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Friday, January 11, 2013

More Tickets Available for Sold Out Soundgarden Shows at The Riviera #liveshowshots



VIP Lounge backstage at Lollapalooza 2010

We had the great pleasure of scoring back stage press passes to see Soundgarden at Lollapalooza, since we were covering the fest and on several bands' guest lists.   It's a show I'll never forget and we make a point to see them every chance we get.   


VIP Lounge backstage at Lollapalooza 2010-Wolfmother & Soundgarden-The music was amazing & we were all lovin' the ice cold, minty neck wraps in the August heat!  ChiIL Mama, Du-Jay & Sagezilla pictured.



Soundgarden is heading to Chicago during their Winter 2013 North American tour dates which include two-night engagements in New York City, Toronto, Chicago, San Francisco, Los Angeles and, for the first time since the band reunited with their surprise show at the Showbox, Soundgarden will be playing two shows in their hometown of Seattle. 

This is the first North American tour for Soundgarden showcasing their new album, King Animal, released on November 13 via Loma Vista/Republic Records. The band has been headlining and playing to sold out crowds since they got back together over two years ago to critical acclaim. The New York Times said, "After 14 years between tours, Soundgarden was back in full force, its paradigm intact. This is one reunited band that can pick up right where it left off." 

With two Grammy® Awards and over 21 million records sold worldwide, Soundgarden redefined rock music for a whole generation and had a revolutionary impact on the course of musical history. At the dawn of 2010, the band, Chris Cornell, Matt Cameron, Kim Thayil and Ben Shepherd, announced a new beginning. In the last three years since Soundgarden has reunited, they released their first retrospective, Telephantasm, which was certified platinum, their first live album, Live on I-5, penned the end title song, "Live to Rise," for the feature film The Avengers which went to No.1 on Modern and Active Rock radio, and headlined sold-out shows and festivals around the world. Now, comes the band's first collection of new songs since the 1990's.

Soundgarden Winter 2013 Tour Dates 

Jan 18 Washington, DC @ DAR Constitution Hall 
Jan 19 Upper Darby, PA @ Tower Theatre 
Jan 20 Boston, MA @ Orpheum Theatre 
Jan 22 New York, NY @ Hammerstein Ballroom 
Jan 23 New York, NY @ Hammerstein Ballroom 
Jan 25 Toronto, ON @ Sound Academy 
Jan 26 Toronto, ON @ Sound Academy 
Jan 27 Detroit, MI @ The Fillmore 
Jan 29 Chicago, IL @ Riviera Theater 
Jan 30 Chicago, IL @ Riviera Theater 
Feb 1 Milwaukee, WI @ Eagles Ballroom 
Feb 2 Minneapolis, MN @ Orpheum Theatre 
Feb 6 Portland, OR @ Arlene Schnitzer Concert Hall 
Feb 7 Seattle, WA @ Paramount Theater 
Feb 8 Seattle, WA @ Paramount Theater 
Feb 10 Vancouver, BC @ Queen Elizabeth Theatre 
Feb 12 Oakland, CA @ Fox Theatre 
Feb 13 Oakland, CA @ Fox Theatre 
Feb 15 Los Angeles, CA @ The Wiltern 
Feb 16 Los Angeles, CA @ The Wiltern



MORE INFORMATION:

Led Zeppelin 2 at House of Blues Chicago TONIGHT & TOMORROW #liveshowshots



Led Zeppelin 2 at House of Blues Chicago by ChiIL Live Shows 1-11-12




We've been promoting these shows since they were first announced, but today's the day.  These Chi-town guys are excellent!   Highly recommended.   We also suggest you get your tickets in advance as their shows do frequently sell out.



Every night is a different show!   Tonight, break out your bell bottoms and flick your Bic--The Spirit of 1976.

Saturday:  Celebration Day-02 Arena & More

Check out our full past coverage here.   

Then get out and see them LIVE tonight and/or tomorrow night!!



