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Wednesday, February 6, 2013

ACT OUT OPENING: Teddy Ferrara at The Goodman & Other Desert Cities Now Playing




WORLD PREMIERE OF TEDDY FERRARA FROM PULITZER PRIZE FINALIST CHRISTOPHER SHINN OPENS FEBRUARY 11TH


***SPECIAL OPPORTUNITIES FOR STUDENTS INCLUDE FIRST-EVER STUDENT PRESS CONFERENCE TOMORROW, ON FEBRUARY 7, EXPANDED $10 TICKETS***

Previews are underway for the world-premiere production of the Goodman-commissioned Teddy Ferrara by Pulitzer Prize finalist Christopher Shinn, praised as "among the most provocative and probing of American playwrights today" (The New York Times). 

Ferrara), Christopher Imbrosciano (Jay), Jax Jackson (Jaq), Dev Kennedy and Fawzia Mirza (Campus Police), Paloma Nozicka (Jenny), Adam Poss (Drew), Josh Salt (Tim), Kelli Simpkins (Ellen) and Janet Ulrich Brooks (University Provost). The design team includes Jenny Mannis (Costume Designer), Keith Parham (Lighting Designer), Lee Savage (Set Designer) and Richard Woodbury (Sound Designer). 


Teddy Ferrara runs February 2 - March 3, 2013 in the Owen Theatre (opening night is Monday, February 11). Tickets ($14 - $45; subject to change) are now on sale and are available at GoodmanTheatre.org/Teddy, by phone at 312.443.3800 or at the box office (170 North Dearborn).



Evan Cabnet directs this stirring exploration of an on-campus tragedy with a cast that includes Liam Benzvi (Gabe), Patrick Clear (University President), Rashaad Hall (Nicky), Ryan Heindl (Teddy).


In conjunction with the production, Goodman Theatre hosts its first-ever student press conference including cast members from Teddy Ferrara on February 7 from 5:30 – 6:30pm. Chicagoland college and high school students are invited to join participants of the Goodman’s Cindy Bandle Young Critics program (CBYC) in this unique opportunity to interview the cast. To make arrangements, student journalists should call 312.443.5152 or email Press@GoodmanTheatre.org.

Students can also take advantage of “10Tix” tickets – $10 tickets exclusively for students, now available for advance purchase – at GoodmanTheatre.org using the promo “10Tix” or at the box office (170 N. Dearborn). Previously, 10Tix were only available day-of show. A valid Student ID must be presented upon pickup, and limit four tickets per student. All tickets are subject to availability and handling fees apply.

"I was teaching undergraduates just as I was beginning to work on Teddy Ferrara and really observing them and measuring my own experiences against that,” says playwright Christopher Shinn. “It’s an entirely different social world today as mediated through media and technology, and it’s rare to see college students represented truthfully. I’ll know I have achieved this if college-aged students respond to this play.”




Teddy Ferrara Rehearsal Photo
(L to R) Adam Poss (Drew), Director Evan Cabnet and Liam Benzvi (Gabe) in rehearsal for Christopher Shinn's Teddy Ferrara at Goodman Theatre.                                 

Other special events for audience members include:

Artist Encounter
TONIGHT--Wednesday, February 6 | Polk Rehearsal Room 6pm, FREE for Subscribers, Donors and students with ID; $5 for the general public (reservations required) Join us for an intimate conversation with Teddy Ferrara director Evan Cabnet before the 7:30pm performance that evening. Moderated by Adam Belcuore. To reserve tickets, call the box office at 312.443.3800.

PlayBack
Following each Wednesday performance of Teddy Ferrara, audiences are invited to attend free post-show discussions with members of the Goodman’s artistic staff.


Teddy Ferrara takes place during Gabe's senior year of college. His future looks bright: he runs the Queer Students Group, he finally has a single room and he recently started dating a great guy. But when a campus tragedy occurs that makes national headlines it ignites a firestorm and throws Gabe's world into disorder. When new evidence surfaces, Gabe discovers that the events surrounding the tragedy aren’t as straightforward as they seem, and he is forced to question popular assumptions—and his own life’s contradictions.

Katten Muchin Rosenman LLP is the Corporate Sponsor Partner for Teddy Ferrara. The Time Warner Foundation is the Major Supporter of New Play Development and The Glasser and Rosenthal Family and the Harold and Mimi Steinberg Charitable Trust are Supporters of New Work Development. The Davee Foundation is the Major Contributor to Research and Development for New Work. The Joyce Foundation is the Principal Supporter of Artistic Development and Diversity Initiatives.





