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Showing posts with label Victory Gardens. Show all posts
Showing posts with label Victory Gardens. Show all posts

Monday, July 25, 2016

TEATRO VISTA'S 2016-17 SEASON ANNOUNCED

Chi, IL LIVE Shows On Our Radar:

NEW PLAYS BY MANDO ALVARADO,IKE HOLTER 
AND SANDRA DELGADO ON TAP FOR
TEATRO VISTA'S 2016-17 SEASON

CHICAGO'S #1 LATINO THEATER TO DEBUT PREMIERES OF 
MANDO ALVARADO'S PARACHUTE MEN, 
IKE HOLTER'S THE WOLF AT THE END OF THE BLOCK
AND SANDRA DELGADO'S LA HAVANA MADRID



Chicago can't get enough of Ike Holter, and we agree. He's the author of 3 recent hits, critically acclaimed Hit the Wall, Exit Strategy and Sender. Here at ChiIL Live Shows we can't wait to check out The Wolf at The End of The Block, commissioned by Teatro Vista!


We're not as familiar with the work of South Texas playwright Mando Alvarado, but we're bemused by the concept of Parachute Men. We're also willing to bet his dramatic comedy about three brothers who suck at being brothers, suck at love and suck at being men will absolutely not suck as a production.


Playwright Sandra Delgado and Teatro Vista were granted the prestigious Joyce Award to support the development of La Havana Madrid. We're quite excited to see this immersive documentary theatre experience which will feature a live band, and provide a theatrical, cinematic and musical history of Latino Caribbeans from mambo to salsa.


Teatro Vista 2016-17 playwrights 
Ike Holter, Mando Alvarado, and Sandra Delgado

Teatro Vista Executive Artistic Director Ricardo Gutiérrez and Managing Director  José Antonio Cruz announced three ambitious, exciting world premieres for Chicago's #1 Latino theater company's upcoming 2016-17 season.

Parachute Men by South Texas playwright Mando Alvarado lands first at the Richard Christiansen Theater at The Biograph at Victory Gardens Theater, where Teatro Vista is in residence. Ensemble member Tommy Rivera-Vega leads the cast in Alvarado's dramatic comedy about three brothers who suck at being brothers, suck at love and suck at being men. Gutiérrez directs. Previews start September 10. Press opening is Friday, September 16 at 7:30 p.m. Performances run through October 16.

The Wolf at The End of The Block by Chicago playwright Ike Holter, commissioned by Teatro Vista, is the company's winter premiere. Ensemble members Sandra Márquez and Gabriel Ruíz lead the cast in Holter's highly-charged exploration of racial profiling, media manipulation and family relationships in Chicago. Holter is the red-hot author of the recent hits Hit the Wall, Exit Strategy and Sender. Previews start January 28. Press opening is Friday, February 3 at 7:30 p.m. Performances run through March 5.

Teatro Vista's season finale is the world premiere of La Havana Madrid, a theatrical, cinematic and musical history of Latino Caribbeans in Chicago by ensemble member Sandra Delgado. Fellow ensemble member Cheryl Lynn Bruce directs Delgado's immersive documentary theater experience, complete with live music, based on the true story of the 1960's Chicago nightclub, La Habana Madrid. Previews begin April 14. Press opening is Friday, April 21 at 7:30 p.m. Performances run through May 21.

Single tickets to Teatro Vista's season go on sale August 1 via the Victory Gardens box office, (773) 871-3000 and online at teatrovista.org. Single tickets are $20-$35, with discounts for early bird purchasers, students, seniors and groups of 10 or more.

The Richard Christiansen Theater at the Biograph Theater at Victory Gardens Theater is located in the heart of Chicago's Lincoln Park neighborhood at 2433 N. Lincoln Avenue. Metered, street, nearby garage and valet parking is available.

The theater is also easily accessed on the CTA Red, Purple and Brown lines via the Fullerton stop. Likewise, the #8 Halsted and #74 Fullerton CTA buses stop at the corner of Fullerton and Halsted, just 1/2 block south of the theater. 


More about Teatro Vista's 2016-17 season

Parachute Men
A world premiere by Mando Alvarado
Directed by Teatro Vista Executive Artistic Director Ricardo Gutiérrez
Featuring ensemble member Tommy Rivera-Vega
September 10 - October 16, 2016
Previews: Saturday, September 10 at 7:30 p.m.; Sunday, September 11 at  3 p.m.; Wednesday, September 14 at 7:30 p.m.; Thursday, September 15 at 7:30 p.m.
Opening/Press Night: Friday, September 16 at 7:30 p.m.
Performances through October 16: Thursday-Saturday at 7:30 p.m.; Sunday at 3 p.m.

It's Christmas Eve. Three brothers - who suck at being brothers, suck at love and suck at being men - are reunited when the oldest, Eric, returns on the anniversary of their mother's death. After a few hours, it's clear that the pecking order has changed and the battle begins to see who can take that baby step into manhood first. 

Mando Alvarado (playwright) is an award-winning playwright/screenwriter from South Texas. His play Basilica premiered Off-Broadway at the famous Cherry Lane Theater in NYC. His play Post No Bills received its Off-Broadway premiere at Rattlestick Playwright's Theater. His new play, Diablo Love, had its world premiere at Central Park's Summer Stages, which also produced Alvarado's A King of Infinite Space, a Hamlet/Pearl Jam mash-up and Sangre, an adaptation of Blood Wedding. He also co-wrote the book for the bilingual musical A Yellow Brick Road, an adaptation of Wizard of Oz for Theatreworks USA which received its critically acclaimed Off-Broadway premiere at The Lortel. His short play, Up the 405, premiered as a part of LA Views for Company of Angels in Los Angeles. He is a contributing writer for Theater 167's You Are Now the Owner of This Suitcase. He also participated in the Freight Project where he developed his play (O)n THE 5:31 which was commissioned for Rising  Phoenix Rep's Cino Nights at the Seventh Street Small Stage. His first feature film, Cruzando, which he co-wrote and co-directed with Michael Ray Escamilla is available on DVD and was distributed by Vanguard Cinema. He is a member of Rising Phoenix Rep, alum of INTAR's Hispanic-Playwright-in-Residence Laboratory 2006-08, and a graduate of The University of North Carolina School of the Arts. He worked on Tyrant for FX and is currently working on Greenleaf  for the OWN Network.

Ricardo Gutiérrez (director) is the Executive Artistic Director of Teatro Vista where he recently directed In The Time of the Butterflies. Other Teatro Vista directing credits include Between You, Me and The Lampshade, A View From The Bridge, Momma's Boyz, i put the fear of mexico in'em, and La Mágica posada. Gutiérrez served as the artistic director of Nosotros in Los Angeles and The Canterbury Theatre in Indiana. He is the co-founder of the Alliance of Latino Theatre Artists Chicago (ALTAchicago) a service organization dedicated to promoting and fostering Latino/a theatre artists in Chicago. As an actor, Gutiérrez most recently appeared in In The Heights at The Paramount and in the world premieres of Song For The Disappeared and Fish Menat The Goodman. Later this year he will be appearing in Destiny of Desire at South Coast Repertory and at the Goodman Theatre. Gutiérrez has appeared on stage at the Actors Theatre in Louisville, The Denver Center Theatre, Steppenwolf Theatre, Victory Gardens and Lookingglass Theatre. Recent television credits include Chicago PD, Sirens and Boss.


The Wolf at The End of The Block
A world premiere by Ike Holter
Commissioned by Teatro Vista
Featuring ensemble members Sandra Márquez and Gabriel Ruíz
January 28 - March 5
Previews: Saturday, January 28 at 7:30 p.m.; Sunday,
January 29 at 3 p.m. Wednesday, February 1 at 7:30 p.m.; Thursday, February 2 at 7:30 p.m.
Opening/Press Night: Friday, February 3 at 7:30 p.m.
Performances through March 5: Thursday-Saturday at 7:30 p.m.; Sunday at 3 p.m.

Chicago. Fall. One night, a boarded up bar on the dark side of the block becomes a terrifying crime scene. In the following 48 hours, the neighborhood digs deep into escalating mystery, working against time to separate fact from fiction. But as the clock ticks down, the clues spiral into a razor sharp jigsaw, and what began as a simple mystery quickly twists into a personal, pointed and political thriller.  

The Wolf at The End of The Block is a full-length play with five characters, three of which are Latino. The play is set in Chicago and explores the issues of racial profiling, media manipulation and family relationships. Highly charged, Holter's story is brutally raw, funny and deftly pierces universal truths.

