyn Stoss
Cast: James Bleecker Jr., Kirby Gibson, Matt Lamson, Alex Madda, Tommy Ross, Sophie Scanlon and Ashlyn Seehafer

Theresa is a young, single couples’ counselor in Chicago. While she’s great (well, okay) at keeping couples together, she can’t seem to lock down a guy for herself. And the fact that she tends to get attached (well, neurotic) after just one date doesn’t help either. Cut to Mr. Wonderful moving into the office next door: beautiful, bulgy-biceped Will. It’s obsession at first sight, and no obstacle or girlfriend is going to keep Theresa from being with him. She’ll ruin relationships, sabotage dates, push people out of the closet – mixing and matching her clients until it’s just Wonderful and her. Forever. And ever. 

THE BALLAD OF LEFTY & CRABBE
Book by Brian Huther, Ben Auxier and Seth Macchi, Music and Lyrics by Ben Auxier and Brian Huther, Arrangements and Music Direction by Ryan McCall
Cast: Ben Auxier, Molly Denninghoff, Ryan Hruza, Brian Huther, Nellie Maple, Mike Ott, Shea Pender and Elise Poehling

Set in the 1920s during the decline of Vaudeville and the rise of Hollywood, The Ballad of Lefty & Crabbe tracks the journey of an ultra-sharp but down-on-their-luck comedy duo as they navigate the rapidly changing world of entertainment. With a cast of eight portraying nearly fifty characters, audiences will quickly lose themselves in this absurd and delightful comic world and leave with smiles on their faces.


(left to right) Meredith Kochan and Chuckie Benson in “TRU,” part of the 4th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.

“TRU” 
Book, Music, and Lyrics by David Gosz and Leo Fotos
Directed by Max Cervantes, Music Direction by Erik Pearson
Cast: Bradley Atkinson, Chuckie Benson, Kiko Laureano, Nic Mains, Hannon McEldowney, Meredith Kochan, Randolph Johnson, Marssie Mencotti, Marissa Pattullo and Marco Tzunux

 
(front, l to r) Marissa Pattullo, Bradley Atkinson and Kiko Laureano with the cast of “TRU,” part of the 4th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.


TRU-3 (pictured) The cast of “TRU,” part of the 4th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.


Through intricate characters and intimate music, “TRU” paints a picture of how hauntingly beautiful life can be. “TRU” explores the joys and challenges of the many relationships that are formed throughout one’s life, testing the various forms of love – between a man and his father, between a granddaughter and her grandmother, between a woman and her art, between a student and his teacher, between a man and himself. Walking hand in hand with reality, “TRU” toes the line between what is unbelievable and what is true.



Workshop Productions:

Monday, February 12 at 8 pm
MURDEROUS INNOCENT
Book by Tommy Jamerson, Music and Lyrics by Mark Contorno

Jacob Freeman seems to have it all; a thriving career, a bestselling novel, and an adoring wife. But when his past comes to haunt him in the form of his estranged seventeen year old daughter, Jacob’s perfect life is suddenly turned on its head and secrets long since buried begin to rise to the surface yet again.

Monday, February 19 at 8 pm
NOTES AND LETTERS
Book, Music and Lyrics by Annabelle Revak

Joe Loula departs war-torn Bohemia for Chicago in 1917 seeking a new job and a new independence. He quickly befriends Charlie, Nora and Olivia at Williams’ Custom Pianos. As the foursome become inseparable, the U.S. plunges into the World War I: businesses, relationships and pride are put to the test. A true story set to a jazz score, Notes and Letters chronicles the attempt to find an even beat in a world where the meter is constantly shifting. 




Are you a die-hard musicals fan? Do you want to see some terrific new shows and get invited to some exclusive events? Buy a festival pass and save!

What do I get?