Led Zeppelin 2 - A Tribute to Led Zeppelin

Led Zeppelin 2 - A Tribute to Led Zeppelin concert tickets for the show at House of Blues Chicago


Friday 01/11/2013 & Saturday 01/12/2013
Doors: 07:30 PM
Show: 09:00 PM 
Prices: 
$23.00 - GA - Advanced
$25.00 - GA - Day Of
Ages: 17+

329 N. Dearborn
Chicago, IL 60654
(312) 923-2000



ACT OUT OPENING: The Underpants at Buffalo Theatre Ensemble



THE UNDERPANTS
 by Carl Sternheim

adapted by Steve Martin
 
Directed by BTE Associate Artistic Director Amelia Barrett



BUFFALO THEATRE ENSEMBLE PRESENTS
“THE UNDERPANTS," BY CARL STERNHEIM,
ADAPTED BY STEVE MARTIN 
JAN. 18 – FEB. 3, 2013

Buffalo Theatre Ensemble (BTE) presents “The Underpants," by Carl Sternheim, adapted by Steve Martin, directed by BTE Associate Artistic Director Amelia Barrett*+and featuring BTE Ensemble member Kurt Naebig*+ at the Building K Theatre, west of the intersection of Lambert Rd. and Fawell Blvd., on the northwest end of College of DuPage Campus, 425 Fawell Blvd., Glen Ellyn, Ill. Jan. 18 - Feb. 3. A preview will be held Jan. 17. For more information, call the MAC Ticket Office at (630) 942-4000, or purchase tickets online
 
Steve Martin adapts Carl Sternheim's 1910 comedy “The Underpants” bringing to life this farce mixed with meaningful social commentary. The setting is Dusseldorf. The action begins when Louise, a beautiful but neglected young wife, is attending the king’s parade and unexpectedly drops her drawers. Great concern overcomes her husband, Theo, as he fears a scandal and financial ruin. Yet, the incident attracts suitors to rent the spare room in their home while bringing underlying surprises of their own. The “underpants” bring fame and attention, but at what price? The New York Daily News says of the play, “Not since Monica Lewinsky’s thong almost toppled a presidency has a pair of panties caused such a national fuss.”
 
“From Lady Gaga to Madonna to Lindsay Lohan to Janet Jackson’s ‘wardrobe malfunction’ at the 2004 Super Bowl XXXVIII halftime show, our airwaves, web pages and newspapers are filled with accounts of people seeking fame with a touch of notoriety,” says director Barrett. “We all like to click our tongues with disapproval, yet we are intrigued and seek out more of what is entertainment…perhaps not so pure and but definitely simple. While this play gives our audiences the chance to reflect on this social phenomenon, it also provides a light-hearted two hours of madcap mayhem to make them smile and shake off the winter doldrums.” 
 
Steve Martin is one of today's most talented performers. He has had huge success as a film actor, with such credits as “Cheaper by the Dozen,” “Father of the Bride,” “Roxanne,” “Parenthood,” “L.A. Story” and many others. He has won Emmys for his television writing and two Grammys for his comedy albums. In addition to his bestselling novel “The Pleasure of My Company” and a collection of comic pieces, “Pure Drivel,” he has also written a play, “Picasso at the Lapin Agile,” which premiered at Chicago’s Steppenwolf Theatre Company in 1993. In 2002, he adapted the Carl Sternheim” play ‘Die Hose” or “The Underpants,” which ran Off Broadway at Classic Stage Company that same year.
The cast for “The Underpants” features Lombard’s Kurt Naebig*+ in the role of Theo Maske. He will be joined by Chicagoans Patrick Tierney (Frank Versati), Gregory Rothman (Benjamin Cohen), and Kelli Walker (Gertrude Deuter); Carol Stream’s Lynda Wellhausen (Louise Maske) and Aurora’s Bruce Worthel (Klinglehoff). The design team includes Glen Ellyn’s Amelia Barrett*+ (director), Aurora’s Michael Moon* (scenic design), Wheaton’s Gretchen Woodley (costume design), Lyle’s Jon Gantt* (lighting design), Warrenville’s Don Hood (sound design), Downer’s Grove’s Valerie Espinoza (hair and makeup design) and Chicago’s Brad Sauper (properties design). Equity Stage Manager is Chicago’s Erin Diener+; Naperville’s Tim Vogel is Assistant Stage Manager.
 
