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Showing posts with label Chicago. Show all posts
Showing posts with label Chicago. Show all posts

Thursday, October 20, 2022

Over My Dead Body; Or, How to Distribute Generational Wealth Via Laughing Stock Theatre Now Playing Through Dec. 4 at Chicago’s Athenaeum Center

 ChiIL Live Shows On Our Radar

Laughing Stock Theatre Presents

Over My Dead Body; Or, How to Distribute Generational Wealth 

Nov. 3-Dec. 4 at Chicago’s Athenaeum Center


A show for all ages and eras, Renaissance Italy comes to 21st Century Chicago in this modern interpretation of the classical commedia dell’arte titled Over My Dead Body; Or, How To Distribute Generational Wealth. Directed by acclaimed Italian director and educator Antonio Fava (from Scuola Internazionale dell’Attore Comico -International School of the Comic Actor in Reggio Emilia, Italy), Laughing Stock Theatre’s skilled commedia actors take on family dynamics and the challenges of capitalism in their newly devised show.

Tomorrow is the wedding of Flaminia and Fulgenzio, but that can wait because today is Pantalone’s birthday. His family and friends plan a surprise to celebrate, but Pantalone mistakes their actions as a plot to kill him! He decides to fake his own death and leave everything to himself... but his family and friends have other ideas. His friends, family, and even a dashing stranger squabble over the various “true” wills they produce, all while being “haunted” by the ghost of Pantalone. Hijinks ensue, but their hilarious and dramatic antics will return to the status quo in the end.

Director Fava, who traveled from Italy to direct this American show, finds something anachronistic and relatable in the modern conundrums the plot produces, saying that the show is “an original, timeless, yet concretely human comedy. In Comedy there is no struggle between Good and Evil, there is instead the struggle for survival, between people…the urgency of a problem… love, money, hunger, or fear. In short, normal people…and the aim is to make the public spend two pleasant hours. Comedy has been doing this for five centuries.”

Producer Aaron Quick says “Laughing Stock is excited to bring one of the world’s foremost scholars and practitioners of the Commedia, our own dear friend and educator, to direct this show straddling the line between classic and modern, comic and dramatic, European and American.”

Quick describes the enduring significance of Commedia dell’Arte framing in their storytelling,“Commedia dell’Arte is often taught as a stepping stone to ‘serious theatre’, but Laughing Stock has dedicated itself to showcasing the modernity it encompasses.” They do this, says Quick, by highlighting the connection between Commedia’s rise in popularity right along with modern capitalism’s influence on society, demonstrating the allure and the absurdity of the enduring eco-system and archetypes remaining the same after all of these years. As a result, Quick says, “The Commedia never died but keeps being relevant.”

Join Laughing Stock Theatre in November for this living demonstration of a theater form that is as hilarious as it is timeless.

 

ARTISTIC TEAM:

Director, Antonio Fava; Lighting and Sound Design, Aaron Quick; Costume Design, Jennifer Mohr; Scenic Design, Claire Hart Proepper.

Performers- Claire Hart Proepper, Jeffrey “JR” Rubin, Jennifer Mohr, Martin Downs, Shea Lee, Helena Scholz-Carlson, Jordan Scherer, and Andy Huttel.

 

SHOW SCHEDULE:

Evenings: Thursday - Saturday @ 8pm

Matinees: Saturday @ 2pm & Sunday @ 3pm

Dates of shows:

11/3 thru 11/6

11/10 thru 11/13

11/17 thru 11/20

12/1 thru 12/4

Doors open 30 minutes before show with a 2 hour run time plus a 15-minute intermission.

 

VENUE:

In Chicago’s Belmont Theater District, at Athenaeum Center for Thought & Culture Studio B, 2936 N. Southport Avenue, Chicago, IL.

 

TICKETS AND INFO:

Tickets on sale through Athenaeum Theater Box Office.

TICKET PRICES: 

$25 suggested General Admission; Pay-What-You-Want tickets available for all shows.