1 ticket to all 7 festival full-length shows
Save 25% on your tickets, with no single-ticket fees
Exclusive invite to our February 5th press preview night to get a sneak-peek at all of this year's shows
Exclusive invite to our closing awards ceremony on February 25th
Stand at the FRONT of the line for every show, to make sure you get the best seats in the house

How much does it cost?
A 7-show festival pass costs only $120. Buy one HERE.

Once I get my pass, how do I use it?
Go to buy a ticket just like normal. Once you log in, you will be prompted to use your pass like any other payment method.

About Underscore Theatre Company 
Founded in 2011, Underscore Theatre Company is a team of producing artists dedicated to exploring stories of power and resonance through a musical lens; fostering the development of new musicals; and bolstering Chicago’s role as a national leader in musical theatre. Since its creation, Underscore has produced 44 new musicals in Chicago. Underscore is proud to be Chicago's home for new musicals.

OPENING: BUNNY BUNNY: Gilda Radner, A Sort of Love Story at Mercury Theater Chicago Through April 1,2018

Chi, IL LIVE Shows On Our Radar:

Mercury Theater Chicago Announces Cast of 
BUNNY BUNNY: 
Gilda Radner, A Sort of Love Story 
February 9 – April 1, 2018


**running time approximately 2:20, including one 15 minute intermission**

ChiIL Live Shows will be ChiILin' at Mercury Theatre for the press opening Sunday, February 11th, so check back soon for my full review. I'm eager to catch this tribute to a fabulously funny, endearing and enduring friendship, written by and about Alan Zweibel and comedian extraordinaire, Gilda Radner. I'm also looking forward to another after party/reception in the fabulously fun and aptly named, Venus Cabaret space, next door to Mercury. They're ready to start hosting smaller cabaret shows there this spring. 

The performance schedule for BUNNY BUNNY is Wednesdays at 8pm, Thursdays at 8pm, Fridays at 8pm, Saturdays at 3pm and 8pm and Sundays at 3pm.

Individual tickets range from $30-$55, and are available online at MercuryTheaterChicago.com, over the phone at 773.325.1700, or in person at 3745 N. Southport Avenue, Chicago.


The perfect way to celebrate Valentine's Day. 
Valentine's Day is on its way, and BUNNY BUNNY: GILDA RADNER, A SORT OF LOVE STORY is the perfect way to celebrate. Join us for this intimate, touching play about the special relationship between Gilda Radner and Alan Zweibel. 

Valentine's Date Special
2 Tickets for the Valentines' Night Show plus a Champagne Toast for $80.
February 14th at 8pm

Join us for a champagne toast before the show and enjoy premium seats for BUNNY BUNNY: GILDA RADNER, A SORT OF LOVE STORY.

Enter code:
"VALENTINE" 

Limited availability - offer valid 2/14 only. Valid on "regular" full-priced tickets only. Not applicable on previous purchases.



Mercury Theater Chicago, 3745 N. Southport Avenue – is pleased to announce the cast and creative team of BUNNY BUNNY: GILDA RADNER, A SORT OF LOVE STORY, running from February 9th through April 1st. 

Led by Director Warner Crocker, Dana Tretta makes her Mercury Theater Chicago debut in the role of beloved comedian Gilda Radner, alongside Jackson Peter Evans as “Saturday Night Live” writer Alan Zweibel.

A funny, tender, and touching play, based on the book of the same name, former Saturday Night Live writer Alan Zweibel recalls his eccentric kinship spanning 14 years with beloved SNL actress Gilda Radner.



Gilda Radner was one of the great comic geniuses of the 20th century. Her life-long friend and comedy writer Alan Zweibel has written this loving tribute to Gilda. BUNNY BUNNY is based on their curious bond, a relationship that was always emotional but never physical. Comic and heartbreaking, this play follows these two overgrown kids as they ride bumper-car lives right up to Radner’s death from ovarian cancer. Their loyalty and love glows through every scene.

