Casting Announced FOR SERVICES RENDERED Via Griffin Theatre Company at The Den Theatre May 19 – July 6, 2019

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Casting Announced!

Griffin Theatre Company Presents

FOR SERVICES RENDERED

By W. Somerset Maugham

Directed by Robin Witt

May 19 – July 6, 2019 at The Den Theatre

PHOTO CREDIT: The cast of Griffin Theatre’s production of FOR SERVICES RENDERED includes (top, l to r) Israel Antonio, Eddie Dzialo, Matt Fletcher, Jennifer Huddleston, Cindy Marker and Marika Mashburn (bottom, l to r) Tim Newell, Krystal Ortiz, Ella Pennington, Robert Quintanilla, Matt Rockwood and Lynda Shadrake.

The Griffin Theatre Company is a Blue Star Theater and is proud to support our military enlisted and veterans. 

Griffin Theatre Company is pleased to continue its 31th anniversary season with W. Somerset Maugham’s classic war drama FOR SERVICES RENDERED, directed by ensemble member Robin Witt*, playing May 19 – July 6, 2019 at The Den Theatre (Upstairs Main Stage), 1331 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood. Tickets go on sale Wednesday, May 1 at www.griffintheatre.com or by calling (773) 697-3830. The press opening is Sunday, May 26 at 7 pm.

FOR SERVICES RENDERED will feature Israel Antonio, Eddie Dzialo, Matt Fletcher, Jennifer Huddleston, Cindy Marker, Marika Mashburn, Tim Newell, Krystal Ortiz, Ella Pennington, Robert Quintanilla, Matt Rockwood and Lynda Shadrake*.

Years ahead of its time, W. Somerset Maugham’s 1933 landmark play shows the impact of war on civilian life and suggests that the ideals of honor, patriotism and glory mean nothing if we show no care for the victims of conflict. A blistering portrait of the devastating aftermath of war and its effect on its survivors, FOR SERVICES RENDERED continues the Griffin’s exploration and mission to unearth rarely produced classic plays from the past (Men Should Weep, London Wall and Time and the Conways) with relevance to today and introduce them to Chicago audiences for the first time.

The production team for FOR SERVICES RENDERED includes Sotirios Livaditis (scenic design), Aly Renee Amidei (costume design), Brandon Wardell** (lighting design), Thomas Dixon (sound design), Rachel Watson (props design), Adam Goldstein (dialect coach), Lucy Carapetyan (casting director), Spencer Ryan Diedrick (assistant director), Emily Kefferstan (production manager), Derik Marcussen (technical director), Hannah Beehler (stage manager) and Rachelle ‘Rocky’ Kolecke (assistant stage manager).

*Denotes Griffin Theatre ensemble members   **Denote Griffin Theatre artistic associates

PRODUCTION DETAILS:

Title: FOR SERVICES RENDERED

Playwright: W. Somerset Maugham

Director: ensemble member Robin Witt*

Cast (in alphabetical order): Israel Antonio (Sydney Ardsley), Eddie Dzialo (Leonard Ardsley), Matt Fletcher (Howard Bartlett), Jennifer Huddleston (Gertrude), Cindy Marker (Gwen Cedar), Marika Mashburn (Eva Ardsley), Tim Newell (Dr. Prentice), Krystal Ortiz (Lois Ardsley), Ella Pennington (Ethel Bartlett), Robert Quintanilla (Collie Stratton), Matt Rockwood (Wilfred Cedar) and Lynda Shadrake* (Charlotte Ardsley).

Understudies: Aida Delaz, Harrison Hapin, Darren Hill, Jennifer Huddleston and Tom Jansson

Location: The Den Theatre (Upstairs Main Stage), 1331 N. Milwaukee Ave., Chicago

Dates: Previews: Sunday, May 19 at 3 pm, Tuesday, May 21 at 7:30 pm, Thursday, May 23 at 7:30 pm, Friday, May 24 at 7:30 pm and Saturday, May 25 at 7:30 pm

Press performance: Sunday, May 26 at 7 pm

Regular run: Thursday, July 30 – Saturday, July 6, 2019

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. Please note: there will not be a performance on Thursday, July 4.

Tickets: Previews $28. Regular run $37. Students, seniors & veterans $32 ($23 previews). Group discount are available for groups of ten or more. Tickets go on sale Wednesday, May 1 at www.griffintheatre.com or by calling (773) 697-3830.

About the Artists

W. Somerset Maugham (Playwright) was a English novelist, playwright, and short-story writer whose work is characterized by a clear unadorned style, cosmopolitan settings, and a shrewd understanding of human nature. Maugham was orphaned at the age of 10; he was brought up by an uncle and educated at King’s School, Canterbury. After a year at Heidelberg, he entered St. Thomas’ medical school, London, and qualified as a doctor in 1897. He drew upon his experiences as an obstetrician in his first novel, Liza of Lambeth (1897), and its success, though small, encouraged him to abandon medicine. In 1908 he achieved a theatrical triumph – four plays running in London at once – that brought him financial security. His reputation as a novelist rests primarily on four books: Of Human Bondage (1915), a semi-autobiographical account of a young medical student’s painful progress toward maturity; The Moon and Sixpence (1919), an account of an unconventional artist, suggested by the life of Paul Gauguin; Cakes and Ale (1930), the story of a famous novelist, which is thought to contain caricatures of Thomas Hardy and Hugh Walpole; and The Razor’s Edge (1944), the story of a young American war veteran’s quest for a satisfying way of life. Maugham’s skill in handling plot, in the manner of Guy de Maupassant, is distinguished by economy and suspense. In The Summing Up (1938) and A Writer’s Notebook (1949) Maugham explains his philosophy of life as a resigned atheism and a certain skepticism about the extent of man’s innate goodness and intelligence; it is this that gives his work its astringent cynicism.

Robin Witt (Director) For Services Rendered is the fifth play Robin has directed for Griffin where she is an ensemble member. Other Griffin productions: London Wall, Men Should Weep, Flare Path, and Stage Door. She is also an ensemble member at Steep Theatre where her productions include Linda by Penelope Skinner, Lela & Co. by Cordelia Lynn, and Wastwater by Simon Stephens. Robin recently directed A Doll’s House Part 2 for Steppenwolf and A Number at Writers Theatre. She is an Associate Professor at UNC Charlotte and she holds a BFA from NYU and a MFA from Northwestern. Next up: Alistair McDowall’s Pomona at Steep Theatre (July/Aug. 2019).

About Griffin Theatre Company
Established in 1988. the mission of the Griffin Theatre Company is to create extraordinary and meaningful theatrical experiences for both children and adults by building bridges of understanding between generations that instill in its audience an appreciation of the performing arts. Through artistic collaboration the Griffin Theatre Company produces literary adaptations, original work and classic plays that challenge and inspire, with wit, style and compassion for the audience.

