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Monday, June 4, 2018

Encore Run of American Blues Theater's BUDDY – The Buddy Holly Story To Play Stage 773 June 29 through September 15, 2018

Chi IL Live Shows On Our Radar:

Due to popular demand
American Blues Theater 
announces
an encore run of
BUDDY – The Buddy Holly Story
By Alan Janes
Directed by Lili-Anne Brown
Musical Direction by Ensemble Member Michael Mahler

June 29 through September 15, 2018


Here at ChiIL Live Shows we dig Buddy Holly and can't wait to catch American Blues Theater's acclaimed production. The encore run is selling out fast, so get your tickets while you can.

American Blues Theater announces encore performance run of BUDDY – The Buddy Holly Story, written by Alan Janes, directed by Lili-Anne Brown, with musical direction by Ensemble Member Michael Mahler. BUDDY – The Buddy Holly Story will reopen June 29 – September 15, 2018 at Stage 773, 1225 W. Belmont Ave. in Chicago. Tickets now on sale for the encore run.

https://www.facebook.com/americanbluestheater/videos/10156163512493930/

Before the Beatles or the Rolling Stones ever played a note, rock & roll was forever changed by the bespectacled kid from Texas. BUDDY tells the true story of Buddy Holly through his short yet spectacular career and features the classic songs "That’ll be the Day," "Peggy Sue," The Big Bopper’s "Chantilly Lace," Ritchie Valens' "La Bamba," plus many more.



“American Blues Theater is thrilled to present an encore run of our production of Buddy—The Buddy Holly Story, our company’s best-selling musical to date. We’ll take a break from May 27-June 28, but the cast will be back in our intimate space at Stage 773 through September. We couldn’t be happier with the outstanding reviews and audience reaction,” comments Artistic Director Gwendolyn Whiteside.

Buddy Holly is an American music icon. Regarded as one of the most significant figures in the birth of rock music, he is often cited as the innovator of the traditional rock lineup of instruments – two guitars, bass, and drums. Bob Dylan, Bruce Springsteen, The Beatles, The Rolling Stones, Eric Clapton, and Elton John all name Buddy Holly as a major inspiration in their respective careers.

The Encore cast of BUDDY includes Keirsten Hodgens (Apollo Performer), Chuckie Benson (Apollo Performer), Liz Chidester (Vi Petty), Ian Paul Custer* (Hi Pockets), Elisa Carlson (Company), Ann Delaney (Company), Vasily Deris (Big Bopper), Alex Goodrich (Clearlake Announcer), Derek Hasenstab (Norman Petty), Molly Hernández (Maria Elena), Cisco Lopez (Ritchie Valens), Michael Mahler* (Tommy / Cricket; music director), Kieran McCabe (Jerry / Cricket), Daniel Riley (Apollo Performer), Zachary Stevenson (Buddy Holly), and Shaun Whitley (Joe / Cricket).

The creative team includes Sarah E. Ross* (scenic design), Samantha C. Jones* (costume design), Jared Gooding* (lighting design), Rick Sims* (sound design), Kevin Rolfs (properties), Malcolm Ruhl (music consultant) and John Martinez (assistant director and choreographer). The Production Stage Manager is Cara Parrish*.
*American Blues Theater Ensemble and Artistic Affiliates.



About the Artists
ALAN JAMES (Playwright) is an English writer and producer who has worked in TV, film, radio, and theatre. His best-known work is the musical Buddy – The Buddy Holly Story which ran for over 14 years and almost 6,000 performances in London’s West End and has been on tour in the UK for 17 years. Buddy has also played Broadway, 5 U.S. National Tours, 8 years in Germany, 3 years in Australia and New Zealand, and countless other productions around the world. Janes was nominated for an Olivier Award for Best Musical for Buddy. He also co-wrote and produced the musicals 125th Street and Jailhouse Rock, which both premiered on London’s West End.

LILI-ANNE BROWN (Director) A native Chicagoan, Brown works as a director, actor and educator, both locally and regionally.  She is the former Artistic Director of Bailiwick Chicago, where she directed Dessa Rose (Jeff Award), Passing Strange (BTA Award and Jeff nomination for Best Director of a Musical), See What I Wanna See (Steppenwolf Theatre Garage Rep), and the world premiere of Princess Mary Demands Your Attention by Aaron Holland. Other directing credits include The Wolf at the End of the Block (16th Street Theater); Marie Christine (BoHo Theatre); Peter and the Starcatcher (Metropolis Performing Arts); The Wiz (Kokandy Productions, BroadwayWorld Award); Xanadu (American Theater Company); Jabari Dreams of Freedom by Nambi E. Kelley (world premiere, Chicago Children’s Theatre); American Idiot (Northwestern University); the national tour of Jesus Snatched My Edges; Little Shop of Horrors, Hairspray, Unnecessary Farce, Cabaret, Sweet Charity, The 25th Annual Putnam County Spelling Bee, and Buddy - The Buddy Holly Story (Timber Lake Playhouse). She is a member of SDC, AEA, SAG-AFTRA, and a graduate of Northwestern University.

MICHAEL MAHLER (Tommy / Cricket; Music Director) is an Ensemble member of American Blues Theater. His Blues appearances include It’s a Wonderful Life: Live in Chicago!, “Seymour” in Little Shop of Horrors, “Clifford” in Side Man, and “Jimmy” in Hank Williams: Lost Highway. Other Chicagoland credits include Honeymoon in Vegas (Marriott Theatre); The March (Steppenwolf Theatre); Working (Broadway Playhouse); The Illusion (Court Theatre); The Fox on the Fairway, Dirty Rotten Scoundrels (Jeff nomination), and The Producers (Theatre at the Center). Recent music directing credits include Parade (Writers Theatre) and Road Show (Chicago Shakespeare Theater, Jeff nomination). Michael is a composer/lyricist who contributed additional lyrics to the new Broadway production of Miss Saigon. Other works include Diary of a Wimpy Kid, The Man who Murdered Sherlock Holmes (Jeff Award), October Sky (San Diego Theatre Critics Circle Award), and Hero (Jeff Award).