Gilda showed the nation that we should all live life to its fullest, that a sense of humor is key to survival and really does make the world brighter. She left a legacy of courage and comedy. In her honor, Gene Wilder established the first Gilda's Club in New York, a free counseling center for cancer patients and their families. A portion of the proceeds of this production of BUNNY BUNNY will be donated to Gilda's Club to help continue her important legacy.

Alan Zweibel is an original “Saturday Night Live” writer who the New York Times says has “earned a place in the pantheon of American pop culture,” Alan Zweibel has won multiple Emmy, Writers Guild of America, and TV Critics awards for his work in television, which also includes It’s Garry Shandling’s Show, Monk, PBS’s Great Performances, and Curb Your Enthusiasm.

Written by Alan Zweibel, BUNNY BUNNY will feature Dana Tretta as Gilda Radner and Jackson Peter Evans as Alan Zweibel. Jason Grimm will play the role of “everybody else” with Jake Bradley and Anna Segatti rounding out the cast. Scenic design is by Jacqueline and Richard Penrod, costume design is by Robert Kuhn, lighting design is by Kristof Janezic, sound design is by Mike Pryzgoda and wig design is by Kevin Barthel.



UPGRADE YOUR EXPERIENCE
Upgrade your experience at BUNNY BUNNY with a VIP Dinner Package. Packages include a premium ticket to the show, dinner at Grassroots Eatery, complimentary parking, intermission treats and a meet & greet with cast member(s) after the show. More information HERE.




The beautifully renovated Mercury Theater Chicago is an intimate jewel box of a theater in the heart of the Southport Corridor, a sophisticated neighborhood of restaurants and boutiques just steps from Wrigley Field. A delightful theater destination, Mercury Theater Chicago takes care of its guests from the moment they arrive with valet service and dining at its adjoining restaurant, Grassroots.





Tuesday, February 6, 2018

OPENING: Bertolt Brecht's FEAR AND MISERY IN THE THIRD REICH Via Haven Theatre at The Den 2/8-3/11/18


 Chi, IL LIVE Shows On Our Radar:


Casting Announced!
Haven Theatre Presents
FEAR AND MISERY IN THE THIRD REICH
By Bertolt Brecht
Translated by Eric Bentley
Directed by Artistic Director Josh Sobel


February 8 – March 11, 2018 at The Den Theatre

Haven Theatre is pleased to continue its 2017-18 Season with Bertolt Brecht’s unsettling and unflinching drama FEAR AND MISERY IN THE THIRD REICH, translated by Eric Bentley and directed by Artistic Director Josh Sobel, playing February 8 – March 11, 2018 at The Den Theatre's Janet Bookspan Theatre, 1333 N. Milwaukee Ave. in Chicago. Tickets are currently availale at haventheatrechicago.com


I'll be ChiIlin' at the press opening on February 13th, at Chi, IL's Den Theatre, so check back soon for my full review. 


All Production Photos by Joe Mazza/Brave Lux.

FEAR AND MISERY IN THE THIRD REICH features Joe Bianco, Amanda De La Guardia, Alys Dickerson, Elizabeth Dowling, Simon Hedger, Niko Kourtis, Kyla Norton, Siddhartha Rajan, Alexis Randolph and Jessica Dean Turner.

As Germany careens toward war, an entire society begins to crack, and the seeds of chaos and tragedy take root in the minds of its citizens. Josh Sobel (We're Gonna Die) helms an ensemble-driven production of Brecht's 1938 classic with a contemporary eye – a warning of how insidiously a culture can make space for atrocity, and a call to never allow it to happen again. 






Comments Artistic Director Josh Sobel, "As the world finds itself in the midst of its next great cultural shift, Brecht's examination of the common citizen and how a society can be led to accept the inhumane feels strikingly immediate. Brecht wrote this play reflecting and pulling back the curtain on the news of the day as it was happening around him, providing an unnerving and – in our current moment – all too important call to confront injustice as it happens and to firmly and proudly say: No. With this production we seek to serve one of Haven's core values – the Future – through an intimate and personal look at our past and how such fatal mistakes were allowed to take place."