Playwright Ike Holter's work has been produced at Steppenwolf Garage, A Red Orchid, The New Colony and The Inconvenience, where he is a founding member and resident writer. He's received fellowships and commissions from the Goodman Theater, the Kennedy Center and The Playwrights Center. His show Hit the Wall played at Steppenwolf Garage, Off-Broadway at The Barrow Street Theater in New York, and recently enjoyed and extended run at the Lily Tomlin Center in L.A.  Jackalope Theatre premiered his new play Exit Strategy which played to sold-out houses and transferred to Michigan's 3 Oaks Theater Festival. It is being produced at Philadelphia Stages and transferred Off Broadway to Primary Stages last spring. His most recent play Sender was a smash hit for A Red Orchid earlier this season. Holter was named the "Chicagoan of the Year" in Theater 2014" by the Chicago Tribune, and his  monologues have been published in The New Yorker  and several editions of Applause Books. He was recently named one of Victory Gardens' newest ensemble playwrights.

La Havana Madrid by ensemble member Sandra Delgado
Directed by ensemble member Cheryl Lynn Bruce
April 14 - May 21
Presented at a location TBA
Previews: Friday, April 14 at 7:30 p.m.; Saturday, April 15 at 7:30 p.m.; Sunday, April 16, at 3 p.m.; Wednesday, April 19 at 7:30 p.m.; Thursday, April 20 at 7:30 p.m.
Opening/Press Night: Friday, April 21 at 7:30 p.m.
Performances through May 21: Thursday-Saturday at 7:30 p.m.; Sunday at 3 p.m.

La Havana Madrid is an immersive documentary theatre experience inspired by the Latino Caribbean nightclub that once existed on the corner of Belmont and Sheffield. Audiences will be transported back to 1960s Chicago and experience the stories of the club's patrons and musicians complete with a live band chronicling the history of Caribbean Latino music through the decade from mambo to the birth of salsa.

Playwright Sandra Delgado and Teatro Vista were granted the prestigious Joyce Award to support the development of La Havana Madrid. Delgado is a Colombian-American actor, writer, and producer. Chicago acting credits include 2666, The Upstairs Concierge, Pedro Paramo (co-production with Cuba's Teatro Buendía), Chicago Boys, Mariela in the Desert, Electricidad, Zoot Suit, A Christmas Carol, El Nogalar and Massacre (Sing to Your Children) at The Goodman Theatre; The Motherf**ker with the Hat, The House on Mango Street, Sonia Flew, Words on Fire and Whispering City at Steppenwolf Theatre Company; Mojada and Anna in the Tropics at Victory Gardens Theater; Dreamlandia, Breakfast, Lunch and Dinner and Two Sisters and a Piano (co-production with Apple Tree Theatre) with Teatro Vista; Guinea Pig Solo, Refuge and Casanova with Collaboraction;  Summertime at Lookingglass Theatre Company; Undone at About Face Theatre and  Esperanza Rising and If All the World Were Paper with Chicago Children's Theatre. Off-Broadway credits include points of departure at INTAR Theatre. Regionally, she has appeared in Ground and Wit at Actors Theatre of Louisville and The Winter's Tale at Missouri Repertory Theatre. TV credits include Empire, Chicago Fire, Law & Order: Special Victims Unit, Betrayal, Mind Games and the TV movie POWERS. Delgado is an ensemble member of Collaboraction and Teatro Vista and serves on the National Steering Committee for the Latina/o Theatre Commons, an advocacy group for Latino theater artists. She is a TCG Young Leader of Color Alum, a Chicago Department of Cultural Affairs and Special Events grantee and a 3Arts 3AP Project Grantee. She was the TCG Fox Actor Fellow in residence at the Goodman Theatre (2011-12) and was a member of their Playwright's Unit for the 2015-2016 season. sandradelgado.net

Cheryl Lynn Bruce

Cheryl Lynn Bruce (director) is a Teatro Vista ensemble member. She served as Assistant Director of the company's productions of Tamer of Horses and A View From the Bridge. She has performed on stages across the country as well as in Europe and Mexico, and created the role of Elizabeth Sandry for Steppenwolf's Tony Award-winning production of The Grapes of Wrath, adapted and directed by Frank Galati for Broadway's Cort Theatre, Britain's National Theatre and La Jolla Playhouse. Bruce also workshopped and premiered in RACE, Lookingglass Theatre's inaugural production directed by David Schwimmer and Joy Gregory. Bruce received a 3Arts Award (2010), a 3Arts fellowship to support a five-weeklong Rauschenberg residency (2015), a Jane Addams Hull House Association's Woman of Valor Award (2010) and a Yale Research Residency (2011). She was awarded the 2002 African American Arts Alliance Black Excellence Award and Black Theatre Alliance Award for Outstanding Direction of Endesha Ida Mae Holland's From The Mississippi Delta at Congo Square Theater. Other directing credits include Resurrection by Daniel Beaty and Drip by Gloria Bond Clunie at eta Creative Arts Foundation, Milkweed: A Solo Play by Misty De Berry for Columbia College at Links Hall and Northwestern University, Spunk by Zora Neale Hurston at University of Illinois at Chicago and Congo Square Theater, Cage Rhythm by Kia Korthron for University of Illinois at Chicago and Theatre School at DePaul University, and Permanent Collection by Thomas Gibbons for Indiana University Northwest. In 2006 she was an Inaugural Fellow of the Institute for the Study of Women and Gender in the Arts and Media at Columbia College. In 2007 Bruce traveled to Japan to study Bunraku puppetry for her staging of Rythm Mastr, Kerry James Marshall's urban comic which premiered at the Wexner Center for the Arts.


About Teatro Vista
Teatro Vista, Theatre with a View, is firmly committed to sharing and celebrating the riches of Latino culture with Chicago theater audiences and beyond. This commitment stems from the belief that there are as many similarities between people as there are differences, and perhaps the answer to breaking down the walls of prejudice and stereotypes lies in understanding these similarities and differences. Ultimately, it is through this "view" that Teatro Vista intends to bridge the gap between Latino and non-Latino cultures in Chicago.

Teatro Vista, founded in 1990 by Eddie Torres and Henry Godinez, is the vanguard of Latino theatre in the United States, a place where Latino and non-Latino artists can expressively flourish and excel to the highest level of theatrical professionalism. The company believes in the transformative power of theater, inclusiveness through the idea that everyone is intricately connected to each other and that sharing stories through performance is an exceptionally potent way to bring people together. It is dedicated to sharing new work by new playwrights in cutting-edge productions and presenting classic plays featuring artists of color.

José Antonio Cruz joined Teatro Vista as Managing Director in June, 2015. Cruz has a Master's Degree in Arts Administration from New York University. Before joining Teatro Vista, he worked for twelve years as Associate Producer for New York's renowned Repertorio Español. During his time at Repertorio Español, Cruz championed the
company's mission of presenting the best of Latin American, Spanish and Hispanic-American culture through the production of numerous plays and musicals. In this role, Cruz devised strategies that resulted in dramatic increases in earned and contributed revenues. Cruz has served on peer review panels for the National Endowment for the Arts, the Department of Cultural Affairs of the City of New York, the Lower Manhattan Development Corporation and Theater Communications Group. In 2010, he traveled to Bogotá, Colombia as part of the U.S. delegation to the Iberoamerican Theatre Festival.

In addition Executive Artistic Director Ricardo Gutiérrez,Teatro Vista ensemble members include Charín Álvarez, Max Arciniega, Desmín Borges, Cheryl Lynn Bruce, Ramón Camín, Ivonne Coll, Laura Dahl, Sandra Delgado, Liza Fernández, Khanisha Foster, Erik Juárez, Jon Lyon, Sandra Márquez, Joe Minoso, Marcela Muñóz, Christina Nieves, Marvin Quijada, Tommy Rivera-Vega, Gabriel Ruíz, Cecilia Suarez and co-founder Edward Torres.

Teatro Vista's Board of Directors includes Ezequiel "Zeek" Agosto, President; Rodrigo Garcia and Rosanna Marquez, Vice Presidents; Joan Pantsios, Secretary; Tom Vega-Byrnes, Treasurer; and Bhuvana Badrinathan, José Antonio Cruz, Edgar Delgado, Ricardo Gutiérrez and Yvonne Hardy.