Director Barrett is Associate Artistic Director of BTE. Her directing credits with BTE include last season’s acclaimed production of “Tuesday’s With Morrie.” Other BTE directing credits include “Private Lives” and “The Baltimore Waltz.” As a member of the acting ensemble, she was most recently been seen by BTE audiences in Eppie Lederer in “The Lady With All the Answers.” Other BTE acting credits include Charlotte in “Moon Over Buffalo” and Frankie in “Frankie and Johnny in the Claire de Lune.”

Buffalo Theatre Ensemble (BTE) presents “The Underpants," by Carl Sternheim,adapted by Steve Martin, at the Building K Theatre, west of the intersection of Lambert Rd. and Fawell Blvd., on the northwest end of College of DuPage Campus, 425 Fawell Blvd., Glen Ellyn, Ill. Jan. 18 - Feb. 3. A preview will be held Jan. 17. Performances are Thursday-Saturday at 8 p.m. and Sunday at 2 p.m. Tickets are $25 to $33. $2 discounts are available for non-COD students and seniors age 60 and over. For more information, call the MAC Ticket Office at (630) 942-4000, or purchase tickets online at www.AtTheMAC.org.
 
Buffalo Theatre Ensemble, under the direction of artistic director Connie Canaday Howard and associate artistic director Amelia Barrett is a professional Equity theater company in residence at the McAninch Arts Center at College of DuPage. It is rooted in the idea that an acting ensemble and company, who have a history of working together and have developed a sense of trust and community, can create better art. It is committed to the American tradition of creating believable characters in the context of the production's style. BTE’s 2012-2013 season includes David Rambo's "The Lady with All the Answers" (Sept. 7 - 23), "The Underpants," by Carl Sternheim, adapted by Steve Martin (Jan. 18 - Feb. 3) and Christopher Trumbo's "Trumbo-Red, White & Blacklisted" (May 3 - 19).
 
* Denotes BTE Ensemble member
+ Denotes Member of Actors Equity Association
 
The McAninch Arts Center at College of DuPage, located 25 miles west of Chicago near I-88 and I-355, houses three performance spaces, an art gallery and classrooms for the college’s academic programming. This unique facility has presented theater, music, dance and visual art to more than 1.5 million people since its opening in 1986 and last year welcomed more than 75,000 patrons from the greater Chicago area. The MAC began major renovations in fall 2012 that will update the major performance spaces, address significant infrastructure needs and improve several academic program areas. Scheduled completion date is spring 2014. The project will cost $35 million and is funded by the $168 million referendum that voters of District 502 passed in November 2010. Other projects beginning this year include the renovation of the Physical Education Center, Student Resource Center and Seaton Computing Center, and construction of the Campus Maintenance Center. The mission of the McAninch Arts Center is to foster enlightened educational and performance opportunities, which encourage artistic expression, establish a lasting relationship between people and art, and enrich the cultural vitality of the community. For more information visit www.AtTheMAC.org.

ACT OUT OPENING: Disconnect at Victory Gardens




Victory Gardens presents the American Premiere of
Disconnect
by Anupama Chandrasekhar
directed by Ann Filmer

Featuring Minita Gandhi, Behzad Dabu,
Kamal J. Hans, Arya Daire, and Debargo Sanyal


Victory Gardens continues its 2012-13 season with the American Premiere of Disconnect, written by Anupama Chandrasekhar and directed by Ann Filmer. The production runs January 25 – February 24, 2013 at the Victory Gardens Biograph Theater, 2433 N. Lincoln Avenue in Lincoln Park. The Press Opening is Monday, February 4, 2013 at 7:30 p.m.

Forty-something Avinash is hopelessly out of step in a company that demands success, energy, and youth. To bring his game up, he is transferred to work with the bright young graduates in Illinois—down on the fourth floor. In the windowless, nighttime offices of a call center in Chennai, India, is a bustling world of energetic Indian workers dreaming the American Dream and faking U.S. accents to target their American “marks” maxed out on credit cards. Anupama Chandrasekhar’s Disconnect is a powerful and witty drama about the consequences of consumer culture and the intricacies of our interconnected global economy.