TRANSPORTATION:

Street parking and parking lots available (behind the building on Oakdale, and South of the building on Southport), public transportation access via Brown and Purple line (Wellington stop), Accessible by #9 Ashland Bus


ABOUT Laughingstock Theatre:

Laughing Stock Theatre creates and performs substantive, high-quality Commedia dell’Arte that spectacularizes the mundane and delights their audiences. The majority of their programming is pay what you can or free. Founded in 2019, Laughing Stock has performed original commedia dell’arte shows throughout the Chicagoland area including the Towle Theater, at the Chicago Circus & Performing Arts Festival, The Crowd Theater, William Powers State Park, and their first venue: Mrs. Murphy and Sons Irish Bistro. They have taught lectures and workshops for schools and private events in Indiana and Chicago. See LaughingStockChi.com for more information

PRAISE FOR Laughingstock Theatre’s previous show Masquerade

“The tight physical comedy combined with the situational drama ensured that every scene was both hilarious and moved the plot forward.”

“Masquerade was a hilarious romp which managed to stay true to the classic Commedia art form, center queer characters, fit a sword fight into the Crowd Theatre and keep me laughing throughout.”

“Masquerade blew me away with its bawdiness, fast-paced action and stunning masks!”


Sunday, October 16, 2022

Rolling World Premiere of Man and Moon Runs October 19-November 13, 2022 at Madison Street Theater

 

Siena Marilyn Ledger’s Rolling World Premiere Man and Moon
Opens on October 21 at Madison Street Theater in Oak Park
– A Dragonfly Theatre + 16th Street Theater NFP Co-Production –

Info
Peter Danger Wilde as Aaron and Clare Wols as Luna.
Photo by Omar Fernandez.
San Diego-based Siena Marilyn Ledger’s National New Play Network rolling world premiere Man and Moon runs October 19-November 13, 2022, at Madison Street Theater, 1010 Madison Street in Oak Park, directed by Hayley Procacci.

All tickets are $25, and virtual performances are $10 starting October 27, available online or at 708-795-6704. In addition, The Write Collective’s resident playwrights present free virtual staged readings on Fridays at 7 p.m. CT:
  • October 7, The Queen of Ithaca by Aline Lathrop
  • December 2, Lost Girl by Kathryn Feeney
Man and Moon is set in the waiting room of a hospital oncology unit, where transitioning man Aaron meets 12-year-old middle-schooler Luna, who loves outer space. Together, they learn how to wait and navigate their own changing bodies. The cast for this piece about expansion, connection, grief, and hope includes Peter Danger Wilde (he/they) as Aaron, Clare Wols (she/her) as Luna, and Emma Anderson as Luna’s understudy.

Man and Moon guides us toward our inner children,” said Procacci. “Ledger breathes comedic wit and childlike wonder into this spellbinding two-hander. This play reminds audiences about the importance of community and the feeling of belonging.” 
 
Procacci directs, produces, and devises physical and immersive theater work that dismantles the antiquated ideology of what is traditionally known as “American Theater." Procacci strives to “reflect the stories for and representing all, not just the able, straight, cis, select pool. Through radical inclusivity and a dedication to ensemble, I will tell stories of queerness and gender expression as existent and natural.”
 
Man and Moon runs October 19-November 13, 2022, at Oak Park’s Madison Street Theater (run time is 90 minutes without intermission). Previews are Wednesday, October 19, and Thursday, October 20 at 8 p.m. Opening night is Friday, October 21 at 8 p.m., and the production runs Thursdays at 8 p.m. (first Thursday is October 27, no Thursday show on November 3), Fridays at 8 p.m., Saturdays at 4 p.m. and 8 p.m., and Sundays at 2 p.m. The Saturday, October 29, 4 p.m. show is a free teen matinee.

Talkbacks will be held on Sundays, October 23 and November 6 at 2 pm., and Saturdays, October 29 and November 12 at 8 p.m. At 1010 Madison Street, the theater is located near the Forest Park Blue Line stop, and the Harlem/Lake Green Line stop. 
Peter Danger Wilde as Aaron and Clare Wols as Luna.
Photo by Omar Fernandez.
The production’s artistic team includes Angelina Davila (production manager), Omar Fernandez (assistant director), Vibyana Sacluti (stage manager), Stefan Brun (technical director), Adrian Luca Oxoa (set design), Lauren Alyssa Skulley, IV (light design), Payton Kaye (sound design), Scout Gregory (costume design), and Michele DiMaso (intimacy coach).