The production team for FEAR AND MISERY IN THE THIRD REICH includes Yu Shibagaki (scenic design), Izumi Inaba (costume design), Claire Chrzan (lighting design), Sarah D. Espinoza (sound design), Jeffrey Levin (original music), Sasha Smith (movement design), Abhi Shrestha (dramaturg, associate movement director), Angela Salinas (production manager), Madisen Dempsey (assistant director), Anna Sung-En Medill (assistant director) and Corbin Paulino (stage manager).



Regular run: Thursday, February 15 – Sunday, March 11, 2018
Curtain Times: Thursdays, Fridays & Saturdays at 8 pm; Sundays at 3 pm

Tickets: Previews: pay-what-you-can. Regular run $18. Tickets are currently available at haventheatrechicago.com.




Artist Biographies
Bertolt Brecht (Playwright) 1898-1956, playwright, poet and director, was born in Augsburg, Germany in February 1898. He established himself as a playwright during the 1920s and early 1930s with plays such as Baal, Man is Man, The Threepenny Opera and The Mother. In 1933, as Hitler came to power in Germany, Mr. Brecht fled to Scandinavia before eventually settling in the USA where he remained until 1947. During the war years, he wrote many of his best-known plays, including The Life of Galileo, The Caucasian Chalk Circle, Mother Courage and Her Children and The Resistible Rise of Arturo Ui. He returned to Europe in 1947 and shortly after his arrival formed the Berliner Ensemble. He died in Berlin on August 14, 1956 but remains a hugely influential theatre practitioner.

Eric Bentley (Translator) was born in England in 1916, became an American citizen in 1948, in 1998 was inducted into the (American) Theatre Hall of Fame, and in 2011 won a gold medal from the American Academy of Arts and Letters. Scholar, critic, teacher, performer, translator and, finally, playwright, he has had many books published and many plays and adaptations performed, the latter feature making him a star of the Samuel French catalogue. Several of his critical works have become classics, notably The Playwright as Thinker, Thinking about the Playwright and The Life of the Drama. Today, nine of his plays are published by Northwestern University Press in three volumes entitled Rallying Cries, Monstrous Martyrdoms and The Kleist Variations. Four more Bentley titles have recently been published by Broadway Play Publishing Inc: Round One, Round Two, A Time to Die and A Time to Live and The Sternheim Trilogy.

Josh Sobel (Director) is a Chicago-based director and Artistic Director of Haven Theatre Company. Recent credits include We're Gonna Die at Haven, Bobbie Clearly at Steep (Jeff Award winner, Best New Work), The Long Christmas Ride Home and Hunting of the Snark (also Edinburgh Fringe) at Strawdog, Rosencrantz & Guildenstern are Dead at Metropolis and The Importance of Being Earnest featuring Lisa Tejero at Iowa Summer Rep, University of Iowa. Additional credits include work at Chicago Dramatists, Red Orchid, Victory Gardens, Sketchbook, The Ruckus, Greenhouse Theater Center, Abbie-Fest and New Leaf. From 2010-2013 Josh served as Associate Director of the National Theater Institute summer "Theatermakers" program at the Eugene O'Neill Theater Center. Recipient, Stage Directors and Choreographers (SDC) Observership, Hamlet at Writers' Theatre. Associate member, SDC. 



About Haven Theatre:
NEXT GENERATION. NEW CANON. SOCIAL PROFIT.

We exist to be a Haven for The Future. We achieve this through championing the next generation of playwrights, directors and actors by producing and promoting plays and performances that are staking their claim as the immediate future of this art form, and by investing in those at the very beginning of their professional journeys. Through this inspiration, we seek to ignite in each audience member a hope for the Future - the Future of theatre and performance, the Future of each other, the Future of our community.