Artistic Director Chay Yew comments, “While I was at Sundance last year, I made a good friend of British director Indhu Rubasingham, recently the Artistic Director of the Tricycle Theatre in London. When I told her of my appointment at Victory Gardens, she immediately sent me Anupama Chandrashekhar’s Disconnect. I knew this smart, funny, bittersweet and very observant play needs to be experienced in Chicago. In this poignant study of credit and debt culture in America, Anu has vividly portrayed the complex lives of non-descript voices we often hear when we call customer service, and our interconnected relationship with a country and its people continents away. I’m also very pleased to welcome one of off-loop Chicago’s most exciting directors, Ann Filmer, to lead an all South Asian cast in this American Premiere.”

Disconnect had its world premiere at The Royal Court Theatre in 2010.  The Victory Gardens production marks its American Premiere.  The Independent called it, "A marvel...Disconnect is the Glengarry Glen Ross of our day.”

Previews:              January 25 – February 3, 2013
Regular run:         February 5 – February 27, 2013

Schedule:         Wednesdays:     7:30 pm
                            Thursdays:         7:30 pm
                            Fridays:                7:30 pm
                            Saturdays:         4:00 pm
                            Sundays:            3:00 pm

Location:              Victory Gardens Biograph Theater is located at 
                          2433 N. Lincoln Avenue,
                          in the heart of Chicago’s Lincoln Park neighborhood

Tickets:                 Previews:            $20 - $40
                             Regular run:      $20 - $50

Box Office:            The Box Office is located at 2433 N. Lincoln Avenue, Chicago
                             773.871.3000; victorygardens.org



The cast of Disconnect includes Minita Gandhi (Vidya), Behzad Dabu (Giri), Kamal J. Hans (Avinash), Arya Daire (Jyothi), Teresa Kuruvila (US), Owais Ahmed (US), and Debargo Sanyal (Ross).

The designers are Grant Sabin (Set Designer), Mac Vaughey (Lighting Designer), Christine Pascual (Costume Designer), Barry Bennett (Sound Designer) and Dennis Conners (Stage Manager).

Full performance schedule
Previews of Disconnect are January 25 – February 3, 2013: Tuesday through Saturday at 7:30 pm and Sunday at 3 pm.  Previews are $35-$40.   Regular performances run through February 27, 2013: Thursday through Saturday at 7:30 pm; Saturday at 4 pm; Sunday at 3 pm.  Regular performances are $35-$50.

Performances are at the Victory Gardens Biograph Theater, 2433 N. Lincoln Avenue, in the heart of Chicago’s Lincoln Park neighborhood.  For tickets and information, call the Victory Gardens Box Office, 773.871.3000 (TTY: 773.871.0682), email tickets@victorygardens.org, or visit www.victorygardens.org.  Ask the Box Office about student tickets ($15), senior, Access, 20 for $20, and rush discounts.  For group discounts, call 773.328.2136.


Dig Deeper Events:

PLAYING RACE
A Town Hall Discussion
Thursday, January 31, 2013 (Post-show)
Alarms went off in a recent La Jolla Playhouse production of Nightingale when white actors played Asian characters. In Chicago, the issue was raised with Oak Park’s Circle Theatre’s Bollywood treatment of Pippin. Where do we stand on nontraditional casting? Is this a form of minstrelsy or is this harmless cultural appropriation? Join Victory Gardens for an important town hall conversation on playing race in American theatre.

Reading of Indio written and performed by Alladin Ullah
accompanied on tablas by Avirodh Ramsamooj; directed by Chay Yew
Sunday, February 10, 2013 - Free for Disconnect ticketholders
Auditioning to play a terrorist in a major Hollywood movie may be stand-up comedian Aladdin’s big break. As he prepares for his audition, he finds himself thinking back on his deceased father, who left Bangladesh for a better life in New York, and his parents’ futile attempts to raise him Muslim in Spanish Harlem. Accompanied by the tabla, Aladdin takes us a hilarious and moving journey about art, immigration, family, the Yankees and the nature of the American dream. Presented in association with Silk Road Rising.

