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Thursday, September 8, 2022

FEST ALERT: Destinos, 5th Chicago International Latino Theater Festival SEPTEMBER 14-OCTOBER 16, 2022

ChiIL Live Shows On Our Radar

DESTINOS
5th CHICAGO INTERNATIONAL LATINO THEATER FESTIVAL, 
RETURNS SEPTEMBER 14-OCTOBER 16, 2022 WITH A WILDLY DIVERSE SLATE OF NEW DRAMAS AND COMEDIES ABOUT THE LATINO EXPERIENCE FROM CHICAGO, THE U.S. AND LATIN AMERICA

Destinos, 5th Chicago International Latino Theater Festival will host (top, left) the U.S. premiere of Blanco Temblor by Puerto Rico’s Teatro Público, a play about mental health featuring Isel Rodríguez, September 29-October 2 at The Den Theatre. The Midwest premiere of Pequeños Territorios en Reconstrucción (top, right), a documentary about a group of Colombian women who built 98 houses with their own hands, from Mexico City’s Teatro Línea de Sombra, is co-presented by CLATA and Goodman Theatre, September 21-25. Mexican TV stars María del Carmen Félix (bottom, left) and Mariannela Cataño (middle) star in the world premiere of La Pájara de San Juan at the National Museum of Mexican Art, September 14-17. Latino favorite Flaco Navaja stars in UrbanTheater’s Midwest premiere of his first solo show Evolution of a Sonero, September 29-October 23. 


Destinos, 5th Chicago International Latino Theater Festival, Chicago’s annual citywide festival showcasing Latino theater artists and companies from Chicago, the U.S. and Latin America, returns September 14-October 16, 2022.

Destinos kicks off Chicago’s Hispanic Heritage Month with five weeks of Latino-centric shows, panels and student performances at downtown venues, neighborhood theaters, and cultural institutions throughout the Chicago area.

The full Destinos 2022 line-up – 13 amazing productions including six world premieres, four U.S. premieres and three Midwest premieres – is set and tickets to most productions are on sale at destinosfest.org

Chicagoans and visitors alike are encouraged to get their tickets now to experience new, vibrant solo shows and large scale productions playing on Chicago’s top stages in September and October, each celebrating the Latino experience.

Visit destinosfest.org to purchase tickets and for full show information. Sign up for CLATA’s weekly e-newsletter for first notice of festival events. Follow Destinos on Facebook, Instagram and Twitter, all at @latinotheater. 


Destinos is produced annually by the Chicago Latino Theater Alliance (CLATA), a transformative cultural engine helping drive the city’s local Latino theater community to a more prominent level, founded in 2016 by Myrna Salazar, the National Museum of Mexican Art (NMMA), the International Latino Cultural Center (ILCC), and the Puerto Rican Arts Alliance (PRAA). 


Chicagoans are still stunned by the recent loss of CLATA’s visionary leader, Myrna Salazar, who passed away suddenly on August 3.

“CLATA’s success would not have been possible without a visionary at the helm, a person with the tenacity and passion to bring Chicago’s Latino theater community to a level that had not yet been imagined,” wrote the CLATA staff in a program note dedicating this year’s Destinos to her memory. “Now, in her honor, CLATA is charged with the task of making sure her legacy forges ahead with the same unbridled zeal that Myrna brought to her beloved organization, the Destinos Festival, and her everyday life.” 

2022 festival highlights include three out-of-town productions from Mexico and Puerto Rico: 

The world premiere of La Pájara de San Juan, a Trump-era drama about two sisters, one documented, one not, on a fateful night in Chicago, starring Mexican TV stars María del Carmen Félix and Mariannela Cataño. It is written by Victor Salinas and Sergio Gezzi, and co-presented by CLATA and the National Museum of Mexican Art, September 14-17. Opens Wednesday, September 14 at 7:30 p.m.

The Midwest premiere of Pequeños Territorios en Reconstrucción, a documentary fable about a group of Colombian women who created the “League of Displaced Women” and built 98 houses with their own hands, from Mexico City’s Teatro Línea de Sombra, co-presented by CLATA and Goodman Theatre in the heart of Chicago’s Loop, September 21-25. Opens Wednesday, September 21 at 7:30 p.m.

The U.S. premiere of Blanco Temblor by Puerto Rico’s Teatro Público. This is a dramedy about mental health as told via the story of Marina del Mar, a doctor in quantum astrophysics, a Puerto Rican, bipolar, suicide survivor, with a disease from birth: she could not tremble. Performances are September 29-October 2 at The Den Theatre in Wicker Park. Opens Thursday, September 29 at 8 p.m.

You want new plays by Latino writers? Destinos will see diverse new works by Chicago’s top Latino companies and artists, including:

Las Migas by Colectivo El Pozo, a world premiere drama set on the roof of a Chicago skyscraper as an eerie red moon disrupts city life below, presented at Chess Live Theater in Bridgeport, September 15-October 2. Opens Thursday, September 15 at 8 p.m.

The U.S. premiere of Bruna la Bruja Bruta by Mexican playwright Tomás Urtusástegui, starring Teatro Tariakuri Artistic Director Karla Galván as a modern-day Latina bruja who flies into her theater’s Marquette Park storefront space to get a few things off her chest before Halloween. Performances are Saturdays and Sundays, September 17-October 16. Opens Saturday, September 17 at 8 p.m.

The U.S. debut of Tebas Land by Uruguayan playwright Sergio Blanco, inspired by the Oedipus myth, about a series of meetings in a prison basketball court between a playwright and a young parricide (a person who kills a parent or close relative), presented by CLATA with the National Museum of Mexican Art, at Chicago Dramatists, September 22-October 9. Opens Thursday, September 22 at 7:30 p.m.

The world premiere of Enough to Let the Light In, produced by Teatro Vista and co-presented with Steppenwolf Theatre Company. The playwright is Paloma Nozicka, a Mexican-American actor, writer, director and filmmaker, bred in Chicago, based in L.A. Her newest work introduces us to girlfriends Marc and Cynthia, who spend a night celebrating a milestone, but it quickly devolves into chaos as buried secrets are revealed and lives are irrevocably changed. Performances are September 21-October 23 at Steppenwolf’s 1700 Theater. Opens Friday, September 23 at 8 p.m.

Alma, an American Blues Theatre world premiere about a single mom who has single-handedly raised her daughter on tough love, home-cooked comida, and lots of prayers. But on the eve of her daughter’s SAT, she’s nowhere to be found. Alma, written by 2019 National Latinx Playwriting Award winner Benjamin Benne, runs September 22-October 22 at Rivendell Theatre Ensemble. Opens Wednesday and Thursday, September 28 and 29 at 7:30 p.m.

Poet, actor, singer and Latino favorite Flaco Navaja stars in his first full-length solo show Evolution of a Sonero, a Midwest premiere from UrbanTheater Company. With unabashed love for the Bronx, a gift for crafting memorable characters, and genuine good humor, Navaja and five top-notch musicians bring on the charm, the rhythm, and the soul essential to a Bronx Sonero. Don’t miss this fresh salsa epic about growing up, getting inspired, and staying on track. Performances are September 29-October 23. Opens Thursday, September 29 at 8 p.m.

The world premiere of BULL: a love story by Chicago playwright Nancy García Loza, about a Mexican American ex-con who returns to his old Chicago neighborhood, Lakeview, only to discover how much has moved on without him. BULL: a love story is a Paramount Theater BOLD Series production, October 5-November 20 at the new Copley Theatre in downtown Aurora, Illinois’ second largest city with a 40 percent Latino population. BULL also marks the first-ever expansion of Destinos into a Chicago suburb. Opens Wednesday and Thursday, October 12 and 13 at 7 p.m.

