INCOMING: Chicago Comic & Entertainment Expo C2E2 2013

Check out our original photos from C2E2 2012 Saturday above


 
R2D2?    No....C2E2!!!

Yeah, OK... maybe both.   R2D2 @ C2E2

 



Du-Jay & Sagezilla dug C2E2 and can't wait for 2013

 



It's bigger on the inside....



This year's Chicago Comic & Entertainment Expo (C2E2) will be their biggest by far. Tickets are selling earlier and faster than ever.  As of the final week of February, VIP tickets are sold out; 1-Day ticket sales are up 65%; and 3-Day ticket sales are up 78%. This is an overall increase of 64% compared to last year! 



**Meanwhile, their exhibit space is also growing...at this point, they are 25% larger than last year.** 



This is great news as it means that the Midwest - and Chicago, in particular - is becoming a center for pop culture enthusiasts similar in scale to New York and San Diego. 



Have you gotten your tickets yet?   Don't miss out.   Click here and order your tickets as soon as possible.   ChiIL Mama will be there...will YOU?!   We'll have photo filled recaps, individual features, hot new releases, reviews, and free downloads for you.   So check back with ChiIL Mama/ ChiIL Live Shows like we vote in Chi, IL...early and often!!

C2E2 2013, April 26-28, 2013 at the West Building at McCormick Place.

Check out their main site here for special guests and more.
  
Our ultra favorite thing about C2E2 isn't one show or genre even...it's mash ups and context!   We swung by Micky D's on the way out and it was beyond amusing to see the comic book world superimposed on reality. It's all about context.  As realtors are fond of saying...location, location, location.



"Welcome to McDonalds, may I take your order?"
 


  

We also love to see the colorful mash ups that organically happen in the crowd as everyone's story lines intermingle.   

Steampunk was a growing presence at C2E2 12, and we bought a fabulous corset & a wooden mustache monocle.

 

We also bought a unique ocarina necklace & a "teacarina" musical, pottery tea cup/instrument among other finds.  






Sagezilla and Du-Jay enjoyed the show, and it's fairly family friendly.   There were a ton of kids of all ages there, and there was plenty for kids to see and do, particularly for tweens and teens.    


Kick Ass fam friendly fun at C2E2

Sure, there's a plethora of the usual comic book boobs n gore...so skip it with the littles if they're very young and easily freaked out, or if you're uber conservative.  Otherwise, dress up and come on down!



Of course we're suckers for any excuse to play dress up, and enjoy seeing adults who are reeeeeally into what they're into, and we dig comics, anime, Dr. Who and games.   That means C2E2 is right up our alley.








First time we ever quoted Mr. T around Sagezilla, she thought we said "I'm Winnie the Pooh", and used to repeat it in a booming Mr. T impression.  To this day I still can't hear "I pity the fool" without laughing.

 

We saw many fun freaks, and even derby zombies from The Outfit!

 

 There were loads of graphic artists, actors & writers about.

Promises...promises

We're a little bummed.   These Romanian artist guys took a steam punk photo of Sagezilla & Du-Jay and said they'd anime the kids and send us the sketch via e-mail after the show, and it never happened.    Was that supposed to read get your sketch a year from today?!

We're coming back to find you for C2E2 2013, so start sketching... long haired boy and tiny but mighty grrrrrl, or they'll kick you in the kneecaps!

You can even get inked up permanently, with some new scars, if you're brave & of age.   I do have 4 tattoos, but not from C2E2.   We just stuck with the kind of ink you turn the pages on!



We also saw another of our big favorites--Threadless--and stocked up on more, cool, artist designed t's!   They give back to the community and work with kids for free, at Girls Rock Chicago camps, 826Chi Writing Workshops and more.

Sage spent her "helpful works" cash on a bunch of seriously rockin' handmade fimo necklaces another kid had made.  They were one of a kind and one of the coolest thing we saw at the whole show because they were so creative.   She also bought a Shawnimal Ninja necklace.   