IDENTITY: REAL AND IMAGINED
A Presentation and Conversation 
Monday, February 11, 2013 at 7:30 pm 
Who is really on the other end of the phone? Responding to the themes of identity and race in Disconnect, the Third Coast International Audio Festival conducts an evening of audio stories specially curated for a conversation about identity: real and imagined.

PLAYS FROM AROUND THE WORLD
A Play Reading Festival 
March 7 - 17, 2013
Victory Gardens Theatre hosts the International Voices Project 2013, a two weekend festival of contemporary plays from across the globe.



About the Artists

Anupama Chandrasekhar (Playwright) is a journalist-turned-playwright based in Chennai.  She has a Masters in Journalism from the University of Illinois at Urbana-Champaign.  Anupama will makes her American debut at the Victory Gardens Theater with Disconnect. The play originally opened at the Royal Court Theatre, London, in 2010 to sell out shows and critical acclaim. It has been staged in Austria and the Czech Republic and will have its West Coast premiere at the San Jose Rep in March 2013.  Her breakout play Free Outgoin premiered at the Royal Court Theatre in London in 2007. It was revived at the Royal Court’s main theatre the next year and travelled to the Traverse Theatre for the Edinburgh Fringe Festival.  Anupama was a finalist in 2009 for the prestigious Susan Smith Blackburn Prize (U.S.), given annually to outstanding works by women in the English speaking theatre, for her Free Outgoing. She was also a runner-up in 2008 for the London Evening Standard’s Most Promising Playwright award and shortlisted for the Whiting Award, UK for the play. Her screenplay adaptation of Free Outgoing was a finalist for the Sundance Screenwriter’s Lab, Utah. Her most recent work was her adaptation, The Snow Queen, commissioned by the Unicorn Theatre in London as part of the British Council’s Connection Through Culture project. It opened for Christmas in 2011 and was a tremendous box office success. Remounted by Trestle Theatre, the play toured India in 2012 and will further tour the UK in 2013.  Anupama is currently working on Bay-Sea-Ocean, a new commission from the Royal Court Theatre. Other plays include Kabaddi-Kabaddi (Royal Court Theatre – 2005, International Human Rights Watch Film Festival); Whiteout (Royal Court Theatre, BBC Radio World Drama – 2006); Anytime, Anywhere (Kimaayaa, 2004); and Closer Apart (Theatre Nisha, 2003) and ACID (QTP, 2004). Additional awards include Charles Wallace India Trust fellowship to attend the Royal Court Theatre International Residency for Young Playwrights 2000; Regional Winner (Asia) of the Commonwealth Short Story Competition 2006; and Runner up Jane Chambers International Award for Women Playwrights 2005 for her play, Acid.

Ann Filmer (Director) has directed over 40 productions in Chicago, half of those being world premieres, at such theatres as Red Orchid (Brett Neveu's Eric LaRue), Shattered Globe (House of Blue Leaves), Live Bait, Stage Left (David Alan Moore's In Times of War and Mia McCullough's Spare Change), Porchlight, Prop Thtr, The Aardvark, and Emerald City. She also has directed for Northwestern, NIU, DePaul, UIC, Circle Theatre in Forest Park (Susan Hahn's Golf), William Inge Theatre Festival in Kansas, and 29th Street Rep in New York.  She was the 2004-05 recipient of the Michael Maggio Directing Fellowship at the Goodman Theatre where she directed David Mamet's Almost Done, Reunion, and Dark Pony. In 2001 she received an After Dark Award for her direction of John Green's The Liquid Moon at Chicago Dramatists.  Ann was the Associate Artistic Director of Writers' Theatre in Glencoe for three years and served on the board of the League of Chicago Theatres. While Producing Director of Chicago Dramatists from 2000-2004, Ann co-produced the National Showcase of New Plays 2004. She is the editor of "New Plays from Chicago" Chicago's first-ever anthology of new plays and the creator and Artistic Director of Chicago's Estrogen Fest. Ann founded 16th Street Theater in September 2007 and has developed and directed the world premieres of Rohina Malik's Unveiled, Susan Hahn's The Scarlet Ibis, Will Dunne's The Ascension of Carlotta, Robert Koon's Menorca and Tony Fitzpatrick's This Train which enjoyed a sold-out, critically-acclaimed remount at Steppenwolf's Garage Theatre. She also directed the Jeff-Nominated Kita y Fernanda by Tanya Saracho, Anna Deavere Smith's Fires in the Mirror and Brett Neveu's The Last Barbecue. Ann has shared the stage with Tom Wopat and Jennifer Garner.

