OPENING: About Face Theatre and Theater Wit Present The Midwest Premiere of SIGNIFICANT OTHER 11/3-12/9

Chi, IL LIVE Shows On Our Radar:

Midwest Premiere!

About Face Theatre and Theater Wit Present

SIGNIFICANT OTHER

By Joshua Harmon

Directed by AFT Artistic Associate Keira Fromm

November 3 – December 9, 2017 at Theater Wit

The cast of About Face Theatre and Theater Wit’s Chicago premiere of SIGNIFICANT OTHER (top, l to r) AFT Artistic Associates Benjamin Sprunger and Alex Weisman with Ninos Baba (bottom, l to r) Amanda Drinkall, Tiffany Oglesby, Cassidy Slaughter-Mason and Ann Whitney.

Here at ChiIL Live Shows, we can't wait to catch Significant Other. It's the last chance for Chicago audiences to see Alex Weisman as a local, albeit playing a New Yorker, before he actually heads out to New York and dons Hogwarts Robes for his new gig on Broadway! We also enjoyed playwright Joshua Harmon's acclaimed comedy, Bad Jews, and caught it several times, so we're interested to see more of his work hit the Theater Wit stage. Save the dates and get your tickets early. Previews start November 3rd. 

About Face Theatre and Theater Wit are pleased to present the Midwest premiere of the romantic comedy SIGNIFICANT OTHER by Joshua Harmon, playwright of the hit comedy Bad Jews. Directed by AFT Artistic Associate Keira Fromm, SIGNIFICANT OTHER will play November 3 – December 9, 2017 at Theater Wit, 1229 W. Belmont Ave. in Chicago. Tickets are currently on sale at aboutfacetheatre.com or theaterwit.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office. 

SIGNIFICANT OTHER will feature AFT Artistic Associates Benjamin Sprunger and Alex Weisman with Ninos Baba, Amanda Drinkall, Tiffany Oglesby, Cassidy Slaughter-Mason and Ann Whitney.

Jordan Berman is a single gay man in New York City. Mr. Right is nowhere on his horizons. As he's nearing his 30s, his close group of girlfriends begin getting married en masse. What happens when you feel like life is leaving you behind but you're still expected to be at the forefront cheering on your friends on their perfect wedding day? Significant Other is a bittersweet comedy about friendship, single-hood and hoping you're not the one choking on car exhaust as the "Just Married" sign disappears from view. 

In 2015, Joshua Harmon's play Bad Jews hit Theater Wit and performed to capacity crowds for eight months. A breakaway playwright of his generation, Harmon's work offered a unique and searingly funny look at a new generation of American Jews. Now, with Significant Other he turns his compassion and considerable wit to marriage.

"This feels like the perfect moment to be bringing Significant Other to the stage," comments Director Keira Fromm. "On the surface, Significant Other is a very funny play about single-hood and friendship. On a deeper level, our protagonist, Jordan, is enduring an existential crisis. On the brink of turning 30 and recognizing that being gay today no longer means you're immune to expectations of marriage, Jordan is failing at the task of finding his soulmate. He begins to feel that life is passing him by and finding his way in the world starts to feel like a gargantuan undertaking. In our increasingly alienating world, I find that quest intensely moving and relatable.” 

"I am very excited to join About Face Theatre in presenting the Midwest premiere of Joshua Harmon’s newest work,” comments Theater Wit Artistic Director Jeremy Wechsler. “I think Josh is a remarkably original writer with a gift for showing us the utterly real and utterly unexpected. His plays are always about deeply human characters with a writerly perspective we've not seen previously dramatized, and Significant Other is no exception. Bad Jews was a legitimate theatrical event of 2015 – and Significant Other promises, in its writing and casting, to be another for 2017."

The production team for SIGNIFICANT OTHER includes Jeff Kmiec (scenic design), Noël Huntzinger (costume design), John Kelly (lighting design), Christopher Kriz (sound design), Pauline Oleksy (props design), Catherine Allen (production manager) and Helen Lattyak (stage manager).

Location: Theater Wit, 1229 W. Belmont Ave., Chicago
Dates: Previews: Friday, November 3 at 7:30 pm, Saturday, November 4 at 7:30 pm, Sunday, November 5 at 7 pm and Tuesday, November 7 at 7 pm.
Press opening: Wednesday, November at 8 at 7 pm
Regular run: Friday, November 10 – Saturday, December 9, 2017
Curtain Times: Wednesdays, Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. Please note: there will not be a performance on Thursday, November 9 or Thursday, November 23 (Thanksgiving); there are added performances on Wednesday, November 15 at 7:30 pm, Sunday, Saturday, November 25 at 3 pm and Sunday, November 26 at 7 pm and Saturday, December 9 at 3 pm.

Tickets: Previews: $15. Regular run: $20-$38. Discounts available for groups of 10 or more. Tickets are currently on sale at aboutfacetheatre.com or theaterwit.org, by calling (773) 975-8150 or in person at Theater Wit Box Office.