The midwest premiere of Sancocho by Visión Latino Theater Company, written by Christin Eve Cato, directed by Xavier M. Custodio. The play tells the story of two sisters, 25 years apart, who come together to discuss their father’s will while making a traditional sancocho stew that suddenly becomes peppered with revelations about their family history. Performances are October 8-30 at Windy City Playhouse. Opens Monday, October 10 at 7:30 p.m.

The U.S. premiere of Cintas de seda from Aguijón Theater in Chicago’s Belmont-Cragin/Hermosa neighborhood. Set on the eve of the Day of the Dead, this play by Norge Espinosa imagines a painter and nun coming together for an impossible dialogue with ghosts, hallucinations, and images of the past, October 13-November 20. Opens Friday, October 14 at 8 p.m.

The world premiere of The Wizards by Ricardo Gamboa, a supernatural thriller about a Brown and Black genderqueer couple who find a Quija board in their new Pilsen apartment that connects them to a ‘70s Mexican-American Motown cover band. The Wizards, co-produced by the Chicago Latino Theater Alliance at Pilsen’s historic APO Cultural Center, runs October 14-November 26.


About Destinos, 5th Chicago International Latino Theater Festival

Now entering its fifth year, Destinos is the signature program of the Chicago Latino Theater Alliance (CLATA), a transformative cultural engine helping drive the city’s local Latino theater community to a more prominent level. The organization’s goal is to create the country’s leading international Latino theater festival with an emphasis on showcasing Chicago Latino theater artists and companies. 

Visiting companies making their Destinos Festival debuts include Teatro Línea de Sombra (México), Teatro Público (Puerto Rico), and La Pájara de San Juan (Mexico/Washington D.C.). Participating Chicago Latino theaters are Aguijón Theater, Colectivo El Pozo, Concrete Content, Teatro Tariakuri, Teatro Vista, UrbanTheater Company and Visión Latino Theater Company. Presenting partners are Goodman Theatre, the National Museum of Mexican Art and Steppenwolf Theatre. Collaborating partners are American Blues Theater and Paramount Theater. Venue partners are APO Cultural Center, Chess Live Theater, Chicago Dramatists, The Den Theatre, Rivendell Theatre Ensemble and Windy City Playhouse. 

CLATA, which produces Destinos, was founded in 2016 as a non-profit 501(c)(3) organization by Myrna Salazar and Chicago’s three most prominent Latino arts organizations: the National Museum of Mexican Art (NMMA), the International Latino Cultural Center (ILCC), and the Puerto Rican Arts Alliance (PRAA). 

“In Spanish, the word ‘destinos’ has multiple meanings: destinies, destinations or fate,” explained CLATA’s late Executive Director Myrna Salazar, who passed away suddenly this past August, and to whom the 2022 festival is dedicated. “Destinos showcases Latino theater artists from Chicago, across the U.S. and Latin America to present engaging and thought-provoking stories that transcend boundaries, amplify Latino voices, and diversify Chicago stages to encourage cross-cultural conversation.” 

Additionally, CLATA continues to provide local groups ongoing organizational, marketing and financial support, and works diligently to create a permanent home for Chicago’s Latino theater artists. Ultimately, CLATA strives to underscore Chicago’s reputation as one of the most exciting and culturally diverse theater cities in the world.

CLATA gratefully acknowledges foundation support from the John D. and Catherine T. MacArthur Foundation, Paul M. Angell Family Foundation, Joyce Foundation, Ford Foundation, Walder Foundation, Driehaus Foundation, Bezos Family Foundation, Creative Reaction Lab, Gaylord and Dorothy Donnelly Foundation, Shubert Foundation, Chicago Community Trust, a CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events, Illinois Arts Council Agency and National Endowment for the Arts. Supporting partners are Allstate, Choose Chicago, Xfinity, 3Arts, ComEd and Wintrust.

For more, visit destinosfest.org or call (312) 631-3112.

OPENING: Paramount and Destinos Festival Pair Up for BULL: a love story by Nancy García Loza Oct. 5-Nov. 20

 ChiIL Live Shows On Our Radar

 BULL: a love story by Nancy García Loza 

closes Paramount’s BOLD Series with a tale about a contemporary Latino family 

Oct. 5-Nov. 20

Paramount’s BULL marks the first suburban production in Destinos Festival history



Bull dealt drugs, got caught, and served his time. After a decade, he is released from prison and returns to an unrecognizable Lakeview. What will it take to really get home? Find out in BULL: a love story, a world premiere play by Chicago writer Nancy García Loza. 

 

BULL: a love story, Nancy García Loza’s (left) world premiere play, directed by Laura Alcalá Baker, wraps up Paramount’s first BOLD Series, October 5-November 20, 2022 in downtown Aurora’s new Copley Theatre.

BULL: a love story has been developed for the past two years through Paramount Theatre’s Inception Project. Now this riveting, contemporary family drama will be brought to the stage as a full production as the finale of Paramount’s first-ever BOLD Series, now bringing a new brand of fearless, thought-provoking and unexpected forms of live theater to downtown Aurora.

Paramount’s new Copley Theatre is a sleek, state-of-the-art, 165-seat theater with a modern new lobby bar and lounge, reopened this past March as downtown Aurora’s newest live theater space following a two-year, $2 million, top-to-bottom renovation. The Copley is located at 8 E. Galena Blvd., in the North Island Center, right across the street from Paramount Theatre, in downtown Aurora.

BULL: a love story, directed by Laura Alcalá Baker, starts previews October 5, including two Pay What You Can Previews: Thursday, October 6, at 7 p.m., and Saturday, October 8, at 2 p.m. Press openings are Wednesday and Thursday, October 12 and 13 at 7 p.m. Performances continue through November 20: Wednesdays at 1:30 p.m. and 7 p.m.; Thursdays at 7 p.m.; Fridays at 8 p.m.; Saturdays at 2 p.m. and 8 p.m.; Sundays at 1 p.m. and 5:30 p.m. Tickets are $67 to $74.

For tickets and information to BULL: a love story at the Copley Theatre, visit paramountaurora.com, call (630) 896-6666, or stop by the Paramount box office, 23 E. Galena Blvd., Monday through Saturday, 10 a.m. to 6 p.m. Note:  BULL: a love story is suggested for ages 13 and up for adult language.

BULL: a love story is part of the 5th Destinos, Chicago International Latino Theater Festival, an annual, city-wide event produced by the Chicago Latino Theater Alliance (CLATA) showcasing top Latino theater artists and companies from Chicago, the U.S. and Latin America, September 14-October 16, 2022. Paramount Theatre is proud to be the first suburban theater to be included in Destinos.

Use promo code DESTINOS online, via phone or in person at the Paramount box office to access $35 tickets to BULL: a love story for performances during festival dates, October 5-16. This discount may not be combined with any other offer, and excludes opening nights, October 12 and 13. Learn more about the 2022 Destinos Festival at destinosfest.org. 

Behind-the scenes of Paramount’s BOLD Series production

BULL: a love story was originally presented in January, 2021 as a virtual staged reading as part of Paramount’s new play development program, The Inception Project. “Nancy García Loza has written such a beautiful love story and we are so honored to be a part of the journey of this piece from inception to full production,” said Amber Mak, Paramount’s artistic producer and new works development director.

