ONE NIGHT ONLY: Greenhouse Theater Center Hosts CARDS AGAINST HUMANITY LATE NIGHT WRITERS ROOM Benefit for Howard Brown Health

CARDS AGAINST HUMANITY LATE NIGHT WRITERS ROOM

Returns To Greenhouse Theater Center

Friday, December 1, 2017

Hosted by Chicago Drag Sensation Dixie Lynn Cartwright

**Recommended for ages 18+**

Following four sell-out performances, CARDS AGAINST HUMANITY LATE NIGHT WRITERS ROOM returns for one-night-only on Friday, December 1, 2017 at 10 pm at The Greenhouse Theater Center (Downstairs Mainstage), 2257 N. Lincoln Ave. in Chicago.  

The irreverent night of improv comedy is inspired by the popular and politically incorrect party game “Cards Against Humanity.” After audience members pitch their ideas, the best suggestions are acted out by the Cards Against Humanity writers and a team of improvisers. The worst suggestions will be mercilessly ridiculed. 

The evening will be hosted by Chicago drag sensation Dixie Lynn Cartwright, currently appearing in Other Theatre’s annual hit holiday musical BARNEY THE ELF at Greenhouse Theater Center. Tickets, priced at $10, are currently at greenhousetheater.org, in person at the box office or by calling (773) 404-7336. All proceeds from CARDS AGAINST HUMANITY LATE NIGHT WRITERS ROOM will benefit Howard Brown Health. For additional information, visit howardbrown.org. 


About the Greenhouse Theater Center

The Greenhouse Theater Center is a producing theater company, performance venue and theatre bookstore located at 2257 N. Lincoln Ave. in Chicago’s Lincoln Park neighborhood. Our mission is first and foremost to grow local theatre.

The Greenhouse Theater began its producing life in 2014 with the smash hit Churchill, after which came 2016’s much-lauded Solo Celebration!, an eight month, 16 event series highlighting the breadth and depth of the solo play form. This year, the Greenhouse announced a full subscription season, with a mix of multi-character and solo plays. With a focus on our community, the Greenhouse has also launched the Trellis Residency Initiative, an initiative designed to cultivate the next generation of Chicago theatre creators, as well as the MC-10, an ensemble of mid-career playwrights whose works will be included in future Greenhouse programming.

As a performance venue, our complex offers two newly remodeled 190-seat main stage spaces, two 60-seat studio theaters, two high-capacity lobbies and an in-house rehearsal room. We strive to cultivate a fertile environment for local artists, from individual renters to our bevy of resident companies, and to develop and produce their work. In 2016, the Greenhouse announced a new residency program, which offers a reduced rate to local storefront companies while giving the Greenhouse a stake in the resident’s success. We house Chicago’s only dedicated used theatre bookstore, located on the second floor of our complex. 

With new ideas always incubating, the Greenhouse is flourishing. Come grow with us!

HELP OUT: CARDS AGAINST HUMANITY LIVE To Benefit Hope Not Hate at Greenhouse Theater Center 9/29/17

One Night Only!

CARDS AGAINST HUMANITY LIVE

Returns To Greenhouse Theater Center

Friday, September 29 at 10 pm

CARDS AGAINST HUMANITY LIVE at Greenhouse Theater Center. Photos by Stephen Voss.

Following three sell-out performances this year, CARDS AGAINST HUMANITY LIVE returns once again for one night only on Friday, September 29, 2017 at 10 pm at The Greenhouse Theater Center (Downstairs Mainstage), 2257 N. Lincoln Ave. in Chicago.  


The irreverent night of improv comedy is inspired by the popular and politically incorrect party game “Cards Against Humanity.” After audience members pitch their ideas, the best suggestions are acted out by the Cards Against Humanity writers and a team of improvisers. The worst suggestions will be mercilessly ridiculed. Recommended for ages 18+.

Tickets, priced at $10 are currently available at greenhousetheater.org, in person at the box office or by calling (773) 404-7336. All proceeds will benefit the anti-racist watchdog group Hope Not Hate. The group recently made national headlines after revealing one of its members went undercover in the alt-right movement for over a year. For additional information, visit hopenothate.com.




About the Greenhouse Theater Center
The Greenhouse Theater Center is a producing theater company, performance venue and theatre bookstore located at 2257 N. Lincoln Ave. in Chicago’s Lincoln Park neighborhood. Our mission is first and foremost to grow local theatre.

The Greenhouse Theater began its producing life in 2014 with the smash hit Churchill, after which came 2016’s much-lauded Solo Celebration!, an 8 month, 16 event series highlighting the breadth and depth of the solo play form. This year, the Greenhouse announced a full subscription season, with a mix of multi-character and solo plays. With a focus on our community, the Greenhouse is also launching the Trellis playwriting residency, an initiative designed to cultivate the next generation of Chicago theatre creators and a two-tiered education program for college and high school students.

As a performance venue, our complex offers two newly remodeled 190-seat main stage spaces, two 60-seat studio theaters, two high-capacity lobbies, and an in-house rehearsal room. We strive to cultivate a fertile environment for local artists, from individual renters to our bevy of resident companies, and to develop and produce their work. In 2016, the Greenhouse announced a new residency program, which offers a reduced rate to local storefront companies while giving the Greenhouse a stake in the resident’s success. We house Chicago’s only dedicated used theatre bookstore, located on the second floor of our complex. 

With new ideas always incubating, the Greenhouse is flourishing. Come grow with us!