Artist Biographies
Joshua Harmon’s (Playwright) play Bad Jews received its world premiere at Roundabout Underground and was the first production to transfer to the Roundabout's Laura Pels Theatre (Outer Critics Circle and Lucille Lortel Award nominations, Best Play). It became the third most-produced play in the U.S. during the 2014-15 season and transferred to London’s West End after sell-out runs at Theatre Royal Bath and the St. James Theatre. His newest play, Significant Other, opened at Roundabout this summer. His work has been produced and developed by Manhattan Theatre Club, Williamstown Theatre Festival, Hangar Theatre, Ars Nova, and Actor's Express, where he was the 2010-2011 National New Play Network Playwright-in-Residence. He has received fellowships from MacDowell, Atlantic Center for the Arts, SPACE at Ryder Farm, and the Eudora Welty Foundation. Joshua is a recent graduate of Juilliard and at work on commissions for Roundabout Theatre Company and Lincoln Center Theater.

Keira Fromm (Director) is a Jeff Award nominated director, a casting director and a teacher based out of Chicago. Favorite recent directing credits include: Bright Half Life (About Face Theatre), A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan-Kettering Cancer Hospital of New York City (Route 66 Theatre Company) The Columnist (American Blues Theater), How the World Began (Rivendell Theatre Ensemble), A Kid Like Jake (About Face Theatre), Luce (Next Theatre), Charles Ives Take Me Home (Strawdog), The How and the Why (TimeLine Theatre), Broadsword (Gift Theatre) and Fallow (Steep Theatre). Keira is a proud Artistic Associate with About Face Theatre. She received her MFA from DePaul University and her BFA from Boston University. She is a member of SDC, as well as the Lincoln Center Theater Directors Lab. Keira is a frequent guest director at DePaul, as well as Roosevelt University. 

SIGNIFICANT OTHER was developed during a residency the Eugene O’Neill Theater Center's National Playwrights Conference in 2013. Preston Whiteway, Executive Director; Wendy C. Goldberg, Artistic Director.

About The Theatres 
About Face Theatre creates exceptional, innovative, and adventurous theatre and educational programming that advances the national dialogue on sexual and gender identity, and challenges and entertains audiences in Chicago and beyond.

Theater Wit, Chicago’s “smart art” theater, is a major hub of the Chicago neighborhood theater scene, where audiences enjoy a smorgasbord of excellent productions in three, 99-seat spaces, see a parade of talented artists and mingle with audiences from all over Chicago. 

“A thrilling addition to Chicago’s roster of theaters” (Chicago Tribune) and “a terrific place to see a show” (New City), Theater Wit is now in its seventh season at its home at 1229 N. Belmont, in the heart of the new Belmont Theatre District in Chicago’s Lakeview neighborhood. The company’s most recent hits include 10 Out of 12 and Mr. Burns, a post-electric play by Anne Washburn, Naperville by Mat Smart, The New Sincerity by Alena Smith, Bad Jews by Joshua Harmon, The (curious case of the) Watson Intelligence and Seven Homeless Mammoths Wander New England by Madeleine George, and Completeness and The Four of Us by Itamar Moses. 

In 2014, Theater Wit was awarded the National Theatre Award by the American Theatre Wing for strengthening the quality, diversity and dynamism of American theater. Theater Wit also brings together Chicago’s best storefront companies at its Lakeview home, including 2017-18 resident companies About Face, Kokandy Productions and Shattered Globe. 

REVIEW: House Theatre's Dorian & Post Show Dance Party May 10th #Theatre

This Saturday 5/10: DJ Bouncy Castle (aka Zeke Sulkes) will be spinning the best of the best in techno, disco, hip-hop, and house music! Come ready to play, and be prepared to leave your clothes on the dance floor. The party starts at 8pm with a performance of DORIAN, with its onstage cash bar and lush, dance-fueled, promenade staging. At 10pm, DJ Bouncy Castle takes the stage for a dance party with the cast and crew of the show. The cash bar remains and the dancing continues!

Admission is FREE with your ticket to DORIAN, and you're welcome to come when the party starts at 10:00 PM! Industry folks get half price anytime with code "IMAKEART" and a proof of industry at will call.

