Thursday, August 23, 2012
Act Out: After Opens at Profiles Theatre 8/31/12
Profiles Theatre continues 24th Season
with the Midwest premiere
of After by Chad Beckim,
directed by Matt Hawkins
Profiles Theatre announces the Midwest premiere of After by Chad Beckim, the second show of the company’s 2012-2013 season. After, directed by guest artist Matt Hawkins, runs August 31-October 14, 2012. Performances are held at Profiles original venue, The Alley Stage, 4147 N. Broadway.
When a wrongfully imprisoned man is exonerated by DNA evidence after seventeen years in prison, he is forced to re-assimilate into a cold, foreign world of toothbrush shopping, doggy day care, and a friendship with an anxious young woman with secrets of her own. After is a compassionate portrait of a man struggling with the challenges of socializing and the anger he still feels for having his youth unjustly destroyed.
After, written by Chad Beckim, received its World premiere production in September 2011 by Partial Comfort Productions in New York where he is co-Founder and co-Artistic Director. His playwriting credits include …a matter of choice, `nami and Lights Rise on Grace which won Outstanding Play at the 2007 New York International Fringe Festival and finalist for the 2007 Princess Grace Award. Chad holds an MFA in Playwriting from Mac Wellman’s Brooklyn Colleges Program and in July 2007, he was named one of 50 Playwrights to Watch by the Dramatists Guild.
Matt Hawkins (director of Cabaret at The Hypocrites) directs for the first time at Profiles. The production features guest artists Alice da Cunha, Carlos Rogelio Diaz, J. Salome Martinez, Stephenie Park, Gabriel Ruiz and Foster Williams, Jr., all making their debut with Profiles Theatre.
“There’s a delicate balance to my work; a dark, often bare-knuckle aesthetic entwined with levity, heart and hope,” says playwright Chad Beckim. “This is particularly true in the slippery landscape of After which demands a bold production team. Like any playwright, I’ve longed to find a home in Chicago, and am thrilled that Profiles Theatre—a company with a rich history of staging similarly daring voices and intrepid worlds – has carved out space for my baby. I’m eager to see how audiences of such a theatrically savvy company in such a theatrically savvy town embrace this story.”
The designers are Dan Stratton (set), Bekki Lambrecht (lights), Jeffrey Levin (sound and original music), and Brittany Bodley (costumes). Krissy Larson is the stage manager and Elise Spoerlein serves as assistant director.
After is the second production of Profiles Theatre’s 24th season. The Midwest premiere of Sweet and Sad by Richard Nelson opens at Profiles Theatre’s Main Stage on August 24, 2012. The season also includes the 20th Anniversary production of Hellcab by Will Kern, and the Midwest premieres of The Dream of the Burning Boy by David West Read and The Break of Noon by Neil LaBute.
Tickets for After are $35 for Thursdays, $40 for Fridays, Saturdays and Sundays. Tickets are available by phone, (773) 549-1815, or online, www.profilestheatre.org. Performances are Thursdays and Fridays at 8:00 p.m., Saturdays at 5:00 and 8:00 pm, Sundays at 7:00 p.m.
ABOUT THE ARTISTS
CHAD BECKIM (Playwright) is a New York City based playwright whose writing credits include …a matter of choice, `nami, Lights Rise on Grace (Winner, Outstanding Play, 2007 NY International Fringe Festival; Finalist for the 2007 Princess Grace Award; Finalist for Ojai Playwrights’ Conference), The Main(e) Play (Semi-Finalist, The O’Neill Festival, Optioned by Table Ten Films in 2010), That Men Do (Member of The Lark’s 2009 “Playwright’s Week” and Naked Angels “First Mondays” Series) and Mercy. He has also authored a number of shorts and one-acts, including The Fluffer and Marvel Super Hero Squad, both produced at Ars Nova, as well as Tha Bess Shit, Alexander Pays a Visit, Blac(c)ident, and Last First Kiss, which was adapted into a Columbia Grad film and produced in July, 2008. Chad holds an MFA in Playwrighting from Mac Wellman’s Brooklyn Colleges Program, and in July of 2007 was named one of “50 Playwrights to Watch” by the Dramatists Guild. His work has been published by Samuel French, Playscripts, Smith & Krauss, Autumn House Publications and in the Plays and Playwrights 2007 collection by NYTE. He is a former member of Ars Nova’s acclaimed “Play Group,” and is a co-Founder and co-Artistic Director of Partial Comfort Productions.
MATT HAWKINS (Director) has been a director/actor/fight choreographer in Chicago for the past eleven years. Favorite directing credits include Cabaret with The Hypocrites, Red Noses for Strawdog, On My Parents’ 100th Wedding Anniversary with Side Project, Alice, Fear for the Neo-Futurists, Cyrano and Hatfield and McCoy with The House Theatre. Other favorite projects include playing Stanley Kowalski in A Streetcar Named Desire at Writers’ Theatre and serving as the Movement Director for Peter Pan at Lookingglass. He has also worked with Steppenwolf, Court Theatre, The Royal Shakespeare Company, The Kennedy Center, Chicago Shakespeare, Stratford Shakespeare Festival, Redmoon, American Theatre Company, Steep, Pine Box, City Lit, Signal Ensemble, Adventure Stage, The Clarice Smith Performing Arts Center, Chicago Children’s Theatre and Old Town School of Folk Music. Matt has been an Adjunct Professor of Theater at Loyola and on faculty at the Conservatory at Act One Studios. He has taught at the University of Chicago, Roosevelt University, the University of Iowa and was the Guest Artist in Residency for the American Music Theatre Project at Northwestern University in 2010. Matt is a Founding Member of The House Theatre, an Artistic Associate and Resident Director with Strawdog, an Artistic Associate with 500 Clown and the recipient of five Jeff Awards. Later in the year he will direct Big Love at Strawdog and he will serve as fight director for Bengal Tiger At The Baghdad Zoo at Lookingglass. He is married to Stacy Stoltz.