TONIGHT: One Night Only at Greenhouse Theater, USE IT OR LOSE IT: An Evening of Short Plays About Your Rights

Chi, IL LIVE Shows On Our Radar:

Greenhouse Theater Center Presents

USE IT OR LOSE IT: 

An Evening of Short Plays About Your Rights

Saturday, September 23, 2017

A Benefit for the ACLU

PHOTO CREDIT: Greenhouse Theater Center's MC-10 Playwrights Ensemble includes (left to right) Zayd Dohrn, Rebecca Gilman, Lydia Diamond, Julie Marie Myatt, Laura Schellhardt, Sandra Delgado, Brett Neveu, Thomas Bradshaw, Philip Dawkins and Tanya Palmer.

Come on out to Greenhouse Theater Center tonight for some of our favorite playwrights and actors supporting a great cause. Tickets are pay-what-you-want.  All proceeds will benefit the ACLU. We're jazzed about the newly-created MC-10 Playwrights Ensemble, and can't wait to see what they have in store tonight and down the road!

Greenhouse Theater Center is pleased to present USE IT OR LOSE IT: An Evening of Short Plays About Your Rights, original works inspired by contemporary and historic legal battles the ACLU has fought on behalf of Americans' rights and freedoms. Written by members of the Greenhouse's newly-created MC-10 Playwrights Ensemble and directed by Devon de Mayo, Jacob Harvey and Chuck Smith, the short pieces tackle everything from the recent travel ban to the attack on reproductive rights to encounters with the TSA, offering audiences a glimpse into the vast impact and critical importance of the ACLU. 

USE IT OR LOSE IT will play one night only on Saturday, September 23 at 7 pm at the Greenhouse Theater's Downstairs Mainstage, 2257 N. Lincoln Ave. in Chicago.  Tickets are pay-what-you-want and are currently available at www.greenhousetheater.org, in person at the box office or by calling (773) 404-7336. All proceeds will benefit the ACLU. 

USE IT OR LOSE IT features short plays by: Thomas Bradshaw, Philip Dawkins, Sandra Delgado, Zayd Dohrn, Rebecca Gilman, Brett Neveu, Julie Marie Myatt, Tanya Palmer and Laura Schellhardt. 

The cast of USE IT LOSE IT includes: Japhet Balaban, Dana Black, Pat Kane, Jennifer Latimore, Mary Ann Thebus, Dan Waller and Wandachristine. 

The full USE IT OR LOSE IT line-up includes: 

EVERYDAY SUPER HERO
By Laura Schellhardt, directed by Devon de Mayo

January 27th, 2017 – In a backroom office of this mayhem called America, two super heroes strategize their next mission.

THIS IS A MESSAGE FROM PROTECTUS
By Sandra Delgado, directed by Devon de Mayo

Brenda just wants to hear her daughter’s voice and help her with her homework. But Brenda is one of the two-thirds of female inmates who is the parent of a minor child, and no conversation is free, easy or uninterrupted. 

HOLD ON
By Julie Marie Myatt, directed by Devon de Mayo

What do your rights feel like? One woman tries to get inside the emotion of this so-called inalienable thing. 

WONDER NEVER CEASES
By Philip Dawkins, directed by Jacob Harvey

Get inside the mind of a service dog who just wants to be there for his seven-year-old BFF after her school decides he’s a “distraction” and not, you know, an ADHA required necessity. 

GANG MEMBERS UNITE
By Thomas Bradshaw, directed by Jacob Harvey

A veteran Chicago gang member tries to unite fellow gang leaders from across the country for a common cause.

ON THE CLOCK
By Tanya Palmer, directed by Jacob Harvey

When you’re a single working mom it can be hard to find time for yourself. With abortion clinics closing and restrictions on abortions increasing, one woman fights against the clock to end an unwanted pregnancy. 

SPOTers
By Brett Neveu, directed by Chuck Smith

While undergoing additional passenger check training, two TSA employees discover their jobs may require more of them than they previously understood.

BILLIE BOGGS
By Zayd Dohrn, directed by Chuck Smith

Meet Billie Boggs, the most famous homeless black lady in all of history! She and the ACLU fought for her right to live on the streets and won.
  
DEATH FOR GILMORE 
By Rebecca Gilman, directed by Chuck Smith

In 1977, the ACLU fought to save Gary Gilmore from the firing squad. But their biggest obstacle was Gilmore himself.


About the MC-10 Playwrights Ensemble
The Greenhouse Theater's newly-created MC-10 Playwrights Ensemble is a collection of ten of the country’s most sought-after established and mid-career Chicago playwrights and theatre-makers. The ensemble, in residence at the Greenhouse Theater Center, will create new works for its stages. Beginning with the 2018-19 season, the Greenhouse will present one play per season by MC-10 member playwrights, eventually expanding to two MC-10 productions per season. These world and regional premieres aim to expand the scope, diversity and visibility of work happening at the Greenhouse and underscore the institution's commitment to creating new vital works for the American theatrical canon.

In addition to the one to two annual productions at the Greenhouse, MC-10 will curate a series of special events, pop-up performances and provocative conversations aimed at responding directly to issues and needs as they arise in our community. 

The MC-10 Playwrights Ensemble includes: Thomas Bradshaw, Philip Dawkins, Sandra Delgado, Lydia Diamond, Zayd Dohrn, Rebecca Gilman, Brett Neveu, Julie Marie Myatt, Tanya Palmer and Laura Schellhardt.