CHUCKIE BENSON (Apollo Performer) recently originated “Truman Hayes” in the world premiere musical, TRU, at the Chicago Music Theatre Festival. He received a Jeff nomination for his performance as the “Lion” in Kokandy’s production of The Wiz. Chuckie was also a part of the Chicago cast of Spamilton. He has played some of his favorite roles at Wagon Wheel Center of the Arts including “Coalhouse Walker Jr.” in Ragtime, “Curtis” in Sister Act, and “Teen Angel” in Grease!  Regional credits include: Hair (Mercury Theater Chicago), “Tom Collins” in Rent (Theo Ubique), Woman of the Year (Porchlight Music Theatre), and “Jim” in Big River (Timber Lake Playhouse). Chuckie received his BFA in Music Theatre Performance from Western Michigan University, and is a native to Lansing, MI.

LIZ CHIDESTER (Vi Petty) is a singer/songwriter, actor, and teaching artist from Virginia. Her Chicago theatre credits include: Lizzie (Firebrand Theatre), High Fidelity (Refuge Theatre Project, Jeff Award - Best Musical), Billy the Kid (Cabinet of Curiosity Events), Big River and Pump Boys and the Dinettes (Theatre at the Center), Ring of Fire (Mercury Theater Chicago), and Stupid F**ing Bird (Sideshow Theatre Company). Her original albums with her band LIZ AND THE LOVELIES include Progress into Simplicity (2017 - Best Roots EP, Independent Music Awards 2018), Otter Hill (2015), and People Pumping Pedals (2014). She teaches group and private lessons at Old Town School of Folk Music.

IAN PAUL CUSTER (Hi Pockets) is an Ensemble member at American Blues Theater. Recent American Blues credits: “David Halberstam” in The Columnist (Jeff nomination - Best Production, Midsize), It’s A Wonderful Life: Live in Chicago! (Jeff nominations - Best Ensemble and Best Production, Midsize), “Orin Skrivello” in Little Shop of Horrors (Jeff nomination - Best Production of a Musical, Midsize), and “Adam” in Yankee Tavern. Recent Chicago credits: Bad Jews (Theater Wit, North Shore Center, Royal George), 33 Variations (TimeLine Theatre, Jeff Award - Best Production, Midsize), Annie Bosh is Missing (Steppenwolf Theatre), High Holidays (Goodman Theatre), To Master the Art (Broadway Playhouse/TimeLine Theatre), Strangers, Babies (Steep Theatre), and Fiddler on the Roof (Paramount Theatre).  Regional credits: Hero: The Musical (Asolo Rep Theatre), Cymbeline (Notre Dame Shakespeare), Romeo and Juliet (Cardinal Stage), and Peter Pan (360 Entertainment - London, England).  Television credits: APB, Empire, Chicago Fire, and Chicago PD.  

ELISA CARLSON (Company) She holds a bachelor’s degree in piano performance and theater from Indiana University.  She is a company member of Innervation Dance Cooperative, an ensemble member of Barrel of Monkeys, and a singer and multi-instrumentalist at Howl at the Moon Chicago, entertaining audiences nightly on the piano, violin, drums, and bass.

ANN DELANEY (Company) is making her American Blues Theater debut. Her recent Chicago theatre credits include Hatfield and McCoy (The House Theatre of Chicago); It’s a Wonderful Life, Cabaret, Nice Work If You Can Get It, Spamalot, and Big Fish (Theatre At The Center); All Our Tragic and Gilbert and Sullivan Rep (The Hypocrites); Hobo King (Congo Square Theatre); and Mr. Burns (Theater Wit).

VASILY DERIS (Big Bopper) Chicago credits: the Jeff Award-winning Smokey Joe's Café (Theo Ubique), “Barry” in the Jeff Award-winning High Fidelity (Refuge Theatre Project), “Eric” in Creatives (Chicago Theatre Workshop), “Shawn Eckhardt” in Tonya and Nancy: The Rock Opera (Underscore Theatre), and “Pharaoh” in Joseph (Paramount Theatre).

ALEX GOODRICH (Clearlake Announcer) makes his American Blues Theater debut. Credits include Hero: The Musical (Jeff Award - Best Supporting Actor in a Musical); Honeymoon in Vegas; She Loves Me; How To Succeed in Business..; Elf the Musical; On The Town; I Love You, You’re Perfect, Now Change; and For The Boys (Marriott Theatre); The Importance of Being Earnest (Writers Theatre); Love's Labor’s Lost; The Emperor’s New Clothes; A Midsummer Night’s Dream; Seussical; Taming of the Shrew; Aladdin; and How Can You Run... (Chicago Shakespeare Theater); Miss Bennet; Shining Lives; Civil War Christmas; and She Stoops to Conquer (Northlight Theatre); Old Jews Telling Jokes (Royal George); The Comedy of Errors and One Man Two Guvnors (Court Theatre); Everything Is Illuminated (Next Theatre); A Midsummer Night’s Dream (Indiana Repertory); and Goodnight Moon and Harold and the Purple Crayon (Chicago Children’s Theatre).

KEIRSTEN HODGENS (Apollo Performer) Most recent credits include: Ragtime (Marriott Theatre), The Naked Truth (reading, West End Lounge), Spamilton (Royal George), Jesus Christ Superstar (Paramount Theatre), and Smokey Joe’s Café (Drury Lane Oakbrook). She would like to thank her friends, family, extraordinary girlfriend, her team at Stewart Talent.

DEREK HASENSTAB (Norman Petty) makes his American Blues Theater debut. Chicago theatre credits include shows with Lookingglass Theatre Company, Goodman Theatre, Steppenwolf Theatre, Writers Theatre, Chicago Shakespeare Theater, About Face Theatre, Victory Gardens Theater, Court Theatre, Marriott Theatre, and Drury Lane Oakbrook, among others. Regional credits include: “Doc” in Come Back, Little Sheba (IRNE and Elliot Norton Nominations, Huntington Theatre Company), “Hermes” in Metamorphoses (Arena Stage, Mark Taper Forum), and “Tom” in The Glass Menagerie (Kansas City Repertory Theatre). National Tour: “Zazu” in The Lion King.