Also now playing at The Goodman through February 17th--Other Desert Cities


January 12- February 17, 2013 In the Albert
Approximate running time: 2 hours and 15 minutes with one intermission

  • “Highly Recommended”— CHICAGO SUN-TIMES
A family is pushed to the brink in Jon Robin Baitz’s scintillating new drama, dubbed “the best new play on Broadway” by The New York Times.
When Brooke Wyeth arrives at her parents’ Palm Springs mansion on Christmas Eve with the manuscript of her tell-all memoir in tow she unearths a devastating family secret—throwing her parents into a panic that threatens to rip the clan apart. With biting wit and razor-sharp insight, Other Desert Cities “has the appeal of a Broadway hit from another age” (The New York Times).


About Goodman Theatre
The Goodman’s 2012/2013 Season features 11 productions on its two stages—six in the 856-seat Albert Theatre and three in the 400-seat flexible Owen Theatre, plus a Latino Theatre Festival that includes two additional productions. Still to come in the 2012/2013 Season are 

Other Desert Cities by Jon Robin Baitz, directed by Henry Wishcamper (now through February 17, 2013); Teddy Ferrara by Christopher Shinn, directed by Evan Cabnet (February 2 – March 3, 2013 in the Owen); 

a Latino Theatre Festival in the Owen, including Cuba’s Teatro Buendía’s production of Pedro Páramo by Raquel Carrió
Co-directed by Flora Lautén and Henry Godinez and produced in association with the Museum of Contemporary Art Chicago (March 22 – March 31); The Happiest Song Plays Last by Quiara Alegría Hudes, directed by Edward Torres (April 13 – May 12, 2013) and Albany Park Theater Project’s production of Home/Land, written collectively by the Albany Park Theater Project teen ensemble and directed collectively by the Albany Park Theater Project artistic staff (June 20 – June 30, 2013); By the Way, Meet Vera Stark by Lynn Nottage, directed Chuck Smith (April 27 – June 2, 2013 in the Albert); and The Jungle Book, a new musical based on the Disney animated film and the stories of Rudyard Kipling, adapted and directed by Mary Zimmerman (June 21 – July 28, 2013 in the Albert).

Goodman Theatre, “the leading regional theater in the nation’s most important theater city” (Time), is a major cultural, educational and economic pillar in Chicago, generating nearly $250 million in economic impact over the past decade in its state-of-the-art two-theater complex on North Dearborn Street.

Founded in 1925 and currently under the leadership of Artistic Director Robert Falls, “Chicago’s most essential director” (Chicago Tribune), and Executive Director Roche Schulfer, Chicago’s oldest and largest not-for-profit resident theater has welcomed nearly two million patrons to productions and events—including 10 festivals celebrating playwrights such as David Mamet, August Wilson and Horton Foote, as well as the biennial Latino Theatre Festival—and served legions of students through its Education and Community Engagement programs (including the FREE Student Subscription Series and other interactive programs). 

The Goodman has earned more than 90 awards for hundreds of productions, including the Pulitzer Prize for Ruined by Lynn Nottage—one of 25 new work Goodman commissions in the last decade. American Airlines is the Exclusive Airline of Goodman Theatre. Ruth Ann M. Gillis is Chairman of the Board of Trustees, Sherry John is President of Women’s Board and Lauren Blair is President of the Scenemakers Board, the Goodman’s young professionals auxiliary group.

Visit the Goodman virtually: watch artist interviews, view production photos, catch the latest news and more at GoodmanTheatre.org. Like us on Facebook.com/GoodmanTheatre; follow us at Twitter.com/GoodmanTheatre; and peek behind the scenes at YouTube.com/TheGoodmanTheatre.

Monday, February 4, 2013

TONIGHT: Million Dollar Quartet Rocks Letterman For Elvis Week Feb. 4-8 #LateShow




ChiIL Mama, Du-Jay & Sagezilla ChiILin' out back stage with cast members from Million Dollar Quartet yesterday.   These talented actors & musicians are truly legends come to life.  Check back later this week for our full show review, cast bios, the sweet swag bag scoop and more!



