WORLD PREMIERE Of Seven Days at Sea Via Light and Sound Productions at The Edge Theater May 19 - June 5

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LIGHT AND SOUND PRODUCTIONS ANNOUNCES THE WORLD PREMIERE OF 

SEVEN DAYS AT SEA

BY MARTHA HANSEN AND DIRECTED BY MARGARET KNAPP

MAY 19 - JUNE 5 

AT THE EDGE THEATER

Five Older Women Meet on a Lesiban Cruise and Begin a Journey Reflecting the Highs and Lows of their Lives and the Promise of Renewed Sexuality

Light and Sound Productions is proud to announce the world premiere of Seven Days at Sea, written by Martha Hansen and directed by Margaret Knapp, May 19 - June 5, at The Edge Theater, 5451 N. Broadway Street. Press opening is Friday, May 20 at 7 p.m. The performance schedule is Thursdays - Saturdays at 7 p.m. and Sundays at 3 p.m. Tickets are $20 - $40 and are on sale now at LightAndSoundProductions.org.

Five older women’s lives intersect on a lesbian cruise ship. While on the cruise, the women confront truths about themselves and each other reflecting a journey through age, illness and renewed sexuality. This show is recommended for mature audiences.

All Photos by Shirley Nannini

 (L to R) Millie Hurley, Adrianne Cury, Stacie Doublin, Martha Hansen and Judi Schindler

“I wrote this, my first play, as I feel older women’s voices are rarely heard and it has been a humbling experience. As one friend suggested, it’s like building a plane while flying,” said Hansen. “I am learning about the complexity of bringing a production to life with its myriad pieces and learning from all the people I have been in contact with, especially the Chicago artistic community. On days I’ve felt I might not be able to go on, their enthusiasm and encouragement have buoyed me up and allowed me to continue to complete this play.”

 (L to R) Martha Hansen, Millie Hurley, Adrianne Cury, Judi Schindler and Stacie Doublin

The Seven Days at Sea cast includes Judi Schindler, (Cora); Millie Hurley, (Teresa); Martha Hansen, (Bailey); Adrianne Cury, (Audrey); Stacie Doublin, (Gloria); Patricia Kelly, (understudy Bailey/Audrey),Melissa Van Kersen, (understudy Teresa/Gloria) and Patricia Tinsley, (understudy Cora).

 Seven Days at Sea Headshot Block:

Top Row (L to R): Marc Carmen, (stage manager), Joyce Ciesil, (sound designer), Adrianne Cury, (Audrey), Stacie Doublin (Gloria)

Second Row (L to R): Martha Hansen (playwright, Bailey), Millie Hurley, (Teresa) Patty Kelly (understudy Bailey/Audrey), Margaret Knapp (director)

Third Row (L to R): Jennifer Lazarevic (prop designer), Christina Leinicke (costume designer, Michelle Lilly (set designer); Jessica Neill (lighting designer);

Last Row (L to R): Judi Schindler (Cora), Laura Sturm (intimacy director), Patricia Tinsley (understudy Cora), Melissa Van Kersen (understudy Teresa/Gloria)

The Seven Days at Sea production team includes: Margaret Knapp, (director/dramaturg); Rebekah Fowler, (assistant director); Michelle Lilly, (set designer); Jessica Neill, (lighting designer); Joyce Ciesil, (sound designer); Christina Leinicke, (costume designer); Laura Sturm, (intimacy director); Jennifer Lazarevic, (prop designer), Ellen O’Keefe, (production manager); Marc Carmen, (stage manager); Lindsey Chidester (assistant stage manager); Emily Kneer (scenic crew) and Colleen Schuldeis (scenic crew).

 (L to R) Millie Hurley, Adrianne Cury, Stacie Doublin, Martha Hansen and Judi Schindler

ABOUT MARTHA HANSEN, playwright and actor

Seven Days at Sea is the first play Martha Hansen has written. Her Chicago acting credits include Superior Donuts (Mary Arrchie Theatre u/s with performances), Moon Over Buffalo, ER, The Games Afoot (Jedlicka Performing Arts Center), American Beauty Shop (Chicago Dramatists u/s), Steel Magnolias (Ignite Theater), Everything In Between (Dandelion Theater) and Minutes and Seconds (Rhinofest).

ABOUT MARGARET KNAPP, director and dramaturg

Margaret Knapp’s directing credits include Foxfinder by Dawn King for Interrobang Theater Project which was nominated for seven Jeff Awards including Best Director and Best Production and won two (Best original music and best scenic design). Other directing credits include Uncle Vanya, Honey Brown Eyes, The Intelligent Design of Jenny Chow, Rhinoceros, Museum by Tina Howe, and Twelfth Night. Knapp has functioned as a literary manager and dramaturg for various projects around Chicago. A proud Equity actor since 1992, she has acted at theaters in the Midwest such as the Apollo here in Chicago, Drury Lane-Oakbrook, the Kansas City Rep and Unicorn Theater in Kansas City, Missouri, and The Human Race Theater in Dayton, Ohio. Knapp also teaches speech, acting and comparative literature at various colleges in Illinois.

REVIEW: Collected Stories Via Redtwist Theatre Now Playing Through June 5, 2022

 ChiIL Live Shows on our radar 

R E D T W I S T  T H E A T R E  P R E S E N T S

Collected Stories

by Donald Margulies

Directed by Ted Hoerl

Gossip is a neglected art form.