REVIEW: Podcasts, Park Trysts and Friendships Spark in BPBCo's Hilarious Speech & Debate

Chi, IL LIVE Shows On Our Radar:

Non-Equity Chicago Debut of
Speech & Debate


by Tony-winner Stephen Karam
directed by David Lipschutz

Running Time: 90-minutes 



Review:
This terrific trio embody high school struggles with believable humor and angst. The reluctant friendships that develop as this group of loners bond, is a joy to see. When the adults have their own agendas, like book promotion or sexual gratification, these teens grab their own destinies and hit the ground running.  The writing is superb and framing the scenes as competitive Speech & Debate styles is ingenious and a lot of fun to see. Add to that, Brown Paper Box Co. is renting one of our fav venues for the first time, The Edge Theater, and it's a win. The Edge has comfortable seating with cup holders, and a bar in the front lobby. Grab a drink and settle in for this battle of words and wills. Don't miss this. Recommended. 


February 2 - March 4, 2018

The Edge Theater in Chicago’s Edgewater neighborhood

Following their Jeff Award Recommended run of They’re Playing Our Song, Brown Paper Box Co. concludes their 2017/2018 season with the non-Equity Chicago debut of Tony Award winner Stephen Karam’s Speech & Debate. BPBCo. Board President David Lipschutz* helms the timely dark comedy at The Edge Theater (5451 N. Broadway, Chicago, IL 60660).

Three teenage misfits in Salem, Oregon discover they are linked by a sex scandal that's rocked their town. When one of them sets out to expose the truth, secrets become currency, the stakes get higher, and the trio's connection grows deeper in this fiercely funny dark comedy with music. ​More information - including ticketing, group & student sales, LGBTQ+ tie-ins, and behind-the-scenes insights - can be found at www.BrownPaperBox.org

Where: The Edge Theater, 5451 N. Broadway, Chicago, IL 60660
Preview: Friday, Feb 2, 2018 @ 7:30pm

Opening Night: Saturday, Feb 3, 2018 @ 7:30pm

Press Performances: Sunday, Feb 4, 2018 @ 3:30pm and ​Monday, Feb 5, 2018 @ 7:30pm


Regular Run: Friday, Feb 9 - Monday, Feb 12, 2018
Friday, Feb 16 - Sunday 18, 2018
Thursday, Feb 22 - Understudy Performance
Friday, Feb 23 - Sunday, Feb 25, 2018
 
Thursday, March 1 - Sunday, March 4, 2018
Tickets: On sale now at www.BrownPaperBox.org

“I am excited to stage Speech & Debate with BPBCo. because I’ve been performing, coaching, and judging at forensics competitions for over twenty years,” says director Lipschutz.  “The play holds a special spot in my heart since these high school misfits form an unforeseen friendship after starting their speech and debate team. This is reminiscent of my own high school experience as many of my closest and longest friendships began on the very same teams.”

Speech & Debate stars Trevor Bates (Howie), Austin Book (Howie u/s), Michael Brigance (Solomon u/s), Molly Coleman (Diwata u/s), Elise Marie Davis (Teacher/Reporter), Lauren S. Deaton (Teacher/Reporter u/s), Darren Patin (Solomon), and Deanalís Resto (Diwata).

The production staff and design team includes David Lipschutz* (Director), Sally Baker (Casting Assistant), Zach Dries* (Photographer/Videographer), Jeanine Fry (Costume Designer), ​Sara Heymann* (Properties Designer). Becca Holloway (Ass’t Director/Choreographer), ​Torrey Meyer (Scenic Designer), ​M. William Panek* (Box Office Manager), Erin Pleake (Lighting & Projection Designer), ​Deanna Satin (Stage Manager), Anna Schutz* (Production Manager), Charlie Sheets* (Graphic Designer), Daniel Spagnuolo* (Casting Associate), Gin To (Production Intern), and ​Becca Venable​ (Sound Designer).




