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Sunday, May 19, 2013

Summer Camp Music Festival Photo Filled Feature Sunday 2012 @summercampfest @SCamp12 @SCamp13



SCamp12 Sunday/Monday

Calling all SCamp's and Scoundrels.... ChiIL Live Shows will be scampin' to the beat this Thurs-Sunday... will YOU?!


We'll be going dark on line this Thursday through Monday at both of our sites, and takin' to the woods, for 4 full days of photo filled coverage of SCamp13!   

The slideshow above features our full, unedited photo coverage from Sunday/Monday at Summer Camp Music Fest 2012.   Enjoy!   





Summer Camp 2012 was a blast, from a multi band stellar lineup of orchestrated improv in the Red Barn...







to a burlesque tent show... 



and a main stage extravaganza by infamous alt rock legend, Perry Farrell and Jane's Addiction.



Here's Perry telling the glo stick throwing ravers & jam band kids just where they can stick 'em!


*Click here for loads of ChiIL Live Shows & ChiIL Mama's past SCamp Coverage going back years.





















 

























 
















All photos are by Bonnie Kenaz-Mara for ChiILLiveShows.com/ ChiILMama.com. 

ACT OUT OPENING: InFusion Theatre Co. Presents Fight Girl Battle World at Theater Wit #review



ChiIL Mama and Sagezilla (10) had a chance to check out opening night and Fight Girl Battle World rocks.   This show is the good kind of cheese--a campy, kooky space romp with a kickin' grrrrrl power protagonist, effective use of multimedia screens, scale model space toys, and puppetry with creepy manipulators in head to toe black spandex.    Highly recommended!



Sheila O'Connor as E-V kicks some serious alien butt as the last human girl in the known universe

Visiting Company InFusion Theatre Co.
Fight Girl Battle World
by Qui Nguyen
directed by Mitch Golob

Now playing through June 16, 2013






The costumes and alien characters were particularly fun, although Sagezilla really dug this one and felt sorry for his defeat.

We'd rate this one PG13, for stage violence, minor language and some "sex talk", but it's basically appropriate for tweens & teens and up.  There's nothing too violent or over the top and we both thoroughly enjoyed the two level stage combat, the creative costumes, grrrrrl power, and clever script.   Though the stage combat, choreography and "martial arts" are relatively simplistic, there's enough campy humor and colorful characters to carry the show.


Sarcastic playwright robots and vengeful pink haired generals round out the colorful, hilarious cast.

 

Theater Wit
1229 W. Belmont Avenue
Chicago, IL 60657

Tickets are $25; $15 for students & seniors, $12.50 industry tickets on Thursdays & Sundays

Regular Run (through June 16):
  • Thursday, Friday & Saturday at 8:00 pm, and Sunday at 3:00 pm


Here's what InFusion has to say:

From the team that brought you our hit production of Soul Samurai, comes an action-packed sci-fi saga that blends punch-ups and parody into one delicious mix. Set in a futuristic universe where humanity is nearly non-existent, Fight Girl revolves around E-V, a hardnosed prizefighter and the last known female human in the galaxy. We infuse video projection, puppetry, stage combat, and much more in this raucous Midwest premiere.
Running Time: 1 hour 50 minutes with intermission

InFUSION THEATRE CO. PRESENTS THE MIDWEST PREMIERE OF QUI NGUYEN’S FIGHT GIRL BATTLE WORLD,
MAY 14 – JUNE 16

InFusion Theatre's Artistic Director Mitch Golob Blends Stage Combat, Multi-Media, and Puppetry In An Action-Packed Sci-Fi Comedy At Theater Wit

InFusion Theatre Company is proud to announce its second collaboration with award-winning playwright Qui Nguyen with the Midwest premiere of Fight Girl Battle World, directed by InFusion Artistic Director Mitch Golob, May 14 – June 16, at Theater Wit, 1229 W. Belmont Ave. Performances are Thursdays - Saturdays at 8:00 p.m. and Sundays at 3:00 p.m. Preview tickets are $10. Tickets are $25 for general admission, $15 for students and seniors, and $12.50 for industry professionals Thursdays and Sundays only. Tickets are on sale now at infusiontheatre.com or by calling 773-975-8150. 