Guest Review

By Catherine Hellmann

I felt like I was at Windy City Playhouse and was looking for the cheese curls, popcorn, and spray cheese can snacks. The set is Professor Ruth Steiner’s apartment, and the audience members are the eavesdroppers in her living room lined against the walls. For a play about sharing secrets and subsequent indiscretion, the intimacy is perfect. 

Jacqueline Grandt (Ruth) and Jillian Warden (Lisa)

“Write what you know” is the oft-repeated piece of advice to aspiring authors about writing. In Collected Stories by Donald Margulies, Lisa Morrison is a young, ambitious yet uncertain grad student meeting her idol/teacher Dr. Steiner for the first time. Lisa is writing about what she knows in her autobiographical selections that eventually culminate in her first published book, Eating Between Meals. She adores Dr. Steiner from her reputation as an author. Lisa fawns so much initially over her prof that it is cringey. Dr. Steiner is very no-nonsense, a little abrupt, blunt, and describes herself as “Thelma Ritter would play me in the movie.” (I love that line!) 

The first time that Lisa is published, Ruth’s surprise and tinge of jealousy is palpable. She wants her student to succeed, but as a fellow artist, Ruth may not truly want her protege to surpass her. (That Artist Ego is hard to shake.) We see Lisa expand her repertoire as a writer while Ruth’s health declines. But Lisa’s first novel is not a tale she experienced firsthand. Is it still fair game to share with the world?

The book in question is obviously inspired by Ruth’s affair decades ago with a well-known poet many years her senior. Ruth reveals this precious memory of her past when pressed by Lisa. Lisa uses it as a springboard for her novel a few years later. Ruth, understandably, feels betrayed. 

All along, Ruth has stressed that “writers are all rummagers.” Lisa reminds Ruth that she herself taught Lisa to be “ruthless.” But Ruth feels her favorite student has “turned into a spy.” Ruth confesses that watching Lisa’s star ascend reminds Ruth of her own mortality. 

The two actresses are fantastic. Redtwist Company Member Jacqueline Grandt is wonderful in every role. The part of Ruth Steiner is perfect for her. Making her Redtwist debut is Jillian Warden as Lisa. She holds her own next to Ms. Grandt. 

On their first meeting, Ruth is surprised to discover Lisa is not who she thinks she is. “My students match their stories.” Lisa’s first story is too serious, and her personality is just too earnest. For these two writers, they shouldn’t judge a book by its cover.    

Catherine Hellmann is a teacher, mom of teachers, daughter of a teacher…and a self-professed Theater Whore. 

Prominent author Ruth takes her fiction student Lisa under her wing – until Lisa’s success comes in the form of a story that’s much too familiar to Ruth. When her protege publishes a salacious story that can only be traced back to her mentor, their relationship is challenged. Spanning six years, this play takes a searching look at the lives of a pair of writers and the tangled connections between creativity and ideology.

THE CAST

Jacqueline Grandt* (Ruth Steiner), Jillian Warden (Lisa Morrison) Understudies: Jean Marie Koon (Ruth Steiner), Meghann Tabor (Lisa Morrison) THE STAFF

E. Malcolm Martinez (Box Office Manager), Karen Epton, Johnny Garcia & Amanda Grissom (Box Office Associates), Charlie

Marie McGrath (Producing Artistic Director)

*indicates Redtwist staff or company members

THE SCHEDULE

Opens: Sun, May 1, 3pm

Showtimes: Thu, Fri, Sat, 7:30pm; Sun, 3pm

Closes: Sun, Feb 13, 3pm

Previews: $15; Thu, Fri, Sat, Apr 28, 29, 30 at 7:30pm.

Runtime: 2 hours, with one intermission

Tickets: Thursdays, $35; Fridays, Saturdays, Sundays, $40 (seniors & students $5 off)

RESERVATIONS

Website/Tickets: www.redtwisttheatre.org Call: 773-728-7529

LOCATION/PARKING

Redtwist is located at 1044 W Bryn Mawr, 2 blocks W of LSD, 2 blocks E of the Red Line EL station. Please be aware of the ongoing construction on the Red and Purple lines, which cause delays. Valet parking for Redtwist is available across the street in front of Francesca’s Bryn Mawr for most performances—hours vary. Dining is not required. Parking is also available at Edgewater Mexican Café, with notification of restaurant staff. Dining is not required. Limited FREE street parking is available on side streets. There is paybox street parking via ParkChicago.com app. The paybox is 3-hours on the Redtwist block of Bryn Mawr, and 2-hours on side streets. Paybox parking is free on Sundays, and after 10pm Mon thru Sat.

The safety of our artists and audiences are important to us. During this unprecedented time, we hope to reduce the risk in the theatre-going experience as much as possible. To that end, we are instituting the following policies, effective immediately:

 Masks will be required for audiences inside the theatre.

 Patrons must be able to show proof that they are fully vaccinated via a physical copy of their vaccination card, a clear photo of their full card, or a link to their pharmacy's confirmation of vaccination or vaccination confirmation via their app.

 "Fully vaccinated" means that either 14 days have passed since receiving either the final dose of FDA or WHO authorized vaccines.

 Redtwist will offer exemptions for those unable to be vaccinated, such as children under 5, people with certain medical conditions preventing vaccination, or those with closely held religious beliefs that prevent vaccination. These patrons must provide proof of a negative COVID-19 test—within the last 48 hours—before performance start time.