Man And Moon is produced by The 16th Street Theater NFP as a National New Play Network Rolling World Premiere, which lets three or more theaters mount the same play within 12 months to allow playwrights to develop work with multiple creative teams across different communities. Other partners are Good Company Theatre (Ogden, UT) and Oregon Contemporary Theatre (Eugene, OR). 

Siena Marilyn Ledger

Siena Marilyn Ledger (they/them) tells stories with poems, personal video documentaries, and plays including The Empty Space, Inosculation, and Say NO to One Paseo. They graduated cum laude from California State University Fullerton's BFA acting program. Ledger is a member of the Chicago Dramatist's second class of Tutterow Fellows.

Hayley Procacci

Hayley Procacci (they/she) is director, producer, playwright, and theatre educator. Originally from Orlando, Hayley has worked professionally in New York and Chicago, directed national and international tours with Missoula Children’s Theatre, and is a full time staff member at Lookingglass Theatre Company. Recent credits include A Sign of The Times (NYC, LDK Productions), Games (NYC, SoHo Playhouse), Better Angels (NYC, SoHo Playhouse), My Uncle Sam (CHICAGO, Theater Unspeakable), Angels In America: Millennium Approaches, Silent Sky, Gruesome Playground Injuries, and Fool For Love (University of Alabama at Birmingham). 

Peter Danger Wilde

Peter Danger Wilde (he/they) is a Chicago-based trans/queer artist who has worked on- and off-stage with Odradek, Redmoon Spectacle Theater, and The Fly Honey Show. Wilde is pursuing a degree in psychology to serve LGBTQ youth through social work, harm reduction and counseling. 

Clare Wols

Clare Wols (she/her) was most recently seen as Brigitta in alternate performances in The Sound of Music at Marriott Theatre. When she’s not studying musical theater at Ovation Academy in Oak Park, this 12-year-old enjoys reading, writing, and hanging with her dog Buddy. 
The 16th Street Theater NFP is partially funded by the Oak Park Area Arts Council, in partnership with the Village of Oak Park, the American Rescue Plan Act, the Illinois Arts Council Agency and the National Endowment for the Arts. Additional funds are provided by The Gaylord and Dorothy Donnelly Foundation, The Driehaus Foundation, The Oak Park River Forest Future Philanthropists Program and The Arts Midwest GIG Fund.

Saturday, October 8, 2022

OPENING: ROUTES Via Remy Bumppo Theatre Company October 12 - November 20, 2022 at Theater Wit

ChiIL Live Shows On Our Radar 

Remy Bumppo Theatre Company

Announces Casting and Production Team for 

ROUTES



by Rachel De-lahay

Directed by Mikael Burke

October 12 - November 20, 2022 at Theater Wit


 

Remy Bumppo Theatre Company is pleased to announce the casting and design team for the final show in its 2022 Season, ROUTES by Rachel De-lahay and directed by Mikael Burke. The show will run from October 12 through November 20, 2022 at Theater Wit, 1229 W. Belmont Avenue in Chicago.


Olufemi hopes to return home to his family. Bashir wants to remain in the only home he knows. Kola yearns to find home in a place that’s never felt like one. Rachel De-lahay’s shattering, urgent new play looks through the eyes of immigrants, refugees, and children in conflict with the law as they fight to get home through an impossibly complex system designed to keep them out.

 

ROUTES will feature Terry Bell (Remy Bumppo Core Ensemble Member) Yao Dogbe, Kristin E. Ellis, Evelyn Lockley, Kevin Tre’von Patterson and TJ Thomas. Designs for this production will feature work by Bindu Poroori (Dramaturg), Mara Zinky (Scenic Design), Gregory A. Graham (Costume Design), Eric Watkins (Lighting Design), Peter Clare (Sound Design), Amanda Herrmann (Properties Design) and Sana Selemon (Dialect Coach).