Teatro Vista is supported by The Joyce Foundation, Paul M. Angell Family Foundation, The MacArthur Fund for Arts & Culture at the Richard H. Driehaus Foundation, Bloomberg Philanthropies, The Shubert Foundation and The  Gaylord and Dorothy Donnelly
Foundation.



Purple Group is Teatro Vista's Headline Season Sponsor.

Teatro Vista is a Victory Gardens Resident Theater.
For more information, visit teatrovista.org.

Sunday, July 17, 2016

OPENING: 3 Shows Only, Confessions of a P.I.M.P. Returns to Victory Gardens Theater

Chi, IL LIVE Shows On Our Radar:

André De Shields’ 
Confessions of a P.I.M.P.
returns to Victory Gardens Theater

 
Three performances scheduled for August 25-27, 2016

Dennis Začek and Grippo Stage Co., Inc., will present Confessions of a P.I.M.P., written and performed by André De Shields, and directed by Samuel G. Roberson and Dennis Začek. The cast also includes Kim Lawson and Donica Lynn. Confessions of a P.I.M.P. runs August 25, 26 and 27, 2016 at 8pm at Victory Gardens Theater, located at 2433 N. Lincoln Ave.

Tickets are $25 and can be purchased at www.victorygardens.org or by calling the box office at 773-871-3000.

From the heat of urban insurrection in Baltimore, Maryland to the incandescent glare of New York’s Great White Way, “Jelly Belly” has many stories to tell. Through song, dance, and spoken word, join Victory Gardens Theater’s Fox Foundation Resident Actor Fellow André De Shields in this riveting solo-performance as we follow this adventure from inner city impoverishment to self-actualization.

The creative team for Confessions of a P.I.M.P. includes Doug Peck (musical direction), Jake Ruppert (sound design) and Charles Smith (dramaturg). The band includes Tony Mhoon (bass) and Robert Reddrick (percussion). Tina Jach is the stage manager.

Confessions of a P.I.M.P. originally premiered as part of Victory Gardens’ 2015 IGNITION Festival of New Plays.

About the Artists
André De Shields In a career spanning forty-six years, André De Shields has distinguished himself as an unparalleled actor, director, choreographer and educator.  He is the recipient of three Jeff Awards, one as Director for Victory Gardens’ 1987 production of The Colored Museum, and two as Featured Performer in a Musical for the Goodman Theatre productions of Play On! (1998) and Mary Zimmerman’s The Jungle Book (2013).  In fact André’s professional career began at Chicago’s Shubert Theatre, now the Bank of America Theatre, in the 1969 production of Hair.  From there he moved on to The Me Nobody Knows at the Civic Opera House, and ultimately became a member of The Organic Theatre Company, where he created the role of Xander the Unconquerable, Ruler of the Sixth Dimension in the cult sensation Warp. A multiple Tony Award nominee, he is best known for his show-stopping performances in four legendary Broadway musicals: The WizAin’t Misbehavin’Play On! and The Full Monty. His numerous accolades include an Emmy Award for the NBC Special based on Ain’t Misbehavin’, the National Black Theatre Festival’s Living Legend Award, the Village Voice OBIE Award for Sustained Excellence of Performance and two Doctor of Fine Arts degrees honoris causa one each from the University of Wisconsin-Madison and the State University of New York-College at Buffalo. A triple Capricorn, Mr. De Shields is the ninth of eleven children born and reared in Baltimore, Maryland. Ubuntu. 

Kimberly Lawson appeared in Confessions of a P.I.M.P. during the 2015 IGNITION Festival of New Plays. A current board member of Chicago Cabaret Professionals, her cabaret shows include WOZ: A Rock Cabaret, Why Can't a Woman: A Feminist Perspective of Broadway, Fancy Meeting You Here and Life, Love, and Faith: A Tribute to Faith Prince. She is currently a student of Nadine Gomes of the Chicago College of Performing Arts and Tony Award Winner Faith Prince. In her non-performing life, Kimberly is the Audience Services Manager at Lookingglass Theatre.


Donica Lynn was most recently see on stage in Porchlight Music Theatre’s Dreamgirls! Previous PMT credits include: Chicago Sings Motown, Chicago Sings Disney and Off the Porch’sGatecrashers. Chicago credits include: Confessions of P.I.M.P with Tony nominee Andre DeShields (Victory Gardens); The Color Purple, Barnum (Mercury Theater); Thoroughly Modern Millie, Hairspray, Aida (Drury Lane Oakbrook); Once On This Island and Seussical(Marriott Lincolnshire); Lady in Denmark, Crowns and Ain’t Misbehavin’ (Goodman Theatre); as well as works with Paramount, Court, Congo Square, Theatre at the Center and ETA Creative Arts. Film/TV credits include: Chicago Fire. She is also a featured vocalist on albums by Ramsay Lewis, Calvin Bridges, Justin Roberts and Cory Goodrich. Donica is a two-time Black Theater Alliance Award nominee, a Black Excellence Award nominee, an alumna of Soul Children of Chicago, proud AEA & AGMA member and represented by Stewart Talent.

Thursday, February 18, 2016

OPENING: Victory Gardens Theater Presents The World Premiere of Cocked


Chi, IL Live Shows on our Radar:

Victory Gardens Theater Presents
The World Premiere of Cocked
By Sarah Gubbins
Directed by Associate Artistic Producer Joanie Schultz 
February 12- March 13, 2016



I caught my first Victory Gardens Theater play back in 1986 and I've been consistently impressed with their offerings. They excel at choosing thought provoking, intense productions that spark debate and giving a voice to world premiers. Cocked looks to be no exception. Their excellent post-show discussions and presentations are an invaluable tool for encouraging discussion. Check back soon for our full review.

Victory Gardens Theater continues its 41st season with the World Premiere of Cocked by Sarah Gubbins, directed by Victory Gardens Theater Associate Artistic Producer Joanie SchultzCocked runs February 12 – March 13, 2016 with the press performance on Friday, February 19, 2016, at 7:30pm at Victory Gardens Theater, 2433 N. Lincoln Avenue.

The cast of Cocked includes Patrese D. McClain, Kelli Simpkins and Mike Tepeli. The creative team includes Chelsea M. Warren (scenic design), Janice Pytel (costume design), Sarah Hughey (lighting design), Thomas Dixon (sound design), Sam Hubbard (fight direction), Tina M. Jach (Stage Manager) and Isaac Gomez (dramaturgy).

“I can’t think of a better home for the world premiere of Sarah Gubbins’ witty, complex, and thought-provoking new play,” said Victory Gardens Theater Artistic Director Chay Yew. “When I read this play two years ago, when looking for works to be part of our annual IGNITION Festival of New Plays, I was struck by Sarah’s extraordinary ability to write a thrilling piece of theater, while asking the tough question: ‘What would it take for you to own a gun today?’”

Attorney Taylor and her journalist girlfriend Izzie live a comfortable life in Andersonville. Their apartment, relationship, and strong anti-gun beliefs are shattered when Taylor’s troubled brother Frank crashes, uninvited, into their lives. As secrets and betrayals rise to the surface, the line between self-defense and safety is blurred. Cocked, a timely world premiere thriller from Chicago playwright Sarah Gubbins and directed by Victory Gardens Theater Associate Artistic Producer Joanie Schultz (Rest, The Whale), returns to Victory Gardens after gripping audiences at the 2014 IGNITION Festival of New Plays.

Schedule:                    
Tuesdays:        7:30pm
Wednesdays:   7:30pm
Thursdays:      7:30pm
Fridays:           7:30pm
Saturdays:       3:00pm; 7:30pm
Sundays:         3:00pm

Accessible
Performances: Word for Word (open caption) performances Friday, February 26 at 7:30pm. Saturday, February 27 at 3:00pm, and Wednesday, March 2 at 2:00pm

Audio Description performances Friday, February 26 at 7:30pm (Touch tour at 6:00pm), Sunday, March 6 at 3:00pm (Touch tour at 1:30pm)

ASL Interpreted and Word for Word (open caption) performance Friday, February 26 at 7:30pm

Location: Victory Gardens Biograph Theater is located at 2433 N. Lincoln Avenue,
in the heart of Chicago’s Lincoln Park neighborhood

Tickets: 
Regular run: $15 - $60
Box Office: The Box Office is located at 2433 N. Lincoln Avenue, Chicago.
773.871.3000

About the Artists
Sarah Gubbins (Playwright) Plays include Fair Use, The Drinking Problem, The Kid Thing (Jeff Award 2012 and Edgarton Foundation New American Play Award 2011), fml: how Carson McCullers saved my life, and Cocked. Her plays have been produced at the Steppenwolf Theatre, Actor’s Express, 7 Stages, About Face Theatre and Chicago Dramatists, among others. Her plays have been developed at the Public Theater, New York Theater Workshop, The Atlantic Theater, The Goodman Theatre, Steppenwolf Theater, The Plawrights’ Center, Center Theatre Group, O’Neill Theatre Center, the Lark, and Berkeley Rep’s Ground Floor, among others. She has been a Carl J. Djerassi Fellow and Jerome Fellow. She has been commissioned by Steppenwolf Theatre, DePaul University, and the Actors Theater of Louisville. She is a proud Core Writer at The Playwrights' Center and a member of gender parity advocacy group, The Kilroys. She holds a M.F.A. from Northwestern University. She is currently living in Los Angeles.