The Griffin Theatre Company is the recipient of 115 Joseph Jefferson Award nominations for theater excellence in Chicago. The Griffin was honored with four 2018 Jeff awards for Ragtime including Best Ensemble, Best Musical, Best Director-Musical and Best Performer in a Supporting Role-Musical. Additionally, the company was the repeat winner of the 2016 Jeff Award for Best Production of a Play for London Wall having won the same award in 2015 for its production of Men Should Weep.

The Griffin Theatre Company is partially supported by the Illinois Arts Council, a state agency.
 For additional information, visit www.griffintheatre.com.

SAVE THE DATES: The Chicago Premiere of KENTUCKY Plus New Dates for Hansol Jung’s WOLF PLAY Via The Gift Theatre

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The Gift Theatre Announces Final Production 2019 Season:

The Chicago Premiere of

KENTUCKY

By Leah Nanako Winkler

Directed by Ensemble Member Chika Ike

October 17 – November 17, 2019 at Theater Wit

Plus: New Dates for Hansol Jung’s WOLF PLAY

The Gift Theatre is pleased to announce the final play of its 2019 Season: the Chicago premiere of Leah Nanako Winkler’s dark comedy KENTUCKY, directed by ensemble member Chika Ike, playing October 17 – November 17, 2019 at Theater Wit, 1229 W. Belmont Ave. in Chicago.

The Gift has also announced new dates for its world premiere of Hansol Jung’s messy, funny and disturbing theatrical experience WOLF PLAY, now slated for July 11 – August 18, 2019. Directed by guest artist Jess McLeod, WOLF PLAY will be presented at The Gift’s home at 4802 N. Milwaukee Ave. in Chicago’s Jefferson Park neighborhood.

The Gift Theatre’s 2019 season opened with an all-ensemble production John Patrick Shanley’s Pulitzer and Tony Award-winning drama DOUBT: A PARABLE, directed by ensemble member John Gawlik. DOUBT played February 27 – March 31, 2019 at Steppenwolf’s 1700 Theatre.

Two-show subscriptions are currently available at www.thegifttheatre.org or by calling (773) 283-7071.


About KENTUCKY

Two Sisters, Eccentric Parents, A Chatty Cat, And A Born-Again Wedding...What Could Go Wrong?

Hiro is a self-made single, almost 30 woman making it in New York while estranged from her dysfunctional family who lives in Kentucky. When her sister, a born-again Christian, decides to marry at 22, Hiro decides to do whatever she can to stop the wedding and salvage her sister's future. The themes of identity, religion and love collide in this unique coming-of-age story. 


About the Artists
Leah Nanako Winkler (Playwright) is an award-winning playwright from Kamakura, Japan and Lexington, Kentucky. Her plays include God Said This (Winner: 2018 Yale Drama Series, World Premiere: Humana Festival, Off Broadway Premiere: Primary Stages/Cherry Lane), Kentucky (2015 Kilroys List/World premiere: Ensemble Studio Theatre in coproduction with Page 73 and the Radio Drama Network. West Coast Premiere: East West Players) Two Mile Hollow (2017 Kilroys List, simultaneous world premiere with Artists At Play in La, Mixed Blood/Theater Mu in Minneapolis, First Floor Theater in Chicago and Ferocious Lotus in SF), Death For Sydney Black (terraNova Collective, Thinking Cap Theater, 2014 Kilroys Honorable Mention) Diversity Awareness Picnic (Clubbed Thumb/Playwrights Horizons Superlab, 2014 Kilroys Honorable Mention), Double Suicide At Ueno Park (EST/Marathon 2015), Linus and Murray (EST/Marathon 2017) and more.

Chika Ike (Director) is an ensemble member with the Gift Theatre Company, where she is also the Director of the 4802 Residency. She has worked with Public Theatre, Berkeley Repertory Theatre, Victory Gardens, About Face Theatre Company, Chicago Inclusion Initiative, Chicago Dramatists, and Prologue Theatre Company. Fellowships: Gielgud Directing Fellowship, the Bret C. Harte Directing Fellowship and Victory Garden’s Directors Initiative. Recent productions: A Swell in the Ground (The Gift Theatre), In the Blood (Red Tape Theatre), No Child (Definition Theatre Company), Dontrell Who Kissed the Sea (First Floor Theatre) and Franklinland (Jackalope Theatre Company).  


About The Gift Theatre
Since 2001 and over 70 productions, The Gift Theatre has pioneered the frontiers of the American theatre via the most intimate professional Equity theatre in the country, leading to national acclaim and a cultural revolution on Chicago’s northwest side.

The Gift’s 18th season includes a revival of John Patrick Shanley’s Pulitzer and Tony Award-winning drama Doubt: A Parable, directed by Ensemble Member John Gawlik at Steppenwolf’s 1700 Theatre (February 27 – March 31); the world premiere of Hansol Jung’s Wolf Play, directed by guest artist Jess McLeod at The Gift Theatre (July 11 – August 18) and Leah Nanako Winkler’s Chicago Premiere KENTUCKY directed by Ensemble Member Chika Ike at Theater Wit (October 17 – November 17). Season subscriptions are available for as little as $75. The Gift subscribers ("Gifters") receive admission to three shows, free parking at Gale Street Inn, free admission to all Wednesday night “Natural Gas” improv shows and invitations to special subscriber-only special events. Subscribe at www.thegifttheatre.org or by calling (773) 283-7071.

REVIEW: I’M GONNA PRAY FOR YOU SO HARD Via First Floor Theater at The Den Theatre April 20 – May 18, 2019

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Chicago Premiere!

First Floor Theater Presents

I’M GONNA PRAY FOR YOU SO HARD

By Halley Feiffer

Directed by Cole von Glahn

April 20 – May 18, 2019 at The Den Theatre


(left to right) Amanda Caryl Fink and Tim Kidwell. All Production Photos by WHO IS SHE.

Review
by bonnie kenaz-mara

This fast paced one act puts the nuclear in family, exploring fallout and contamination that lasts generations. Families are complicated, especially when the principal players are driven narcissists with ongoing patterns of abuse. First Floor Theater's latest, a father/daughter drama in this vein, packs a punch. I'm sure it helps that director, Cole von Glahn, has degrees in both Drama and Sociology, because this play is nothing if not dysfunctional relationship based. Sadly, these familial patterns do get passed down through generations, and even when growth and change occurs, there is lasting damage and often role reversals from victims to abusers. Amanda Caryl Fink as Ella and Tim Kidwell as her father David, expertly embody the narcissistic, competitive, destructive dynamic that ricochets from desperate declarations of love and need for approval to loathing and estrangement. 

I’M GONNA PRAY FOR YOU SO HARD is an intense exploration of the family dynamic of an award winning playwright and his adoring adult daughter and verbal punching bag. It's not always easy to watch the mind games, withholding, addiction, and verbal abuse, or the soul crushing sparring. Yet I'm intrigued by this man's petty cruelty, bullying, and back peddling on what I imagine are actual truths of his youth. This production is an interesting foray into regret, mining family traumas for fodder for creative works, struggle as a necessary precursor for artistic success, and the emotional toll of an industry where success depends on the approval of others and rave reviews. 