Du-Jay bought Activision Skylanders, one of his Wii favorites.

 

We also ran into one of our favorite author/artist duos... Kim & Dino, of Traegonia fame.  

We gave away a set of their excellent books to one of our lucky readers in December, as part of our huge Holidaze Giveaways.  





 The Traegonia books are a middle grade, eco-friendly fantasy series our family really digs!!  Highly recommended.   Check out their main site right here.



 

 

Come on out and play.   C2E2's a must see for geeks, gamers, pop culture enthusiasts, families and YOU!

BLACK ENSEMBLE THEATER PRESENTS THE WORLD PREMIERE OF FROM DOO WOP TO HIP HOP

Chi, IL live shows on our radar.   We haven't had a chance to catch this one yet, but it's high up on our must see list.   We've been impressed by Jackie Taylor's work for years.

Black Ensemble Theater presents the world premiere of From Doo Wop to Hip Hop, written and directed by Black Ensemble Theater Founder and CEO Jackie Taylor and Associate Director Rueben Echoles and produced by Jackie Taylor. From Doo Wop to Hip Hop will be presented at the new Black Ensemble Theater Cultural Center, 4450 N. Clark Street in Chicago, through April 14, 2013.

From Doo Wop to Hip Hop is the story of people who live in the highly affluent neighborhood of Unison Hills. This is an integrated neighborhood made up of people from the music industry. The older folks have all lived their dreams of stardom, and the younger folks are reaching for theirs. The Whites and Blacks who live in Unison Hills have a very special bond, until tragedy hits – a racial tragedy that tears their congenial neighborhood apart. Audiences will hear such great musical classics as “The Great Pretender,” “16 Candles,” “What’s Your Name,” “Our Day Will Come” and “Waterfalls,” just to name a few. Audiences will also enjoy several other musical genres including rhythm and blues, soul, Hip Hop and everything in between.  Musical variety is the name of the game and From Doo Wop to Hip Hop serves it up – big time. 

Dates:        Through April 14, 2013       

Schedule:              Wed & Thurs:        7:30 p.m.
                              Friday:            8:00 p.m.
                              Saturday:        3:00 p.m. and 8:00 p.m.
                              Sunday:        3:00 p.m.

Location:        Black Ensemble Theater Cultural Center, 4450 N. Clark Street.
                       Valet parking is available.

Ticket prices:  
Regular Run: $55 on Wednesdays, Thursdays, and Saturday matinees; and $65 on Fridays, Saturday evenings, and Sunday matinees. 

A 10% discount is available for students, seniors, and groups.  Preview tickets are $45.00

Box Office:        773-769-4451 or online at www.blackensemble.org.   Click here to order tickets.

From Doo Wop to Hip Hop is part of the Black Ensemble’s 36th Season of Excellence titled, ‘Treasures and Tributes.’  "This Black Ensemble treasure (originally Doo Wop Shoo Bop) is being rewritten and updated for the 2013 production,” says Jackie Taylor.   “With this production, we celebrate music that every generation will enjoy.  As always at Black Ensemble, we are bringing audiences of different generations and races together to experience a universal story with exceptional music like you won’t hear anywhere else in Chicago.” 
   
As with all Black Ensemble Theater productions, Robert Reddrick will serve as musical director.  The Black Ensemble Musicians include Robert Reddrick on drums, Tracy Baker on bass, Herbert Walker on guitar, and Mark Moultrup and Andrea Moore on piano.

The cast includes: David Simmons, Monty Montgomery, Christopher Straw, Dwight Neal, Matthew Payne, Kelvin Roston Jr., Brandon Holmes, Lawrence Williams, Corey Wright, Cynthia Carter, Erin O’Shea, John Keating, Megan Murphy, Lisa Beasley, Danielle Davis and Marquicia Jordan.