From the team that brought you Soul Samurai, comes a new chapter of interspace anarchy from Qui Nguyen, Fight Girl Battle World. Set in a futuristic universe where humanity is nearly non-existent, Fight Girl revolves around E-V (Sheila O’Connor), a hardnosed prizefighter and the last known female human in the galaxy. The New York Innovative Theatre Awards nominated Fight Girl for Best Production of a Play, Best Original Full Length Script, Best Direction, Best Featured Actor and Best Sound Design during its world premiere. 

Additional Fight Girl Battle World cast includes Brian Barber, Rob Grabowski, Kimberly Logan, Steve Thomas, Michael Harris, Zach Livingston, Meredith Rae Lyons, Elise Mayfield, Kai Young and understudies Maureen Yasko and Kevin Anderson.

The production staff includes David Blixt, fight choreographer; Rasean Davonte Johnson, co-video designer; Anna Henson, co-video designer; Kimberly Morris, puppetry designer, Dave Ferguson, set designer; Charles Cooper, lighting designer, Stephen Ptacek, sound designer; Rachel Sypniewski, costume designer; Cassy Schillo, props designer; Majel Cuza, production manager; Jason Crutchfield*, stage manager and Claire Tuft, casting director.
*Connotes InFusion Company Member


Boyish women (or are they curvy males?!) and regenerating megalomaniacs add to the drama.  All Production Photos by Johnny Knight

ABOUT QUI NGUYEN
Qui Nguyen is a playwright and co-founder/co-artistic director of the OBIE Award-winning Vampire Cowboys Theatre Company of New York City.  His plays include She Kills Monsters (currently running in Steppenwolf’s Garage Rep and premiering in Boston; originally produced by The Flea in NYC); Krunk Fu Battle Battle (East West Players); Trial By Water (Ma-Yi Theater); Bike Wreck (Ensemble Studio Theatre); Soul SamuraiThe Inexplicable Redemption of Agent G (Ma-Yi Theater & Vampire Cowboys); Alice in SlasherlandMen of Steel; and Living Dead in Denmark (Vampire Cowboys). Qui is a proud resident artist of New Dramatists, a core member of The Playwrights Center, an alumnus of Youngblood and a member of Ensemble Studio Theatre and The Ma-Yi Writers Lab.  Currently, he’s the playwright-in-residence at Mixed Blood Theatre in Minneapolis.

ABOUT MITCH GOLOB
Mitch Golob has directed InFusion’s first eight productions:  the world premieres of The Improv PlayPluto is Listening, Ghostbox and Créole (nominated for five Black Theatre Alliance Awards), the United States premiere of The Last Supper, and the Midwest premieres of Intrigue With FayeRhymes With Evil, and Soul Samurai.  Some of his other directing projects include 8 By Tenn at Hartford Stage Company, where he worked with Tony Award winners Elizabeth Ashley and Amanda Plummer.  He directed the U.S. premiere of Jump to Cow Heaven at Profiles Theatre, And Then They Came For Me at Apple Tree Theatre, and was associate director of the award winning world premiere of Hannah & Martin at TimeLine Theatre. 

ABOUT INFUSION THEATRE COMPANY
InFusion Theatre Company seeks out new plays and “infuses” them with other elements of entertainment such as music, dance, and film. “We strive to create dynamic performances by combining different forms of entertainment that will result in both exciting and thought-provoking work and we focus on giving voice to new works, as well as looking at older works in a new way,” says Artistic Director Mitch Golob.