Joanie Schultz (Director) is the Associate Artistic Producer at Victory Gardens Theater. Victory Gardens Theater: The Whale, Rest. Chicago: Venus in Fur (Goodman Theatre); A Small Fire, The Cheats, Martyr, Luther (Steep Theatre); The Kid Thing (About Face Theatre/Chicago Dramatists); The Girl in the Yellow Dress (Next Theatre); Northanger Abbey (Remy Bumppo Theatre); Bruise Easy (American Theater Company); Spinning (Irish Theatre Chicago); Yankee Tavern (American Blues Theatre); Neighborhood 3 (Strawdog); The Hundred Flowers Project (Silk Road Rising), fml: how Carson McCullers Saved My Life (Steppenwolf for Young Adults); 2013 Co-Artistic Curator for Theater on the Lake. Opera: Bluebeard’s Castle, Der Kaiser von Atlantis, Acis and GalateaCarmen. Fellowships: Leadership U One-on-One Fellowship funded by the Andrew W. Mellon Foundation and administered by TCG, Drama League Fellowship, The Goodman Theatre’s Michael Maggio Directing Fellowship, SDCF Denham Fellowship, Lincoln Center Theater Directors Lab. MFA in Directing (Northwestern University). Ensemble Member: Steep Theatre. Theater Faculty Member: Columbia College, University of Chicago. 

Patrese D. McClain (Izzie) Things You Shouldn't Say Past Midnight (Windy City Playhouse); White Guy On The Bus (Northlight, Jeff Nomination for Outstanding Supporting Actress 2015); Tartuffe, Misanthrope, Spunk (Court Theatre, Jeff Nomination for Outstanding Supporting Actress for Spunk, 2011); August Wilson Celebration: Piano Lesson (Goodman/Fleetwood-Jourdain). Regional: Two Trains Running (Geva Theatre Center); Crumbs From The Table Of Joy (Mustard Seed), For Colored Girls, No Child...  (Black Rep, St. Louis Circle Theatre Award for Best Actress for No Child… 2013). TV: “Chicago Fire,” “Sirens,” “Detroit 1-8-7.” Patrese is the Executive Director of Pure ART, a company member of Collaboraction Theatre, and a resident teaching artist with Court Theatre.

Kelli Simpkins (Taylor) Original creator/performer of The Laramie Project (Off-Broadway, Denver Center, Berkeley Rep., La Jolla Playhouse). Chicago: Spill (Timeline, Swine Palace); Teddy Ferrara (Goodman Theatre); The Kid Thing (Chicago Dramatists, Jeff Nomination for Principle Actor 2011); Pony (About Face); In Darfur (Timeline); Late: A Cowboy Song (Piven); The Laramie Tour: TLP & TLP EpilogueCelebrity Row (American Theater Company); Fair Use, Good Boys and True, One Arm (Steppenwolf); Execution of Justice (About Face). Regional: The People’s Temple (The Guthrie, Perseverance and Berkeley Rep.); I Think I Like Girls (Cherry Lane Theater/La Jolla Playhouse). Film/TV: A League of Their Own, Chasing Amy, “Betrayal,” “Empire,” “Law & Order: CI,” “The Laramie Project” (Emmy nomination: Ensemble Writing). Recipient of the Chicago 3Arts Award.

Mike Tepeli (Frank) Last Train to Nibroc (Haven); Great Expectations (Strawdog); The Original GreaseIt's A Wonderful Life: The Radio Play (American Theatre Company); Burnt Part Boys (Griffin); Big RiverElephant Man (BoHo)Regional: Troilus and Cressida (Taffety Punk).

Public Programs
A full and updated schedule of special events, post-show discussions and presentations centered on performances of Cocked is available at www.victorygardens.org.  All events are free unless otherwise noted. For more information, call 773.871.3000 or visit the Victory Gardens website.

Public Programs is an event series designed to enhance audience experience by exploring themes and issues within Victory Gardens' productions. Connecting our theater to the world beyond the stage and rehearsal room, Public Programs bridge ideas, provoke dialogue, and deepen the relationship between our audiences and our productions.

AFTERWORDS
Post-Show Conversation
After every performance of Cocked (unless otherwise noted)
Join us for one of our intimate post-show conversations. Led by members from the Victory Gardens community—artistic affiliates, subscribers, Artistic staff, Teen Arts Council members, The Council of Community Leaders, and community partners— reflect on what you’ve seen and share your response.

February 18 | Thursday | 6:30pm
ENCUENTRO: HOMELAND
Post-Show Panel Conversation
Izzie and Taylor have a hard enough time feeling a sense of stability in their home and personal lives without being terrorized by their downstairs neighbor. In Chicago, gentrification has historically affected Latinos and have displaced them all over the city. What does it mean to hold your ground when there are systems in place to push you out? Join Encuentro host Amor Montes de Oca (Arte y Vida) for pre-­show refreshments from Fiesta Mexicana, then stick around for a special Afterwords post-show conversation on home among Chicago’s displaced communities.

February 20 | Saturday | 7:30pm
ARTIST TALK: BETWEEN PLAYWRIGHT & DIRECTOR
Post-Show Artist Talk
The new play process is an exciting one and the collaboration between a living playwright and director is electric. How are artists empowered when working on new work? In what ways are they challenged? Join Cocked’s dynamic duo Joanie Schultz (director) and Sarah Gubbins (playwright) as they break open conventions and shatter expectations in this riveting post-show conversation shedding light on the new play process.

February 22 | Monday | 7:30pm
EACH & HER
A Free Performance Celebrating Women in the Arts
From the playwright and director to the designers and actors, the creative team behind Sarah Gubbins’ Cocked is comprised mostly of women. Unfortunately, this isn’t as common among regional theaters as gender parity in the arts is far from equitable. Join this celebration of women in the arts at this free off-night performance showcase in collaboration with Beast Women - an All-Female Performance Variety Revue. With performances including theater, music, poetry, dance, spoken word, and many others, this one night only performance celebrates some of the greatest artists in Chicago and beyond.

February 24 | Wednesday | 6:30pm
SHOUT
Pre-Show Spoken Word Performance
Taylor and Izzie are forced to challenge their deepest beliefs in Sarah Gubbins’ new play. Where is the line blurred between self-defense and perceived fear? Is there one? Come hear Chicago performance poet C.C. Carter break it down in this special pre-show spoken word performance piece as she riffs off the realities of terrorism and violence in Chicago neighborhoods. Then, stick around for free refreshments before enjoying Sarah Gubbins’ Cocked.

February 25 | Thursday | 7:30pm
THE GUN THING
Post-Show Town Hall
More than a third of Americans say they or someone in their household owns a gun. There are by various estimates anywhere from 270 million to 310 million guns in the United States — close to one firearm for every man, woman and child. In light of mass shootings that have plagued the country for decades, why haven’t we found a national solution that keeps us safe from guns as well as protected by them? Should we increase gun control? Should firearms be banned? Join us for this timely town hall conversation as we break open a conversation about gun ownership and the onus around it.

February 27 | Saturday | 7:30pm
RISK FACTOR
Post-Show Panel Discussion
The 2013 passage of a concealed carry law in Illinois has led to a relatively small, yet recurring dynamic in Chicago shootings: the lawful gunman. Though these “lawful” shootings are nowhere near as frequent as those involving unlicensed shooters and illegal firearms, a handful of high-profile shootings involving licensed concealed carriers since the law went into effect in January 2014 continue to spark a rage of controversy. What is a “lawful” shooting and why? How has concealed carry shifted gun culture in the Windy City? Join legislators and specialists as we dig deep into the age-old question of protection and prevention as it relates to Chicago’s concealed carry law.  