PLEASE NOTE THAT REDTWIST RESERVES THE RIGHT TO REFUSE ENTRY TO THOSE WHO ARE UNABLE TO MEET THE ABOVE REQUIREMENTS. THE BOX OFFICE WILL BE HAPPY TO RESCHEDULE TICKETS WHEN POSSIBLE IN THAT EVENT.

Thank you for helping us to keep our friends and artists and your fellow patrons as safe as possible during our upcoming season.

THEO UBIQUE TAKES ON THE CLASSIC GODSPELL June 10-July 31st, 2022

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Theo Ubique Cabaret Theatre closes its 2021–2022 season with GODSPELL, the Stephen Schwartz and John-Michael Tebelak beloved and timeless tale of friendship, loyalty, and love, based on the Gospel of St. Matthew. At the helm will be an award-winning creative team including Theo’s Managing Director Christopher Pazdernik (Director), Jenna Schoppe (Choreographer), and Jeremy Ramey (Music Director). GODSPELL will be performed June 10 – July 31. 

One of the most-produced musicals of all-time, GODSPELL’s sung-thru structure offers an eclectic mix of jazz, rock opera, pop, and gospel songs to journey audiences through a meaningful story of connection. Theo Ubique’s adaptation will take inspiration less from the parables of which the show is inspired and instead embrace a more modern thematic line of storytelling.

"As composer Stephen Schwartz has often said, GODSPELL is essentially about community. We look forward to leaning into that theme for our production at Theo, following a group of people who have been 'othered' by society in some way, coming together in their search for shared values and chosen family,” said Director Pazdernik. “This show was originally selected to honor GODSPELL’s 50th Anniversary in 2021 and I am thrilled to be able to still honor that anniversary with our production, albeit delayed. Additionally, the theater will be transformed into an urban park setting, making it the perfect summer destination for joy, togetherness, and of course, that incredible iconic score!" 

The cast offers audiences an inspiring group of emerging Chicago artists including Austin Nelson, Jr. (he/him), Anna Marie Abbate (she/her), Bryce Ancil (he/him), Izzie Jones, (she/her), Nathe Rowbotham (they/them), Alix Rhode (she/her), Laz Estrada (they/them), Matthew Hunter (he/him), Ashley Saul (she/they), Hannah Efsits (she/her), Juan Gonzalez Machain (he/him), Chamya Moody (she/her), Jon Parker Jackson (he/they), and Anna Blanchard (she/her). 

To build the world of the story, Theo welcomes designers Yeaji Kim (she/her; Scenic Designer), Maggie Fulliulove-Nugent (she/her; Lighting Designer), Rueben Echoles (he/him; Costume Designer), Lonnae Hickman (she/her; Properties Designer) and Stefanie Senior (she/her; Sound Designer). The production team also includes Jordan Ratliff (he/him; Assistant Director/Choreographer), Nicholas Reinhardt (he/him; Production Manager) and Kaitlyn Souter (she/her; Stage Manager).

Completing the Theo Ubique experience, Evanston’s La Cocinita, known for their Latin American street food, will be offering a 3-course meal available for an additional $29.00 per person. 

Single tickets for GODSPELL are on sale online or via phone 773-939-4101. Prices are $35.00 for previews June 10 – June 20, and $42.00 - $54.00 for regular performances June 21 – July 31. 

 

ABOUT GODSPELL

GODSPELL was the first major musical theatre offering from three-time Grammy and Academy Award winner, Stephen Schwartz (Wicked, Pippin, Children of Eden), and it took the world by storm. Led by the international hit, "Day by Day," GODSPELL features a parade of beloved songs, including "Prepare Ye the Way of the Lord," "Learn Your Lessons Well," "All for the Best,” "All Good Gifts," "Turn Back, O Man" and "By My Side."

A small group of people help Jesus Christ tell different parables by using a wide variety of games, storytelling techniques and hefty doses of comic timing. An eclectic blend of songs, ranging in style from pop to vaudeville, is employed as the story of Jesus' life dances across the stage. Dissolving hauntingly into the Last Supper and the Crucifixion, Jesus' messages of kindness, tolerance and love come vibrantly to life.

Boasting a score with chart topping songs, a book by a visionary playwright (John-Michael Tebelak) and a feature film, GODSPELL is a sensation that continues to resonate with audiences, and has become a staple of theatre companies, large and small.

 

ABOUT THE CREATIVE TEAM

Christopher Pazdernik (any) Director: Who's Holiday (Theatre Wit), Colors of My Life (CCPA/Roosevelt University), Wonder Women (Chicago Musical Theatre Fest), Big River (Round Barn), Carrie (Ohio Northern University), former Artistic Director of Refuge Theatre Project (Jeff Awards, Best Director & Best Production, High Fidelity), multiple Porchlight Revisits. Casting: Sex Tips for Straight Women from a Gay Man (Chicago Premiere), Miracle (World Premiere; Royal George), The Nutcracker (add'l Casting; The House), Porchlight Music Theatre, CPA Theatricals. Currently: Managing & Casting Director for Theo Ubique Cabaret Theatre, where he directs Godspell this summer. An openly HIV+ artist, Christopher is the founder and producer of Belting for Life, an annual benefit concert for Howard Brown Health, and co-captain of Team Option Up! for AIDS Run/Walk Chicago. 