BULL: a love story features (from left) Eddie Martinez as Bull, Alexandra Casillas as Sadie, Kelsey Elyse Rodriguez as Sol, Jocelyn Zamudio as Emme, Sammy A. Publes as Tio, and Andrew Perez as Otherman, Lawman and G.

For its world premiere staging, Paramount’s cast features Eddie Martinez as Bull, Alexandra Casillas as Sadie, Kelsey Elyse Rodriguez as Sol, Jocelyn Zamudio as Emme, Sammy A. Publes as Tio, and Andrew Perez as Otherman, Lawman and G. 

The production team includes Yeaji Kim, scenic designer; Izumi Inaba, costume designer; Cat Wilson, lighting designer; Jeffrey Levin, sound designer; Aimee Plant, properties designer; Liviu Pasare, projection designer; Ismael Lara, Jr., dramaturg and associate director; Maegan Burnell, stage manager; and Lanita VanderSchaaf, assistant stage manager.

Nancy García Loza is an award-winning self-taught, pocha playwright rooted in Chicago, Illinois and Jalisco, México. She is a two-time alumni of the national Fornés Playwriting Workshop. She has enjoyed residencies with Goodman Playwrights Unit and Future Labs, Steppenwolf Theatre and The New Harmony Project, Oregon Shakespeare Festival Black Swan Lab, SPACE on Ryder Farm Institutional Residency, and more. Her audio drama, Brava, is available on all podcast platforms (Make-Believe Association, 2019). She is currently under commission/development with Steppenwolf Theatre (Ascent), Goodman Theatre (Rust), the National Museum of Mexican Art (NMMA) (Pénjamo: a Pocha Road Trip story; Macha), and more. This year, she received The Joyce Award, as well as the APAP ArtsForward Award, both in collaboration with the National Museum of Mexican Art. She was most recently recognized by the Dramatists' Guild Council (NYC) as the 2022 Lanford Wilson Award recipient. She is the daughter of Mexican immigrants and the eldest daughter of seven children. She lives in Chicagolandia and writes in her kitchen. She is Mexican American, no hyphen.

Laura Alcalá Baker (director, she/her/hers) is a Chicago-based director and new play developer. She served as the Casting Director/Artistic Programs Manager at Victory Gardens Theater from 2016-2019 leading programs such as The Access Project and Directors’ Inclusion Initiative. Baker has developed and directed multiple new works including Isaac Gómez’s The Leopard Play, or sad songs for lost boys (Steep Theatre), The Way She Spoke (DCASE, Greenhouse Theater Center) and Omer Abbas Salem’s The Secretaries (First Floor Theater). She also directed the audio drama Brava by Nancy García Loza (Make Believe Association) which is available on all podcast platforms. Other select works include The Pillowman (The Gift Theatre), There is No Message in the Message, Shamed (The Gift Theatre’s TEN), Project Potential (Broken Nose Theatre’s Bechdel Fest), and Jets, Sharks, and Beckys (Collaboraction's PEACEBOOK Festival). Baker is a Steep Theatre Ensemble Member, a 2021 3Arts Make a Wave Recipient, and a proud member of the Alliance of Latinx Theatre Artists. For more visit, labdirecting.com. 

"Nancy is creating a canon of Chicago narratives,” said Baker. “She paints vividly, urgently to capture these stories while they are still living memory. BULL: a love story is just the first of many to make it to the stage. It is a heartfelt love letter to Chicago’s Lakeview and the people who built a life there. I believe it to be a new American classic."


Special Events

Paramount will offer two Pay What You Can Performances on Thursday, October 6, at 7 p.m., and Saturday, October 8, at 2 p.m.

College Night is Friday, October 21, at 8 p.m.

Church Night is Sunday, October 23, at 5:30 p.m. 


Access Services

Paramount will offer an American Sign Language interpreted performance on Friday, November 9, at 8 p.m.

If you require wheelchair or special seating or other assistance, please contact the box office at (630) 896-6666 or boxoffice@paramountarts.com in advance.

Paramount offers assistive listening devices free of charge at all performances. Check in at the coat room before the show to borrow a listening device.


Paramount Theatre’s Covid-19 commitment to and safety and protocol

Paramount Theatre has followed, and will continue to follow, the requirements of the State of Illinois and the Kane County Health Department. Therefore, Paramount is following the guidance of the State of Illinois and recommends, but no longer requires, masks, proof of vaccination or negative COVID test for patrons. Mask wearing is strongly encouraged, but will be optional. 


Across the street, Dreamgirls kicks off Paramount’s 11th Broadway Series, August 31- October 16

Right across the street from the Copley, Paramount Theatre is kicking off its 11th Broadway series with Dreamgirls, the Tony-winning musical inspired by The Supremes that spawned an Oscar-winning movie. Performances are August 31-October 16, 2022. 

Also playing the big stage during the final weeks of BULL: a love story is Paramount’s second 2022-23 Broadway production, The Sound of Music, November 9, 2022-January 8, 2023.

Paramount still offers the same “Buy Two Shows, Get Two Shows Free” subscription offer, just as it has since it launched its first Broadway Series in 2011. Four-show Broadway Series packages including Dreamgirls, The Sound of Music, plus Into the Woods and School of Rock in 2023 start as low as $56 (fees not included). To subscribe, visit ParamountAurora.com, call (630) 896-6666, or stop by the Paramount Theatre, 23 E. Galena Blvd. in downtown Aurora.













Photos of new Copley Theatre and lobby bar by Thomas J. King


About Paramount Theatre

Paramount Theatre, 23 E. Galena Blvd., is the center for performing arts in Aurora, the second largest city in Illinois. The beautiful, 1,843-seat theater, graced with a strong 1930s Art Deco influence and original Venetian décor, nationally known for its high-quality productions, superb acoustics and historic grandeur, has been downtown Aurora’s anchor attraction since 1931.

After launching its own Broadway Series in 2011, Paramount Theatre grew to be the second largest subscription house in the U.S. Before Covid, more than 41,000 subscribers from all over Chicagoland and the Midwest were enjoying Paramount’s critically acclaimed, 2019-20 Broadway-caliber productions. In addition, Paramount also presents an array of internationally known comedians, musicians, dance troupes and family shows annually.

Paramount Theatre is one of four live performance venues programmed and managed by the Aurora Civic Center Authority. ACCA also oversees downtown Aurora’s newly renovated 165-seat Copley Theatre, home to Paramount’s new BOLD Series, along with the Paramount School of the Arts, RiverEdge Park, the city’s 6,000-seat outdoor summer concert venue, and Stolp Island Theatre, an immersive space opening in summer 2023.

Paramount Theatre continues to expand its artistic and institutional boundaries under the guidance of Tim Rater, President and CEO, Aurora Civic Center Authority; Jim Corti, Artistic Director, Paramount Theatre; a dedicated Board of Trustees and a devoted staff of live theater and music professionals.

For the latest updates, visit ParamountAurora.com or follow @ParamountAurora on Facebook, Instagram or Twitter, and @paramountarts on Tik Tok.

ART BEAT: The National Hellenic Museum announces two new exhibitions

ChiIL Live Shows On Our Radar

Gather Together: Chicago Street Photography

by Diane Alexander White

September 16, 2022 – April 30, 2023

 

Storytelling in Cloth and Light

Open run beginning September 16, 2022

 

Museum’s grand reopening celebration in September also includes

world premiere of Resilience by HRH Prince Nikolaos


Greek Independence Day Parade in Chicago (1980), photo by Diane Alexander White

 

The National Hellenic Museum (NHM) in Chicago’s Greektown neighborhood—a premier museum dedicated to sharing Greek history, art, culture and the Greek American story—announced today two additional exhibitions as part of its grand reopening celebration this September. These exhibitions join the previously announced world premiere photography exhibition Resilience by HRH Prince Nikolaos.