March 3 | Thursday | 6:30pm
COLLEGE NIGHT: TRIGGER FINGER
Free Post-Show Performance
In Sarah Gubbins’ Cocked, the idea of terrorism in Chicago neighborhoods (real or perceived) comes to the forefront, challenging our deepest convictions of safety and protection. What would it take to make someone feel safe in their own home? Join us for a pre­-show reception in the lobby featuring delicious drink specials & free pizza. Then, stick around for Cocked and stay for post-­show performances featuring short scenes written, directed, and performed by college artists from DePaul University, University of Chicago, Loyola, and Northwestern University.


Production Sponsors:  The Harold and Mimi Steinberg Charitable Trust;
National Endowment for the Arts
                                  
Season Sponsors:         Alphawood Foundation, Bloomberg Philanthropies,
The Joyce Foundation, The Mellon Foundation, The John D. and Catherine T. MacArthur Foundation, The Shubert Foundation, and
The Wallace Foundation
Travel Sponsor:          Southwest Airlines


About Victory Gardens Theater
Under the leadership of Artistic Director Chay Yew and Managing Director Christopher Mannelli, Victory Gardens is dedicated to artistic excellence while creating a vital, contemporary American Theater that is accessible and relevant to all people through productions of challenging new plays and musicals.  Victory Gardens Theater is committed to the development, production and support of new plays that has been the mission of the theater since its founding, set forth by Dennis Začek, Marcelle McVay, and the original founders of Victory Gardens Theater.

Victory Gardens Theater is a leader in developing and producing new theater work and cultivating an inclusive Chicago theater community. Victory Gardens’ core strengths are nurturing and producing dynamic and inspiring new plays, reflecting the diversity of our city’s and nation’s culture through engaging diverse communities, and in partnership with Chicago Public Schools, bringing art and culture to our city’s active student population.  

Since its founding in 1974, the company has produced more world premieres than any other Chicago theater, a commitment recognized nationally when Victory Gardens received the 2001 Tony Award for Outstanding Regional Theatre. Located in the Lincoln Park neighborhood, Victory Gardens Biograph Theater includes the Začek-McVay Theater, a state-of-the-art 259-seat mainstage and the 109-seat studio theater on the second floor, named the Richard Christiansen Theater.

Victory Gardens Ensemble Playwrights include Luis Alfaro, Philip Dawkins, Marcus Gardley, Ike Holter, Samuel D. Hunter, Naomi Iizuka, Tanya Saracho and Laura Schellhardt. Each playwright has a seven-year residency at Victory Gardens Theater.

The Playwrights Ensemble Alumni includes Claudia Allen, Lonnie Carter, Steve Carter, Gloria Bond Clunie, Dean Corrin, Nilo Cruz, Joel Drake Johnson, John Logan, Nicholas Patricca, Douglas Post, James Sherman, Charles Smith, Jeffrey Sweet and Kristine Thatcher.

For more information about Victory Gardens, visit www.victorygardens.org.  Follow us on Facebook at Facebook.com/victorygardens, Twitter @VictoryGardens and Instagram at instagram.com/victorygardenstheater/


Victory Gardens Theater receives major funding from 
The Wallace Foundation, Alphawood Foundation, Bloomberg Philanthropies, The Shubert Foundation, The Joyce Foundation, The John D. and Catherine T. MacArthur Foundation, Allstate Insurance, Polk Bros. Foundation, Crown Family Philanthropies, The Andrew W. Mellon Foundation, The William and Orli Staley Foundation, The National Endowment for the Arts, and The REAM Foundation. Additional funding is provided by: Abbot Downing & Wells Fargo, Alliance Bernstein, The Charles H. and Bertha L. Boothroyd Foundation, Exelon, The Lloyd A. Fry Foundation, John R. Halligan Charitable Fund, Illinois Tool Works, Italian Village Restaurants, Mayer Brown LLP, The McVay Foundation, Neal, Gerber & Eisenberg, LLP, The Prince Charitable Trusts, The Saints, Charles & M.R. Shapiro Foundation, Southwest Airlines, The Harold and Mimi Steinberg Charitable Trust, Whole Foods Market, and Wrightwood Neighbors Conservation Association.

SAVE THE DATES
Backstage at the Biograph is sponsored by Whole Foods Market DePaul and Pork Shoppe.

Upcoming Backstage at the Biograph Events:
Hillary and Clinton
March 24, 2016
Reimagining Hillary

The House that Will Not Stand
June 2, 2016
Costume Design: Dressing the Women of 1836

About Cocked
Attorney Taylor and her journalist girlfriend Izzie live a comfortable life in Andersonville. Their apartment, relationship and strong anti-gun beliefs are shattered when Taylor’s troubled brother Frank crashes, uninvited, into their lives. As secrets and betrayals rise to the surface, the line between self-defense and safety is blurred.

Cocked will feature Patrese D. McClain (Izzie), Kelli Simpkins (Taylor) and Mike Tepeli (Frank).

Tuesday, September 22, 2015

OPENING: Sucker Punch at Victory Gardens


Victory Gardens Theater presents
The Midwest Premiere of Sucker Punch
by Roy Williams
directed by Dexter Bullard
September 18 – October 18, 2015


Here at ChiIL Live Shows, we've caught a handful of boxing plays over the years, and their rhythm and cadence is not unlike theatre staging. We're particularly excited for Victory Gardens' Midwest Premiere of Sucker Punch with it's timely and discussion provoking racial overtones. We'll be reviewing at the press opening this Friday so check back soon for our full review.



Victory Gardens Theater opens its 41st season with the Midwest Premiere of Sucker Punch by Roy Williams, directed by Dexter Bullard. Sucker Punch runs September 18 – October 18, 2015 with the press performance on Friday, September 25, 2015, at Victory Gardens Theater, 2433 N. Lincoln Avenue.

"We're thrilled to welcome Roy Willams to our Victory Gardens family as he makes his Chicago debut with Sucker Punch. I first met Roy when he was our guest on a panel of British playwrights of color that Victory Gardens hosted during our 2011 London Trip. I've since been a big fan of his work, especially Sucker Punch in which he masterfully captures the dreams and struggles of the Black British that mirrors our very own contemporary African American experience. I can't wait for Chicago audiences to see this electrifying play and encounter one of Britain's greatest contemporary playwrights," comments Artistic Director Chay Yew.

The cast of Sucker Punch includes Taylor Blim (Becky), Walter Briggs (Tommy), Maurice Demus (Leon), Kenn E. Head (Squid), John Judd (Charlie), Denzel Love (Troy) and André Teamer (Ray). 

The creative team includes Tom Burch (scenic), Tif Bullard (costumes), Lee Fiskness (lighting), Christopher Kriz (sound), Jay Tollefsen (props), Ruben Gonzalez (fight choreographer) and Helen Lattyak (production stage manager). 

It’s the 1980s, Michael Jackson rules the radio waves and Conan the Barbarian is the box office king at the movies. Aspiring black boxers, Leon and Troy, both have promising futures in the ring. When race riots explode in their London neighborhood, these two friends are forced to make a tough decision. Years later, they square off, facing each other and the men they have become. After premiering at The Royal Court in London, award-winning playwright Roy Williams’ Sucker Punch received four-star reviews from The London Times, Evening Standard, and The Telegraph and was called a “Knockout Punch” by The Guardian. This fast-paced, triumphant mid-west premiere takes an unflinching look at family, friends and the world of boxing.

About the Artists
Roy Williams (Playwright) Lift Off, Clubland, Fallout, Sucker Punch (Royal Court, Olivier Award Best play nomination for Sucker Punch), Category B, The Gift, Starstruck (Tricycle Theatre), Days of Significance  (Royal Shakespeare Company), Joe Guy (Soho Theatre/Tiata Fahodzi), Absolute Beginners (Lyric Hammersmith), Slowtime, Sing Yer Heart Out for the Lads, Baby Girl (National Theatre) The No-Boys Cricket Club, Kingston 14, Antigone (Theatre Royal Stratford East) Local Boy, Wildefire (Hampstead Theatre) Sixty Six Books (Bush Theatre) Little Sweet Thing, Loneliness of the Long Distance Runner (UK Tour) Film & TV “Let It Snow,” “Fallout,” “Offside,” (BAFTA Award for “Offside”) “Babyfather, “Fast Girls.”