Jeremy Ramey (He/Him, Resident Music Director) is a concert pianist, conductor and music director based in Chicago. In 2019, Jeremy received his tenth Jeff nomination and sixth Jeff Award for his work on The Bridges of Madison County. He had previously received Jeff awards for The Light in the Piazza, Smokey Joe’s Cafe, RENT, and The Most Happy Fella, all with Theo Ubique. In 2016, he won his second Broadway World Award for Music Direction for his work on Bette: Live at the Continental Baths with the production company Hell in a Handbag. He received his training in piano performance and music at Rhodes College, Northwestern University and The Juilliard School of Music.

Jenna Schoppe (She/Her, Choreographer) Jenna’s previous choreographic endeavors include Yank!: A WWII Love Story (Pride Films and Plays - 2018 Jeff Award for Best Choreography), Nunsense, Call Me Madam, Do Re Mi and The Rink (Porchlight Music Theatre), MAMMA MIA!, (Highland Park Players), Bobbie Clearly(Steep Theatre) and The Producers (Nightblue Performing Arts - Jeff Award Nomination).

ABOUT THEO UBIQUE

Theo Ubique was founded in 1997 by Artistic Director Fred Anzevino. Productions were first staged at the Heartland Studio Theatre, and from 2004 to May 2018, at No Exit Café, where the company began focusing on musicals and revues, reigniting the cabaret theatre trend in Chicago. The company moved to the Howard Street Theatre, a venue owned and developed for Theo Ubique by the City of Evanston, in fall of 2018. Theo Ubique has produced more than 60 shows and won 64 Jeff Awards, having received 154 nominations. The company also earned three After Dark Awards. www.theo-u.com

Lerner & Loewe’s MY FAIR LADY To Play Broadway In Chicago’s Cadillac Palace Theatre June 28-July 10, 2022

ChiIL Live Shows On Our Radar

LINCOLN CENTER THEATER’S

AWARD-WINNING, CRITICALLY ACCLAIMED PRODUCTION OF

LERNER & LOEWE’S

MY FAIR LADY

BROADWAY IN CHICAGO’S

CADILLAC PALACE THEATRE

JUNE 28-JULY 10, 2022

Broadway In Chicago is delighted to announce tickets for the North American tour of Lincoln Center Theater’s critically acclaimed production of Lerner & Loewe’s MY FAIR LADY will go on sale Friday, April 29. Directed by Bartlett Sher, Lerner & Loewe’s MY FAIR LADY will play Broadway In Chicago’s Cadillac Palace Theatre for a limited engagement June 28-July 10, 2022.

Lincoln Center Theater’s production of Lerner & Loewe’s MY FAIR LADY is the winner of five Outer Critics Circle Awards including Best Revival of Musical and was nominated for 10 Tony Awards including Best Musical Revival, five Drama Desk Awards including Best Musical Revival and three Drama League Awards including Best Musical Revival.  The production, which premiered in the spring of 2018, ended its long run at Lincoln Center’s Vivian Beaumont Theater on July 7, 2019 after playing 548 performances.

"Thrilling! Glorious and better than it ever was!

A marvelous and transformative revival." - The New York Times

Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture Pygmalion, Lerner & Loewe’s MY FAIR LADY, with a book and lyrics by Alan Jay Lerner and music by Frederick Loewe, premiered on Broadway on March 15, 1956. The legendary original production won six Tony Awards including Best Musical and ran for 2,717 performances making it, at the time, the longest-running musical in Broadway history.

"A thing of beauty. A masterful piece of entertainment." - Entertainment Weekly

Boasting a score that contains such now-classic songs as “I Could Have Danced All Night,” “Get Me to the Church on Time,” “Wouldn’t It Be Loverly,” “On the Street Where You Live,” “The Rain in Spain,” and “I’ve Grown Accustomed to Her Face,” Lincoln Center Theater’s production of Lerner & Loewe’s MY FAIR LADY was hailed by The New York Times as “Thrilling, glorious and better than it ever was.  A marvelous and transformative revival.” New York Magazine described it as ‘Enthralling,” adding that “Bartlett Sher’s glowing revival proves that a beloved musical from another era can keep on kicking.” And Entertainment Weekly raved “A sumptuous new revival of the most perfect musical of all time. A masterful piece of entertainment.”

"Enthralling!

Bartlett Sher's glowing revival proves that a beloved musical from another era can keep on kicking, as long as it's got its eyes wide open." - New York Magazine

The North American tour of Lincoln Center Theater’s production of Lerner & Loewe’s MY FAIR LADY features choreography by Christopher Gattelli, and has sets by Michael Yeargan, costumes by Catherine Zuber, lighting by Donald Holder and sound by Marc Salzberg.  Music Supervision is by Ted Sperling, featuring Lerner & Loewe’s MY FAIR LADY’s original musical arrangements by Robert Russell Bennett and Phil Lang, and dance arrangements by Trude Rittmann.  Tour Orchestrations are by Josh Clayton and music direction is by John Bell.  It is produced by Nederlander Presentations, Inc.

Facebook: “My Fair Lady on Broadway”

Twitter/Instagram: @MyFairLadyBway

#MyFairLadyTour

www.myfairladyontour.com

PERFORMANCE SCHEDULE

Performances are on Tuesday through Friday at 7:30 p.m. (with a Wednesday matinee at 2:00 p.m. on July 6), Saturdays at 2:00 p.m. & 8:00 p.m., and Sundays at 2:00 p.m. (with a 7:30 p.m. evening show on July 3).

TICKET INFORMATION

Individual tickets for the North American tour of Lincoln Center Theater’s production of Lerner & Loewe’s MY FAIR LADY will go on-sale to the public on Friday, April 29, 2022 and range from $27.00 - $98.00 with a select number of premium tickets available. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing GroupSales@BroadwayInChicago.com. For more information, visit www.BroadwayInChicago.com.