 

Remy Bumppo Theatre Company’s production of ROUTES will run from October 12 through November 20, 2022 at Theater Wit, 1229 W. Belmont Avenue in Chicago. Subscriptions and single tickets are on sale at www.RemyBumppo.org or by calling the Theater Wit Box Office at 773.975.8150.

 

Remy Bumppo Theatre Company’s 2022-2023 Presenting Sponsor is Geoffrey A. Anderson. Remy Bumppo Theatre Company’s 2022-2023 Season Sponsors are Brenda and James Grusecki, Lynne and George Simon, and Charlotte Toerber.


Remy Bumppo’s programs and operations are also partially funded by the Paul M. Angell Family Foundation, the Gaylord and Dorothy Donnelley Foundation, the Illinois Arts Council, the MacArthur Foundation for Arts and Culture at Prince Charitable Trusts, and the Shubert Foundation.


Cast (in alphabetical order): Terry Bell (Bashir) Yao Dogbe (Olufemi), Kristin E. Ellis (Lisa), Evelyn Lockley (Anka), Kevin Tre’von Patterson (Abiola) and TJ Thomas (Kola)


Understudy Cast (in alphabetical order): Maya Jahan Abram (U/S Lisa), Kevin Aoussou (U/S Abiola), Tamarus Harvell (U/S Bashir), Benjamin Jenkins (U/S Olufemi), Lucas Looch Johnson (U/S Kola), Amanda Winston (U/S Anka)

 

Artistic Director: Marti Lyons

Stage Manager: Lucy Whipp

Assistant Director: Alex Dauphin

Assistant Stage Manager: Cecilia Koloski

Production Manager: Ellen Willett

Technical Director: Harrison Ornelas

Dramaturg: Himabindu Poroori

Scenic Designer: Mara Zinky

Costume Designer: Gregory Graham

Assistant Costume Designer: Aija Moreno

Lighting Designer: Eric Watkins

Assistant Lighting Designer: Liz Gomez

Sound Designer: Peter Clare

Properties Designer: Amanda Herrmann

Dialect Coach: Sana Selemon

Scenic Charge Artist: Trent Jones

Sound Engineer: Andrew Littleton

Head Electrician: Devin Sullivan

Wardrobe Supervisor: Gabi Sitze-Martin

Casting Director: Katie Galetti

Casting Associate: Jasmine B. Gunter

Creative Producer, Company Management, Covid Compliance Officer: Christina Casano

 

Location: Theater Wit, 1229 W. Belmont Ave., Chicago, IL 60657

Dates: Previews: Wednesday, October 12 - October 15, 2022 at 7:30pm; Sunday, October 16, 2022 at 2:30pm

Press Performance: Thursday, October 20, 2022

Regular Run: Friday, October 21 - Sunday, November 20, 2022

Curtain Times: Thursdays – Saturdays at 7:30pm, Sundays at 2:30pm

Matinee Performances (other than Sundays): Saturday, October 29 at 2:30pm; Saturday, November 5 at 2:30pm; Saturday, November 12 at 2:30pm; Thursday, November 17 at 2:30pm

 

Audio Description/Touch Tour Performance: Saturday, October 29, 2022; Touch Tour starts at 1:00pm, and the performance starts at 2:30pm

Open Caption Performance: Saturday, November 5, 2022 at 2:30pm


Tickets: Previews: $30.00

Regular Run: $32.00 - $40.00

Industry Tickets: $15.00, available for all performances

Student Tickets: $10.00, available for all performances

Group Discounts: Available for parties of 10 or more, call 773.975.8150


Top Row (L to R) - Terry Bell, Kristin E. Ellis, Yao Dogbe

Bottom Row (L to R) - Evelyn Lockley, Kevin Tre’von Patterson and TJ Thomas.



ABOUT REMY BUMPPO THEATRE COMPANY:

 

Remy Bumppo Theatre Company expands and enriches their community’s view of the world, and their own, by producing both the great plays of the past and the important plays of today. As an ensemble-driven theater company, Remy Bumppo authors a more humane culture that listens to, and seeks to understand, the voices, the ideas 

and the stories of one another. Since its inception in 1996, Remy Bumppo has produced a blend of modern classics and complex contemporary works, presented in an intimate setting with clarity, wit and passion. We invite audiences to engage directly with the art through conversation with the artists.