Dexter Bullard (Director) Victory Gardens: Circle Mirror Transformation. Broadway: Grace. Off-Broadway: Mistakes Were Made, Lady, Bug. Regional: The Big Meal (ATC), Odradek (House), Mistakes Were Made, Bug, In the Solitude of Cotton Fields, Place of Angels, Tis Pity She's a Whore (Red Orchid), Reverie, Better Late Than Nader (Second City), Gas for Less (Goodman), Butcher of Baraboo (Steppenwolf), Tom & Jerry (American Blues), Tiny Dimes (Famous Door), 5xNo, Julius Caesar, Night at the Fights, Fun & Nobody, Bouncers (Next). Plasticene: From a Fading Light, One Fal$e Note, Blankslate, The Palmer Raids, And So I May Return, Head Poison, Come Like Shadows..., Volume XII, Refuge, Doorslam.

Taylor Blim (Becky) Taylor’s previous credits include: The Theatre School DePaul University: Assassins: The Musical, Gruesome Playground Injuries, Anna Bella Eema, Video Galaxy, Phantom Tollbooth. 

Walter Briggs (Tommy) Water’s previous credits include: Romeo Juliet, 12 Nights (American Repertory Theater), All Our Tragic (Getty Villa, LA).  Chicago:  All Our Tragic (The Hypocrites), Bengal Tiger at the Baghdad Zoo, North China Lover (Lookingglass), Hit The Wall (The Inconvenience/Steppenwolf), The Glass Menagerie (Mary-Arrchie). Film: Jessica, A Good Person, Ballad, and Older Children.

Maurice Demus (Leon) Previous credits include: Really Really (Interrobang Theatre Project), Brothers Beckett (Black Fox Theatre), Ma Rainey’s Black Bottom (Black Rep Theatre). Film & TV: “When the Lights Go Out,” “Chicago PD,” “Sirens.” 

Kenn E. Head (Squid) is a veteran of the Chicago theatre scene. He is a familiar face on many Chicago stages appearing in Romeo and Juliet (Chicago Shakespeare Theater); Fish Men, The Convert  (Goodman Theatre); The Lost Boys of Sudan (Victory Gardens Theater) and Seven Guitars (Congo Square Theatre) where they garnered the coveted Jeff Award for Ensemble as well as Best Play. Kenn was also part of the Invisible Man and the production of Spunk (Court Theatre). Some of his most recent work includes The Overwhelming (Next Theater Company). Other theaters include Yale Repertory Theatre and American Theater Company. Television credits include “ER” and “Early Edition” as well as various commercials.

John Judd (Charlie) returns to Victory Gardens where he appeared in Death And The Maiden. He has performed at The Goodman Theatre: The Little Foxes, Measure For Measure, Sweet Bird of Youth, The Iceman Cometh, A Christmas Carol, Magnolia, Shining City. At Steppenwolf: Three Sisters, Clybourne Park, The Butcher Of Baraboo, Last Of The Boys, The Dresser, Orson’s Shadow, Our Town, Golden Boy. At Writer’s Theatre: Othello, Crime And Punishment, The Price. At Chicago Shakespeare Theatre: The Feast: An Intimate Tempest, Romeo And Juliet. At Northlight: The Lieutenant Of Inishmore, The Cripple Of Inishmaan. At Court: Lettice And Lovage, Gross Indecency. At Lookingglass: Great Men Of Science. At A Red Orchid: Gagarin Way. At Profiles: Wrecks, At About Face: Execution Of Justice, Shattered Globe: Come Back Little Sheba, Next: A Number, The Boarding House, Irish Rep: Long Day’s Journey Into Night, The Journeymen: Angels In America parts I and II. Off-Broadway: The Iceman Cometh at BAM, Crime And Punishment at 59E59, Orson’s Shadow at Barrow Street. Regionally and Internationally: Tribes at Actor’s Theatre Of Louisville, City Theatre Pittsburgh, Philadelphia Theatre Co., The Rainmaker at The Old Globe, San Diego, American Buffalo at McCarter Theatre Princeton, Shining City at Huntington Theatre Boston, Orson’s Shadow at Williamstown, Westport Country Playhouse, and Beaver Creek Colorado, Long Day’s Journey Into Night at Town Hall Theatre in Galway, Ireland.

Denzel Love (Troy) Denzel’s previous credits include: A Charlie Brown Christmas (Emerald City), Coat Check (Dandelion Theatre). The Theatre School Credits: Last days of Judas Iscariot, In the Heights, Our Town, John Henry. TV/Film: “Chicago PD,” “They Wake Up,” “Veracity.”

André Teamer (Ray) Andre’s previous credits include: Windy City Playhouse: Stick Fly; Eclipsed:  Ruined; Court: Jitney; NEXT: Luck Of The Irish; Black Ensemble: The Trial Of Moses Fleetwood Walker; MPAACT: Warm On The Cooling Board. Film & TV: “The Christmas Tree,” “Love Shorts,” “Market Value,” "The Playboy Club," "Chicago PD," "EMPIRE."

Schedule: Tuesdays: 7:30 pm 
Wednesdays: 2:00 pm; 7:30 pm 
Thursdays: 7:30 pm 
Fridays: 7:30 pm 
Saturdays: 3:00 pm; 7:30pm
Sundays: 3:00 pm

Accessible Performances: Word for Word (open caption) performances 
Friday, October 2 at 7:30 pm 
Saturday, October 3 at 4:00 pm

Wednesday, October 7 at 2:00 pm

Audio Description performance
Sunday, October 11 at 3:00pm

ASL Interpreted, Word for Word and Audio Description (open caption) performance
Friday, October 2 at 7:30pm 

Location: Victory Gardens Biograph Theater is located at 2433 N. Lincoln Avenue, in the heart of Chicago’s Lincoln Park neighborhood

Tickets: Previews: $15 - $40 
Regular run: $15 - $60
Subscription Packages: Starting at $80

Box Office: The Box Office is located at 2433 N. Lincoln Avenue, Chicago.
773.871.3000; www.victorygardens.org

Season Sponsors: Alphawood Foundation, Bloomberg Philanthropies, 
The Joyce Foundation, The Mellon Foundation, The John D. and Catherine T. MacArthur Foundation, The Shubert Foundation, and 
The Wallace Foundation
Travel Sponsor: Southwest Airlines 

About Victory Gardens Theater
Under the leadership of Artistic Director Chay Yew and Managing Director Christopher Mannelli, Victory Gardens is dedicated to artistic excellence while creating a vital, contemporary American Theater that is accessible and relevant to all people through productions of challenging new plays and musicals. With Victory Gardens’ first new Artistic Director in 34 years, the company remains committed to the development, production and support of new plays that has been the mission of the theater since its founding, continuing the vision set forth by Dennis Zacek, Marcelle McVay, and the original founders of Victory Gardens Theater.

Victory Gardens Theater is a leader in developing and producing new theater work and cultivating an inclusive Chicago theater community. Victory Gardens’ core strengths are nurturing and producing dynamic and inspiring new plays, reflecting the diversity of our city’s and nation’s culture through engaging diverse communities, and in partnership with Chicago Public Schools, bringing art and culture to our city’s active student population.  

Since its founding in 1974, the company has produced more world premieres than any other Chicago theater, a commitment recognized nationally when Victory Gardens received the 2001 Tony Award for Outstanding Regional Theatre. Located in the Lincoln Park neighborhood, Victory Gardens Biograph Theater includes the Zacek-McVay Theater, a state-of-the-art 259-seat mainstage and the 109-seat studio theater on the second floor, named the Richard Christiansen Theater.

Victory Gardens Ensemble Playwrights include Luis Alfaro, Philip Dawkins, Marcus Gardley, Ike Holter, Samuel D. Hunter, Naomi Iizuka, Tanya Saracho and Laura Schellhardt. Each playwright has a seven-year residency at Victory Gardens. 

The Playwrights Ensemble Alumni includes Claudia Allen, Lonnie Carter, Steve Carter, Gloria Bond Clunie, Dean Corrin, Nilo Cruz, Joel Drake Johnson, John Logan, Nicholas Patricca, Douglas Post, James Sherman, Charles Smith, Jeffrey Sweet and Kristine Thatcher.

For more information about Victory Gardens, visit www.victorygardens.org.  Follow us on Facebook at Facebook.com/victorygardens and Twitter @VictoryGardens.