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 22 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining more than 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, Auditorium Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place.

COVID-19  PROTOCOL

Our audiences are required to wear masks. For details or further requirements visit broadwayinchicago.com/covid19.

For more information and tickets, visit www.BroadwayInChicago.com.

Facebook @BroadwayInChicago ● Twitter @broadwaychicago ● Instagram @broadwayinchicago ● #broadwayinchicago

Rufus Wainwright Announces Special Guests For City Winery Shows in New York City (June 5, 7, 8, 10) and Chicago (June 16-17)

 ChiIL Live Shows On Our Radar 

Rufus Wainwright Announces Special Guests 

For City Winery Shows

LAURA BENANTI (NYC, JUNE 5)

MX JUSTIN VIVIAN BOND (NYC, JUNE 8)

MOLLY RINGWALD (NYC, JUNE 10)

MORE TO BE ANNOUNCED

WIDE-RANGING LIVE SCHEDULE INCLUDES FULL BAND TOUR 

AND EXCLUSIVE RUFUS DOES JUDY RESIDENCIES 

AT CITY WINERY IN NEW YORK AND CHICAGO

2x GRAMMY® Award-nominated singer-songwriter Rufus Wainwright will celebrate Garland’s centenary with a pair of exclusive live residencies, Rufus Does Judy at City Winery, set for City Winery in New York City (June 5, 7, 8, 10) and Chicago (June 16-17). Today, Wainwright and his band announced that the performances will feature special guests including Laura Benanti (June 5), Mx Justin Vivian Bond (June 8), and Molly Ringwald (June 10), with more to be announced in the coming weeks. Early sets will cover songs from “When You’re Smiling” to “San Francisco,” while late shows will feature “I Can’t Give You Anything But Love” to “Chicago,” with additional surprise numbers during both sets. For complete details and remaining ticket availability, please visit rufuswainwright.com/tour.

Recently, Wainwright shared “Puttin’ On The Ritz,” featured on his upcoming Rufus Does Judy at Capitol Studios and available now at all DSPs and streaming services. An official live performance video premiered Friday via YouTube.

Rufus Does Judy at Capitol Studios – an all-new performance of his groundbreaking tribute to Judy Garland, Rufus Does Judy at Carnegie Hall, recorded last year at Los Angeles’ famed Capitol Studios – arrives via BMG on Friday, June 10, celebrating the legendary Garland’s 100th birthday. Pre-orders are available now. 

RUFUS DOES JUDY AT CAPITOL STUDIOS ARRIVES VIA BMG

ON JUDY GARLAND’S 100TH BIRTHDAY,

FRIDAY, JUNE 10

WATCH “PUTTIN’ ON THE RITZ”

STREAM “PUTTIN’ ON THE RITZ”

PRE-ORDER RUFUS DOES JUDY AT CAPITOL STUDIOS

First presented last year as a virtual livestream concert event, Rufus Does Judy at Capitol Studios sees Wainwright using the very microphone Garland herself used while making her own historic recordings at Capitol Studios, backed by a four-piece jazz ensemble before a micro-audience comprised entirely of 2x Academy Award-winning actress Renée Zellweger, winner of 2020’s “Best Actress” Oscar for her spectacular performance as Garland in 2019’s Judy. Among the concert’s many highlights is a special duet rendition of “Happy Days Are Here Again/Get Happy” performed alongside award-winning Concord recording artist Kristin Chenoweth, as well as the concert highlight, “The Man That Got Away,” the latter available now at all DSPs and streaming services; an official live performance video is streaming now via YouTube.

Rufus Does Judy at Capitol Studios – which marked a rare complete performance of Wainwright’s now-legendary homage to 1961’s Judy Garland At Carnegie Hall – showcases a selection of standards spanning swing, jazz, and pop, including three songs by George & Ira Gershwin, two Rodgers & Hart classics, two from Howard Dietz & Arthur Schwartz, plus favorites by Harold Arlen, Yip Harburg, Irving Berlin, Noël Coward, and more. Highlights include such Garland signature songs as “The Man That Got Away,” “Zing! Went the Strings of My Heart,” “Swanee,” and of course, “Over The Rainbow.” 

WATCH “THE MAN THAT GOT AWAY”

“In terms of actually fundamentally knowing these songs, honestly feeling them in my bones, Judy Garland has always had a good 30 year leg up on me and despite my valiant attempts, she will always be the Queen,” says Wainwright. “Listening back to my latest renditions of some of these amazing numbers, I was slightly taken aback...in a good way. I don’t know if it’s the pared down arrangements, my own as well as the planet’s trials and tribulations, or the fact that everyone but myself were required to record these tracks with masks on (playfully emblazoned with Judy’s likeness mind you). But, there is a darker quality to these renditions, a measure of pain involved that in almost every other aspect of life can prove burdensome, except for in the act singing. I now know these songs and definitely feel them deep in my bones.”

ALL-NEW RECORDING AT HISTORIC L.A. STUDIO TO BE RELEASED 

IN CELEBRATION OF JUDY GARLAND’S CENTENNIAL

Wainwright will return to the road with his Unfollow The Rules Tour, beginning April 26 at Vancouver, BC’s Chan Centre for the Performing Arts and then travelling the world through November. The upcoming run will see Wainwright performing classic songs, fan favorites, and tracks from his highly praised new album, 2020’s GRAMMY® and Juno Award-nominated Unfollow The Rules, both solo and backed by his brand-new live combo, Brian Green (John Legend, Michael Bublé) as music director, guitar and backing vocals; Jacob Mann on keyboard, piano and backing vocals; and Alan Hampton on bass, guitar, ukulele and backing vocals. 