MOLLY HERNÁNDEZ (Maria Elena) makes her debut at American Blues Theater. Favorite credits include “Rosabella” in The Most Happy Fella (Theo Ubique); “Julie Jordan” in Carousel, Mary Poppins, Evita, and Scapino (Timber Lake Playhouse); Crime Scene: Breath Life and Forgotten Future: Education Project (Collaboraction). Last year she was given the Award of Excellence in Professional Theatre from the Illinois Theatre Association and was nominated for a Jeff Award for Best Actress in a Musical for her work in The Most Happy Fella. Molly can be seen on Chicago PD ep. 105 as “Elisa Rodríguez” and APB ep. 105 as “Maya Ruiz”.

CISCO LOPEZ (Ritchie Valens) makes his American Blues Theater debut. Chicago credits include Merrily We Roll Along, Woman of the Year, New Faces Sing Broadway 2001, and In the Heights (Porchlight Music Theatre); Bonnie & Clyde (Kokandy Productions); In To America and Letters Home (Griffin Theatre); Planted (Rogue Elephant Productions); Dead Man Walking (Piven Theatre); Mutt (Stage Left and Red Tape Theatre); Macbeth (Midsommer Flight); Take Me Out (Eclectic Theatre); and Fiddler on the Roof and Damn Yankees (Light Opera Works). Film credits: Boystown and Closet Memories. He holds a BFA in Theatre Performance from Baylor University and is represented by Shirley Hamilton.

KIERAN MCCABE (Jerry / Cricket) This Philadelphia native is making his American Blues Theater debut. Kieran’s favorite credits include “Fluke Holland” in Million Dollar Quartet, “Scapino” in Scapino, “Orin Scrivello” in Little Shop of Horrors, “Agustin Migaldi” in Evita, “Mr. Manningham” in Gaslight, “Stacee Jaxx” in Rock of Ages, Carousel, Mary Poppins, Titanic, and A Funny Thing Happened on the Way to the Forum (Timber Lake Playhouse), and “Freak” in columbinus (Loyola Chicago). Kieran drums and writes for the Indie Rock trio Day Off (@dayofftheband). Kieran puts his English Creative Writing degree to good use as a Head Writer for Kettle Camp Studios, a Chicago based production company.

DANIEL RILEY (Apollo Performer) is a Chicago-based performer who studied at Harold Washington College and Roosevelt University.  He has worked in theatre and cabaret with numerous groups in and around Chicago, most recently Paramount Theatre, Davenport’s Piano Bar, The Inconvenience, and the Ravinia Festival. Dan also coaches and accompanies soloists and choirs of all ages in many styles of music. He regularly sings with Holy Name Cathedral and the Lakeside Singers, and can be seen Sunday mornings on WGN-TV singing for Mercy Home for Boys and Girls. Dan is also featured (along with Michael Mahler) on Dark Side of the Moon A Cappella (VOCOMOTION Productions).

ZACHARY STEVENSON (Buddy Holly) makes his American Blues Theater debut. Originally from Vancouver Island, Canada, Zach recently relocated to Chicago after spending the last few years being based in Kansas City, MO. Select credits include: Million Dollar Quartet (Paramount Theatre – “Carl” U/S), Hair (CanStage), Ring of Fire (Chemainus Theatre Festival / Western Canada Theatre), Hank Williams: The Show He Never Gave (Blue Bridge Repertory), Urinetown (Belfry Theatre), Red Rock Diner (Arts Club Theatre), Assassins (Quintessence), and more than ten productions of Buddy - The Buddy Holly Story throughout the US and Canada, for which he’s been nominated for a Jessie Richardson Award and Ovation Award. Zachary has also had the pleasure of music directing several productions, including Million Dollar Quartet (Arts Club), and Ring of Fire (Chemainus Theatre Festival), as well as performing in countless headlining concerts across North America. Off stage, Zach is busy writing a one-man show about the 1960s folksinger and activist, Phil Ochs.


SHAUN WHITLEY (Joe / Cricket) returns to American Blues Theater. He is a multi-instrumentalist, actor, composer, and Jeff-nominated music director. He performed nearly 1800 times as “Carl Perkins” in the longest running Broadway musical in Chicago history, Million Dollar Quartet. Other Chicago credits include: Chicago Shakespeare Theater, Drury Lane Oakbrook, The Second City, Remy Bumppo Theatre Company, Strawdog Theatre, TUTA, Redmoon Theater, Blindfaith Theatre, and Provision Theater. He studied Shakespeare at RADA in London. He teaches at the Old Town School of Folk Music.

Community Service
For this production, American Blues Theater will offer complimentary tickets to students of Chicago Public Schools and Guitars Over Guns. In addition, artists will visit assisted-living facilities to give mini-concerts. American Blues also continues its “Pink Previews” to donate proceeds from all preview performances to The Lynn Sage Foundation for breast cancer research.


Encore Run: June 29 – September 15, 2018

Schedule:
Thursdays:  7:30pm
Fridays:  7:30pm
Saturdays:  3:00pm & 7:30pm
Sundays:  2:30pm
Free post-show discussions on Sundays

Location: Stage 773, 1225 W. Belmont Ave. in Chicago

Ticket prices: $19 - $49
Box Office: Buy online at AmericanBluesTheater.com or by calling 773.327.5252.



About American Blues Theater
Winner of the American Theatre Wing’s prestigious 2016 National Theatre Company Award, American Blues Theater is a premier arts organization with an intimate environment that patrons, artists, and all Chicagoans call home.  American Blues Theater explores the American identity through the plays it produces and communities it serves.