I'm also fascinated to see another on stage connection made between substance abuse and religion, with a character sliding between two seemingly opposite poles, that attract the same demographic time and again. I’M GONNA PRAY FOR YOU SO HARD features David's lifelong habit of prayer that evolves from sarcasm and retribution to sincerity and contrition. Meanwhile, Ella devolves from  a doormat to a dominant, derisive version of her father, while David trades drug addiction and alcoholism for religious addiction and AA. At least the latter is less likely to kill you. There is little action and simplistic set design, and ultimately the outcome is not unexpected, but this production is well played and worth a look. Recommended.

Bonnie Kenaz-Mara is a Chicago based writer-theater critic-photographer-videographer-actress-artist-general creatrix and Mama to two terrific teens. She owns two websites where she has published frequently since 2008: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).



First Floor Theater is pleased to conclude its seventh season with the Chicago premiere of Halley Feiffer’s blisteringly funny play I’M GONNA PRAY FOR YOU SO HARD, directed by Cole von Glahn, playing April 20 – May 18, 2019 at FFT’s resident home, The Den Theatre (2B), 1331 N. Milwaukee Ave. in Chicago. Tickets are currently available at firstfloortheater.com. 

I’M GONNA PRAY FOR YOU SO HARD features Amanda Caryl Fink and Tim Kidwell.

Ella is a precocious and fiercely competitive actress with a desperate need to make her father David, a famous playwright, proud. Over the course of a boozy, drug-fueled evening, Ella and David pass the time digging into family history, artistic passion and unspoken fears as they wait for the reviews, but what is unearthed can't simply be reburied. This daring play pulls the audience into the middle of a deeply complicated relationship, exploring how we build and break idealized versions of our loved ones.

The production team for I’M GONNA PRAY FOR YOU SO HARD includes: Joy Ahn (scenic design), Alexis Chaney (costume design), Becca Jeffords (lighting design), Sarah Espinoza (sound design), Claire Stone (properties design), Carrie Hardin (dialect coach), Anastar Alvarez (stage manager) and Caitlin McCarthy (production manager).


Location: The Den Theatre (2B), 1331 N. Milwaukee Ave. in Chicago

Regular Run: Friday, April 26 – Saturday, May 18, 2019

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm.

Industry Nights: Monday, April 29 at 7:30 pm and Monday, May 13 at 7:30 pm.

Tickets: Previews: $8. Regular Run: $25. Students $20. Tickets are currently available at firstfloortheater.com.


About the Artists
Halley Feiffer (Playwright) Halley Feiffer is a New York-based writer and actress. Her plays have been produced, commissioned and developed by Manhattan Theatre Club, Second Stage, New York Theatre Workshop, LAByrinth Theater Company, The O’Neill, The Orchard Project, Berkshire Theatre Group, Naked Angels, Cape Cod Theatre Project, SPACE on Ryder Farm, Keen Company, Partial Comfort Productions and the Amoralists. She is currently working on a stage adaption of THE BOY KINGS, Kate Losse's memoir about working at Facebook during its rising year. Halley is an alumna of terraNOVA’s Groundbreakers Playwrights’ Group, a former resident writer for Blue Man Group, former Playwright in Residence at Stella Adler Studio and a winner of the Young Playwrights Competition and the Lotos Foundation Prize. She is currently under commission by Manhattan Theatre Club/The Sloan Foundation, Jen Hoguet Productions and Playwrights Horizons. Her work is published by Dramatists Play Service, Overlook Press, Vintage Books, Applause Books, and Smith & Kraus. Halley co-wrote and starred in the 2013 film HE'S WAY MORE FAMOUS THAN YOU, and co-created and stars in the web series WHAT'S YOUR EMERGENCY for Stage17.tv (both directed by Michael Urie). She holds a BA from Wesleyan University.

Cole von Glahn (Director) Cole von Glahn is a Chicago-based director and production manager. He has been working with First Floor since moving to Chicago in 2015 before becoming the Director of Production in 2016. In that time, he has produced over a dozen company shows and events. Additionally, Cole serves as the Production Manager at Raven Theatre. In the past, he has administered and managed with Cherry Lane, Neverbird Project, Cleveland Play House, Northlight Theatre, and Marin Theatre Company. Outside of theatre, Cole is a board game designer and collaborative storyteller. He holds degrees in Drama and Sociology from Tufts University.



About First Floor Theater
Founded in 2012, First Floor Theater stages stories of individuals facing moments of radical change. Through a process of collaborative dramaturgy, FFT expands these stories to ask urgent social questions. For more information on First Floor Theater, visit firstfloortheater.com.

NEW RELEASE: SOPHOMORE ALBUM “MAUGA” FROM KING HOBO OUT MAY 31, 2019

KING HOBO TO RELEASE THEIR SOPHOMORE ALBUM “MAUGA”

MAY 31ST 2019

With CLUTCH's Jean-Paul Gaster on Drums/Percussion

The transatlantic trio that is KING HOBO are announcing the release of their album Mauga on Weathermaker Music.  The KING HOBO band members are Thomas Juneor Andersson (Kamchatka) on vocals, guitars & percussion, Per Wiberg (Kamchatka / Spiritual Beggars / Candlemass / ex-Opeth) on vocals, bass, and keys, and Jean-Paul Gaster (Clutch) on drums.

The album was produced by Tobias Strandvik and recorded at his studio in Varberg, Sweden. 

The album cover is designed by Per Wiberg himself.  Per says:
”I wanted to pay homage to all the great labels that inspired the music we play, like Chess, Atlantic, Vee-Jay, Prestige & Blue Note for example.  All these labels had a classy design in their heyday which was immediately recognizable.  That’s why our image is in tri-tone, and the names of the band members together with the label and stereo logo are mentioned on the front cover.  The sci-fi imagery is our little twist.”

Mauga Track Listing:

1. Hobo Ride
2. Dragon’s Tail
3. King Blues
4. Good Stuff
5. Mauga
6. How Come We’re Blind
7. Listen Here
8. Move To The City
9. Twilight Harvest Pt. I & II
10. New Or-sa-leans*

*Bonus Track on the digital release only

The first single from Mauga is “Hobo Ride“ and will be released April 19th, 2019 as an instant gratification track at iTunes and Amazon. That single will be followed by “Listen Here“ (May 3rd), and “Dragon's Tail“ (May 17th). 

Weathermaker Music will release a limited 12" LP in a gatefold format which has been autographed by the three musicians on the inner sleeve, and a digital 10-track version that includes the song "New Or-sa-leans" as a bonus. 

Jean-Paul Gaster on how KING HOBO began:
“Per and I met in 2003 when Spiritual Beggars and Clutch were touring Europe together. Within the first hour of meeting him, he and I had an in depth conversation about the blues and funk and how the Bad Brains were one of the most important bands of all time.  Even though we grew up in countries thousands of miles apart we had an immediate kinship thru our love of the music. 