CBS’ “LATE SHOW with DAVID LETTERMAN” CAN’T HELP FALLING IN LOVE WITH “ELVIS WEEK,” AS THE BROADCAST PRESENTS A WEEK OF PERFORMANCES FROM ELVIS TRIBUTE ARTISTS,MONDAY, FEB. 4 THROUGH FRIDAY, FEB. 8

ChiIL Mama, Du-Jay & Sagezilla just saw Million Dollar Quartet yesterday as part of the kids' continuing rock-ucation, and loved it!   See members of the Chicago MDQ cast on Late Show with David Letteman this Mon-Wed.   Then ChiIL out with ChiIL Mama this week as we bring you our post show cast photos, show review, and casual, impromptu group interview.

** THIS MONDAY-WEDNESDAY ON LATE SHOW Lance Lipinsky who plays Jerry Lee Lewis in the Chicago production of Million Dollar Quartet, will appear with his band “Lance Lipinsky and the Lovers” (along with an Elvis performer each day) this Monday, Tuesday and Wednesday (Feb 4-6).  (11:35 PM-12:37 AM, ET/PT) on the CBS Television Network.


**Cody Ray Slaughter, who plays Elvis Presley in the tour of Million Dollar Quartet, will appear tonight, Monday, Feb 4.

**Brandon Bennett, who plays Elvis Presley in Chicago’s production, will perform on Tuesday, Feb 5.


  
Also Visiting the LATE SHOW Week of Feb. 4 Are Mariah Carey, Pauley Perrette from “NCIS,” Eric Stonestreet, Joel McHale and Academy Award Nominee Sally Field
           


It’s going to be a “Roustabout” at the Ed Sullivan Theater when the LATE SHOW with DAVID LETTERMAN presents “Elvis Week” on the broadcast, with performances from some of the best known Elvis Presley tribute artists.

“The King of Rock and Roll,” who would have turned 78 on Jan. 8, will be honored by five entertainers who were selected as “Ultimate Elvis Tribute Artists” by Elvis Presley Enterprises.  

On Monday, Feb. 4, Cody Ray Slaughter, who is currently in the touring production of “The Million Dollar Quartet,” and is the youngest person ever to be named an “Ultimate Elvis Tribute Artist,” will perform.

Brandon Bennett, who stars in the Chicago cast of the hit musical “The Million Dollar Quartet” and who also starred in the hit Canadian show “The Elvis Story,” will rock the Ed Sullivan Theater Tuesday, Feb. 5 

On Wednesday, Feb. 6, Justin Shandor, who currently portrays Elvis in the touring show “Rock ‘n Roll Legends,” performs on the broadcast.  Ben Portsmouth, current star of the European “Tribute to Elvis” tour, performs Thursday, Feb. 7, while Shawn Klush, named BBC Television’s “World’s Greatest Elvis” and who will recreate Elvis’s famed Hilton performances at the Las Vegas Elvis Fest, rounds out the week on Friday, Feb. 8

Lance Lipinsky, who plays Jerry Lee Lewis in the Chicago production of “Million Dollar Quartet,” will appear with his band, “Lance Lipinsky and The Lovers” on Monday, Tuesday and Wednesday, as the accompanying band for each Elvis performance.

Also visiting the LATE SHOW next week are GRAMMY® Award-winning superstar Mariah Carey (Monday, Feb. 4); actor Eric Stonestreet and actress Pauley Perrette from the hit CBS drama series “NCIS” (Tuesday, Feb. 5); actor Joel McHale and dog trainer and reality television star Kenny Licklider (Wednesday, Feb. 6); two-time Academy Award winner Sally Field, who is again nominated for the prestigious honor for her role in the film “Lincoln” (Thursday, Feb. 7); and comedian Jake Johannsen (Friday, Feb. 8).

The LATE SHOW with DAVID LETTERMAN is a production of Worldwide Pants Incorporated.  Barbara Gaines, Matt Roberts, Jude Brennan, Maria Pope, Eric Stangel, Justin Stangel and Rob Burnett are the executive producers.

RATING: TV-PG (Rating may change on day of broadcast due to specific subject matter.)
  
Strap on your “Blue Suede Shoes” when #LateShow presents “Elvis Week” Feb. 4-8, 11:35 pm ET/PT!

Tickets for the Chicago production are currently on sale through April 28.  Also: The touring production is going strong and the Las Vegas production starts performances this week.  


INCOMING: Graveyard at Lincoln Hall THIS TUESDAY #metal





$15.00
Tuesday, February 05 2013
8:00 PM | 21+


We dig Swedish metal and although we haven't caught them live before, Graveyard sounds like our kind of people!   Can't wait to check 'em out live tomorrow night.   I've been to Orebro, Sweden and still have a friend from there I've known almost all my life and consider family.   