The diverse and multi-generational artists have established the second-oldest professional Equity Ensemble theater in Chicago.  The 34-member Ensemble has 600+ combined years of collaboration on stage. As of 2018, the theater and artists received 195 Joseph Jefferson Awards and nominations that celebrate excellence in Chicago theater and over 35 Black Theatre Alliance Awards. The artists are honored with Pulitzer Prize nominations, Academy Awards, Golden Globe Awards, Emmy Awards and numerous other accolades.  

American Blues Theater programs and activities are made possible, in part by funding by The MacArthur Funds for Arts & Culture at Prince, the Shubert Foundation, The Chicago Community Trust, SMART Growth Grant, Gaylord & Dorothy Donnelley Foundation, the Illinois Arts Council Agency, Anixter Foundation, Actors’ Equity Foundation, and the Chip Pringle Fund. ComEd is the Season Lighting Sponsor.

Sunday, June 3, 2018

The Cabaret Room at Drury Lane presents The Summer Series Featuring Some of Chicago’s Top Cabaret Artists

Chi IL Live Shows On Our Radar:
The Cabaret Room at Drury Lane presents The Summer Series
featuring Chicago's Cabaret Queen Denise Tomasello,
Beckie Menzie & Tom Michael,
and Joan Curto


August 2018 in the Cabaret Room at Drury Lane


The Cabaret Room at Drury Lane Theatre announces The Summer Series featuring some of Chicago’s top cabaret artists in unforgettable limited engagements at Drury Lane’s intimate Cabaret Room. The Summer Series will include performances by Chicago's Cabaret Queen Denise Tomasello (August 3 and 4), Beckie Menzie and Tom Michael (August 17 and 18), and Joan Curto (August 24 and 25). Performances will be held on Friday and Saturday evenings in the Cabaret Room at Drury Lane Theatre located at 100 Drury Lane in Oakbrook Terrace. 

The elegant evenings of Chicago’s premier cabaret performers will feature a special menu from Drury Lane’s Lucille restaurant, including shareable plates, classic cocktails, and a wide selection of wines, beer, and coffee. Performances will be held on Fridays at 7:30pm and Saturdays at 5pm and 8:30pm, with doors opening in advance for food and beverage service. Tickets for The Cabaret Room’s Summer Series are priced at $50 for ringside tables and $40 for general seating. There is a $25 food and beverage minimum per person. Reservations may be placed by calling the box office at 630.530.0111.

The Cabaret Room’s Summer Series schedule for August 2018 is as follows:

Chicago's Cabaret Queen Denise Tomasello in “To Chicago With Love”
Friday, August 3 at 7:30 pm (doors at 6pm)
Saturday, August 4 at 5 pm (doors at 4pm) and 8:30 pm (doors at 7:30pm)
“To Chicago With Love” is a retrospective of Denise’s remarkable and enduring 40-year career that made her the toast of Chicago. The unforgettable evening will feature her fan-favorite signature songs, classics from the great American songbook, and show-stopping Broadway numbers, as well as a special video and photo presentation of career highlights.





Beckie Menzie and Tom Michael present "That 60’s Show"
Friday, August 17 at 7:30 pm (doors at 6pm)
Saturday, August 18 at 5 pm (doors at 4pm) and 8:30 pm (doors at 7:30pm)
The sixties are back!  “That 60’s Show” - a celebration of the decade that forever changed popular music. From the idyllic early Motown sound and British invasion to Woodstock, “That 60’s Show” will feature songs by many of the decades favorites including The Beatles, The Supremes, The Everly Brothers, Elvis, Petula Clark, Simon and Garfunkle, and many more, all done in Menzie & Michael’s unique award-winning style.




Joan Curto salutes “Broadway Women”
featuring songs from women who performed on and composed for Broadway
Friday, August 24 at 7:30pm (doors at 6pm)
Saturday, August 25 at 5pm (doors at 4pm) and 8:30pm (doors at 7:30pm)
Women and Broadway have a long history not only for the songs that have been introduced and made famous by legendary performers but also for the songs composed by legends as well. This show celebrates their contributions to Broadway history, from Mary Martin to Carole King and Angela Lansbury to Sara Bareilles and many in between!

For more information or to make a reservation, call the Drury Lane Theatre box office at 630.530.0111.

About the Artists

DENISE TOMASELLO most recently sold out concerts at the Auditorium, the Metropolis Performing Arts Center, Skokie Theatre, and The Drake Hotel’s Grand Ballroom. Winner of the After Dark Award for “Outstanding Cabaret Performer” and the Gold Coast Award from CCP, Denise has headlined and sold out every major venue in Chicago including Park West, the Chicago Theatre, Empire Room, The Pump Room, Davenport’s, a six-year record-breaking run at Sages, and a two-year residency at The Fairmont’s Metropole Room. Denise has performed at New York’s Town Hall and Eighty Eights; Michael Feinstein’s Cinegrill and Gardenia in Los Angeles headlining with entertainers Don Rickles, Jackie Mason, and Alan King.

BECKIE MENZIE & TOM MICHAEL have appeared in NYC’s Carnegie Hall and Lincoln Center and Chicago’s Auditorium Theatre, Park West, the Pritzker Stage at Millennium Park, Empire Room, and Davenport’s. Their imaginative musical twists on jazz favorites, standards, contemporary pop, Broadway show tunes, and film gems have won them audience and critical acclaim across the country and around the globe. These five-time After Dark Award winners’ recording efforts have been praised by Billboard Magazine, BackStage, Show Business Weekly, and Playbill. Their duo CD, “Better Two-gether,” is currently available on iTunes and Amazon.