In the summer 2005 Clutch and Opeth were on the Sounds of the Underground tour. Per was playing with Opeth at the time. After the show he and I would often hang out enjoying a cold beer and listening to everything from Captain Beyond to Black Uhuru and Miles Davis. On a hot and humid evening somewhere in the mid-west one of these listening sessions led to us setting up gear in the bus parking lot and holding an open jam in what we called the funk tent. These jams are where the King Hobo seeds were planted. 

It was at one of the Sounds of the Underground tour dates that Per played me a new release by a Swedish band called Kamchatka. I was blown away by the man playing guitar! He had a soulful voice and played like Stevie Ray Vaughn. This was my introduction to the powerhouse singer and guitarist Thomas Anderson.”

Thomas Juneor Andersson on the sound of KING HOBO:
“In a metaphorical way this is the sound of two continents meeting; Europe, particularly Sweden, and the United States and here particularly the East coast.  When we play, all hell breaks loose.  Our music can, at times be intense and loud, and then again almost like a whisper. Per and JP are my role models, as persons and musicians and it's a huge honor to play with them. We play what we feel and that's the sound of this album. We are three musicians from different parts of the world, friends actually, who are having a musical conversation, as grownups do.”

Per Wiberg on the recording of Mauga:
“We recorded this album the same way as the first, live in the rehearsal room. It’s quite a liberating process compared to how a lot of albums are recorded these days. We set up our gear in a circle and go full on, no headphones or screens to seal off the amps or drums. We jam all through the day to see what we come up with, arrange it on the spot and record.   I really like the fact that it doesn’t feel like a regular recording situation with monitors, click tracks and what not. It feels a lot more exclusive and kinda like a proper gig actually, plus we don’t have to worry what it’s gonna sound like live either, cause this is live in the raw!

The hang out part and easy going vibe adds a lot to how we play together as well and none of this would happen if we didn’t have a guy we trusted in the studio. Toby Strandvik did a tremendous job this time with the technical side of things as this way of recording might not be an engineers’ wet dream so to speak.

The journey is just as much worth as the destination to us and I think we found the Hobo way of capturing the moment."

KING HOBO:

Thomas Juneor Andersson on vocals, guitars & percussion.
Per Wiberg on vocals, bass, and keys
Jean-Paul Gaster - Drums/Percussion

REVIEW: Afterglow at Buena Pride Arts Center Now Extended 4 Weeks Through June 2, 2019

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AUDIENCE ADVISORY: Includes male nudity. Suitable for audiences 18+

Guest Review 
by Milan Pejnovich 
What to say about Afterglow, the Chicago premiere of the Off-Broadway hit that is now playing at the Buena Pride Arts Center in a production by Pride Films and Plays and has already been extended by a month to June 2? Suffice it to say that its appeal was lost on me. A gay couple, played by Jacob Barnes and the much better Richard Holton, have an open relationship and bring in a third, played by Jesse James Montoya, for spice and fun. Things get complicated when one half of the couple falls in mutual love with the third, spoiling their plans for a baby already well into its surrogate's pregnancy.

L-R: Jacob Barnes, Jesse Montoya. Photos by Heather Mall.

L-R: Jacob Barnes, Jesse Montoya, Rich Holton. 

Does this surprise anyone? Of course, there's full frontal male nudity and a credit for an "intimacy choreographer," so if you, like 99% of the audience at the performance I attended, are a gay guy looking for naked hotties doing soft porn in the flesh, then you too can contribute to its sold out houses and extended run. But if you, like me, think it's stupid people making stupid decisions and suffering the stupid consequences, I'd save your money for the hard stuff you can find online.

Milan Pejnovich has nearly 30 years of experience in marketing and the performing arts, including positions as the Audience Services Manager at Court Theatre and the Marketing Manager at Northlight Theatre. He also spent many years in house manager positions at Penn State’s Center for the Performing Arts, About Face Theatre, Court Theatre, and Northwestern University. He is currently the manager of Strategic Marketing for the Arts, which provides telemarketing and telefunding services to over three dozen non-profit arts organizations nationwide, including Chicago Shakespeare Theater, Playwrights Horizons and MCC Theater off-Broadway, and the Omaha Symphony, Long Beach Opera, Denver Film Society and Cincinnati Ballet.

AFTERGLOW

Chicago premiere of AFTERGLOW now extended four weeks

New closing date for this gay-themed drama is June 2

The Chicago Premiere of AFTERGLOW, an off-Broadway hit from 2017 exploring the emotional, intellectual, and physical connections between three men and the broader implications within their relationships, will be extended for an additional four weeks to meet demand. The drama, directed by Pride Films and Plays Executive Director David Zak, which opened on March 27, was originally scheduled to close on Sunday, May 5 but will now play until Sunday, June 2 in the Buena Theatre of the Pride Arts Center. 

Colin Douglas of CHICAGO THEATRE REVIEW, said ‘It’s an exciting production that’s sure to be talked about for a long time.” Lawrence Bommer, writing for STAGE AND CINEMA, said “AFTERGLOW shines.” WINDY CITY TIMES reviewer Jerry Nunn said AFTERGLOW is  a “concise piece that digs into heavy topics such as love, loyalty, sex, trust and parenthood.”

Josh and Alex are a gay male married couple in an open relationship. The two invite another man, Darius, to share their bed one night.  When a new intimate connection begins to form, all three men must come to terms with their individual definitions of love, loyalty, and trust as futures are questioned, relationships are shaken, and commitments are challenged.

Zak’s production team for AFTERGLOW includes Kailee Tomasic (Scenic and Props Design), Dan Lewis (Lighting Design), Shawn Quinlan (Costume Design), Jared Sutton (Sound Design & Original Music), Reed Bentley (Intimacy Choreographer), Kyle Mayes (Assistant Intimacy Director), Daniel Washelesky (Assistant Director), and Michael Starcher (Stage Manager).

AFTERGLOW played fourteen months, from June 2017 through August 2018, at the off-Broadway Davenport Theatre in New York City. The nationally distributed, LGBT-focused magazine THE ADVOCATE, said it "Penetrates the psyche in a way that many gay men will find relatable. A gritty tale of commitment on the cusp of questioning its boundaries, the incredible acting and intense writing propels the audience’s minds and hearts into their emotional plights."

Premium seats $40, general admission seats $30, student/senior/military $25 (not valid Saturdays). Flex Passes available for $144 are good for six reserved seats with priority seating for the patron’s choice of shows. 