The creative team includes Rueben Echoles (Choreography), Daryl Brooks (Production Manager), Dave Ferguson (Set Design), Denise Karczewski (Lights), Mike Pierce and Les Spires (Sound), June Saito (Costumes), Helen Latyak (Props), CoCo Lemry (Scenic Painter).  Bekki Lambrecht is the

Technical Director, Emily Wall is the company stage manager and Victoria Spires is the Equity Stage Manager.
 
Black Ensemble Theater performance times are Wednesdays and Thursdays at 7:30 p.m., Fridays at 8:00 p.m., Saturdays at 3:00 and 8:00 p.m. and Sundays at 3:00.  

Ticket prices are as follows:
Previews are $45; Tickets during the regular run are $55 (Wednesdays, Thursdays and Saturday matinees) and $65 (Fridays, Saturday evenings and Sunday matinees).

The Five Play Card is a much more flexible way of becoming a subscriber to the theater’s 36th Season of Excellence: Treasures and Tributes.  The Five Play Card can be used for one person to see 5 plays or to bring 4 other friends to one show or in any other combination that adds up to five.  The Five Play Cards issued in 2013 will be good for one year.

Gold Five Play Card, $247.50, can be used on Wednesdays, Thursdays and Saturday matinees.  The Platinum Five Play Card, $292.50, can be used for any performance.  

Tickets and The Five Play Card are available at the box office, 4450 N. Clark Street and by phone, (773) 769-4451.  All performances are held at the Black Ensemble Theater Cultural Center, 4450 N. Clark Street.

The Black Ensemble Theater
Founded in 1976, by the phenomenal producer, playwright and actress Jackie Taylor, Black Ensemble Theater is the only African American theater located in the culturally, racially and ethnically diverse north side Uptown community. Through its Five Play Season of Excellence, The Black Ensemble Theater dazzles audiences locally, nationally and internationally with outstanding original musicals that are entertaining, educational and uplifting. The Black Ensemble Theater has produced more than 100 productions and employed over 5,000 artists.

On November 18, 2011, The Black Ensemble Theater Cultural Center opened and is able to accommodate larger-scale productions, bigger audiences and a wider range of educational programming. The new facility includes amenities such as a 299-seat main stage theater (double the capacity of the original venue); 14 offices, classroom space; rehearsal hall, dance studio, scene shop, costume shop, and wardrobe rooms; seven dressing rooms; rehearsal room for musicians; front lobby space with concession areas; and an indoor parking garage.  The completion of a 150-seat theater, which will serve as an experimental stage for the work of the Black Playwright Initiative (BPI), is expected in 2013.

The mission of the Black Ensemble Theater Company is to eradicate racism and its devastating effects upon society through the theater arts.  For more information on the Black Ensemble Theater Company, please visit www.BlackEnsembleTheater.org or call 773-769-4451.

MAGIC SLIM, BLUES ICON, DIES AT 75

Slim recording "Goin' To Mississippi" in the Blind Pig Chicago warehouse in April of 2002

Magic Slim was a favorite of ours here at ChiIL Live Shows.   He was an annual staple at the Chicago Blues Fest and will be missed.

Magic Slim, a revered and towering figure in the field of traditional Chicago blues, died February 21st in a Philadelphia hospital at the age of 75. Born Morris Holt in Torrance, Mississippi in 1937, the guitarist performer, bandleader, and recording artist went on to enjoy a career that launched him to national and international recognition and acclaim.

Slim was one of the foremost practitioners of the raw, gut-bucket, back alley blues associated with the postwar Chicago blues sound. He and his band, the Teardrops, were known as "the last real Chicago blues band" for their authentic, no-frills, straight-no-chaser performance of the music.

Slim's slash and burn guitar technique and booming vocals made for a commanding stage presence. His intense style was the blueprint that spawned much of the music played by modern blues artists and rockers.  After catching one of Slim's electrifying live shows at a local nightclub Eddie Vetter invited Slim to open Pearl Jam's concert in Chicago.  Magic Slim also had an encyclopedic repertoire of hundreds of blues songs in his head, giving his live shows a charming impromptu quality.