In Gather Together: Chicago Street Photography by Diane Alexander White (September 16, 2022–April 30, 2023), the Chicago-based Greek American photographer presents 80 historic works showcasing Chicago’s Greek American celebrations alongside other ethnic and cultural festivals and parades, primarily from the 1970s and 1980s. Depicted events include the Greek Independence Day Parade, Greek Festival, Bud Billiken Day Parade, Japanese Festival, Chinese New Year Parade, Puerto Rican Festival, Mexican Civic Society Parade, Mexican Festival, St. Patrick’s Day Parade, Jewish Festival, German Von Steuben Day Parade, Polish Festival, Festa Italiana and the Indo-Pak Parade.

“Our mission at the National Hellenic Museum is to share Greek history, art and culture, and the Greek American experience. Diane’s works vividly capture how Chicago’s Greek American community gathers in the public space to show pride in its identity and share its culture. Through her images of other ethnic and cultural celebrations, Diane also explores the universality of how Chicagoans gather together to show pride in their diverse communities,” says NHM Executive Director Marianne Kountoures.

Storytelling in Cloth and Light (open run beginning September 16, 2022) presents a series of textiles and photographs side by side. The textiles, part of NHM’s expansive collection of more than 10,000 Greek American artifacts, were meticulously woven in Greece, largely by women, and brought across the ocean to the United States. The photographs are additional images from Diane Alexander White, which capture the people and landscapes of Greece in 1977, including her father’s village of Poulithra. Together, these artifacts tell stories connecting audiences with the people, places and events of the past—and encouraging viewers to remember their own stories.

These new exhibitions join the previously announced world premiere photography exhibition Resilience by HRH Prince Nikolaos (September 16–December 30, 2022). Prince Nikolaos’ North American debut includes 19 new works exploring Greece’s strong relationship with nature and environmental preservation. The exhibition also features the North American premiere of Together, an immersive scene of life-size illuminated, embracing olive trees accompanied by sounds of Greek nature, which first premiered at the London Design Biennale in 2021.

The National Hellenic Museum (333 S. Halsted Street, Chicago) presents three new exhibitions as part of its grand reopening celebration: the world premiere of Resilience by HRH Prince Nikolaos (September 16–December 30, 2022), Gather Together: Chicago Street Photography by Diane Alexander White (September 16, 2022–April 30, 2023) and Storytelling in Cloth and Light (open run beginning September 16, 2022). Beginning Friday, September 16, museum hours are Thursday-Sunday from 10 a.m.-4 p.m. Tickets to the museum are $10 and include admission to all exhibits. Discounts are available for seniors, students and children. For more information, visit nationalhellenicmuseum.org or call 312-655-1234.

 The Resilience exhibition is sponsored by NHM Trustee John S. Koudounis.

 

Artist Bio

Photographs from film begin as negative images which are developed in the darkroom where a positive print is created. As a lifelong Chicago photographer, Diane Alexander White has explored the negative and positive effects of photography since 1972. Her father Angelo D. Alexander, who emigrated from Greece in 1920, became an avid photographer and shared his knowledge of the camera with his daughter, Diane. While attending the University of Illinois Chicago she took her knowledge of photography one step further by learning the ways of the darkroom. Photography instructor Robert Steigler opened her eyes to the art of capturing the street image as he was influenced by Harry Callahan, Arthur Siegel, Aaron Siskind and others at the Institute of Design (IIT). Upon graduating in 1976, she began working in studios and darkrooms and continued with her street photography. In 1983 Diane was hired by Field Museum head photographer Ron Testa to photograph natural history collections and she continues to work there to this day. For more information, visit dawhitephotography.com.

About the National Hellenic Museum

The National Hellenic Museum (NHM) is a premier museum dedicated to sharing Greek history, art and culture, from ancient times to the present day, including the modern Greek American experience. NHM preserves the Hellenic legacy and makes this rich heritage relevant today through its collection of thousands of physical artifacts, oral histories, exhibits, educational programs and special events. Originally founded in 1983 and located in Chicago’s historic Greektown neighborhood since 2011, the NHM provides lifelong learning for the community and sparks inquiry and discussion about the broader issues in our lives and society. Museum hours are Thursday-Sunday from 10 a.m.-4 p.m. For more information, visit nationalhellenicmuseum.org or call 312-655-1234.

Tuesday, September 6, 2022

22nd Annual Black Excellence Gala Awards November 14 at Black Ensemble Theater

 The African American Arts Alliance announces nominations for 

The 22nd Annual Black Excellence Awards 

Recipients to be announced at the 22nd Annual Black Excellence Gala Awards
November 14 at Black Ensemble Theater



The Board of Directors of the African American Arts Alliance (AAAA), and the Black Excellence Awards Committee announce the nominations for the 22nd Annual Black Excellence Awards. The Awards were established in 2002 to honor the outstanding works of art by African Americans in Theater, Dance, Music, Film, Literature, Visual Arts and Digital Media. 
 
The awards recipients will be announced at the 22nd Annual Black Excellence Gala Awards on Monday, November 14, 2022, at the Black Ensemble Theater, located at 4450 North Clark Street. The evening begins at 6:00 pm with a lavish reception for the 2022 nominees and sponsors. The awards ceremony begins promptly at 7:00 pm. Tickets, priced at $50, are available at https://www.aaaachicago.org/.
 
““The Black Excellence Awards moves the mission of the African American Arts Alliance forward by highlighting African American achievements in the arts and promoting the excellence of our artistic community,” comments AAAA Board Chair and Black Ensemble Theater Founder and CEO Jackie Taylor.
 
African American Alliance Executive Director Jackie Williams adds, The African American Arts Alliance is beyond excited to be back live, celebrating Black Excellence in the arts, and we invite everyone to join us for our 22nd year!”
 
The Black Excellence Awards provides recognition of professional African American artists for their achievements of excellence and creativity in the areas of dance, theater, film, literature, music, technology, and visual arts. More information is available at https://www.aaaachicago.org/.

The 2022 Black Excellence Awards Nominations are as follows:

MUSIC
 
Outstanding Achievement in R & B:
London Kay – London Kay
Brandon James – Brandon James
Illville Vanguard – IllVille 2022
           
Outstanding Achievement in Jazz:
Darrell Wilson Sax Preacher – Live at Music in the Park/Dolton IL
Ava Logan
Michele Thomas           
           
Special Recognition in Music:
Tony Wilson – Tribute to James Brown
           
THEATER
 
Outstanding Achievement in Theater Production:
Black Ensemble Theater Company – It's Just Like Coming to Church
Black Ensemble Theater Company – Grandma's Jukebox
Congo Square Theatre – What to Send Up, When IT Does Down
Theater 47 – Living All Alone, the Phyllis Hyman Musical
MPAACT Ma'at Production Association of Afrikan Centered Theatre – Pulled Punches
 
Outstanding Achievements for Director:        
Jackie Taylor – It's Just Like Coming to Church
Michelle Renee Bester – Grandma's Jukebox
Daniel Bryant & Erika Ratcliff – What to Send Up, When IT Does Down
Lauren Wells Mann – Pulled Punches
John L. Ruffin Jr. – Living All Alone, the Phyllis Hyman Musical
           
Outstanding Achievement for Actor:
Vincent Jordan – It's Just Like Coming to Church
Vincent Jordan – Grandma's Jukebox
Anthony Irons – What to Send Up, When IT Does Down
Randle Michael – Living All Alone, the Phyllis Hyman Musical
           