Qui Nguyen’s Fight Girl Battle World, directed by InFusion Artistic Director Mitch Golob runs May 14 – June 16 at Theater Wit, 1229 W. Belmont Ave.   Performances are Thursdays - Saturdays at 8:00 p.m. and Sundays at 3:00 p.m.   Tickets are $25 for general admission, $15 for students and seniors and $12.50 for industry professionals Thursdays and Sundays only. Tickets are on sale now at infusiontheatre.com or by calling 773-975-8150.




ACT OUT KIDS EXTENDED: The Silent Language at TUTA Studio Theatre




NOW EXTENDED

"★★★★...Critic's Choice" -Timeout Chicago

"Highly Recommended" - Chicago Reader

April 19-June 9, 2013
The Silent Language by Miodrag Stanisavljevic
Directed by Jacqueline Stone
THIS is The Silent Language:











NEW!  


TUTA is now using social media - connect with us on Facebook and Twitter to get all the latest news!
You can also catch up with our blog.


The Silent Language By Miodrag Stanisavljevic @ TUTA Studio Theatre
"The Silent Language", a U.S. premiere, by Serbian playwright Miodrag Stanisavljevic, translated by Zoran Paunovic, is a highly musical and darkly comedic fairy tale. Written in the 1981, "The Silent Language" is an adaptation of an old Serbian folk tale originally called Nemusti Jezik.  It follows the journey of a young village servant named Poor Gasho as he gains the ability to understand the "the silent language."   As defined in this story, it is the language that only animals can speak and understand.  On a larger scale, the script also speaks to the things we see and hear in everyday life, but fail to recognize due to our inabilities to listen and focus on details.  

Stanisavljevic's structure is exciting and risky, marking a departure from the typical "alls-well-that-ends well" fairy tale structure.  It's very open and at times, exposes the harsh realities of both good and evil.  A large forest provides a backdrop for countless discoveries, facing your fears, and finding secrets in unexpected places.

"The Silent Language" will mark two big milestones at TUTA.  It will be the U.S. premiere of a rarely produced Serbian play and it will mark the directorial debut at TUTA of their newly appointed Artistic Director, Jacqueline Stone.  Stone, a co-founder and longtime company member, brings a wealth of experience and a unique understanding of TUTA's mission and desire to bring innovative international works to American audiences.  The Silent Language is an ensemble piece, and will draw upon the long tradition and commitment TUTA has to working with its company members.  It's musical in both form and content, and there will be a continued exploration of TUTA's commitment to original and rearranged forms of music.  

The production features the talents of company member Jaimelyn Gray, and guest artists Sean Ewert, Laurie Larson, Carolyn Malloy, Max Lotspeich, Aaron Lawson, and Angela Bullard, under the direction of Jacqueline Stone (co-founder).  Design and technical collaborators include:  Original Music and Musical Direction by Wain Parham; set design by Michelle Lilly; costume design by Branimira Ivanova; lighting design by Keith Parham; sound design by Joe Court; prop design by Joel Lambie; and stage management by Allison Raynes.

Artistic Director and Co-Founder Jacqueline Stone directs "The Silent Language", which makes this the 13th production she has been artistically a part of for the company over the last eleven years.  As an actress, she has appeared in numerous TUTA productions including The Wedding (1996, 2010, 2011), The Hour, Alice, Little Prince, Still Life in Color, Uncle Vanya (2008, 2009), Baal, and Fulton Street Sessions.  Other Chicago theatre she has worked with include Chicago Dramatists, The Second City, Prop Thtr, 20% Theatre Company, WNEP Theatre, New Leaf Theatre, Backstage, Brown Couch, and io (formerly Improv Olympic).  Stone recently directed the world premiere of Chelsea Marcantal's Devour at 20% Theatre Company, in addition to Jenny Siedelman's August 8, 1974.  She directed the world premiere of Dee Bolos' acclaimed one woman show Southside (Prop Thtr, NYC Fringe, Seattle Fringe).  In addition she directed the world premiere of Don't Let The Pigeon Drive the Bus! (Apollo,Touring company, and Millennium Park) and the Midwest première of Junie B. Jones at Emerald City Theatre Company.  