AFTERGLOW is performed in the 44-seat Buena Theatre of the Pride Arts Center. Tickets available by phone at 866-811-4111 or 773-857-0222 or online at www.pridefilmsandplays.com

Make it a Double:

**NOTE: BUYER & CELLAR Performance Schedule Update

Sunday matinees moved up to a 2:00 pm curtain time to enable a PFP “Double Feature” with AFTERGLOW

All Sunday matinees for Pride Films and Plays’ production of Jonathan Tolins’s BUYER & CELLAR have been rescheduled to a 2 pm curtain, an hour-and-one half earlier than previously announced.  The change was made to make it possible for patrons to attend on a single afternoon both plays that will be playing at the two-stage Pride Arts Center in April and May. BUYER & CELLAR, which will start performances on April 11 in the 85-seat Broadway Theatre at 4139 N. Broadway, will begin its Sunday matinees at 2 pm and let out shortly after 3:30 pm. This will allow a 25-30-minute break before the 4 pm Sunday matinees of AFTERGLOW, performed in the 44-seat Buena Theatre at 4147 N. Broadway. AFTERGLOW, which opened on March 27,  has a running time of approximately 80 minutes with no intermission, and lets out at approximately 5:20 pm. Separate tickets are required for the two plays.

Emmy Award winner and Chicago Musical Theatre and Cabaret performer Scott Gryder will star in Pride Films and Plays’ upcoming production of Jonathan Tolins’s one-man comedy BUYER & CELLAR, directed by Donterrio Johnson. Gryder will play all the characters in Tolin’s comedy, but most notably, the role of Alex More - a struggling actor who takes a job managing a make-believe shopping mall in the basement of Barbra Streisand’s Malibu home.

Gryder’s Chicago stage credits include JESUS CHRIST SUPERSTAR (Lyric Opera) and THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (Drury Lane Water Tower), THE GOLDEN GIRLS – THE LOST EPISODES (Hell in a Handbag), AMOUR (Black Button Eyes), and SOUTH PACIFIC (Light Opera Works). He has performed in cabarets at such venues as Davenport's, Victory Gardens Theater, and Auditorium Theatre's Katten-Landau Studio. Gryder has a B.A. in Theater from Texas Tech University. MeTV’s GREEN SCREEN ADVENTURES earned him three National Daytime Emmy Awards for Outstanding Achievement in Makeup.

BUYER & CELLAR was a 2013 off-Broadway hit, running for 13 months at the Barrow Street Theatre immediately after its sold-out world premiere at the Rattlestick Theatre. A national tour starring Michael Urie played Chicago for six weeks in 2014. It has been performed in many countries around the world since then. This will be the play’s first Chicago production since the tour’s engagement here.

Tolins, whose other playwriting credits include the gay-themed comedies LAST SUNDAY IN JUNE and THE TWILIGHT OF THE GOLDS, was inspired to write BUYER & CELLAR after reading about Streisand’s real-life faux mall in her book, MY PASSION FOR DESIGN. Tolins’s comedy begins with the truth of the mall – a showcase for her collectibles like dolls and antique clothing – and imagines what it might be like to be the custodian of such a place for such a celebrity. BUYER & CELLAR is an outrageous comedy about the price of fame, the cost of things, and the oddest of odd jobs.

BUYER & CELLAR will be performed in the 85-seat Broadway Theatre of the Pride Arts Center. It will open to the press on Monday, April 15 following previews from Thursday, April 11; and will play through Sunday, May 19, 2019. BUYER & CELLAR joins the schedule of shows previously announced for spring at Pride Arts Center, including the musical SOUTHERN COMFORT, opening to the press on March 4; the drama AFTERGLOW, opening on March 27; and the world premiere of DESIRE IN A TINIER HOUSE on June 3. 

BIOS
Scott Gryder (Alex More) has been seen throughout Chicagoland, with appearances including JESUS CHRIST SUPERSTAR (Lyric Opera Chicago), THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (Drury Lane Theatre at Water Tower Place), and SOUTH PACIFIC (Light Opera Works). He has performed in cabarets at such venues as Davenport's, Victory Gardens Theater, and Auditorium Theatre's Katten-Landau Studio. Gryder has a B.A. in Theater from Texas Tech University. MeTV’s GREEN SCREEN ADVENTURES earned him three National Daytime Emmy Awards for Outstanding Achievement in Makeup. For more info, visit www.thescottgryder.com

Donterrio Johnson (Director) is excited to be back at home with Pride Films and Plays - this time behind the table directing this new exciting production of BUYER AND CELLAR by Jonathan Tolins. With a keen eye for detail and a knack for intricate storytelling that is thought-provoking and modernistic, Donterrio Johnson has created some incredible art as both actor and director over the past 15 years. He was a Jeff Award-winner for his Judas Iscariot in JESUS CHRIST SUPERSTAR with Theo Ubique and has earned raves for his Dan in NEXT TO NORMAL and his Caldwell B. Cladwell in  URINETOWN, both with BoHo Theatre. He has also appeared in the Chicago cast of SPAMILTON and as Leading Player in PIPPIN at Mercury Theater and recently  returned from a year-long stint in the National Tour of WAITRESS. Johnson’s notable directing credits include: THE COLORED MUSEUM, 101 DALMATIANS , EMPEROR’S NEW CLOTHES WILLY WONKA, LAST FIVE YEARS, LITTLE SHOP OF HORRORS  AND THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE. Donterrio has worked with companies such as Pulse Theatre Company, Prisco Center, and The REPA Center.

Previews Thursday, April 11 through Saturday April 13 at 7:30 pm, Sunday April 14 at 3:30 pm,

Thursdays – Saturdays at 7:30 pm, Sundays at 2:00 pm through May 19
Premium seats $40, general admission seats $30, student/senior/military $25 (not valid Saturdays)



ABOUT PRIDE FILMS AND PLAYS
Pride Films and Plays is working to produce year-round theater and film projects that change lives through the generation of diverse new work (or work that is new to Chicago) with LGBTQ+ characters or themes that are essential viewing for all audiences. The company produces a five-play season of full productions, shoots one short film each year, and continues our famed play developmental projects. PFP is the principal tenant in Pride Arts Center. 

Pride Arts Center produces events complementing the PFP vision, including dance, cabaret, film, and more. Events can be one-night or limited run productions or feature national treasures like Charles Busch.  PAC occupies The Broadway at 4139 N. Broadway, which has 85 seats, and The Buena, which has 50 seats at 4147 N Broadway.

Pride Films and Plays is supported by The MacArthur Fund for Arts & Culture at The Richard Driehaus Foundation, The Illinois Arts Council, City of Chicago’s City Arts Fund, the Elliott Fredland Charitable Trust, Proud to Run, The Pauls Foundation, The Heath Fund, The Service Club of Chicago, the AmazonSmile Foundation, Arts and Business Foundation, Tap Root Foundation, Arts and Business Council, and Alphawood Foundation. 

PFP is a member of the Smart Growth Program of the Chicago Community Trust. Pride Films and Plays is a member of the LGBT Chamber of Commerce of Illinois, Northhalsted Business Association, Uptown United, and The League of Chicago Theatres.