About the MC-10 Playwrights
Thomas Bradsaw’s play Carlyle premiered at The Goodman Theatre as part of their 2015-16 season. His play Fulfillment co-premiered at American Theater Company (Chicago) and The Flea Theater (New York) in fall 2015. His other plays include Intimacy and Burning (New Group); Mary (Goodman Theatre) Job and Dawn (Flea Theater); The Bereaved (Crowded Fire, Partial Comfort and the State Theater of Bielefeld in Germany); Southern Promises (PS122) and many more. He was the recipient of a 2009 Guggenheim Fellowship, the 2010 Prince Prize, a Foundation for Contemporary Arts award in 2012 and a Doris Duke Implementation Grant in 2016. Mr. Bradshaw has been featured as one of Time Out New York’s “10 Playwrights to Watch” and was named “Best Provocative Playwright” by the Village Voice. A compilation of his work Intimacy and Other Plays was recently published by TCG. Mr. Bradshaw is an Associate Professor at Northwestern University. He is currently under commission from The Royal National Theater in London, Marin Theater Company in San Francisco and The Foundry Theater in New York.

Philip Dawkins is a Chicago playwright whose plays have been produced all over the country and the world. His critically acclaimed works include: The Happiest Place on Earth (Greenhouse Theater Center & Sideshow Theatre Company – Joseph Jefferson Awards for Best Solo Work), Charm (Northlight Theatre – Jeff Award for Best New Work), Le Switch (About Face Theater, The Jungle – Jeff nomination Best New Work and Best Production); Miss Marx: Or The Involuntary Side Effect of Living (Strawdog Theatre – Jeff Award for Best New Work), The Homosexuals (About Face Theater – Jeff nomination for Best New Work) and Failure: A Love Story (Victory Gardens Theatre – Jeff nomination for Best New Work). His musical adaptation of Dr. Seuss’s The Sneetches (with composer David Mallamud) premiered at Children’s Theater Company in Minneapolis this past winter. His play Charm will receive its New York premiere in September at MCC. Philip teaches playwriting at Northwestern University, Loyola University Chicago, his alma mater, and through the Victory Gardens ACCESS Program for writers with disabilities. Most of his plays, including his plays for young performers, are available through Playscripts, Inc. and Dramatic Publishing.

Sandra Delgado is a Colombian-American actor, writer, singer and producer born and raised in Chicago. She received the Theater Communications Group (TCG) Fox Foundation Resident Actor Fellowship in residence at the Goodman Theater in Chicago where she developed her solo show para Graciela, subsequently performed at the Yo Solo Festival. As an actor, her vivid portrayals of strong, smart women such as the iconic Medea in Luis Alfaro's Mojada at Victory Gardens Theatre (named one of the Top Ten performances of 2013 by the Chicago Tribune) to the tough as nails, foul mouthed Veronica in Stephen Adly Guirgis' Motherf**ker with the Hat at the Steppenwolf Theatre, have made her a favorite among critics and audiences alike. Delgado's stage credits include work at Steppenwolf Theatre, Goodman Theatre, Victory Gardens, Lookingglass, Actors Theater of Louisville and INTAR. She produced Teatro Vista's and Collaboraction's Yo Solo Festival of Latino Solo Shows and Collaboraction's popular Sketchbook Festival from 2005-2008. She is a founding ensemble member of Collaboraction and an ensemble member of Teatro Vista (Associate Artistic Director from 2006-2008). She has trained in interview-based, collaboratively- generated and physical theater with Tectonic Theater Project, Ping Chong + Company, SITI Company and Cuba's Teatro Buendia. Ms. Delgado was part of the Goodman's Playwright's Unit for the 2015-16 season and is a TCG Young Leader of Color Alum, a two-time Chicago Department of Cultural Affairs and Special Events grantee, a 3Arts 3AP Project Grantee and served on the National Steering Committee of the Latina/o Theatre Commons, an advocacy group for Latino Theatre artists. In 2015, she received the Joyce Award to develop her documentary play with music, La Havana Madrid, with Teatro Vista. La Havana Madrid made its premiere at Steppenwolf’s 1700 Theatre in April 2017 and is playing at The Goodman Theatre this summer. www.sandradelgado.net

Lydia Diamond’s plays include: Voyeurs de Venus (2006 Joseph Jefferson Award for Best New Work, 2006 Black Theater Alliance Award for Best Writing), The Bluest Eye (2006 Black Arts Alliance Image Award for Best New Play and 2008 AATE Distinguished Play Award), The Gift Horse (Theodore Ward Prize, Kesselring Prize 2nd Place), Stick Fly (2008 Susan Smith Blackburn Finalist, 2006 Black Theatre Alliance Award for best play), Lizzie Stranton and Harriet Jacobs. Producing theatres include: Arena Stage, The Huntington, New Vic, Goodman, Steppenwolf, Long Wharf, Hartford Stage, McCarter, Playmakers Rep, Providence Black Rep, Chicago Dramatists, Congo Square, TrueColors, The Matrix and Company One. Commissions include: Steppenwolf, Actors Theatre of Louisville/Victory Gardens, McCarter, Huntington and The Roundabout. Stick Fly is published by Northwestern University Press. Ms. Diamond is a 2009 NEA/Arena Stage New Play Development Grant Finalist, and 2006-2007 Huntington Playwright Fellow.

Zayd Dohrn’s plays include The Profane, Want, Outside People, Long Way Go Down, Sick and Reborning. His work is published by Samuel French, and has been produced across the country and internationally, including at Playwrights Horizons, The Vineyard Theatre, Naked Angels, Steppenwolf First Look and The Public Theater / Summer Play Festival. He is the recipient of the 2016 Horton Foote New American Play Prize, the Edgerton Foundation New Play Award, the Kennedy Center’s Jean Kennedy Smith Award, the Sky Cooper American Playwriting Prize, Theatre Master’s Visionary Playwrights Award and Lincoln Center’s Lecomte du Nouy Prize. Zayd attended Brown University, received his MFA from NYU and was a Lila Acheson Wallace Fellow at Juilliard. He currently teaches in the MFA program in Writing for the Stage + Screen at Northwestern. www.zayddohrn.com.