Owais Ahmed (Understudy) is making his Victory Gardens debut. He is a senior, graduating with a B.A. in Acting at Illinois State University, where he was most recently seen as Anon in Anon(ymous).  He was also seen in The Merchant of Venice (Shylock), The Passion Play (Visiting Friar/Englishman), and in Bhopal (Jaganlal). Owais is also a national Irene Ryan Award finalist through the Kennedy Center's American College Theatre Festival.

Behzad Dabu (Giri) is making his Victory Gardens debut.  He grew up in Syracuse, NY, made Chicago his home in 2005 and has since been performing on various stages all over town; most recently, in Disgraced at American Theater Company. Other credits include: TheatreSeven's We Live Here, First Folio's Twelfth Night, The Goodman's Christmas Carol, Holes at AdventureStage, and the original cast of The History Boys at TimeLine Theatre, where he will return this summer performing in Blood and Gifts.  In addition to stage work, he can be seen and heard in various commercial and voice-over spots. Behzad attended Columbia College Chicago, where he now works full-time in addition to acting.    

Arya Daire (Jyothi) is making her Victory Gardens debut in Disconnect. A "reformed" lawyer, this is her second appearance on the Chicago theatre scene, after her turn as Marcy Park in The 25th Annual Putnam County Spelling Bee.

Minita Gandhi (Vidya) made her Victory Gardens debut earlier this season with the role of Judith in  Equivocation. Regional credits include Mary Zimmerman’s The Arabian Nights at Lookingglass Theatre, Berkeley Repertory Theater, and The Arena Stage; Half-Life, A Christmas Carol, and The Voysey Inheritance at Milwaukee Repertory Theatre; Around the World in 80 Days, A Christmas Carol at Indiana Repertory Theater; Twelfth Night at First Folio Theater; Distracted at ATC, and Gilgamesh at the MCA with Silk Road Rising. Film/TV credits include Fox's “The Chicago Code” and Parvati's “Golden Skin.” Minita was born in Mumbai, India and specializes in East-Indian dance and movement. She travels and performs with the corporate comedy troupe Wavelength, teaches anti-bullying techniques and sexual abuse prevention for K-12 with Imagination Theater, is a graduate of the Pacific Conservatory of the Performing Arts, and is represented by The Gray Talent Group.

Kamal J. Hans (Avinash) makes his Victory Gardens mainstage debut with Disconnect.  Most recently Kamal appeared as Mourad in the world premiere of Mia McCullough’s Impenetrable at Stage Left Theatre.  This year, Kamal’s projects include Shakespeares’ Much Ado About Nothing – “A Bollywood Spectacular” which he is producing as the Managing Director for Rasaka Theater (the Midwest’s first South Asian Theater company) and in the Regional Premiere of Jonas Hassen Khemiri'sInvasion! at Silk Road Rising.  Favorite roles include Mayor in Fuckin’ A (Urban Theater), Marius in Fanny, Caliban in Shakespeare’s Tempest, Devendra in Silk Road’sMerchant On Venice, Salieri in Amadeus and Anatoly in Chess.  Kamal’s studies include the Theatre School at DePaul University, Julliard School, The University of Chicago GSB and Illinois Wesleyan University. 

Teresa Kuruvilla (Understudy) recently graduated from Loyola University Chicago with a B.F.A. in Music Performance. She was most recently seen playing Bloom in the Literary Guild Complex's original production of Unnatural Spaces, directed by Coya Paz. In addition to acting, she frequently performs as a vocalist throughout Chicago. She is a teaching artist for After School Matters, as well as the International Performing Arts Academy.