Saturday, October 1, 2022

The Auditorium Theatre Proudly Presents Cloud Gate Dance Theatre of Taiwan Performing Chicago Premiere of 13 Tongues for Two Performances Only: October 14 & 15, 2022

 ChiIL Live Shows On Our Radar

Cloud Gate Dance Theatre of Taiwan

13 Tongues

Two performances only: October 14 & 15 at 7:30 p.m.

 


Cloud Gate Dance Theatre of Taiwan performs 13 Tongues, choreographed by CHENG Tsung-lung, photo by LIU Chen-hsiang 

The Auditorium Theatre (50 E. Ida B. Wells Drive) proudly continues its  2022-23 season of global dance presentations with Asia’s leading contemporary dance theater,  Cloud Gate Dance Theatre of Taiwan, performing its bold and breath-taking evening length work, 13 Tongues for two nights only, Friday and Saturday, October 14 & 15 at 7:30 p.m. Making its Chicago premiere, 13 Tongues is a striking and immersive journey transforming childhood memories of the Taoist rites and bustling street life of Bangka into a fantasy world, as choreographed by Cloud Gate Artistic Director CHENG Tsung-lung.

“We are privileged to be able to host some of the greatest performing artists from around the world at the Auditorium Theatre,” says Auditorium Theatre CEO Rich Regan. “Cloud Gate Dance Theatre of Taiwan has been gracing Chicago stages for over two decades, and its brilliant skill and imagery continue to wow Chicago audiences.”

As a child in the 1980s, Cloud Gate Artistic Director CHENG Tsung-lung would contribute to the family business by helping his father sell slippers on the streets of Bangka/Wanhua, the oldest district of Taipei. Bangka/Wanhua was known for its vibrantly diverse and bustling street scene that embraced religious and secular life, rich and poor, work and play, legal and illegal activities. The young CHENG was transfixed by his mother’s accounts of the legendary 1960s street artist and storyteller known as “Thirteen Tongues” who had adopted Bangka/Wanhua for his informal stage. It was said that “Thirteen Tongues'' could conjure up all the Bangka/Wanhua characters - high and low born, sacred and profane, men and women - in the most vivid, dramatic, and fluently imaginative narratives. Thirty years on CHENG’s fascination for “Thirteen Tongues” became his inspiration as he transformed his childhood memories into dance.

Beginning and ending with the sound of a single hand bell, the music accompanying 13 Tongues ranges from Taiwanese folk songs to Taoist chant to electronica. The stage is awash with projections of brilliant colors, shapes, and images as the dancers gather, interact, separate and re-gather in a thrilling representation of the clamor of street life. As the religious heritage of ancient Bangka/Wanhua fuses with the secular space it is today so time appears to dissolve. The spirit realm and the human realm also coalesce as the audience is taken on an immersive journey - via imagination and storytelling that recalls the art of “Thirteen Tongues” - through centuries of human endeavor, behavior, and belief.


Performance schedule and tickets

Cloud Gate Dance Theatre of Taiwan performs at the Auditorium Theatre Friday, October 14 and Saturday, October 15 at 7:30 p.m. Tickets start at $37 (inclusive of all fees) and are now  available at AuditoriumTheatre.org, or by calling 312.341.2300, or at the Box Office at 50 E Ida B Wells Drive in Chicago, IL. Click here for phone and in-person hours.  Discounted tickets for groups of 10 or more people are available. The Auditorium Theatre offers $20 student rush tickets to full-time college students and $5 tickets to young people ages 13-19 with Urban Gateways' Teen Arts Pass program. The Auditorium also offers a Student Savings Club for both college and high school students. The Auditorium Theatre's ADMIT ONE program offers complimentary tickets to Chicago-area community groups.

 


The Auditorium Theatre is fully committed to the health and safety of our patrons and our staff. We continue to monitor health guidance and appropriately adjust our policies. For current health safety information, please visit AuditoriumTheatre.org/visit/safety.