Victory Gardens Theater receives major funding from The Wallace Foundation, Alphawood Foundation, Bloomberg Philanthropies, The Shubert Foundation, The Joyce Foundation, The John D. and Catherine T. MacArthur Foundation, Allstate Insurance, Polk Bros. Foundation, Crown Family Philanthropies, The Andrew W. Mellon Foundation, The William and Orli Staley Foundation, The National Endowment for the Arts, and The REAM Foundation. Additional funding is provided by: Abbot Downing & Wells Fargo, Alliance Bernstein, The Charles H. and Bertha L. Boothroyd Foundation, a City Arts Grant from the City of Chicago Department of Cultural Affairs and Special Events, Exelon, The Lloyd A. Fry Foundation, John R. Halligan Charitable Fund, Illinois Arts Council (a state agency),  Illinois Tool Works, Italian Village Restaurants, Mayer Brown LLP, The McVay Foundation, Neal, Gerber & Eisenberg, LLP, The Prince Charitable Trusts, The Saints, Charles & M.R. Shapiro Foundation, Southwest Airlines, The Harold and Mimi Steinberg Charitable Trust, and Wrightwood Neighbors Conservation Association.

Friday, March 27, 2015

OPENING: The World Premiere of An Issue of Blood at Victory Gardens #Chicago #Theatre

Victory Gardens Theater presents
An Issue of Blood 
By Ensemble Playwright Marcus Gardley, 
Directed by Chay Yew

ChiIL Live Shows will be there for opening night, and we're greatly anticipating this world premiere. Check back with us after April 10th for our full review. In the meantime, save the dates, and we recommend ordering your tickets well in advance. Aside from consistently compelling content and extraordinary performances, Victory Gardens also does an excellent job of engaging the community with talk backs after every performance and a a slew of special events and presentations on topic, that run in conjunction with the show. Check out those listings below.



Victory Gardens Theater, under the leadership of Artistic Director Chay Yew and Managing Director Chris Mannelli, presents the World Premiere of An Issue of Blood by Ensemble Playwright Marcus Gardley, directed by Chay Yew. An Issue of Blood was penned by Gardley in response to recent events and social injustices. An Issue of Blood runs April 3 – May 3, 2015 at Victory Gardens Theater, 2433 N. Lincoln Avenue.

“While working on a new draft of A Wonder in My Soul in December, Marcus felt the need to respond to recent events and the current national conversation on race, class and identity and was urged by many to express the complex feelings of his community. When he reached out to me with this conundrum, I told him to follow his instincts and write a new play addressing his concerns," comments Victory Gardens’ Artistic Director Chay Yew. "As a theatre that creates and produces socially relevant plays, it is important that we respond to the times with our art and support our artists. And I'm glad Marcus is leading us in this vital national conversation." 

It’s 1676 in Virginia – a time when class, not color, defined an American’s destiny. Historic figure and wealthy landowner Negro Mary believes a vile curse has been cast upon her family and land. But her plans to break the curse are thwarted by a secret wedding, an interracial love triangle, and a crime of passion. Can Mary cheat fate and change the course of history? Or will their lives end in division and destruction? In An Issue of Blood, Marcus Gardley (The Gospel of Lovingkindness) and Chay Yew look to a pivotal moment in our collective past to understand how we arrived in our tumultuous present.

DATES:
Previews: April 3 – April 9, 2015
Regular run: April 11 – May 3, 2015

Schedule: Tuesdays: 10:30 am (April 14 & 21); 7:30 pm (no shows April 14 & 21)
Wednesdays: 2:00 pm (April 22 only); 7:30 pm (no show April 22)
Thursdays: 7:30 pm (no show April 30)
Fridays: 7:30 pm 
Saturdays: 4:00 pm (April 18 & 25, May 2 only); 7:30pm
Sundays: 3:00 pm

Location: Victory Gardens Biograph Theater is located at 2433 N. Lincoln Avenue, 
in the heart of Chicago’s Lincoln Park neighborhood
Tickets: Previews:  $15 - $40 
Regular run: $15 - $60
Box Office: The Box Office is located at 2433 N. Lincoln Avenue, Chicago.
773.871.3000; www.victorygardens.org

Full performance schedule
Previews of An Issue of Blood are April 3 - 9, 2015: Tuesday–Saturday at 7:30 pm and Sunday at 3 pm. Previews are $15-$40. Regular performances run April 11 – May 3, 2015: Tuesday at 10:30am (April 14 and 21 only) 7:30 pm (except April 14 and 21); Wednesdays 2:00 pm (April 22 only); 7:30 pm (no show April 22); Thursdays at 7:30 pm (no show April 30); Fridays at 7:30pm; Saturday at 7:30 pm; Saturday at 4 pm (April 18 & 25, May 2 only); Sunday at 3 pm. Regular performances are $15-$60.

Performances are at the Victory Gardens Biograph Theater, 2433 N. Lincoln Avenue, in the heart of Chicago’s Lincoln Park neighborhood.  For tickets and information, call the Victory Gardens Box Office, 773.871.3000, email tickets@victorygardens.org, or visit www.victorygardens.org.  Ask the Box Office about student tickets ($15), senior, Access, $20 under 30, and rush discounts.  For group discounts, call 773.328.2143.

Accessible Performances
ASL Interpreted performance: Friday, May 1 at 7:30pm

Word for Word (Open Captioning): Wednesday, April 22 at 2:00pm, Friday, May 1 at 7:30pm, and Saturday, May 2 at 4:00pm

Audio Description: Friday, April 24 at 7:30pm (Touch tour at 6:00pm), Sunday, May 2 at 3:00pm (Touch Tour at 1:30pm)


A full and updated schedule of special events, post-show discussions and presentations centered on performances of An Issue of Blood is available at www.victorygardens.org 
All events are free unless otherwise noted, and a reservation is preferred. To RSVP, call 773.871.3000 or visit the Victory Gardens website. 

Public Programs is an event series designed to enhance your experience by exploring the themes and issues within Victory Gardens' Productions. Connecting our theater to the world beyond the stage and rehearsal room, Public Programs events bridge ideas, provoke dialogue, and deepen the relationship between our audiences and our productions.

AFTERWORDS
Post-show discussions with members of the artistic team will follow every performance of AN ISSUE OF BLOOD (unless otherwise noted)

SIDESHOW SIDE SERIES: AN ISSUE OF ANTIGONICK
Fri April 3rd, 2015 | Following a performance of Sideshow Theatre Company’s Antigonick
In Victory Gardens’ An Issue of Blood and in Sideshow’s Antigonick, issues of racial inequality are brought to life through dynamic historical lenses. How can Greek tragedies and the stories of America’s first slaves bridge the gap between our past and present? In partnership with Sideshow’s Side Series, join this post-show conversation with Human Rights Advocate Keisa Reynolds (We Charge Genocide) and participants of Victory Gardens’ We Must Breathe as we open old wounds to uncover new ways of healing.  

BLACK LIVES MATTER: PAST, PRESENT, AND FUTURE
Town Hall | Sun April 5th, 2015
Cries of “I can’t breathe” and #BlackLivesMatter have shed harsh light on our country’s struggle with race, discrimination, and police brutality. Systems of oppression and racial inequity date as far back as colonial America - before Ferguson, before Selma, even before slavery.  What do we do with a system we’ve inherited? Join us for a performance of Marcus Gardley’s historical drama, then stick around for this crucial town hall conversation as we unearth our roots and discover new ways of moving forward.

TAKE BACK THE MIC
Pre Show Spoken Word Performance Series | April 7th, 11th, 16th, 18th, and 24th, 2015 | 7:00 p.m.
Last December, you heard them slam at We Must Breathe - an evening of performance pieces created in the wake of the national outcry stemming from the deaths and verdicts of Michael Brown, Eric Garner, Tamir Rice, and countless others. Now, select poets return to Victory Gardens to continue the conversation in the best way they know how—through their art. Join us for select pre-show performances in the lobby as these spoken word artists take the mic and share their truths.

RACE OUT LOUD
Wednesday Night Out | Wed April 8th, 2015
6:30pm cocktail get together at Victory Gardens | Special Afterwords following performance
Racial tension in Chicago’s queer neighborhoods is on the rise. Claims of “racism” and “white boys’ town” have surfaced more and more in the last decade. How do queer people of color find solace in deeply segregated Chicago?  In partnership with Center on Halsted, enjoy pre-show cocktails and free appetizers from Fiesta Mexicana, then stick around for this timely post-show conversation.