In addition, Wainwright will present his acclaimed 2018 opera, Hadrian, with a special one-night-only performance at Madrid, Spain’s historic Teatro Real on July 22. Wainwright will also team up the Los Angeles Phil for an exclusive performance set for L.A.’s Walt Disney Concert Hall on June 2, 2023.

Wainwright’s sixth full-length release and first live album, 2007’s Rufus Does Judy at Carnegie Hall was recorded and produced by Phil Ramone over two sold-out nights at Carnegie Hall, backed by a full 36-piece orchestra and special guest appearances from his sister Martha Wainwright, his mother Kate McGarrigle, and Garland’s daughter, Lorna Luft. The album proved an immediate cultural landmark, feted by worldwide media attention and critical acclaim while earning Wainwright his first-ever GRAMMY® Award nomination (for “Best Traditional Pop Vocal Album”). Due to popular demand, Wainwright recreated his momentous tribute to Garland with sold-out, star-studded performances at such renowned venues as Paris’ L’Olympia, Los Angeles’ Hollywood Bowl, and the London Palladium, the latter of which was filmed and released on DVD as Rufus! Rufus! Rufus! Does Judy! Judy! Judy!: Live from the London Palladium.

RUFUS WAINWRIGHT UNFOLLOW THE RULES TOUR 2022

APRIL

26 – Vancouver, BC – Chan Centre for the Performing Arts

28 – Kirkland, WA – Kirkland Performance Center

29 – Edmonds, WA – Edmonds Center for the Arts

30 – Portland, OR – Aladdin Theater

MAY

16 – Toronto, ON – Massey Hall

17 – Buffalo, NY - Asbury Hall Babeville (Babeville)

19 – Ottawa, ON – Babs Asper Theatre, National Arts Centre

20 – Quebec City, QB – Palais Montcalm

21 – Montreal, QB – Salle Wilfred-Pelletier

29 – Reykjavik, IS – Harpa Center

JUNE

5 – New York, NY – City Winery (Two Shows) *

7 – New York, NY – City Winery

8 – New York, NY – City Winery

10 – New York, NY – City Winery (Two Shows) *

14 – Los Angeles, CA – The Ford

16 – Chicago, IL – City Winery (Two Shows) *

17 – Chicago, IL – City Winery (Two Shows) *

23 – Worthing, UK – Worthing Assembly Halls

25 – Bath, UK – Bath Forum

26 – Rhyl, UK – Rhyl Pavilion Theatre

30 – Zaragoza, ES – Parque Grande José Antonio Labordeta

JULY

6 – Dublin, IR – National Concert Hall

7 – Kassel, DE - Kulturzelt

11 – Amstelveen, NL – Amsterdamse Bostheater (SOLD OUT)

19 – Frankfurt, DE – Palmengarten

27 – Madrid, ES – Teatro Real †

30 – Glasgow, UK – Kelvingrove Bandstand

SEPTEMBER

14 – Dallas, TX – Majestic Theatre

15 – Austin, TX – The Paramount Theatre

17 – Houston, TX – The Heights Theater

OCTOBER

9 – Hammondsport, NY – Concerts at Point of the Bluff Vineyards

11 – Annapolis, MD – Rams Head On Stage

12 – Alexandria, VA – The Birchmere

NOVEMBER

12 – Kansas City, MO – Kauffmann Center For The Performing Arts

JUNE 2023

2 – Los Angeles, CA – Walt Disney Concert Hall ‡

* Rufus Does Judy at City Winery

† Hadrian

‡ w/The LA Phil

Rufus Wainwright

Rufus Does Judy at Capitol Studios

(BMG)

Release Date: Friday, June 10

TRACKLIST

Come Rain Or Come Shine

Alone Together

I Can’t Give You Anything But Love

Puttin’ On The Ritz

The Man That Got Away

A Foggy Day

How Long Has This Been Going On?

Just You, Just Me

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REVIEW: BIPOC Circus Alliance Midwest in The Chicago Circus & Performing Arts Festival 2022 at The Den Theatre

 ChiIL Live Shows On Our Radar 

BIPOC Circus Alliance Midwest

Friday 5:30-7, Saturday 9:30-11 (13+)

REVIEW:

By Bonnie Kenaz-Mara

When folks think of contemporary circus arts, many think of Europe or French Canadian companies, but circus arts are alive and well right here in the midwest, and include plenty of talented BIPOC performers. Circus skills are a powerfully visual way to explore collective trauma and joy of the lived experiences of people of color today.  

I caught the BIPOC Circus Alliance Midwest's lineup for The Chicago Circus & Performing Arts Festival and it's well worth a look. The ceiling may be low at The Den, but the bar is high, and BIPOC Circus Alliance Midwest's aerial arts are hardly less impressive for happening close to the ground, instead of in the peak of a bigtop tent dozens of feet above. This intimate performance space provides great sight lines and a personal connection to the artists and the content behind their superhuman feats. 