Rebecca Gilman’s plays include Luna Gale, Boy Gets Girl, Spinning Into Butter, Dollhouse, Blue Surge, A True History of the Johnstown Flood, Soups, Stews, and Casseroles: 1976, The Glory of Living, The Sweetest Swing in Baseball, The Heart is a Lonely Hunter and The Crowd You’re in With. Her plays have received numerous productions in the U.S. and abroad, including productions at the Goodman Theatre (where she is a member of the Goodman Theatre Artistic Collective), Steppenwolf Theatre, The Acting Company, Royal Court Theatre, Hampstead Theatre, Lincoln Center Theatre, Public Theater, Manhattan Theatre Club, New York Theatre Workshop, Seattle Rep, Cleveland Playhouse, Repertory Theatre of St. Louis, Alliance Theatre, Center Theatre Group’s Kirk Douglas Theatre and Manhattan Class Company. Gilman is the recipient of a Guggenheim Fellowship, The Harold and Mimi Steinberg/American Theatre Critics Association New Play Award, The Harper Lee Award, The Scott McPherson Award, The Prince Prize for Commissioning New Work, The Roger L. Stevens Award from the Kennedy Center Fund for New American Plays, The Evening Standard Award for Most Promising Playwright, The George Devine Award, The Theatre Masters Visionary Award, The Great Plains Playwright Award, The Roe Green Award, an Ingram Playwriting Fellowship and an Illinois Arts Council fellowship. Boy Gets Girl received an Olivier Nomination for Best New Play and was included in Time Magazine’s list of “Top Ten Plays of the Decade.” Gilman was named a finalist for the 2001 Pulitzer Prize for The Glory of Living. She is a member of the Council of the Dramatists Guild of America. Gilman is a professor at Northwestern University and teaches in its MFA in Writing for the Screen and Stage Program.

Julie Marie Myatt’s play The Happy Ones premiered at South Coast Repertory, and won the LA Drama Critic Circle’s Ted Schmitt Award for Outstanding New Play. Her play Welcome Home, Jenny Sutter premiered at Oregon Shakespeare Festival, and the Kennedy Center as part of the Kennedy Center Fund for New American Plays. Her play Someday, premiered as part of Cornerstone Theater’s Justice Cycle. Her play, My Wandering Boy, premiered at South Coast Repertory in the 2007, was part of Pacific Playwrights Festival, and was also produced in New York as part of the 2007 Summer Play Festival. Boats On A River premiered at the Guthrie Theater, was a finalist for the Susan Smith Blackburn Prize, and was recorded for the LA Theatre works radio play series, “The Play’s The Thing.” Her ten-minute play, Mr. and Mrs. premiered at the 2007 Humana Festival. Her play The Sex Habits of American Women was produced by the Guthrie Theater, among others, and premiered at the Magic Theatre. Her work has been developed or seen at Actors Theatre of Louisville, Seattle Rep, Cherry Lane, A.S.K. Theatre Projects, LAByrinth Theater Company, Denver Center Theatre Company, ACT Seattle, among others. She received a Walt Disney Studios Screenwriting Fellowship, a Jerome Fellowship at the Playwrights’ Center, a McKnight Advancement Grant, Mark Taper Forum Fadiman Award and a Master Playwright Residency – Michener Center for Writers and Department of Theatre and Dance, UT/Austin. She is currently working on commissions for Yale Repertory and Cornerstone Theatre Company. She is an Alumni of New Dramatists, was the Mellon Playwright in Residence at South Coast Repertory 2013-2016 and teaches playwriting at Northwestern University.

Brett Neveu’s upcoming and recent theatre productions include Miss America with Greenhouse Theater Center (Chicago) and Pilgrim’s Progress with A Red Orchid Theatre (Chicago). Film/TV productions include the short Convo with Breakwall Pictures, the feature The Earl with Intermission Productions and the upcoming The Humbler new content series. Past work includes productions with 59e59 Theatre in New York, The Royal Court Theatre and The Royal Shakespeare Company in London, The Goodman Theatre, Writers Theatre, The House Theatre, The Inconvenience, TimeLine Theatre Company, A Red Orchid Theatre and American Theatre Company in Chicago. A Sundance Institute Ucross Fellow, Brett is also a recipient of the Marquee Award from Chicago Dramatists, the Ofner Prize for New Work, the Emerging Artist Award from The League of Chicago Theatres, an After Dark Award for Outstanding Musical (Old Town) and has developed plays with companies including The Atlantic Theatre Company and The New Group in New York and The Goodman Theatre, Steppenwolf Theatre and Victory Gardens Theatre in Chicago. He is a resident-alum of Chicago Dramatists, a proud ensemble member of A Red Orchid Theatre, an alumni member of TimeLine Theatre Company’s Writers Collective and Center Theatre Group’s Playwrights’ Workshop in Los Angeles. Brett has been commissioned by The Royal Court Theatre, Manhattan Theatre Club, Steppenwolf Theatre Company, The Goodman Theatre, House Theatre, TimeLine Theatre Company, Writers Theatre, Strawdog Theatre, Northlight Theatre and has several of his plays published through Broadway Play Publishing, Dramatic Publishing and Nick Hern Publishing. Brett has taught writing at DePaul University, Second City Training Center and currently teaches writing for the screen and stage at Northwestern University.