OPENING: EUGENE IONESCO'S KILLING GAME VIA A RED ORCHID THEATRE May 2 – June 23, 2019

ChiIL Live Shows on our radar

 A RED ORCHID THEATRE PRESENTS

KILLING GAME

By EUGENE IONESCO

directed by ENSEMBLE MEMBER DADO

FEATURING ENSEMBLE MEMBERS LANCE BAKER AND DOUG VICKERS on stage 

and Mike Durst and Karen Kawa with Lighting design and dramatugy

May 2 – June 23, 2019

I'll be seeing Killing Game the week of May 12th, so check back soon for my full review. A Red Orchid Theatre presents Eugene Ionesco’s Killing Game, directed by Ensemble Member Dado, and featuring Ensemble Members Lance Baker and Doug Vickers. Killing Game runs May 2 – June 23, 2019 at A Red Orchid Theatre, 1531 N Wells in Chicago. Tickets for Killing Game now on sale.

A town is beset by plague and the bodies are piling up along with moral accusations, political implications and medical speculations.  We peer into households and down many streets as people search for any logic to the ceaseless barrage of death. One of Ionesco's last plays, Killing Game is a piercing and frighteningly funny look at how the function of language and the panic surrounding social crisis sends a community into a chaotic state of paranoia, hypocrisy and opportunism. 

The cast of Killing Game includes Ensemble Members Lance Baker and Doug Vickers, along with Angela Alise, Dano Duran, Sherman Edwards, Andres Enriquez, Roy Gonzalez, Maya Lou Hlava, Katherine Mallen Kupferer, Ashley Neal and Londen Shannon.

The creative team for Killing Game includes Elenna Sindler (original music), Grant Sabin (set design), Kotryna Hilko (costumes), Mike Durst (lighting design), Sarah Putts (sound design), Samantha Rausch (properties) and Ensemble Member Karen Kawa (Dramaturgy).

About the Artists
Dado (Director) is an ensemble member of A Red Orchid Theatre. Last year she directed Simpatico by Sam Shepard at the McCarter Theatre in Princeton, New Jersey. Recent AROT productions are The Room by Harold Pinter, The Mutilated by Tennessee Williams and Red Handed Otter by Ethan Lipton. Dado appeared on AROT's stage in Brett Neveu’s Traitor, Abbie Spallen's Strandline, and she also appeared here in an incubator, Celebration, (by Harold Pinter) which was a musical experiment with percussion ensemble Beyond This Point, which she also directed. Last spring dado acted in Theatre Wit's Chicago premiere of Ann Washburn's 10 out of 12. She is the recipient of the 2017 Edes Prize. She holds an MFA in visual art from University of Chicago. 

Angela Alise (Ensemble) ​is making her A Red Orchid Theatre debut. Angela ​is an award-winning performer, writer and producer originally from KCMO. ​Her favorite acting credits include ​The Wolves (Goodman); ​The House That Will Not Stand (Victory Gardens);​ Saturday Night/Sunday Morning (Prologue at Steppenwolf Garage Rep); ​How We Got On​ (Haven); ​Black Side of the Moon, Nothing to Lose but Our Chains (Second City at Woolly Mammoth) and ​Almost Accurate Guide to America (Second City at The Kennedy Center). Angela is a 2018 NBC Universal/Second City Bob Curry Fellow. She holds a BA in Theatre and Sociology from Loyola University and is represented by Gray Talent Group. 

Lance Baker (Ensemble) is an ensemble member of A Red Orchid Theatre. He has been seen here in Evening At The Talk House, The Mutilated, The Agony and the Ecstasy of Steve Jobs, Becky Shaw, The Mandrake, Hunger and Thirst, and The Grey Zone. He also directed The Earl and co-directed A Very Merry Unauthorized Children's Scientology Pageant.

Dano Duran (Ensemble) returns to A Red Orchid Theatre where he was last seen in The Room and understudied for Traitor at AROT. He is more than honored to be able to work with this generous theatre company once again. By day he can sell you a house. 

Sherman Edwards (Ensemble) is making his A Red Orchid Theatre debut! He was named 2012’s “Best Stand Up Comic in Chicago” by the Chicago Reader. He's been lucky enough to perform at The Edinburgh Fringe Festival in Scotland and a few other notable places. TV/ Film credits include Single Long (HBO GO); Empire (FOX) and the upcoming feature film Monuments. Sherman is represented by Paonessa Talent.

Andrés Enriquez (Ensemble) is making his A Red Orchid debut Chicago credits include: A Gentleman’s Guide to Love and Murder, Merrily We Roll Along (Porchlight Music Theatre); Sylvester, Northanger Abbey (Lifeline Theatre); A Wonderful Life, My Way (TATC); Adding Machine (Hypocrites) and Love and Information (Remy Bumppo). Regional credits include: School House Rock Live! (Birmingham Children’s Theatre); The Fantasticks, The 39 Steps (Shawnee Theatre); The Woman In Black (Iowa Repertory) and Scapin (Colonial Williamsburg). He is a proud ensemble member of Lifeline Theatre, where he also serves as Casting Director. Andrés received his MFA from the University of Iowa and is represented by Gray Talent.

Roy Gonzalez (Ensemble) returns to A Red Orchid Theatre after being seen in the 2016 production of The Mutilated. In the past, he's worked as an actor and musician with companies like Steep Theatre, Jackalope Theatre, The Hypocrites, and a number of others you've probably heard of. He's been featured in a couple of those Dick Wolf shows, several commercials as the spokesman for an auto insurance company, and as the young dad to ethnically ambiguous families in holiday print ads. Roy is represented by Grossman & Jack Talent. 

Maya Lou Hlava (Ensemble) returns to A Red Orchid where she was most recently seen in The Nether. Other Chicago credits include Zurich (Steep Theatre); Oklahoma (Marriott Theatre); Violet (Griffin Theater); Trevor (Writers Theatre); White Christmas, Bye Bye Birdie (Drury Lane Theater); Jake's Women (Spartan Theatre Company);The Secret Garden (Court Theatre); The Talking Cure (Idle Muse Theatre Company); Jane Eyre (Lifeline Theatre) and The Wheel (Steppenwolf Theatre). Television credits include Chicago Med. 

Katherine Mallen Kupferer (Ensemble) is a fifth grader at Peirce Elementary school on Chicago's north side. She made her professional debut in Chicago Shakespeare Theater's 2014 production of Gypsy and her big screen debut that spring in the full-length indie feature Fools.  Most recently, she was seen in Steve McQueen's Widows as Kirsten Fitzgerald's gun loving daughter, and in the Cox Communications commercial "Windblown.” Proudly represented by Gray Talent Group.

Ashley Neal (Ensemble) returns to A Red Orchid Theatre again having previously appeared in The Nether and Red Handed Otter. She is a proud member of Rivendell Theatre Ensemble where she has appeared in many productions, including Alias Grace, Call in Camo, Scientific Method, Wrens, and others. Other shows you may have seen her in include London Wall, Men Should Weep, Stage Door (Griffin Theatre); The Life and Sort of Death of Eric Argyle (Steep Theatre); Reverb (Redtwist Theatre); 25 Saints (Pine Box); Holidaze (Step Up Productions); Scenes from the Big Picture (Seanachi) as well as work with Chicago Dramatists, Jackalope Theatre, Victory Gardens, Strawdog, The Greenhouse Theatre, and others. Ashley is a graduate of Columbia College Chicago and The School at Steppenwolf. Thanks to the AROT crew for being kick ass and to my husband for all his support. 