Debargo Sanyal (Ross) is making his Chicago stage debut in Disconnect at Victory Gardens. He was recently seen opposite Morgan Freeman in the Magnolia Pictures feature film The Magic of Belle Isle (directed by Rob Reiner), and opposite Robert De Niro & Kate Beckinsale in the Miramax feature film Everybody's Fine. Other feature film credits include The Normals, Today's Special, Bert and Arnie's Guide to Friendship, Made for Each Other, Drawing with Chalk, Red Hook, West 32nd, Sita Sings the Blues, Karma Calling, Quarter Life Crisis, Sad Sack Sally, Ashes, and My Sassy Girl. NYC stage credits include: the Obie Award-winning U.S. premiere production of Jonas Hassen Khemiri's Invasion! (The Play Company at Walkerspace), the world premieres of Chuck Mee's Queens Boulevard (the musical) (Signature Theatre Company), Jorge Ignacio Cortiñas' Bird in the Hand (Fulcrum Theater), Chad Beckim's After. (Partial Comfort Productions), Larry Kunofsky's Your Boyfriend May Be Imaginary (The Management), Mike Batistick's Port Authority Throw Down (The Working Theater), Andrea Lepcio's Looking for the Pony (Vital Theatre Co), Kate E Ryan's Women of Trachis (Target Margin), Sonya Sobieski's Commedia Dell Smartass (New Georges), Kristin Newbom's Telethon (Clubbed Thumb), and the NY premiere of Tom Stoppard'sIndian Ink (Alter Ego Productions). TV credits include guest appearances on Blue Bloods, Damages, Law & Order, The Sopranos, NYC 22, Law & Order-Special Victims Unit, The Unusuals, Running Wilde, Law & Order-Criminal Intent, All My Children, and national commercials.


Access Performances
Audio description and touch tours for patrons who are blind or have low vision
Friday, February 15       Performance 7:30pm
Sunday, February 24     Performance 3:00pm/7:30pm     Touch Tour        1:30pm/6:00 pm                                                                             
Call 773.871.3000 for reservations.

Word for word captioning for patrons who are hearing impaired
Wednesday, February 13 at 2:00pm                             
Friday, February 22 at 7:30pm
Saturday, February 23 at 4:00pm
Sign language interpretation for patrons who are deaf or hearing impaired
Friday, February 22 at 7:30pm

Victory Gardens is the winner, Best Accessible Theater, Deaf Illinois Awards 2009.  See www.victorygardens.org and click on “Enhance Your Visit” for information on other Access services including large print and Braille programs, assisted listening devices, and artist development workshops as well as a full schedule of special events, post-show discussions and presentations.

Logistics and Amenities
Parking
$11 valet parking is available for all performances except weekday matinees. Metered and street parking is available, but mind the neighborhood parking restrictions.

Public transit
By CTA train, take the Red, Purple or Brown lines to the Fullerton stop.  Walk east on Fullerton to Lincoln, then north 1/2 block to the theater.   The #8 Halsted, #11 Lincoln,  #37 Sedgwick/Ogden, and #74 Fullerton CTA buses all stop at the corner of Fullerton and Halsted, 1/2 block south of the theater.  See transitchicago.com for times and routes.

Pre- and post-show dining
See www.victorygardens.org for a list of Victory Gardens’ neighborhood dining partners.  Each is within walking distance of the Biograph, and all offer a special discount to patrons who present a Victory Gardens ticket stub.

About Victory Gardens Theater
Under the leadership of Artistic Director Chay Yew and Managing Director Chris Mannelli, Victory Gardens is dedicated to artistic excellence while creating a vital, contemporary American Theater that is accessible and relevant to all people through productions of challenging new plays and musicals. Victory Gardens Theater is a leader in developing and producing new theatre work and cultivating an inclusive theater community. Victory Gardens’ core strengths are nurturing and producing dynamic and inspiring new plays, reflecting the diversity of our city’s and nation’s culture through engaging diverse communities, and in partnership with Chicago Public Schools,  bringing art and culture to our city’s active student population.  

Since its founding in 1974, the company has produced more world premieres than any other Chicago theater, a commitment recognized nationally when Victory Gardens received the 2001 Tony Award for Outstanding Regional Theatre. Our commitment to developing, supporting and producing new theatre work makes Victory Gardens an American Center for New Plays.