Growing up in Grenada, Mississippi, Slim took an early interest in music, singing in the church choir, and fashioning a guitar for himself with baling wire from a broom, which he nailed to the wall. "Mama whooped me for that," recalled Slim. His first love was the piano, but having lost the little finger on his right hand in a cotton gin accident, he found it difficult to play properly. Undaunted, he simply switched to guitar, working in the cotton fields during the week and playing the blues at house parties on weekends.  In 2011 the state of Mississippi erected a Blues Trail Marker in Slim's honor in front of a building in Grenada where his mother operated a restaurant.

In 1955, like many musicians from the Deep South, Slim migrated to Chicago, where he was mentored by his friend Magic Sam, who gave the lanky Morris his lifelong stage moniker.  Initially discouraged by the highly competitive local music scene, Slim went back to Mississippi and spent the next five years woodshedding and perfecting his craft.  He confidently returned to Chicago and became a formidable player on the scene, eventually putting together the Teardrops, who would become one of the busiest and best-loved blues bands around, and one of the most sought-after headliners for festivals in Europe, Japan, and South America.  Slim and his group won the coveted Blues Music Award in 2003 as "Blues Band of the Year," one of six times Slim won a BMA, considered the highest honor in the blues.  Living Blues magazine called Slim and the Teardrops "a national treasure."

Slim's recording career began with a series of singles in 1966, and he recorded his first album for a French label in 1977.  With the release of Gravel Road in 1990, he began a twenty-two year association with Blind Pig Records, who issued ten albums and a live DVD over that span.  His last release, 2012's Bay Boy, proved that Slim could still deliver the goods. As No Depression said, "Magic Slim doesn't just play the blues, he body slams his audiences with a vicious guitar attack that pins them to the floor. His blues are the in-your-face variety."  AllMusicGuide added, "Magic Slim turned 75 in 2012, but his growling vocals have the fire and brimstone of a Young Lion and his guitar playing is still as razor-sharp as it was when he turned pro in the '50s." 

Blind Pig Records owner Jerry Del Giudice said, "Magic Slim embodied the heart and soul of this label.  It was Magic Slim, and the guys like him, and their music, that inspired us to start the label in the first place."

Blues Revue once remarked, "Whoever the house band in blues heaven may be, even money says they're wearing out Magic Slim albums trying to get that Teardrops sound down cold." Now Slim can assume his rightful place as the leader of that band.
For a complete biography, please click HERE.

HELP OUT-Relapse Records Tribute Sampler to Pat Egan

RELAPSE RECORDS:  Releases Tribute Sampler to Pat Egan

Pat Egan, longtime Director of Retail Sales at Relapse Records, tragically passed away on Monday February 18th after a battle with pneumonia and related complications.  In honor of the man who was so instrumental in the success of so many Relapse bands and records, the label has put together a 20 track compilation featuring a collection of his favorite songs and artists, including Mastodon, The Dillinger Escape Plan, Brian Posehn, Red Fang, Death, and many more, including a never-before-released track from Exhumed. 

100% of proceeds from the compilation will go towards a college fund for his young daughter Katie.  Relapse thanks each band for contributing each track and waiving their royalty fee to maximize the benefit for Pat’s beloved family.  The compilation is available via Bandcamp at this location for only $5 but friends and fans are welcome to donate as much as they want.  Direct contributions may also be made via paypal to wellmissyoupat@relapse.com.