JOAN CURTO created, produced, directed, and appeared in concerts at the Auditorium Theatre celebrating the music of Cole Porter and vocal legends Ella Fitzgerald and Lena Horne. She has appeared across the nation in concerts and clubs, often celebrating the music of the Great American Songbook. A Chicago-based artist, she is a familiar face to Chicago audiences, garnering a reputation for her thoughtful interpretations and powerful voice. Joan has performed in many Chicago theaters and clubs including: the Auditorium Theatre, the Harris Theater, Empire Room, Victory Gardens, Davenports, Drury Lane Theatre, Park West, the Thorne Auditorium, and the Claudia Cassidy Theater. She has been seen in numerous Chicago Humanities Festivals and the Mabel Mercer Foundation’s Cabaret Conventions. Nationally, Joan has performed in some of the top cabaret clubs and concert series, including New York’s Jazz at Lincoln Center, the Metropolitan Room, the Sharon Lynne Wilson Center in Milwaukee, the Overture Center in Madison, Gardenia in Los Angeles, and the Colony Hotel in Palm Beach. In 2016, Joan was recognized and awarded with the Gold Coast Award by Chicago Cabaret Professionals for her contributions to the art of cabaret and awarded the Chicago After Dark Award for Outstanding Cabaret Artist. She continues to explore the songs of both the Classic and the New American Songbook and has developed and performed shows across the country featuring the music of Cole Porter, George & Ira Gershwin, Richard Rodgers, Jerry Herman, and Stephen Sondheim.

Drury Lane Theatre 2018/2019 Season and Subscription Information
The 2018/2019 season will open with the Tony Award-winning Rodgers & Hammerstein landmark musical South Pacific (April 5 – June 17, 2018). The season continues with Tennessee Williams’ sultry family drama Cat on a Hot Tin Roof (July 5 – August 26, 2018) followed by the darkly comedic musical Little Shop of Horrors (September 6 – October 28, 2018). For the holiday season, Drury Lane brings to life the treasured story of Belle with Disney’s Beauty and the Beast (November 9, 2018 – January 27, 2019) and then closes its 18/19 season with the global smash-hit Mamma Mia! featuring the music of ABBA (February 7 – April 14, 2019). The 2018/2019 season runs April 5, 2018, through April 14, 2019, at Drury Lane Theatre, 100 Drury Lane in Oakbrook Terrace.

Subscriptions for the 2018/2019 Season are priced from $157 to $187 and are currently on sale. Subscribers receive special offers on dining, flexible ticket exchanges, and early notification and priority seating for added events and concerts. 

The performance schedule for all productions is as follows: Wednesdays at 1:30 p.m., Thursdays at 1:30 p.m. and 8 p.m., Fridays at 8 p.m., Saturdays at 5 p.m. and 8:30 p.m., and Sundays at 2 p.m. and 6 p.m. Student group tickets start as low as $30 and Senior Citizens start at $40 for matinees. Dinner and show packages are also available. For individual ticket on-sale dates and ticket reservations, call the Drury Lane Theatre box office at 630.530.0111 or TicketMaster at 800.745.3000 or visit DruryLaneTheatre.com.

About Drury Lane Theatre
Under the leadership of President Kyle DeSantis and Artistic Director William Osetek, Drury Lane Theatre is a major force in the Chicagoland theatre scene, presenting world-class productions in collaboration with some of the nation’s leading actors, artists, writers and directors. Over the past 30 years, Drury Lane has staged more than 2,000 productions and has been nominated for more than 350 Joseph Jefferson Awards. Drury Lane is committed to breathing new life into beloved classics and introducing audiences to exciting new works.

Throughout its 30-year history, Drury Lane has employed more than 7,500 actors and 10,000 musicians, designers and crewmembers to entertain upwards of nine million audience members. Originally founded by Anthony DeSantis, Drury Lane Theatre remains a family-run organization known for producing breathtaking Broadway classics, top-rated musicals, bold new works, hilarious comedies and unforgettable concert events.

REVIEW: Nobody's Home, Part of the Physical Festival Chicago at Stage 773

Chi IL Live Shows On Our Radar:

Nobody's Home, 
part of the 
Physical Festival Chicago at Stage 773, 
showing at 1225 W. Belmont 
(773)327-5252

Review
By Catherine Hellmann, Guest Critic 

Wow.

I have never seen a play before where all the action revolves around a bathtub. “Set in a bathroom, Nobody’s Home follows a soldier’s journey through his own mind, as he struggles with the monsters of his past to finally come home,” as described by Theatre Temoin and Grafted Cede theatre. While sometimes hard to witness, Nobody’s Home is an important story to tell about PTSD---the hell it creates for the central figure as well as his frustrated and exasperated wife. During the pre-show introduction, the audience is reassured that if anyone needs to step out because of the intensity of the show, the actors will not be offended; they are used to it from their many performances on military bases.

Returned soldier Grant and wife Penny are struggling to return to normalcy after his third tour of duty, which has pushed him over the edge. Penny wants Grant to finally fix the bathtub drain, but Grant’s demons prevent him from accomplishing anything other than basic survival. While her traumatized husband plays Zombie Hunter for endless hours in the bathroom, his also-suffering wife reminisces to their unborn child about the man she married. “He’s been home eight months, and I still feel like I’m waiting.” She reassures herself by reading the love letters he had sent home from the front. The husband she knew is damaged beyond recognition. “Either he’s playing video games in the bathroom, or he is lying next to me, and I’m afraid for my life.”

Will Pinchin does a great job playing the emotionally tormented Grant. But his real-life wife Dorie Kinnear as Penny is amazing in her many roles, playing a psychiatrist, a dead comrade who torments Grant’s thoughts, (“Where were you when I was getting my face blown off?”) and a woman Grant encountered overseas who still haunts him. Penny deserves a medal for what she is tolerating, and I wondered how spouses in these tough circumstances are able to cope. (They are heroes as well.) Just as she is ready to leave Grant, he begs her to stay. In a cool bit of choreography, Pinchin and Kinnear alternate between reality and scary flashbacks in a move they call “the spin.” The lights dim when Grant envisions the native woman from the war and brighten as he embraces Penny, trying to not let her slip away.

Nobody's Home has been perfected over the ten years since its inception. We were lucky to chat with the actors after the show, delighted to discover they are a married couple with a two-and-a-half-year-old daughter. Americans from the two coasts, they met doing theater and currently reside in England. They said the play has a prominent, kind of weird place in their relationship. It is a story that needs to be told. 