Dorian Review: ChiIL Live Shows had a chance to check out Dorian on opening night and this unique production is well worth a look. Do note, there is brief nudity, and stage violence, so this show is recommended for mature audiences and not appropriate for those under 16.   Now for the rest of you...  The set of DORIAN is like an art gallery opening, and to reflect this, DORIAN is staged in promenade. Audience members experience the show by walking and standing with the actors throughout the stage space. There will be places to perch during scenes, but not regular theatre seats. With promenade staging you are encouraged to move about the stage however you like, which gives you some exciting choice in exactly how you experience this show.  For this show there's also a large bar on stage, which means during intermissions you won't have to go far for a drink! If you know you won't be able to stand for a duration, just let the theatre know and they'll arrange seating for you. Other limited seating is available... first come first served. Current run time for DORIAN is 2 hours including one intermission. Doors open 30 minutes before showtime, and The House Theatre encourages you to come early and enjoy the on-stage cash bar, and mingle with the performers.  (Do note, unfortunately only 2 specialty show drinks are available at the on stage bar. For good Polish beer & other options, purchase in the lobby and bring it in with you!) Promenade It's become all the rage and sometimes rightfully so. Promenade staging (or shows where the audience stands and mingles in the performance space and follows the action, moving as needed) was used to great effect for The Hypocrites runaway hit, The Mikado (coming back again this winter--yay).  We've honestly never seen the 3rd wall so effectively broken down. The Mikado was playful, fun, interactive and highly effective as a promenade style piece.  There's currently a promenade style Midsummer Night's Dream at Strange Loop Theatre and Red Moon Theatre's latest, Bellboys, Bears and Baggage, is billed as a promenade style spectacle, too. Now for Dorian... We have mixed feelings about the success of this style here. On the up side, most of the action is in the New York art party scene so it makes sense to have the audience included as party goers & every night the audience is different & can truly alter the show.  Yet, promenade style can be intimidating for those more reticent audience members, and a cast of art snobs is not the most welcoming by nature. The cast in character was rude and snobbish, pushing through the audience to get to their hot, new favorite, leaving the party guests/audience members feeling brushed off at best and excluded and in the way, at worst.  The sight lines were also bad for shorter people in much of the space. Maybe they've tweaked it since the opening and this isn't such an issue, but a big percentage of the audience literally fled for the minimal seating after the first couple scenes. The sight lines looked better there (although I can't be sure as we stuck it out on the floor), but the behind the bar seating seemed problematic and a bit blocked off and detached from the action as well.   An even bigger obstacle to the Dorian promenade success is the big obstacles... ie: large set pieces. There are huge chunks of stage being shifted in and out of the space routinely, so that we were completely distracted from the dialogue and action on stage.  It felt like we were constantly in the way and every few minutes someone was saying excuse me and barreling down on us with a big, rolling hunk of set.   Plot & Characters Dorian starts slow and for all the sordid plot points, it is a stylized piece without a lot of action. We dug the giant, evolving portrait and thought that was highly effective. Otherwise the set and costumes were fairly unremarkable. There seemed to be a lot of extraneous rushing about from the art snobs, that didn't appear organic or seem to have much point.  Last December we saw We Three Lizas by About Face Theatre at Stage 773. It's been over 4 months and I'm STILL laughing about Andy Warhol's entourage club scene, and replaying it in my head. It was incredibly spot on hilarious!  Dorian left me wishing for this level of pretentiousness and parody. That said, it's an interesting enough piece. Though not one of our favorites from The House, Dorian is macabre, dark, refreshingly new, and worth a look. A DANCE-FUELED THRILLER OF VICE AND VIRTUE By Ben Lobpries and Tommy Rapley Directed and Choreographed by Tommy Rapley Adapted from the novel The Picture of Dorian Gray by Oscar Wilde PRICE: $20-$39 for Regular Run. TIMES: Thursdays, Fridays, & Saturdays at 8:00pm, Sundays at 7:00pm RUN TIME: 2 hours, including one intermission New to the big city, a young, beautiful, and fragile Dorian Gray is greedily embraced by a group of artists and art critics. Frustrated and sensitive painter Basil Howard creates a stunning portrait of the young Dorian.  But wild gallery parties, heart-broken lovers, and desperate violence wreak havoc on the portrait, reflecting the scars on Dorian’s soul. Yet the man himself remains flawless for decades. What crime can ultimately break the spell? This boldly modern adaptation reveals depth, pain, and longing beneath the surface of Wilde’s morality tale. Just like Dorian’s picture, this classic story about the creation of a masterpiece is transformed into a lush, dance-fueled stage production. DORIAN is staged in promenade, with actors and audience sharing the stage space. If you want to join us, but won't be able to stand and move easliy, just let us know and we'll work it out. DORIAN contains brief nudity, adult topics, and a bar on stage. Leave the kids at home on this one! Thinking about bringing your teen? Check out our Parent's Guide for more content info.  “A stunning achievement” -Windy City Times “No question, Rapley’s appropriately stylized revision is THRILLING stuff, aesthetically consistent with Wilde… while PERFECTLY TUNED into the overkill of American affluence.” -Chicago Free Press Show Dates: Apr 4 2014 to May 18 2014  Location:  The Chopin Theatre 1543 W. Division St., Chicago, IL Click or call 773-769-3832, use Industry code IMAKEART Can't make it this Saturday? Advance Industry tickets for ANY performance are HALF-PRICE!  Use code IMAKEART.