In 2006, Victory Gardens successfully completed an $11.8 million renovation of Chicago’s famed Biograph Theater, and moved two blocks north from its longtime venue at 2257 N. Lincoln Avenue, to its beautiful new home in one of Chicago’s most celebrated historic landmarks.  Renamed Victory Gardens Biograph Theater, the new venue is a state-of-the-art 299-seat mainstage which has greatly expanded the company’s artistic flexibility.

In 2009, Victory Gardens completed the second phase of renovation at the Biograph, building an intimate, new, 109-seat studio theater on the second floor.  On March 1, 2010, at a special launch event for Victory Gardens $1 million Campaign for Growth, the theater’s new studio was officially named the Richard Christiansen Theater, in honor of the Chicago Tribune chief critic emeritus and longtime champion of Chicago’s live theater scene.  Visit www.victorygardens.org for more details.

Victory Gardens Theater receives major funding from Alphawood Foundation, The Joyce Foundation, The Shubert Foundation, The Chicago Community Trust, John D. and Catherine T. MacArthur Foundation, Allstate Insurance, The Boeing Company, Crown Family Philanthropies, Leo S. Guthman Fund, National Endowment for the Arts, Polk Bros. Foundation, and REAM Foundation. Additional funding is provided by: Illinois Arts Council (a state agency), The Edgerton Foundation, The James S. Kemper Foundation, Charles & M.R. Shapiro Foundation, Sara Lee Foundation, Venturous Theater Fund, McVay Foundation, The Seabury Foundation, Wrightwood Neighbors Conservation Association, The Charles H. and Bertha L. Boothroyd Foundation, John R. Halligan Charitable Fund, Illinois Tool Works, Motorola Mobility Foundation, Elizabeth F. Cheney Foundation, a City Arts Grant from the City of Chicago Department of Cultural Affairs and Special Events, The Irving Harris Foundation, PNC Foundation, and The Saints.

WHAT WE'RE WATCHING: Filmmaker Jim Hemphill at Facets this Weekend




THE TROUBLE WITH
THE TRUTH

Facets Film Dialogue
with filmmaker Jim Hemphill 


Filmmaker Jim Hemphill will be here in person for a Q&A at both screenings on Friday, January 11th, as well as the 3 pm screenings on Saturday & Sunday, January 12 & 13. 



THE TROUBLE WITH
THE TRUTH

"Convincing, moving and provocative"
  -Variety

"An alive and involving film... an equitable, tender, sometimes surprising game of hard truth-telling"
  -Los Angeles Times

"There isn't a false note in either the dialogue or the performances"
  -Village Voice

 "Director Jim Hemphill's naturalistic dialogue and direction is so unfussy — and, at times, humanly awkward—as to feel a bit like a documentary. Call it mumblecore for grown-ups (i.e., minus the mumbling)"
  -New York Post

"Part of the greatness of this film is that it not only avoids any simple answers, but it also takes us into the awkward contradictions and internal dishonesties that help us look at the mirror each day."
  -RogerEbert.com

"Engagingly written and well played by both leads... the movie lets one night tell the lifetime story of two people who know each other too well to hide anything"
  -TimeOut Chicago



Robert (John Shea) is a middle-aged jazz musician who ekes out a living playing piano in a hotel bar. He is a perpetual "starving artist", but he likes it that way, being able to flirt while living a life of leisure with minimal commitments. When his daughter Jenny (Danielle Harris) tells him that she is engaged, he advises her against getting married, as his own relationship to Jenny's mom Emily (Lea Thompson, Back to the Future, Some Kind of Wonderful) did not last. He does not understand why anyone would want to give up their independence. Yet when Robert and Emily reunite for dinner, it quickly becomes clear that things are more complicated than he believed. They still have feelings for each other, and as the night progresses, begin to wonder if they made a mistake by splitting up, as memories and confessions bring things to the surface. Robert and Emily eventually find that they have a lot of unresolved issues to talk about, which leads to unexpected results. They eventually learn that marriage is like a phone call in the night: first the ring, and then you wake up. 

Directed by Jim Hemphill, U.S.A., 2011, 96 mins.




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