Pinchin and Kinnear were impressed with our city and commented on how “nice everyone has been in Chicago.” Awwww. They planned to explore a bit the next day, so we made suggestions on where to eat and what to see. We are lucky they shared their unique play with the Windy City and hope they return soon.








LET’S GET PHYSICAL!
FINAL WEEK PHYSICAL FESTIVAL CHICAGO HIGHLIGHTS:

AN INGENIOUS DON QUIXOTE VIA SPAIN/UK

A KICK-ASS, ONE-WOMAN LITTLE GIRL WAR
REFUGEE TALE VIA BRAZIL/FRANCE

THIS JUST IN!
A NEW AUDITION WORKSHOP
WITH A LEADING CIRQUE DU SOLEIL TALENT SCOUT


New workshop just added!

From the Inside Out- Dance/Physical Theater Guided Improv – Friday, June 8, 10 a.m. to 2 p.m.

Learn directly from top Cirque du Soleil talent scout Leon Kupferschmid. Find out what he looks for in potential performers prior to Cirque du Soleil’s Chicago auditions for dancers, clowns and physical actors, June 9 and 10.

Bouffon Workshop with Eric Davis (aka Red Bastard), Sunday, June 3, 10 a.m.- 1 p.m. has sold out.

Limited space is still available for the remaining workshops:

Sculpting Space with Dorie Kinnear and Will Pinchin (UK/USA), Monday, June 4,
10 a.m.- 1 p.m.

Dreams, Wishes, Lies with Michael Montenegro, Wednesday, June 6, 10 a.m.-1 p.m.

Create Your Own Solo with Gaël Le Cornec and Ben Samuels, Thursday, June 7,
10 a.m.-1 p.m.

Comedy & Clowning with Little Solder Productions, Saturday, June 9 at 10 a.m.-1 p.m.


Visit physicalfestival.com/workshops for full workshop descriptions and to register. Workshops are $50 each, or look for information on a discounted workshop pass.



Tickets and for full details on all Physical Festival shows and workshops HERE



REVIEW: "Red Bastard" in the 5th Annual Physical Festival Chicago at Stage 773

Chi IL Live Shows On Our Radar:
Red Bastard
Featured as part of the 5th Annual 
Physical Festival Chicago, 
Stage 773 at 1225 W. Belmont  (773)  327-5252


Review
By Catherine Hellmann, Guest Critic

I’m gonna be honest with you,
I’m not gonna lie,
this is the TRUTH:

The Red Bastard is worth seeing. It is theater like you have not seen before. (And he begins the performance by informing us there is no ending.) 

Then again, all people LIE, so why would you believe me??  ;-)

The premise that all people fib, cheat, or are perverts is the foundation of the Red Bastard’s guide to life and love, especially in matters of the heart. Because who really writes these “Rules of Love” that we follow in terms of our relationships? What do we consider “cheating” in a relationship? How honest do
we need to be with our partners? 

Swans may pair off and mate for life, but Eric Davis, a.k.a. Red Bastard, concedes he was not wired for being a swan and had his share of sexual shenanigans that made him a “dirty pony.” (How many audience members will make that their new naughty catch phrase?)

To prove that “Everyone lies,” at the beginning of the show, Red Bastard has the audience stand up. (if you are uncomfortable with participating in live theater, BEWARE...or sit waaay in the back. I discovered this personally. More on that later...) To locate an honest person, just one, Red Bastard surveys the crowd. If someone has lied to that particular question, he or she sits down.

It only took three questions to leave nobody standing. 

I expected the usual questions: have you fibbed about your age, weight, or a past job experience... but the question that “killed” over half the crowd dealt with how often we select the “I have read and understand” the content on any online website’s “terms and conditions” page before we sign off on all that annoying fine print. As Red Bastard exclaims: “It’s a show about YOU--LIES!” In the theater, which is “a temple of lies!”

So how was I dragged into this soul-baring experience? “If you have ever dated more than one person at a time, wink at me.” I winked. He noticed. Oh, crap. He grilled me on particulars. “Did I lie to one of them?” No. “Why not?” I answered truthfully that they “lived in different cities.” Oh, Red Bastard
loved that and mimed driving across the stage, back and forth, back and forth, visiting my lovers.

Did I regret it? If I could erase the experience, would I?

No.

“Why Not?”

I shrugged. “It was fun.”

I think I earned the respect of Red Bastard at that moment with my candor.

Told with boundless energy, humor, music (he plays a concertina!), physical theatrics, and wonderful improv, Eric Davis’ tour-de-force was vastly entertaining and thought-provoking. He had the audience rapt; we even laughed when he ate a piece of chocolate onstage. He ate a mango and slow-danced with a man from the crowd, charming all. And this English teacher learned a new vocabulary word from the show: “compersion.” Look it up.

Davis is also running a Bouffon Workshop for the fest. We chatted with Eric (our new BFF) after the show, and he was a delightful, friendly person. When asked where he lives, he said his wife is a member of Cirque du soleil, so he travels to follow her career. What a great husband! His wife got him to finally rebuke his dirty pony ways. We teased him that he needs to officiate at our maybe-someday-wedding.

No lie.








LET’S GET PHYSICAL!
FINAL WEEK PHYSICAL FESTIVAL CHICAGO HIGHLIGHTS:

AN INGENIOUS DON QUIXOTE VIA SPAIN/UK

A KICK-ASS, ONE-WOMAN LITTLE GIRL WAR
REFUGEE TALE VIA BRAZIL/FRANCE

THIS JUST IN!
A NEW AUDITION WORKSHOP
WITH A LEADING CIRQUE DU SOLEIL TALENT SCOUT


New workshop just added!

From the Inside Out- Dance/Physical Theater Guided Improv – Friday, June 8, 10 a.m. to 2 p.m.