Outstanding Achievement for Actress:          
Dawn Bless – It's Just Like Coming to Church
Jessica Brooks Seals – Grandma's Jukebox
McKenzie Chinn – What to Send Up, When IT Does Down
Melanie Victoria – Pulled Punches
Liberty Clay – Living All Alone, the Phyllis Hyman Musical
           
Special Recognition in Theater:
Felicia P. Fields – Pearl’s Rollin’ With the Blues: A Night with Felicia P. Fields
Jerod Haynes – Two Trains Running
Kierra Bunch – Two Trains Running
Mildred Langford – Intimate Apparel
Al’Jaleel McGhee – Intimate Apparel
Ayanna Bria Bakari – Relentless
 
DANCE 
 
Outstanding Achievement for Dance Company Production:  
Praize Productions – NINE
South Chicago Dance Theatre – An Evening with South Chicago Dance
MUNTU – MAMAYA
           
Outstanding Achievement for Choreographer:
Vershawn-Sanders-Ward – BLACKBIRD
Trevon Lawrence & Anthony Sampson – REACT
Kevin Iega Jeff – SURRENDER
Joel Hall – FOUR WOMEN
           
Special Recognition in Dance:
Muntu 50th Anniversary 
           
VISUAL ART
 
Outstanding Achievement for a Gallery/Exhibition:
South Side Community Art Center – EMERGENCE – Curated by Lamar Gayles, Jr and zakkiyyah najeebah dumas o'neal
Blanc Gallery – To Whom This Ground Belongs – Curated by Jalen Hamilton
Anthony Gallery – In The Eye of the Beholder – Curated by Isimeme "Easy" Otabor
 
Outstanding Achievement for an Individual Artist:
Brandon Breaux – BIG WORDS
Rose Blouin – To Washington Park, with Love
Gerald Lovell – In The Eye of the Beholder
           
DIGITAL MEDIA/TECHNOLOGY
 
Outstanding Achievement in Digital Media:   
Jewel Ifeguni – How We Got Here
Crystal Marshal – Real Talk in Jeans
Cody Mack – What's the Word TV
           
LITERATURE
 
Outstanding Achievement in Fiction:
Rahsaan Lewis – Forgotten Heir
Clyde David Jones – The Lost Babies of Dexter Street
Tracy Clark – What You Don't See (A Chicago Mystery)
           
Outstanding Achievement in Non-Fiction:
Mark Davis – Race Traitors
Dawn Turner – Three Girls from Bronzeville
Bernard Turner – A View of Bronzeville
           
Outstanding Achievement in Children’s Literature:   
Evan J. Roberts – Share Share Share
Darryl Harvey – What Do You Do When A Bully Picks on You?
Tony Lindsey – Almost Grown


The Black Excellence Awards, a lavish awards ceremony honoring outstanding artists and arts organizations in the categories of music, film, literature, theater, dance, visual arts, and technology is produced by the African American Arts Alliance of Chicago. The award was created to honor the voices, trailblazers, innovators, and risk takers, whose performances and works of art represent a wide representation of the arts in Chicago. The Alliance is committed to celebrating the artistic vitality of Chicago's African American community by recognizing their excellence through The Black Excellence Awards.

The Black Excellence Committee is a 33-member committee of the African American Arts Alliance of Chicago made up of art lovers and supporters from the community. Formed in 2001, the purpose of the Black Excellence Committee is to identify outstanding African American individuals and organizations working in the arts. The membership of each committee is made up of art lovers within the Chicago community. Each committee member must serve on a sub-committee in film, music, literature, dance, theater, visual arts, or technology/digital media. Each sub-committee must identify and nominate artists for the opportunity to receive a Black Excellence Award at the Annual Black Excellence Award Gala and has judging criteria specific to their art form. To serve on the Black Excellence Committee member must have a passion for the arts and the time to experience the work of as many artists and art organizations as possible within the category.
 
The Black Excellence Awards Committee Members are: Tanita Abrahamson, Mike Abrantie, Alan Davis, Ernson Augustin, Allan Baldwin, Ezra Brown, Pamela Brown, Marcus Bullock, Hilda Coleman, Sylvia Dyer, Erika Flowers, Sandra Gibson, Wilburn Green, Barbara Hayes, Valeria Hubbard, Jewel Ifeguni, Ivy Jackson, Elneda Khaan, Denise Leaks, Ronald Leveston, Claudette Lewis​, Portia McFarland, Barnetta Montgomery-McKinney, Lynette Moore, Alicia Moore, Rahsaan Clark Morris, Kim DuBoise Morris, Delaware Patricia, Mae Pearson, Troy Pryor, Alice Rivers, Pamela Roberts, Dara Sanders, Gwendolyn Sea, Bonnie Taylor-Williams, Gabrina Thornton, Scott Tia, Covana Washington, David Weathersby, Etta Williams, Wanda Young, and Roxanne Walton.

About the African American Arts Alliance
In 1997 a group of Chicago’s leading African American artists and arts organizations came together and formed a new organization; incorporated as the African American Arts Alliance of Chicago. This organization embraced the history of the original 1977 Chicago Black Theater Alliance while expanding their scope to include diverse groups of artistic mediums which includes theaters, dance, music, literature, film, visual arts organizations, and individuals.
 
The mission of the African American Art Alliance is to increase public awareness, interaction, communication and development of African American arts organizations and individuals while delivering programs that increase their visibility, marketability, stability, and sustainability.
 
The Board of Directors includes: President Jackie Taylor (Black Ensemble Theater, Executive Director), Vice President Runako Jahi, Jackie Williams (AAAA Chicago, Executive Director), Treasurer Wendell Etherly (Playwright), Charlique-Rolle (Congo Square Theatre, Executive Director), Chuck Smith (Goodman Theatre, Associate Director), Cheryl Lynn Bruce (Goodman Theatre), Sydney Chatman (Tofu Chitlin' Circuit), Vershawn Sanders-Ward (Red Clay Dance), and Troy Pryor (Producer/Perfomer).
 
The AAAA is supported in part by the MacArthur Foundation, Fifth Third Bank, The Chicago Community Trust, Illinois Arts Council Agency, The Field Foundation of Illinois, the Arts Work Fund for Organizational Development, the City of Chicago Department of Cultural Affairs and Special Events (DCASE), the Driehaus Foundation, the Walder Foundation, and the Gaylord and Dorothy Donnelley Foundation

SWEENEY TODD: The Demon Barber of Fleet Street Via Kokandy Productions September 8 – November 6, 2022 at The Chopin Theatre

  ChiIL Live Shows On Our Radar

Kokandy Productions Presents

SWEENEY TODD: The Demon Barber of Fleet Street 



Music & Lyrics by Stephen Sondheim, Book by Hugh Wheeler

Directed and Choreographed by

Producing Artistic Director Derek Van Barham

Music Direction by Nick Sula

September 8 – November 6, 2022 at The Chopin Theatre

 

Kokandy Productions is thrilled to continue its 10th anniversary season with an intimate, in-the-round revival of Stephen Sondheim’s macabre masterpiece Sweeney Todd: The Demon Barber of Fleet Street, featuring music and lyrics by Sondheim, book by Hugh Wheeler, direction and choreography by Producing Artistic Director Derek Van Barham (he/him) and music direction by Nick Sula (he/him). Just in time for Halloween, the already atmospheric Chopin Theatre basement will be transformed into 19th century London, daring audiences to attend this haunting, harrowing tale playing September 8 – November 6, 2022 at 1543 W. Division St. in Chicago’s Wicker Park neighborhood. Tickets are now on sale at bit.ly/SweeneyChicago

The cast includes Kevin Webb and Caitlin Jackson as Sweeney Todd and Mrs. Lovett, partners in coiffed and culinary crime. They are joined by Quinn Rigg (Adolfo Pirell/Jonas Fogg), Isabel Cecilia García (Beggar Woman), Christopher Johnson (Judge Turpin), Josiah Haugen (Beadle Bamford), Chamaya Moody (Johanna),Patrick O’Keefe (Tobias Ragg) and Ryan Stajmiger (Anthony Hope). The Fleet Street ensemble includes Joel Arreola, Brittney Brown, Ethan Carlson, Stephanie Chiodras, Christopher Johnson, Nikki Krzebiot, Charlie Mann and Daniel Rausch. Swings include Tyler DeLoatch, Nathan Kabara and Angela Yu.