"The Silent Language" will perform at TUTA Studio Theatre, 2010 W. Fulton Avenue, from April 19 to June 9th, Friday and Saturday at 8pm, and Saturday and Sunday at 4pm (no show Saturday, May 4, Sunday May 12, Saturday June 1, or Friday, June 7).  There is an additional 8pm show on Sunday, June 2nd.  Preview performances are Thursday, April 11, to Thursday, April 18. Opening press nights are Friday, April 19 and Saturday, April 20 at 8 p.m.  Spots are "Pay-what-you-can" for previews and a suggested donation of $25 for adults and $15 for industry/students/children under 18 for the regular performances.  Spots are extremely limited, and reservations are highly recommended.  To reserve spots to The Silent Language:  Call 1-800-838-3006 (24 Hours) or buy here online.  For more information on TUTA, visit www.tutato.com.

ACT OUT OPENING: BLACK ENSEMBLE THEATER PRESENTS AIN’T NO CRYING THE BLUES (IN THE MEMORY OF HOWLIN WOLF)




BLACK ENSEMBLE THEATER PRESENTS
AIN’T NO CRYING THE BLUES
(IN THE MEMORY OF HOWLIN WOLF)
WRITTEN BY FOUNDER AND CEO JACKIE TAYLOR
DIRECTED BY ASSOCIATE DIRECTOR RUEBEN ECHOLES

THE NEW BLACK ENSEMBLE THEATER CULTURAL CENTER

JUNE 1 – AUGUST 11, 2013

Black Ensemble Theater announces Ain’t No Crying the Blues (In The Memory of Howlin Wolf), written by Black Ensemble Theater Founder and CEO Jackie Taylor, directed by Associate Director Rueben Echoles, and starring Rick Stone, one of the stars of the classic movie Cooley High. Ain’t No Crying the Blues will be presented at the new Black Ensemble Theater Cultural Center, 4450 N. Clark Street in Chicago, June 1 – August 11, 2013. The official press opening is scheduled for Sunday, June 9, 2013 at 3:00PM.

When Rick Stone first performed as Howlin Wolf at Black Ensemble, Hedy Weiss of the Chicago Sun-Times wrote, "It's Rick Stone who consistently knocks your socks off in his terrifically sustained performance. And as he moves through Wolf's hits—Red Rooster, Goin' Down Slow, I Ain't Superstitious, Baby Please Don't Go and more—it's the audience that begins howlin' loudest."  Now Rick Stone returns to do it again with this brand new script, reflecting the life and times of one of the greatest blues singers the world has ever known—Howlin Wolf.

Howlin Wolf’s was born “Chester Arthur Burnett” and became one of the greatest and most influential blues singers that ever lived.  Wolf was inducted into the Blues Foundations Hall of Fame in 1980 and the Rock & Roll Hall of Fame in 1991.  His musical influences can be heard in the country singers of the 1950’s to the punk blues bands of the 1990’s.  Wolf was highly known for his dynamic stage energy and presence – from crawling around the stage to climbing up the stage curtains.  No performance would be complete without his infamous howl.

“No one can bring Howlin Wolf to life better than Rick Stone.  Rick, who also played the famous Howlin Wolf at Black Ensemble in a different script in 2003, is Wolf reincarnated.  In bringing Howlin Wolf back to the stage there was just one man who could give the role justice and that’s Rick Stone,” says Jackie Taylor.  “This production takes us to a different place and time—and takes place in the mind of Howlin Wolf.  The cast and company, including director Rueben Echoles and the BE Band led by Robert Reddrick, is the perfect team for this new production.” 