Learn directly from top Cirque du Soleil talent scout Leon Kupferschmid. Find out what he looks for in potential performers prior to Cirque du Soleil’s Chicago auditions for dancers, clowns and physical actors, June 9 and 10.

Bouffon Workshop with Eric Davis (aka Red Bastard), Sunday, June 3, 10 a.m.- 1 p.m. has sold out.

Limited space is still available for the remaining workshops:

Sculpting Space with Dorie Kinnear and Will Pinchin (UK/USA), Monday, June 4,
10 a.m.- 1 p.m.

Dreams, Wishes, Lies with Michael Montenegro, Wednesday, June 6, 10 a.m.-1 p.m.

Create Your Own Solo with Gaël Le Cornec and Ben Samuels, Thursday, June 7,
10 a.m.-1 p.m.

Comedy & Clowning with Little Solder Productions, Saturday, June 9 at 10 a.m.-1 p.m.


Visit physicalfestival.com/workshops for full workshop descriptions and to register. Workshops are $50 each, or look for information on a discounted workshop pass.



Tickets and for full details on all Physical Festival shows and workshops HERE

OPENING: US PREMIERE of PINK ORCHIDS to Launch PAC Pride Fest

Chi IL Live Shows On Our Radar:

PINK ORCHIDS
By Patrick Cash
US PREMIERE
Directed by Brennan T. Jones


The first play of the “PAC Pride Fest” - a summer season of five plays, PINK ORCHIDS by Patrick Cash is a British play in which five eloquently interwoven and often funny monologues explore the experience of living with HIV - a virus that attacks the emotions as well as the body.  It premiered in London in 2016 under the title THE HIV MONOLOGUES. This production will be directed by Brennan T. Jones and will open to the press on Friday, June 8 at 7:30 pm, in the Pride Arts Center’s Buena space. Jones directed JUMPERS FOR GOALPOSTS for Pride Films and Plays in summer 2017 and was Assistant Director for TimeLine Theatre’s THE AUDIENCE last fall.

Jones’ cast will include Jerome Beck (DONTRELL, WHO KISSED THE SEA for First Floor, and THE SKIN OF OUR TEETH for Remy Bumppo), Don Baiocchi (HOT PINK AND READY TO BLOW for New American Folk Theatre), Nick Dorado (AS YOU LIKE IT  for Eclectic Full Contact Theatre Company and ON GOLDEN POND at Oil Lamp Theatre); and Kathleen Puls Andrade, whose stage credits include BIBLE BINGO, part of the LATE NITE CATECHISM series at the Royal George and whose television credits include CHICAGO MED, BOSS, BERNIE and the award winning SHERYL STILL SINGLE.


Top row L-R: Don Baiocchi, Jerome Beck., Lower row: Kathleen Puls Andrade, Nick Dorado.

PINK ORCHIDS begins with Alex (Beck) meeting Nick (Baiocchi) and finding a connection. This connection is tested when Alex learns Nick is HIV-positive. He procrastinates about how to behave when confronted with Nick’s HIV status and makes some regretful mistakes. An Irish nurse, Irene (Kathleen Puls Andrade), and a producer, Barney (Dorado), also explain how HIV has affected their lives and the devastation caused by media negativity and other elements within society, even from within the LGBT community.

The production team for PINK ORCHIDS will include Evan Frank (scenic design), Noel Huntzinger (costume design), Blake Cordell (lighting and sound design), Hillarie Shockley (properties design), Erica Hughes (Dialect Coach) and Megan Chaney (Stage Manager).

PINK ORCHIDS will open to the press on Friday, June 8, following previews on Wednesday, June 6 and Thursday, June 7. It will run through July 7th, playing in repertory with THE GREEN BAY TREE, which will open on June 13 following previews on June 11 and 12. The “PAC Pride Series” will continue with Joe DiPietro’s FUCKING MEN, playing from July 1 – August 25; a world premiere, HURRICANE DAMAGE by Kevin Brofsky playing from August 1 – 26; and the American Premiere of HOLDING THE MAN, by Australian playwright Tommy Murphy, from August 5 – 26, 2018.

Patrick Cash (playwright) is a writer living in London. His plays include a queer adaptation of A MIDSUMMER NIGHT'S DREAM, THE CLINIC, QUEERS, THE CHEMSEX MONOLOGUES, SUPERFICIAL and THE HIV MONOLOGUES. He is a senior contributing editor to ATTITUDE and has written for VICE and DAZED. Both THE HIV MONOLOGUES and THE CHEMSEX MONOLOGUES are published by Oberon Books, and THE CHEMSEX MONOLOGUES was nominated for the Polari Prize 2017. THE HIV MONOLOGUES was produced in Sydney, Australia in 2017. He also wrote and co-produced the short film series THE GRASS IS ALWAYS GRINDR.

Tickets for all events are on sale now at  www.pridefilmsandplays.com or by phone at 866-411-4111 or 773-857-0222.

Previews Weds. 6/6 and Thurs. 6/7 at 7:30 pm

Beginning 6/14, Thursdays and Fridays at 7:30 pm, Saturdays at 3:30 pm through July 7. No performance Thursday, July 5. Also Sundays, June 17 and July 1 at 7:30 pm



Buena Theater
Pride Arts Center
4147 N Broadway
Chicago, IL 60613
Tickets: Previews $15, Regular Run: Premium seats $30, General Admission $25, Seniors/Students/Military $23
Tickets available at www.pridefilmsandplays.com or by phone at 866-811-4111 or 773-857-0222.

He’s just your type. But hold on. He’s about to tell you he’s got HIV.  How will you respond emotionally? Brush it aside and practice safe sex? Go on to a deeper relationship? Or do you walk away? In five eloquently interwoven and often funny monologues, Patrick Cash invites you to explore these emotions of living with a virus that attacks the emotions as well as the body.