Sweeney Todd has become a bloody, worldwide success since being awarded eight Tony Awards, including Best Musical for its Broadway premiere. An infamous tale, Sweeney Todd, an unjustly exiled barber, returns to nineteenth century London, seeking vengeance against the lecherous judge who framed him and ravaged his young wife. The road to revenge leads Todd to Mrs. Lovett, a resourceful proprietress of a failing pie shop. Mrs. Lovett's luck sharply shifts when Todd's thirst for blood inspires the integration of an ingredient into her meat pies that has the people of London hungry for more. Stephen Sondheim's and Hugh Wheeler's tasty, thrilling, theatrical treat has simultaneously shocked, awed and delighted audiences around the world.

Kokandy Producing Artistic Director Derek Van Barham comments, “For our 10thanniversary season, it felt important to celebrate with a master of the musical form–and it doesn’t get much better than Sondheim. It will be fun to take on another tale of revenge, but this time with a twist on class. Whereas Cruel Intentions allows the elite to wreak havoc, no one is safe in Sweeney Todd, where those above will serve those down below. Another show of the flesh, this will be a dark delight for the Halloween season, a Sweeney you can smell and taste and feel.”

The production team includes G "Max" Maxin IV (he/him, Scenic and Lighting Designer), Rachel Sypniewski (she/her, Costume Designer), Mike Patrick (he/him, Sound Designer), Kirsten Baity (they/them, Intimacy Choreographer), Drew Donnelly (he/him, Stage Manager), Andrew Lund (he/they, Assistant Director), Vivica Powell (she/her, Assistant Choreographer), Roman Sanchez (he/him, Casting Associate), Scot Kokandy (he/him, Executive Producer) and Derek Van Barham (he/him, Producing Artistic Director).



COVID-19 safety: Patrons are required to wear a face mask when not actively eating or drinking. The theatre will no longer require proof of vaccination to attend a production.

 

PRODUCTION DETAILS:

Cast (in alphabetical order): Joel Arreola (he/him, ensemble, Toby u/s), Brittney Brown (she/her, ensemble, Lovett u/s), Ethan Carlson (he/him, ensemble, u/s Turpin), Stephanie Chiodras (she/her, ensemble, Beggar Woman u/s), Isabel Cecilia García (they/them, Beggar Woman), Josiah Haugen (he/him, Beadle Bamford), Caitlin Jackson (she/her, Mrs. Lovett), Christopher Johnson (he/him, Judge Turpin, Sweeney u/s), Nikki Krzebiot (she/her, ensemble, Johanna u/s), Charlie Mann (he/him, ensemble, Beadle u/s), Chamaya Moody (she/her, Johanna), Patrick O'Keefe (he/him, Tobias Rigg),  Daniel Rausch (he/him, ensemble, Anthony u/s), Quinn Rigg (he/him, Adolfo Pirelli, Jonas Fogg), Ryan Stajmiger (he/him, Anthony Hope) and Kevin Webb (he/him, Sweeney Todd).

Swings: Tyler DeLoatch (he/him, u/s ensemble), Nathan Kabara (he/they, ensemble u/s) and Angela Yu (she/her, ensemble u/s). 

Location: The Chopin Theatre (Studio), 1543 W Division St. in Chicago

Dates: Previews: Thursday, September 8 at 7 pm, Friday, September 9 at 7 pm, Saturday, September 10 at 7 pm, Sunday, September 11 at 5 pm and Thursday, September 15 at 7 pm

Regular run: Saturday, September 17 – Sunday, November 6, 2022

Curtain Times: Wednesday, Thursdays, Fridays and Saturdays at 7 pm; Sundays at 5 pm. Please note: there will not be a performance on Wednesday, October 5.

Industry Night; Monday, October 24 at 7 pm

Tickets: Previews $25 (with code “PREVIEW). Regular run $40. Students/senior $30. There will be a limited number of $15 tickets available for students and artists for each performance. Tickets are now on sale at bit.ly/SweeneyChicago.

 

About the Artists

Derek Van Barham (Director/Choreographer, he/him) is the Producing Artistic Director of Kokandy Productions. He previously served as Associate Artistic Director of Pride Films & Plays and Artistic Director of The Ruckus. Directing credits include Head Over Heels (Kokandy); The View Upstairs (Circle Theatre); Three Days of Rain(BoHo Theatre); Miracle by Dan Savage, Poseidon, Skooby Don’t (Hell in a Handbag); Hot Pink, TRASH (New American Folk); Taylor Mac’s A Walk Across America for Mother Earth (CCPA); From These Fatal Loins (The Ruckus); Homos, or Everyone in America, Perfect Arrangement, Angry Fags in Steppenwolf Garage Rep, Songs from an Unmade Bed (Jeff nomination) and PRISCILLA, Queen of the Desert (PFP). He was named one of Windy City Times 30 Under 30, recognizing individuals from Chicago's LGBTQ community. MFA: Chicago College of the Performing Arts (CCPA) at Roosevelt University. www.derekvanbarham.com IG: @dvbarham 

Nick Sula (Music Director, he/him) is a pianist, arranger and award-winning music director for theater and cabaret. Music Direction credits include Ghost Quartet (Jeff nomination), Nevermore, Amour, Coraline (Black Button Eyes); Myths & Hymns, The Glorious Ones (Jeff nomination), Pippin (BoHo Theatre), His & His, Boys in Briefs, Broadway at the Broadway (Pride Films and Plays); Head Over Heels, The Pajama Game, The Pirates of Penzance (CCPA). He performs with vocalists at venues such as Davenport’s Piano Bar, Skokie Theatre, Drew’s on Halsted and the Park West, and teaches as a music director, instructor and vocal coach at the Chicago College of Performing Arts (CCPA) at Roosevelt University.

 

About Kokandy Productions

Founded in 2010, Kokandy Productions seeks to leverage the heightened reality of musical theater to tell complex and challenging stories, with a focus on contributing to the development of Chicago-based musical theater artists, and raising the profile of Chicago's non-Equity musical theater community.

The company's artistic staff is comprised of Derek Van Barham (Producing Artistic Director), Scot T. Kokandy (Executive Producer) and Adrian Abel Azevedo & Leda Hoffman (Artistic Associates). The Board of Directors includes Preston Cropp, Allison Hendrix, Scot T. Kokandy, and Katie Svaicer. 