Here's what Lincoln Hall's site says about the band:  From the combination of being a great live act and having the ability to write and record great songs the future is looking really bright for Graveyard. The band is standing on a solid foundation of classic rock but Graveyard is more than just your average rockband. The band's open mind towards adapting and bringing in different musical influences - from everything in between hard rock, rock, blues, folk and jazz – makes the band stand out in the crowd. And the good thing for a band like Graveyard is that ……. you don’t have to put a label on being great.


Here's what Graveyard says:
   
Background…..

Graveyard was formed in Gothenburg 2007. Joakim and Rikard played together in a band called Norrsken nack in Örebro. First Joakim moved to Gothenburg, then Axel and then Rikard. Joakim, Axel and a bunch of other guys started a band called Albatros, which Rikard soon joined. On guitar! 

After a while they decided that they wanted to take a different direction musically, and play more straight forward rock, so they started Graveyard. With that said it didn’t take long before things started to happen for Graveyard and before we knew it we were about to record and release our first album. (released on Transubstans in Europe and Tee Pee in North America). During the recording of the first album guitarist Truls Mörck left the band and was replaced by Jonatan. 

After the release of the first album we did what most ordinary rockband do to promote ourselves and our albums – extensive touring in crappy vans all across Europe and the US. And now that we have got our second album Hisingen blues out (Nuclear Blast  and Universal in Sweden) we are believe it or not excited to bring the new songs out to the public. By doing this we will hopefully get to see some of our favorite places again and also visit other countries and continents to which the first album didn’t take us – cos no matter how much fun it is to write and record albums it’s is in the live environment that we feel totally at home as a band.

The musical plan and an important piece of the puzzle …..

When we started the band we did so without a plan ever to come this far – but with that said we started Graveyard with the ambition and intention to take it as far as we could. Graveyard as a band wasn’t gonna be about mocking around in the rehearsal room, cos we knew what we wanted to do and that we also had the musical skills and the dedication to write and record great songs that could and would take us places. 


All ready from the start we knew what kind of music we wanted to play and how we wanted it to sound.  About our sound it’s one thing to write and rehearse songs but it’s a totally different thing to go into a studio and get the right production to back them up. In this area we really struck gold when we met Don Alsterberg. Don has produced both our albums and has done an amazing job. The thing with Don was that he right from the start really understood us as individuals and as a band, and managed to take our creative vision and put it into a production that really brings out the best of both Graveyard as a band and our songs. The production sometimes goes even beyond what we had it sounding like in our minds and it doesn’t get much better than that. But don’t think that we are happy with Hisingen and that’s it, in this department both Graveyard and Don are ready and can’t wait to get started on the next album. We just need to get a “little” bit of touring done before we get started – so as far as the bands “one year plan” goes there will be no rest for the wicked.

Summary and no future? ….

To sum it up and end the story of Graveyard this far we would like to once again inform the reader that we don’t really have a plan except to keep on doing what we do in the best way that we can. And on this note we would like to be a little bit non-Swedish and add that we’re really proud of what we have done as a band this far. Without a grand plan there are still a couple of things that we can say and guarantee about the future, and that is that we will probably be around for as long as we feel that we have the musical creativity and the drive to keep on pushing ourselves in our songwriting, in the studio and live. So with that said all you fans of Graveyard can just keep your fingers crossed, buy our albums and come to our shows and time will tell how long this circus will continue. Cos we don’t know, can’t tell and don’t care too much about the future – we’re just here to entertain and provide the world with some great music according to our book.


All for now and keep supporting good music!
Joakim, Rikard, Axel and Jonatan – aka GRAVEYARD


INCOMING: Young Empires Play Schubas THIS TUES 2/5 21+






   
YOUNG EMPIRES
Photo Credit: David Waldman

The tale of self-proclaimed Haute rockers Young Empires is quite unconventional. The band formed in Toronto in 2009 with a little help from Craigslist, originally as a trio of Matthew Vlahovich (lead vocals/synth,) Jake Palahnuk on bass and Aaron Ellingson on guitar & synth - a trio who just wanted to play music. As Ellingson explains, "Everything with this band is about synchronicity. We didn’t have any preconceptions. We just wanted to get in a room and make noise.”

Booking their first show within two weeks of forming, the band isolated themselves in a motel room in early 2010 to self-produce and record four demos that hit the charts on Hype Machine and led to two years of international touring. The band hit Bogota, London, Los Angeles, Paris, Stockholm, New York, Miami, SXSW, CMJ and Brighton's Great Escape, performing alongside Jamiroquai, Foster The People, Chromeo, Tanlines, Japandroids, Vampire Weekend, Bag Raiders, Dragonette and Sleigh Bells.