Artist Bios

Stephen Karam (Playwright) plays include The Humans (Tony Award, Obie Award for Playwriting and Pulitzer Prize finalist), Sons of the Prophet (Pulitzer Prize finalist), and Speech & Debate. His adaptation of Chekhov’s The Cherry Orchard premiered on Broadway as part of Roundabout’s 2016 season; his film adaptation of The Seagull starring Annette Bening will premiere in 2017. Recent honors include two Drama Critics Circle, Outer Critics Circle and Drama Desk Awards; a Lucille Lortel Award, Drama League Award and Hull-Warriner Award. Stephen is a graduate of Brown University and grew up in Scranton, PA.



David Lipschutz* (Director)  BPBCo. member. David has directed with Hell in a Handbag (company member), Underscore Theatre, Generic Theatre Company, and several high schools throughout Chicagoland (where he ironically also coached and judged at speech and debate competitions). He recently assistant directed The Clockwork of the Lonely Soul with Runaways Lab Theatre's DDADIS Festival, and understudied/performed in At the Table (Non-Equity Jeff Award, Best Play) with Broken Nose Theatre. Next up, David is directing The Golden Girls: The Lost Episodes, Holiday Edition with Handbag. Thanks to BPBCo. for this incredible opportunity and to BC/KJOC.

Trevor Bates (Howie) is an actor, dancer, writer, and sketch comedian. Recent acting credits in Chicago include The Tempermentals (About Face, u/s); Jerker (Pride Films and Plays); The Wig Bullies (Chicago Nerd Comedy Festival at Stage 773) and The Merchant of Venice, Peter Pan & Wendy, and Metamorphosis (The Theatre School at DePaul) TV: "Play by Play." Love to his family, his vegan tribe, and all brave actors out there.

Elise Marie Davis (Teacher/Reporter) is very happy to be working with Brown Paper Box Co. for the first time! She is the Associate Artistic Director and Casting Director of Broken Nose Theatre, where she was last seen in the recent Jeff Award Winning production of At The Table. Elise is also a company member with The Factory Theater. Her Chicago acting credits include the Lyric Opera, Artemisia, Strawdog, Route 66, The New Colony, Midsommer Flight, Level 11, American Blues, Hobo Junction, and Pride Films and Plays. As a playwright, she has had her work performed at First Floor Theater, BNT, and Arc Theatre, while her play, A Phase, has been taught at the University of Chicago. She is represented by Big Mouth Talent Agency.

Darren Patin (Solomon) ​is excited to be making his Brown Paper Box Co. debut as Solomon in Speech & Debate! A recent BFA Musical Theatre Performance graduate of Columbia College Chicago, his credits include: David Heard (Choir Boy – Raven Theatre), Marco/John Paul understudy/Dance Captain (Little Fish -Kokandy Productions), Male Swing (The Wiz - Kokandy Productions), “Mohawk Guy” (High Fidelity – Refuge Theatre Project), and “CB” (Dog Sees God – CCC). He would like to thank his amazing family and friends for their constant love and support!



Deanalís Resto (Diwata) is a Pennsylvania-Rican teatrista who earned her Musical Theatre degree from Ithaca College. Having previously worked with BPBCo. (They’re Playing Our Song, "Positively Present") she is stoked to be back with the BPBCo. family! Deanalís has also worked with BoHo Theatre, Refuge Theatre Project, Theo Ubique, Oracle, Emerald City Theatre, Teatro Luna, Free Street Theater, & Rabid Bat Theatricals. She has also spent the last four years working as an actor, deviser, and teaching artist with For Youth Inquiry (FYI) at the Illinois Caucus for Adolescent Health (ICAH), which designs participatory plays and theatre-based workshops for youth about sexual health and reproductive justice.

About Brown Paper Box Co.
Brown Paper Box Co. creates challenging and inspiring theatre that focuses on the text. By employing a smart, simple aesthetic in intimate spaces, we connect audiences directly to the heart of the story. For more information, please visit www.BrownPaperBox.org.

*Denotes Brown Paper Box Co. members


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