For additional information, visit www.kokandyproductions.com

Friday, September 2, 2022

World Premiere of Campaigns, Inc. Now Extended Through September 25, 2022 at TimeLine Theatre

 ChiIL Live Shows On Our Radar

WILL ALLAN’S 

CAMPAIGNS, INC., 

A WORLD PREMIERE, ELECTION SEASON COMEDY ABOUT THE ORIGINS OF “FAKE NEWS,” DEBUTS AUGUST 3 – SEPTEMBER 25, 2022 AT TIMELINE THEATRE

NICK BOWLING DIRECTS ALLAN’S HILARIOUS LOOK AT THE SMEAR CAMPAIGN THAT STYMIED UPTON SINCLAIR’S 1934 CALIFORNIA GOVERNOR’S RACE


Pictured (from top left): Campaigns, Inc. playwright Will Allan and director Nick Bowling. Tyler Meredith and Yuriy Sardarov star as Leone Baxter and Clem Whitaker, the co-founders of Campaigns, Inc. The cast also includes TimeLine Company Members Anish Jethmalani and David Parkes and TimeLine Associate Artist Terry Hamilton, plus Jacqueline Grandt, Matt Mueller, and Mark Ulrich. 

TimeLine Theatre Company returns to its longtime home at 615 W. Wellington Avenue in Chicago’s Lakeview East neighborhood for its 26th season opener, the world premiere of Campaigns, Inc.

Written by TimeLine Company Member Will Allan and directed by TimeLine Associate Artistic Director Nick Bowling, Campaigns, Inc. is a timely, fast-paced, and funny screwball comedy about the serious power that persuasion, deceit, and perception hold in the U.S. electoral system. 

Campaigns, Inc. is a hysterical and jaw-dropping inside look at the underbelly of politics through the lens of two of the undeniable founders of “fake news,” Leone Baxter and Clem Whitaker. The year is 1934, and Baxter and Whitaker have just formed the first political consulting firm in U.S. history. Famous novelist Upton Sinclair is all but guaranteed to become the first Democratic governor of the state of California—until this young, unknown pair of consultants from the shadows of the challenger’s campaign attempt to take him down. As Republican nominee Frank Merriam and Sinclair battle it out in the spotlight—seeking endorsements from the likes of Charlie Chaplin and FDR—Baxter and Whitaker work behind-the-scenes to methodically construct one of the most spectacular, unbelievable, and star-studded political smear campaigns ever.

Campaigns, Inc. co-founders are played by Tyler Meredith (she/her), in her TimeLine debut as Leone Baxter, and Yuriy Sardarov (he/him) as Clem Whitaker. Chicago theatre fans will recall Sardarov performing in TimeLine’s memorable 2009 production of The History Boys before landing the role of Otis on NBC’s Chicago Fire.

The cast also features TimeLine Company Member Anish Jethmalani (he/him) as Upton Sinclair and David Parkes (he/him) as FDR/Louis B. Mayer/Douglas Fairbanks/others, and TimeLine Associate Artist Terry Hamilton (he/him) as Frank Merriam. Jacqueline Grandt (she/her) as Eleanor Roosevelt/Mary Pickford/others, Matt Mueller (he/him) as Charlie Chaplin, and Mark Ulrich (he/him) as George Hatfield complete the cast.

Performances now extended through September 25th, due to popular demand, at TimeLine Theatre, 615 W. Wellington Ave., in Chicago’s Lakeview East neighborhood. For tickets and information, visit timelinetheatre.com or call the TimeLine Box Office at (773) 281-8463 x6.


FAKE NEWS, LIES, AND PROPAGANDA:

BEHIND THE SCENES OF CAMPAIGNS, INC.

 Setting the Stage: CAMPAIGNS, INC.

"The number one thing? Vote. The number two thing? Come see my play." Watch playwright Will Allan set the stage for TimeLine Theatre's world premiere of Campaigns, Inc.

“Campaigns, Inc. is the story of America, or really, it’s the story of how screwed up our political system is,” said director Nick Bowling. “The true story of Baxter and Whitaker is the center of the play, but it is also about the right and left of America—the dirty dealings of politics that pushes those two groups further and further from each other. It’s about the power of winning and what people will do to achieve that.”

“I think my favorite response to this play is ‘wait … is that real?’ And while I have taken some dramatic liberties, a lot of it is very real. I also want people to laugh. The current political climate is so volatile that I wanted a play about politics that is fun to watch,” said playwright Will Allan. “Baxter and Whitaker are relatively unknown and they changed the game of politics forever, especially Leone Baxter, a woman being president of a company and accomplishing what she did in the 1930s, it is truly remarkable.” 

Campaigns, Inc. was developed through the same TimeLine Playwrights Collective that brought Tyla Abercrumbie’s break-out new play, Relentless, to its acclaimed world premiere run last season at TimeLine, followed by a transfer and extended sold-out run at Goodman Theatre.

TimeLine’s Playwrights Collective was launched in 2013 to support Chicago-based playwrights in residence and create new work centered on TimeLine’s mission of presenting plays inspired by history that connect to today’s social and political issues. Campaigns, Inc. is now the third play developed through the Collective to receive a full production, after Relentless and Brett Neveu’s To Catch a Fish, which premiered at TimeLine in 2018.

TimeLine’s production team for Campaigns, Inc. includes Sydney Lynne (Scenic Designer, she/her), Sally Dolembo (Costume Designer, she/her), Jared Gooding (Lighting Designer, he/him), Forrest Gregor (Co-Sound Designer, he/him), Andrew Hansen (Co-Sound Designer, he/him), Rowen Doe (Properties Designer, they/them/), Anthony Churchill (Projections Designer, he/him), Katie Cordts (Co-Wig and Hair Designer she/her), Megan Pirtle (Co-Wig and Hair Designer and Associate Costume Designer, she/her), Sammi Grant (Dialect Director, she/her), Alka Nayyar (Associate Director, she/her), Maren Robinson (Dramaturg, she/her), and Miranda Anderson (Stage Manager, she/her).


CAMPAIGNS, INC. PERFORMANCE SCHEDULE/EVENTS

Regular performances continue through September 25: Wednesdays and Thursdays at 7:30 p.m.; Fridays at 8 p.m.; Saturdays at 4 p.m. and 8 p.m.; and Sundays at 2 p.m. Exceptions: No 4 p.m. performance Saturday August 13. Show time Sunday, August 21 is 4 p.m.


BUYING TICKETS

Single tickets to Campaigns, Inc. go on sale Wednesday, July 6 at timelinetheatre.com or by calling the TimeLine Box Office at (773) 281-8463 x6.

Preview tickets are $25. Single tickets to regular performances start at $42 (Wednesday through Friday), $49 (Saturday evenings) and $57 (Saturday and Sunday matinees). Student discount is 35% off regular price with valid ID. TimeLine is also a member of TCG’s Blue Star Theatre Program and is offering $25 tickets to U.S. military personnel, veterans, first responders, and their spouses and family.

Discounted rates for groups of 10 or more are available. Ticket buyers age 18-35 may join TimeLine’s free MyLine program to obtain access to discounted tickets, special events and more. Visit timelinetheatre.com/discounts for more about available discounts.


LOCATION/TRANSPORTATION/PARKING

Campaigns, Inc. will take place at TimeLine Theatre, 615 W. Wellington Ave., in Chicago’s Lakeview East neighborhood, near the corner of Wellington and Broadway, inside the former Wellington Avenue United Church of Christ building, now Chabad East Lakeview.

TimeLine is served by multiple CTA trains and buses. There are multiple paid parking options nearby, plus limited free and metered street parking. Visit timelinetheatre.com for details and available discounts.


DISCUSSIONS, EVENTS, AND ACCESSIBILITY

TimeLine’s schedule of post-show discussions, pre-show discussions, a Company Member discussion, and Sunday Scholars panel discussion, plus accessibility services such as distanced performances, captioned performances, and an audio-described performance, are still to be announced. Event dates and details will be posted on TimeLine’s website at timelinetheatre.com once available.