The, headlined by Rick Stone, includes Kylah Williams as Wolf’s wife Lillie, Dwight Neal as Wolf’s nemesis Muddy Waters, and Rashawn Thompson as Wolf’s lifelong guitar player Hubert Sumlin.  The ensemble includes Claudia Cunningham, Cesil Jones, Raymond Wise, Theo Huff, Cynthia Carter, Danielle Davis, Michael Reckling and Mark Hood, all playing various roles.
                     
Ain’t No Crying The Blues is produced and written by BE Founder and CEO Jackie Taylor.  Associate Director of Black Ensemble Rueben Echoles is the Director, with Daryl Brooks, also an Associate Director of BE, serving as Assistant Director.  The creative team also includes Denise Karczewski (Lights), Kristy Leigh Hall (Costumes), Helen Latyak (Props), and CoCo Lemry (Scenic Painter), Bekki Lambrecht is the Technical Director and the Stage Manager is Emily Wall.

As with all Black Ensemble Theater productions, Robert Reddrick will serve as musical director.  The Black Ensemble Band includes Robert Reddrick on drums, Tracy Baker on bass, Herbert Walker and Oscar Brown on guitar, and Mark Moultrup on piano.

Black Ensemble Theater performance times are Wednesdays and Thursdays at 7:30 p.m., Fridays at 8:00 p.m., Saturdays at 3:00 and 8:00 p.m. and Sundays at 3:00.  Ticket prices are as follows:
Previews are $45; Tickets during the regular run are $55 (Wednesdays, Thursdays and Saturday matinees) and $65 (Fridays, Saturday evenings and Sunday matinees).

The Five Play Card is a much more flexible way of becoming a subscriber to the theater’s 36th Season of Excellence: Treasures and Tributes.  The Five Play Card can be used for one person to see 5 plays or to bring 4 other friends to one show or in any other combination that adds up to five.  The Five Play Cards issued in 2013 will be good for one year.

Gold Five Play Card, $247.50, can be used on Wednesdays, Thursdays and Saturday matinees.  The Platinum Five Play Card, $292.50, can be used for any performance.  

Tickets and Five Play Cards are available at the box office, 4450 N. Clark Street and by phone, (773)
769-4451. Performances are held at the Black Ensemble Theater Cultural Center, 4450 N. Clark Street.

FACTS

Title:                             Ain’t No Crying the Blues (In The Memory of Howlin Wolf)
Written by:                    Black Ensemble Theater Founder and CEO Jackie Taylor
Directed by:                  Associate Director Rueben Echoles
Assistant Director:         Associate Director Daryl Brooks
Musical Director:           Robert Reddrick

Featuring:  Rick Stone (Howlin’ Wolf), Kylah Williams (Lillie Wolf), Dwight Neal
(Muddy Waters), and Rashawn Thompson (Hubert Sumlin), with Claudia Cunningham, Cesil Jones, Raymond Wise, Theo Huff, Cynthia Carter, Danielle Davis, Michael Reckling and Mark Hood.

Orchestra:   Tracy Baker (bass), Robert Reddrick (drums), Herbert Walker (guitar), Oscar Brown (guitar), Mark Moutrup (piano)

Other Creative Team:  Denise Karczewski (Lights), Kristy Leigh Hall (Costumes), Helen Latyak (Props), CoCo Lemry (Scenic Painter), Bekki Lambrect (Technical Director), Emily Wall (Stage Manager)

Dates:                          June 1 – August 11, 2013
                                 
Schedule:                     Wed & Thurs:               7:30 p.m.
                                    Friday:                         8:00 p.m.
                                    Saturday:                     3:00 p.m. and 8:00 p.m.
Sunday:                       3:00 p.m.
Location:                      Black Ensemble Theater Cultural Center, 4450 N. Clark Street.
                                    Valet parking is             available.