Tanya Palmer is a dramaturg and playwright. Her plays include Body Talk, Fatherland, Barbra Live at Canyon Ranch, Spring and Trash and The Memory Tour, and have been developed or produced at Actors Theatre of Louisville, The Hangar Theatre, Solar Stage, the Montreal Fringe Festival, The Harbourfront Centre, HERE and Pivot Arts, and published by Smith & Kraus, Samuel French and Playscripts, Inc. She is the Director of New Play Development at Goodman Theatre, where she coordinates New Stages, the theater’s new play program, and has served as the production dramaturg on a number of plays including the world premieres of 2666 by Roberto Bolaño, adapted and directed by Seth Bockley and Robert Falls; Smokefall by Noah Haidle, The Happiest Song Plays Last by Quiara Hudes and the Pulitzer Prize–winning Ruined by Lynn Nottage. Prior to her arrival in Chicago, she served as the director of new play development at Actors Theatre of Louisville, where she led the reading and selection process for the Humana Festival of New American Plays. She is the co-editor, with Amy Wegener and Adrien-Alice Hansel, of four collections of Humana Festival plays, published by Smith & Kraus, as well as two collections of 10-minute plays published by Samuel French. Originally from Calgary, Alberta, Canada, she holds an MFA in playwriting from York University in Toronto.

Laura Schellhardt’s original works include Ever in the Glades, The Comparables, Upright Grand, Air Guitar High, Auctioning the Ainsleys, The K of D, Courting Vampires and Shapeshifter. Adaptations include The Phantom Tollbooth and The Outfit. She is also the author of Screenwriting for Dummmies. Her work has been produced at The Kennedy Center, TheatreWorks Palo Alto, Seattle Repertory Theatre, Trinity Repertory Company, People’s Light Theatre, The Magic Theatre, Wooly Mammoth Theatre, Boston Court Theatre, ACT and Northlight Theatre, among others. Laura is a recipient of the TCG National Playwriting Residency, the Jerome Fellowship, ACT’s New Play Award, the Best New Play Award NYC Fringe, The AATE Distinguished Play Award and a Dramatist Guild Fellowship. Her work has been developed at the SoHo Rep. Writer/Director Lab, The Ojai Playwright’s Conference, The Denver New Play Summit, The Bay Area Theatre Festival, The Women Playwrights Festival, The Kennedy Center New Voices/New Visions Festival, The Bonderman Symposium, The Goodman Theatre Playwrights Unit and the O’Neill National Playwright’s Festival. Laura received her MFA in Playwriting from Brown University under the direction of Paula Vogel. She currently heads the undergraduate playwriting program at Northwestern University and is a Victory Gardens ensemble playwright. 

About the Greenhouse Theater Center
The Greenhouse Theater Center is a producing theater company, performance venue and theatre bookstore located at 2257 N. Lincoln Ave. in Chicago’s Lincoln Park neighborhood. Our mission is first and foremost to grow local theatre.

The Greenhouse Theater began its producing life in 2014 with the smash hit Churchill, after which came 2016’s much-lauded Solo Celebration!, an 8 month, 16 event series highlighting the breadth and depth of the solo play form. This year, the Greenhouse announced a full subscription season, with a mix of multi-character and solo plays. With a focus on our community, the Greenhouse is also launching the Trellis playwriting residency, an initiative designed to cultivate the next generation of Chicago theatre creators and a two-tiered education program for college and high school students.

As a performance venue, our complex offers two newly remodeled 190-seat main stage spaces, two 60-seat studio theaters, two high-capacity lobbies, and an in-house rehearsal room. We strive to cultivate a fertile environment for local artists, from individual renters to our bevy of resident companies, and to develop and produce their work. In 2016, the Greenhouse announced a new residency program, which offers a reduced rate to local storefront companies while giving the Greenhouse a stake in the resident’s success. We house Chicago’s only dedicated used theatre bookstore, located on the second floor of our complex. 

With new ideas always incubating, the Greenhouse is flourishing. Come grow with us!

1 Night Only Withnail & I With Post-Show Q&A With Star Richard E. Grant at Music Box Theatre This Monday 4/24

Chi, IL LIVE Shows On Our Radar:

Film star Richard E. Grant appears at Music Box Theatre

one night only for 30th anniversary screening of cult film

Withnail & I and 

post-show Q&A with audience

Monday, April 24 at 7 p.m.

Grant currently in Chicago for Lyric Opera’s My Fair Lady

l-r: Richard E. Grant; Paul McGann and Richard E. Grant in Withnail & I.

TV and film star Richard E. Grant (Logan, Jackie, Girls, Game of Thrones) appears at the Music Box Theatre on Monday, April 24 for a special one-night-only 30th anniversary screening of the cult classic film Withnail & I, which launched Grant’s career in 1987. The British black comedy follows two unemployed young actors during what is supposed to be a relaxing getaway weekend to a country cottage. The film will be screened on 35mm, and immediately following Grant will participate in a Q&A with the audience about the film, his career, and first time performing in Chicago for Lyric Opera’s My Fair Lady.

The one-night-only 30th anniversary screening of Withnail and I at the Music Box Theatre (3733 N. Southport Avenue) is Monday, April 24 at 7 p.m. with a Q&A with Richard E. Grant immediately following. Tickets are $12 and available now at MusicBoxTheatre.com.

Withnail & I is a British black comedy about two “resting” actors – living off a diet of booze and pills in a squalid Camden Flat – who decide to take a trip to a country house (belonging to Withnail’s uncle) to “rejuvenate.” Faced with bad weather, altercations with the locals, and the unexpected arrival (and advances) of Uncle Monty, the pair’s wits and friendship are tested.