The tracklisting for the compilation is as follows:

1. Brian Posehn - More Metal Than You
2. Exhumed - The Beginning After The End (Previously Unreleased)
3. Mastodon - Mother Puncher
4. Kingdom of Sorrow - Screaming into the Sky
5. Baroness - Take My Bones Away
6. Red Fang - Wires
7. Death - A Moment Of Clarity
8. Revocation - Teratogenesis
9. Brutal Truth - Old World Order
10.Dying Fetus - Second Skin
11.Black Anvil - Ultimate Reality    
12. Agoraphobic Nosebleed - Sword Swallower    
13. Zombi - Siberia
14. Pig Destroyer - The American's Head
15. Toxic Holocaust - Sound The Charge
16. Murder Construct - No Question, No Comment    
17. Horseback - Arjuna
18. Dillinger Escape Plan - Sunshine the Werewolf    
19. Abysmal Dawn - In Service of Time
20. Total Fucking Destruction - In The Process of Correcting Thinking Errors 

Pig Destroyer is also offering Mass & Volume--a 2 song EP download for Pat Egan for $10 here.
www.relapse.com
www.facebook.com/relapserecords
www.twitter.com/relapserecords

ACT OUT OPENING: HOW LONG WILL I CRY?: VOICES OF YOUTH VIOLENCE

STEPPENWOLF FOR YOUNG ADULTS’ 2012/13 SEASON CONTINUES WITH

HOW LONG WILL I CRY?: VOICES OF YOUTH VIOLENCE IN THE UPSTAIRS THEATRE

EDWARD TORRES DIRECTS THIS WORLD PREMIERE BY MILES HARVEY

AS PART OF THE NOW IS THE TIME INITIATIVE, FEBRUARY 26 – MARCH 23, 2013

Next on stage as part of the Steppenwolf for Young Adults’ (SYA) season is the world premiere of How Long Will I Cry?: Voices of Youth Violence by Miles Harvey. How Long Will I Cry? is directed by Edward Torres as part of the citywide, season-long Now Is The Time initiative with Chicago Public Library and other local cultural organizations. Public performances of How Long Will I Cry? are March 2, 4, 9, 18 and 23 in Steppenwolf’s Upstairs Theatre (1650 N Halsted St); tickets for public performances are available through Audience Services (1650 N Halsted St), 312-335-1650 and steppenwolf.org. School performances are Tuesday – Friday at 10am and are on sale now through SYA Education Assistant Lauren Sivak at 312-654-5643.

How Long Will I Cry? also tours select Chicago Public Library branches and partner locations, March 11 – 16, 2013.

Journalist, playwright and DePaul University professor Miles Harvey participates in a post-show discussion with filmmaker of The Interrupters and author of There Are No Children Here, Alex Kotlowitz, and Founder and CEO of Kids Off The Block, Inc., Diane Latiker, whose story is featured in the play following the performance on Monday, March 4. Miles Harvey also participates in a post-show discussion following the performance on Monday, March 18. On Saturday, March 23, Steppenwolf is pleased to welcome award-winning author of Gang Leader for a Day and Freakonomics contributor Sudhir Venkatesh for a post-show discussion following the performance. Mr. Venkatesh has written extensively about Chicago’s urban poor and gang culture.

Woven together from interviews gathered by journalist Miles Harvey and his students at DePaul University, How Long Will I Cry? provides raw, truthful insight into the problem of youth violence. By giving voice to those who know the tragic consequences of violence first-hand—families of the victims, residents of crime-ridden neighborhoods and especially young people—How Long Will I Cry? inspires all of us to join together in search of a solution.

“How Long Will I Cry?: Voices of Youth Violence is a culmination for me of more than three years of thinking about youth violence in the city of Chicago,” comments Hallie Gordon, Artistic and Education Director for Steppenwolf for Young Adults. “It is a concern that both the playwright, Miles Harvey, and his students from DePaul University shared and over the past two years have investigated with compassion and honesty. It is why Now Is The Time was started, a city wide initiative to stop youth violence and intolerance. This piece shows the power the arts can have on very real issues. This piece is a call to action to stop the trend of youth violence in Chicago. Now is the time.”

Now Is The Time is a year-long conversation about how young people can make positive change in their communities and stop the trend of youth violence and intolerance. Through major projects taking place throughout 2012/13, Chicago Public Library, Facing History and Ourselves, and Steppenwolf Theatre Company join forces to activate this conversation in our city’s many neighborhoods. They are joined by dozens of other organizations and institutions around the city, including a coalition of Chicago’s finest theater companies, Now is the Time to ACT. Learn more at nowisthetimechicago.org.