Ticket prices:   Previews: $45
Regular Run: $55 on Wednesdays, Thursdays, and Saturday matinees; and $65 on Fridays, Saturday evenings, and Sunday matinees.
A 10% discount is available for students, seniors, and groups.  Preview tickets are $45.00
Box Office:  773-769-4451 or online at www.blackensemble.org.

The Black Ensemble Theater
Founded in 1976, by the phenomenal producer, playwright and actress Jackie Taylor, Black Ensemble Theater is the only African American theater located in the culturally, racially and ethnically diverse north side Uptown community. Through its Five Play Season of Excellence, The Black Ensemble Theater dazzles audiences locally, nationally and internationally with outstanding original musicals that are entertaining, educational and uplifting. The Black Ensemble Theater has produced more than 100 productions and employed over 5,000 artists.
On November 18, 2011, The Black Ensemble Theater Cultural Center opened and is able to accommodate larger-scale productions, bigger audiences and a wider range of educational programming. The new facility includes amenities such as a 299-seat main stage theater (double the capacity of the original venue); 14 offices, classroom space; rehearsal hall, dance studio, scene shop, costume shop, and wardrobe rooms; seven dressing rooms; rehearsal room for musicians; front lobby space with concession areas; and an indoor parking garage.  In addition, a 150-seat studio theater, which will serve as an experimental stage for the work of the Black Playwright Initiative (BPI), is in development as part of a long range strategic plan for the Black Ensemble Theater Cultural Center.

The mission of the Black Ensemble Theater Company is to eradicate racism and its devastating effects upon society through the theater arts.  For more information on the Black Ensemble Theater Company, please visit www.BlackEnsembleTheater.org or call 773-769-4451.

Friday, May 17, 2013

Batman Backwards Opens at Six Flags Great America #mediaday #originalphotos



It was our great pleasure to meet "the caped crusader" at our favorite theme park during Media Day at Six Flags Great America last week. 

 

I dig a man who can pull off spandex!  And he had gorgeous grey blue eyes, too... and a sweet ride.






We also interviewed quite a few huge coaster fanatics who were there for the ribbon cutting and multiple rides.   We even caught up with 10 year old Draven who has been on coasters all over the country with his dad. 

  




Check back with ChiIL Mama & ChiIL Live Shows for our Batman Backwards ride footage, video interviews and more in the very near future.



Today we have stills from the day for you.   It was a pleasure to see Theresa from the Local Tourist with her entourage. 

 

The highlight of the day was riding the coaster in the press seat, where we were filmed DURING THE RIDE!   We even wore mic packs so you can hear the screams. 

Click here to check out our original video interviews and footage from the X Flight Coaster grand opening last season. 

I grew up near Kings Island in Ohio, coaster capital of the midwest for much of the 80's, and I've been on The Beast (the largest-fastest coaster when it was built), The Bat (a hanging coaster they took out for safety reasons), a looping coaster that goes forward & backward, and The Racer (their old wooden classic with red & blue racing coaster tracks--one forward/ one backward.   At some point during my teen years I was talked onto all of them at least once, by friends and boyfriends, so I'm no stranger to riding backwards and looping at high speeds.

In spite of all that I'm really not a coaster person and even ski lifts freak me out a little.   The whole drive out to press day at Great America I tried to advance justify wussing out on the Batman Coaster (where you hang from the track and do flips, a G force turn and a 10 story drop)... backwards.  

 

I made excuse after excuse saying I'm too old, coasters make my muscles sore, I don't have to prove anything to anyone....  I almost wimped out a bunch of times on the way there, but when it came to crunch time, I DID IT and got video footage to prove it! 

  



Even the coaster fanatics declared the Batman coaster extra intense backwards.   It's rare as moms and/or mature adults, that we get to do something physical that scares us, and I felt an actual sense of accomplishment when I braved up and went for it.   

Honestly, it was more like flying than falling and the view was spectacular!   I'm glad I went and would do it again... though I was dizzy enough when I got off that I had to wait a few minutes before I could grab my camera and shoot straight.   Batman Backwards is  some heroic fun. 