Performed in promenade, driven by dance, and with a bar right on stage.

DORIAN performs Thursdays - Saturdays at 8pm and Sundays at 7pm at The House Theatre's home, The Chopin Theatre, 1543 W. Division St. in Chicago.

ACT OUT HOLIDAY: About Face Theatre Presents The Return of the Hit Holiday Musical WE THREE LIZAS

New Book and Expanded Score!

About Face Theatre Presents

The Return of the Hit Holiday Musical

WE THREE LIZAS

Book & Lyrics by AFT Artistic Associate Scott Bradley

Music & Additional Lyrics by Alan Schmuckler

Directed by AFT Artistic Associate Scott Ferguson

Musical Direction by Aaron Benham

November 27, 2013 – January 5, 2014 at Stage 773

Feeling "Mary" and Gay this holiday season?   You'll be in good company at We Three Lizas!   Embrace your inner diva and come on out for a fabulous night.

WeThreeLizas-5 (left to right) Danielle Plisz and Scott Duff in a publicity image for About Face Theatre’s production of WE THREE LIZAS with book & lyrics by Scott Bradley, music & additional lyrics by Alan Schmuckler and directed by Scott Ferguson.  Photo by Cheryl Mann.

About Face Theatre’s sparkly, queer holiday hit musical WE THREE LIZAS is back and better than ever – with a new book and expanded score!  Featuring book and lyrics by Scott Bradley*, music and additional lyrics by Alan Schmuckler, direction by Scott Ferguson*, music direction by Aaron Benham and choreography by Patrick Andrews*, WE THREE LIZAS will play November 27, 2013 – January 5, 2014 at Stage 773, 1225 W. Belmont Ave. in Chicago. Tickets are available online at www.aboutfacetheatre.com or www.stage773.com, in person at the Stage 773 Box Office (1225 W. Belmont Ave., Chicago) or by calling (773) 327-5252.  The press opening is Thursday, December 5 at 7:30 pm.

WE THREE LIZAS will feature many of the original cast members including Scott Duff*, John Francisco*, Sharriese Hamilton, Danielle Plisz (Jeff Award-nominated), Dana Tretta and Andrew Swan in addition to newcomers Mark David Kaplan, James Nedrud and Bethany Thomas. Musicians include Aaron Benham (piano/conductor), Jed Feder (drums) and Debra Johnson (bass).  *Denotes AFT Artistic Associates.

Box maker Conrad Ticklebottom’s life has hit a block. Once, Conrad and his purple box ignited an entire movement in art and design, but now he finds himself alone, forgotten and teetering on ruin. The holidays bring three magical figures to his door – a trio of Liza Minnellis to escort him on a fabulous journey through what-was, what-could-be and what-the-f*?!, redeeming his lost promise and re-inventing a brand-new Conrad Ticklebottom.  It’s a quirky holiday musical tale of hope, transformation… and the power of Liza!

“Liza’s back and she’s better than ever! After having played to sold-out audiences in 2012 at the Steppenwolf Garage and in concert at Joe’s Pub in New York this summer, I’m thrilled to bring back this hilarious and moving holiday musical,” comments About Face Artistic Director Andrew Volkoff. “In this year of development at About Face, we are proud to support the continued growth of this project and the artists who’ve created it.  Artistic Associate Scott Bradley and composer Alan Schmuckler have developed a sensational new book and score and we’re delighted to share it with Chicago audiences.  If you missed it last year, get your tickets now: it’s bound to sell out again this year!  And if you saw it last year, you’ve got to see this fantastic new version and make We Three Lizas your new holiday tradition!” adds Volkoff.

The production team for WE THREE LIZAS includes: Jerre Dye (set design), Mieka van der Ploeg and Robert S. Kuhn (costume design), Mac Vaughey (lighting design), Josh Horvath (sound design), Eleanor Kahn (properties design), Davis McCarty (projections design) and Helen Lattyak (stage manager).

Title:  WE THREE LIZAS

Book and Lyrics:  AFT Artistic Associate Scott Bradley

Music and Additional Lyrics: Alan Schmuckler

Director:  AFT Artistic Associate Scott Ferguson

Musical Director: Aaron Benham

Choreography: AFT Artistic Associate Patrick Andrews

Featuring:  Featuring AFT Artistic Associates Scott Duff and John Francisco with Sharriese Hamilton, Mark David Kaplan, James Nedrud, Danielle Plisz, Bethany Thomas, Dana Tretta and Andrew Swan.

Musicians: Aaron Benham (piano/conductor), Jed Feder (drums) and Debra Johnson (bass).