"Pink Orchids is a piece that, while full of optimism, doesn’t shy away from the very real prejudices that are still aimed at HIV positive people to this very day. It’s educational and informative, but at the play’s centre are characters that walk off the page and straight into our hearts.' Gay Times ★★★★★



ABOUT PRIDE FILMS AND PLAYS
Pride Films and Plays creates diverse new work (or work that is new to Chicago) with LGBTQ+ characters or themes that is essential viewing for all audiences. We accomplish this mission through fully-staged productions, writing contests and staged readings, and filming one short film each season.

PFP is the primary tenant in the Pride Arts Center (PAC), which connects and promotes other artists who share our values, creating a safe environment for all. PAC books one-night events or limited runs, cabaret, film, dance, comedy, and other events. PAC opened in 2016 and consists of two performance spaces: The Buena at 4147 N. Broadway which has 50 seats and The Broadway at 4139 N. Broadway which has 85 seats.
                                                                                                  
Pride Films and Plays is supported by The MacArthur Fund for Arts & Culture at The Richard Driehaus Foundation, The Illinois Arts Council, City of Chicago’s City Arts Fund, the Elliott Fredland Charitable Trust, Proud to Run, the AmazonSmile Foundation, Arts and Business Foundation, Tap Root Foundation and Alphawood Foundation. 

PFP is a member of the Smart Growth Program of the Chicago Community Trust. Pride Films and Plays is a member of the LGBT Chamber of Commerce of Illinois and The League of Chicago Theatres.

For more information, visit www.pridefilmsandplays.com or call 1.800.737.0984.

ABOUT PRIDE ARTS CENTER
PRIDE ARTS CENTER has become an important part of the arts environment in the Buena Park neighborhood and beyond. In addition to performances by PFP, (www.pridefilmsandplays.com), PAC hosts monthly events including play readings, film screenings, cabaret nights, and variety shows. Guest productions are also included in the PAC schedule. Find a full calendar of everything happening at PAC here. http://pridefilmsandplays.com/calendar/

REVIEW: "The Revolutionists" by Organic Theater at Greenhouse Theater Center, running May 29-July 8, 2018

Chi IL Live Shows On Our Radar:


THE REVOLUTIONISTS & 

TIRESIAS WAS A WEATHERMAN 

Via Organic Theater Company of Chicago at the Greenhouse Theater Center


Sara Copeland (Charlotte Corday) in Organic Theater’s production of The Revolutionists, directed by Bryan Wakefield, assistant director Julia Rufo, May 29 – July 8, 2018. All Production Photos by Anna Gelman.

Review By Catherine Hellmann, guest critic

A play about a woman playwright, a woman Haitian rebel spy, dethroned Queen Marie Antoinette, and a tough-girl would-be rebel assassin? In the same play set in 18th Century France with female characters dropping f-bombs? Sign me up!


Playwright Lauren Gunderson uses modern language in her clever, thought-provoking play that is tough to classify. It begins in a somber mood, images of serious discord, pending beheadings...until the delightful Stephanie Sullivan as playwright Olympe de Gouges breaks the tension by asking how could a light-hearted comedy begin with a scene at a guillotine? (Or something like that...I forgot a pen and was mad at myself for not capturing more lines of dialogue verbatim. There are so many wonderful lines in this script.)



Stephanie Sullivan (Olympe de Gouges) and Laura Sturm (Marie Antoinette)

The Revolutionists explores feminism, friendships, rebelliousness, the French Revolution, and makes us feel sympathy for ousted Queen Marie Antoinette---all while making us laugh!


One of the best lines in the witty script is when the characters are debating topics for Olympe de Gouges’ next play, and musicals are discussed. “Who would want to see a musical about the French Revolution?” There is an inside-joke line about a barricade, which elicited laughs from the appreciative audience, and such banter makes The Revolutionists extra fun for theater fans. Gunderson takes advantage of having a playwright character as the others in the story discuss the impact of theater and how a play can affect society or cause change.

All four actresses are so perfect; if I had to pick a favorite, it would be the Narcissistic Queen Marie Antoinette played by Laura Sturm. She was so funny in her “It’s all about ME” mode, like how she knows it is her cue to stand up when she hears the blare of trumpets to announce her entrance! But there is a vulnerable side to her as well, when she describes her life, and how she was married off to a stranger she met on her wedding day.


Taylor Raye (Marianne Angelle) in Organic Theater’s production of The Revolutionists, directed by Bryan Wakefield, assistant director Julia Rufo, May 29 – July 8, 2018. Photo by Anna Gelman.

My companion said his favorite was Taylor Raye as rebel spy Marianne Angelle. Her character is undercover in France fighting for freedom in Haiti, where she has left her husband and two young children behind. I loved her description of her family as she recalls what she is risking for them.

Stephanie Sullivan (Olympe de Gouges)

                                                      Sara Copeland (Charlotte Corday)

Energetic and intense Sara Copeland as assassin Charlotte Corday is also excellent. I had to look up the backstory on her tale, which is fascinating. Indeed, twenty-four-year old Corday did fatally stab a very sickly Jean-Paul Marat in his own bathtub. She was persistent--it took three tries to receive admittance to his home. For her efforts, she was beheaded a mere four days after her crime. In contrast, Marat was hailed as a martyr to his cause, which is mentioned in Gunderson’s play.

As Corday is killed, Copeland ties a red ribbon around her neck to signify the beheading. She later, as an interrogator, gets to wear the coolest stage mask ever. It is unusual to see an all-female cast get to debate art, politics, andtheir destinies in a funny, entertaining way. The Revolutionists are some thought-provoking, kick-ass women. Go support them.


The Revolutionists runs from now until July 8 and is being performed in rotating repertory with Tiresias Was a Weatherman by Jaime Mire, which also sounds intriguing. Greenhouse Theater Center is located at 2257 N. Lincoln Avenue near Oz Park.

ORGANIC THEATER COMPANY – 2018 SUMMER REPERTORY SEASON:
AWE-INSPIRING WOMEN STAND UP AND FIGHT BACK; OR, 
 WHICH IS WORSE, THE REIGN OF TERROR OR THE REIGN OF BIG PHARMA?

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