Chi, IL LIVE Shows On Our Radar:
Haven Theatre Presents
FEAR AND MISERY IN THE THIRD REICH
By Bertolt Brecht
Translated by Eric Bentley
Directed by Artistic Director Josh Sobel
February 8 – March 11, 2018 at The Den Theatre
I'll be ChiIlin' at the press opening on February 13th, at Chi, IL's Den Theatre, so check back soon for my full review.
All Production Photos by Joe Mazza/Brave Lux.
FEAR AND MISERY IN THE THIRD REICH features Joe Bianco, Amanda De La Guardia, Alys Dickerson, Elizabeth Dowling, Simon Hedger, Niko Kourtis, Kyla Norton, Siddhartha Rajan, Alexis Randolph and Jessica Dean Turner.
As Germany careens toward war, an entire society begins to crack, and the seeds of chaos and tragedy take root in the minds of its citizens. Josh Sobel (We're Gonna Die) helms an ensemble-driven production of Brecht's 1938 classic with a contemporary eye – a warning of how insidiously a culture can make space for atrocity, and a call to never allow it to happen again.
Comments Artistic Director Josh Sobel, "As the world finds itself in the midst of its next great cultural shift, Brecht's examination of the common citizen and how a society can be led to accept the inhumane feels strikingly immediate. Brecht wrote this play reflecting and pulling back the curtain on the news of the day as it was happening around him, providing an unnerving and – in our current moment – all too important call to confront injustice as it happens and to firmly and proudly say: No. With this production we seek to serve one of Haven's core values – the Future – through an intimate and personal look at our past and how such fatal mistakes were allowed to take place."
The production team for FEAR AND MISERY IN THE THIRD REICH includes Yu Shibagaki (scenic design), Izumi Inaba (costume design), Claire Chrzan (lighting design), Sarah D. Espinoza (sound design), Jeffrey Levin (original music), Sasha Smith (movement design), Abhi Shrestha (dramaturg, associate movement director), Angela Salinas (production manager), Madisen Dempsey (assistant director), Anna Sung-En Medill (assistant director) and Corbin Paulino (stage manager).
Regular run: Thursday, February 15 – Sunday, March 11, 2018
Curtain Times: Thursdays, Fridays & Saturdays at 8 pm; Sundays at 3 pm
Tickets: Previews: pay-what-you-can. Regular run $18. Tickets are currently available at haventheatrechicago.com.
Bertolt Brecht (Playwright) 1898-1956, playwright, poet and director, was born in Augsburg, Germany in February 1898. He established himself as a playwright during the 1920s and early 1930s with plays such as Baal, Man is Man, The Threepenny Opera and The Mother. In 1933, as Hitler came to power in Germany, Mr. Brecht fled to Scandinavia before eventually settling in the USA where he remained until 1947. During the war years, he wrote many of his best-known plays, including The Life of Galileo, The Caucasian Chalk Circle, Mother Courage and Her Children and The Resistible Rise of Arturo Ui. He returned to Europe in 1947 and shortly after his arrival formed the Berliner Ensemble. He died in Berlin on August 14, 1956 but remains a hugely influential theatre practitioner.
Eric Bentley (Translator) was born in England in 1916, became an American citizen in 1948, in 1998 was inducted into the (American) Theatre Hall of Fame, and in 2011 won a gold medal from the American Academy of Arts and Letters. Scholar, critic, teacher, performer, translator and, finally, playwright, he has had many books published and many plays and adaptations performed, the latter feature making him a star of the Samuel French catalogue. Several of his critical works have become classics, notably The Playwright as Thinker, Thinking about the Playwright and The Life of the Drama. Today, nine of his plays are published by Northwestern University Press in three volumes entitled Rallying Cries, Monstrous Martyrdoms and The Kleist Variations. Four more Bentley titles have recently been published by Broadway Play Publishing Inc: Round One, Round Two, A Time to Die and A Time to Live and The Sternheim Trilogy.
Josh Sobel (Director) is a Chicago-based director and Artistic Director of Haven Theatre Company. Recent credits include We're Gonna Die at Haven, Bobbie Clearly at Steep (Jeff Award winner, Best New Work), The Long Christmas Ride Home and Hunting of the Snark (also Edinburgh Fringe) at Strawdog, Rosencrantz & Guildenstern are Dead at Metropolis and The Importance of Being Earnest featuring Lisa Tejero at Iowa Summer Rep, University of Iowa. Additional credits include work at Chicago Dramatists, Red Orchid, Victory Gardens, Sketchbook, The Ruckus, Greenhouse Theater Center, Abbie-Fest and New Leaf. From 2010-2013 Josh served as Associate Director of the National Theater Institute summer "Theatermakers" program at the Eugene O'Neill Theater Center. Recipient, Stage Directors and Choreographers (SDC) Observership, Hamlet at Writers' Theatre. Associate member, SDC.
About Haven Theatre:
NEXT GENERATION. NEW CANON. SOCIAL PROFIT.
We exist to be a Haven for The Future. We achieve this through championing the next generation of playwrights, directors and actors by producing and promoting plays and performances that are staking their claim as the immediate future of this art form, and by investing in those at the very beginning of their professional journeys. Through this inspiration, we seek to ignite in each audience member a hope for the Future - the Future of theatre and performance, the Future of each other, the Future of our community.