Location:  Stage 773, 1225 W. Belmont Ave., Chicago

Dates:  Previews: Wednesday, November 27 at 7:30 pm, Friday, November 29 at 7:30 pm, Saturday, November 30 at 7:30 pm, and Sunday, December 1 at 3 pm

Regular run:  Friday, December 6^th, 2013 – Sunday, January 5, 2014

Curtain Times:  Thursdays and Fridays at 7:30 pm; Saturdays at 3 pm & 7:30 pm; Sundays at 3 pm

Tickets:  Previews: $20 adults/$10 students. Regular run: $45 adults/$20 students. Group discounts available. Tickets are available online at www.aboutfacetheatre.com or www.stage773.com, in person at the Stage 773 Box Office (1225 W. Belmont Ave., Chicago) or by calling (773) 327-5252.  Additional processing fees apply for phone and internet orders.

WeThreeLizas-3 (left to right) Scott Duff and Danielle Plisz in a publicity image for About Face Theatre’s production of WE THREE LIZAS with book & lyrics by Scott Bradley, music & additional lyrics by Alan Schmuckler and directed by Scott Ferguson.  Photo by Cheryl Mann.

About the Creative Team:

Scott Bradley (Book & Lyrics) is co-founder of Chicago's The Scooty & JoJo Show, for which he wrote and developed the critically-acclaimed musical works Alien Queen, Carpenters Halloween, Rosemary Clooney’s Baby, Mollywood, Tran: The Atari Musical, The Scooty & JoJo Variety Hour, Thank God! It’s the Scooty & JoJo Show and Diva Brunch.  As a writer, director, designer and performer, he has collaborated in the development of new works at New York's PNBC/HERE (Fiona Apple Kwaanza Explosion), New Works Project (Atlantis City, RSVP), adobe theater company (The Eight, Tracker), Next Stage Theater (Adventures of Bobbi & Vaughan), HOME for Contemporary Theatre & Art (No Shame), BACA Downtown (A Child is Being Beaten) and CBGB's Galleria (I’ll Go On); Chicago's About Face Theatre (We Three Lizas, The Homosexuals), Walkabout Theatre Company (Crow), BigTop JoJo (Phenomenal Phantasmagoria), Hell In A Handbag Productions (The Birds, Caged Dames); Washington, D.C.'s Washington Shakespeare Company (Romeo & Julius Caesar); Seattle's UMO Ensemble (Maldoror), Open Circle Theater (Ballyhoo, Poona the F*ckdog, ETA: Phoenix, Little Boy, Return to the Garden of Allah) and Bald Faced Lie (Slow Children). He is an Artistic Associate with About Face Theatre, former Artistic Director of Seattle's Open Circle Theater, and served as Associate Artistic Director at BACA Downtown, Brooklyn, NY. He is a member of the Dramatists Guild, AEA and SAG/AFTRA.

Alan Schmuckler (Music and Additional Lyrics) will see his new musical Days Like Today (book by Laura Eason) premiere at Chicago's Writers' Theatre in 2014. His musical The Emperor’s New Clothes (book by David Holstein) enjoyed a critically acclaimed premiere production at the Tony-winning Chicago Shakespeare Theater, and received its international debut at the Stage Artz Theatre Company in Sydney, Australia. He and Michael Mahler co-wrote book, music and lyrics for Chicago Shakespeare’s How Can You Run with a Shell on Your Back?, which premiered and remounted in 2007, and has since been produced nationwide, including at the Chicago Humanities Festival, the National Alliance for Music Theatre’s 21st Annual Festival of New Musicals, and at theaters and schools nationwide. His concert credits include Alan Schmuckler: I Miss The City (Joe’s Pub, NYC); and, with Mahler, the Kennedy Center’s Millennium Stage (Washington, D.C.), and numerous Chicago gigs with their band, the Lincoln Squares, whose debut EP, The Lincoln Squares!, is available online. Alan’s music and lyrics have been featured in the Fourth Annual Broadway in South Africa Gala; the York Theatre Company’s NEO6 Benefit Concert; the Chicago “Monday Nights, New Voices” series; and the National Alliance for Music Theatre’s New Works Summit and Songwriters’ Showcase. Alan is a three-time Joseph Jefferson-nominated actor and recently appeared in Nikolai and the Others, (Lincoln Center Theater). He is a proud alum of Northwestern University and the School at Steppenwolf, and a member of AEA and ASCAP.