Jill Oliver (Ensemble) returns to A Red Orchid Theatre, where she was last seen in Dado’s Incubator production of A Night Out. Jill spent 9 years as an ensemble member of The Factory Theater where she produced, directed, wrote, and acted in over a dozen shows. In addition to The Factory, Jill has worked around Chicago with Artistic Home, Irish Theatre of Chicago, Shattered Globe, LiveWire Theatre, and Wayward Productions. Jill is represented by Hayes Talent Agency. 

Londen Shannon (Ensemble) is making his A Red Orchid Theatre debut. He was most recently seen in The New Colony’s Fun Harmless Warmachine and has previously worked with the Goodman Theatre, the Gift Theatre, and Teatro Vista. 

Sarah Thompson Johansen (Ensemble) is a keen advocate for new music. She frequently performs music of contemporary living composers and recorded the role of Helen in Rosśa Crean's horror opera The Great God Pan (album on Navona/PARMA). Recent modern operatic roles include Artistic Director in ...for the sake of a narrative closure; Donna Elvira in The Times are Nightfall; Ensemble in The Little Match Girl Passion; Steampunk Girl in Cosmic Ray and the Amazing Chris and Zina in Dark Sisters. Other roles include Beth in Adamo's Little Women, Susanna in Le nozze di Figaro, and Zerlina in Don Giovanni. 

Doug Vickers (Ensemble) is an ensemble member at A Red Orchid Theatre, where he most recently appeared in Evening at the Talkhouse by Wallace Shawn. Some of his other favorite appearances at Red Orchid have been in Accidentally Like a Martyr, Simpatico, Four Murders, The Grey Zone, and Ionesco's Hunger and Thirst. Doug was the recipient of the Joseph Jefferson Award for The Best Man at Remy Bumppo Theatre (Best Cameo Performance). Chicago: Comedy of Errors (Chicago Shakespeare); U.N. Inspector, Turcaret the Financier (Next Theatre); Two Planks and a Passion (Famous Door Theatre); People Annihilation (Trap Door Theatre) and The Birds (Hell in a Handbag). Regional: Illinois Shakespeare Festival. TV: Underemployed (MTV). Doug holds a Bachelor’s Degree in English from Northwestern University - School of Professional Studies and has done graduate level work in English at NU as well.

Dates:
Previews: May 2-11, 2019 

Press Performances: Saturday, May 11 at 3:00 p.m. & 7:30 p.m. 
Opening: Sunday, May 12, 2019 at 7:00 p.m. 
Red Night: Friday, May 17, 2019 at 7:30 p.m. 

Schedule: 
Thursdays: 7:30 p.m.
Fridays: 7:30 p.m. 
Saturdays: 3:00 p.m. and 7:30 p.m.  
Sundays: 3:00 p.m.  

Location: A Red Orchid Theatre, 1531 N. Wells Ave.
Tickets: $15-$25 previews, $30-$40 regular run.  ($30 Thurs, $35 Fri & Sat Matinee, $40 Sat evening &Sun matinee) 
Box Office: Located at 1531 N. Wells Ave, Chicago, (312) 943-8722; or online www.aredorchidtheatre.org 

  
With our 26th season of ambitious and powerful storytelling, we continue to champion A Red Orchid Theatre’s Red League, which is a gift $1k or more, and the Founders Circle, which is a gift of $5k or more annually for a three-year pledge. These donors represent a community of our most committed and impactful cultural investors. Every profound and shocking moment on our stage is made possible through their critical annual contributions. Their philanthropic leadership fosters the development of raw and relevant work, creates a platform for our talented ensemble to reach new audiences, and ensures that A Red Orchid Theatre remains a source for honest, compassionate, and aesthetically rigorous theatre. 



About A Red Orchid   
A Red Orchid Theatre has served as an artistic focal point in the heart of the Old Town community of Chicago since 1993 and was honored in 2016 with a MacArthur Award for Creative and Effective Institutions. Over the past 25 years, its Resident Ensemble has welcomed into its fold an impressive array of award-winning actors, playwrights and theatre artists with the firm belief that live theatre is the greatest sustenance for the human spirit. A Red Orchid is well known and highly acclaimed for its fearless approach to performance and design in the service of unflinchingly intimate stories.  

A Red Orchid Theatre is: Lance Baker, Kamal Angelo Bolden, Dado, Mike Durst, Jennifer Engstrom, Kirsten Fitzgerald, Joseph Fosco, Steve Haggard, Mierka Girten, Larry Grimm, Karen Kawa, Karen Kessler, Danny McCarthy, Shade Murray, Brett Neveu, Michael Shannon, Guy Van Swearingen, Doug Vickers and Natalie West.  

REVIEW: Midwest Premiere of LANGUAGE ROOMS Via Broken Nose Theatre

ChiIL Live Shows on our radar

All Performances Pay-What-You-Can!

Midwest Premiere!

Broken Nose Theatre Presents

LANGUAGE ROOMS

(left to right) Salar Ardebili and Bilal Dardai 

All Photos by Austin D. Oie.

By Yussef El Guindi

Directed by Kaiser Zaki Ahmed

April 19 – May 18, 2019 at The Den Theatre

Review
by bonnie kenaz-mara

I spent last night in a cinder block institution, where disorientation, deprivation, intimidation, bullying, embarrassment and lactose intolerance were used as weapons against suspected terrorist sympathizers. Under the guise of national security, a host of normally benign objects took on sinister overtones, as sanctioned US translators turned torturers, unpacked everything from baseball bats, pliers and tubing, to clown noses, honey, and deprivation suits.

(left to right) Bradford Stevens and Salar Ardebili

When loyalties are questioned, lines blur between the detainers and detainees, and thing get even more interesting. Language Rooms is fanciful and frightening; a delightfully dark comedy, as disturbing as it is absurd. It's easy to believe the world of this dystopian detention center could truly exist in our present political climate. It's hapless inhabitants are suspect for a lack of love of sports, a shyness for group showers, and guilt by association. 

(left to right) Bilal Dardai and Salar Ardebili

Throw in a dose of immigrant struggles, parental sacrifice and screw ups, hidden infidelity, and infidel associates, and you have one masterful mashup. In this catacomb of coerced confessions, an Egyptian translator works who barely knows his native language or culture, a black boss suspects everyone, coverups and leaks abound, and big brother is always watching. Meanwhile, higher powers are gunning for dissolving the entire division. So the pressure's on for the facility to justify their own existence and success rates, to stay in the interrogation business. The entire cast is compelling with Salar Ardebili (Ahmed) and Bilal Dardai (Samir) as particular standouts, 

Yussef El Guindi’s thought provoking piece is recommended. Best of all, tickets for all performances are Pay-What-You-Can! Book now for best availability. Tickets are currently available at www.brokennosetheatre.com.