Between tours, Young Empires gained Taylor Hill on drums and they wrote, recorded and mixed their debut EP, Wake All My Youth. Having no engineering or production background didn't stop them, as the group did everything but the final mastering, leading to its distinctive, glittering, electro-tinged indie rock sound. Released via Pirates Blend/Sony Canada in February 2012 with two singles from the EP, “White Doves”, and “We Don’t Sleep Tonight,” the band gained international recognition from NYLON, NME, Interview Magazine and more, with multiple syncs on MTV, CTV, ABC and USA networks.

With significant success in Canada, the band is set to re-release a new version of Wake All My Youth this spring on Votiv/Atlantic Records, while currently writing an anticipated full-length debut album.

As bassist Palahnuk says, “At the end of the day we just want to have a positive impact on as many people as we can. We want our music to be the thing that people connect to and feel good about.” It's clear from this band's early rising success that they have done just that, connecting more and more people as they go along.




North American 2013 Tour Dates /

02.04.13 - 7th Street Entry - Minneapolis, MN *
02.05.13 - Schubas Tavern - Chicago, IL * (8pm/ $12 21+)
02.06.13 - The Frequency - Madison,  WI *
02.08.13 - The Town Ballroom - Buffalo, NY *
02.09.13 - Niagara Center For The Arts - Niagara Falls, ON 

* with Royal Teeth 


Previous Press /

“Young Empires’ glossy production and funked up rhythms, reminds us of the Rapture’s dance-ready grooves…They’re too good.” NYLON

"The mathmania of Battles, the gloss 'n' grandeur of The Killers, and the calamitous quiver of Arcade Fire...Young Empires have consummately summated this generation's achievements in Rock. Not that they're total re-tread merchants; no, they're master weavers of our disparate indie threads, forging a fine tapestry of future disco." NME  

"Mapping some new sonic territory somewhere between Vampire Weekend and The Killers, they combine syncopation and melodrama to excellent effect…they’re known for winning over cold audiences with their live act."  MTV Iggy

"Defined by swirling synthesizer tones, soulful bass grooves, and funky guitar rhythms, Young Empires deliver dance tracks full of swagger, sexuality, and a little angst." RCRD LBL



Links /

Young Empires Official Site

Young Empires Twitter

Young Empires Facebook

Young Empires Soundcloud

INCOMING: Uli Jon Roth & Elliot Rubinson 2/17 Reggie's Rock Club


Dean Guitars and Ddrum CEO Elliot Rubinson to Play Bass on First Half of Uli Jon Roth North American Tour
     

As the 40th Anniversary of his joining the Scorpions North American tour rolls on, ULI JON ROTH has confirmed that Dean Guitars and Ddrum CEO Elliot Rubinson will be playing bass in ULI's band for the first half of the tour. Rubinson recently toured North America as a part of Michael Schenker's band. Elliot started on January 26th in Santa Ana, CA and will continue on the tour through February 12th in Ottawa, Ontario Canada. In addition ULI will be joined by various Dean Artists throughout the tour.

Elliot commented about being a part of ULI's band on the upcoming tour:

"I have been fortunate to be able to have played with ULI everywhere from cruise ship tours to European trade shows. He is clearly one of the greatest guitarists ever with a sense of harmonies few possess. Since we grew up on the same music we share a passion for greats like Jimi Hendrix. I am very excited about being a part of the filming and recording taking place on this tour"

ULI is equally excited to be playing with Rubinson:

"It is always a real pleasure to share the stage with Elliott Rubinson. Not only is he an excellent bass player, who delivers the goods at every show, but he also connects with the audience in a great way. Together we're rocking the house!"

As one of the founding members of THE SCORPIONS, ULI wrote much of the material on the bands first five albums ("Fly to the Rainbow", "In Trance", "Virgin Killer", "Taken by Force" and the critically acclaimed live release "Tokyo Tapes"). These albums helped shape what is now considered the classic SCORPIONS sound.

Breaking major ground with his music, ULI is regarded as a significant influence by many notable guitar players of yesterday and today including but not limited to Slash, Joe Satriani, Steve Vai and Eddie Van Halen. Having collaborated and shared the stage with the likes of Jack Bruce, UFO, Brian May, and others, ULI continues to inspire and pave the way for musicians and fans alike.Widely recognized as perhaps the single most important protagonist of Neo-classical guitar playing, ULI is seen by many as a trend-setter who has often been considerably ahead of his time.