The diverse lineup has a bit of everything from powerful duo acts to a family who incorporated their infant into their straps act! Performers range from a teen juggling/acro act from Actors' Gymnasium, to older performers in the highly impressive and entertaining FUNKBOTNOTS act. We particularly loved the lyra act. The artists were thought provoking, talented, silly, sexy, and deep in turn, providing a full range of interesting, creative acts. Don't miss this. Their show repeats one more time Saturday night. Check it out. 

Bonnie is a Chicago based writer, theatre critic, photographer, videographer, actress, artist and Mama. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 

Our show will be a themed cabaret that tracks the lives of People Of Color as they learn to re-start their lives and re-engage with the outside world two years after the onset of a global pandemic. This is a collection of individual stories depicting a range of human emotions and unique challenges faced by POC in the contemporary American landscape. This show will be stripped down, human, and honest, focusing on communicating feelings through movement. Disciplines will include rope, straps, aerial hammock, diabolo, and silks. Show content is PG-13. Purchase tickets at The Den box office or in advance HERE: https://ci.ovationtix.com/35386/production/1106355.

Lineup:

FUNKBOTNOTS

Valeria Rosero

The Actor's Gymnasium Teen Ensemble

Jessica Bailey

Cruz 

Eric Rodney Robinson

Chris, Amy, & CJ Rooney

Nick Ng

​

BIPOC Circus Alliance Midwest 

The BIPOC Circus Alliance Midwest (BCAM) is a collective of circus practitioners and performing artists dedicated to creating more supportive, inclusive, and representative circus communities by:

- Advocating for equity and inclusion in training, teaching, and performance spaces

- Partnering with circus organizations to implement policy changes designed to increase BIPOC representation and inclusion within customers/students and staff

- Celebrating and amplifying BIPOC stories in circus

- Creating community, support, and mutual positive encouragement for BIPOC circus practitioners and performers

- Creating opportunities for circus practitioners of color to create, collaborate, and perform together

Since our formation in 2020 we have produced performances, facilitated discussions on race and circus with over 20 circus organizations, and provided focused consultation to circus organizations looking to diversify their spaces. 

For more info check out: https://www.facebook.com/BCAMSupporters/

Chicago Premiere of THE MAGNOLIA BALLET Via About Face Theatre May 12 through June 11, 2022 at the Den Theatre

 ChiIL Live Shows On Our Radar

About Face Theatre Brings Local Playwright Terry Guest’s


THE MAGNOLIA BALLET 

To Chicago

About Face Theatre continues its 27th season with the Chicago premiere of Terry Guest’s haunting new drama THE MAGNOLIA BALLET, running May 12 through June 11, 2022, at the Den Theatre. Following the story of a young Black man in Georgia who finds a shocking discovery among his grandfather's letters, THE MAGNOLIA BALLET explores the need to tear down the rules that are killing us in order to finally live. Associate Artistic Director Mikael Burke premiered this new work in March 2022 at Phoenix Theatre in Indianapolis and now brings the play to Chicago with playwright Terry Guest in the lead role. I'll be out for the press opening Friday, May 20th, so check back shortly for my full review. 

Pictured left - right: Terry Guest, Wardell Julius Clark, Sheldon D. Brown, Ben Sulzberger.

PERFORMANCE TIMES

Previews:  Thursday, May 12 – Thursday, May 19

Press Opening:  Friday, May 20

Performance Run: Saturday, May 21 – Saturday, June 11

Thursdays through Saturdays at 7:30pm and Sundays at 3:00pm

TICKETS

Tickets are on sale now online at AboutFaceTheatre.com, by calling 773.697.3830, or in-person at the Den Theatre box office. Ticket prices range from $5 to $35.

AFT offers a ticket pricing system that allows each patron to decide the price that they can comfortably afford to pay for a ticket. Ultimately, About Face wants everyone who wants to attend a show to be able to do so. Please note, there are limited quantities available at each pricing level.

Left-right: Sheldon D. Brown, Terry Guest, Wardell Julius Clark. 

Photo by Nathanael Filbert

THE PLAY

Ezekiel is a Black teenager with a secret that threatens to destroy his already broken home. He’s haunted by the ghosts of racism, homophobia, and toxic masculinity–the same ghosts that have plagued men in Georgia for generations, including his emotionally distant father. But when he discovers a trove of forbidden love letters among his late grandfather’s belongings, Ezekiel  begins to believe that the only way to fight these multi-generational ghosts is to burn everything to the ground. The Magnolia Ballet is a Southern Gothic fable that melds high drama, dance, poetry, and spectacle to explore masculinity, racism, and the love between a queer kid and his father.

“As a queer Black man raised in the American south, this play is hugely important to me,” says director Mikael Burke. “No young person should ever be made to feel the way I did, like they are wrong simply for existing. This play forces all of us to reckon with the legacies of toxic masculinity and racism in this country. It’s a play that demands that we all wrestle with the ghosts of our prejudices and recognize where the rules we once set in order to survive have become the killers of a new generation.”

CAST

Terry Guest as Ezekiel “Z” Mitchell VI

Wardell Julius Clark as Ezekiel Mitchell V

Sheldon D. Brown as Apparition

Ben Sulzberger as Danny

PRODUCTION TEAM

Assistant Directing and Dramaturgy by Vic Wynter, Choreography by Jenn Freeman, Intimacy and Violence Choreography by Jyreika Guest, Scenic Design by Steven Abbott, Scenic Design Advising by Regina Garcia, Lighting Design by Eric Watkins, Sound Design by Brian Grimm, Costume Design by Jos N. Banks, Properties Design by Caitlin McCarthy, Stage Management by Lucy Whipp, Assistant Stage Management by Cecilia Koloski, Production Management by Audrey Kleine, Technical Direction by Becca Venable.