ALICE DA CUNHA (Liz) is making her Profiles Theatre debut. She was recently seen in Dal Vivo at the Den Theatre and O Telefone Substituto for the Todos Festival, Lisbon. Her UK credits include This Much is True with Theatre 503, El Desierto at the CASA Festival, Aaron and Esther with Etcetera Theatre, Closing Time with Assembly Rooms at the Edinburgh Fringe Festival & Soho Theatre, Chairmania at Battersea Arts Centre, Anna in the Tropics with Hampstead Theatre, Faust with Bridewell Theatre, and Romeo & Juliet with Hazlitt Theatre. Alice’s film credits include The Iron Lady and Outpost: The Black Sun. She is an ensemble member of Dal Vivo and Artistic Consultant for Theater Un-Speak-Able.
CARLOS ROGELIO DIAZ (Eddie) is appearing with Profiles for the first time. He is a Chicago native and most recently worked with Halcyon Theater's production of Freud Skating On Thin Ice directed by Henry Godinez, Adventure Stage Chicago's The Giver and The Fine Print Theater's At Ease. Previous collaborators have included Cock & Bull Theater, Aguijon Theater and the Bailiwick among others. Carlos is a graduate of the University of Illinois at Chicago, a member of SAG - AFTRA and represented by Paonessa Talent Agency.
J. SALOME MARTINEZ, JR. (Monty) is making his Profiles and Chicago debut with After having recently moved from Los Angeles. Some of his theatre credits include As You Like It, Man of La Mancha, The Seagull and A Christmas Carol. Salome has also appeared on several television shows and films including Law & Order, Castle, the Emmy award-winning HBO mini-series Generation Kill, New York, I Love You and the Oscar Nominated film The Messenger. He received his BA in theatre from Barat College and his MFA in acting from the University of Florida.
STEPHENIE PARK (Susie) is making her Profiles debut in After. Last season she was an understudy in the Silk Road Rising original production of Re-Spiced: A Silk Road Cabaret, and prior to that, she came in 4th place on competitive cooking show America's Next Great Restaurant. Other recent productions include Carousel and The Wild Party with Penn Players. Stephenie’s upcoming appearances include the television series Boss, the independent film It's a Terrible Week for Singing and a staged reading of Cowboy vs. Samurai. When she is not acting, Stephenie is a musician and practicing attorney.
GABRIEL RUIZ (Warren) is a graduate of The Theatre School at DePaul University and a company member of Teatro Vista Theater Company. Gabriel was last seen in Blood and Gifts at The Lincoln Center Theater in New York. Chicago credits include Working at the Broadway Playhouse, Richard III and SS! A Midsummer Night's Dream at Chicago Shakespeare Theater, Our Lady of the Underpass with Teatro Vista, Esperanza Rising for Chicago Children's Theater, and Why Torture is Wrong, and the People Who Love Them with Forward Theater Company in Madison, WI. He can also be seen as Dilip Singh in both seasons of Boss on Starz.
FOSTER WILLIAMS, JR. (Chap) is making his Profiles Theatre debut with After. He has appeared in such productions as The Man Who Saved New Orleans, Bedtime Story, Lifetimes on the Streets and Woman From the Town with ETA Creative Arts Foundation, The Amen Corner with Ray of Hope Theatre, Jitney and Two Trains Runing with Pegasus Players, Sketch Book 2007 with Collaboraction Theatre, The Haunted L for Quest Theatre Ensemble and A Black Man Named Joe with Black Theater Ensemble. Foster’s independent film credits include Dark and Never Say Yes to a Stranger.
Schedule: Thurs., Fri.: 8:00 p.m.
Saturday: 5:00 p.m. and 8:00p.m. (no 5pm show September 1 and 8)
Sunday: 7:00 p.m.
Location: Profiles Theatre, The Alley Stage, 4147 N. Broadway
Parking is available for $10 - $12 at 4100 N. Clarendon
(One block east of the theatre at the corner of Clarendon and Belle Plaine)
Ticket prices: Previews: $20
Regular Run: Thursdays are $35, Fridays, Saturdays and Sundays are $40; Students and Senior Citizens receive a $5 discount on all performances; Group rates are available.
Box Office: Buy online at www.profilestheatre.org
or call (773) 549-1815
ABOUT PROFILES THEATRE
Profiles Theatre, founded in 1988 by Artistic Director Joe Jahraus, joined shortly thereafter by Artistic Director Darrell W. Cox, was formed as an actor-driven theatre ensemble dedicated to creating provocative and emotionally truthful productions. Passionate about shaping an original vision for new works, they focused on performing World, American and Midwest premieres as well as rarely performed plays. Critically acclaimed hits, such as Blackbird, Fat Pig and Graceland and the multiple Jeff Award-winning Killer Joe established Profiles as a destination for challenging and edgy theatre. Their unique collaboration with playwright Neil LaBute led the ensemble to perform an entire season of his plays in 2007-2008. Now a Resident Artist at Profiles, LaBute remains an unequivocal artistic influence on the ensemble. After performing at 4147 North Broadway for more than two decades, Profiles acquired an adjacent theatre at 4139 North Broadway in 2012. Profiles’ new theatre, The Main Stage, with its larger seating capacity, increased performance space and higher ceilings, accommodates more ambitious and technically demanding productions. Their long-time venue, renamed The Alley Stage, continues as the home for plays strengthened by a more intimate staging. Driven by an undiminished appetite for creating honest and resonant theatre, Profiles still seeks to present work that illuminates the determination and resiliency of the human spirit.