Richard E. Grant is currently in Chicago for Lyric Opera’s grand-scale company premiere of My Fair Lady, starring as Henry Higgins alongside Lisa O’Hare as Eliza Doolittle. The cast also includes Bryce Pinkham (Freddy Eynsford-Hill), Nicholas Le Prevost (Colonel Pickering) and Donald Maxwell (Alfred Doolittle). My Fair Lady plays April 28-May 21, 2017, at Lyric’s Civic Opera House, 20 N. Wacker Drive. Tickets start at $22 and are available now at www.lyricopera.org/myfairlady or at 312-827-5600.

Richard E. Grant has proven to be one of the great character actors of his generation since appearing in his first film as the perpetually inebriated title character in Withnail and I. Some of his most memorable credits include Bram Stoker’s Dracula, Henry & June, L.A. Story, The Player, The Age of Innocence, The Portrait of a Lady, Spice World, Gosford Park, and The Iron Lady. He has countless television credits, including featured roles on Girls, Downton Abbey, and Game of Thrones. In 2008, Grant performed the role of Henry Higgins in My Fair Lady with Opera Australia. Following the recent releases of the acclaimed films Jackie and Logan, he has several other films scheduled for release, including the romantic comedy Their Finest and the dark comedy Can You Ever Forgive Me? with Melissa McCarthy.

Music Box Theatre
For the last two decades, the Music Box Theatre has been the premiere venue in Chicago for independent and foreign films. It currently has the largest theater space operated full time in the city. The Music Box Theatre is independently owned and operated by the Southport Music Box Corporation. SMBC, through its Music Box Films division, also distributes foreign and independent films in the theatrical, DVD and television markets throughout the United States.

Follow The Music Box Theatre on Instagram @musicboxchicago and Twitter @musicboxtheatre

Lyric Opera of Chicago
Lyric Opera of Chicago’s mission is to express and promote the life-changing, transformational, revelatory power of great opera. Lyric exists to provide a broad, deep, and relevant cultural service to Chicago and the nation, and to advance the development of the art form.

Founded in 1954, Lyric is dedicated to producing and performing consistently thrilling, entertaining, and thought-provoking opera with a balanced repertoire of core classics, lesser-known masterpieces, and new works; to creating an innovative and wide-ranging program of community engagement and educational activities; and to developing exceptional emerging operatic talent.

Under the leadership of General Director, President & CEO Anthony Freud, Music Director Sir Andrew Davis, and Creative Consultant Renée Fleming, Lyric strives to become The Great North American Opera Company for the 21st century: a globally significant arts organization embodying the core values of excellence, relevance, and fiscal responsibility.

To learn more about Lyric, go to lyricopera.org. You can also join the conversation with @LyricOpera on Twitter, Instagram, and Facebook. #Lyric1617 #LongLivePassion

ONE NIGHT ONLY! Catch LIAISON, a Multicultural Tap Collaboration at the Athenaeum Theatre

Chi, IL LIVE Shows On Our Radar:

CHICAGO TAP THEATRE REUNITES WITH FRANCE’S TAPAGE AND SPAIN’S TAP OLÉ IN 

LIAISON, 

SATURDAY, MARCH 25, AT THE ATHENAEUM THEATRE

In its Third Installment this International Collaboration Featuring New Music, Fan Favorites and Live Music Celebrates the World of Tap Dance

Artistic Director Mark Yonally and Chicago Tap Theatre (CTT) present Liaison, an international exploration of tap dance featuring three of the most critically acclaimed companies from Europe and the United States for one performance only, Saturday, March 25 at 7:30 p.m. at the Athenaeum Theatre, 2936 N. Southport. Tickets are $37 for adults, $30 for seniors and $23 for students and dancers. For tickets or more information visit chicagotaptheatre.com or call 773.935.6875. Group discounts are also available. 

In Liaison, Tapage, from Toulouse, France, Tap Olé from Barcelona, Spain and Chicago’s Chicago Tap Theatre come together for the third installation of this international partnership established in 2004. The 2016 production includes new work, the return of fan favorites and live music. The companies perform together and in individual pieces highlighting the breadth and depth of tap performance including an updated version of the theme from Time Steps, by composer Kurt Schweitz and the first act closes with all three companies performing in “Somebody to Love,” from Chicago Tap Theatre’s hit 2016 production We Will Tap You! Each company has been given the music and instructions on which sections to choreograph, some of which will be together, some alone. The first time the three sections will be performed together will be here in Chicago. After the Chicago engagement, Liaison will be traveling to the south of France and the north of Spain for an extended tour in fall 2017.

The first time Tapage performed in Chicago was in April 2004, Lucia Mauro of the Chicago Tribune said, “to get a clearer sense of Tapage, try to envision the well-crafted fusion that would result if Martha Graham and Marcel Marceau created a tap company.” Chicago Tap Theatre and Tapage went on to tour the south of France and performed together in Chicago three additional times to critical and commercial successes.  In 2013, the two companies added Tap Olé to Liaison’s roster of performers

“Tapage director Valérie Lussac is at the forefront of where tap dance is going.  For the past 15 years, she has been applying her uniquely French aesthetic to the American art of tap dance and creating pieces that are completely different from anything you’ll see here in the States,” says Chicago Tap Theatre Artistic Director Mark Yonally. “Tap Olé is bridging the gap between Spanish guitar and dancing with tap dance. They are an amazing mix of precise technique, hot rhythms and a genuine sense of humor. Chicago Tap Theatre is excited to continue to develop these relationships and show Chicago and the world what is happening in Tap today and the possibilities of what the future holds.” 