Scott Ferguson (Director) is the Co-Founder and Artistic Director of Theatrebam Chicago where he wrote and created the hit shows, Schoolhouse Rock Live!, Schoolhouse Rock Live Too! and The Main Street Kids’ Club: A MathStart Musical. Scott has directed the SRLive! National Tours (’99-’01) with Troupe American, Inc., the Off-Broadway productions at The Atlantic and the Lamb’s Little Theatre, as well as many productions across the country. Scott is a proud Artistic Associate of About Face Theatre, where he directed Xena Live! Episode One, the Jeff Nominated Xena Live! Episode Two, Xena Lives! The Musical and Say You Love Satan and last year's We Three Lizas. As a Founding Collective Member of Bailiwick Chicago, he directed the critically acclaimed Aida and Bloody Bloody Andrew Jackson. Scott has also directed for Hell in a Handbag, Filament, Chicago Children’s Theatre, Drury Lane Oakbrook and Watertower. For the former Bailiwick Repertory, Scott directed the Non-Equity Jeff Nominated A Man of No Importance as well as The Cousins Grimm. Regionally, he has directed for Playhouse On The Square in Memphis, The Fulton Opera House in Lancaster, PA, The Wohlfahrt Haus Theatre in Wytheville, Virginia, Rhodes College and New Trier High School. Favorites include; The Rocky Horror Show, Return To The Forbidden Planet, The Mystery Of Irma Vep, Evita, Bat Boy The Musical, Jekyll & Hyde, Floyd Collins, Disney’s Aida, Beauty And The Beast, Saucy Jack & The Space Vixens, Year With Frog And Toad, Big River, Altar Boyz, Xanadu and Pippin. 

Aaron Benham (Musical Director) is a local music director, conductor, arranger and composer. Chicago credits: A Cole Porter Songbook and Time After Time: The Songs of Jule Styne, Theo-Ubique; Anyone Can Whistle and Putting it Together, Porchlight Music Theatre; Sweet Charity and Days Like Today, Writer's Theatre; Avenue Q and Spamalot, NightBlue; RockShow(Tunes) and The Rise of the Numberless, Bailiwick Chicago.  He is a member of the Improvised Sondheim Project, and has performed locally and aboard the Norwegian Epic cruise ship with Second City.  Up next: The Sweet Smell of Success, Kokandy Productions, and the Chicago premiere of Carrie with Bailiwick Chicago.  BFA, Emerson College.

About Face Theatre (Andrew Volkoff, Artistic Director) is one of Chicago’s most acclaimed theatre companies, and is a national leader in the development of new work exploring gender and sexual identity.  Since its founding by Kyle Hall and Eric Rosen in 1995, the company has premiered more than 48 world premieres by writers and directors who have been recognized with several Tony Awards, The Pulitzer Prize for Drama, The MacArthur Fellowship and dozens of Joseph Jefferson Awards.

WeThreeLizas-1 (pictured) Danielle Plisz (above) and Scott Duff (below) in a publicity image for About Face Theatre’s production of WE THREE LIZAS with book & lyrics by Scott Bradley, music & additional lyrics by Alan Schmuckler and directed by Scott Ferguson.  Photo by Cheryl Mann.

HELP LOCALLY: About Face Presents THE BLACK AND TAN SUPPER CLUB 10/11/13 Exclusive 'Speakeasy Throwback' at Mystery Venue

About Face Presents

THE BLACK AND TAN SUPPER CLUB

Friday, October 11, 2013

Exclusive 'Speakeasy Throwback' at Mystery Venue

For one exclusive night, step back into the golden age of underground society as About Face Presents THE BLACK AND TAN SUPPER CLUB on Friday, October 11 from 7 pm – 10 pm.  This magical throwback to Chicago’s “black and tan” nightclubs of the 1920s will take place at a secret venue revealed just one week prior to the event, creating a singular experience of mystery.

Guests will experience a captivating line-up of gender-bending performances celebrating About Face Theatre’s Season of Transformation and its commitment to exceptional, innovative and adventurous work, hosted by Artistic Associate Paul Oakley Stovall. Classic cocktails and fine dining by J&L Catering complete this limited-seating, speakeasy send-off.  Tickets for THE BLACK AND TAN SUPPER CLUB are available at www.aboutfacetheatre.com or by calling (773) 784-8565.

“Join us for an event that perfectly captures what About Face is all about and experience first-hand the theatre’s unique approach to entertainment that both challenges and enthralls,” comments Co-Chair Jim Andrews. “While this is sure to be an unforgettable evening, it’s also an opportunity to help support About Face in its mission to forge a new era of theatre and social change for the LGBTQA community,” adds Co-Chair Jason Held.

Proceeds from THE BLACK AND TAN SUPPER CLUB will support About Face Theatre programming, including its groundbreaking and acclaimed Youth Theatre, which creates a safe space for queer youth to tell their stories and create community.

Event:             About Face Presents THE BLACK AND TAN SUPPER CLUB

Date:               Friday, October 11 from 7 pm – 10 pm

Location:       Secret venue – to be disclosed to guests one week prior to event.

Details:           Exclusive one-of-a-kind benefit featuring gender-bending performances, fine dining, classic cocktails, and more.

Tickets:          $250 individual tickets. Additional sponsorship opportunities are available. For tickets and information, visit www.aboutfacetheatre.com or call (773) 784-8565.

The BLACK AND TAN SUPPER CLUB Co-Chairs: Jim Andrews and Jason Held.

About Face Theatre is one of Chicago’s most acclaimed theatre companies, and is a national leader in the development of new work exploring gender and sexual identity.  Since its founding by Kyle Hall and Eric Rosen in 1995, the company has premiered more than 48 world premieres by writers and directors who have been recognized with several Tony Awards, The Pulitzer Prize for Drama, The MacArthur Fellowship and dozens of Joseph Jefferson Awards.