Bonnie Kenaz-Mara is a Chicago based writer-theater critic-photographer-videographer-actress-artist-general creatrix and Mama to two terrific teens. She owns two websites where she has published frequently since 2008: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 

(left to right) Bradford Stevens, Bilal Dardai and Salar Ardebili

Broken Nose Theatre is pleased to continue its seventh season with the Midwest premiere of Yussef El Guindi’s dark comedy LANGUAGE ROOMS, directed by Kaiser Zaki Ahmed, playing April 19 – May 18, 2019 at BNT’s resident home, The Den Theatre (2A), 1331 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood. Tickets are currently available at www.brokennosetheatre.com. Tickets for all Broken Nose Theatre productions are available on a “pay-what-you-can” basis, allowing patrons to set their own price and ensuring theatre remains economically accessible for all audiences. The press opening is Monday, April 22 at 7:30 pm.

(left to right) Salar Ardebili and Bassam Abdelfattah

LANGUAGE ROOMS features Bassam Abdelfattah, Salar Ardebili, Bilal Dardai and Bradford Stevens.

Ahmed loves America, and he’s proud to prove his patriotism whenever possible. He pays his taxes, he dresses for success at the office, and he’s made a point to be the best interrogator at this particular government detainment facility. So when a rumor swirls around the water cooler calling his loyalty into question, he works to do whatever’s necessary to maintain his reputation as one of “the good ones.” But when you’re an immigrant, can you ever truly be at home in a country always ready to view you as an enemy? Part The Office, part 1984, LANGUAGE ROOMS examines the paranoia polluting our political climate.

Comments Artistic Director Elise Marie Davis, “We at Broken Nose are consistently looking for plays that center around characters, or are set in worlds, that rarely have the opportunity to make it onstage, and Yussef's play is no different. Language Rooms is a dark comedy about state-sanctioned torture, a hilarious and horrifying balancing act in which the belly laughs are immediately followed by gut punches. After admiring the work he's done at his home company of Jackalope Theatre for years, we're thrilled to be working with director Kaiser Zaki Ahmed for the first time. We cannot wait for Chicago audiences to see what this cast and production team have in store.”

* Denotes BNT company member   ^ Denotes BNT artistic associate      

Location: The Den Theatre (2A), 1331 N. Milwaukee Ave., Chicago
Dates: Previews: Friday, April 19 at 7:30 pm and Saturday, April 20 at 7:30 pm
Opening: Sunday, April 21 at 3 pm
Press performance: Monday, April 22 at 7:30 pm
Regular run: Thursday, April 25 – Saturday, May 18, 2019
Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm

Industry night: Monday, May 6 at 7:30 pm

Understudy night: Wednesday, May 15 at 7:30 pm

Tickets: Pay-what-you-can. Tickets are currently available at www.brokennosetheatre.com.

(left to right) Bilal Dardai and Salar Ardebili

(left to right) Bradford Stevens and Salar Ardebili 

About the Artists
Yussef El Guindi’s (Playwright) productions include The Talented Ones at Artists Repertory Theatre in Portland; Our Enemies: Lively Scenes of Love and Combat at Golden Thread Productions; An Evening with Activists at Cutting Ball Theater; Collaborator at Macha Monkey Productions; Threesome at Portland Center Stage, ACT and at 59E59 (winner of a Portland Drammy for Best Original Script); Pilgrims Musa and Sheri in the New World (winner of the Steinberg/ American Theater Critics Association’s New Play Award in 2012; and the 2011 Gregory Award) also at ACT and at Center Repertory Company (Walnut Creek, CA) 2013; and Language Rooms (Edgerton Foundation New American Play Award), co-produced by Golden Thread Productions and the Asian American Theater Company in San Francisco; at the Wilma Theater in Philadelphia (premiere), and at the Los Angeles Theater Center. Our Enemies: Lively Scenes of Love and Combat was also produced by Silk Road Theater Project and won the M. Elizabeth Osborn award. His plays Back of the Throat, Pilgrims Musa and Sheri in the New World, Jihad Jones and the Kalashnikov Babes, Such a Beautiful Voice is Sayeda’s and Karima’s City have been published by Dramatists Play Service. His play Ten Acrobats in an Amazing Leap of Faith is included in Salaam/Peace: An Anthology of Middle Eastern-American Playwrights, published by TCG, 2009. Our Enemies: Lively Scenes of Love and Combat is included in the anthology Four Arab American Plays published by McFarland Books. And Threesome is published by Broadway Play Publishing Inc. Yussef is the recipient of the 2010 Middle East America Distinguished Playwright Award, and Seattle’s 2015 Stranger’s Genius Award.

 (pictured) Bilal Dardai 

Kaiser Zaki Ahmed (Director) is a Chicago-based theatre director, actor and teacher. An alum of Columbia College Chicago’s Theatre Directing program, Kaiser specializes in actor-driven new American plays. Most recently, he assistant directed Guards at the Taj (Steppenwolf) and Hand to God (Victory Gardens). Kaiser was the Founding Artistic Director of Jackalope, from its inception in May of 2008 through the end of 2011, and continues to serve as the Associate Artistic Director. At Jackalope, Kaiser has directed the Jeff-Nominated 1980 (or Why I'm Voting for John Anderson), The Raid, The Killing of Michael X, Long Way Go Down, Slaughter City, The Last Exodus of American Men, and countless readings and short plays. Kaiser is also an Artistic Associate at The Artistic Home Theatre Company. A member there since 2005, he directed the Jeff-Nominated Midwest Premiere of The Late Henry Moss, House of Yes and assistant directed several others. Kaiser also directed Vanya (or That’s Life!) and Washer/Dryer at Rasaka Theatre. Kaiser is a 2015-16 Eugene O’Neill National Directors Fellowship Finalist, a 2016-17 Victory Gardens Directors Inclusion Initiative recipient and an Associate Member of SDC. Favorite acting work includes Ideation and Lunacy! (Jackalope Theatre), A Nice Indian Boy (Rasaka Theatre) and The Seagull (Artistic Home Theatre), The Awake (First Floor Theatre) and several film and commercial spots. He is represented by Gray Talent.


(left to right) Bassam Abdelfattah, Bradford Stevens and Salar Ardebili in Broken Nose Theatre’s Midwest premiere of LANGUAGE ROOMS. Photo by Austin D. Oie.


About Broken Nose Theatre:
Broken Nose Theatre is a Pay-What-You-Can theatre company. Founded in 2012, BNT was this year's recipient of the Emerging Theater Award, presented by the League of Chicago Theatres and Broadway in Chicago. The company has produced and developed 15 full-length plays (including 8 Chicago or World Premieres) and over 40 new womencentric short plays through their annual Bechdel Fest. We strive to spark conversation, cultivate empathy, and amplify underrepresented voices, and are committed to making new, exciting and relevant theatre that is economically accessible to all audiences. For more information, please visit www.brokennosetheatre.com.