ABOUT CHICAGO TAP THEATRE

Founded in 2002, Chicago Tap Theatre (CTT) is a growing and vibrant dance company dedicated to preserving the quintessentially American dance form of tap while taking it to the next level of creativity, innovation and quality. CTT performs exclusively with live music provided by some of Chicago’s finest musicians playing everything from Duke Ellington to David Bowie and many artists in between. Under the dynamic direction of master teacher and performer Mark Yonally, CTT has gained a loyal and sizable following in Chicago and continues to tour both nationally and internationally. Having pioneered the “tap opera” format, which tells stories with compelling characters and intriguing plots, CTT has used the language of tap dance, live music and narration to move Chicago audiences for over 10 years.  During 2016, CTT and its productions were included in the “Best of 2016” lists for dance from Chicago Tribune, Chicago Sun-Times, Windy City Times, Dance Magazine and SeeChicagoDance.com. 

ABOUT TAPAGE

La Compagnie Tapage was founded in 1991, first with children before evolving into a professional tap company. Today, the company’s objective is to convey an original approach to the art of tap dancing, and is known for the energy and originality they bring to their performances. Tapage is proud of its collaboration over the years with foreign artists including Deborah Brockus and her company “Brockus Dance” based in Los Angeles and its ongoing relationship with sister company Chicago Tap Theatre.  They have performed in concert, at private events, in outdoor festivals and events throughout France as well as international tours to Spain and the United States.

ABOUT TAP OLÉ

Tap Olé is an international fusion of cultures and styles, mixing Spanish music and American Tap dance to demonstrate that this mixture is a universal language capable of creating new destinies and sensations.  The company presents an explosion of rhythm and energy, which combines the virtuosity and passion of Spanish guitar with the precision and elegance of tap choreography along with the spontaneity of improvisation. Tap Ole have performed in Spain and internationally including the New York Tap Festival, International Festival of Valladolid in 2004 (Audience Award); "Edinburgh's Hogmanay 2005", "International Feet Beat Tap Festival 2006" in Helsinki and throughout Spain.  The tap dancers Guillem Alonso and Roser Font are renowned international soloists who have traveled throughout Europe and the United States performing and teaching master classes.  

Thodos Dance's Timeless Motion Saturday February 25th

Chi, IL LIVE Shows On Our Radar: Timeless Motion Saturday, February 25, 7:30 p.m. at the  North Shore Center for the Performing Arts in Skokie 9501 N. Skokie Blvd. DON'T MISS TDC'S FINAL  COMPANY PERFORMANCE ON THE NORTH SHORE! With the announcement of a new chapter for Thodos Dance Chicago  after the conclusion of this season,Timeless Motion will be TDC's final performance at the North Shore Center as an ensemble-based company.  Program highlights include the world premieres of  Changing Strangers by Melissa Thodos  boasting her singular fluid, kinetic style, and Acid Reign  in which TDC guest choreographer Brian Enos answers the question  "what might a celebration look like on another planet in the future?"

THODOS DANCE CHICAGO'S TIMELESS MOTION CONCERT WITH WORLD PREMIERE WORKS 

BY MELISSA THODOS AND BRIAN ENOS 

IS FEBRUARY 25 

AT NORTH SHORE CENTER 

Near Light by Melissa Thodos 

Timeless Motion program, February 25, 2017 at the North Shore Center for the Performing Arts in Skokie. 
Photo credit: Cheryl Mann.

Thodos Dance Chicago makes its annual return to Skokie's North Shore Center for the Performing Arts in Skokie with a fun, fresh and electrifying concert titled Timeless Motion, Saturday, February 25, 2017 at 7:30 p.m.

Highlights of this unique program include the world premieres of Changing Strangers by Melissa Thodos boasting her singular fluid, kinetic style, and Acid Reign in which TDC guest choreographer Brian Enos answers the question "what might a celebration look like on another planet in the future?" 

Also on TDC's Timeless Motion program are Near Light, a very personal 2015 work by Melissa Thodos with glistening lighting and daunting lifts that combine for a memorable story of healing and support. 

Sunrise by Shannon Alvis

North Shore Thodos fans can also look forward to three more works that have emerged from the company's New Dances in-house choreography series: Flawed, a lovely 2014 duet by TDC ensemble member John Cartwright, and two works that premiered at New Dances 2016, now making their official debut in Skokie as part of Thodos Dance Chicago's repertoire, Uncovering by Thodos ensemble member Briana Robinson, and Sunrise by guest choreographer Shannon Alvis.

Timeless Motion will be performed at theNorth Shore Center for the Performing Arts in Skokie, Center Theatre; located at 9501 Skokie Boulevard, Skokie, Illinois. 

Tickets range from $28 to $58 and are available online HERE or by calling (847) 673-6300.

Flawed by John Cartwright and Uncovering by Briana Robinson. 

                                                         

Also on tap for Thodos Dance Chicago in 2017

In addition to Timeless Motion at North Shore Center, Thodos Dance Chicago will celebrate its 25th Anniversary Season Saturday, March 11, 2017 at 7:30 p.m. at Chicago's majestic Auditorium Theatre. 

The program, titled FULL CIRCLE, promises an exhilarating evening of dance celebrating a quarter century of the company's innovation and artistry. Highlights include the Chicago premiere of Nos Duraturi, a compelling and dramatic commentary on mankind's ability to endure by the legendary Bella Lewitzky, "the Grand Dame of West Coast modern dance" as part of the company's American Dance Legacy Project. 