The About Face Youth Theatre (AFYT) was created in 1998 as a safe space for lesbian, gay, bisexual, transgender, queer or questioning, and allied young people to become activists and theatre-makers. Youth participants engage in a two-year process of sharing stories, conducting interviews, writing a script, and developing performances to create a full-length production that is produced in About Face Theatre’s mainstage season.

ACT OUT: ABOUT FACE THEATRE ANNOUNCES 2013-14 PROGRAMMING

New Book and Expanded Score!

The Return of the Hit Holiday Musical

WE THREE LIZAS

Book & Lyrics by Artistic Associate Scott Bradley

Music & Additional Lyrics by Alan Schmuckler

Directed by Artistic Associate Scott Ferguson

Music Direction by Aaron Benham

Choreography by Artistic Associate Patrick Andrews

The Chicago Premiere of

BRAHMAN/I

By Aditi Brennan Kapil

Directed by Artistic Director Andrew Volkoff

The World Premiere of

CHECKING BOXES

By The About Face Youth Theatre Ensemble

OUT FRONT Series

Featuring Year-Round Public Readings and Workshops of New Works by Bixby Elliot, 

Harrison David Rivers, Tanya Saracho, Paul Oakley Stovall and others

PRIDE CABARET Music Series

About Face Theatre is pleased to announce its 2013-14 programming, showcasing premiere productions and developmental works that explore gender and sexual identity.  AFT’s mainstage kicks-off this winter with the return of the hit holiday musical WE THREE LIZAS, featuring a new book and expanded score. In the spring, AFT presents the Chicago premiere of Aditi Brennan Kapil’s stand-up comedy play, BRAHMAN/I, exploring gender, culture, mythology and puberty all through the lens of a hijra, an Indian intersex person.  Next summer, About Face Youth Theatre investigates the intersection of immigration and queer identity in the world premiere of CHECKING BOXES. AFT’s 2013-14 offerings will also feature the OUT FRONT Series, a year-round line-up of workshops and readings of new and developmental works by LGBTQA playwrights, as well as a month-long PRIDE CABARET Music Series in June 2014.  For additional information on About Face Theatre’s 2013-14 programming, please visit www.aboutfacetheatre.com.

“AFT has always been a home for new LGBTQA work and, in my first year here, I want to honor that commitment to development that has long been at the core of the work we do,” comments Artistic Director Andrew Volkoff. “Our aim is to strengthen the tie between art, artist and organization through sharing the artistic process.  To that end, we’re making development our focus this year, showcasing work at every developmental level – from reading to premiere and of every genre – giving our audiences exciting, new opportunities to get inside the art, acquaint themselves with some new LGBTQA voices and re-engage with the organization. I’m thrilled to be taking the reins of About Face Theatre and am looking forward to bringing some great new work to Chicago,” adds Volkoff.

The About Face Theatre 2013–14 programming includes:

November 27, 2013 – January 5, 2014

The Return of the Hit Holiday Musical

WE THREE LIZAS

Book and Lyrics by AFT Artistic Associate Scott Bradley

Music & Additional Lyrics by Alan Schmuckler

Directed by AFT Artistic Associate Scott Ferguson

Musical Direction by Aaron Benham

Choreography by AFT Artistic Associate Patrick Andrews

Featuring AFT Artistic Associates Scott Duff and John Francisco with Sharriese Hamilton, Mark Kaplan, James Nedrud, Danielle Plisz (Jeff Award nominated), Bethany Thomas, Dana Tretta and Andrew Swan.

at Stage 773, 1225 W. Belmont Ave., Chicago

Fresh from a concert at Joe’s Pub in New York City with a revamped book and expanded score, last year’s sparkly, queer holiday hit is back… and better than ever!  Box maker Conrad Ticklebottom’s life has hit a block. Once, Conrad and his purple box ignited an entire movement in art and design, but now he finds himself alone, forgotten and teetering on ruin. The holidays bring three magical figures to his door – a trio of Liza Minnellis to escort him on a fabulous journey through what-was, what-could-be and what-the-f*?!, redeeming his lost promise and re-inventing a brand-new Conrad Ticklebottom.  A quirky holiday musical tale of hope, transformation… and the power of Liza!

March/April 2014

The Chicago Premiere of 
BRAHMAN/I

By Aditi Brennan Kapil

Directed by Collective Artistic Director Andrew Volkoff

Location TBA

This hilarious stand-up comedy routine/play takes on history, mythology, gender roles and high school through the distinct comic lens of Brahman/i, an Indian intersex person – a hijra – tethered by neither gender nor culture, and wildly curious and inventive in their examination of both.