ARTIST BIOS

TERRY GUEST (he/him): Playwright, Ezekiel “Z” Mitchell VI

Terry Guest is a Chicago based playwright, actor and teaching artist. He wrote and starred in AT THE WAKE OF A DEAD DRAG QUEEN, which was the recipient of the 2018 Out Front Spectrum Series Grant and had its World Premiere in Chicago at The Story Theatre (directed by Mikael Burke). Other work includes: A GHOST IN SATIN (The Williamstown Theatre Festival, directed by Wardell Julius Clark), MARIE ANTIONETTE AND THE MAGICAL NEGROS (The Story Theatre), THE MADNESS OF MARY TODD (Goodman Theatre Playwrights Unit Commission), MICHAEL JACKSON AND THE DEVIL’S BOOK (Jackalope) and ANDY WARHOL PRESENTS: THE COCAINE PLAY. More in for at terrycguest.com

MIKAEL BURKE (he/him): Director

Mikael is a Chicago-based director and educator, and About Face Theatre’s Associate Artistic Director. A Princess Grace Award-winner in Theatre and Jeff Award-nominated director, Mikael’s most recently worked with Victory Gardens Theatre, Northlight Theatre, Jackalope Theatre Company, Windy City Playhouse, About Face Theatre, First Floor Theater, American Theatre Company, Chicago Dramatists, and The Story Theatre in Chicago, and regionally with Indiana Repertory Theatre, Asolo Repertory Theatre, Geva Theatre Center, and Phoenix Theatre. For About Face, he has directed KICKBACK, an all-virtual play festival, and THIS BITTER EARTH. Other recent directing credits include the world premiere of THE MAGNOLIA BALLET by Terry Guest; FIREFLIES by Donja R. Love; MRS. HARRISON by R. Eric Thomas; WE ARE CONTINUOUS by Harrison David Rivers; KILL MOVE PARADISE by James Ijames; THE AGITATORS by Mat Smart. mklburke.com

WARDELL JULIUS CLARK (he/him): Ezekiel Mitchell V

Wardell is an award-winning actor, director, producer, and activist who hails from Fairfield, Alabama, but now calls Chicago home. He earned his BFA from The Theatre School at DePaul University. Wardell is a Company Member with TimeLine Theatre. He is also an Ensemble Member at Sideshow Theatre. Select acting credits include GEM OF THE OCEAN (Goodman Theatre), FLYIN’ WEST (American Blues), SUDDENLY LAST SUMMER (Raven), SILENT SKY (First Folio), OTHELLO (Theater at Monmouth), and THE GOSPEL ACCORDING TO JAMES (Victory Gardens). His television and film credits include PROVEN INNOCENT, SHAMELESS, and CHICAGO FIRE seasons 1 & 4. Wardell directed the world premieres of BLACK MOON LILITH, A GHOST IN SATIN, and DON'T GET GOT last summer as part of the Solo Play Festival Celebrating the Black Radical Imagination at Williamstown Theatre Festival. Select Chicago directing credits include KILL MOVE PARADISE (Timeline Theatre - 2020 Jeff Award Winner - Best Director, large), SHEEPDOG (Shattered Globe), HIS SHADOW (16th Street), THE SHIPMENT (Red Tape), DUTCH MASTERS (Jackalope), THE WATSONS GO TO BIRMINGHAM -1963 (Chicago Children's Theatre), INSURRECTION: HOLDING HISTORY (Stage Left). Wardell was the Newcity Magazine 2020 - Player of the Moment, and a recipient of the 2021 3Arts Foundation Make a Wave grant! wardelljuliusclark.com

SHELDON D. BROWN (he/him): Apparition

Sheldon is overjoyed to return to About Face where he previously performed in THIS BITTER EARTH and TIME IS ON OUR SIDE. His other credits include the TRAGEDY OF OTHELLO THE MOOR OF VENICE, OEDIPUS REX, and MAN IN THE RING (Court Theatre); A WONDER IN MY SOUL (Victory Gardens Theatre), THE SHIPMENT (Red Tape Theatre); 1980 (Jackalope Theatre) and more. He also has numerous credits in Boston including THE GRAND INQUISITOR, directed by Peter Brook through ArtsEmerson. His film/screenwriting credits include CICADA (Spirit Award Nominated, Best First Screenplay), THE CANYONLANDS, and MY NAME IS ALEX. Sheldon is also a queer educator having taught with Steppenwolf, Northlight Theatre, and The League of Chicago Theatres. Sheldon received his BFA in Acting from Emerson College and is a proud Artistic Associate at About Face!

BEN SULZBERGER: Danny

Ben is thrilled to be making his Chicago theatre debut in THE MAGNOLIA BALLET. He graduated from the University of Iowa in 2020 with a degree in theatre arts and cinema. Some of his favorite roles have included Christopher in THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, Flute in A MIDSUMMER NIGHT’S DREAM and Jason in SWEAT.

ABOUT FACE THEATRE advances LGBTQ+ equity through community building, education, and performance. AFT envisions an affirming and equitable world in which all LGBTQ+ individuals are thriving and free from prejudice and discrimination. About Face Theatre is also dedicated to being an intentionally and increasingly anti-racist organization. Due to the intersectionality of our identities, we understand our work to advance LGBTQ+ equity as directly connected to movements for racial justice.