In addition to his breathtaking 40th Anniversary shows, ULI will also be offering his world renowned Sky Academy Seminars while he is on the road in North America. The aim of Sky Academy is to provide knowledge and inspiration to those who take guitar playing seriously and to help them reach a new plateau. The seminars are designed to open musicians' eyes to new possibilities and to trigger an awakening of the student's full potential and talent. Special emphasis is given to inspirational concepts rather than technical means. While the academy is also discussing matters of technique, purely practical aspects of guitar playing are not at the forefront of the teaching. This means that exercises play only a minor role in the seminar, which aims to impart ways of HOW to get better in a short time, rather than prescribing exercises as a means to get better, or as some sort of musical 'medicine'. Exercises are undoubtedly an important part of any musician's development, but there are already numerous facilities to learn about these things, and Sky Academy is designed to teach particularly those things which are not normally touched upon in music teaching, but which provide a true gateway to mastery.

Live and Sky Academy Seminars
2/5: Chantilly, VA @ Sully's
2/6: New York, NY @ Stage 48 *SA
2/7: White Marsh, MD @ House of Rock *SA
2/8: Montreal, QC @ Le National
2/9: Toronto, ON @ The Rock Pile *SA
2/10: Toronto, ON @ The Rock Pile
2/12: Ottawa, ON @ The Brass Monkey *SA
2/13: Sellersville, PA @ Sellersville Theater *SA
2/15: Kenosha, WI @ Hatrix
2/16: Savage, MN @ Neisen's Sports Bar & Grill *SA
2/17: Chicago, IL @ Reggie's Rock Club *SA
2/21: Tempe, AZ @ Club Red
2/22: Las Vegas, NV @ Vamp'd
2/23: Corona, CA @ Marquee 15
2/24: Santa Rosa, CA @ The Last Day Saloon
2/26: Seattle, WA @ El Corazon *SA
2/27: Portland, OR @ Hawthorne Theater *SA
3/1: Concord, CA @ Vinnies

Sunday, February 3, 2013

Are YOU Game For Boobs & Goombas at Gorilla Tango? #Review

Photo by K Leo, www.mirthandbeauty.com
"Mario and Luigi on the run in Level 2."



ChiIL Live Shows came out to play with the Gorilla girls last night at midnight, for opening night of the return of Boobs and Goombas, 
A Super Mario Bros Burlesque, and we can honestly say the show was a hoot.

Once you play their version of Mario Brothers, you'll never look at those mustachioed characters quite the same way again.   This is the production that started it all for Gorilla Tango.   So like the video games that sparked this colorful, fun burlesque show, these characters are going back to the beginning and enjoying a new life.   All GT burlesque shows are 18+, $35, and many do sell out, so advanced tickets are strongly suggested.   

It's worth the ticket price to see the creative, custom pasties!   These girls know how to rock a theme.  The costumes are hilarious and add a playfully fun touch to this super show.  There are some talented dancers in the cast and the choreography, creative plot and character acting elevate this show above the average bump n grind.   Just be forewarned...you may have Mario tunes on the brain for a while after the show.

If you're a newbie to burlesque, or considering going to Gorilla Tango for the first time...you might be pleasantly surprised the audience isn't just drooling guys.   Loads of couples, girls night out groups, and a wide range of ages and types people each audience.   Gorilla Tango is the reigning queen of nerdy burlesque, and great for lighthearted, late night fun.

TIPS:   

Street parking is pretty easy to find.   

There's a small bar in the lobby and you can bring beer & wine back to your seats that you purchase there .   

Bring a pocket full of singles & fives.   There's no stuffing G-strings here, but if you kick em a few extra bucks in the mystery box, you'll unlock new levels and alternate endings.


Gamers, geeks and girlie burlesque lovers 18+.   Oh-a-YES! After voyaging far and wide (including an ongoing stint in New Orleans!) Gorilla Tango Theatre is proud to announce that the show that started it all - BOOBS AND GOOMBAS: A SUPER MARIO BURLESQUE – is back at its Bucktown venue! 

BOOBS AND GOOMBAS: A SUPER MARIO BURLESQUE will perform Saturdays at 11:59pm, beginning February 2, 2013 at Gorilla Tango Theatre, 1919 N. Milwaukee Ave.  Tickets are $35; group rates (8 or more) available – see website for details. To purchase tickets call 773-598-4549 or visit www.gorillatango.com. Ages 18 and over.


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