Aditi Brennan Kapil is a writer, actress and director of Bulgarian and Indian descent. She was raised in Sweden and resides in Minneapolis, MN. She performs extensively around the country and her writing has been produced nationally to critical acclaim. Her play Love Person received the 2009 Stavis Playwriting Award, and her play, Agnes Under the Big Top, a tall tale, was selected as a Distinguished New Play Development project by the NEA as administered by Arena Stage.  Her most recent work is the “Displaced Hindu Gods Trilogy,” consisting of the plays Brahman/i, The Chronicles of Kalki and Shiv.  Aditi is currently working on commissions with Yale Repertory Theatre, La Jolla Playhouse and South Coast Repertory Theatre, and is a resident artist at Mixed Blood Theatre, an artistic associate at Park Square Theatre and a Core Writer at The Playwrights’ Center in Minneapolis.

About Face’s OUT FRONT Series

A year round line-up of workshops and readings of new and developmental works, including:

BILLIE AND BILLY by AFT Artistic Associate Paul Oakley Stovall

Saturday, November 9, 2013 and Sunday, November 10, 2013 Location TBA

The divide between different cultures and ethnicities, between men and women, between straight and gay in America can be a great one.  Using only two characters, Paul Oakley Stovall aims to present what seems to be a tiny little drama, set in a small city apartment and the empty flat across the hall.  As Billie and Billy form an unexpected bond, their lives begin to intersect in strange ways. The audience is invited to explore with them: our need for companionship, our desire to solve the mysteries of existence and the ways in which we see ourselves in the eyes of others.  Billie and Billy explores the similarities ignored, our common needs and desires and the mutual ground we walk upon.  

THE GOOD PRIVATE by AFT Artistic Associate Tanya Saracho, featuring songs by Tamara Roberts, directed by Wendy C. Goldberg

Friday, December 13, 2013 – Sunday, December 15, 2013 Location TBA

The Good Private is a fictionalized musical composite inspired by the real life of Civil War soldier Albert Cashier, who was born Jennie Hodgers but who enlisted as a male soldier in the 95th Illinois Infantry.  After being a prisoner of war for two years and serving his time in the field, Cashier went on to lead a quiet life as a male in Central Illinois, until he was discovered in his old age.  Due to lack of documentation of Cashier’s very private life, The Good Private is part reimagining of and part homage to a truly remarkable Illinoisian.

when last we flew by Harrison David Rivers

January/February 2014 Location TBA

Inspired by Tony Kushner’s Angels in America and a testament to the power of theatre, when last we flew is a moving and often humorous look at life in small town America from a contemporary teenage perspective.  After stealing his local library’s only copy of Angels in America, misfit teenager Paul locks himself in the bathroom to begin reading the landmark play. He soon finds that his life and the lives of those around him in his small Kansas town are about to take flight, and over the course of a seemingly ordinary day, extraordinary things start to happen…

ABRAHAM LINCOLN WAS A FA**OT by Bixby Elliot

May 2014 Location TBA

A new play from the writer of last year’s hit show Girl You Know It’s True by Chicago’s Pavement Group.  A young boy, Cal, discovers information that may prove that Abraham Lincoln, our country’s most revered president, might be a homosexual and embarks on a journey to prove it to his family — and himself.  Cal’s story is juxtaposed with scenes from Abraham Lincoln’s life in the 1800s; along the way there is sex in a stovepipe hat, time travel, a road trip to the nation’s capital, budding high-school romance and a quadrille or two.  Abraham Lincoln was a Fa**ot is a play less about IF Abe was gay and more about WHY it would be important if he were.

June 2014

PRIDE CABARET SERIES

Location TBA

To commemorate Pride Month, every weekend in June, About Face Theatre will be hosting a series of cabaret performances celebrating every aspect of the LGBTQA community.  From showtunes and standards to comedy to new music to open mics, we’ll be serving up the fun as we invite our community to join with us in making Pride laugh, sing and sparkle!

July 2014

The World Premiere of

CHECKING BOXES

By the About Face Youth Theatre Ensemble

Location TBA

Every two years, About Face’s acclaimed Youth Theatre devises a play as the result of workshops, in depth interviews, theatre training and improvisation.  Working with a professional writer and director, they produce plays that tackle challenging topics ranging from anti-gay violence to safe spaces for youth in the LGBTQA community.  This year, AFYT turns its attention to an exploration of immigration in the queer community.  Building off the work that they created in this summer’s research filled Youth Intensive, they’ll be bringing this brand new play to Chicagoans in July 2014.

About Face Theatre (Andrew Volkoff, Artistic Director) is one of Chicago’s most acclaimed theatre companies, and is a national leader in the development of new work exploring gender and sexual identity.  Since its founding by Kyle Hall and Eric Rosen in 1995, the company has premiered more than 48 world premieres by writers and directors who have been recognized with several Tony Awards, The Pulitzer Prize for Drama, The MacArthur Fellowship and dozens of Joseph Jefferson Awards.