 


Special thanks

The Auditorium Theatre is grateful for the support of the 2022-23 Season Global and Chicago Dance Sponsor, The Florian Fund, and Presenting Sponsor, Alphawood Foundation.  The Auditorium Theatre 2022-23 Season is made possible in part with support from the John D. and Catherine T. MacArthur Foundation and the Illinois Arts Council Agency. The Auditorium’s official hotel partner is the Palmer House Hilton.

About Cloud Gate Dance Theatre of Taiwan

Cloud Gate is the name of the oldest known dance in China. In 1973, choreographer LIN Hwai-min adopted this classical name and founded the first contemporary dance company in the greater Chinese-speaking community: Cloud Gate Dance Theatre of Taiwan, also known worldwide as Cloud Gate. In 2020, CHENG Tsung-lung succeeded LIN as the company’s Artistic Director.  

Cloud Gate has set out to engage with local history, culture and subject matter and draws on classical, folk, and modern dance from both the western and Asian traditions. Its dancers trained in meditation, Qi Gong, an ancient breathing exercise, internal martial arts, modern dance, and ballet. Under the leadership of CHENG, their training has further expanded to include trainings from various styles of dance, such as street dance. Manifesting in choreographies, the company transforms ancient aesthetics into a thrilling and modern celebration of motion.  The company has toured worldwide with frequent engagements at the Next Wave Festival in New York, the Sadler’s Wells Theatre in London, the Moscow Chekhov International Theatre Festival in Russia, the Movimentos International Dance Festival and the Internationales Tanzfest NRW, then directed by Pina Bausch in Germany.

 

About The Auditorium Theatre

The Auditorium Theatre, located at 50 E. Ida B. Wells Drive at Roosevelt University in Chicago, is an Illinois not-for-profit organization committed to presenting the finest in international, cultural, community, and educational programming to all of Chicago and beyond as The Theatre for the People. The organization also is committed to the continued restoration and preservation of this National Historic Landmark that originally opened in 1889.

This Auditorium Theatre’s 2022-23 performance season features a dynamic mix of acclaimed global dance companies (Kyiv City Ballet of Ukraine, Les Ballets Trockadero de Monte Carlo, Step Afrika!, and the much anticipated annual engagement by the Alvin Ailey American Dance Theater) while closer to home, beloved Chicago dance companies also take the stage (Ensemble Español Spanish Dance Theater, also Deeply Rooted Dance Theater, South Chicago Dance Theatre, and an evening with Trinity Irish Dance Company, M.A.D.D. Rhythms, and special guest, New York-based Dorrance Dance. In addition, the critically acclaimed National Geographic Live speaker series, offering first-hand accounts and expert voices on cultural and environmental issues, returns with three offerings and a new lower ticket price. And rounding out the season will be two holiday music concert specials in December:  the popular Too Hot to Handel: The Jazz-Gospel Messiah and Celtic Woman. 

For more information on the Auditorium Theatre and a complete listing of events at the Auditorium Theatre, please visit AuditoriumTheatre.org.


Wednesday, September 28, 2022

REVIEW: Noël Coward’s masterpiece HAY FEVER Via City Lit Now Playing Through October 9, 2022

ChiIL Live Shows On Our Radar

 HAY FEVER



by Noël Coward

directed by Terry McCabe

Now Playing Through October 9, 2022


REVIEW:

By Bonnie Kenaz-Mara

In the microcosm of Chicago's theatre scene, it's amazing how many synchronicities there are. Just one week after reviewing Hay Fever, I'll be out to see yet another Noël Coward play, Private Lives, opening at Raven Theatre. It's exciting Chicago audiences can do a mini immersive in Coward's period pieces with City Lit's Jeff Recommended Hay Fever from 1924 and Private Lives from 1931. His artsy, eccentric, manipulative characters are delightfully funny. Horrible humans behaving badly are eternally timeless yet timely. 

Prior to Hay Fever, my most memorable Noël Coward experience was a 1985 college production of Blithe Spirit at Anderson University in Indiana, where the not so ethereal ghost was a plus sized actress who fell through the stage staircase mid act! They had to stop the play and help extricate her from the rubble. Thankfully she wasn't injured and the audience was patient and understanding about the whole debacle. 