BATMAN: The Ride Stats:
-          Opened in 1992 as the world’s first suspended looping roller coaster
-          Given more than 28 million rides
-          Travels up to 50 mph through 2,700 feet of track
-          Features hairpin turns, vertical loops, corkscrews and a zero-g roll
-          One of the most popular coasters in the world
     
Go Big. Go Backwards! For a limited time only, the world’s first suspended looping coaster, BATMAN: The Ride, will be more intense than ever when riders dare to take on an all new experience – going backwards! 




As the roller coaster climbs the 10-story lift hill, riders will take in the full scope of BATMAN: The Ride’s track as they anticipate the adventure that lies ahead. The train will reach speeds of 50 mph and travel through 2,700 feet of track, all while maneuvering hairpin turns, vertical loops, corkscrews and a zero-g roll. The excitement is magnified since guests cannot see the maneuvers that await.




BATMAN: The Ride will open for its 21st season this spring, offering our guests an entirely different ride experience by going backwards. No matter how many times you have been on BATMAN: The Ride, nothing compares to the thrill of racing down 10 stories facing the other direction,” said Hank Salemi, Six Flags Great America park president. “You literally have no idea what is coming next. This is a tremendous new experience for our guests and one to take advantage of quickly since it will only be available for a limited time.”




Since opening in 1992,  BATMAN: The Ride has given more than 28 million thrilling rides and reigns as one of the most popular roller coasters in the world. BATMAN: The Ride backwards launched on Saturday, May 4 – the park’s opening weekend – and be available for a limited time this summer.





About Six Flags Great America
Six Flags Great America and Hurricane Harbor are two great parks that guests can experience for one low price. Located between Chicago and Milwaukee, Six Flags Great America offers endless adventures for the entire family with 14 heart-pounding roller coasters, a FREE 20-acre water park, spectacular shows, a nighttime firework and pyrotechnics extravaganza and three children’s areas. 
Six Flags Great America is pleased to present the premiere of igNIGHT ― Grand Finale, a mesmerizing and immersive nighttime spectacle bursting with energy, vivid colors, brilliant visual effects, lively performances, fascinating imagery, and pure imagination. Learn more about igNIGHT ― Grand Finale at sixflags.com


About Six Flags Entertainment Corporation Six Flags Entertainment Corporation is the world’s largest regional theme park company with over $1 billion in revenue and 18 parks across the United States, Mexico and Canada. For more than 50 years, Six Flags has entertained millions of families with world-class coasters, themed rides, thrilling water parks and unique attractions including up-close animal encounters, Fright Fest® and Holiday in the Park®.  For more information, visit sixflags.com.


About Warner Bros. Consumer Products
Warner Bros. Consumer Products, a Warner Bros. Entertainment Company, is one of the leading licensing and retail merchandising organizations in the world.


About DC Entertainment
DC Entertainment, home to iconic brands DC Comics (Superman, Batman, Green Lantern, Wonder Woman, The Flash), Vertigo (Sandman, Fables) and MAD, is the creative division charged with strategically integrating its content across Warner Bros. Entertainment and Time Warner.  DC Entertainment works in concert with many key Warner Bros. divisions to unleash its stories and characters across all media, including but not limited to film, television, consumer products, home entertainment and interactive games. Publishing thousands of comic books, graphic novels and magazines each year, DC Entertainment is the largest English-language publisher of comics in the world.  In January 2012, DC Entertainment, in collaboration with Warner Bros. and Time Warner divisions, launched We Can Be Heroes―a giving campaign featuring the iconic Justice League super heroes―to raise awareness and funds to fight the hunger crisis in the Horn of Africa. 
BATMAN and all related characters and elements are trademarks of and © DC Comics.
(s13)


 




They're busy getting the park summer ready!




So go already!!






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