The cast of How Long Will I Cry? features Carlos Rogelio Diaz (Berly Valladares/Ernie Purnell, March 11 – 23), 

Charles Gardner (Deshon), Tara Mallen (Joy McCormack),  J. Salomé Martinez, Jr. (Berly Valladares/Ernie Purnell, February    26 – March 10; Frankie Valencia/Max Cerda, March 11 – 23), Shannon Matesky(DaisyCamacho/Ora), Jessie David Perez (Narcisco Gatica/Jamie), Gabriel Ruiz (Frankie Valencia/Max Cerda, February 26 – March 10), Mark Smith (Pastor Brooks), March Ulrich (Narrator) and Celeste Williams(Diane Latiker/T-Awannda Piper).

                                                    

The production team for How Long Will I Cry? includes: William Boles (scenic design), Sally Dolembo (costume design), J.R. Lederle (lighting design), Gregor Mortis (sound design) and Michael Fernandez(projection design). Additional credits include: Erica Daniels (casting), Terrence Mosely (assistant director), Kelli Simpkins (artistic consulting), Megan Shuchman (dramaturgy) and Tess Golden (stage manager).Photos and bio information for all artists are available upon request.

Tickets to public performances of How Long Will I Cry?: Voices of Youth Violence ($20) are currently on sale through Audience Services (1650 N Halsted St), 312-335-1650 and steppenwolf.org. Tickets to the performances on Saturday, March 2 and 9 are 2-for-1. Student Discounts: a limited number of $15 student tickets are available through Audience Services (1650 N Halsted St) or by calling 312-335-1650. Must present a valid student ID for each ticket. School Performances are currently on sale. Contact SYA Education Assistant Lauren Sivak at 312-654-5643. Adult Groups: all groups of 10 or more receive a discounted rate for any performance throughout the season. For additional information, visit steppenwolf.org/groups. Tour Performances: admission to the tour performances March 11 – 16 is free, though a reservation is required. Please call the library branch as listed to reserve tickets.

Tour Schedule

March 11: 11am at Woodson Regional Library (9525 S Halsted St, 312-747-6900); 5pm at West Englewood Branch (1745 W 63rd St, 312-747-3481)

March 12: 11am at Austin Branch (5615 W Race Ave, 312-746-5038)

March 13: 11am at Little Village Branch (2311 S Kedzie Ave, 312-745-1862); 5pm at Gary Comer Youth Center (7200 S Ingleside Ave, 773-358-4100)

March 14: 11am at Harold Washington Library Center (400 S State St, 312-747-4780); 5pm at Whitney Young Branch (7901 S King Dr, 312-747-0038)

March 16: 11am at Humboldt Park Branch (1605 N Troy St, 312-744-2244)

Accessible Performances:

Audio-described performance: March 9 at 11am

Open captioned performance: March 4 at 7:30pm

Sign-interpreted performances: March 4 at 7:30pm; Student Performance: March 6 at 10am

JPMorgan Chase & Co. is the Corporate Sponsor of Steppenwolf for Young Adults. Target is the sponsor of the Target 2-for-1 matinees.

Steppenwolf for Young Adults’ unique approach combines play production with educational components to enhance arts education for young audiences, as well as their teachers and families. SYA creates two full-scale professional productions each season specifically for teens. Working closely with the Chicago Public and metropolitan area schools and other community partners, SYA annually ensures access to the theater for more than 12,000 participants from Chicago’s diverse communities. The initiative also includes post-show discussions with artists; classroom residencies led by Steppenwolf-trained teaching artists in more than 30 classrooms in 12 public high schools; professional development workshops for educators; and the Young Adult Council, an innovative year-round after school initiative that uniquely engages high school students in all areas of the theater’s operations.