Conversely, City Lit's Hay Fever went off without a hiccup and was an immensely enjoyable night out. We laughed at much of the dialogue and wacky plot twists and were well entertained. Betsy Pennington Taylor was a standout as narcissistic actress, Judith Bliss, and marssie* Mencotti was an absolute hoot as the housekeeper, Clara. The entire cast did some lovely ensemble work with impeccable comedic timing. Shout out also to Ray Toler for the charmingly hilarious scenic design. I'm still laughing at the boar head with ear tassels! 

* Lower case marssie is intentional

Hay Fever's nothing to sneeze at, though this country escape gone wrong may have you laughing so hard your eyes water. If you're itching for a fun production, the foibles of the Bliss bunch are comedic gold.

Recommended. 3 out of 4 stars ★★★

Bonnie is a Chicago based writer, theatre critic, photographer, videographer, actress, artist and Mama. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 


Producer and Artistic Director Terry McCabe will direct Noël Coward’s 1924 comedy HAY FEVER as the final production of City Lit Theater’s 41st season. It replaces the previously announced AZTEC HUMAN SACRIFICE, which has been moved to a slot in spring 2023. Both a comedy of manners and a farce, HAY FEVER has been proven to be exceptionally durable in the nearly 100 years since its first production, enjoying many successful revivals in the US, UK and Canada as well as multiple film and TV productions across the globe. The comedy lampoons the poor manners and deficient hospitality of the four members of an eccentric upper class English family, who each without the other three knowing it have invited a guest to spend the weekend at their country estate. 

McCabe’s cast will include Betsy Pennington Taylor as Judith Bliss, the absent-minded retired actress who is the wife and mother of the bad-mannered hosts; and Stephen Fedo (he/him) as Judith’s novelist husband David Bliss. Their children will be played by Travis Shanahan (he/him) as Simon, and Lizzie Williams (she/her) as Sorel. Appearing as the Bliss’s guests will be Robert Hunter Bry as Judith’s fan Sandy Tyrell, Elizabeth Wigley (she/her) as the vampish Myra Arundel, Melissa Brausch (she/her) as the dim but good-hearted flapper Jackie Coryton, and Gerrit Wilford as diplomat Richard Greatham. marssie* Mencotti will be the housekeeper Clara.

Tickets are on sale now at www.citylit.org and by phone at 773-293-3682.

Top row L-R: Melissa Brausch, Robert Hunter Bry, Stephen Fedo

Second row L-R: marssie Mencotti, Travis Shanahan, Betsy Pennington Taylor.

Third row L-R: Elizabeth Wigley, Gerrit Wilford, Lizzie Williams


On the production team are Ray Toler (Scenic Design), Rachel S. Parent (Costume Design), Chris Matteky (Lighting Design), David Yondorf (Violence and Intimacy Design), Carrie Hardin (Dialect Coach), and Hazel Marie Flowers-McCabe (Stage Manager).


Previews August 26 – September 3, 2022

Preview ticket prices $30.00, seniors $25.00, students and military $12.00 (all plus applicable fees)

Regular run September 4 – October 9, 2022

Fridays and Saturdays at 7:30 pm, Sundays at 3 pm. Mondays September 26 and October 3 at 7:30 pm.

Regular run ticket prices $34.00, seniors $29.00, students and military $12 (all plus applicable fees)

Performances at City Lit Theater, 1020 W. Bryn Mawr Ave. Chicago 60660 (Inside Edgewater Presbyterian Church)

Info and tickets at www.citylit.org and by phone at 773-293-3682.

Noël Coward's masterpiece. The four members of the eccentric Bliss family have each, without the other three knowing it, invited a guest to spend the weekend at their country estate. But the Blisses wouldn't be successful hosts to one visitor; confronted with four, they put their guests through their self-absorbed version of hospitality, utterly oblivious to the train wreck they've engineered. An irresistibly heartless comedy.

 


HEALTH PRECAUTIONS AT CITY LIT

Proof of vaccination is required for all attendees of all performances (physical vaccination card or legible image of vaccination card. Refunds will not be issued if admittance is refused due to lack of vaccination documentation.