The program will also boast Acid Reign by Brian Enos, a triumphant world premiere signature work by Melissa Thodos that will complete a trilogy by Thodos when paired with two signature works from the company's near and distant past. Note: this will be the only time this trilogy will be performed, ever. Single tickets are $29-$68. Purchase HERE or call (312) 341-2300 or buy in-person at Auditorium Theatre's Box Office, 50 E. Congress Parkway, Chicago.

A gala is also on tap to celebrate the company's 25 years as an integral part of Chicago's dance community, with Broadway legend and frequent Thodos collaborator Ann Reinking as Honorary Chair. 

On Saturday, February 4, 2017 at 6 p.m., hundreds of TDC friends and supporters will gather at the Chicago History Museum for the Thodos Dance Chicago FULL CIRCLE Silver Anniversary Gala. Tickets are $300; $2,500 for a table of 10. Purchase tickets HERE or call (312) 266-6255.

Proceeds will support Thodos Dance Chicago's popular New Dances in-house choreography series, building Chicago's future choreographers and new works. Always a highlight of Chicago's summer dance scene, New Dances 2017 will showcase the company's dancer's own, self-created works, Saturday and Sunday, July 15 and 16 at Chicago's Athenaeum Theatre.

About Thodos Dance Chicago

Twenty five years ago, in 1992, Melissa Thodos, a young Evanston-born, Chicago-based dancer and choreographer, was frustrated with the lack of opportunities for dancers to work in what in her mind was the obvious environment for a well-rounded dance professional: A place to perform. A place to create. And a place to educate.

Fast-forward 25 years, and Thodos is the only Chicago-based female choreographer and director to have helmed her own mid-sized, contemporary dance company with this unique mission for a quarter century. 

True to her original idea, Thodos Dance Chicago has been performing, creating and teaching dance in Chicago, across the country in 27 states, and around the world on six continents ever since. The company's unique mission of inspiring expression through dance education, dance creation and dance performance has established Thodos Dance Chicago as an innovative, internationally known presence in American contemporary dance.

Today, Thodos Dance Chicago (TDC) is an ensemble of 14 versatile dance artists with a captivating style that uses a variety of dance forms. In addition to performing works by Melissa Thodos, TDC performs works created by guest and other renowned choreographers. Notably, Melissa Thodos has collaborated on several new works with Broadway legend Ann Reinking, resulting in some of the company's most high-profile, critically acclaimed, full-length "story ballets" including The White City: Chicago's Columbian Exposition of 1893 ("Best dance of 2011" - Chicago Sun-Times) and their equally acclaimed A Light in the Dark: The Story of Helen Keller and Anne Sullivan in 2013. 

Through its American Dance Legacy Project, dedicated to keeping the creative voice on stage of renowned American dance artists no long visible to the public, Thodos Dance Chicago has presented Fosse Trilogy, a trio of rarely performed works by Bob Fosse, a suite of choreography originally created by iconic modern dance legend Sybil Shearer, last season's highly successful Sono's Journey, a tribute to legendary Japanese-American dance artist, Sono Osato, conceived and choreographed by Melissa Thodos, and this season's Nos Duraturi by West Coast modern dance legend Bella Lewitzky.

Numerous guest choreographers from the national dance landscape have set works on the company as well, including Ann Reinking, Lar Lubovitch, Shapiro & Smith, Jon Lehrer, Garfield Lemonius, Zachary Whittenburg, Lucas Crandall, Brian Enos, Amy Ernst, Ron De Jesús, Gustavo Ramírez Sansano, Ahmad Simmons, KT Nelson, Robyn Mineko Williams and Kevin Iega Jeff.

TDC's ensemble for the current 25th Anniversary season, who each teach, choreograph and perform for the company, include John Cartwright, Abby Ellison, Marchetta Genis, Alex Gordon, Hattie Haggard, Thomas Jacobson, Jessica Miller Tomlinson, Shelby Moran, Melissa Panetta, Richard Peña, Brennen Renteria, Briana Robinson and Luis Vasquez, plus performing trainee Tyler Ring. 

In addition to performing the work of others, these talented young dancers have the opportunity to create their own works via the company's annual New Dances initiative. Ensemble dancers also teach a full roster of dance classes for adults and children year round at the company's rehearsal home, the Drucker Center Menomonee Club in Chicago's Lincoln Park neighborhood. Thodos Dance also teaches after school dance classes for 50 at-risk youth at the Barreto Club in Humboldt Park and Club One in Pilsen. Both are branches of the Union League Boys and Girls Club improving the lives of children in underserved Chicago neighborhoods.                                                                

Thodos Dance Chicago continues to expand its artistic and institutional boundaries under the guidance of Founder and Artistic Director Melissa Thodos, Executive Director Gail Ford, Booking Director Rick Johnston, Artistic Associate Laura Gates, Resident Lighting Designer Nathan Tomlinson, Education Outreach and Operations Manager Kate Weatherly, Board President Sharon Lear, a dedicated board of directors and the support of thousands of contemporary dance enthusiasts both in Chicago and nationwide. 

The company is supported by The Sono and Victor Elmaleh Foundation, The Garden of the Phoenix Foundation, the Illinois Arts Council-a state agency, Target, The Gaylord and Dorothy Donnelley Foundation, the MacArthur Fund for Arts & Culture at the Richard H. Driehaus Foundation, The Arts Work Fund, The Morrison-Shearer Foundation, The Elizabeth F. Cheney Foundation, Service Club of Chicago, Project 120, The Garden of the Phoenix Foundation, the City of Chicago Department of Cultural Affairs & Special Events and many individual and corporate sponsors. 

For more information, visit the main Thodos Dance Chicago site here.