ARTIST TALK: BRINGING BLOOD TO LIFE
Special Afterwords | Thurs April 9th, 2015
When Victory Gardens announced a change in the season from A Wonder in My Soul to An Issue of Blood, it was born out of playwright Marcus Gardley’s need to respond to the recent deaths of Michael Brown, Eric Garner, Tamir Rice, and countless others. A historical drama set in the late 1600’s, An Issue of Blood critically examines our history to understand our present. Join Marcus Gardley (playwrights ensemble member) and Chay Yew (artistic director) as they discuss themes, ideas, and the new play process of bringing An Issue of Blood to life.

COLLEGE NIGHT: LOOK AT ME
Pre-show Performance | Special Afterwords | Thurs April 30th, 2015 | 6:30 p.m.
Though race and privilege on college campuses are often considered taboo topics, every college and university faces them. From misperceptions to underrepresentation, students of color are sometimes forced to navigate institutions that may not always protect them. Grab a pop and free pizza and watch young local artists respond at a pre-show performance, then stay for a special Afterwords conversation investigating race & privilege on college campuses. 

MY AMERICA
Encuentros | Fri April 17th, 2015
6:30pm cocktail get together at Victory Gardens | Special Afterwords following performance
All around the country, undocumented Mexican immigrants are working as indentured servants to ensure their place in America. Whether they’re cleaning houses or building them, the pay is less than adequate and the conditions are even worse. With no legal rights and nowhere to turn, how can these workers ensure their safety and survival? Come early for pre-show cocktails and free appetizers from Fiesta Mexicana, and stay for this special Afterwords conversation that hits close to home.

THE PLAYWRIGHT’S VOICE: ...AND JESUS MOONWALKS THE MISSISSIPPI 
Staged Reading | Mon April 20th, 2015 | 7:30 p.m.
Delve further into the mythical worlds of Marcus Gardley at this staged reading of … And Jesus Moonwalks the Mississippi. Presented in association with Congo Square Theater, this 2010 hit is a riff on a familiar Greek tale. Set on the banks of the Mississippi River during the Civil War, a lynched African American man named Damascus is immediately resurrected as a woman named Demeter. With only three days to find her daughter Po'em, she must transmit her song before she has to return to death. 

HOW DO YOU FEAR ME
Special Afterwords | Wed April 23rd, 2015
Since September 11, 2001, the rate of hate crimes against Muslims in the United States has quintupled. In 2015 alone, three Muslim American students were shot in the head in Chapel Hill, North Carolina; an Arab American man was brutally attacked by two white men at a supermarket in Dearborn, Michigan; police in Austin, Texas arrested a man for threatening to bomb an Islamic center - and the list goes on and on. In a culture of prejudice and fear against Muslim Americans, how do we hold each other accountable for shattering the stigma? Engage in this special Afterwords conversation shedding light on one of the most widely misunderstood communities in America. 

SOUTH ASIA SPEAKS: THE NEW IMMIGRANT 
Special Afterwords | Friday April 24th, 2015
The issue of immigration in America is complex - at best. Though immigration itself can be traced as far back as Irish and African indentured servants in colonial America, the vast majority of South Asian immigrants didn't come to the US until after 1970. With Mexican immigration most commonly in the limelight - how can we illuminate the stories of South Asians? What other stories aren't being told? Following the performance, join us for this special Afterwords conversation shedding light to immigration in the South Asian community. 

THE PLAYWRIGHT’S VOICE: THE GOSPEL OF LOVINGKINDNESS 
Staged Reading | Mon April 27th, 2015 | 7:30 p.m.
Last season’s hit by Marcus Gardley returns to the Victory Gardens stage for one night only! After Emanuel is murdered for his new pair of Air Jordans, his mother, Mary, rebuilds her life in the Bronzeville neighborhood she calls home. As fervent and poetic as a gospel hymn, this potent drama about faith, family and loss was inspired by true events. Join us as we celebrate the launch of the Gospel tour, which continues this May  with performances in Pilsen at the National Museum of Mexican Art (in partnership with JDEF Peace Project), and at a local Englewood high school auditorium (in partnership with iGrow Chicago).

LET FREEDOM RING
Special Afterwords | Tue April 28th, 2015
Earlier this month, the Jewish community celebrated Passover - an eight-day festival commemorating the emancipation of the Israeli slaves in ancient Egypt. What does it mean to celebrate this holiday in America, a country with deep roots in slavery? How has a history of oppression shaped American and Jewish culture?  Join us for this timeless post-show conversation addressing old wounds and new waves. 

COLLEGE NIGHT: LOOK AT ME
Pre-show Performance | Special Afterwords | Thurs April 30th, 2015 | 6:30 p.m.
Though race and privilege on college campuses are often considered taboo topics, every college and university faces them. From misperceptions to underrepresentation, students of color are sometimes forced to navigate institutions that may not always protect them. Grab a pop and free pizza and watch young local artists respond at a pre-show performance, then stay for a special Afterwords conversation investigating race & privilege on college campuses. 

Season Sponsors:        Diane and Steve Miller
Lead Production 
Sponsor: The Joyce Foundation
Production Sponsors: The Pendexter Family; Jeff Rappin and Penny Brown; Betty Bradshaw, Harold and The Mimi Steinberg Charitable Trust
Student Matinee Sponsors: Exelon, AllState
Travel Sponsor: Southwest Airlines
Marcus Gardley is an Andrew W. Mellon Foundation Artists in Residence at Victory Gardens Theater.

About Victory Gardens Theater
Under the leadership of Artistic Director Chay Yew and Managing Director Christopher Mannelli, Victory Gardens is dedicated to artistic excellence while creating a vital, contemporary American Theater that is accessible and relevant to all people through productions of challenging new plays and musicals.  With Victory Gardens’ first new Artistic Director in 34 years, the company remains committed to the development, production and support of new plays that has been the mission of the theater since its founding, continuing the vision set forth by Dennis Zacek, Marcelle McVay, and the original founders of Victory Gardens Theater.

Victory Gardens Theater is a leader in developing and producing new theatre work and cultivating an inclusive Chicago theater community. Victory Gardens’ core strengths are nurturing and producing dynamic and inspiring new plays, reflecting the diversity of our city’s and nation’s culture through engaging diverse communities, and in partnership with Chicago Public Schools, bringing art and culture to our city’s active student population.  

Since its founding in 1974, the company has produced more world premieres than any other Chicago theater, a commitment recognized nationally when Victory Gardens received the 2001 Tony Award for Outstanding Regional Theatre. Located in the Lincoln Park neighborhood, Victory Gardens Biograph Theater includes the Zacek-McVay Theater, a state-of-the-art 259-seat mainstage and the 109-seat studio theater on the second floor, named the Richard Christiansen Theater.

In 2012, Victory Gardens appointed new Ensemble Playwrights Philip Dawkins, Marcus Gardley, Samuel D. Hunter and Tanya Saracho, for seven-year residencies. The Playwrights Ensemble Alumni includes Claudia Allen, Lonnie Carter, Steve Carter, Gloria Bond Clunie, Dean Corrin, Nilo Cruz, Joel Drake Johnson, John Logan, Nicholas Patricca, Douglas Post, James Sherman, Charles Smith, Jeffrey Sweet and Kristine Thatcher.

For more information about Victory Gardens, www.victorygardens.org.  Follow us on Facebook at Facebook.com/victorygardens and Twitter @VictoryGardens.


Victory Gardens Theater receives major funding from Alphawood Foundation, The Shubert Foundation, The Joyce Foundation, The John D. and Catherine T. MacArthur Foundation, Polk Bros. Foundation, Crown Family Philanthropies, The Leo S. Guthman Fund, The Andrew W. Mellon Foundation, The William and Orli Staley Foundation, The National Endowment for the Arts, and The REAM Foundation. Additional funding is provided by: Abbot Downing & Wells Fargo, Alliance Bernstein, Allstate Insurance, Berghoff Catering, The Charles H. and Bertha L. Boothroyd Foundation, a City Arts Grant from the City of Chicago Department of Cultural Affairs and Special Events, Elizabeth F. Cheney Foundation, The Conant Family Foundation, Exelon, The Joseph and Bessie Feinberg Foundation, The Fry Foundation, John R. Halligan Charitable Fund, Illinois Arts Council (a state agency),  Illinois Tool Works, Italian Village Restaurants, James S. Kemper Foundation, Mayer Brown LLP, The McVay Foundation, Neal, Gerber & Eisenberg, LLP, Negaunee Foundation, The Prince Charitable Trusts, The Seabury Foundation, Charles & M.R. Shapiro Foundation, Southwest Airlines, The Harold and Mimi Steinberg Charitable Trust, Whole Foods and Wrightwood Neighbors Conservation Association.

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