BIOS

Noël Coward (Playwright) was an English playwright, composer, director, actor, and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style, a combination of cheek and chic, pose and poise.”  Coward achieved enduring success as a playwright, publishing more than 50 plays from his teens onwards. Many of his works, such as HAY FEVER, PRIVATE LIVES, DESIGN FOR LIVING, PRESENT LAUGHTER, and BLITHE SPIRIT, have remained in the regular theatre repertoire. He composed hundreds of songs, in addition to well over a dozen musical theatre works (including the operetta BITTER SWEET and comic revues), screenplays, poetry, several volumes of short stories, the novel POMP AND CIRCUMSTANCE, and a three-volume autobiography. Coward's stage and film acting and directing career spanned six decades, during which he starred in many of his own works, as well as those of others.

At the outbreak of the Second World War, Coward volunteered for war work, running the British propaganda office in Paris. He also worked with the Secret Service, seeking to use his influence to persuade the American public and government to help Britain. Coward won an Academy Honorary Award in 1943 for his naval film drama IN WHICH WE SERVE and was knighted in 1969. In the 1950s he achieved fresh success as a cabaret performer, performing his own songs, such as "Mad Dogs and Englishmen", "London Pride", and "I Went to a Marvelous Party."

Terry McCabe (Producer, Artistic Director, Director) has been City Lit’s artistic director since February 2005 and its producer since July 2016. He has directed plays professionally in Chicago since 1981. He was artistic director of Stormfield Theatre for four years, resident director at Wisdom Bridge Theatre for five years, and worked at Body Politic Theatre three separate times in three different capacities over a span of 14 years. His City Lit adaptations of HOLMES AND WATSON, GIDGET (co-adapted with Marissa McKown), THE HOUND OF THE BASKERVILLES, SCOUNDREL TIME, and OPUS 1861 (co-adapted with Elizabeth Margolius) were Jeff-nominated. He won two Jeff Citations for directing at Stormfield and has been thrice nominated for the Jeff Award for Best Director, for shows at Court Theatre, Wisdom Bridge, and Victory Gardens. He has directed at many Chicago theatres either long-gone or still with us, as well as off-Broadway at the Cherry Lane Theatre and at Vienna’s English Theatre. His book MIS-DIRECTING THE PLAY has been denounced at length in American Theatre magazine and from the podium at the national convention of The Literary Managers and Dramaturgs of the Americas but has been used in directing courses on three continents and is now available in paperback and Kindle e-book.

 

ABOUT CITY LIT

For over forty-one years, City Lit Theater has been dedicated to the vitality and accessibility of the literary imagination. City Lit produces theatrical adaptations of literary material, scripted plays by language-oriented playwrights, and original material. City Lit Theater was founded with $210 pooled by Arnold Aprill (at the time the Body Politic Theatre’s box office manager), David Dillon, and Lorell Wyatt on October 9, 1979, and was incorporated on March 25, 1980. There were still so few theatres in Chicago that at City Lit’s launch event, they were able to read a congratulatory letter they had received from Tennessee Williams.

The United States Library of Congress has selected our Civil War Project blog for inclusion in its historic collection of internet materials related to the American Civil War Sesquicentennial. Check it out at citylitcivilwar.blogspot.com.

City Lit is in the historic Edgewater Presbyterian Church building at 1020 West Bryn Mawr Avenue. We are two blocks east of both the Bryn Mawr Red Line stop and the #36 Broadway and the #84 Peterson buses. We are one block west of the #147 Sheridan and #151 Sheridan buses. Divvy bike stations are located at Bryn Mawr & Lakefront Trail, and at Broadway & Ridge at Bryn Mawr. The metered street parking pay boxes on Bryn Mawr have a three-hour maximum duration and are free on Sundays. There are additional details about parking and dining options at www.citylit.org 

City Lit is supported by the MacArthur Funds for Arts and Culture at the Richard H. Driehaus Foundation, the Gaylord and Dorothy Donnelley Foundation, the Ivanhoe Theater Foundation, the Illinois Arts Council Agency and is sponsored, in part, by A.R.T. League. 

For more information and to donate, visit www.citylit.org and by phone at 773-293-3682.


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