Steppenwolf Theatre Company is America’s longest standing, most distinguished ensemble theater, producing nearly 700 performances and events annually in its three Chicago theater spaces—the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat Garage Theatre. Formed in 1976 by a collective of actors, Steppenwolf has grown into an ensemble of 43 actors, writers and directors. Artistic programming at Steppenwolf includes a five-play Subscription

Season, a two-play Steppenwolf for Young Adults season and three repertory series: First Look Repertory of New Work, Garage Rep and Next Up. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Off-Broadway, Broadway, London, Sydney and Dublin. Steppenwolf has the distinction of being the only theater to receive the National Medal of Arts, in addition to numerous other prestigious honors including an Illinois Arts Legend Award and nine Tony Awards. Martha Lavey is the Artistic Director and David Hawkanson is the Executive Director. Nora Daley is Chair of Steppenwolf’s Board of Trustees. For additional information, visit steppenwolf.org, facebook.com/steppenwolftheatre and twitter.com/steppenwolfthtr.

ACT OUT OPENING: A Body of Water at Red Twist

A Body of Water By Lee Blessing   Directed by Mary Reynard Opens at Redtwist Theatre Saturday, Mar 2, at 3pm We'll be checking out the press opening today, and we'll have a full review up shortly.   Red Twist remains one of our favorites for bold choices and high quality, frequently Jeff recommended productions. Redtwist announces the Chicago premiere of Lee Blessing's charming, clever, frightening, witty, and mysterious drama about lost identity and rediscovering love. Jeff Award-winner, Brian Parry, and Jan Ellen Graves reunite on the Redtwist stage as husband and wife for the first time since their acclaimed performances in Three Hotels (2007). Only this time, their characters, Moss and Avis, meet each other for the first time, everytime they wake up in the morning.  PLAY A middle-age couple awaken every day and don't know who they are, where they are, or the why of anything. And an unfamiliar young woman uses extreme measures to reach them. Funny and charming, this is a lyrical, intriguing drama that examines the wisdom of embracing a pure moment of joy...when nothing else is certain.   CAST Jan Ellen Graves (Avis), Stella Martin (Wren), Brian Parry (Moss) STAFF Mary Reynard (Director), Matt Dominguez (Assistant Director), Lauren Yarbrough (Stage Manager), Allison Queen (Assistant Stage Manager), Justin Castellano (Production Manager), Frank Sjodin (Tech Director), Nick Mozak (Set Designer), Christopher Burpee (Lighting Designer), Nick Gajary (Sound Designer), Olivia Leah Baker (Costume Designer), Jeff Shields (Prop Designer), Mary Reynard (Vocal Coach), Kevin McDonald (Dramaturg), Eileen Rozycki (Scenic Charge), Garvin Jellison (Master Electrician), Alan Weusthoff (Set Builder), Jan Ellen Graves (Graphic Designer), Charles Bonilla (Box Office Manager), E. Malcolm Martinez (Box Office Associate), Johnny Garcia (Associate Producer), Michael Colucci & Jan Ellen Graves (Producers) SCHEDULE Opens: Sat, Mar 2, 3pm Runs: Thu, Fri, Sat, 7:30pm; Sun, 3pm Note: no evening performance on Sat, Mar 2 AND no performance on Sun, Mar 3  Closes: Sun, Apr 7, 3pm Running Time: Approximately 90 minutes, no intermission Previews: $15; Wed, Thu, Fri, Feb 27, 28, & Mar 1 at 7:30pm Tickets:Thursdays, $25; Fridays, Saturdays, Sundays, $30 (seniors & students $5 off)  Group Rates: Special discounts for groups of 10 or more, and groups of 25 or more   DETAILS Call: 773-728-7529 Email: michael@redtwist.org Website/Tickets: www.redtwist.org Redtwist is located at 1044 W Bryn Mawr, 2 blks W of LSD, 2 blks E of the Red Line El station. Street parking (paybox/meters until 9pm) is available on Bryn Mawr, side streets, and Broadway. Please reserve 48 hours in advance. Credit cards accepted by phone and via Paypal to guarantee seating.