TimeLine Theatre is accessible to people with disabilities. Two wheelchair lifts provide access from street level to the theatre space and to lower-level restrooms. Audience members using wheelchairs

or who need to avoid stairs, and others with special seating or accessibility needs should contact the TimeLine Box Office in advance to confirm arrangements.

HEALTH AND SAFETY

Since returning to live performances in January 2022, TimeLine has been ensuring COVID-19 vaccination and mask requirements for audiences, artists, and staff. In general, protocols have required that patrons be masked and fully vaccinated with an FDA-authorized vaccine in order to attend. These protocols are subject to change as the pandemic evolves. For current information about TimeLine’s COVID-19 safety protocols, visit timelinetheatre.com/health-and-safety.

UPCOMING PERFORMANCES

TimeLine’s 2022-23 subscription season includes two more riveting plays that link past, present and future: a landmark classic that recently enjoyed a Tony Award-nominated production on Broadway, and another exciting world premiere from a Los Angeles-based playwright new to Chicago.

Trouble in Mind by Alice Childress, directed by TimeLine Company Member Ron OJ Parson, a scathingly funny backstage drama about interracial politics and the complex, difficult, and often emotional way people talk about race. Previews start November 2, 2022. Press Night is Wednesday, November 9 at 7:30 p.m. Performances run through December 18.

The world premiere of Boulevard of Bold Dreams by LaDarrion Williams, directed by Malkia Stampley, set on the night in 1940 that Hattie McDaniel made history at the Oscars, this is a story of dreamers striving to overcome considerable obstacles and fighting for recognition amidst the racism and inequity of Hollywood. Previews start February 1, 2023. Press Night is Wednesday, February 8 at 7:30 p.m. Performances run through March 19.

Save on tickets to TimeLine’s 2022-23 season with a 3-Admission FlexPass Subscription. Four different tiers, priced from $74.50 to $178, are now on sale. For more information and to purchase, call (773) 281-8463 x6 or visit timelinetheatre.com .

All three 2022-23 productions will be presented at TimeLine Theatre, 615 W. Wellington Avenue in Chicago’s Lakeview neighborhood. 

ABOUT TIMELINE THEATRE COMPANY

TimeLine Theatre Company, recipient of the prestigious 2016 MacArthur Award for Creative and Effective Institutions, was founded in April 1997 with a mission to present stories inspired by history that connect with today's social and political issues. Currently launching its 26th season, TimeLine has presented 84 productions, including 11 world premieres and 39 Chicago premieres, and launched the Living History Education Program, which brings the company's mission to life for students in Chicago Public Schools. Recipient of the Alford-Axelson Award for Nonprofit Managerial Excellence and the Richard Goodman Strategic Planning Award from the Association for Strategic Planning, TimeLine has received 58 Jeff Awards, including an award for Outstanding Production 11 times.

The company has long been bursting at the seams of its current leased home located at 615 W. Wellington Avenue in Chicago’s Lakeview East neighborhood, where the theatre has been in residence since 1999. In December 2018, TimeLine announced the purchase of property at 5033-35 North Broadway in Chicago’s Uptown neighborhood to be the site of its new home. Plans feature an intimate black box theatre seating up to 250 audience members, expanded area for the immersive lobby experiences that are a TimeLine hallmark, new opportunities for education and engagement, room to allow audience members to arrive early and stay late for theatergoing experiences that extend far beyond the stage, and more. TimeLine is working with HGA as architect for its new home project, which is expected to be completed in 2024.

TimeLine is led by Artistic Director PJ Powers, Executive Director Mica Cole, and Board President John Sterling. TimeLine Company members are Tyla Abercrumbie, Will Allan, Nick Bowling, Janet Ulrich Brooks, Wardell Julius Clark, Behzad Dabu, Charles Andrew Gardner, Lara Goetsch, Juliet Hart, Anish Jethmalani, Mildred Marie Langford, Mechelle Moe, David Parkes, Ron OJ Parson, PJ Powers, and Maren Robinson.

Major corporate, government and foundation supporters of TimeLine Theatre include Paul M. Angell Family Foundation, Arts Consulting Group, Bayless Family Foundation, The Elizabeth F. Cheney Foundation, Abe and Ida Cooper Foundation, Crown Family Philanthropies, Joseph and Bessie Feinberg Foundation, Forum Fund, Lloyd A. Fry Foundation, Illinois Arts Council Agency, Laughing Acres Family Foundation, MacArthur Fund for Arts and Culture at Prince, National Endowment for the Arts, Polk Bros. Foundation, Pritzker Traubert Foundation, The Shubert Foundation, United States Small Business Administration, and Walder Foundation.

For more information, visit timelinetheatre.com or Facebook, Twitter, or Instagram (@TimeLineTheatre).


BIOGRAPHIES

 



Will Allan (Playwright), a TimeLine Company Member and member of the 2017-18 Playwrights Collective, is a former Chicago-based actor and playwright who now resides in Los Angeles. His Chicago debut was as a member of the original cast of TimeLine's Chicago premiere of The History Boys (directed by Nick Bowling, Equity Jeff Awards—Production and Ensemble). Campaigns, Inc. is his first full-length play, and he is ecstatic that the place he got his start as an actor is the place he'll get his start as a professional playwright. During his decade in Chicago, he performed in numerous productions with Steppenwolf, Goodman, Chicago Shakespeare, Victory Gardens, Remy Bumppo, Theater Wit, and more. Regionally, he has performed with Milwaukee Repertory, Indiana Repertory, Cardinal Stage, and The Human Race Theatre Company. His film and TV acting credits include Awkwafina is Nora from Queens, Chicago Fire, Station 19, Chicago Justice, Runner, and the upcoming Netflix film Unfrosted: The Pop Tarts Story directed by Jerry Seinfeld. His first short film (as screenwriter, producer, and actor), Star Vehicle, will be making the festival rounds throughout 2022 and 2023. A native of Dayton, Ohio, Allan studied at Moscow Art Theatre School in Russia and earned his BA degree in Theatre Performance from North Central College in Naperville, Illinois.

Nick Bowling (Director) was the founding Artistic Director and is now Associate Artistic Director and a Company Member of TimeLine Theatre, where he has directed more than 30 productions. He is the recipient of eight Jeff Awards for Outstanding Direction (The History Boys, The Normal Heart, Fiorello!, This Happy Breed, and The Crucible at TimeLine, Ragtime at Marriott Theatre, Sondheim on Sondheim at Porchlight Music Theatre, and Another Part of the Forest at Eclipse Theatre) and also received Jeff Award nominations for Oslo, Blood and Gifts, The Farnsworth Invention, Hauptmann, and The Lion in Winter at TimeLine; Closer Than Ever at Porchlight Music Theatre; and City of Angels, The King and I, and Man of La Mancha at Marriott Theatre. Other recent credits at TimeLine include the Chicago premiere of J.T. Rogers’ Oslo at Broadway In Chicago’s Broadway Playhouse, Master Class, The Audience, A Disappearing Number, The Last Wife, and Blood and Gifts. Other Chicago credits include Marriott’s The Sound of Music, Oliver!, and The Bridges of Madison County, Paramount's A Christmas Story, Northwestern University’s Guys and Dolls and Cabaret, Porchlight’s A Catered Affair, Writers Theatre's Bach at Leipzig, and Shattered Globe Theatre's Time of the Cuckoo and Frozen Assets.

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